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Home , Abe no Seimei, Baku (mythology), Daruma doll, Fukurokuju, Gentoku, Grass skirt

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This file will be updated quarterly to include the latest published issue. Each letter A-Z has a double asterisk and most nouns and artists’ names have a single asterisk to quickly maneuver throughout the index. Please report errors/omissions to Linda Meredith [email protected]

INDEX

INTERNATIONAL NETSUKE SOCIETY JOURNAL

Vol. 21 to Vol. 34 (2001–2015) Updated to include Vol 34/4 (Winter 2015)

A** wearing mask, wood, , by Sansho, Aarseth, Bjarte, pictured 24/3:58 32/1:19,19 Abel, David “Almost True,” fiction, 23/3:50 , ivory, gold, ebony, 34/2:56 Adachigahara snail and , ivory, gold, 34/2:56 legend, 25/2:46 Abel, Irene, pictured, 29/3:60 ivory , signed Kogyokusai, 25/2:46 Adameck, Ted, 23/4:4, 27/4:8 and Abe no Seimei’s daughter, ivory, 29/1:56,56 and daughter Sandra, pictured 24/3:59 startled by 9-tail fox, ivory manju, by Moritoshi, book review of The Art & Life of Michael Birch, 33/4:42,42 33/2:54 (see also Tamano no Mae) Adornment in Clay: Ceramic Netsuke from the acorn*, wood, by Sachiko, 24/3:38,38 Richard R. Silverman Collection, reviewed, 30/3:55 acrobat* Ainu* balancing on drum, wood, by Gyokumin, 25/3:41,41 Ainu or Mongolian?, conical , with dog, wood, 33/2:48,48 (see also Tokaido road porter) carrying fish, wood, by Hideyuki, 25/4:55,55 actor* Akira* in Usofuki mask; large shishi mask on back, ivory, by Gyokusai, 28/1:43,43 celestial globe, 26/4:52,52 impersonating Kiyohime, ivory, uns. 22/1:48,48 solar system, epoxy, 26/4:53,53 Kabuki squirrel inside apple, lacquered boxwood, 29/4:7 Ichikawa Danjuro, inro by Shosai, 31/2:39,39 amagatsu*. See doll seated, ivory, by Anraku (sig. shown), -o-Mikami (the Sun Goddess), 28/1:34 32/2:19,19 anabori* (cavern carving), described, 27/3:59 as a street ruffian, ivory, by Ryo, 29/3:22,22 Arhat with fly whisk, wood, ivory, by Ryukei, male playing female role, 29/4:37,37 28/1:41,41 mask aside, holding bowl, ivory, by Seishi, Ariwara no Narihira 34/3:14,14 story of, 27/1:28 actor wearing fox mask, wood, by Toen, gazing at full moon, ivory kagamibuta by 28/2:27/27 Rakumin, 27/1:28,28 standing, looking right, ivory, 31/3:41,41 1

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maple leaves floating, Ryusa manju, ivory, uns., angel*. See Buddhist angel 27/1:29,29 Anraku* with fox mask, riding horse into exile, ivory career, work of, 30/3:16; 32/2:17 kagamibuta, uns., 27/1:28,28 career, styles, artists using this name, 32/2:15 Ajioka, Dr. Chiaki, pictured 26/4: influenced by Mitsuhiro, 30/3:18 Akabane, Katsuhide, pictured 26/1:9, and actor as Benkei, ivory, 30/3:19,20 Hidemi, 27/2:45 ama holding large awabi, ivory, 25/1:19,19 “Research on Ashinaga and Tenaga,” 26/2:20 boar and snake, ivory, 30/3:16,17 Akemi* bird capturing fish, ivory, 32/2:26,26 fallen leaf, wood, 21/4:61,61; correction, boy on ox, on base, ivory, 30/3:16,16 22/1:69 carp in bowl, ivory, 27/2:54 Akihide* carp struggling in current, ivory, 27/4:45,45 Morito with head of Kesa, wood, 31/4:3 courier in boat, ivory (sig. shown), 32/2:23,23 Portuguese juggler, wood, ivory, 31/4:3 Daruma Ryujin’s attendant struggling with , wood, 29/2:57,57 asleep, alms bowl as pillow, ivory, 30/3:19,19 Akifuku, inro, men painting, 24/1:34,34 standing, stretching, ivory (sig. shown), Akira 32/2:20,20 box, with poem and shooting star, Daruma roly-poly/doll 24/3:40,40 back view showing signed and dated solar system, 26/4:53,53 signature, 30/3:18,19 Akiyama, Dengen, pictured; 24/1:8 encircled by giant hossu, ivory, 29/4:45,45; ama*. See fisher girl, coral diver 30/3:cover; 19,19 Amaterasu*, 31/4:12 squat, with hossu, ivory, 30/3:17,17 “Amazing Devices in Movable Netsuke: Why and yawning, ivory, 30/3:18,18 How: Beyond Toys,” by I Kimura, et al, 34/4:20 dice man, trick netsuke, ivory, 30/1:5; 32/2:22,22 amma*. See blind man (amma) dragon in conch, ivory, 30/3:18,17 “Anabori (cavern) and Interior Carving,” by Dr. I. Fukusuke, ivory, 29/1:60,60 Kimura, 27/1:23 horse, front legs on bucket, ivory, 29/4:49,49 Anchin and Kiyohime* Jurojin and deer, ivory, signed Shunkosai w/seal described, 23/4:17 Anraku, 32/2:cover Kiyohime Festival, 28/1:19 Kabuki actor, seated, ivory (sig. shown), story of, 23/4; 28/1:14 32/2:19,19 Tomotada, 33/4:34,35 karako dragon engulfing temple bell, wood, by holding snout of , ivory, 28/3:43,43 Tametaka, 23/4:17 riding water buffalo, on base, ivory (sig. inro by Gyokuzan, 29/4:39,39 shown), 32/2:22,22 Kiyohime, rising above bell, ivory, uns., 23/4:17, Kawakami Takeru fighting, ivory (sig. shown), 17 32/2:22,22 Kiyohime looming over bell, wood, by man polishing bell, ivory, 29/1:56,56 Tametaka, 33/4:48,48 poet Hitomaru, ivory, 22/4:59 mask of Kiyohime on overturned bell, ivory, by Kintaro fighting boar, ivory (sig. shown), Kaigyokusai, 27/1:43,43 32/2:21,21 Kiyohime trapping Anchin inside bell, wood and Kyumonryu Shishin fighting enemy, ivory, wood, ivory, by Minko, 28/1:20,20; 31/3:42,42 24/4:18,18; 30/3:20,21 temple bell, refuge of doomed Kiyohime, wood, no Komachi on log, next to belongings, 33/4:34,35 ivory, 28/3:obc (see also Kiyohime) Ono no Tofu, 3ivory, 0/1:27,30 Anderson, Mandy, pictured, 28/3:7; 30/3:6

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ox and man, on base, wood (sig. shown), or Chinese, tall ivory, 24/3:16,16 32/2:26,25 with bow and arrow, wood, 21/3:27,27 quail, millet in beak, ivory, 21/3:51,51 with bow and arrow, ivory, 33/2:50,50 rat catcher with sparrow escaping, ivory (sig. Tartar shown), 32/2:23,23 arms folded under sleeves, stagantler, sennin, dancing with fan, ivory (sig. shown), 28/4:23,23 32/2:19,19 huntsman, ivory, 23/2:55,55 shishi (sig. shown) loading bow, wood, 31/2:40,40 on egg, tengu no tamago parody, ivory, uns., ivory, 24/1:37,37 32/2:18,18 yabusame (archery exhibition) on incense burner, ivory, 32/2:18,18 archers exhibition at matsuri, 28/1:36 on pedestal, ivory, 32/2:18,16 archer on horse, arrow in hand, ivory, stirrup, ivory, 30/3:19,20 28/1:36,36 Tadanori subduing the oil thief, ivory, archive compiled by Weber, 21/2:2 32/2:21,20 arhat*. See Chingi (sig. shown) Ariomaru* in flowing robes, ivory, 32/2:25,24 story, 24/1:16; 21/3:38 playing instrument, ivory, 32/2:25,24 fighting octopus with uchiwa, ivory, 32/2:25,24 wood, by Ichimin, 21/3:38 tongue-cut sparrow with old woman, ivory (sig. wood, by Itsumin, 21/3:38,38 shown), 32/2:22,23 wood, by Jugyoku, 24/1:16; 27/3:61,61 tsuba, ivory, 32/2:16 (see also Shunkan) woman (sig. shown) “The Armchair Collector,” column by R. and karako, ivory, 32/2:25,25 Hieronymus. Subtitles: etched on box, shunga, ivory, 32/2:25,24 Searching for Jurojin, 25/3:53 Anrakusai* In Search of Minko’s Elephant Netsuke, 26/1:43 boar asleep on foliage, ivory, 33/4:40,40 Wondering about Raiden (), 26/3:59 Anrakusai Kogyoku The Big Win, 27/1:46 karako with large ball, ivory, 29/1:59,59 Kirin: Ace High in the Netsuke Deck, 27/3:64 ape* Ashinaga & Tenaga, the Dynamic Duo, 28/2:39 and young, ivory, by Mitsuhide, 32/3:49,49 Kibidaijin, 28/3:40 three wise, standing on shoulders, ivory, by Kan’u and the Dutchman, 29/1:32 Sansho, with kao, 33/3:53 Genjoraku or Ryujin?, 29/4:26 Arababa* A Biiru or Two Between Friends, 31/3:48 frightened by bakemono, ivory, by Gyokuzan, 32/4:34,34 no Ne, 32/3:37 with scissors, ivory manju, by Masayuki, Takaashigani Sennin: One of a Kind, 34/1:38 25/1:14,14 Kitsune- (Headman-Hunter-Fox), 34/3:28 Aranthoon, Rob, pictured, 25/4:59 armor, suit of, on storage box, netsuke, 26/1:34,34 archer* arrows*, types of, 34/2:9,9 accoutrements of, and karimata style arrowhead, art name (go) red and gold inro, uns., 34/2:13 interpretation of, 24/1:46 and attendant, , uns. inro, 29/2:21,22,23 Asahina no Saburo* holding arrow, bow, ivory, 33/4:15 scene from life of, wood, by Kameyama, ivory, by Okakoto, 30/2:52,52 28/2:37,37;38 (see also arrows) and Soga no Goro, ivory, attrib. to Otoman, Mongolian 33/2:48,48 ivory, 23/3:40,40; 24/1:39,39; 24/2:ifc neck-wrestling with an , 22/4:33

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Asahiro catching butterflies, ivory manju, Tenaga’s foot on Ashinaga’s fat belly, ivory, 28/2:52,52 27/1:35,35 Asakusa school Tenaga lighting Ashinaga’s pipe, ivory, by about, 27/3:61 Kaigyoku, 28/2:39,39 Ashinaga* tying shoe lace, ivory, uns., 28/2:40,40 standing, bent elbows forming himotoshi, tying shoe lace, robes with dragon design, ivory stagantler, uns., possibly by Kokusai, 34/2:55,55 by Satake, 32/1:37,37 Ashinaga and Tenaga* (see also Tenaga) about, 27/3:62 Ashkenazie, Sydney, pictured 21/4:9 defined, origin, meaning, lessons learned, Asian Tales, by Ted Adameck (reviewed), 31/1:56 26/2:20 “Ask Burado-san,” 24/3:60; 24/4:41 drawings in Hokusai’s , 26/2:21 Ataru, pictured 24/3:59 example of cooperation, 28/2:39 Atchley, Susan exchanging fish for peach, symbolism, 26/2:24 bio, 24/2:50; pictured 21/2:10; and father map alluding to long legs/long arms, 30/1:34,34 Raymond, 24/2:37 history, 30/1:34 Atchley, Virginia, 21/4:50; 23/3:11; 24/2:43 Ashinaga applying moxa to Tenaga’s legs, both bio, 24/2:54 are seated, wood, 23/2:51,51; 30/1:36,36 pictured 24/1:8, 24/2:38, 25/2:44, 25/4:59, catching fish 26/1:56; and Raymond, 21/2:10; 22/1:8 wood, uns., 25/3:38,38; 26/2:20,20,23 book review, 22/3:50; 24/1:51 wood, by Setsusen, 22/1:51 death, 33/1:57 fish tripped under Tenaga’s foot, ivory, profile by Michael Strone, 236/1:56 30/1:36,36 Atoyama* ivory, uns., 26/2:24,24; 28/2:39,39 Kan’u, holding beard, halberd, wood, 28/3:46,46 catching octopus auction house himotoshi added later, wood, by Toyotsune, buying precautions, 25/4:13 25/4:48,48 estimates, 24/2:45 inro, wood, red lacquer, 30/1:37,37 litigation, 21/1:17; 22/3:16 ivory, by Gyokumin, 26/2:23 guideline, 29/3:41 ivory, by Masamitsu, 22/3:22 authenticity* ivory, by Tomomasa, 27/4:51,51 25/1:26; 25/3:10; 25/4:10; 27/2:32; 27/3:34; ivory, uns., 26/2:23,23,24; 30/1:27,29 28/3:32; 28/4:25, 28/4:48; 29/3:37 stag antler, 26/2:23,24 29/1:28, 30/1:40; 30/1:40 (see also stagantler sashi, by Beisai, 30/4:51,51 fakes/forgeries; signatures) Tenaga in mugwort leaves, ivory, 30/2:36,37 Awataguchi*, 23/4:40; 28/2:34 wood, uns., 27/1:34,34; 29/3:48,48 Ashinaga and Tenaga catching octopus, tall wood, by Shugetsu, 34/1:25,25 ivory, 26/2:23,23 wood, by Awataguchi, 26/2:23,23 horse, rolling, wood, 32/4:41,41 Ashinaga holding peach, Tenaga holding fish, man tying , wood, 26/1:48,48 painting by Kyosai, 26/2:23,25 Moso holding large shoot, 32/3:26,26 exchanging fish for gourd, by Kuya, three blind men on a raft, wood, 28/1:51,51; sig. 26/2:24,25 shown, 31/4:11,11 frightened by Rokurokubi, ivory, by Masayuki, Ayre, Peter, pictured,23/2:8; 30/1:6, 33/2:37 28/2:39,40; 28/2:53,53 mouths open and closed, forming Buddhist A- B** hum screen in Seiryo Palace, 26/2:22,22 Bacon, Frances, and Ceradwen, pictured, 30/1:10 stretching limbs (Tenaga is upside down), ivory, badger* (tanuki) by Tomochika, 30/1:37,37 beating/carrying scrotum parody, 26/1:47-48

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Back to netsuke.org characteristics, 27/3:29, transforming into priest defined, 22/4:9; 33/1:42 wood, 21/4:28,28 confused with badger, 27/3:29 badger half wrapped in lotus, ivory, horn eye, badger and hunter 28/2:53,53 smothering with scrotum, ivory, by wood, by Goshi, 34/3:26,26 Masakazu, 21/3:36,36 Baigyokusai*, dragon design based on painting, smothering with scrotum, wood, by Ittan, inro, 29/1:53,53 26/3:54,54; 33/1:42,42 Baird, Merrily with hunter and assistant, ivory, by Kyokusai, “Benkei: A Large Measure of Fantasy and Small 31/3:5 Pinch of Fact,” 21/3:44 and lotus “Gama Sennin and the Wonder of Toad resting on lotus leaf, and frog, stagantler, and Magic,” M. Baird co-author, 22/2:58 uns., 33/1:43,43 Baiko*, rattan pipecase, plum blossoms in vase, under lotus leaf, with sake bottle, wood, ivory 33/4:49,49 , 27/3:30,29 Baieisai* wrapped in lotus, wood, by Toyomasa, Gozen and Wada Yoshimori in battle, 33/1:44,44 ivory manju, beating belly bakemono* silver, in openwork walrus ivory manju, in Japanese culture, 27/3:22 signed with seal Ko, 34/4:51,51 in netsuke, 27/3:24 wood, by Hidari Issan, 23/3:11,11 meaning of word, 27/3:22 ivory, by Kaigyokusai, 22/2:ibc belly, belly, brush pot, ivory, 22/4:3 by Tadashige, 33/1:42,43 cross-eyed, and sleeping child, umimatsu, by wood, by Kokusai, 34/4:45,45 Chomin, 21/2:22,22 wood, 24/1:34,34 disguised as priest, ivory, 23/4:47 mokugyo-belly, by Kokusai, stagantler, grave yard with lantern, wood, by Komin, 27/3:30,29 27/3:24,24 beating scrotum holding its long neck, by Masatoshi, 23/4:47 as priest, beating enlarged scrotum with macro cephalous, wood, by Yusen, 28/1:51,51 mallet, wood, uns., 26/1:48,48 nyudo, elongated neck and staff, ivory, as badger priest uns., 27/3:cover, 25 asleep on mokugyo, 21/4:28,2 one-eyed, stagantler, in wood bowl, 27/3:24,24 stagantler, by Masayuki, 27/3:29,28; six-eyed, by , ivory, 23/1:17 30/3:52,52 two manju, ivory, 27/3:23,23 wood, holding ivory rosary, by Kenji, wood, ivory inlays, by Ikko, 23/4:42,42 25/4:54,54 yokai under leaf hat, transforming, uns. ivory, carrying massive scrotum, wood, 26/1:48,48 27/3:24,24 begging like a dog, up on back legs, wood, badger tea kettle* (bumbuku chagama) 30/4:54,54 carved from nut by Masanao, 33/1:43,43 box netsuke, lacquer, collaboration by Birch and ivory, by Mitsuhiro, 26/3:obc; 31/4:55,55 Saratani, 24/3:43,44; pictured, 27/2:43 priest sipping next to transforming kettle, ivory, carved as a cigarette holder, stagantler, by by Minkoku, 25/1:17,17 Kogetsu, 31/2:21,21 priest surprised by transforming kettle, wood, by dancing, wood, 30/4:54,54 Shuzan, 25/1:24,25 eating honeycomb, wood, by N. Lamb, 22/1:ifc badger transforming, ivory, by Toshiyuki, in mushroom hat, carrying gourd, 24/1:35,35 21/2:26,26 lying face up against tama, wood, by Zanmai, scurrying badger held by tinker, wood, by 34/3:5 Shukyu, 33/1:43,43 seal netsuke, 21/4:21,21

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while held by a man, wood, by Shukyu, single horn, looking back, ivory, Garaku school, 33/1:43,43 32/1:30 while drumming belly, wood, by Tokoku, striding, looking back, wood, uns., 31/4:37; 30/1:ifc 31/4:45,45 “The Bakemono Says” unicorn baku, ivory, Garaku school, 32/1:31 topics: on pillow, wood, 28/1:9; 28/2:7 auction litigation, 21/1:17 bakufu. See government protection of cultural artifacts, 21/2:18 Balan, Maria, pictured, 27/2:44 informed decisions (satire), 21/3:143 bamboo* Sotheby’s, 22/2:8 section, lacquer butterfly, stagantler, uns., Christie’s and Sotheby’s, 22/3:16 25/3:20 Chicago Art Institute; Elgin marbles, 22/4:14, section, from hippo tooth, by Goho, 30/4:51,51 23/1:13 bamboo node Chinese art surge, 26/2:14 anabori carving by Sekiran, ivory, 27/1:23,23 Greenfield sale, 26/3:16 shaped as an ear, signed(?) 21/3:27,27 Baker, Dr. Janet, pictured 23/3:55 and , sunflower, ryusa manju, 27/3:56,56 Baker, Sheila, pictured 23/2:8 wood, 26/4:46,46 baku* woven lunch box, uns., 21/1:obc baku king in shape of a parrot, wood, by writing box by Zeshin, 28/4:37,37 Kingyoku, 23/4:11,10 Bandini, Luigi, 23/1:14; pictured 22/2:44 chasing its tail, ivory, 27/3:48,48 Bandini, Rosemary, 23/3:22; 30/4:7; 34/4:7 crouching pictured 23/2:9; 25/4:61; 31/2:51; 33/2:36 ivory, , 32/3:9 “Reflections of Christianity in Japanese ivory, 32/4:51,51 Culture,” 25/4:18 ivory, by G. Weil, 22/3:45,46 “Putting the Record Straight,” 26/3:19 ivory, seal netsuke, 22/3:28,28 “Transformations and Bewitching Apparitions,” karako atop baku holding its snout, ivory, by 27/3:22 Anraku, 28/3:43,43 “Luck and Longevity: Interview with Ted king, on base, wood, by Gyokumin, 22/3:22 Wrangham,” 27/4:58 on base Tiny Titans, the Netsuke, (reviewed), baying, ivory, uns., 21/1:13; 26/4:38,38; 27/2:66 28/2:53,54; 32/4:52,52; 33/4:2 “The Netsuke of Anraku,” 30/3:15 looking back, ivory, by Mitsuhiro, signed and “The Meaning of Serendipity,” 30/4:20 dated, 26/1:35,35; 27/2:34:34; 33/1:3 In a Nutshell: A Loan Exhibition of Japanese (inscription shown) Netsuke from European Collections (reviewed) looking back, ivory, uns., 33/4:2 33/3:51 reclining, looking back, ivory, 30/4:51,51 “Bands of Flowers in Gold and Silver Metal Wire. seated on Metal and Lacquer Inro,” by E&H Kress, 33/3:26 head lowered, ivory, by Yoshinaga, 31/1:15,15 Barash, Susan, pictured 27/1:8 head lowered, wood, uns., 31/4:44,44 barbarian*. See nanban head turned back and up, ivory, uns., Barekejin, protector of horses, ivory, by Tokusai, 23/2:ibc; 23/3:41,41; 34/2:46,46 31/3:10,10 head turned slightly to left, wood, uns., Barnewolt-Jones, Judy, pictured, 31/2:53, 34/3:14 31/1:16,16; 31/4:44,44 “A Puppy Netsuke by Komin with Kao,” 29/1:36 head up, roaring, ivory, uns., 25/1:14,16 Bartholomew, Terese Tse scratching, looking over shoulder, ivory, uns., Hidden Meanings in Chinese Art, reviewed, Kyoto, 31/4:44,44 29/1:61 Bashiko*

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tending to dragon, wood, by Tsuhan Minko, ivory, by M. Birch, 33/2:cover 33/4:34,34 ivory, by Kaigyokusai, 28/3:43,43 administering to dragon, ivory, 34/4:50,50 ivory, by Sansho, 32/1:15,15 Basho frog haiku, wood, 22/2:32,32 pipecase, wood, by Soko, 33/48,48; 34/2:19 basket* of fruit, wood, by Mitsuhiro, 27/4:51,51 beans* basket ferry holding rice merchant, wood, by three, ivory, by Haruki, 28/3:50,50 Sukenaga, 30/1:51,51 wood, by Soko Morita, 21/1:52,52 bat* bear* among vine and mitsudomoe (3-comma design), fed by a monkey, ivory, by Ikkosai, 22/3:9 ryusa,34/4:17,17 Koala, wood, by Susan Wraight, 26/4:54,54 and reishi fungus, by Masayuki, 24/3:17 okimono, ivory, by Koho, 21/4:73 and reishi, ivory, Asakusa-style, 32/2:58,58 with fish, ebony, by Masatoshi, 24/3:13,13 bats clinging to branch, wood, by Kagetoshi, Beatty, Chester Collection, 25/4:6 34/1:46,47 bee* bronze, uns., 24/1:31 violet bee, confused with honey bee, 26/3:56 ebony, by Bishu, 27/2:7 violet bee on chrysanthemum, lacquer & metal ebony, by Horaku, 27/4:51,51 manju, by Shokansai, 26/3:57,57 ebony, by Ikku, 28/1:30,30 beer, inro, design after Budweiser beer, uns., ebony, by Masatoshi, 28/1:30,30 33/4:56,54 ivory, 25/1:24,24 beetle* on roof tile, ivory, by Mitsuhiro, 30/4:53,54 confused with click beetle, 26/3:55 on roof tile, ivory, by Rangyoku, 31/4:obc click beetle stylized, a wing extended, attrib. to Kokusai, on wood, Iwami, 26/3:55,55 34/3:8 on boar booth, by Tomiharu, 26/3:55,55 bather* (see also cicada, firefly) girl drying with a towel, ivory, by Ryo, beggar* 29/2:38,38 custom of begging with mokugyo or jangles, pregnant woman toweling face, wood, by Miwa, 29/3:21 27/4:12 (see also Totsuka beggar) woman in bath bubbles, ivory, by Ryo, 32/2:36,36 Behrens, W. L., collection, 29/1:24 man, toweled, animated face, ivory, 28/2:48,48 Beisai*, Tenaga and octopus, stagantler, 30/4:51,51 Bazan* bell* monkey on egg, and emerging tengu, wood, polished by man, ivory, by Shukosai (Anraku), 26/1:42,42; 26/2:32 29/1:56,56 Beamer, Chris, pictured, 27/2:69 fisherman dragging bell, gift from Otohime, story of, 24/1:14 “Tomochika I: Carver and Pundit?,” 26/2:28 (see also Anchin & Kiyohime) “Suzume no Yado,” 26/3:23 Bellino, Franco “Sosen: Kyoto Netsukeshi?,” 27/2:30 “Gaujin, Chinese Toggles: Netsuke’s Newest “Matsuri: A to a Better Future,” by C. Old Frontier, 29/4:30 Beamer, 28/1:34 “Going Nuts for Cooper (not Gary)”, 34/2:23 “The Centennial Sennin,” 29/1:23 Benkei* “Lost in Plain View: A Noteworthy 19th Century Netsukeshi, All But Invisible,” 29/2:14 actor, ivory, by Anraku, 30/3:19,20 “Poor Man, Beggar Man, Rich Man, Thief!...but and giant carp is the Amma also a fish without water?,” by Kikugawa Tounsai, 27/4:46,46 30/2:18 ivory manju, by Kikugawa, 34/2:28,28 “Ehon: A Treasure Bag of Inspiration,” 31/3:12 and Yoshitsune, wood, tall, by Ryukei, 21/2:55 bean pod* blowing conch, sculpture by Haritsu, 31/1:30

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blowing conch inside larger conch, ivory, by death, 28/4:57 Minkoku, possibly pupil Shuyusai, 34/2:49,49 collaboration with Saratani, 24/3:43 covered by diminutive Yoshitsune, wood, by bean pod, ivory, 33/2:cover Ryukei, 21/3:31,31 Daruma, vestiges of, mammoth ivory, 34/1:14,14 in giant conch, wood, inlays, uns. 33/3:24,24 mobius Daruma, ivory, 24/3:cover,35,34 on giant carp, ivory, by Tokyoku, 30/4:46,46 Dutchman, elaborate robe, stagantler, 27/1:36,36 reading Kanjin-cho, ivory by Masatoshi, tanuki, lacquer box netsuke, collaboration with 29/3:46,46 Birch, 24/3:43,44 smoking pipe, on bell of Midera, wood, tengu, lacquer box netsuke, collaboration with 31/2:44,44 Tomiso Saratani, 24/3:44,45 (see also Yoshitsune) “A Rare Collaboration,” 24/3:43 “Benkei: A Large Measure of Fantasy and Small “A Remembrance of Michael Henry Birch,” by Pinch of Fact,” by M. Baird, 21/3:44 R. Kinsey, 29/1:63 Benten* The Art & Life of Michael Birch, by J. Birch, about, 27/2:13; 33/1:12 33/4:4; reviewed, 33/2:54 as harlot of Benares, a parody, 33/1:12,13 Birch, Janet, 30/1:11; 33/4; pictured, 30/1:4 dragon as aspect of, 33/4:34 bird* one of seven gods of good fortune, 34/2:26,26 and other animals in netsuke, 29/3:30 and dragon, ivory, 33/4:34,35 and amphibian, ivory ojime, 29/3:31,31 holding ruyi scepter, ivory ryusa by Koku, bird on metal inro, 21/2:30,30 pipecase, musozutsu, reishi, lucky symbols, birds of prey, favored designs of samurai, 33//2:26,26 28/2:43 playing , atop dragon, ivory, uns., 25/1:60 birds of the sea, 24/1:21 playing , wood, by Shoko, 31/2:47,47 dove wood, by Mitsuhiro, 28/4:40,40 Berner, Barbara, 23/3:9, pictured 25/1:59 goose “Encounters,” 25/1:59 ivory, by Mitsuhiro, 21/3:cover; 50,50 Bernstein, Michael, pictured, 29/3:60 ceremonial censer, shibuichi, by Gyokutosai, “The Netsuke of Hakuunsai II,” 24/4:36 34/3:ifc “X-Ray Computed Tomography of Japanese kinglet, wood, by M. Kowollik, 21/4:ifc Netsuke,” 21/2:32 lovebirds, ivory, by G. Weil, 34/2:17,17 Beshimi*, noh mask by Deme Uman, 28/1:41,42 on perch, Shibayama school, ivory, inlays, Bevan, Paul, 29/2:26 34/2:26,26 “Beyond Ivory: The Colorful World of Netsuke,” perched in mouth of oni, ivory, by Mitsuhiro, Part 1, by H. Goodall, 24/4:14; Part 2 by O. 34/4:44,44 Madden, 24/4:24 pierced stagantler, 22/1:47,47 Bieri, Alexander L heron, by Masatoshi, 24/4:26,26 “Of Pox and Man-Eating Monsters, pigeon “27/1:50 ivory manju, by Shibayama, 25/1:14,14 “A Treasure Trove of Albumen Photographs,” two on roof tile with of Arima 34/3:50 Yoshisuke, wood, 32/2:46,46 bikuni* (Buddhist priestess) wood, colored horn, 28/1:42,42 soliciting money for temples, 26/1:45 raven and skull, ivory, by Meigyokusai, wood and ivory, uns., 26/1:45,45 29/3:50,50 wood and ivory, removable skirt songbird in magnolia tree, stagantler, by Rensai, by Hoshin, 26/1:46,46 22/3:25 by Masanao (Kyoto), 26/1:46,45 spirit, wood, by Zanmai, 28/4:4 Birch, Michael, 22/3:39 swan or pelican and young, kagamibuta, and Janet, pictured 21/2:4; 21/4:16; 23/1:13; 23/2:25,24 24/3:43; 29/1:63 swan, ivory, by Shingetsu, 33/2:5

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(see also , crow, duck, eagle, falconer, occupations available to, and depicted in goose/geese, ho-o, karyobinga, owl, phoenix, netsuke, 27/4:62 plover, quail, sparrow) confused with Totsuka beggar, 26/1:46 bird cage first represented in netsuke art, 27/2:63 with prunus, ivory, by Kagetoshi, 31/3:41,41 relationship to , 30/2:21 inro by Gyokuzan, 29/4:38,38 adjusting , wood, by Jobun, 26/4:34 “Birds of a Feather,” by E. & H. Kress, 28/2:42 folded paper tucked in his , lifting his Birnbaum, Carolyn feeling ground for dropped coins, ivory, by memoriam, 32/1:57 Gyokusen, 27/4:62,63 Birnbaum, Peter, pictured 24/3:59; lifting garment; folded paper tucked in yukata, and Carol Lynn, 21/4:8; 25/4:57 27/1:44,44 Bishamon* masseurs injured by rickshaw, woodblock, 27/4:65,65 characteristics, 27/2:13 fighting and tiger, wood and ivory, by Kokoku, 21/2:3 ivory manju, by Zemin, 27/4:66,66 oni stealing pagoda, stag antler, metal, by Masayuki, 34/1:15,15 three fighting, ivory, by Zeraku, 30/46,46 Bishu*, 22/3:41 following one another, walrus ivory, uns., 27/4:66,66 sig. shown, 29/3:40,40 lantern on head with for blind man, wood, bat, ebony, 27/2:7 28/3:8,8 cat and toad, mammoth tusk, 22/3:41,41 leaning on staff (missing), wood, by Higo Daijo, cat, mahogany, 22/1:ifc 28/3:51,51 horse “Pegasus,” 30/3:5 musician, ivory, by Tomochika, 23/2:39,40 kirin, two baying, ivory, 32/1:53,53 on a raft mantis, stag antler, Goryo Bishu, 33/2:7 two, wood, by Sosui, 27/4:64,64 monkey, wood, 24/2:19 two, wood and ivory, by Sosui, 24/2:ibc sexy rabbit, wood, 24/3:55,55 three, wood, by Awataguchi, 28/1:51,51; snake, wood, 33/2:41,41 31/4:11,11 tiger, wood, 28/3:4; 29/3:50,50 removing stone from geta, wood, by Shoko, unicorn, ivory, 32/1:52,52 30/2:19,19 woman and praying mantis fused, stagantler, traveler, smiling, wearing kinchaku, netsuke, 32/3:6 ivory, 32/1:37,37 biwa* with stone in geta, wood, by Shoko Suganoya, described, 33/1:12 27/4:62,63 with fly, ivory, by Mitsuhiro, 29/1:9 (see also masseur; Totsuka beggar) Bjorkman, Cerry and Gunvor, pictured 21/1:12 blind masseur “Black Beauty,” by G. Heckmann, 27/2:14 history of in , 30/2:18 “Black Lacquer Eighteenth Century Inro in the as talisman, 30/2:22 Shape of Antique Ink Tablets and Their with strength stone Sixteenth Century Design Drawing,” by H&E inscribed rokuju kanme, ivory, 30/2:20,20 Kress, 34/1:40 ivory, by Ryoun, 30/2:19,18 Blady, Tom, pictured 25/4:59 ivory, inscribed Rokuju kanme, ivory, Blakely, Brad 30/2:20,20 “Ask Burado-san,” 24/3:60; 24/4:41 ivory, rope tied to hand & foot, alluding to abstract ojime, 26/1:2 namazu, 30/2:20,20 kappa, gold ojime, 32/1:54,54 ivory, by Ryoun, 30/2:19,18 blind man*/men ivory, by Jobun, 22/1:19,18 as money lenders, 30/2:22 whistling, wood, by Takusai, 30/2:19,19 massaging client, wood, uns., 33/4:27

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Bloeman, Peter, pictured 21/4:9,16 rising, black wood, ivory tusk, by Minko, boar* 30/1:59,60 zodiac attributes, 33/4:40 mouth open, wood, by Toyomasa, 27/3:36 among foliage, inro, by Juzan, seal Shinsai mouth open, wood, 30/4:51,51 and monkey, uns., 21/2:67 on foliage, ivory, by Chokusai, 29/2:58,58 and snake running ivory, by Rantei, 26/3:15 ivory, 33/1:53,53 ivory, by Anraku, 30/3:16,17 ivory, by Okatomo, 33/2:45,45 ivory, uns., Kyoto style, 21/1:47,47 over hunter, wood, 34/1:51,51 wood, by Yosui, 34/1:51,51 sleeping on foliage and young, ivory, by Masanao (Kyoto), next to rocks 21/1:48,48 ivory, by Mitsumasa, 21/3:26,26 baby, bent leg, foliage, rock, ivory, 30/4:52,52 ivory, inscribed, Kaigyokusai 23/2:56,56 climbing rocky outcrop, narwhal, uns., ivory, and design source, 31/3:13,13 27/4:cover; 17 ivory, 26/4:59 long snout, slender, on leafy branch, ivory, by ivory, by Anrakusai, 33/4:40,40 Masanao (Kyoto) (sig. shown), 30/2:30 ivory, by Kunitomo, 33/2:45,45 reclining, head down ivory, Kyoto, 21/2:24,24; 30/2:33 curled, compact, wood, by Unshu, 24/2:19 ivory, by Okatomo, 32/2:57,57 on grass, rocks, ivory, style of Kaigyoku, ivory, by Tomotada, 31/4:54,54 28/3:43,44 ivory inro, 1-case Kyoto style, 31/4:56,56 ivory ojime, by Kaigyokusai, 24/4:31,31 ivory inro, 1-case, 32/2:54,54 reclining, head forward two, ivory, Kyoto, 25/4:48,48 alert, threatening, wood, by Hidari Issan, (see also Nitta no Shiro) 34/4:29 boat* compact, black persimmon, by Minko, 30/3:29, 23/3:41,41 and hako netsuke, inro by Zeshin, 30/4:43,43 elongated body, wood, ivory tusk, by with dragon prow Tomokazu, 21/1:46,46 and thatch-roof cabin, Dutchman, oarsman, ivory, by Yukimasa (dating discussed), ivory, 34/2:52,52 21/2:21,21 Dutch traders, oarsmen, ivory, 30/4:46,46 on leaves, ivory, by Kaigyokusai, 34/3:9 Dutchman w/telescope, 2 oarsmen, wood, by Ichimin, 27/4:57,57 passengers, ivory, 30/1:57,57 rough wood, pearl inlaid eyes, ivory tusk, courtier in boat, ivory, 32/2:23,23 by Ryu(?)sen, 27/1:44,44 longboat, wood, by Gansui, 29/1:59,59 head lowered man on boat in high waves, uns. inro, 29/2:21,24 colored eyes, wood, by Minko, (sig. workmen pulling barge, uns. inro, 29/2:21,24 shown), 28/4:16,18 (see also ferry) ivory, inscribed Okatomo (sig. shown), boars 27/1:5 two, on leaves, wood, by Tametaka, 26/1:26,26 resting on foliage, ivory, by Ranichi, three, among foliage, rock, by Shigeyoshi and 30/2:54,54 Mitsumasa, 33/4:51,51 head raised Bock, Russel, pictured 24/2:38; 24/2:40 bent forelegs, wood, by Harumitsu, , lacquered wood, 33/4:45,45 27/1:32,32 Bogolubova, Alexey, pictured, 30/2:8; 31/3:7 bent foreleg, wood, by Itsuo, 29/4:49,49 Bogolubova, Nataliya, pictured, 30/2:8 mouth open, wood, 26/4:59 Bokko* mouth open, bent leg, wood, by Bushosei, demonic star god, ivory pipecase, Toyokazu, 26/4:36,36 22/4:cover; 31,30

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pipecase, 22/1:obc possibly a karako, w/ large fan, ivory, teppitsu technique, 23/2:4 30/2:53,53 “Bokko Bokkoku Bokuboku,” by P. Moss, 22/4:18 toy dog, ivory, by Ryo, 29/2:40,40 Bokkoku, musozutsu pipecase, overlapping fans, inside lantern, wood, ivory, by Sansho, 30/1:32 33/4:49,49 laying down, ivory brush rest, uns., 23/1:22,22 Bokuko*, reclining goat, ivory, 34/4:13 playing drum, ivory, by Ryo, 29/2:38,38 bokuto* (wooden sword) pointing to inscription on kinchaku, ivory, by worn as protection, 31/1:32 Kuya, 21/2:28,28 with copper menuki, by Shozui, Yasuchika, and pulling down one eye (bekkako) Shigetsuge, 24/4:32 standing, wood, by Masanao (Ise), 21/3:39,39 with dragonflies, uns., poem by Basho, 24/4:32 mask behind his back, ebony, by Shumei carved as long bean, by Suketomo. 24/4:32 Mokusui, 26/4:34 Bokuzan, hear-see-speak-no-evil monkeys, removing shishimai mask, three 5-pt stars on 24/1:30,30 cloak, ivory, 28/2:50,50 Bolek, Rene and Tim, pictured, 27/2:41 seated, arms outstretched, mouth agape, wood, Bonhams*, 25/3:31; new department, by Jugyoku, 25/1:15,15 27/3:14 three, under umbrella, ivory, by Ryo, 29/2:41,41 book* made to look like leather, horn inlay, with basket of ivory frogs, wood, by Joso, 30/4:9 33/4:15,15 with hobby horse, uns., ivory, 24/1:obc books, magnifying glass, Tokoku style, 34/4:41,41 with toys tied to his back, 24/4:obc boot*, rat inside, wood, by Carlin, 34/1:3 writing at desk, wood, by Soya, 25/3:38,38 Bosshard, Willi, pictured 21/4:16, 27/2:39 (see also Chinese boy; ox and herds boy) botan toro. See peony lantern; skeleton boy on ox Boutaudou, Jean-Yves, 29/2:9; pictured, 29/3:60 ivory, by Kaigyokusai, 21/3:42,42 bowl* playing flute, by Yoshikazu, 22/4:56,56 tea bowl, wood, with floating ivory head, playing flute, ivory, uns., 25/1:60 signature unread, 26/4:39,39 (see also ox and herds boy) box. See, incense burner, lacquer box. Bradlow, Robert, pictured 22/3:6 boy/boys* Brady, Jim, 28/3:7; 30/3:10 and two-headed serpent, wood, by Sanko, pictured 24/2:40; 28/3:7; 30/3:6 27/2:29 Braren, Warren, pictured, 27/2, and Bodil, 27/2:41; at desk, making a face from hiragana characters Bray, David “he no he no he ji,” wood, by Soya, “Almost True,” 23/3:50 26/3:53,53 “Looking Back: An Interview with Robert E. book balanced on head, ivory, by Ryo, and Haynes,” Part 1, 25/3:26, Part 2, 25/4:36 design source, 29/2:38,39 “Early American Collector,” 28/3:18 contortionist, wood, uns., 26/4:33,33 bridge* crawling through legs of another boy, a parody of Kanshin, ivory, uns., 30/1:28,30 Uji bridge, battle site of Yorimasa and , 31/1:6 eating watermelon, ivory, by Yasumasa, 32/1:8 post, wood, by Gyokuso, 29/4:36,36 four boys from two, wood, by Masanao (Ise), 28/1:50,50 Briot, Alain, 34/1:8 holding object Bronzu Hakutaku Award as Kyogen player holding mask of Okina, Ryushi Komada, 29/3:3 wood, inlays, 29/4:37,37 Brown, Dr. Kendall H., “Size Matters,” 21/1:30 cockerel and fan, wood, by Hojitsu, Brundage, Avery, 25/4:41 26/4:33,33 brush/ink case, portable (yatate) Daruma toy, ivory, 22/3:34,34 dragon shape, silver, 2/1:25,25 Okame mask, ivory, by Ryo, 29/2:38,38 salmon shape, 33/4:46,46

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Back to netsuke.org brush rest ivory, uns., 30/1:56,57 Hotei, ivory, 23/2:29,28 (see also Four Sleepers) Hotei, converted to cigarette holder, ivory, Bukyo, a child being frightened by a creature, 31/2:20,20 23/3:39,39 reclining youth, ivory, uns., 23/1:22,22 bull* Buaku* theater mask, by Jobun, 22/1:24,24 in Japanese culture and art, 28/4:28 * and calf, ivory, style of Tomotada, 33/1:53,53 in Japan, 28/3:13; 28/4:8 (see also cow, ox) enlightenment parodied by herd-boy and bull, Bumbuku Chagama. See badger tea kettle 28/4:28 Bungyoku*, gama sennin, one foot on back of frog, (see also Fugen Bosatsu) 30/1:50,50 Buddhist* Bunryusai*, rabbit in bamboo inro, 22/3:21 motifs in conjunction with caparisoned Bunsai* elephants, 28/3:14 tortoise, 23/3:42,42 drunk, wood, lacquer, okimono, 30/4:27,27 inro decorated with mon, signature discussed, soliciting money for temples 34/4:43,43 (see also bikuni) Bunshojo* Buddhist angel (tennin) interpretation of name, 24/1:46 about, 26/4:12 centipede on taro leaf, ivory, 22/3:23 billowing scarves minogame on boar tusk, ivory, 28/4:40,40 ivory, by Anraku, 32/2:25,24 Ono no Komachi as ghost; grave post and skull, playing instrument, ivory, by Anraku, ivory, 29/3:19,19 32/2:25,24 spider on boar tusk, ivory, 27/4:50,50 holding sho, ivory, by Kikugawa, 34/4:48,48 spider on taro leaf, ivory, 27/3:54,54; 29/1:15,15 ivory, by Homin, 23/1:7 Bunshosei* ivory, by Kikugawa, 23/1:7 on dragon-headed fish, wood, by Takutaku, ivory, by Yoshihide, 23/1:3,3 30/1:50,50 stagantler pipecase, 27/1:45,45 Buntin, Robyn; 24/2:32 sukashibori, by Hakusai, 24/2:17,17; 24/2:18,18 pictured 24/2:31; Aisha and Judy, 21/4:14; with Ikkaku sennin, ivory, by Masaharu, Tusha, 24/2:31,38 25/1:54,54 book review, 24/1:50 with uchiwa, ivory, by Anraku, 32/2:25,24 Burado-san. See Blakely, Brad Buddhist priestess (bikuni) Burditt, David, 29/3:58 amid clouds, holding lotus stalk, ivory manju, by pictured, 30/1:4, and Margaret, 21/4:14; 23/2:8 Kikugawa, 27/4:54,54 bio, 24/2:50 jewel of wisdom, interior landscape, ivory, by “Iwami Carvers: Lone Stars,” 23/1:38 Kaigyokusai, 27/3:59,59 “Eighteenth & Nineteenth Century Fine Inro Budweiser Beer and a Cheeseburger, by H. Kress Netsuke, and One Statue,” 29/1:12 33/4:54 “The Work of Ryo Kawara (Kawahara),” Part 1, Bugaku. See dancer 29/2:34; Part 2, 29/3:13 Bukan Zenshi* “The Work of Ryushi Komada,” Part 1, 32/2:34; holding aloft a sphere, and tiger, painted wood, Part 2, 32/3:32 uns., 34/1:ibc Burell, Mark, “Gama Sennin and the Wonder of lacquered ivory, by Koma Bunsai and Ryukei II, Toad Myth and Magic,” co-author, 22/2:58 26/1:38, 38 Bushell, Frances, 24/2:36; 26/2:8 reclining with tiger pictured 21/4:8; 24/2:38,41; 24/3:62; 25/4:57; on ivory base, uns., 3/4:34,34 28/4:6 ivory, by Yoshitomo, 26/3:39

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The Raymond and Frances Bushell Collection of C** Netsuke: A Legacy at the Los Angeles County Calhoun, Pat Museum of Art (reviewed), 24/1:50 “INS Forum Highlights,” column beginning Bushell, Raymond 33/4:14 on Kokeisai Sansho, 32/1:13 “California Ivory Problems,” by M. Strone, 32/1:4 recollections of, by H. Wakayama, 24/2:63 Callahan, Jim, pictured, 27/4:5 Busho* Calzolaro, Mario, pictured, 29/3:60 slaying tiger barehanded sagemono, pouch-shaped, by Tatsuke, 23/2:20 identity uncertain, wood, by Minko, camel* 34/1:48,49 Two, reclining, by Yoshitomo, 30/2:50,50 ivory, 27/4:56,56; 32/3:10,11 “Can You Think of a Title, My Friend?: Memories ivory, by Mitsuchika, 34/2:47,47 of Guy Shaw,” by W. Zacken, 24/3:46 Bushosei*, holding writing brush, square measure, Canlis, Tony and Pam, pictured 24/2:38 ivory pipecase, by Bokko, 22/4:cover canon*, by Masayoshi, 33/1:33 But I Digress.” column by P. Moss Canouse, Claudia, pictured 21/2:6; 22/2:4; 24/3:59; Subtitles: 27/1:8; 29/1:8; 30/1:10 Mission Statement, 23/2:16 “Inspiration and Immigration: A Neophyte A netsuke by any other name would smell as Collector’s View,” 24/3:53 sweet, 24/1:46 car*, My 1967 Subaru by Ryushi, 26/4:52,52 Tanuki Time, 23/3:10 Cardile, Paul, pictured 26/2:7; 28/4:7 What to Collect, now that it’s impossible, and Julius, pictured 21/3:4 23/4:39 Carlin, David, pictured 24/3:58; 25/4:63 Critic’s Corner, 24/3:28 comedy, 26/1:2 Night and Day, 24/4:51 Dreams of the Beast, 26/4:55,55 Voyage Around My Father, And Then Some, ghost holding skull, wood, 32/1:53,53 25/2:40 kirin, wood, 24/3:7 Butei* mother and child shopping, wood, 22/1:ifc legend of, 24/2:8 Mr. Toad’s Wild Ride, wood, 22/1:ifc holding baby Futsuryo, ivory, uns., 24/2:8,8 Pagliacci, grief-stricken skeleton, boxwood, Butsunyo, David, pictured, 31/2:52 34/1:3 Butterfields, San Francisco, 25/3:31 Song of Venice, wood, 22/3:ifc butterfly* Unemployment, rat in boot, wood, 34/1:3 allusion to Soshi, wood rectangle, uns., carp* 30/2:25,25 symbolism, 27/2:54, 27/3:42, 27/4:44 aogai, ebony, by Tokoku, 24/4:11,11 breaching water, inro by Soetsu, 33/4:50,50 decoration on inro, 28/4:39:39; on blue ground; 31/4:39,36; 31/4:395,38 ivory, by Masanao (Kyoto), 27/4:44,44; 29/4:34,34; 29/4:50,50 ivory, by G. Weil, 34/2:17,17 ivory, uns., Kyoto Masanao style, 28/1:54,54 sheep horn, and wood tomobako by Kowollik, 34/1:5 in basket swarm of, oval 4-case inro, uns., 29/1:54,54 ivory, by Anraku, 27/2:54,54 Bykoriz, Vladyslav, 30/1:12’ pictured, 29/3:60 wood, ivory, uns., 27/2:54,54 “Whose Dog Is It?,” 29/3:24 in waterfall “Momotaro, The Peach Boy,” 29/4:10 wood, 32/4:41,41 “A Letter from the Past or a Message to the ivory, 27/4:45,45 Future…?,” 30/4:16 in waterwheel, ivory, 27/4:45,45; by Okatomo, “Challenging the Obvious – Traveler’s Notes,” 25/4:50,50 31/2:24 okimono, wood, 32/2:ifc swimming upstream

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gold ojime, 22/3:35,34 collar, looking back, by Sumi, 32/1:52,52 ivory, by Anraku, 27/4:45,45 sleeping whale tooth, uns., 28/3:23,23 ivory, by Kaigyokusai, 28/1:30,31 stagantler, uns., 25/3:18 ivory by Unshu, 24/3:55,55 (see also Benkei, Kinko sennin, Kintaro) narwhal, 27/4:17 cavern carving. See anabori wearing , by Ittan, 24/3:16,16 Carving Japanese Netsuke, by R. Jubb (reviewed), wild cats mating, lacquered ivory, by Chokusai, 32/2:59 26/1:36,36 cat* catfish, 23/2:14 civet cat (see jakoneko) (see also earthquake fish) cat of Nabeshima, 25/1:11 celestial globe, ivory, by Akira, 26/4:52,52 first appearance in Japan, 25/1:10 centipede* place in Japanese culture, 28/1:28 on boar tusk/tooth supernatural powers, 25/1:11 two, Iwami, 30/4:48,48 tails, short and long, 25/1:10,10 ivory, by Tomiharu, 27/2:36 and awabi shell, ivory, uns., 23/2:51,51, by Nagami Iwao, 29/1:14,15 23/4:21 on log, by Yoshihiro, 23/1:40,40 and captured rat, ivory, by Tomotada, 25/1:11 on taro leaf, ivory, by Bunshojo, 22/3:23 and Chinese boy, wood, uns., 28/1:30,31 on whale tooth, uns., 29/1:14,14 and kitten stagantler, uns., 25/3:20 ivory, uns., 24/4:23; 25/1:10,10 ceramic* on square base, ivory, 29/1:57,57 fragility, 24/4:20 climbing a tsuitate, wood, by Masatami, Chan, Rosanne, pictured 25/4:57; 33/2:37 29/3:51,51 Chereminkin, Igor, pictured, 33/2:37 climbing a peony, by Mitsuhiro, 27/3:50,50 “Challenging the Obvious – Traveler’s Notes,” crouching, amber, by Kenji, 32/1:51,51 by V. Bykoriz, 31/2:24 face of on vegetable/elephant ivory manju, Chappell, Sharen, 24/2:32; 25/1:5 30/3:38 pictured 21/2:10; 24/2:39; 31/2:52 furoshiki cat by Lynn Richardson, 26/1:2 Legends column, Vols. 21/2-26/3 mahogany, by Bishu, 22/1:ifc “Chariots, Search Engines, and the Non-Self,” masquerading as , wood, by Masatoshi, by E. McNiff, 26/4:26 34/4:52,52 Chase, Dale, pictured, 28/4:56; death, 28/4:56 on abalone shell, ivory, uns., 28/1:30,31 chasen (whisk) vendor on feather brush, stored blade, ivory, 29/4:45,45 carried by street tea vendors, 29/2:10 on kotatsu, ivory, by Mitsuhiro, 26/2:17 ivory, unsigned, 29/:11,11 on pillow, ivory, attrib. to Masanao, 21/4:54,54 “Chasing the Illusive ,” by D. on roof tile Rosenzweig, 28/2:12 on haunches, paws in air, beckoning, cheeseburger, by Hariya Kinuyo, 33/4:55,55 30/4:41,41 cherry blossoms, ivory, by Soko, 29/4:36,36 standing, wood, by Kokei, 30/4:41,41 Chicago Art Institute, 22/4:14 on , ivory, 27/1:42,42 Chikko*, piebald Daikoku and , walking home drunk, wood, and butterfly, 25/1:23,23 34/4:51,51 sleeping, ivory, attrib. to Raku, 32/2:29 chicken*/hen reclining, wood, 23/1:31 chicken and hen, by Masakatsu, 24/3:14,14 scratching, ivory, style of Kyoto, 29/1:46,46 chicken and young, wood, uns. 31/4:54,54 seated chicken family by war drum, wood, by ivory, uns., 25/1:11 Masakazu, 34/2:ibc

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hen and two chicks, wood, by Masatomo, four, each with different hairstyle, and Hotei, by 33/4:44,45 Soshi, 25/4:33 (see also cockerel) group playing, ivory, by Kagetoshi, 25/4:33 chidori*. See plover grabbing lion mask from man, ivory, by Shuyo, Chidori, tale of, interior landscape in bamboo shoot, 25/4:32 by Juzan, 25/1:31,31 reaching for bean cake held by a man, ivory, “Chidori on Waves: A Ryusa Manju of uns., 25/4:30; possibly Hotei, 26/1:6 Collaboration,” 31/2:28 with large ball, ivory, by Anrakusai, 29/1:59,59 Chihaku* Chinese* man Yojo stabbing cloak of Cho Bujutsu, ivory and woman, both naked, on base, he offers her 29/3:17,17 wine, ivory, 33/4:43,43 Chikahiro (Chokosai Chikahiro) adjusting shoe while standing, wood, uns., Daoist, Gomo, and two children, 23/2:43,43 33/4:26 Chikamasa, Shominsai, 23/2:38 elderly, in traditional dress and hat, print, Chikanaga, Gaten, the Moon goddess, and child, 31/3:48,48 23/2:42,43 general’s attendant, tall ivory, 25/4:50,50 child* hand on hip, holding jar, by Jobun, 22/1:23,22 actor, wood, in ivory oni mask, by Hojitsu, hand on back of head, kneeling with dog, ivory, 26/1:38,38 Kyoto, 34/2:52,52 amagatsu doll, ivory, Masanao school, head back in laughter, holding rooster, ivory, 28/2:23,24 25/3:41,41 holding a sanbo (tray with stand) that holds two holding hat, other hand on one ear, ivory, sake jars, wood and lacquer. 26/3:54,54 21/2:21,21 playing with spinning top, ivory manju, by holding beard and crayfish, ivory, 24/3:17,17 Korin, 34/2:29,29 and crane, holding beard and plum branch, ivory (see also boy, girl, karako) (poet Rinnsai?), ivory, 28/3:44,44 children* playing by a tsuitate (screen), 23/4:27,27 holding crayfish, looking to side, ivory, 33/4:23 children’s netsuke and inro, 21/2:26 holding floral branch over shoulder, ivory, tall, “Children’s Netsuke,” by R. Hieronymus, 21/2:26 Kyoto, uns., 25/3:28 chimera, ebony, tortoiseshell inlay, by Kokei, looking left, hand holding coat lapel, tall, ivory, 33/3:54 uns. 33/3:52 Chinese boy (karako*), 31/4:24 Mandarin, holding beard, 24/4:16,16 adolescent, holding dog, uns., tall, 23/1:28,28 literate in outdoor scene, bamboo, 26/4:38 as netsuke subject, 25/4:30 mask, Lao Tsze (?), ivory, 26/1:34,34,38 asleep on box, uns., 27/4:21holding cat, wood, nobleman, gentle face, hand to cheek, ivory, uns, uns., 28/1:30 tall, 33/3:47,47 four, each with different hairstyle, and Hotei, by palace guard, ivory, tall, vertical himotoshi, Soshi, 25/4:33 33/3:46,46 group playing, ivory, by Kagetoshi, 25/4:33 pilgrim, bronze, 24/4:18 grabbing lion mask from man, ivory, by Shuyo, sage, in chair, laughing, wood, by Insai, 25/4:32 31/3:41,41 holding goat, ivory, Kyoto style, 28/1:55,55 tall ivory figure holding hossu, 22/1:59,59 holding demon mask, wood, by Minko, wearing Mandarin hat, tall, ivory, 21/1:54,54 22/4:55,55 (see also court attendant, foreigner; merchant) holding Chinese lion mask, lacquered wood, “Chinese Toggles (Guajian)”, by F. Bellino, 29/4:30 28/2:26,26 Chingi and wife Shuko on cloud, wood, by Shuko, holding fan, peony hat, ivory, by Ryo, 26/1:24,24 29/2:17,17 Chinnan sennin* and dragon, holding tama, ivory, 22/3:35,35

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seated, holding aloft dragon in bowl, ivory, two walking drunk, wood, by Minkoku, 34/4:11 31/3:43,43 Chogetsu* Choryo* gama sennin, marine ivory, 25/4:52,52 and Kosekiko and dragon, ivory, 32/4:27,27 Chohi* and Kosekiko, ivory manju by Hironobu, ivory one of the three heroes of the Han dynasty, ivory manju, by Kakyusai Hironobu, 27/1:34,34 22/4:8 ivory, unsigned, 30/4:obc fending off arrows, ivory manju, by Doshin, represented by scroll and dragon, 30/4:obc 34/2:53,53 riding dragon, offering shoe, wood, 34/1:50,50 in battle, coral jewel headdress, ivory manju, by wood, by Hojitsu, 23/3:52,52 Keimin (sig. shown), 27/4:54,54 Choun* (see also Kan’u) legend, 30/3:27 Chokan* on horse carrying baby Ato, wood, by Kan’u, tsuishu, 30/4:41,41 Masatomo, 33/1:38,39 tsuishu inro, plum blossoms, 30/4:41,41 riding horse across waves, wood, by Masatomo, Chokaro sennin* 30/3:27,27 association with horse, 22/2:15 cooper* horse emerging from gourd, ivory, 22/1:56,56; working inside large barrel, I vory, uns., attrib. to 32/4:26,26 Morita Soko, 34/2:24,24 leaning on gourd, stagantler kagamibuta, Chounsai (Chounsai Hidechika) 27/4:55,55 Jurojin, manju, 23/2:41,40 seated w/gourd, horse on head, ivory, by manju, ivory, 25/1:22,23 Yoshitomo, 26/3:36 Christ standing, gourd on back, ivory, 23/2:obc in lap of Virgin Mary, wood, 28/4:23,23 standing, looking up, wood, 22/1:58,58 comparison of two netsuke of Christ without (see also horse) arms and legs below knees, both uns., Chokusai* 29/2:47,47,48 crayfish in bowl, ivory, 21/2:22,22 Christensen, Doug, memoriam, 25/2:52 fruit box tied with rope, wood, 27/1:38,38 Christian*/Christianity* gama sennin riding toad like a horse, wood, fifth station of the cross, uns. ivory manju, ivory gourd, 26/2:ibc 25/4:cover, 25/4:26 mating wild cats, lacquered ivory, 26/1:36,36 persecution of, 25/:24 Chokusai* Chikahiro, boar on leaves, ivory, “The Case of the Twin Christ Figures,” by. G. 29/2:58,58 Wilhelm, 29/2:47 Chomin*, cross-eyed bakemono and sleeping child, “Reflections of Christianity in Japanese Chuichi, Kawami, 28/1:41,41 Culture,” by R.. Bandini, 25/4:18 Chuichi* (Tadakazu) Christian iconography monkey with magnifier, inspecting netsuke hidden and overt symbolism, 25/4:25-28:24-28 ensemble, 24/3:13,13 Christie’s, 25/3:32 five turtles, wood, 28/1:40,41 chrysanthemum* (kiku) inro and netsuke shaped as turtle, 22/3:28,28 ivory by Kiyokatsu, manju, 23/3:31 wasp nest, wood, 33/3:11; 34/1:13 on 4-case lacquer inro, 31/2:38,38 Chuichi (Kawami Chuichi) ivory, by Soko, 31/3:47,47 wasp nest, wood, 28/1:40,41 wood, ivory fly, metal ants, 28/3:49,49 Chikusai* Chokusai* toy tiger & monkey, wood, 25/3:38,38 crayfish. in bowl, ivory, 21/2:22,22 chonin* (townsman) Chuko* drunk, holding gourd, ivory, by Masanao oni wearing gong, holding ju-i, ivory, (Kyoto), 32/3:48,48 22/4:56,56

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cicada* ’s underwater palace, wood, w/ivory about, 26/3:56 clam, by Kagetoshi (signature shown), bamboo, by Gyokkin, 25/2:20,21 34/4:16,17 chrysalis attached to walnut shell, wood, by dwelling of Ryujin, wood, by Shibayama, Isshinsai, 26/3:56,56 28/2:obc horn, uns., 23/1:40,40 clock, inro by Muramitsu (lacquer) and Juvet de Fleurier (the works), 29/4:39,39 ivory, by Kaigyokusai Masatsugu, 30/3:ibc coat of arms, decorations on inro, 32/4:14 on base, ivory, style of Rensai, 25/1:24,24 cockerel* (tori) on bean pod, porcelain, by Lynn Richardson, 25/2:11 on drum, meaning, 33/4:38 on branch, wood, by Tomokazu, 26/1:26,26 dislike of, in Kizuki, 33/4:39 on gourd flask, and sake cup, by Zeshin, 23/4:3 ivory, by Hidemasa, 21/1:43,43 on leaf and hen wood, by Gyokuso, 32/4:50,50 on mat by Otoman, 21/1:4,4 wood, by Harumitsu, 26/1:40,40 on roof tiles & kiku, wood, by Masanao (Ise), 31/2:42,42 black wood, by Kanman, 25/1:15,15; 28/1:32 ivory, by Tomotada, 25/3:27 on plaque, leaf decoration, ivory, by Rensai, 33/4:45,45 with chicks on basket, by Masamitsu, 24/4:48,48 on pine cone, pottery, 34/1:48,48 wood, by Masakatsu, 24/3:14,14 on rotted twig, umimatsu, by Kamman, 28/1:32 wood, by Yasumasa, 34/1:46,46 on wood chunk, umimatsu, Iwami style, 27/4:52,52 ivory, by Masanao (Kyoto), 22/3:ibc pupa case, wood, by Isshinsai, 26/1:42,42 ivory, by Okatomo, 29/4:47,47; 33/4:38,38 rhinoceros horn, by Takugyoku, 23/1:39,40 ivory, uns., Masanao style, 28/1:55,55 wood, by Jugyoku, 34/3:obc lacquered, by Kansai, 33/4:38,38 wood, by Rimu, 23/1:41,41 on branch, wood, by Okatomo, 30/3:50,50 cigarette case on drum, wood, 34/1:50,50 inro design, and netsuke as match holder, on fallen trunk, wood, by Sansho, 32/1:20,20 cloisonné by Kumeno Teitaro, 34/2:ifc wood, uns., 22/4:56,56 reptile skin, with tiger clasp, 21/4:obc wood, signed Tametaka, 32/2:obc cigarette holder on tile, wood, 28/4:16,18 converted from brush rest, ivory, 31/2:20,20 wood, by Totenko, 22/1:55,55 shishi and oni, ivory, 31/2:22,22 wood, uns., Kyoto, 31/4:53,54 “Cigarette Holders,” by J. Hopkins, 31/2:20 (see also chicken) clam* Cohen, Denise, 23/2:4; 29/3:6 symbolism, 22/2:13 pictured 21/3:4, 25/4:59; 26/2:7; 28/4:7; 29/3:58 wood, X-rayed, 21/2:35,35 “The Fun of Learning,” 21/4:66 digger opening clam, wood, ivory, 29/4:37,37 Cohen, John, 21/2:4 cluster of, ivory, uns., 33/4:27 “Coin Purses of Carved Coconut, Moritoshi Kosai eight, interior carved, ivory, 23/4:44,44 copying Kurokawa Masahide?,” by H&E Kress, 32/2:40 interior carving, ivory, by Kaigyokusai, 34/2:6,6 coin and and money string, stag, uns., 27/1:8 Komachi washing manuscript, interior carving, ivory, 21/3:12,12 coins* showing wedded rocks, long inscription, wood Chinese and Spanish, ivory, 22/1:55,55 manju, 26/4:38,38 Daikoku resting on koban coins, by Soko, (see also Ryujin) 24/3:10,10 clam’s dream Dutch coins in netsuke, 32/3:12

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lacquered wood imitating oxidizing copper, uns., INS 2011, “Rabbit,” Beverly Hills, 31/2:50 32/4:53,53 INS London 2013, 33/2:34 metal manju, uns., 31/3:35,35 coral* (see also legend of Yuai, Fujitsuna) as floating refuge for shipwrecked sailor, ivory, Cole, David, pictured 24/2:37 coral, by Doshosai, 34/1:15 collecting* coral branch on ivory treasure bag, 34/2:47,47 advice, 22/1:13; 23/2:16; 23/4:39; 30/1:19; coral diver 31/4:22 restricted material, 24/4:19 beyond netsuke and sagemono, 26/1:49 coral, wood, by Jugyoku, 31/4:27 condition, 27/4:31; 28/1:10; 28/3:4 holding coral branch, 24/1:18,18 early mistakes, 22/1:12 large coral tied to back, by Toshinaga, early twentieth century, 25/4:11 24/4:19,19 importance of condition reports, 27/4:31 (see also fisher girl) off-Broadway quality, 23/3:20, 23 cormorant fisherman. See fisherman preference to small or tall, 22/3:15 corn cob* privately, 25/4:16 ivory, by Kaigyokusai Masatsugu, 26/1:28,28 three categories of collectors, 27/4:22 wood, green stain, obidome, 30/1:59,60 understanding the Japanese spirit for meaningful courier* collecting, 28/4:16 various types of, 22/2:22, 24-25 (see also authenticity) court attendant* “Collectors and Collecting,” by K. Schwarz holding parasol over another, among pine, uns. Collins, Mary, pictured, 27/2:43 inro, 29/2:21,23 Colom, George, and Sachiko, pictured 23/1:61 seated, wood, by Hidemitsu, 30/2:50,50 death, 23/1:61 court official* computer* looking up, long coat, 3 black buttons, ivory, ivory and acrylic, by Toun, 26/4:52,52 uns., 21/3:35,35 conch* shell gold ojime, uns., 25/4:45,45 inro shaped as, 31/3:46,46 courtesan* condition*. See collecting. identified by , 29/3:14,15; 29/4:45,45 conjuror* holding tama with tiger inside, uns., ivory, by Shounsai, 29/3:14,15 23/3:ibc reading scroll, on elephant, ivory, by Gyokuso, Conried, Hans, pictured 25/4:37 28/3:16,17 contemporary* netsuke courtesan of hell defining, 27/3:33; 29/3:34 Jigoku Dayu, 26/2:34,34 “Netsuke that Could Only Be Contemporary,” by Coutu, Jack, 22/3:39 J. Klotz and P. Lieberman, 26/4:52 boar tusk, dragonfly and spider, 27/1:37,37 “On Contemporary Netsuke,” by J. Gadelius, hummingbird on tooth, 34/1:37 22/3:39 newly hatched sterling, wood, 34/2:37 Contemporary Netsuke: The Kinsey Collection wasp in apple, ivory, 22/3:43,43 (reviewed), 21/4:50 cow* Contemporary Netsuke: Miniature Sculpture from and calf, elder with blanket, ivory, by Tomotada the Ukraine, A. Derkachenko (reviewed), 23/3:48 (sig. shown), 30/4:54,55 Convention* reviews and calf, ivory, by Tomotada, 28/1:54,54; INS 2001, Boston, 21/4:8 29/4:46,46; 30/4:48,48 INS 2004, Honolulu, 24/2:30; 24/3:53 and calf, ivory, by Okatomo, 29/4:47,47 INS 2005, San Francisco, 25/3:10; 25/4:56 and two calves, wood, by Kaigyokusai INS 2007 “Kappa,” Miami, 27/2:38 Masatsugu, 27/4:7 INS 2009, “Hakutaku,” New York, 29/3:57

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buffalo cow and calf, ivory, by Tomotada, on tree branch, inro by Kanshosai, 30/4:45,45 27/4:36 Czeh, Eva water buffalo and herds boy, ivory, by Kaigyoku, Netsuke: Japanese Miniature Carvings, 26/4:50,50 Collections of the Ferenc Hopp Museum of ivory, by Tomotada, 28/1:37,38 Eastern Asiatic Arts, Budapest, (reviewed), wood, by Tomotada, 22/1:55,55 22/4:58 (see also ox/bull) crab* D** association with Taira clan warriors, 24/1:20 Daalen, J. van, pictured 25/4:42 on awabi shell Daikoku* ebony, Iwami, 26/1:26,26 about, 27/2:13 ivory, Iwami, 26/1:40,40 and Ebisu ivory, by Shukusho, 29/1:14,14 and Hotei, by Shinkeisai Masatoshi, on boar’s tooth, ivory, by Gansui, 25/1:22,23 23/2:42,42 on driftwood, by Tomiharu, 21/1:49,49 okimono by Genkosai, 24/2:29 on log, wood, by Kanman, 24/1:20,21 holding sea bream, coral, 34/4:51,51 on stone mortar, ivory, tale of monkey vs crab, sumo wrestling, ivory, uns., 21/1:40,40 by Masanao (Kyoto), 27/1:31 walking home drunk, wood, by Chikko, on tree branch, green-stained stagantler, uns., 34/4:51,51 25/3:20 and gaki, back to back, wood, by Tokoku, 31/3:3 spider crab, by Seihan, 21/4:55,55 and noxious radish, ivory, by Mitsusada, standing, with hossu, ivory, 25/3:40,40 34/2:44,45 Craig, Bernie, 25/3:26 and rice bale crane* atop bale, by Hojitsu, 22/3:13,13 symbol of fidelity, 22/2:12,12 one leg on bale, holding his hammer high, ivory, by Shorinsai, 34/4:15 and snake, ivory manju, by Kiso, 29/3:31,31 lifting, ivory, 32/1:46,46 flock, inro by Jokasai, 29/1:59,59 on two bales, wood, by Tametaka, 26/1:26,26 on rocky ledge by Komin, 21/2:25,25 wood, by Jobun, 22/1:23,22 protecting egg, ivory, by Mitsuhiro, 27/1:42,42 arms tucked in sleeves, ivory, by Hojitsu, resting 23/1:24,24 wood, by Horaku, 31/2:46,47 as raconteur, ivory, by Jugetsu, 28/4:43,43 ivory, by Kaigyokusai, 24/4:31 astride rat, ivory kagamibuta, by Soyo, ivory, by Mitsuhiro, 27/3:50,50, 32/4:48,48 34/2:48,48 ivory, by Ransen, 33/4:44,44 carved in relief on ivory daikon, by Ohara stylized, on ryusa manju, 21/3:obc Mitsusada, 34/:44,44 cranes inside egg, wood, by Jobun, 22/1:17,17 on inro by Kagetoshi, 29/4:46,46 inside his own bag, laughing, ivory, signed Koka on gold inro, Kajikawa family, 23/4:46,46 and dated, 34/4:51,51 crayfish*. See Crawford, George, pictured, 27/4:6 on Daikoku’s mallet, by Tokoku, 30/2:27,27 Creativity within Tradition, by K. Iwasawa, 33/1:7 on koban coins, by Soko, 24/3:10,10 crest* (mon) on radish, ivory, by Hidemasa, 21/3:52,52 inro decorated with, by Koma Bunsai (sig. on sack, playing tsuzumi, ivory, by Masanao discussed), 34/4:43,43 (Kyoto), 32/4:38,38 motif used by Kokusai, 32/1:26,26 rats stealing Daikoku’s hammer, ryusa manju, ivory, 24/4:26,26 24/2:16,16 Crispo, Irene, memoriam, 22/1:68 seated, wood okimono, by Hidari Toyomasa, crow*, colored crystal, by G. Schluifer, 21/1:26,26 26/4:54,54. (see also tengu) subduing a thief, wood, by Daikoku, 23/1:24,24

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(see also treasure bag) playing game dancer* blowing paper stuck on forehead (kamifuki), Bugaku dancer, wood, 34/2;obc ivory, by Shuraku, seal shown, 30/4:9,9 reclining, wood, by Toyohide, 21/1:33,35 pulling down eye (bekanko), wood, by reclining with mask, ivory, uns., 25/1:59 Sansho, 30/4:8,8 fan dancer, inro by Koma Kyuhaku, 25/1:13 reading a pillow book, wood, 23/1:18,18 Kabuki dancer, Izumo no Okuni, lacquered representing the monk who introduced wood, uns., 27/1:12,12 Buddhism to Japan, 28/2:26 dancer, ivory, 30/1:58,58 rising from , holding , ivory, 30/4:25,25 (see also Ranryo) pumpkin-shape, stretching, wood, by Hidemasa, Manzai dancer 34/4:47,47 during Matsuri festival, 28/1:34,35 seated, wood, by Soko, 30/1:28,30 by Hakuunsai II, 24/4:36,36 sleeping, alms bowl as pillow, ivory, 30/3:19,19 playing hand drum, on one foot, ivory, by Masa, standing, arms tucked in sleeves 31/3:obc ivory, by Mitsuhiro, 34/2:53,53 sparrow dancer, ivory, 24/4:11,11 ivory, by Mitsusada, ivory, 33/4:14,14 Taikomochi, by Sansho, 31/1:21 standing in windblown robes, wood, 28/3:48,48 (see also shishimai dancer) vestiges of, mammoth, by Birch, 34/1:14,14 Daoist immortal. See sennin yawning Daruma* seated, red robe, wood, by Teiji, 31/2:44,44 story of, 28/4:8 seated, silver metal, by Hasegawa, 25/1:22,22 and courtesan swapping robes, inro, by Hasegawa, 22/2:32 standing, hands in sleeves, ivory, by Mitsuhiro, 30/3:18,18 and dragon and hossu, ryusa kagamibuta by stretching, standing, ivory, by Anraku, Hakusai and Minjo, 24/2:13,13 32/2:20,20 applying moxa, wood, 32/4:32,32 stretching, standing in orange robe, inro by behind wall, Ritsuo-style inro, 22/1:50,50 Shibayama Teimin, 23/1:35,35 crossing the sea on a reed, wood, negoro, tall stretching, seated, ivory, by Gyokkosai, uns., 28/4:8,8 23/1:35,35 face resembling a cat, wood, by Ryukei, wrapped tightly in robe, large hossu over 21/1:39,39 shoulder, ivory, 34/4:44,44 holding hossu, wood, by Tokoku, 30/1:cover, (see also Onna Daruma) 24,30 Daruma doll/roly poly holding red/ivory fly whisk; begging bowl, by agonizing, ivory, by Dosho, 33/3:53 Tokoku, 24/4:22,22 as octopus, wood, by Mitsuhiro, 30/3:18,18 inside ball, wood, by Zanmai, 9/4:7 encircled by giant hossu, ivory, 30/3:cover,19,19 meditating glazed stoneware, 28/26,26 by Shumin, 24/2:46,46; 24/3:10,10; 29/3:46,46 rats carved on back, wood, by Toman, 31/3:27,27 face of Klaus Riess, wood, by Derkachenko, 34/3:12,12 huge, dragged by man with rope, wood, by Hachigyoku, 28/1:41,41 ivory/shibuichi kagamibuta, 27/4:52,52 ivory, by Gyokkosai, 33/1:5 on woven pad, wood, ivory inlay, by Tokoku, 28/4:41,41 ivory, by Mitsuhiro, 27/3:55,55; 30/3:18,17 mobius Daruma, by Birch, 24/3:cover; scowling, and mokugyo, ivory, 30/4:54,55 24/3:35,34 Seto ware, 28/2:26,26 on cloud, shape, ivory, by Mitsuhiro, squat, large hossu, ivory, by Anraku, 29/4:45,45; 30/3:18,18 30/3:18,17 on scroll, by Tokoku, 23/4:23,23 yawning, ivory, by Anraku, 30/3:18,18

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Davey, Neil, 21/1:4; 21/4:6; 22/1:52; 22/3:7; 23/3:2; Dale Chase, 28/4:56 24/1:6; 24/2:31; 25/4:6; 25/4:61; 26/1:56; Michael Henry Birch, 28/4:57 27/3:54; 27/4:8; 30/4:28 Salomon Samuel Fuld, 28/4:58 bio, 24/2:51 Bluette Kirchhoff, 29/3:56 pictured 21/1:11; 22/2:5; 23/1:13; 24/2:43; Verna Lazarnick, 29/3:57 25/2:47, and Sue, 22/1:8; 29/3:60; 31/2:50 Edward (Ted) Wrangham, 29/4:51 Silver Kirin award recipient, 22/3:4 June Schuerch, 29/4:52 book review, 24/4:59 Lee S. Younggren, 30/2:56 on Kokeisai Sansho, 32/1:13 Robert Bosley Dootson, 30/3:57 “End of Era – A Centennial Note,” 32/2:28 Ann Meselson, 28/2:60 “I Must Go Down to the Seas Again,” 24/1:13 Kengo Sekido, 28/2:60 “Netsuke Enigma: Soken Kisho Artists,” 28/3:32 Gernot Schluifer, 28/3:54 “Notes,” column topics are listed under the Maribel Martin Kilmartin, 28/3:57 heading “Notes” Dr. M. Dale Chase, 28/4:56 David holding Goliath’s head, by G. Weil, 34/2:21,21 Michael Henry Birch, 28/4:57; 29/1:63 Davies, Barry, 23/1:14; pictured 21/4:8; Christine, Helmut Laudenbach, 30/4:57 pictured 24/2:37; death, 25/4:69 Dr. James A. Rose, 31/3:56 Davies, Nelly, pictured 23/2:9; 30/1:6; 33/2:37 Carol Lynn Sandfield Birnbaum, 32/1:57 De Scitivaux, Laura, pictured; 23/2:5 Barbra Teri Okada, 32/2:60 Dealers*, importance of knowing, 25/4:12 Michael Webb, 32/2:61 Dean, Michael, 22/3:38, pictured 21/1:10 John Albert Mang, Jr., 32/4:56 “Tradition and Innovation in the Work of Teddy Hahn, 32/4:57 Shibata Zeshin, 31/1:32 Virginia G. Atchley, 33/1:57 death, 34/1:56 Antonio Jose Pereda, 33/2:57 deaths* Edwin Parks, 34/1:54 Masatoshi Nakamura, 21/2:72 Elly Nordskog, 34/1:55 Irene Crispo, 22/1:68 Michael Dean, 34/1:56 Ilse Wollman, 22/2:63 Jairus K. Hammond, 34/3:57 David Abel, 22/4:61 de Bower, Anne, pictured, 31/2:52 HIH Prince Takamado, 23/1:59 de Jaegher, Vincent, pictured, 31/2:52 George Colom, 23/1:61 deer*/stag* Jack Mang, 23/2:58 doe and fawn, ivory, by Okatomo, 21/3:43 Jonas Goro Gadelius, 23/4:51 doe and fawn climbing on elder’s back, ivory, Shinzo Shibata, 23/4:52 by Rantei, 30/1:57,57 Guy Shaw, 24/1:53 doe, two stag, monkeys, maple trees, sperm George Lazarnick 24/2:65 whale tooth, 21/4:72,72 Doug Christensen, 25/2:52 stag and doe, inro by Hasegawa, 27/4:ibc Barry Davies, 25/4:69; 26/3:64 stag baying Glenn Tillman, 26/2:58 ivory, by Okatomo, 21/2:77 Aubrey Sweet, 26/2:61 stag antler, unsigned, 34/4:3 Ray Mitchell, 26/3:66 wood, tall, wood, Kyoto, uns., 22/4:11 Karl M. Schwartz, 27/2:68 stag, reclining Raymond D. Atchley, 27/3:68 looking back, ivory, by Okatomo, 27/3:52,52 Ann Meselson, 28/2:60 looking back, ivory, by Yoshitomo, 27/4:50,50 Kengo Sekido, 28/2:60 looking to side, ivory, by Yoshimitsu, Gernot Schluifer, 28/3:54 33/3:45,45 Maribel Martin Kilmartin, 28/3:57

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stag, compact, oval, lacquer, by Kajikawa, The Hare with Amber Eyes: A Hidden 33/2:47,47 Inheritance, reviewed, 30/3:53 stag in autumn by Kiho, representing a poem, devil* 22/2:28,29 Karu no Daijin, wood, 30/1:50,50 (see also Tsunemoto) (see also Emma-O, oni) DeLastyrie, Guy, bio, 24/2:51, pictured 25/4:67 Di Blasi, Dr. Robert, pictured, 28/3:7 Demchenko, Pavel, pictured, 32/4:8 dice man, trick netsuke, ivory, by Anraku, 30/1:5 Deme, dancing oni wearing Okame mask, wood, dildo. See harikata 34/4:28 Dinsmore, Bob, pictured 21/4:10, 24/2:40 Deme*Taiman, coiled snake, ebony, 32/4:37,37 diver, male, holding grass skirt, fishing basket, Deme Uman* ivory, 34/2:52,52 Beshimi Noh mask, wood, ivory eyes, diving girl*. See fisher girl 28/1:41,42 Djelal, Sem, pictured 25/4:66; 26/2:58; 31/2:53 Hannya mask, 29/1:9 “The One That Got Away, tribute to Glenn hyottoko mask, style of, wood, 21/1:50,50 Tillbrook,” 26/2:58 karasu tengu mask, wood, gold lacquer eyes, “Is It Because I’m Black?,” 30/4:10 28/2:29,30 doctor* kitsune (fox) mask, wood, 29/1:51,50 bent over, smiling, ivory, uns., 22/3:28,28 demon*(s) standing, hand on bokuto, ivory, uns., 21/3:32,32 cultural approach to the supernatural, 27/3:22 doctor’s doll confused as a witch, 33/1:6 as erotic objects, 23/3:22 frightening Omori Hikoshichi, 25/4:52,52 Chinese, bottom of torso sealed Masamori, hatching, by Mokujiro, 24/4:13 23/3:21,21 in Kibyoshi (humorous fiction), 21/4:31 reclining, wood, 23/3:21,21 knifing a combatant who is literally giving up doctor’s sword his ghost, ivory, 34/4:48,48 decorated with bean pod, signed Suketomo, lovers, hinoki wood, by Sansho, 30/1:33; 24/4:32 32/1:16,17 with Shoki and Oni, collaboration by Shozui, mikoshi nyudo, demon monk, ivory, uns., Yasuchika, and Shigetsugu, (signatures shown), 27/3:cover, 25 24/4:33 of Dojoji temple, wood, by Hozan, 21/2:25,25 dog* (inu) rokurokubi, long-neck female demon, 27/3:27,27 appropriate gift for a bride, 22/2:13 Zochoko, by Shoko, 29/4:36,36 imported from , 33/4:39 (see also oni, bakemono, Anchin & Kiyohime, in Japanese art and culture, 26/2:52; 33/4:40 rokurokubi) as emissaries, w/collar of coins, 27/1:43,43 Demon Gate of Buddhist temple, 28/1:13 mask, wood, 33/4:40,40 Denshin*, tiger eating bamboo shoot, ivory, Namban dog in pewter, inro, 30/4:33 33/4:32,32 on cushion, reclining, grooming long hair, ivory, Derkachenko, Alexander, pictured 21/4:14; 30/2:8; uns., 31/2:27 32/4:8 Sushi-san the poet, pondering his entry, wood, work of, 23/3:48 24/3:40,40 caricature of Guy Shaw, 23/3:49,49 dog reclining caricature of Mr. Johnson, 23/3:49,48 wood, by , 21/1:53 Daruma, face of Klaus Riess, 34/3:12,12 long haired, grooming back, ivory, Kyoto, mouse, wood, 23/3:48,48 30/3:51,51 Shoki and demons, 23/3:48,48 glass eyes, strange stare, wood, by Yoshinobu, Derkachenko, Irina, 32/4:8 30/4:54,55 Deshima Island, 34/1:18 and sake gourd, ivory, uns., 25/2:obc de Waal, Edmund

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Chinese, short snout, wavy hair like a shishi, paw held at chest as if saying who, me?, ivory, ivory, brass eyes, 26/4:47,47 uns., 26/2:54,55 dozing, head between forelegs, ivory, 23/3:42,42 smiling, ivory, by Masanao Kyoto, 26/1:37,37 looking back, ivory, 24/3:8,9 dog and pup scratching ear, long, bushy tail, wood, by elder growls as pup scratches chin, ivory, by Tametaka, 27/1:43,43 Tomotada, 26/2:54,54 short ears, wood, himotoshi in colored bone, by Burmese dog family, two adults, pup, wood, by Komin (sig. shown), 29/1:36,36 N. Lamb, 21/3:ifc looking pleased, wood, Masanao (Ise), pup climbing on back, ivory, 25/4:7 30/4:41,41 both with fancy collars, ivory, by Okatomo, dog seated 23/4:25,25 and awabi on cushion, ivory, uns., attrib. to Masanao paw on shell, ivory by Okatori, 28/3:42,42; (Kyoto), 27/1:30 30/1:23; 32/4:25 seated curly hair, ivory, by Gechu, 21/3:17; and ball 24/1:52; 34/1:21,21 paw on ball, seated dog (puppy/puppies only) ivory, Kyoto, 29/4:45,45 and awabi shell ivory, by Okatomo, 31/4:53,53 paw on shell, ivory, by Tomotada, collar with bell, paw on ball, ivory, 23/2:11; 25/4:51,51 ball, held by forepaw, ivory, by Tomotada, style of Masanao (Kyoto), 21/3:36,37 24/1:41,41 and ball and human hand, ivory, by Hogen Rantei, open mouth, parody of a shishi, ivory, by 26/2:55,56 Dosho, 30/1:28,30 and man combined as one; and wife, story of, paw on ball, ivory, by Otomon, 31/4:53,53 22/4:12,12 paw on ball, ivory, 21/2:67 and pillow, Chi’in, resting on pillow, 33/4:39,39 paw on ball, ivory, by Ranichi, 21/3:27,27 and slipper, porcelain, by Lynn Richardson, and dragonfly on back, ivory, by Mitsuhiro, 26/4:54,54 27/1:32,32 and spinning top, ivory, by Okatomo, 22/1:9 and straw hat, reclining on, ivory, 29/4:45,45 and venison, ivory, by Okatomo, 26/2:55,55 crouching, nose to ground, ivory, uns. 22/4:55,55 chin breed, long hair, black wood, 30/4:12,12 Mingei, standing, ivory, uns., 31/3:36,36 collar, stag antler, 23/3:42,42 on base collar of coins, wood, by Tomokazu, 27/1:43,43 scratching, marine ivory, 22/1:46,46 collar (fancy), ivory, by Garaku, 32/3:41 rolling on back, ivory, 23/2:35,35 collared, looking backward, wood, uns., rope tied to conch, ivory, by Hidemasa, 21/2:23,23 28/1:38,38 collar with bell, looking back, ivory, by reclining Tomotada, 23/2:11 eyes have recessed irises, wood, 21/1:51,51 collar with bells on European dog, narwhal, wood, by Masatomo, 25/4:5 27/4:17 scratching, seated, piebald, narwhal, 27/4:17 boxer, collared, wood, uns., 29/2:obc seated greyhound, bell collar, ivory, by Garaku, looking up, wood, by Mitsuhiro, 31/4:31 22/4:60,60 paw raised, narwhal, 27/4:17 hind leg is scratching foreleg, sitting on tail puppies group of (protecting?), ivory, by Masanao (Kyoto), 26/2:55,56 on human skull, ivory, by Kaigyokusai, 28/1:39,40 licking hind paw, ivory, by Okatori (sig. shown), 26/2: 54,54 three Akita on mat, ivory, by Sekko, 29/1:5 looking down, ivory, by Okatomo, 21/1:41,41 two playing, long hair, wood, by Toyomasa, 31/3:25; 32/1:33

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two playing, wood, 29/2:57,57 standing doll, red lacquer, 28/2:24,25 two playing, ivory, by Kangyoku, 22/3:41 standing, two, ivory, by Naoaki, 28/2:23,23 two playing, ivory, Kyoto School, 21/3:37,37 Uji-ningyo, tea picker doll, 31/1:7 two playing one is piebald, ivory, 21/2:29,29 (see also Daruma doll, doctor’s doll, Hina, dog wild (yamainu) Gosho, Matsuri) and catch, paw over prey, wood, by Tomotada, Dontaku*, matsuri gods of good fortune 27/1:33,33 annual matsuri, 28/1:35 and crab ivory, by Somin, 28/1:35,35 ivory, by Okatomo, 25/2:10; 32/1:44,44 Dootson, Robert, pictured 21/2:6, 22/2:4; 23/2:6; ivory, by Tomotada, 25/2:10,10 24/2:37, death, 30/3:57 and deer antler, wood, by Tomotada (sig. Doraku* discussed), 27/3:52,52 kinchaku (pouch), 33/3:19 and deer leg, ivory, by Okatomo, 27/1:39,39 Roshin, petal tattoo, holding sake bottle, and leg, chewing on leg, ivory, 27/1:39,39 inscribed, ivory, 30/1:58,58 and human hand, ivory by Rantei (sig. shown), Doroshenko, Oleg, pictured, 30/2:8; 32/4:8 25/2:10,10; 26/2:55,56 Doshin*, Chohi with sword, fending off arrows, and human skull, by Minko, 24/2:obc ivory, 34/2:53,53 and human skull, wood by Kokei, 26/1:25,25; Dosho* 26/1:39,39 Daruma doll, agonizing, ivory, 33/3 and skull, ivory, style of Tomotada, 27/1:39,39 pup, open mouth, paw on ball, parody of shishi, and monkey ivory, 30/1:27,30 ivory, attrib. to Tomotada, 29/1:51,51 stylized Fukura Suzume, bamboo sprig, ivory, wood, style, 29/1:48,48 28/3:50,51 ivory, by Mitsuharu, 25/2:9,9 Doshosai* trapped monkey, wood, 29/1:48 shipwrecked sailor clinging to coral branch, ivory, coral, 34/1:15 and nursing pup, ivory, by Garaku, 26/2:60,60 two loquats on branch, ivory, 21/3:51,51 and playful, pup, ivory, by Tomotada, 30/4:47,47 Doubleday, John, pictured, 30/1:6 reclining, ivory, Tomotada style, 27/1:39,39 Douglas, Dirk F. G., 25/1:61 seated, head turned back, ivory, by Tomotada, 25/2:10 Doyu* seated, looking up (smiling?) ivory, Masanao Benkei and bell on square manju, ivory, (Kyoto), 26/2:59,59 23/1:34,34 seated, rhinoceros horn, 24/4:17,17 Doyusai* (see also wolf) square manju, Shoki and oni, ivory, inlays, 30/4:50,50 dog-man Banko from Kukoku and wife, wood, uns., and source drawing, 22/4:12,12 dragon* (tatsu). doll* association with Benten, ivory, 33/4:34,35 difference between amagatsu and hoko, 28/2:23 companion of Handaka Sonia and Bashiko, 33/4:34 types of, 28/2:22 and Bashiko, wood, by Tsuhan Minko, amagatsu doll, ivory, 30/1:21 33/4:34,34 school of Masanao, 28/2:23,24; and sword, symbolism, 31/1:55 “after Masanao,” 29/4:34,34 described, 28/2:13 boy with Chinese lion mask, 28/2:25,26 multiple roles of, 28/2:12; 33/4:33 hina doll, ivory, 28/1:34,34 physical characteristics, 28/2:13 hoko doll, ivory, by Masanao, 28/2:23:24 and sword, ivory, 31/1:55,55 monkey doll, wood, by Suzuki Masanao, and tiger 28/2:23,23 wood, 30/1:50,50 seated doll, gold lacquer, 28/2:24,25 mixed metal manju, 31/3:45,45

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ivory pipe case otoshizutsu type, stag antler, from cup, frightening boys, ivory, by 33/4:34 Tomochika, 34/1:52,52 and temple bell, by Tametaka, 23/4:17,17 from egg, by L. Sloggett, 23/1:47,47, 24/4:44,44 based on painting,4-case inro by Baigyokusai, from incense burner, ivory, inscribed Tomotada, 29/1:53,53 34/2:44,44 beaked, ivory, by Hakusai, 24/2:10,11 from kakemono, by Masanao, 23/1:58 body curled tightly around a sword against from shell, 21/4:obc; carved from sea lion tooth, wood/ivory plaque, 34/4:52,52 25/4:35 in high relief on wood inro by Sa Ichizan (Hidari hako (box) formed by two , ivory, metal, Issan), 33/1:46-50 by Ikko, 28/2:55,55 carved into whale shark tusk, silver ring, head, supporting a drum, wood, 29/4:49,49 34/4:50,50 head, wood, uns., 32/4:54,54 changing form, by Leigh Sloggett, 21/4:11 in clouds Chinese, heraldic, with jewel, ivory manju, uns., and small dog or tiger, 24/3:13,13 25/1:54,54 stagantler sake cup, 29/4:45,45 coiled wood temple carving, 32/1:ifc alert, splayed claws on body, wood, by wood, 33/4:44,44 Sukenaga, 33/4:30 in conch shell, ivory, by Anraku (sig. shown), guarding coral tama, ivory, by Yoshitomo, 30/3:17,17 34/2:46,46 in coral, coral and ebony, uns.33/1:27,26 in figure 8 position, ivory, by Ikko, in gourd, wood, 23/2:ifc 27/4:56,56; 29/4:46,46 kirin-like, claws on tama, ivory, Kyoto style, in fruit, wood, by Toyomasa, 27/1:46,46 30/1:59,60 in orange, wood, by Toyomasa, 34/4:47,47 on base in waves, brown-stained wood inro, by Hidari ebony, by Matsuda Sukenaga, 29/4:48,48 Issan, 33/1:46,46-50,50 dark persimmon(?), by Sukenaga, 30/4:12,12 ivory, by Shigemasa, 22/3:37,37 on drum, lacquered, ivory, inlays, 28/1:58,58 ivory, by Tomotada, 27/3:49,49 on oval slab of stagantler, by Kokusai, ivory, coral tama, by Yoshitomo, 27/1:42,42 34/2:48,48 ivory, Tomotada style, 26/1:37,37 one-horned dragon, stylized and pierced, ivory manju, 33/4:34,34 24/1:36,36 ivory, uns., 28/2:12,12; 29/3:49,49 reclining, wood, uns., 25/4:35 whiskered head, tightly coiled, wood, by rising from water, and water wheel, 24/3:8 Ikkan, 33/4:30 running, tama in right claw, ivory, long, wood, by Minko, 28/4:16,17 33/3:43,43 wood, by Harumitsu, 31/3:42,42 shell, by G. Weil, 22/3:48,49 wood, by Toyomasa, 27/1:46,46 spinning, wood, by Zanmai 21/4:11; 26/4:53,53 wood, by Masanao of Ise, 28/2:13,13 winged, wood, 26/1:37,36 wood, manju form, 31/2:48,48 with ball or pearl, wood, by Sukenaga, coral, uns., , 25/4:35 24/3:15,15 crouching, ivory, by Ichiraku, 25/4:34 with tama dragon-horse, ivory, 23/4:18,18 coiled, ivory, by Tomotada, 25/4:34 elongated, ivory, tall, 32/4:51,51 clutching tama in claw, ivory, by Kazumasa, flying, wood, and sketch, 31/4:48,49 23/1:25,25 forming a sheath for a knife, sashi, 23/3:39,39 looking up, claw on large tama, ivory, uns., from bowl Kyoto, 25/4:34 by Hidemasa, 21/1:43,43 wood manju, uns., 24/1:32,32 ivory, uns., 27/1:33,33 wood, by Zanmai, 24/1:43wood, attrib. to ivory, uns., Kyoto, 32/3:9 Masanao Ise, 21/3:41,41

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wood, uns., 24/1:30,30 teal, wood, 28/4:40,40 (see also Handaka Sonja, rain dragon, serpent, wood manju, by Yoyusai, 28/1:41:42 Tatamori Hime) (see also goose) dragons Ducros, Alain, 23/3:25; 34/1:8 and waves, carved in Ryukyu, 30/2:42 pictured 25/4:63; 33/2:37 opposing dragons on gong, stagantler, uns., “Zokoku: Research from a Visit to ,” Asakusa, 27/3:61,61 21/3:18 opposing dragons shaped as mokugyo, wood, “In Search of Otoman,” 25/1:34 31/4:48,48 “Hot on the Trail,” tracing ivory tusk import, five, ivory kiseruzutsu, 33/3:17,17 27/4:34 two, opposing, rectangular ryusa, marine ivory, “The Porcupine,” a column - subtitles are listed Asakusa, 33/4:42,42 under The Porcupine two, with tama, ivory, by Ikkosai, 29/1:53,53 “Earthquake Talismans,” 31/4:12 dragon fish “Ivory Tall Figures: Kyoto or Kyushu?, 33/1:14 and young, ivory, by Yoshitomo, 30/2:ibc “Keep Your Eyes Open!,” 33/3:12 ball in mouth, wood, by Ikkyu, 29/4:34,34 “Kyushu Netsuke,” 34/1:18 ivory, 26/4:37,37 Promenade dans l’art japonais: Art, magie et metal sculpture by Muneyoshi, 34/1:ifc medicine, by Alan Ducros, reviewed, 26/4:60 mokugyo gong, Hirado ware, 30/3:10 Dugan, Mr., 22/1:11 dragonfly* Dunham, Thiela, pictured, 31/2:51; 33/2:37 and pomegranate, wood, by Yoka, 25/2:11 “Dutch Coins in Netsuke,” by D. Eijer, 32/3:12 and spider on boar’s tusk, by J. Coutu, Dutch 27/1:37,37 confinement to Deshima Island, 33/1:20 and grasshopper, mammoth ivory ryusa, by N. history of in Japan, 28/2:9; 32/3:15 Popova, 28/1:cover,47,47 Dutch* traders in a ferry boat, ivory, 30/4:46,46 on bamboo wreath, by Toun, 24/3:38,38 Dutchman* musozutsu pipecase, wood, by Kokusho, carved in Kyoto or Kyushu?, 33/1:14 33/4:46,46 Japanese perception of, 28/2:10 dragon sennin with bowl and dragon, by Ikko, Dutchmen aboard dragon-prow houseboat, 24/1:36,36 34/2:52,52 dragon-turtle, ridden by Urashima Taro, wood, by barefoot, elaborate coat, ivory, uns., 22/4:55,55 Masakata, 23/1:20,20 bowing slightly, hat in hand, wood, Kyoto, uns., Drexler, Burt, 25/4:6 25/3:29 Drinnon, Diane, 28/4:7 elaborate robe, stagantler, by M. Birch, Drosse, Christine, pictured, 31/2:50 27/1:36,36 see column, “Netsuke Basics from A-Z” hand on head, wood, by Jobun, 22/1:20 drum*, ivory, gold and red lacquered dragon, vine, head of, stagantler seal netsuke, 21/3:27,27 28/1:58,58 offering food to bird, long horn, lacquer drummer*, black man, wood, Edo, uns., 25/3:29 pipecase, 29/4:48,48 duck* with humans, animals, or objects Mandarin boar on back symbolism, 22/2:13 ivory, uns., 22/3:35,35; 33/1:16,16; two white, by Kyuhaku, 33/4:52,52 33/1:32,32 ivory, by Mitsusada, 28/2:49,49 two large buttons, ivory, Kyoto, ivory, by Ryo, 29/3:22,22 31/4:48,48 lacquered ivory, by Shingetsu, 32/1:51,51 hare/rabbit hanging from gun wood, by N. Lamb, 22/2:ifc ivory, 25/1:19,19; 25/4:49,49; 33/1:14,14 ivory, by Koichi, 33/4:26 tall, ivory, uns., 29/4:ibc; 33/1:26,26

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tall, ivory, wearing trousers worn in 17thC 22/3:35rope in hand, large rabbit over France, 33/1:15,15 shoulders, ivory, by Masanao (Kyoto), holding child/karako and interpretation, 21/1:20,20 child (or dummy) holds elder’s hat, ivory, looking up, wearing cloak with dragon design, tall, uns., 21/3:35,35 ivory, tall, 23/1:27,27 child on back has similar face to elder, on horse, by Tsuji, 24/2:24,24 ivory, 34/1:27,27 long open coat, gazing upward, mouth agape, child on back, long trumpet, wood, tall, ivory, 26/4:48,48 30/4:50,50; 33/1:14,14 portrait of octagonal manju, inlaid with pearl, child on shoulder, ivory, by Yoshinaga 26/4:33 (sig. shown), 31/1:17,17 putting on shoe, ivory, 28/2:9 karako child on shoulder blowing into a sailor wearing pants designed in 17th C France, long horn, ivory, 23/3:21,21 ivory, uns., 33/1:cover,15.15 karako with uchiwa, patting elder on head, standing, mother-of-pearl, 24/4:18,18 long horn, ivory, by Yoshinaga, stretching, yawning, tall ivory, 26/4:48,48 31/1:17,17 see also foreigner holding cockerel E** cockerel is huge, ivory, tall, uns., eagle* 34/4:47,47 and dog, ivory, by Tomochika, 28/3:43,43 ivory, tall, 22/3:27,27; 36,36; 27/1:36,36; and monkey 29/1:24,26; 33/1:16 and monkey, association, 24/1:12 wood, tall, 29/3:38,38 ivory, by Kaigyokusai, and design source, holding crane 31/3:13,13 ivory, uns., 33/1:32, 32 ivory, by Kaigyokusai, 24/1:12,12; ivory, sheath for knife, bone or antler, 27/2:28,28; 30/4:47,47 22/2:53,53 ivory, by Masatsugu, 25/1:22,22; 28/3:49,49; wood, tall, 29/3:48,48 32/1:8 holding deer over shoulders ivory, uns., style of Masatsugu, 9-button coat, ivory, tall, 31/4:48,48 28/1:54,54 ivory, 32/4:53,53 ivory, by Toshimitsu, 33/1:19 holding dog wood, 24/2:46,46 ivory, 24/4:15; 26/2:53,53; 33/1:32 okimono, ivory, 28/3:42,43 ivory, 33/1:54,54 on branch, inro, uns. 33/3:fs over shoulder, tall, ivory, 32/1:37,37; ear*, cleansing, meaning of, 29/1:55 shaggy dog? ivory, 22/3:35,35 Earle, Joe, 21/4:10; 22/3:7; pictured 21/2:73; wood, by Jobun, 22/1:20, 21, 22/3:20, retirement, 32/3:6 holding mask away from child, ivory, “An Early 17th Century Screen,” J. Kurstin, 22/2:16 31/3:53,53 “Early American Collector,” by D. Bray, 28/3:18 holding peacock, ivory, tall, 27/1:36,36 earthquake fish* (namazu*, catfish) holding/playing trumpet about, 23/2:14; 24/1:19 looking skyward, large buttons, hat as talisman against earthquakes, 31/4:18; askance, large buttons, wood, 33/1:53,53 31/4:13,16 playing trumpet, wood, 30/4:56,56; relationship to ama; ability to transform to 31/1:28 human form, 30/2:20 trumpet held in front, wood, ivory face and monkey, ivory, 24/1:20,20; 31/4:17,17 and hands, signed(?), tall, 23/1:28,28 and monkey with gourd, ivory, 31/4:18,18 holding rope & animal black tortoiseshell, by Masatoshi, 24/4:22,22 rope in hand; animal seured on back, ebony, by Minko, 21/3:38 long horn at waist, ivory, tall, ivory, 23/2:14

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Kadori Myojin on namazu, ivory, by Gyokumin, on elephant, symbolizing Fugen Bodhisattva 29/1:58,58 reading scroll, ivory, 28/3:16,17 umimatsu, 24/1:19,20 on elephant, with scroll, red lacquer inro by wood, uns., 31/4:cover;18 Hidekuni, 30/4:44,44 earthquake map, 31/4:13,13,14 “Eguro Family Carving History,” by Y. Shimatani, (see also earthquake fish) 23/2:44 “Earthquake Talismans,” by A. Ducros, 31/4:12 ehon (picture book) E-Bay, buying on-line, 24/1:30 “Ehon: A Treasure Bag of Inspiration,” by C. Beamer, 31/3:12 ebi*. See shrimp “Eighteenth & Nineteenth Century Fine Inro Ebisu* Netsuke, and One Statue,” by D. Burditt, 29/1:12 defined, 24/1:15; 25/2:13 Eijer, Dieuwke, 28/2:8; 28/4:7; 32/1:6 and Daikoku pictured, 27/2:41; inro by Zeshin, 31/1:53,54 “Tenmin School of Kagamibuta Makers,” 27/1:14 laughing, fish and pole, ivory, 34/2:43,43 book review, 101 Netsuke, 33/2:51 seal netsuke with Zeshin inro, 22/2:12 “Dutch Coins in Netsuke,” 32/3:12 symbolizing wealth, 22/2:12 Eijer, Mollie, 28/4:7 as Sambaso dancer, red lacquer on wood, elephant* 30/1:50,50 caparisoned, as subject in netsuke, 28/3:16 by Masayuki ((sig. discussed)), 29/2:16,16 history of in Japan, 26/1:43; 28/3:12; 29/1:11 holding down giant fugu, ivory, 24/4:48,47 illustration from Soken Kisho, 28/3:13,13 holding down struggling fish and mahout, wood, by Tsuji with kao, ivory 24/1:15; 24/1:40,39,40 33/3:cover,55 ivory, by Toshimune, 32/4:25 carrying Taishin, a paragon of filial piety, ivory, preparing carp for cooking, kagamibuta, by 25/1:16,16 Tenmin, 28/1:57,57 caparisoned trapping fish under hat by Shoko, wood, and attendant, wood, 28/3:cover, 15,15 21/2:25,25 ivory manju, Shibayama style, 28/1:57,57 Edo* ivory, by Soichi, 28/3:16,17 trading port, 33/1:15 lacquer inro by Ritsuo, 28/3:15,17 netsuke in their literary content, 21/4:27 various materials on gold lacquer inro, by Edo/Tokyo school carvers Kakosai, 28/3:15,16 an area of collecting, 23/4:40 (see also Fugen Bosatsu) Ono family, 24/2:47 hako netsuke, lacquer, 24/4:21,20 Edson, Thomas and Catherine ivory, by Yoshitomo, 23/1:25,25; 33/4:44,44 collection of Zeshin works, 26/4:18 kagamibuta, by Mitsuyoshi, 22/3:21 eel*, by D. Marsden, 24/3:35,35 on background of seals, stagantler, uns., 25/3:21 egg*. See tamago reclining egg tester circus, reclining on base, ivory, 28/2:50,50 wood, ivory egg, by Meijitsu, 34/1:7 Eguchi no kimi reading scroll, 28/3:16,17 wood, by Shugetsu, 34/1:cover, 26,26 smiling, stagantler, by Kokusai, 28/3:12,12 eggplant* Elfenbein, Michelle and Robert, pictured, 27/4:5 and bamboo shoot, wood, by Sadanobu, 21/1:32 Elijah riding horse to heaven, by G. Weil, five, lacquered wood, 24/4:48,48 34/2:21,21 hako netsuke, wood, 23/1:31,31 Emma O*, 26/3:53 with poem, ivory, by Mitsuhiro, 22/2:36,36 King of Buddhist hell, 29/1:42 Eguch*i no kimi, the courtesan legend of, 26/3:61 legend of, 28/3:16 and four masks, by Unsai, 23/4:20,20

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arm wrestling Yoshitomo or a priest, ivory, by fan* Hakuunsai, 29/1:44,44 mosozutsu pipecase, overlapping fans, by in pain as oni applies moxa, wood, the torturer Bokkoku, 33/4:49,49 being tortured, by Rakumin, 29/1:42 farmer* pointing to mirror, kagamibuta, by Tenmin, carrying wood bundle, wood, 21/3:39,39 30/4:42,42 tying wood bundle, wood, 2/1:49,49 wearing with character for “king,” (see also tongue-cut sparrow) ivory kagamibuta, 26/3:61,61 female. See woman by saddled horse with three devils, ivory, by Ferenczy, Laslo, 22/4:58 Hogyoku, 26/3:61,61 ferry* with passengers “An Unusual Netsuke: Emma-O in Pain,” by E. Schmidt-Bothelt, 29/1:42 wood, by Ikkosai, 30/4:21 (see also Shozuka Baba) ivory, by , 30/4:21 “Encounters,” (collecting anecdotes), 23/1:15; Fernao Mendes Pinto and kirin, ivory, by Yomeisai, 24/1:44; 24/4:26; 25/1:59 festival*. Endo Morito* homage to gods, ancestors, 28/1:34 bell in mouth, doing penance under waterfall, depicted in netsuke art, 28/1:34 ivory manju, by Ittokusai, 28/2:52,52 (see also ) entertainer*, a trade for the blind, 27/4:62 Ficara, Anton, pictured, 27/2:41,45; and Kako, Esposita, Fulvia, pictured, 33/2:35 pictured, 29/3:58 “Excavated from daimyo graves, inro by Tsuchida Ficara, Kazuko Nakanishi Soetsu and Toyo,” by E & H. Kress, Part 1, pictured 27/2:39, 27/2:41 30/3:40; Part 2, 30/4:32 “Sansukumi,” 27/3:38 “Kiyohime & Anchin,” 28/1:14 F** “Jikkan + Junishi = Eto,” 28/4:10 Fabergé, Carl, fiction affiliation with netsuke, 27/2:47 “Almost True,” by D. Bray, 23/3:50 netsuke by, 27/2:48-51 Filatov, Borys, pictured, 33/2:35 “Facts and Speculations about the Carp, Part 1, by “Kokeisai Sansho: Mystery of the Genius,” Dr. S. Van Laere-Fischer, 27/2:54; Part 2, 32/1:12 27/3:42 filial piety* Fairley, Malcolm, pictured 21/4:16; 23/1:13 list of, 32/3:31 fakes*/forgeries Paragons of Filial Piety as Hokusai saw them, added signatures, 21/2:68 30/1:42 similar narwhal models with different signatures, 24 paragons of, 23/4:45; inro, 32/3:30 27/4:19 financial statements. See INS Financial Statements importance of discussing, 27/2:12; 28/4:48 “Fine Work,” by E. Schmidt-Bothelt, 26/2:46 peril of casting doubt, 25/1:26 firefly Kokusai monkey, 24/4:51-55 confused with beetle, 26/3:54 new carvings on old slices of narwhal, 27/4:18 firefly on pipecase, by Ganbun, 26/3:55,55 pipecases, 22/3:6 (see also beetle) Rantei horse, 21/2:71,70 Fischer, Dr. Suzy. See Van Laere-Fischer, Dr. Suzy sparrow signed Koku, 34/4:44,44 fish* sparrows, 26/3:25 and crab, ivory, by Hidemasa, 22/3:39,39 terminology for, 29/1:30 and bamboo sprig (New Year’s offering), (see also authenticity) 24/3:8,8 “Fakes, Forgeries, and Copies, by W. Bosshard, and octopus, uns. inro, 34/2:11 26/2:42 at play in waves, by L. Sloggett, 23/1:46,46 falconer, ivory okimono, 30/4:24,24 basket of, by A. Műller, 24/3:37,37

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box or trunkfish, ivory, by Masanao (Kyoto), holding awabi,swimming, ivory, by Ryo, 27/1:31 29/3:14,14 clown fish, by Nick Lamb, 26/1:2 crayfish. in bowl, ivory, by Chokusai, 21/2:22,22 and clam dried, circled, wood, 32/2:58,58 or lady, reclining, on ivory, 21/1:50,50 group, including crayfish, wood, by Toyomasa, leaning on large clam shell, ivory, uns., 33/2:19 27/3:59,59 group, including octopi, crabs, ivory, by Ikkosai, on top of clam, ivory, 28/4:23,24 33/4:45,45 and fish group, narwhal, by Jugyoku, 27/4:18 asleep on fish group, wood, by Toman (sig. shown), 31/3:28,28 ivory, by Jogetsu, 24/3:42,42 in coral branch, by Hallam, 34/1:17,17 marine ivory, and wood, by Sosui, head, in bowl, wood, ivory, 28/1:39/40 21/2:ifc mother of pearl, 21/1:6 fish under arm, wood, large, 28/3:52,52 prepared for cooking, in Ming bowl, by holding fish to chest, ivory, , 26/1:5 Masatoshi, 24/4:28, 28 drying hair after a dive, by Yukoku, salmon 24/1:18,18,23 ink-brush case, wood, 33/4:46,46portion of holding knife flesh removed, style of Ritsuo, 30/4:41,42 and hiding tama. Ivory bowl, 34/2:45,45 tsuishu inro, Ritsuo style, 30/4:41,41 ivory, uns., 26/1:35,34; 33/3:54 carved from three pieces of stagantler, uns., sardine, dried, wood, 29/3:51,51 25/3:17,17 sea bream (tai), among shells, sea grass, ivory, knife in mouth, tama in hand, swimming, by Kokei, 30/4:52,52 ivory, by Kuya, 29/4:obc sea bream, and octopus, 23/1:20,20 seated by pot, ivory, uns., 21/2:29,29 sheathfish, wood, by Kaigyokusai, 28/1:40,40 holding lock of hair, knife, ivory, 34/1:7 stagantler, 22/1:47,47; 25/3:20 Fisher, Alan, pictured 27/2:42; and Anne, 28/3:7; swimming, ivory, 24/1:19,19 29/3:59; pictured, 30/1:10; 30/3:6; 31/2:50-51 trout and catfish, by Mitsutoshi, 24/1:19,19 fisherman* “Water to a Fish” by L. Sloggett, 24/1:43 cultural significance, 26/1:28 whitefish Ainu?, ivory, 22/2:52 in Ming bowl, by Masatoshi, 24/1:19,19 and clam, loin cloth trapped in clam, wood, by seven, ivory, by Jugyoku 30/1:57,57 Tomokazu, 30/4:46,46 (see also carp, dragon fish, fugu) and octopus, hand against one ear; octopus on head, Kyoto, 30/2:52,53 fisher girl* (ama) child on back holding fish, ivory, 25/3:36,36 about, 27/3:58 child on back, narwhal, 27/4:19 and child, ivory, by Rantei, 31/3:37,37 cormorant fisherman, ivory, by Hidemasa, and octopus 28/1:55,55 ivory, by Gyokumin, 26/4:49,49 dragging bell from sea, ivory, 24/1:14,14 ivory by Minkoku, 24/1:18,18 holding boy, parody of Shoki and oni, ivory, ivory, by Ryo, 29/3:14,14 uns., 30/1:27,28 wood, by Kokei, 24/1:18,18 holding catch seated, amorous, 30/2:54,54 fish, wood, by Tomotada, style similar to struggling with, wood, by Hideharu, 33/4:ibc Garaku, 24/1:17,17 two fishergirls, and octopus, Koryusai (sig. fish, tall, ivory, by Yoshinaga, 31/1:13,13 shown), 28/3:23, large fish, ivory, tall, 26/4:36 and awabi fish on a line, ivory, uns., 24/1:17,17 holding large awabi, by Anraku, 25/1:19,19 lobster over shoulder, ivory, 27/1:41,41

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holding rattle, coins, on one foot, wood, holding exposed breast with one hand, ivory, 30/1:59,60 26/4:46,46 scowling, unusually nice robe, holding large fish, holding halberd, ivory, uns., tall, 32/4: ivory, 26/4:45,45 kneeling, pinching his breast, ivory, 29/4:33,33 selling his catch money?, balanced on one foot, mask of, wood, by Minko, 31/2:36,36 wood, 24/3:12,12 octopus on head, ivory, 21/2:21,21 struggling with octopus, wood, by Minyoku, shouting, holding drum, wood, by Shugetsu, 33/3:obc 22/3:cover okimono adapted into netsuke, 26/2:28,28 smiling, wearing hat long skirt, ivory, 25/3:37 (see also diver) (see also Nanban, Dutchman, Portuguese) fishermen fortune teller and client, wood, by Minkoku, two ebony men tying huge coral branch., by 25/1:14,15 Jugyoku, 31/4:27 Four Sleepers* (Bukan, Kanzan, Jittoku, and tiger) Flagg, Peter, pictured 25/4:57 wood, 29/4:18,18 flask, for powder, image of ferry and boatmen, kagamibuta, ivory/metal, uns., 21/1:58,58 black lacquer, 27/3:56,57 Fowlie, James and Moire Fleischel, Robert, 22/3:6; pictured 21/1:12; 23/1:6; pictured, 27/2:43; 33/2:37 23/2:9; 23/3:8; 23/3:54; 25/3:6 “The Scottish Samurai,” 28/4:51 Fleming, Robert, pictured, 31/2:51 fox* (kitsune) flower* arrangement and suzuribako design on inro, uns., 34/1:30 and demons in humorous fiction, 21/4:31 Flower, Edward; bio, 24/2:51 Inari worship, 28/2:11 flute*. See Fujiwara Yasusada legend of Fox-Spirit-Sword, 28/2:10 fly* in humorous fiction, 21/4:31,32 damselfly over water, by J. Jacobson, 24/3:35,35 grieving, holding drum made of fox skin, wood, 34/1:14,14 on driftwood, marine ivory, by Sadakazu, 23/1:41,41 and hunter, ivory, 22/3:35,35 fly whisk and hunter, fused as one, ivory, 21/4:29,29 lacquered handle, by Jugyoku, 24/1:35,35 and reclining horse, wood, by Ittan, 34/2:54,54 on flat manju with center circle, stagantler, by as holy man, except for its face, wood, Kokusai, 28/1:42,43 21/4:28,28 Fonseca, Rui Filipe, pictured, and Lina, 33/2:36; as monk, wood, by Sansho, 32/1:16,16 and family, 29/3:59 boy in fox mask, dancing, ivory, ebony base, by foreigner* Ryomin, 28/3:50,51 and dog, holding bowl, ivory, uns., tall, 21/2:11 dancing and dog, wood, by Jobun, 22:1:20–21 ivory, by Kiyotada, 28/3:44,44 and octopus on his head, ivory, 21/2:21,21 ivory, uns., 21/1:48,48; 27/1:ibc; 28/2:48,48; 29/1:57,57; 33/2:34 European, kerchief in hand, 32:256,56 eyebrows, whiskers in relief, wood, uns., 29/2:31 holding dog, wood, uns., tall, 21/2:23,23 fox on cloud, wood, Nagoya, 30/4:40,40 clutching beard and sash, ivory, 23/1:ifc in kimono, by Masakazu, 23/1:20,20 dancing, wood, attributed to Toyomasa, 28/4:40,40; 29/1:55,55 in plants and grasses, inro by Masanari, 33/1:31 disguised as Toba, on a mule, Tsuji-style, wood, kitsune-ken (headman-hunter-fox), ivory, by 22/3:31,31 Gyokkosai, 34/3:28,28 female(?), lotus design, holding dog, ivory, mask, wood, 30/4:54,54 21/3:40,40 mask, wood, by Deme Uman, 29/1:51,50 holding ball aloft with shishi inside, ivory, reading book, wood, by Jugyoku, 21/1:51,51 23/1:22,23 seated, ivory, uns., 21/1:48,48 holding beard, ivory, 24/1:37,37 seated, raised paw, ivory, 27/1:ibc

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seated, tama between hind legs, ivory, uns, as story teller, stag antler, by Kokusai, 32/4:obc 21/1:48,48 manju, form, wood, by Zanmai, 32/4:5 standing, with top, ivory, by Hogyoku, and beetle, stagantler, by Masahiro, 23/1:26,26 23/2:56,56 and snake, wood tonkotsu by Ikko, 29/3:33,33 two, running from hunter, ivory kagamibuta, and young on back, wood uns., 34/4:42,42 by S. Wraight, 26/3:48,48 transforming into priest Masanao, 23/4:27,27; 26/1:18,18 ivory, 29/4:48,48; by Sukeyuki, 21/3:41,41 wood, uns., 33/1:30 by Masanao, 28/3:41,41 three foxes, inro by Jokasai, 33/1:31 animated, ivory, by Kansui, 32/1:51,51 two foxes, wood kagamibuta, by Iwamoto as Ono no Tofu, a parody, wood, uns., Konkan, 33/1:31 30/1:27,30 wedding, inro, uns., 33/1:30 carrying Yamada Nagamasa, wood, by (see also kitsune ken, ) Sukenaga, 26/2:31,31 fox dancer in pants and jacket, ivory, by Joso, group of, wood 34/4:52,52 cluster of, by M. Webb, 21/4:ifc fox, nine-tailed. See Tamano no Mae three, one playing leaf samisen, by Shoki fox priest (Hida), 30/1:52,52 x-rayed, 21/2:34,34 four tree frogs on turtle, by Toshinao, standing, hooded robe, staff 33/1:obc ivory, 31/4:47,47 toads, five, by Masanao, 32/1:13 ivory, by Wakyosai, 34/4:49 nine, ivory, ivory, by Seimin, 21/3:34,34 kimono sleeve raised, ivory, by Ikkosai, hibernating, wood, by Kodo, 21/4:61,60 28/2:10,11 in center of narwhal slice, 27/4:18 lacquered wood, 21/4:28,28 Mr. Toad’s Wild Ride, by D. Carlin, wood, uns., ivory, 30/3:14; tall, 34/2:44,44 22/1:ifc walking, by Hyakuzosu, 22/4:5 resting, wood striped trousers under robe, ivory, tall, by Yoshikazu, 29/1:35 26/1:29,29 by Risui, 26/1:20,20 fox woman by Shigetada, 26/1:20,20 dancing, bending a cane over neck, ivory, by Tomokazu, 25/3:obc 26/1:34,34 on bucket, by Masakatsu, 25/1:21,20 nursing child, by Masakazu, 25/4:46,46 on log, by Sukenaga, 27/1:38,38 standing, holding staff, hooded, head turned to uns., 21/1:43, side, ivory, uns., 29/1:45,45; 30/3:14,14 on leaf Frank, Suzanne, pictured 24/2:37 by Tomiharu, 23/4:11,11; 29/1:12 frog*/toad uns., 31/3:34,34 as attribute of Gama sennin, 26/2:31 uns., Iwami, 23/1:42,42 as talisman for abundant water, 26/2:30 by M. Webb, 22/3:43,43 differentiating frog and toad, 26/1:14 by Sozan, 22/4:55,55 meaning of characters; symbolism, 26/1:15,18 by Ryokuzan, 25/3:3 medicinal properties, 26/2:30 stag antler by Kozan, 24/3:41,41 myth and magic, 22/2:58 on lotus, by Iwama Masayoshi and Yasuchika popular misconceptions, 26/2:30 Tou, 34/4:41,41 proverbs, 26/2:31 on mushrooms, wood toad and young confused as toad and mate, by Ganbun, 21/1:49,49 26/2:30 uns., 25/1:7 wrestling frogs misidentified as embracing frogs, 33/1;7 mushroom overturned, Asakusa, 26/2:5

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stagantler, signed Ren (Rensai), 25/3:22 Fugen Bosatsu* on pod, wood, by Sukenaga, 33/2:46,47 about, 28/3:13 on pumpkin, wood, by Masanao (of Izumo) confused with King of Champa, 28/4:9 23/1:42,42 reading scroll, on elephant on pumpkin stalk, wood ivory manju, by Meijitsu, 29/4:46,46 by Sukenao, 23/1:29,29; 26/2:31,31; 31/2:23 ivory, by Chikashige, 30/1:27,27 on reishi fungus, wood, by Goho, 21/4:39,39 (see also elephant/caparisoned, Eguchi no kimi) on roof tile, wood fugu* (puffer or blow fish) by Sukenaga, 24/3:16,16 ivory, by Masanao (Kyoto) 24/1:19,19 by Suketomo, 31/2:41,41 ivory, by Keiun, 33/2:46,46 on sandal, wood tail shape as mokugyo, wood, eye inlay, by Masami, 24/3:35,35; 27/1:3 30/4:53,54 two fighting, by Masanao (Ise), 22/1:56,56 wood, by Miwa, 27/4:42, 41 on stump, wood, by Saratani, 24/1:43 wood, by Toyomasa, 21/1:52,52 on driftwood, persimmon, attrib. to Tomiharu, wood, by San to (Toman), 31/3:27,27 29/1:35 Fujii, Ango, pictured, 32/1:34 on tree bark, mammoth ivory and antelope horn, life and work of, 32/1:34 by N. Lamb, 28/2:5 , stagantler, 32/1;36 tropical, on pitcher plant, 26/2:2 hakutaku, ivory, 32/1:36 “Random Thoughts on Toads,” by Dr. P. Jirka- hydrangea and toaqd, ivory, 32/1:36 Schmitz, 26/1:13 Last Samurai, wood, 32/1:35 (see also gama sennin, ko sensei, Tokubei) leaves, wood, 32/1:35 Frank, Michael, pictured 25/4:67; 29/3:59 , stagantler, 32/1:36 “From Kyoto to Osaka to Tokyo, by M. Strone, nurikabe, stag antler, 32/1:36 23/4:32 rain dragon, stagantler, 32/1:37 “From the Outside Looking In,” column by M. Strone, 23/3:32 roof tiles, stagantler, 32/1:37 Subtitles: toy goldfish, wood, 32/1:37 From Kyoto to Osaka to Tokyo, 23/4:32 sachi, ivory, 32/1:37 The Elephant in the Living Room, 24/3:19 snake and skeleton, stag antler, 32/1:35 A Paean (Would You Believe it?) to Himotoshi, Fujihime (wisteria princess), confused with Ochiyo, 24/4:56 33/1:6 On Authenticity: Whose Tomotada Ox is Being Fujin, god of wind Gored?, 25/1:26 ivory, by Koichi, 23/1:17 The International SODLCWHIT Convention: A on wind swirl, wood okimono, 22/3:3 personal Primer, 25/3:10 Fujita, Rumiko, pictured 23/2:9 Today’s Lesson: Caveat Emptor, 25/4:10 Fujitsuna* This Edition: The Importance of Being Ernest, on bridge, looking for lost coins, ivory 27/2:32 kagamibuta, by Haruaki, Fujitsuna Whose Art Is It Anyway?, 27/3:32 Fujiwara, Isshu, 21/4:6 A Strange and Beautiful Obsession, 27/4:22 Fujiwara no Narimichi Ducking the Canards, 28/4:48 and monkeys, inro by Kanshosai, 28/4:38,38 Comforting Uncertainty, 29/1:28 Fujiwara Yasumasa playing the flute Signed Carvings from the Beginning” until 1868, ivory, signed or inscribed Hojitsu, 22/3:28,28 29/2:43 ivory, square manju, by Kohosai, 29/1:52,52 Time Warped, 29/3:34 Fujiwara Yasusada, poet, square manju, ivory, The Expert, 30/1:19 29/1:52,52 Fudo Myo* Fukai mask, wood, by Jobun, 22/1:24,24 riding shishi, identification uncertain, 26/4:44,44 Fukurokuju*

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characteristics, 27/2:13 dancing, with fan, Yoshitomo school, 29/4:46,46 similar to Jurojin, 25/3:53 holding food container, wood, 28/4:44 and child/karako in shape of Fukurokuju, narwhal, by Garaku, karako at side; elder holds fan, staff, ivory, 32/4:31 by Masakazu, 25/3:53 seated, w/fan, large head, metal, uns., 26/4:41,41 karako shaving the elder’s head, 32/3:48,49 standing, holding fan holding scroll away from child on his back, ivory, 27/1:42,42 ivory, by Masakazu, 30/4:51,51; 32/3:48,49 ivory, by Anrakusai, 29/1:60,60 karako w/uchiwa, wood, by Tsuji, ivory, by Yoshitomo, 31/1:26-28 (sig. 23/1:23,23 shown). as acrobat, stained ivory, by Tomoyuki, 22/1:3 on stool, wood, 34/4:50 as Fukusuke, narwhal, by Garaku, 32/4:31 Yoshitomo and Fukusuke,” by N. Plat, 31/1:25 Daruma-like, on cloud, ivory, by Anraku, Fuld, Sal, 21/4:7; 23/1:4 30/3:18,18 and Nicholine, pictured; 24/2:36 extra long forehead, ivory, by Sadayoshi, death, 28/4:58 31/2:48,48 Fuld’s Netsuke Index, 21/4:7 extremely elongated forehead, flying kite with Funada Ikkin, squirrels, graps, manju, 34/2:27,27 child, stagantler, 28/3:51,51 funerary* feeding minogame, ivory, by Shousai (sig. shown), 31/2:46,47 inro and netsuke excavated from daimyo graves, 30/3:40; 30/4:32 hands tucked in sleeves fungus*. See reishi slightly bowed, ivory, by Minkoku, 23/1:23,24 Futatomo, rat on bean pod, wood, 26/2:49,49 ivory, by Mitsutoshi, 23/1:24,24 Futen*(god of wind) wood, and print in Soken Kisho, 23/2:28,28 described, 30/1:15 head of, on turtle shell ivory, 32/2:55,55 relationship with Raiden, 26/3:19 holding scroll and Raiden, by Masakazu, 28/2:32 wood, by Tokoku, 25/3:IBC blowing wind, with uchiwa, ivory, 30/1:15 wood and stagantler, uns., 32/4:31 as cloud-ghost, ball in mouth, wood, by Shumemaru (sig. shown), 26/4:35; 26/4:48,48; on cloud, by Mitsuhiro (sig. shown), 30/3:18,18 28/1:39,39 on hands and knees, child covering forehead on bag, uns., 25/1:36:36 with cloth, ivory, by Masamichi, 29/2:15,15 forlorn, head resting in hands, clouds formed by prancing on one foot, ivory, uns., 25/4:50,50 a full length of stagantler, 26/1:41,41 seated, hand on knee, wood, by Toyomasa, misidentified as Futen in 2-case inro by Toyo, 32/4:31 26/3:19,19 wearing string-tied hat, stagantler, uns., 25/3:18 Fuzita, T., pictured, 27/2:44 Fukusuke* models in Yoshitomo style, 31/1:25 G** roles and characteristics in netsuke, 28/4;42,42 Gadelius, Jonas, 29/1:8 arms crossed in front, ivory, 25/3:40,40 and Gabita, pictured 21/4:14; 23/2:8,9 as doll, wood, 28/4:44,44 “On Contemporary Netsuke,” 22/3:39 as doll with box, lacquer, 28/4:45,45 gaki* (lost soul, or hungry ghost), 26/4:14 as raconteur and Daikoku seated back to back, wood, by blowing through puckered lips, ivory, wood, Tokoku, 31/3:3 34/2:47,47 and Shozuka no Baba, ivory, uns., 26/4:13,13 jumping jack, wood/ivory, by Chokusai, gama* sennin 28/4:46,46 about, 22/2:59 wood, inlays, by Tochinsai, 28/4:43,43 also known as Kosensei, 26/2:31 as talisman for luck and prosperity, 28/4:43,43

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Back to netsuke.org confused with karu, 26/4:15 riding, another frog on shoulder, wood, by confused with Tokubei, 21/4:70 Itsumin, 30/1:50,50 toad as attribute, 26/2:31 riding, wood, by Masanobu, 24/1:27,27 and frog and peach, ivory, by Yoshinaga, with younger toad, wood, uns., 26/4:15,15 31/1:54,54 hand on head, wood standing, holding frog by leg, ivory, uns., tall, standing, wood, by Jobun, 22/1:23,23 33/3:48,48 sennin on one knee, by Jobun, 21/3:23,23 seated, holding up toad, wood, by Yoyusai, on mushroom, wood, uns., 25/1:7 33/2:obc standing seated, smiling down at frog, wood, by Sukenao, black wood, inscribed Toyokazu, 21/2:22,22 33/3:52 holding frog at waist, tall, ivory, uns., 34/3:7 seated in front of toad, plumb wood, by holding frog (gourd?) at side of head, wood, Katsusuke, 21/3:28 by Tsuji, 23/4:24,24 seated, laughing at frog on knee, ivory, by holding sash, frog on shoulder, ivory, tall, Kaigyokusai, 23/4:33,33 27/1:44,44 frog/toad on shoulder, ivory, tall, 34/2:42,42 inro design by Genkosai, 24/2:26,26one foot another in hand, tall, ivory, 25/4:49,49 on back of frog, wood, by Bungyoku, bone, by Shuzan, 28/1:39,40 30/1:50,50 standing, looking left, by Yoshitomo, (sig. on one foot, double gourd slung over back, discussed), 26/3:41,41 wood, by Katsusuke, 21/2:39,39 ivory, Kyoto or Kagoshima? 31/1:27 scowling, hands clasped, style of Shuzan, standing holding frog aloft, ivory, 23/3:40,40 29/4:33,33 ivory, uns., tall, 26/2:31,31; 31/4:47,47; (see also karu) 34/2:42,42 Gambun*. See Ganbun on one foot, frog on shoulder, another games* crawling up staff, ivory, uns, 31/4:23 child at desk playing with hiragana characters, marine ivory, 25/4:52,52 wood, by Soya, 26/3:53,53 two toads, ivory, 32/4:26,26 Kemari, played by nobleman, by Seiho, 21/4:ifc standing, holding two three-legged toad on Jan Ken Pon (scissors, rock, paper), shoulder, another at waists, ivory, tall, uns., interpretation of trilogy, 26/3:54 23/3:29 Ganbun* holding frog at shoulder, one in front, ivory, reading of kanji, 21/3:24; 21/4:6; 23/3:2 uns., tall, 26/4:15,15 firefly on pipecase, 26/3:55,55 3-legged frog on shoulder frogs on mushrooms, wood, 21/1:49,49 ivory, 29/1:45,45 lacquer box, 3 tiers, bamboo and ants, 26/1:27,27 ivory, by Ryo, 29/3:16,16 mushrooms, ebony and bamboo, 23/1:39,39 standing on shoulders, wood, by mushrooms, wood, image of rabbit in pewter, Toyokazu, 21/2:22,22 pumpkin and other vegetables, 23/1:39,39 on back of frog/toad sea creatures, shell, wood, 34/3:8 leaning back to rest against frog, by Miwa, plum wood, 21/3:28 snail, wood, pewter (sig. shown), 31/2:45,45 resting head on hand, wood, by Shuya, snail, hako shape, collaboration with Zeshin, 21/3:29 32/246,46 resting head in hand, wood, by Shuzan (from toads on reishi fungus, 21/4:39,39 Echigo), 26/1:21,22 tonkotsu, wood, by Ganbun, 23/1:24,24 riding toad like a horse, holding reign, wood, “Mebun aka Gambun,” by J. Towers, 21/3:24 ivory gourd, by Chokusai, 26/2:ibc Ganshosai Shunsui resting w/head in hand, on back of frog, snake, inro, 32/4:43,43 wood, by Shuya, 21/3:29 pheasant feathers, inro, 34/2:31

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pheasant feathers, kogo, 34/2:31 dog and young, seated, 34/1:21,21 Gansui* Bukan Zenshi and tiger, ivory, attrib. to, 32/3:29 boat, long, wood, 29/1:59,59 sennin, dog, drum, ivory, attrib. to: 32/3:29 crab on boar’s tooth, ivory, 25/1:22,23 tiger and cub, ivory, 24/4:ibc; attrib. to, 30/1:56 dragon on tooth, 30/4:15 tiger and cub, ivory, by Tomotada, attrib. to, monkey holding ivory peach, black persimmon, 2/3:28 21/2:obc gecko* poem, 8 views of Oumi Hakkei, on boar tusk, about, 26/3:57 27/3:8,8 and young, wood, by Tokisada, 30/2:33 Garaku* on kettle hook, 24/2:19 dog on mushroom, wood, by Goho, 26/3:57,57 fancy collar, ivory, 32/3:41 (see also lizard) nursing pup, ivory, 26/2:60,60 geese. See goose/geese. seated, collar, narwhal, 27/4:17 geisha* seated, collar, bell, ivory, 22/4:60,60 and with tengu mask, shunga, uns., Fukurokuju as Fukusuke, narwhal, 32/4:31 32/4:42,42 horse, grazing, wood (sig. shown), 22/2:65 holding hat brim, ivory, by Ryo, 29/3:13,13 monkey obi tied in front, unstained wood, 29/4:44,44 and octopus on rock, ivory, 25/4:52,52 two, by Ryushi, 24/3:36,36 standing on hare, 24/3:57 and kitten, wood, by Ryushi, 22/1:ifc , ivory, attrib. to, 32/4:47,47 with fan, ivory, by Mitsuhiro, 31/4:30 ox and boy holding rope, ivory, attrib. to, trimming toenails, wood, by Hiroyuki, 33/4:47,47 27/3:53,53 rabbit, scratching chin, ivory (sig. shown), (see also courtesan) 28/2:55,55 , tale of, lacquer kobako, 23/1:ibc rat and two young on two rice bales, ivory, Genjoraku* 34/2:45,45 distinguished from Ryujin, 29/4:26 sennin standing looking down, narwhal (sig. ivory, 29/4:26,27 shown), 27/4:19 a snake-eating barbarian, red lacquer mask, by shishi Hokei, 21/3:38,38 balancing on ball, wood, 32/1:30 actor portraying, ivory, 29/4:27,27 looking back, snarling, ivory, 25/3:40,39 Genkosai* reclining, scratching ear, ivory, 32/1:30 design book, 24/1:26 two, hatching from egg, 24/4:10,10 life and career of, 24/2:26 tortoise and young, ivory, 29/1:60,60 photograph of, 24/2:29 Urashima Taro with box and turtle, 21/3:53 Daikoku and Ebisu, okimono, attrib. to, 24/2:29 Gardner, Steve, pictured 21/3:4; and Jackie, 24/2:38 self portrait, 24/2:29 Gaslini, Mario, pictured, 31/2:51 shishi and cub, okimono, 24/2:29 Gatten*, the moon goddess Shoki and oni, okimono, 24/2:29 and child, by Chikanaga, 23/2:41,42 stone wolves guarding Mitsumine Shrine, and rabbit, ivory, 33/4:33,33 24/2:29 feeding rabbit, stagantler, 31/2:46,46 tiger group, ivory, 21/1:47,47 “Gaujin, Chinese Toggles: Netsuke’s Newest Old “Genkosai,” by Y. Shimatani, 24/2:26 Frontier,” by Franco Bellino, 29/4:30 Genryosai* Gechu* Jo and Uba, wood, 30/2:25,25 artists using this name, 34/1:22 South Sea islander in waves with large coral, from Osaka or Kagoshima?, 34/1:22 24/4:ifc bitch and pup, ivory, 21/3:17 Gensai* Sugiyama, 31/2:8

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history and netsuke by, 23/3:35 frightening mortal, wood, by Tokoku, 21/1:40,40 pictured 23/3:35 Halloween, dear antler; ojime, walrus ivory, by battle between monkey and crab, 23/3:36,36 Stradiotto, 21/1:ifc mermaid and octopus, 23/3:37,37 head of, on green lotus leaf, ivory, by Minko, octopus courier, 23/3:36,36 26/4:39,39 Genso*, listening to Yohiki play her flute, wood, holding lantern, wood, by Hidemasa, 28/2:50,50 uns., 28/1:52,52 holding skull, wood, by Carlin, 32/1:53,53 Gensui*, female ghost, kakiwood, 34/4:48,48 holding tall candle stick, 22/1:49,49 * holding grave stele engraved with inscription, confused with warrior charging to battle, 33/1:6 33/1:54,54 attribute is a horse, 22/2:15 on back of woman, holding knife, stagantler, one of the three heroes of the Han dynasty, 22/3:29,29 22/2:15; 22/4:8 Ono no Komachi, by Ryo, 29/3:19 misuse of name, 22/4:8 saishiki, painted wood and Kan’u and Chohi, by Kobayashi Shushin, green, red, gold, uns., 33/2:21 23/2:42,42 possibly Fujin, Shuzan style, 33/4:43,43 on horseback, wood, uns., 25/2:ifc shitan wood, by Sosui, 27/3:54,54 on horseback, ivory, attrib. to Sanko, 32/3:47 umbrella ghost, ivory, uns., 32/4:54,54 “Georges Weil Netsuke,” by P. Moss, 22/3:44 (see also Adachigahara; Oiwa, Rokurokubi) “Georges Weil: Renaissance Man and Kyoto Carver Gigaku* Reincarnate,” by M. Strone, 34/2:14 masks by Gyokugyoken Katsunori, 23/1:37,37 Germanova, Irina, pictured, 32/4:8 mask of a nio, by Tekkan, 29/1:9 Gessei (or Gessho) Gilbertson, Edward crane dancer, wood, 21/2:71,71 The Art of Collecting Japanese Netsukes, crane dancer, wood, copy, 21/2:71,71 31/4:22 Gessho* go. See art name Tekkai sennin, balancing on one leg, wood, go* (board game) 32/2:55,55 history of, 30/1:17 Gesso*, shishi mask, movable jaw, wood, three sages inside a fruit, two are playing go, by 28/3:45,45 Kaigyokusai, wood, 27/1:25,25 Gestener, Mr. and Mrs. Jonathan, pictured 21/1:11 two players, and trays of sake, ivory, 33/4:27 geta* Go, Baron, 21/1:14 broken, held by upset temple attendant, goat* (hitsuji) lacquered wood, uns., 34/3:cover;23,23 comparison of models, 22/1:53,53; 23/31:55,55; with haiku by courtesan to Date Tsunamune, 33/3:14 33/4:45,45 imported, 34/4:5 Getchell, Katie, pictured 22/3:20 in Japanese art and culture, 23/1:53 ghost* personages associated with, 23/1:10 apparitions and transformations, 27/3:22 meaning of hooves on branch, 23/1:10 female and branch, ivory, by Okakoto, 25/1:17,17 holding child, ivory, by Seishu, 33/3:55 and branch, ivory, Kyoto, 23/1:10,10 kaki wood, by Gensui, 34/4:48,48 and Katsuyu sennin, ivory, uns., 23/1:54,54 painted wood, attrib. to Shuzan, 32/4:40,40 and monkey stagantler, 23/4:18,18 ivory, uns., 23/1:57,57 wood, uns., 23/4:32,32 monkey seated on back of long-neck goat, wood, by Weil, 33/3:3 similar to siniu, ivory, 33/4:36,36 tall, by Masatoshi, 26/4:51,51 and ox, ivory, uns., 23/1:56,56 stagantler, by Masatoshi, 32/1:5 and young

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ivory, by Kiyozumi, 23/1:20,20 ivory, by Tomotada, 23/1:55,55 ivory, by Mitsuharu, 23/1:cover, head turned to side, dipped, ivory, uns., ivory, by Tomotada, 26/2:60,60 24/4:11,11 two kids, wood, by Kokei, 28/3:46,46 long-haired, ivory, by Mitsuharu, 27/3:7; young on back, wood, by Tametaka, 33/3:45,44 23/1:57,57 two goats, one standing, ivory, by Otoman, one horn, like a unicorn, seated, ivory, signed 22/1:53,53; 31/4:51,51 Tomotada, 33/4:36,36 three goats, wood, by Tametaka, 30/4:41,41 reclining (see also Katsuyu; Koshohei) fully reclined, ivory, uns., 23/1:55,55; god of horses and stables, Barekejin, 31/3:10,10 29/1:55,55 Gods* of Good Fortune. See Seven Gods of Good grooming foreleg, wood, by Ikkan, Fortune. 31/4:51,51 Goddard, Dessa, pictured 23/3:55; 25/4:57, head turned to side, eyes askance, ivory, by 27/2:41I; 31/2:50 Sato (or Goto) Masayoshi, 23/1:56,56 Goelzer, Peter, pictured 21/4:16; 24/3:58 long haired, looking forward, wood, by Goho* Harumitsu, 26/1:40,40 bamboo, hippo tooth, 30/4:51,51 long-haired, looking back, by Mitsuharu, interpretation of name, 24/1:46 27/3:6; gecko on mushroom, wood, 26/3:57,57 reclining, looking back lizard on mushroom, wood, collaboration, and up, long-haired, ivory, 27/1:33,33 31/3:25 ivory, repair described, 34/4:44,44 marine life, shells, ivory, 27/3:ibc ivory, Tomotada (sig. discussed), 27/3:55,55 rat protecting chestnut, wood, 33/3:45,45 shaggy, ivory, by Okatomo, 23/1:55,55 rat with chestnut, wood, 28/4:obc wood, by Ittan, 25/1:18,18 san sukumi, black persimmon wood, 21/4:38 uns., ivory, 30/4:52,53; 33/4:36,36 shells, ivory, 24/1:17,17 reclining, looking forward snail atop frog, and spider and fly, ivory, head slightly turned, ivory, by Bokuko, 21/4:ibc; 29/4:28,29 34/4:13 “Going Nuts for Cooper (not Gary)”, by F. Bellino, wood, by Kokei, 22/1:53,53; 23/1:56,56 34/2:23 wood, by Minko, 23/1:57,57; 28/4:16,17 Goldney, Arlene and Richard, pictured, 29/3:59 lifting foreleg, wood, uns., Nagoya, 21/4:26; Gomo 22/1:733/3:11; 33/4:11 paragon of filial piety, 32/3:26 reclining, looking up, wood, by Soshichi, with scroll, ivory, 32/3:26,26 27/1:38,38 Gomo, the Daoist, and children, by Chokosai seated, eating fruit, ivory, by Tomotada, Chikanaga, 23/2:43,43 23/1:55,55; 28/4:39,39 gong* seated, looking back Buddhist, dragon representation, wood, ivory, and up, wood body, ivory horns, by Minkoku, 28/1:41,41 32/3:50,50 Goodall, Hollis, 24/2:33 long-haired, ivory, by Mitsuharu, 30/3:29; pictured 21/4:9; 22/1:10; 24/2:33; 24/4:14; 33/3:15,16 26/4:8 shaggy, wood, by Mitsuharu [sic] (should be “Beyond Ivory: The Colorful World of uns., attrib. to Shigeharu), 30/2:12,12 Netsuke,” Part 1, 24/4:14 shaggy, ivory, by Shigeharu, 30/2:12,12; Goode, Robert, 24/1:6; 28/3:6; 30/4:4 wood, ivory horns, by Minkoku, 33/3:15,15 pictured 21/3:4; 33/2:36 and Laura, 28/1:I wood, by Shigeharu, 30/2:12,12; 33/3:14,15 “Netsuke on $5 a Day #7: To E-Bay or Not to E- wood, uns., 33/3:14,14; 15,15 Bay,” 24/1:30 standing

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“When you Come To A Fork In The Road, Take Gregerson, Tom, Morikami Museum, pictured It: My Odyssey Through the Netsuke World,” 27/2:39 31/3:32 gun, possibly with Christian symbol, metal, Netsuke on a Budget #9: Uncommon Netsuke, 32/2:47,47 33/3:35 Gyokkei* goose*/geese Totsuka beggar lifting enlarged scrotum, wood, geese in marshlands, by Koma Kyuhaku, 26/1:46,46 31/2:ibc Gyokkin* geese resting on back, wood, by Shumin, life and work, 25/2:12 29/1:46,46 cicada, bamboo, 25/2:20,21 goose, silver, gilt, by Seii, 31/2:36,36 mokugyo and drum stick, wood, 25/2:16,16 Gorkov, Sergey, pictured, 30/2:8; 32/4:8 nyo-i scepter, sandalwood, 25/2:17,16 Goro* praying mantis story of, 32/3:37 rendering by Bob Sanderson, 25/2:cover and radish vendor, ivory, by Ikkosai, 32/3:38 shishi, wood sashi inspired by sculpture at sharpening arrow, print by Kiyomitsu, 32/3:37, Todaiji temple, 25/2:17,18-19 Goshi* tea ceremony chopsticks, 25/2:13,13 Tanuki changing into priest, wood, 34/3:26 Urashima riding turtle, bamboo pipecase, gosho*, type of Japanese doll, 28/2:25 25/2:21,22 Gotei*, Urashima Taro on turtle, 23/1:42,42 “Gyokkin,” by J. Hawley, 25/2:12 gourd* Gyokkosai* and stick used by street vendor, 33/1:6 Daruma doll, ivory, 33/1:5 and wasp, wood, x-rayed, 21/2:36,36 Daruma stretching, ivory, 23/1:35,35 bundle of, secured by tassel, ivory, by Mitsuhiro, figure with serpent, ivory, 21/2:66 32/3:50,50 kitsune-ken (headman-hunter-fox), ivory (sig. in string bag, by Tokoku (x-rayed), 24/4:35,35 shown), 34/3:28,28 inro decorated with beetle, ferns, by Tokoku, woman, skeleton, and monkey, export piece, 31/2:42,43 30/4:23,23 sashi, wood, 1/3:39,39 Gyokuhosai* wood, and ivory frog, by Masatoshi, 34/2:15 kirin in waves, ivory manju, 27/1:45,45 (see also Kyo-Yu) sailors in boat, ink cake inro, 22/1:50,50 gourds, with cords and tassels, by Gyokuso, explanation of cyclical date written thereon, 21/3:39,39 22/2:6 “Great Kagamibuta and Great Luck,” three vegetable group, ivory, 34/2:45,45 kagamibuta from the R. Silverman collection, Yojo stabbing the cloak, and Cho on horseback, 3/3:16 ivory, 32/4:34,34 Government (bakufu) Gyokuichi* , 25/1:45 more than one okimono carver using this name, grapes* 34/3:21 design, wood, inlays, 32/1:25 oni carving a mask, ivory okimono, (sig. shown), mountain grapes, wood, by Soko, native to 34/3:19,19 Japan, 29/1:41,41 samurai fighting oni, ivory okimono (sig. grapevine shown), 34/3:21,21 as motif in Asian art, 29/1:38 Gyokuin* and grapes, coiled, ivory, uns., 29/1:39,39 karasu tengu mask, wood, 28/2:29,29 (see also squirrel) Gyokumin* grasses, tall, significance of, 32/2:10 acrobat balancing on drum, wood,25/3:41,41 Greenfield, Charles, lacquer collection, 26/3:16; ama, seated, and octopus, ivory, 30/2:54,54 27/1:10

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Ashinaga and Tenaga catching octopus, ivory, candy vendor, wood, 29/4:35,35 26/2:23,23 courtesan Eguchi as Fugen, 28/3:16,17 baku king on base, wood, 22/3:22 gourds with cords and tassels, wood, 21/3:39,39 female ghost, stagantler, 23/4:18,18 insects, wood, 32/3:9 fisher girl and octopus, 26/4:49,49 wisteria maiden, wood, 30/1:60,60 Kadori Myojin on namazu, ivory, 29/1:58,58 Gyokuyosai* mokugyo into dragon, wood, 32/2:ibc kappa, on base, large lotus, crab, ivory, mokugyo-shaped tonkotsu, namazu heads, stag 32/2:56,56 antler. s/Koku, attrib to Gyokumin, 34/4:12 kappa stalking frog under lotus, manju, mokugyo-shaped tonkotsu, dragon heads, stag 33/4:14,14 antler, 34/4:13 mat with various mon, ivory, 34/2:27,27 Gyokusai* shishi with mokugyo, ivory, 22/2:obc; actor in Usofuki mask, ivory, 28/1:43,43 32/4:49,49 Ashinaga tickling Tenaga with fly whisk, ivory, shishi and cub, ivory, 32/4:49,48 attrib. to., 28/1:ibc Tenaga on drum, ivory, 28/1:42,42 head of tengu, wood, ivory eyes, 28/1:43,43 Gyokuzan* Hotei with sack, ivory, horn, wire, 28/1:43,43 Arababa frightened by bakemono, 32/4:34,34 Okame and 9-tailed pup (parody of 9-tailed fox), octopus, negoro lacquer, 24/1:cover,16 ivory, 28/1:ibc okimono-netsuke, Emma-O and four oni (sig. Gyokusai* (Eguro Sukeharu) shown), 34/3:20,20 genealogy, 23/2:45 mouse wedding, inro, 26/2:44,45 Gyokusai Tachibaba sheath inro, monkey holding peach, 25/4:44,44 dragon inro, black lacquer, 27/2:16,16 Gyokuzan, Kodo Gyokusen* Tekkai sennin, wood, 28/4:21 blind man feeling ground for dropped coins, Gyokuzan, okimono carver ivory, 27/4:62,63 oni shining huge shoes, ivory okimono (sig. oni transporting mask, okimono (sig. shown), shown), 34/3:19,19 34/3:20,20 Gyokuzan Tachibana, birdcage inro, 29/4:38,38 oni attacking man who is attacking a kappa, gyotai 34/3:20,20 emblem of imperial rank, 28/1:24 Gyokusensai* inro shaped as, 28/1:27 Tokiwa Gozen with her two children hidden “Gyotai: Badge of Rank for Collectors?,” by H. and under her robe, wood, 33/3:22,23 E. Kress, 28/1:24 Gyokushi*

Fukurokuju, arms tucked in sleeves, wood, H** 34/2:47,47 Hachigaku*, three sake tasters, 23/3:45,45 Gyokushisho* sennin Hachigyoku*, man dragging giant Daruma-doll with with horse, on base, ivory, by Kaigyokusai, rope, wood, 28/1:41,41 23/4:36,36 hair ornaments* Gyokusho* stagantler, by Kokusai, 25/3:24 minogame on driftwood dark wood, 30/4:15 combs and hairpins, by Hashi-Ichii, 26/3:29 Gyokushu* Hahn, Teddy carved netsuke and okimono, 34/3:21 pictured 21/4:14 Okame and oni at setsubun, ivory okimono (sig. shown), 34/3:22,22 death, 32/4:57 Raijin painting his drum, ivory (sig. shown), Hakamadare* Tasusuke 34/3:21,21 legend of, 28/3:10 Gyokuso* hiding from Raiko, ivory, uns., 28/3:10 bridge post, wood, 29/4:36,36 Hakata*, destination for imports abroad, 27/4:34

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Hakata carvers, seated man pulling eye, wood, treasure ship and precious objects, ryusa manju 34/3:11 24/2:18,18 hako* (box) zodiac animals, sukashibori, 24/2:18,18 chrysanthemums among waves, lacquer, “Hoshino Hakusai, the Asakusa Carver,” by J. 34/4:17,17 Hawley, 24/2:10 eggplant shape, hako, 23/1:31,31 hakutaku* for perfume, dragon motif, iron, ivory, Chinese painting, 24/3:25,25 31/4:14,14 confused with , 22/2:54,54; 24/3:25 (see also lacquer box) interpretation of name, 24/3:25 Haku*, karasu tengu mask, corozo nut and ivory, 30/1:56,56 stagantler, 28/2:29,29 on base, ivory, 24/3:19,19; 26/4:37,37; 27/4:11; Hakufu* 28/2:53,54; 34/2:51,51 kiseruzutsu, landscape, dragons, 31/3:38,38 seated, looking fearsome, ivory, 34/4:52,52 Hakuryu* Hakutaku Award tiger M. Birch, 30/1:4, 30/1:4 and cub, ivory, 25/4:49,49; 32/3:41 Ryushi Komada, 29/3:3 and two cubs, ivory, 25/3:45; attrib. to, Hakuunsai* 29/4:45,45 history and work of, 24/4:36 crouching, snarling, ivory, attrib. to, 15 masks, ryusa manju, 24/4:38,38 29/1:46,46 Emma-O arm wrestling Yoshitomo or a priest, ox, wood, 29/4:34,34 ivory, 29/1:44,44 Hakusai* heads of Mikenjaku, Hakuchu, and the king, carving style and material, 24/2:14 ivory manju, 29/4:42,42 collaboration with Tokyo carvers, 24/2:11 Manzai dancers, ivory, 24/4:36,36 connection to Asakusa, 24/2:13 street entertainer, 24/4:38,39 netsuke in the card index, Okame, with tengu mask, shunga, ivory (sig. 24/2:15 shown), 27/4:55,55 number and type of netsuke recorded, 24/2:14 tale of Ota Dokan, manju, 24/4:38,38 signatures, 24/2:15,15 Yoshimitsu gazing at his sho (instrument), 2-part angel (tennin) sukashibori, 24/2:17,17; 24/2:18,18 ivory manju, 28/2:52,52 beaked dragon, ivory, 24/2:10,11 “The Netsuke of Hakuunsai II,” by M. Bernstein, 24/4:36 Daruma, and dragon, collaboration with Minjo, 24/2:13,13 Hallam, Clive, 22/3:39; 31/3:6 Handaka Sonja, ivory sukashibori, 24/2:cover,17 pictured 21/4:9; 25/4:62; 31/2:51; 33/2:36 Kannon on carp, kagamibuta, 24/2:16,16 fish in coral branch, 34/1:17,17 Kikujido, ryusa manju, 24/2:18,18 heron, 24/3:37,37 man smoking pipe, 24/2:17,17 snail, horn, 34/2:8,8 manju, collaboration with Tokoku, 24/2:11,11 Hamatake, Nicholas, pictured, 33/2:36 mokugyo and fly whisk (hossu), kagamibuta, Hammond, Jairus, K, memoriam, 34/3:57 24/2:17,17 Hanasaka Jiji and dog Shiro, story of, 26/2:57 Raiden, ryusa manju, 24/2:18,18 Handaka Sonja* rats stealing Daikoku’s millet, ryusa manju, and dragon, ivory, 32/4:27,28 24/2:16,16 and dragon from alms bowl, ivory manju, by silver rabbit on ivory ryusa manju, 24/2:17,17 Morimasa, 34/2:26,26 Taishin O Fujin, collaboration with Tenmin, struggling with dragon, wood, by Tsuhan Minko, 24/2:12,12 25/3:40,40 three friends of winter (pine, bamboo, and struggling with dragon issuing from bowl, ivory, prunus), ryusa manju, 24/2:17,17 30/2:49,49 sukashibori, by ivory, Hakusai, 24/2:cover

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terrified by dragon, sukashibori, by Hakusai, Haruki* 24/2:17,17 three beans, ivory, 28/3:50,50 under pine tree, holding alms bowl, ivory manju, Harumichi*, shishi on Buddhist altar, ivory manju, by Kosai, 34/2:26,26 34/2:29,29 (see also Nakasena Sonja) Harumitsu* Hanasaka jiji, story of, 34/4:18 boar, wood, 27/1:32,32 seated on tree trunk, holding mortar filled with cicada on rotted leaf, wood, 26/1:40,40 ashes, ivory, by Ryusho or Ryusei, 34/4:18,18 coiled dragon, wood, 31/3:42,42 Handley, Marsha Vargas reclining ox, head up, wood, (sig. shown), pictured 21/4:8; 25/4:67; 28/3:7; 30/1:10; 31/3:53 29/3:59; 30/3:6; 31/2:53; 32/4:6; 33/2:35 reclining goat, looking ahead, wood, 26/1:40,40 bio, 24/2:54 reclining horse, wood, 31/3:42,42 hanko. See seal. Harutada* Hannya* shishi with ball, ivory, Kyoto, 33/1:ibc and bell of Dojoji, 21/2:67 Harvey, Gordon, ojime collection, 22/3:55 mask by Deme, wood, 29/1:9 Hasegawa* mask, wood, by Toman, 31/3:26,26 Daruma and courtesan swapping robes, inro, by mask, wood, by Tomotada, 33/4:34,35 H. Shigeyoshi, 22/3:32 mask, metal, inscribed Shozui, 33/4:47,47 Daruma yawning, silver metal, uns., attr. to H. mask, wood, by Toyomasa, 23/1:19 Shigeyoshi, 25/1:22,22 mask, red lacquer, by Soso, 32/2:46,46 stag and doe, inro, 27/4:ibc noh actor, carved red lacquer, 24/4:21,21 (see also Ikko Hasegawa) Hanzan* Hashi-Ichi II box, lacquer, 30/3:8 life, work, and family of, 26/3:27 letter paper box, lacquer, 22/1:10 combs and kogai, 26/3:29pipecases by, incense burner, pottery, 30/3:9 simulated bamboo, 26/3:28,28 sake flask, inro, 29/4:40,40; 30/3:9 “Hashi-Ichi II,” by Y. Shimatani, 26/3:27 snail on lotus leaves, inro, 34/4:50,50 Hashimoto, Tsushi, pictured 25/3:6 three shishi at play, 5-case inro, 28/4:32 Hasson, Birgitta, pictured, 29/3:59 Harding, John, 25/3:32 hat* hare*. See rabbit straw hat twined with wire, stagantler, by The Hare with Amber Eyes: A Hidden Inheritance, Kokusai, 28/1:43,43 by E. de Waal, reviewed, 30/3:53; illustrated Hattara Sonja in cloak of mugwort, ivory, by edition, 32/4:55 Masatoshi, 30/2:37,37 Harer, Ben and Pamela, pictured, 32/4:6 Have Netsuke Will Travel, by Princes Takamado, harikata* (dildo) reviewed, 29/1:62 wood sashi with male/female images, 27/3:56,56 Hawley, John D penis shape, wood, by Hokuzan, 33/4:46,46 bio, 24/2:51 Haritsu II. See Hanzan pictured 21/1:11; and Donnie, 21/2:10; 21/4:15; 22/1:8; 24/1:9; 24/2:38; 25/4:66; 31/2:52 Haritsu, Ogawa. See Ritsuo “Gyokkin,” 25/2:12 harlot* of Benares . See Ikkaku Sennin “Hoshino Hakusai, the Asakusa Carver,” 24/2:10 Harnwell, Dr. Gaylord P, 26/1:58 Hayashi, Robert, pictured 23/2:6 Harris, Dean, pictured 23/2:8 Hayden, Robert, pictured 24/1:9; 27/1:8; 29/1:8; Hart, Philip C. 30/1:10 “The Japanese Seal: A Rediscovery,” 21/4:20 Haynes, Robert, 26/1:58 Haruaki* pictured 24/2:43; 25/3:26,30 Fujitsuna on bridge, looking for lost coins, ivory Index of Fittings and Associated kagamibuta, 27/4:55,55 Artists (reviewed), 22/1:61

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“Looking Back,” An Interview, Part 1, 25/3:26; Dutchman with horn, carrying child on back, Part 2, Part 1, 25/3:26 ivory, 33/1:14,14 Heckmann, Gunther, 24/2:44 fish, 22/3:39,39 “Black Beauty,” 27/2:14 ghost holding and lantern, wood, 28/2:50,50 Hee, Joanne, pictured 21/4:10 Hotei and karako, 23/3:32; 32/3:36 Hee, Jon, pictured, 30/1:10 Kibidaijin holding go board, emerging from Heian princess, by Ryushi, 23/4:38,38 persimmon, 28/3:40,40 Heigan*, cloud-ghost. See Shumemaru. Okame with rat, shunga, wood, 31/2:7,7 Heimaru*, alternate reading for Shumemaru, Okame laughing as oni crawls from under her 26/4:48 skirt, wood, 34/4:ibc Heishusai*, iris on blue ground, inro, 31/4:35,35 old man on back of flying sparrow, 26/3:25,25 Heller, Lynn and Norman, pictured 21/4:8; 27/2:45 oni carrying reliquary, signed Masanao (but hen. See chicken attrib. to Hidemasa), 24/3:obc Hemenway, Lew, pictured, 32/4:6 Otafuku mask, ivory, 21/2:23,23 herds boy*. See ox and herds boy. rat on scroll, ivory, 33/4:29,29 Hermitage Museum ronin, drunken, in fundoshi, sword, wood, by netsuke by Karl Faberge in collection, 27/2:47 (sig. shown), 33/3:21 netsuke collection of, 28/1:37 sennin Sanfushi afloat on umbrella, ivory, 34/1:12,12 heron, wood, by C. Hallam, 24/3:37,37 shishi, two, on base holding up ball, 21/3:53,53 Heusinger, Chris and Jim, pictured 25/4:57 Shoki and captured oni, tall, attrib. to, 27/3:55,55 Hida province Shoki, captured oni under foot, ivory, and design Eguro family carving history, 24/3:44 source, 31/3:18,18 Hidden Meanings in Chinese Art, by T. snake and frog on lotus, ivory, 34/1:46,46 Bartholomew, reviewed, 29/1:61 Songoku and magic wand, ivory, 29/1:60,60 Hide* tengu emerging from egg, ivory, 26/2:33 Hohodemi in grass skirt, holding tray with two tama, ivory, 29/1:56,56 thief captured by Taira no Tadamori, ivory, 30/2:49,49 Hideaki, bokuto (wooden knife), 23/2:52,52 Tsunemoto slaying demon stag with bow, ivory, Hidechika* and design source, 31/3:17,17 Hotei and karako, ivory, 21/2:27 Hidemasa* Chingendo Hideharu* pup tugging on rope tied to conch, ivory, kappa on clam, wood, 32/3:47; 34/2:46,46 28/1:38,38 mermaid on shell, wood, 24/1:17,17; 28/3:ibc Watanabe no Tsuna, and demon, ivory, two snails, wood, 25/3:36,37 28/1:38,29 Hide* Hidemasa Shuosai (Hidemasa II) human tengu reading book, ivory, with kao, octopus (alluding to an ama) on clamshell, ivory, 26/2:32 34/2:50,50 sparrow, old woman on back with szissors, wood, Hidemitsu* 33/246,46 Chinnan sennin holding aloft a dragon in bowl, Hideharu*, diving girl fighting octopus, 33/4:ibc ivory, 34/4:11 Hidekuni*, red lacquer inro of Eguchi no kimi on Rakan leaning against shishi, ivory, 30/2:50,50 elephant, 30/4:44,44 Hidemune Hidemasa* octopus masquerading as repentant oni, cockerel, ivory, 21/1:43,43 21/1:41,41 cormorant fisherman, ivory, 28/1:55,55 Hideyuki*, 22/3:41 Daikoku on forked radish, 21/3:52 Ainu carrying fish, 25/4:55,55 Daruma, seated, stretching, wood, 34/4:47,47 Nikki Danjo, 21/4:ifc dragon from bowl, ivory, 21/1:43,43 plum blossom, ivory, 28/3:11; 30/4:53,52

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Ranryo dancer, ivory, 22/3:42,42; 33/2:5 boy playing with, ivory, uns., 24/1:obc three friends: bamboo, pine, prunus, saishi, monkeys in race, inro, 22/1:49,49 31/3:39,39 wood, by Masanao, 27/4:obc Hideyuki (Meiji era) Hodo Shojo astride minogame, sake cup overhead, Ojizo-san, ivory, 22/3:42,42 setsubun oni, ivory, 31/3:38,38 Hoen, Okame, shunga, 23/2:51,51 Hieronymus, Richard, 21/4:7; 23/1; 34/1:8 Hogetsusai, Fujiwara no Masaki, tortoiseshell box, and Nancy, pictured 21/4:8; 22/2:4; 23/2:5,6; phoenix, 27/1:ifc 24/1:9; 24/2:38; 27/1:8; 27/2:69; 32/4:6 Hogyoku* book review, 24/4:61 Emma O with horse and three devils, ivory, “Children’s Netsuke,” 21/2:26 26/3:61,61 “The Sneezer,” 21/3:54 fox and top, ivory, 23/2:56,56 “Karako in Netsuke,” 25/4:30 shishi and oni, ivory cigarette holder, 31/2:22,22 (see also column, “The Armchair Collector”) Hohodemi* in grass skirt, holding tray with two Higo Daijo* tama, ivory, by Hide, 29/1:56,56 blind man leaning on (missing) staff, wood, Hojitsu* 28/3:51,51 child actor in oni mask, wood, ivory, 26/1:39,39 two nio arm wrestling, wood, 22/3:19 Choryo, 23/3:52,52 two nio arm wrestling, wood, by “higo no Daijo Daikoku, arms tucked in sleeves, ivory, saku”, 22/3:23 23/1:24,24 Hikaku* Daikoku on rice bale, wood, 22/2:13,13 interpretation of name, 24/1:48,48 Daikoku subduing a thief, wood, 23/1:24,24 Yoritomo and Saigyo Hoshi talking, ivory, Fujiwara Yasumasa playing the flute, ivory, 32/4:33,33 inscribed(?), 22/3:28,28 himotoshi* Hotei, 23/4:37,37 added to okimono to enhance sale, 30/4:28 No dancer, with mask of Jo, 24/1:38,38 designs, development and examples of, 29/2:50 Okina mask, ivory, 25/1:16,16 early Edo school, 28/2:34,35 sambaso dancer with hobby horse, ivory, in later netsuke not intended for wear, 30/4:23 32/4:49,49 placement, 31/3:9 skull on funerary urn, ivory, human, ivory, insect oversized, typical of Edo school, 28/2:34 overlay, 31/2:42,42 three, in one netsuke of Kariteimo, 33/4:42,43 snarling tiger (or wolf) on rocky base, wood, Hina Matsuri (doll festival) 26/1:28,28 described, 28/1:34 Songoku on cloudbank, wood, “probably by” Hojitsu, 25/3:38,38 (see also doll) temple attendant, 23/4:23,23 Hironobu* traveling puppeteer, 30/4:23,23 Choryo and Koksekiko, ivory manju, 27/1:34,34 Hojoe* Hiroshi, Mr. Eda, 25/2:47 setting animals free, story of, 26/2:41 Hiroyuki*, geisha trimming toenails, wood, 27/3:53,53 Hojoe buying tortoise from boy, ivory, by Ho Ryomin, 26/2:41,41 Hirth, Frederick, pictured 26/3:13 Hokei* Hirth, Karl-Peter, 26/3:13 mask of Genjoraku, a snake-eating barbarian, Hisanobu, swan, ivory, 21/1:46,46 21/3:38, 38 Hitomaru, poet mask, red tsuishu, 31/2:36,36 ivory, by Anraku, 22/4:59 No actor as Hannya, red lacquer, 24/4:21,21 and oni, writing, kagamibuta by Shuraku, rabbit, resting, wood, 32/3:ifc 30/4:50,50 self-tickler, attempting to sneeze, 21/3:54,54 hobby horse seven good luck gods, kiseruzutsu, 23/3:47,47

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hoko.* See doll front hooves on bucket, ivory, by Anraku, Hokusai* 29/4:49,49 The Great Wave, woodblock print, 24/1:13 and monkey paragons of filial piety, as Hokusai saw them, horse pulled by monkeys, inro by Masanari, 30/1:42 28/4:ibc “Hokusai for Foreigners,” by Else and Heinz Kress, and rat, wood, 26/4:41,41 27/3:16 and snake Hokuzan*, penis-shape dildo, 33/4:46,46 fighting snake, by L. Sloggett, 24/3:55,55 holly* leaf by Matt Kowollik, 26/1:2 and young Holton, Neil, 33/4:14 foal, ivory, Kyoto, 32/4:34,35 and Karl, pictured 25/4:58 foal, wood, 33/1:37,36 “Encounters,” 24/1:44 barring teeth, Homei fake Rattei compared to authentic (signatures Kuranosuke, ivory, 21/2:67 shown), 21/2:71,70 homunculus reclining, wood, by Minko, 22/2:65 inside peach held by sennin, tall, ivory, uns., reclining, wood, 33/1:37,37 22/2:57 wood, by Ikkan, 33/1:37,37 Ho-o* bird wood, by Yukikazu, 26/2:47,47; 33/1:37,37 among clouds, fungus, cloisonné single-case wood, by Tomokazu, 26/2:48,48; 29/4:33,33 inro, 29/1:11 camel-faced, pig-bone, 29/1:57,57 ivory, uns., himotoshi discussed, 31/3:9,9 carrying wife & children, led by husband, on standing on one foot, ivory, by Masatoshi, 31/1:9 base, ivory, 26/3:55,55 (see also phoenix bird) cloth around mid-section, purpose, 26/1:14,14 Hopkins, Beverly, pictured 24/2:37; 31/2:50 emerging (being born) from a gourd Hopkins, Jay, 33/4:8 wood, 26/2:37,37 bio, 24/2:51 emerging from gourd “Soshin,” 30/2:14 a proverb, 26/1:41 “Cigarette Holders,” 31/2:20 ivory, 29/1:44,44 “Toman,” 31/3:26 ivory, by Rantei III, 26/2:37,37 Horaisan*, the magic mountain island ivory, by Rantei, 21/2:71,70 story of, 32/1:9, 9 ivory, 24/3:9,9 Horaku* ivory, by Kyokatsu, 25/3:41,41 bat, ebony, 27/4:51,51 wood, by Bokugyuken Toshiharu, 26/1:40,40 building in pine trees, ebony, 22/2:7 wood, by Miwa Yukan w/seal, 34/1:37 crane, wood, 31/2:46,47 horse-headed Chinese chessman, 23/4:18,19 pavilion in landscape, umoregi, 26/4:obc galloping in bamboo, spider webs, ivory, quail atop on millet, wood, 24/3:13,13 27/3:51,51 sparrow feeding young, ebony, 32/2:58,58 grazing Hori, Sachiko, pictured 23/2:10 possible political meaning of grazing motif, horse* 22/3:18 attributes, 22/2:64,64; 33/4:6 dragon-horse, ivory, tiger spots, 23/4:18,18 differentiating between Chokaro’s horse and ivory, by Masatada with kao, 22/3:18,18 horse being born, 26/2:37 ivory, uns., Kyoto, 22/2:64 on base, design element, 30/4:24 ivory, 22/3:18,18; 25/1:17,17; 25/4:51,51; personages associated with, 22/2:15 26/4:37,37; 28/2:51,51; 28/3:23,23; 29/1:58,58; 30/4:24,24; 31/4:52,52; portrayed on votive tablets, 29/3:10 33/1:36,36; 33/4:22 and bucket on base, stagantler, 22/2:65

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piebald, ivory, uns., 23/4:ifc Mongolian pony, reclining, wood, by Minko, piebald stagantler, uns., 24/4:17,17; 28/4:41,41 27/3:60,60 walrus tusk, by Lee Younggren, 26/1:60,60 thin body, ivory, 21/1:40,41 wood, collaboration between Toyomasa and three- legged, ivory, 21/2:23,23 wood okimono, by Masakatsu, 22/1:54,54 walrus ivory, by Stradiotto, 21/1:ifc (see also Chokaro sennin) wearing blanket, ivory 23/1:22,22 rolling wood, by Garaku, 22/2:65 design source for, 23/3:26,6 wood, uns., Kyoto style, 26/4:43,43 wood, by Masanao (Kyoto), 25/2:28; 26/3:32 wood, uns, natural himotoshi, 33/3:44,44 ivory, by Masanao (Kyoto), 28/1:37,38 wood, uns, 24/3:16,16 standing wood, elaborate mane, by Tametaka, compact, swishing tail, ivory, uns., 33/2:45,45 23/4:18,18 wood, attrib. to Tomotada, 26/4:16 elongated and bent neck, wood, by Shuzan, prancing 23/3:26,26 gold, by G. Weil, 34/2:18,18 foreleg bent, ivory, by Tomotada, 26/4:46,46 ivory, by G. Weil, 34/2:20,20 head down, rope alter, inro by Ritsuo, reclining 33/4:46,46 curled up within an ivory & wood head up, neighing, by Kangyoku, 32/1:52,52 kagamibuta, signed Okatomo, 22/1:54,54 looking back, wood, by Tomotada,31/4:52,52 grooming hind leg, ivory, by Masanao nuzzling its hind leg, ivory, 22/1:59,59 (Kyoto) 22/1:54,54; 31/2:41,41 on base ivory, tortoiseshell grasses, by Kaigyokusai ivory, by Masayuki, 21/2:29,29 Masatsugu, 25/2:29 elaborate trappings, ivory, inlays, by elongated head, ivory, horn eyes, 23/4:20,20 Shibayama, 28/1:56,56 ivory, tortoiseshell inlays, by Kaigyoku, sage mounting horse, uns., 33/1:38,38 36/2:33 white horse of Chinese lore, 22/3:18,18 looking back winged Pegasus, ivory, by Bishu, 30/3:5 ivory, Kyoto school, 26/3:14 (see also Chokaro; hobby horse, sea horse ivory, by Ransen, 21/1:40,40 unicorn) wood, by Ichimin, 34/2:50,50 horse groomer wood, by Ittei, 22/3:34,34 kneeling, ivory, by Rakumin, 31/3:44,44 looking down, bent leg, wood, signed and horseman and mount on base, ivory, 31/2:48,48 dated, Hidari Toyomasa, 21/1:24,24 horses* looking forward, ivory, Masanao Kyoto style, heads, interlocking, uns., ivory clasp, 24/1:33 22/1:55,55 two in yin-yang pose, ivory, by Masanao looking to side (Kyoto), 31/4:52,52 ebony, by Minko, 30/3:5 two, rolling, wood, by Awataguchi, 32/4:41,41 wood, by Harumitsu, 31/3:42,42 two wood, by Masanao, 26/1:39,39; 30/4:48,49; head lowered, ebony, by Minko, 32/2:ibc 28/4:16,17 Hosai* wood, by Masakatsu, 27/3:49,49 career notes, 24/2:12 looking up dragon on mokugyo, stag antler, s/ Hosai utsusu, head turned, wood, by Natsuki, 33/4:34,34 33/1:40,40 Hoshin*, head turned, wood, by Masami, 27/1:3 Tanba school, 21/2:40 wood, by Ikkan, 24/1:42,41 interpretation of name, 24/1:47 wood, by Masanao, 22/2:65

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bikuni as nun soliciting funds, wood and ivory, karako holding horn, wood, 31/4:29 removable skirt, 26/1:46,46 24/3:20,20 clam’s dream, interior carving, 24/1:14,14 karako peering from sack over shoulder, cluster of rats, ivory, 24/1:40,40 ivory, 30/1:55,55 Kinko riding carp, ivory, 29/4:9,8 two karako, one on shoulder, another in front, “Hoshino Hakusai, the Asakusa Carver,” by J. ivory, by Okanobu, 29/4:33,33 Hawley, 24/2:10 two karako, one on head, ivory, by Okakoto, Hoshinsai* 29/1:60,60 Ranryo dancer holding mask, flute, ivory, crouching, sack wrapped around shoulders, 26/4:38,38 wood, by Tokoku, 25/1:21,21 Hoshu*. See Yoshihide dancing on one foot, ivory, 26/3:46,46 “Hot on the Trail,” tracing ivory tusk imports, by A. leaning on bag Ducros, 27/4:34 dreaming, stoneware, lacquer, attrib. to Hotei*, 23/2:29 Toyosuke, 24/4:20,20 characteristics, 27/2:13 embroidered sack, wood, 28/2:54,54 and animal companions on an ox, by gold and shakudo kagamibuta, uns., Kaigyokusai, 23/4:cover,37 23/3:cover arms up, shouting, bamboo, by Yoshitomo, ivory, by Kosen, 28/3:44,44 25/4:55,55 ivory, by Rantei, 28/1:38,39 as a brush rest, ivory, 23/2:29,28 red-spotted umimatsu, 34/4:51,51 and karako/child stagantler, by Tomonobu, 32/4:32,32 child tweezing Hotei’s chin, ivory, inside bag 34/2:42,43 anguished look, wood, by Shugetsu, Hotei crawling over child who holds nose, 23/2:29,29 wood, 34/2:44,44 head relaxing on hands, wood, by Rantei, several laughing karako inside bag, wood, 23/2:29,29 22/3:31,31 ivory, by Mitsuhiro, 27/3:51,51 hiding Okame mask from karako, ivory, by one hand holding bag closed, ivory, by Hidechika, 21/2:27 Mitsuhiro, 31/3:44,44 inro by Zeshin, 22/2:ibc peering out of gilt metal sack, manju- reclining, child on arm, ivory, by Yoshitomo, kagamibuta, by Yasuchika, 32/2:46,46 26/3:36 pointing to hole in sack, ivory, 31/3:43,44 reclining on table, an oni hiding below, ivory, inside scroll perhaps a seal?, 34/4:51,51 ivory, by Raku, 27/3:49,49 reclining, ivory, uchiwa, black horn handle, ivory, by Unpo, 25/1:18,18 30/4:52,52 laying (on side, laughing, ivory, 28/2:50,50 seated, with children, ivory, by Kagetoshi, on ox, wood, style of Tomotada, 27/1:37,37 31/2:40,41 pictured on Bizen sake flask, inscribed Minko, seated, prayer beads, hossu, wood, ivory, by 34/4:51,51 Tokoku, 32/3:49,49 pointing at moon, inro, 32/2:13,13 seated, ivory, by Hidemasa, 23/3:32 sack over shoulder teasing a child with Okame mask, ivory, 29/2:cover, 15,16 bending under burden, ivory, by Gyokusai, 28/1:43,43 carrying karako ivory, by Hojitsu, 23/4:37,37 ebony, Karako of ivory/horn, by Tokoku, 27/3:21 wood, by Ono Ryomin, 23/4:37,37; 28/2:21 holding uchiwa, ivory, 31/2:44,44 wood, by Tokoku, 23/4:37,37; 28/2:21 ivory, by Yoshitomo, 23/4:35,35; 26/3:39 seated ivory, by Yoshinaga, 31/2:3 green stained kimono, ivory, by Yasuaki, 23/4:37,37

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uchiwa, ivory, by Yoshitomo, 26/3:36, 37, 38 Ibaraki* (Roshomon witch) statue of, wood, by Tomiharu, 29/1:12,13 legend of, 25/1:44 standing and severed arm laughing, holding kemari ball, ivory, by and rosary, representing redemption, stag Masakazu, 29/4:49,49 antler sashi, 33/3:23,23 one hand on belly, the other on head, wood, fleeing with arm, ivory manju, by Jugyoku, 34/4:50 33/3:23,22 w/uchiwa, ivory, by Mitsuhiro, 21/3:52 painting by Zeshin, 25/1:45,45 w/uchiwa, Bizen ware, by Mitsuhiro, viewing the severed arm, print by Yoshitoshi, 25/3:36,36; 30/1:obc 25/1:45,46 surrealist head of emerging from bag, lacquer, wolf with Ibaraki’s severed arm, ivory, by 30/1:55,55 Okatomo, 33/3:23,23 house* in pine trees, stones, ebony, by Horaku, (see also Watanabe no Tsuna) 22/2:7 Ichi (?), kudan, wood, 32/4:cover,11 Hozan* Ichijo*, two hares, wood, 29/1:59,59 demon of Dojoji temple, standing, arm raised, Ichimichi, Kazutoyo, 24/1:7; pictured 24/1:8 wood, 21/2:25,25 “Naito Toyomasa, Part II,” 21/1:21 mask netsuke, 22/3:13,13 “Naito Toyomasa, Part III: The End of Tanba mermaid holding tama, wood, 29/4:48,48 School,” 21/2:40 wrestlers, wood, Kawazu throw, 31/4:ibc “Tamba School Report: Gama Sennin by hozuki (winter berry), wood, by Toyomasa, Masanobu,” 24/1:22 23/4:20,20 Ichimin* Hughes, Joel, pictured, 30/1:10 boar, one paw raised, wood, 27/4:56,56 Hummel, John and Cynthia Mark-Hummel, pictured horse, reclining, looking back, wood, 34/2:50,50 24/2:40 kirin, reclining, wood, 32/3:9 hummingbird on tooth, by Coutu, 34/1:37 rat, cleaning paw, wood, 27/4:56,56 Hunt, Arlys and James, pictured 24/2:37; 25/4:66 Ichirai* Hoshi, story of, 33/3:9,10 Hunt, John, pictured, 27/2:41; Ichiraku*, dragon, crouching, ivory, 25/4:34 Hurtig, Helen and Bernard, pictured 23/3:54 Ichiro* hut, thatched roof, wood, by Yoshihide, 26/4:36,36 netsuke from Szeszler collection, 23/2:9 Huthart, Robert, pictured 24/2:41 story teller, ivory, blue stain, 32/2:35,35 Hutt, Julia, 32/4:6 Sesshu, tied up, being rescued by a rat, pictured 25/3:6; 26/4:8; 30/1:6 30/2:26,26 Japanese Netsuke (reviewed by), 24/4:61 Ichiro: Master Netsuke Carver, by N. Sandfield, Hyakusa* reviewed, 29/3:54 crab on brown lacquer manju, 27/4:55,54 Ichiryu*, reishi made from fungus, signed and Hyakuzosu, the priest, fox described as, ivory, dated, 32/4:30 22/4:5 Ichiun*, a signature used by Ikkan, 31/4:24 hyottoko* mask monkey grooming, wood, 31/4:24 ebony, ivory eyes, by Kyoshige, 28/3:51,51 Idaten* mask of, wood, by Sansho, 32/1:25 Buddhist , story of, 28/3:9 vegetable ivory, 30/3:28,28 subduing an oni stealing the jewel, ivory, wood, by Tenkaichi(?), style of Deme Uman, 28/3:50,50 21/1:50,50 with oni, wood, uns., 28/3:9,9 Ikkaku sennin* seated next to and lady ivory, by Kanjukin I** Yoshinaga, 31/1:21,21 “I Must Go Down to the Seas Again,” by N. Davey, carrying harlot of Benares 24/1:13 ivory, attrib. to Sanko, 27/2:9

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ivory, 22/3:35,34; 27/2:9 tiger, smiling, 26/4:3 wood, tall, uns. 23/3:28 Ikko (Hasegawa Ikko) wood, tall, (unidentified sig. shown) dragonfly and grasshopper, kiseruzutsu, 22/2:53,53 25/1:16,16 parody of, played by Nio serenading Benten, medicine case, 27/1:9 33/1:11,12 pipecase, bamboo motif, 25/1:16,16 with string instrument, 26/1:24,24 pipecase, hare and moon, from bamboo, 29/3:33 mask of, wood, by Sansho, 32/1:24 tengu and young, ivory, 25/2:15 Ikkan* tonkotsu, woven design, inlays, 34/3:10 connection to Tomokazu, 29/3:39 tonkotsu, frog and snake, wood, 29/3:33 dragon Ikkosai* whiskered tightly coiled body, wood, 33/4:30 monkey feeding bear, ivory, by Ikkosai, 22/3:9 hare ferry boat with passengers, wood, 30/4:21 and young, wood, 24/1:42,42 fishes, octopi, crabs, rect. manju, ivory, and two young, ivory, 31/4:51,51 33/4:45,45 grooming paw, wood (sig. shown), Goro and radish vendor, ivory, 32/3:38 27/4:56,46 horse-drawn carriage, ivory manju, 29/3:43,43 horse kirin reclining, looking up, wood, 24/1:41,42 baying ivory, attrib. to, 23/3:23,23 reclining, barring teeth, wood, 26/2:46,47 on pomegranate branch, scratching chin, kirin, wood, 23/4:11,10 ivory, 23/3:24,24; 27/:54,54 Kiyohime and Dojoji bell, wood, 30/1:27,29 and young, baying, ivory, 23/3:23,23 rat two kirin and young, ivory, 23/3:23,23 paw on bean, wood, 34/3:ibc nio lifting heavy mortar, ivory, 33/2:40,40 paw on a pawn, wood, 24/4:42; 25/1:31,31; octopus and fishes, ivory (sig. shown), 25/2:27 25/1:14,14 grooming paw, wood (sig. shown), passengers in horse-drawn carriage, ivory manju, 27/4:56,56 29/3:43 holding tail, wood, 26/1:26,26 three wise monkeys, 24/4:49,49 two, wood, 28/3:47,47 two dragons, ivory, 29/1:53,53 shojo, asleep, wood, 23/1:21,21; 29/1:55,55; (see also Toun Ikkosai) 32/4:50,50 Ikkokusai*, (see also Ichiun) lizard on mushroom, wood, a collaboration, Ikko* 31/3:25 bakemono, 23/4:42,42 Ikku* dragon coiled in figure 8 position, ivory, bat, ebony, 28/1:30,31 27/4:56,56; 29/4:46,46 floral netsuke-ojime set, wood, 25/4:55,55 dragon sennin, with bowl and dragon, 24/1:36,36 samurai helmet, stagantler, 25/3:cover; 25/3:23 dragons forming hako (box), ivory, metal, waves, mobius strip, ebony, 26/4:55,56 28/2:55,55; 31/4:14,14 Ikkyu* pipecase, sansukumi, 32/1:23 dragon fish, ball in mouth, wood, 29/4:34,34 rat and young, 24/2:47,46 kappa in rotted cucumber, wood, 26/1:39,39 rat and young, wood, 27/1:41,41 lizard in rotting pear, wood, 31/2:obc sansukumi, wood, ivory snake, green toad, owl and young on branch, wood, 29/4:49,49 29/2:32,32; 30/1:55,55 owl on branch, wood, 24/1:29; attributed to, shishi on cushion, paw on mokugyo, ivory, 29/1:50,50 uns.,31/2:47,47 statue of Tsuen tea master, 31/1:7,7 tengu and chick, ivory, 22/3:24

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two octopuses, one in pot, wood, 24/1:29; (see also Kress, Heinz & Else for articles on 29/4:35,35 inro) Ikkyu (priest), ivory, by Tomochika III, 26/2:35,35 INS* financial* statements immortals, Daoist. See sennin 2001, 21/4:4 In a Nutshell: A Loan Exhibition of Japanese 2004, 24/1:4 Netsuke from European Collections, by R. Bandini, 2005, 25/4:3 (reviewed) 33/3:51 2007, 28/1:6 Inagaki, Kiichi, 29/2:34 2009, 29/4:2 Inagawa* 2010, 31/1:3 4-case inro, monkey family, 29/1:53,53 2012, 33/2:3 inro, monkeys at rest, 28/4:38,38 “INS Forum Highlights,” column by P. Calhoun incense* box (kogo), 22/1:49,49 beginning 33/4:14 container, in form of two shells, by Miyabe Insai*, sarumawashi, pot, monkey, ivory, 21/2:17 Atsuyoshi, 28/4:ifc internet*, buying on-line, 24/1:30 black lacquer base, by Zokoku, 21/3:18,18in Ippuku* shape of fan; mask of okina, lacquer, 26/1:ifc kappa holding flowers, stagantler, 31/2:5 netsuke in shape of, wood, by Kagetoshi, spiders “Ambush,” stagantler, 30/1:7 32/1:47,47 iris* on blue background, inro by Heishusai, 24/3:3 31/4:35,35 shibuichi, by Shoami Katsuyoshi, 24/1:3 “Is It Because I’m Black?,” by S. Djelal, 30/4:10 index of G. Lazarnick’s publications, 24/3:5 Ishihara, Masao, 29/3:38 Index of Japanese Sword Fittings and Associated pictured, 23/2:19; 25/3:5; Artists, by R. Haynes (reviewed), 22/1:61 Ishizumi (Kanji Ishizumi), pictured 24/3:59 “Indian cotton print designs as decoration of ‘Portuguese’ leather, made in Macao, and of Issai*, Okame and tengu mask, ivory, 25/1:17,17 Japanese metal and lacquer inro,” by H&E Issai, Ogawarasara, ronin hiding in foliage, ivory, Kress, 34/2:33 33/2:39,39 ink cake* Issan* inro, sailors in boat, by Gyokuhosai, 22/1:50,50; deer reclining, nut shell, 30/3:33,32 explanation of cyclical date, 22/2:6 Daruma, nut shell, inlays, 30/3:33,33 inro, brown lacquer, dragon, and ebony ink stick junishi in clouds, inro, 30/1:53,53 netsuke, by Ritsuo, 30/4:43,43 rabbit resting, wood, 31/3:45,45 inro, root wood table, fruit, tensho characters, by snail, wood, 31/1:55,55 Jukkyoku, 31/2:38,39 tiger, holding lantern fruit in mouth, 26/4:47,47 ink stick* tiger, wood, by Ryusansai Issan, 22/1:58,58 black lacquer, with character for “treasure,” by wolf and skull, wood, 31/4:33 Zeshin, 29/1:54,54 Issan* (Hidari Issan) ink tablets depicted on inro, and design drawings, boar, reclining, alert, threatening, wood, 34/4:29 34/1:40 tanuki, by Hidari Issan, 23/3:11,11 Inro* Sojobo, tengu king, wood, by Hidari Issan, appreciation of black lacquer, 27/2:4 28/2:30,30 buried with remains of Tadashige, 29/1:18 turtle atop another, wood, 34/4:46,46 blue background origin, 31/4:35,35 Isseki*, woven pipecase, fox scholar, 30/3:31 covered with glass beads, 32/3:40 Issen*, Shoki with oni, dancers, and Kikujido, designs matching those on samurai’s dress, 23/2:42,42 31/1:48 Isshin*, seahorse, sandalwood, 24/4:16,16 rules of dating, 29/2:20 Isshosai* worn as indication of social status, 28/2:42,44-46 kagamibuta: ivory bowl, dragons in clouds, gold disk by Ryounsai Moritoshi, 23/3:18,19

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South Sea islander, large fish, tall, wood, “Iwami Carvers: Lone Stars,” by D. Burditt, 23/1:38 30/1:53,53 Iwami school, 24/1:46 Itsumin* Iwami river Ariomaru fighting an octopus, 21/3:38,38 Enokawa, correct reading (not Kawai Gawa o gama sennin, frog on shoulder, riding large frog, Kaaia Gawa), 22/4:9 30/1:50,50 Iwasaki, Haruko G. Omori Hikohichi and demon, ivory okimono- “Speak, Memory!: Edo Netsuke in Their Literary netsuke, 26/1:33; suggested interpretation Content,” 21/4:27 Watanabe no Tsuna and the Rashomon demon; Iwasaki Yanosuke family, 21/1:15 and design source; 31/3:18,18 Iwasawa, Kumiko, pictured, 30/3:6 skull and snake, wood, 32/1:45,45 Izzard, Sebastian sumo wrestlers, wood, 30/1:52,52 “Zeshin: The Catherine and Thomas Edson sumo wrestlers, Sukeyasu and Kagehisa, Collection,” 26/4:18 31/3:31,32

Issun Boshi J** pricking oni with needle, ivory (mistakenly Jacobson, Janel identified as Momotaro. (Crrection in 32/2:9 pictured 21/4:14; 24/3:58 Itsuo*, rising boar, wood, 29/4:49,49 damselfly over water, 24/3:35,35 Ittan* Jacquesson, Pierre badger atop enlarged scrotum, smothering a farmer, wood, 26/3:54,54 pictured 25/4:58, 27/2:39; 29/3:60 cat in kimono, 24/3:16,16 “Tengu Netsuke,” 28/2:28 goat, reclining, wood, 25/1:18,18 jakoneko* (musk cat or civet cat) horse reclining, and fox, wood, 34/2:54,54 described, 25/3:14,14 wrestlers, Kawazu throw, wood, 28/3:52,52 on base, ivory, uns., 26/2:56,57 Ittei*,reclining horse, looking back, wood, standing, biting on foliage, wood, by Tametaka, 22/3:34,34 34/3:10 ittobori*, single-plane carving, origin, 31/1:7 two ivory examples, 25/3:14,14 Ittokusai* with peacock’s feather, inro by Jutokusai Tachibana Hogyoku, 27/1:cover Ashinaga clipping toenails, wood, 30/1:37,37 Japan Fine Art Sword Society, 25/3:33 Endo Morito under waterfall, bell in mouth, ivory manju, 28/2:52,52 Japanese culture* ivory* approach to the supernatural, 27/3:22 coloration, 24/4:25 blackening teeth, custom, 29/3:16 distinguishing from walrus tusk, 32/1:38 Chinese influence, 24/4:15 elephant ivory appeal in netsuke, 29/3:42 Dutchmen in Kyushu, 33/1:20 in early netsuke and tea ceremony, 21/1:16 exporting artifacts to west, 29/2:35 imported to , 27/4:34, 33/1:21 humorous fiction (Kibyoshi), 21/4:27 inro carved from, 32/1:38,38 inro worn as indication of social status, 28/2:42,44-46 medicinal properties, 24/4:16 Living National Treasures, 25/3:32 pattern to disguise ivory cracks, 21/3:34 mythology, adapted from Chinese, 28/2:8 reference guide, 33/1:56 netsuke political satire, 26/2:29 type most used in Edo period, 29/1:10 new social order represented in netsuke by Ryo tracing ivory tusk import to Japan, 27/4:35,35 Kawara, 29/2:35 (see also vegetable ivory, walrus tusk) rice- to coin-based economy, 25/3:48 ivory ban, 32/1:4; 34/2:4; 34/4:2; 34/4:2 samurai arts, 25/3:32 “Ivory Tall Figures: Kyoto or Kyushu?, by A. samurai class, dwindling, 27/1:14 Ducros, 33/1:14 Iwami* province silver mine production, 29/1:14

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sumptuary laws, 24/4:14; 25/1:45; 25/4:36; biwa, 22/1:15 26/2:29 blind entertainer adjusting geta, wood, 26/4:34 taste in art imports, 24/4:14 Chinese man holding jar, wood, 22/1:22 tea makers represented in netsuke, 31/1:7 Daikoku travel restricted, 26/3:25 as tengu no tamago, wood, 22/1:17; 22/2:6,6 western , 24/4:22; 29/1:25 lifting rice bale, wood, 22/1:22 Japanese Art, Handbook of Traditional Themes, by on rice bale, wood, 22/1:19 C. Temple, reviewed, 28/2:56 Dutchman , satire, 22/1:70 Dutchman holding pup, wood, 22/1:20, 21 “Japanese Netsukes: A very Early English Language foreigner holding pup, wood, 22/1:20 Article,”, 25/3:42 wood, 22/1:20 Japanese Netsuke by Julia Hutt (reviewed), 24/4:61 gama sennin, wood, 22/1:23 “The Japanese Seal: A Rediscovery,” P. Hart, man 21/4:20 elderly, chipping stone, wood, 22/118 Japanese Toggles from the Treasure Farm, by Ton & Miles Becker, 33/2:51 howling in pain, red lacquered wood, 22/1:19 Japanese trade snacking, and dog, wood, 22/1:19 with China, Holland, Ryukyu, 34/1:18; , with drum, on straw hat, wood, 22/1:19 34/1:21 masks (Fukai, Okame, Buaku), 22/1:24 Jatzlau, Hanns, 26/1:13 masseur and client, 23/2:51,51 Jewel Maiden. See Tamano no Mae millstone cutter, laughing, wood, 22/1:19,18 Jigoku Dayu octopus in kimono, working as an artisan, courtesan of hell, 26/2:34,34 24/3:12,12 manju, ivory, by Ichiyusai, 26/2:34,34 peony and crab, manju, wood, 22/1:24 pipecase, ivory, by Tokoku, and design source rat catcher, wood, 22/1:18; 25/4:9,9 by Kyosai, 26/2:35,35 rice pounder, wood, 22/1:19 “Jikkan + Junishi = Eto,” by K. Ficara, 28/4:10 sarumawashi, kneeling, monkey on back, wood, Jirka-Schmitz, Dr. Patrizia 31/2:45,45 “Random Thoughts on Toads,” 26/1:13 sarumawashi, standing, monkey on back, wood, 22/1:22 Jitokusai* Keisai sennin, wood, 22/1:23 resting mallard, 3-case inro, 31/4:56,56 stone cutter, wood, 22/1:18 Jittoku* stone lifter, blind dancing with broom, uns., 24/3:ibc ivory, 22/1:18 (see also Kanzan and Jittoku) wood, 22/1:cover;18; 26/1:24 Jiun, family of monkeys, okimono, 22/3:57 tengu from egg (tengu no tamago) Jo* wood, 22/1:16-17; 26/2:32 mask subject confused with Ushimai, 26/3:53 toad on pumpkin stem, wood, 22/2:6,6 Jo and Uba* Joei, turtle, ebony, 23/1:40,40 attributes, 24/1:16 Jofuku sennin* inro, by Zeshin, 22/2:12,12; 24/1:16,17 legend, 33/4:16 represented on manju by broom and rake, 30/2:25,25 sennin on crane sweeping pine needles inro, mother-of-pearl, uns., 33/4:17,19 by Kagetoshi, by large rock, 23/3:41,41 ivory, uns., 33/3:48,49; 33/4:cover, 17,18 wood, by Genryosai, 30/2:25,25 wood, by Kashu, 33/4:17,18 symbol of long, happy life, 22/2:12 Jogetsu*, mermaid asleep on fish, 24/3:42,42 Jobun*, 23/4:40 Johnson, Ned netsuke carvings of, 22/1:14 pictured 21/4:14

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caricature of, by A. Derkachenko, 23/3:49,48 coral fisherman, coral and ebony, 31/4:27 Jokasai* demon Ibaraki fleeing with severed arm, ivory inro, cranes, 29/1:59,59 manju, 33/3:23,22 inro, dark lacquer, geisha, 27/2:25,25 demons, 21/1:14 inro, good luck symbols, dark lacquer, fish group, narwhal, 27/4:18 27/2:15,15 fly whisk, lacquer handle, 24/1:35,35 inro, horses beneath sakura tree, 34/4:39 fox reading a book, holding a drum, wood, inro, map, 33/4:51,51 21/1:51,51 inro, three foxes, 33/1:31 , aogai, 26/4:39,39 inro, male birds of paradise, 24/3:9,9 nio repairing sandal, wood, 29/4:43,43 inro, scattered kozuka, 26/1:51,51 octopus and fisherman struggling, wood, Joly, Henri L, 29/1:24 21/3:27; 24/1:16,16 Jones, Andy, pictured 25/4:59 Ryujin giving turtle sake, 24/1:15,15 Jones, Judy Barenwolt-Jones ryusa manju of chidori ivory, a collaboration, 31/2:29 and Winn, pictured, 27/2:41 Shoki standing over squatting oni, wood, “A Puppy Netsuke by Komin with Kao,” 29/1:36 27/3:56,56 “Chidori on Waves: A Ryusa Manju of South sea Islander, ivory, wood, coral, 29/3:43 Collaboration,” 31/2:28 whitebait group, ivory, 24/4:34,34; 30/1:57,57; Jones, Martyn, 33/4:14; pictured, 33/2:37 sig. shown, 30/1:48,48 Jones, Margaret, pictured, 30/1:10 “Jugyoku Shirauo,” by N. Platt, 30/:47 Jordan, Andy, pictured, 33/2:36 Jukkyoku Kimura, relationship to Ritsuo, 31/2:38,39 Joryu, foreigner hands on head and belly, wood, ink cake inro, 31/2:38,39 21/1:45,45 Jumei*. See Meigyokusai Joso* junishi*. See zodiac animals boy with basket of ivory frogs, wood, 30/4:9 Jurojin* Daruma reading pillow-book, wood, 23/1:18,18 characteristics, 27/2:13 fox dancer in pants and jacket, ivory, 34/4:52,52 and deer, ivory, by Anraku, 32/2:cover Sambaso dancer, 23/3:ifc inro, and crane; Toba on reverse, 25/1:18,18 Jubb, Robert manju, ivory, by Chounsai w/ seal Hidechika, Carving Japanese Netsuke for Beginners, 23/2:41,40 32/2:59 seated, leaning over deer, ivory, by Yoshitomo, Jugetsu* 28/2:54,54 Daikoku as raconteur, ivory, 28/4:43,43 seated w/uchiwa and stag, by Yoshitomo, juggler* 26/3:37 dancing, balancing plate with tide jewel, wood, standing, with fan, wood, by Rokko, 26/3:14 30/1:50,49 standing w/deer, ivory, by Yoshitomo, 26/3:39 Portuguese, wood, and ivory, 31/4:3 with characters meaning long life, stagantler, Jugyoku* uns., 25/3:53,53 carvers using name of, 30/1:47 Jutokusai* Tachibana Hogyoku collaboration with metal artist Yoshi, 31/2:29 musk cat with peacock’s feather, inro, 27/1:cover Ariomaru fighting octopus, wood, inlays, Juzan* 27/3:61,61 boar among foliage, inro, 31/4:56,56 actor as Ryujin with two tama, 29/4:26,26 tale of Chidori within bamboo shoot, 25/1:31,31 boy, seated, arms outstretched, mouth agape, Jyokan, Araki, long-nosed priest on one foot, with wood, 25/1:15,15 fan, 26/1:obc chidori on waves, ivory ryusa manju, also by

Yoshi, signatures shown, 31/2:cover, 29,29 K** cicada, wood, 34/3:obc Kabuki theater

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multiple selves in, 21/4:30 Yang Xiang and tiger, ivory, 28/1:38,39 (see also dancer) Kagoshima Kadori* Myojin (also ) workshop for netsukeshi, 34/1:24 as a monkey, suppressing the earthquake fish, Kahei*, signature and kao shown, 29/4:24,24 ivory, 24/1:20,20 Kaho*, tortoise and young on awabi shell, wood, as an oni, subduing rain dragon, stagantler, by 32/4:39,39 Koku, 28/2:51,51 kaibutsu, ivory, seal netsuke, with inscribed calming large namazu, wood, by Masakatsu, proverb, 21/4:20,20 30/1:50,50 Kaichi on namazu, ivory, by Gyokumin, 29/1:58,58 double horned, ivory, 28/2:54,54 (see also earthquake fish) Kaigyoku* kagamibuta*, 32/1:6 attributes of gods of good fortune, ivory ojime, categories, 32/2:4 31/1:5 “Great Kagamibuta and Great Luck,” three bean pod, ivory, 28/3:43,43 kagamibuta from the R. Silverman collection, boar resting on grasses, ivory, style of, 3/3:16 28/3:43,44 “Tenmin School of Kagamibuta Makers,” by D. Buddhist jewel, interior landscape, ivory, Eijer, 27/1:14 27/3:59,59 Kagetoshi* child on reclining ox, ivory, 21/3:42,42 12 zodiac animals, ivory, 32/4:48,48 hare, marine ivory, signed Kaigyoku, 21/2:22,22 bats clinging to branch, wood, 34/1:46,47 monkey, foot over one hand, ivory, attributed to, bird cage, ivory, 31/3:41,41 27/1:37,37 clam’s dream of dragon king’s palace under the monkey grooming young, ivory, 31/4:52,52 sea, wood w/ivory clam, signature shown, octopus with fish, wood, 33/1:55,55 34/4:16,27 pine cone, interior carving, ivory, 23/4:36,36; interior carving, 23/4:36,36 32/2:47,47 box of masks, 29/1:9 Rat on mochi, cleaning arm, wood, 29/4:46,46 Hotei seated with bag, karako, ivory, 31/2:40,41 seal-form netsuke by Kaigyoku, 30/1:54,54 incense burner netsuke, pavilions, wood, Tenaga lighting Ashinaga’s pipe, ivory, 32/1:47,47 28/2:39,39 inro with cranes, ivory, 29/4:46,46 sheathfish, wood, 28/1:40,40 Joe and Uba, sweeping needles, 24/1:16,16 tiger, snarling, ivory, 30/4:48,49 Karako playing, ivory, 25/4:33 Kaigyokudo* Kiku Jido at table, ivory, 30/1:26,26 eagle capturing monkey, ivory, 30/4:47,47 kudan, wood, 24/3:23,23 seven sages on base, ivory, w/, 33/3:41,41 rat, wood, ivory tooth, 22/4:54,54 Kaigyokusai* Masatsugu Rosei asleep inside palace, wood/ivory, by interpretation of name, 24/1:48 Kagetoshi, 28/1:50,51 signature, 29/3:37 shojo group dancing inside sake jar, wood, ivory, anabori carving 29/3:52,52 Hotei and karako playing go, 27/1:26,26 sparrow, 33/3:40,40 three sages inside fruit, ivory, 27/1:24, 25 Tekkai sennin balancing with staff, ivory, Anchin, Kiyohime, and bell of Dojoji, ivory, 21/3:35,35; 32/1:3 27/1:43,43 tengu no tamago bird wood, ebony skull , two shishi in peony eagle and monkey, ivory, 24/1:12,12; flowers, ivory, 28/1:38,39 25/1:22,22; 27/2:28,28; 32/1:8; and design wood, ebony skull cap, by Kagetoshi, source, 31/3:13,13 29/1:49,49; 34/2:3 kingfisher, whale tooth, gilt metal beak; two shishi in peony flowers, ivory, 28/1:38,39 33/1:19

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Back to netsuke.org boar Kaito, manju of whale tooth, design of bird and resting by grasses, rocks, ivory, 24/4:31,31; poem, 24/3:10,10 and design source, 31/3:13,13 Kaitshi, ivory, unsigned, 21/4:52 resting on leaves, 34/3:9 Kajikawa*, 21/3:8 sleeping, ivory, inscribed, 23/2:56,56 netsuke cat, sleeping, ivory, 28/1:30,31 stag, reclining, compact, oval, lacquer, charcoal and feather, 24/4:34,34 33/2:47,47 child on ox, ivory, 21/3:42,42 lacquer sake cup, whale, 24/1:ibc cicada, ivory, 30/3:ibc inro clamshell, interior carving, ivory, 34/2:6,6 birds of prey, 28/2:43,44 corn cob, ivory, 26/1:28,28 black lacquer, slanted table, knife, foliage, cow and two calves, wood, 27/4:7 21/2:31 crane, ivory, 22/2:12,12; 24/4:31,31 inro, blossoms, picnickers, 26/1:ibc dog/pup bulbul bird on cherry tree branch, 25/3:ifc puppies and skull, 28/1:39,40 Kajikawa family Gyokushisho sennin and horse, on base, gold in inro design, 28/2:43 23/4:36,36 inro, cranes, 23/4:46,46 horse inro, ho-o, minogame, kirin, 23/3:45 reclining, ivory, 25/2:29 Kajiwara Kagesui, ivory, unsigned, 30/2:26,26 reclining, ivory, tortoiseshell inlays, 36/2:33 kakihan*. See kao Hotei and animal companions on ox, on base, Kakkyo* ivory, 23/4:cover; 23/4:37 paragon of filial piety, 32/3:30 Kan’u on horseback, on base, ivory, 23/4:36,36 and cauldron of gold, ivory, 32/3:30 Kintaro, ivory manju, 27/4:46,46 burying child, print, 30/1:43,43 monkey Kakosai* eating fruit, narwhal, 27/4:17 inro, bird of prey, 28/2:43:45 seated, bending over, narwhal, 27/4:17 inro, caparisoned elephant, 28/3:15,16 seated, hand on leg, ivory, 32/4:48,48 inro, kabuki actor Ichikawa, 31/2:39,39 nuts, ivory, 24/2:48,48 Kakyusai Hironobu* octopus and group of fish, ivory, 21/3:40,40 Choryo and Kosekiko, ivory manju, 27/1:34 ox, reclining, head turned left, tokata ivory, Kalf, Jeanne, pictured 21/4:14 34/4:5 Kameyama* parrot and peony, square manju, ivory, alternate reading Kizan, 28/2:36 32/4:48,48 meaning tortoise mountain, 28/2:34 pine cone, interior carving, ivory, 23/4:36,36 pictogram-form sig. shown, 28/2:34, 37,38 rabbit/hare incident from Asahina no Saburo, wood, 28/2:37 rabbit, ivory, 21/1:14, 30/4:48,49 oni dressed as samurai, holding folding lamp, rabbit, narwhal, 27/4:17 wood, 28/2:34,35 rabbit and tokugusa grass, ivory, 30/3:51,52 screaming man holding snake, wood, 28/2:34,35 rat, ivory, 23/3:38,38 “Kameyama or Kizan?,” by M. Rutherston, 28/2:34 seven gods, attributes of, in ball of twine, ivory, Kamman*. See Kanman 31/1:4 Kamon*. See crest shishi, scratching chin, ivory, 26/1:35,35 Kaneko, association with horse, 22/2:15 Tanuki beating belly, ivory, 22/2:ibc; 22/3:38,38 Kangyoku*, 22/3:41 water buffalo and herds boy, ivory, 26/4:50,50 horse, standing, neighing, 32/1:52,52 zodiac animals, ivory, 24/4:22,22 monkey bending to the ground, ivory, 22/3:42,42 (see also Masatsugu) Sarumaru Dayu, stagantler, 22/2:28,29 tiger, snarling, ivory, 26/4:3; 33/3:4

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two puppies, ivory, 22/3:41 wood, by Shomin, 29/1:33,33; 30/4:26,26 Kanman* and Dutchman, ivory, uns., 29/1:32,32 cicada on taro leaf, black wood, 25/1:15,15; holding beard and/or halberd 28/1:32 ivory, by Masatoshi, 23/2:42,42 cicada, umimatsu, on twig, 28/1:32 ivory, added signature Mitsutada, 25/3:28 crab on log, antelope horn, 24/1:20,21 ivory, tall, 25/3:41,41; 25/4:54,54 minogame on driftwood, wood, 31/2:47,47 ivory, uns., 24/1:28; 27/1:41,41 snail on folded taro leaf, persimmon wood, ivory, uns., Kyoto, 30/2:54,54 28/1:32 ivory slice, 29/1:60,60 snails, two, buffalo horn, 28/1:33 tsuishu, by Chokan, 30/4:41,41 Kannon* wood, by Atoyama, 28/3:46,46 seated in lotus leaf, gold ojime, 21/3:6; wood, by Minkoku, 26/4:37,37 25/4:45,45 wood, by Seiho, 22/1:ifc seated, ivory, by Tetsuro, 29/3:50,50 wood, by Shugetsu II, 22/4:54,54 on carp, with frog and lotus, kagamibuta, by holding halberd with both hands, ivory, Hakusai, 24/2:16,16 34/4:44,45 Kansai*, Koma mask, ivory, uns., Kyoto, 26/1:32 cockerel, lacquered, 33/4:38,38 okimono, wood, uns., 33/3:48,48 inro, two crows, red sun, 32/2:51,51 on horseback, 24/4:16,15 inro, round, depicting Kabuki play, 31/3:46,46 attrib. to Shuzan, 21/1:14 pipecase with chidori, 24/3:9,9 by Kaigyokusai, 23/4:36,36 sansukumi, inro, 31/4:55,55 by Meikei, 23/4:38,38 tortoise, collaboration with Shugetsu, wood and swinging halberd, stagantler, uns., 25/3:19 tortoiseshell, 31/2:35,35 Kansui*, frog, ivory, 32/1:51,51 , map of, 31/1:46,46 Kanzan*, Kanshin* crawling between legs of a braggart Kanzan, standing, holding open scroll, wood, ivory, by Tomotaka, 23/2:43,43 uns., 29/3:obc; wood, by Hidari Toyomasa, 26/4:47,47 Kanzan* and Jittoku wood, by Shima Sessai, 34/3:16,16 about, 29/4:14 wood, uns., 30/1:28,30 with scroll Kanshosai*. 21/3:8 inro, by Kanshosai, 29/4:15,16 inro ivory, by Yoshitomo, 23/4:34,34; crows, 26/1:52,52; 30/4:45,45 scroll is closed, wood, 29/4:16,16 Fujiwara no Narimichi and monkeys, standing, tall & slender, ivory, 32/4:27,27 28/4:38,38 with scroll and broom geese in flight, 22/3:27,27 on base, ivory, uns., 29/4:16; Hoopoe bird on branch, gold lacquer, 22/2:61 ivory, attrib. to Yoshitomo, 29/4:18,18 samurai under tree, 33/4:52,52 ivory, 31/1:11, 11; correction in 32/3:6 (as tsuba, 26/1:52,51 signed Koyoken Yoshinaga and not Miura Y, Kan’u* sig. shown), 32/3:6,6 odd pairing with Dutchman explained, 29/1:32 ivory, uns., 21/1:57,57 one of the three heroes of the Han dynasty, (see also Jittoku) 22/4:8; 29/1:32 kao* and attendant, ivory, and design source, Minko, 31/1:46 31/3:14,14 used by Sansho, 32/1:12 and Chohi kappa* ivory, uns., 23/1:11 and clam ivory, by Tomochika, 28/2:49,49 wood, by Hideharu, 32/3:47; 34/2:46,46

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wood, by Tenmin, 28/1:56,56 with mask of Hyottoko, ivory, by Tomochika, wood, by Toyomasa, 32/1:17 32/2:47,47 wood, uns., 31/4:45,45 (see also Chinese boy) and cucumber Karako in Netsuke,” by R. Hieronymus, 25/4:30 emerging from, wood, by Suizan, 26/3:ibc karasu* tengu. See tengu holding, wood, by Toman, 31/3:26,26 Kariteimo*, with infant, 33/4: triangular ivory, inside rotted, wood, by Ikkyu, 26/1:39, 39 33/4:42,43 and fish, captured , Miwa, Kyushu National Museum, pictured, 33/1:11 wood, inlays, by Zanmai, 24/4:13 karu* and lotus confused with gama sennin, 26/4:14 on lotus with crab, on base, ivory, by Gyokuyosai, 32/2:56,56 on one foot, frog on head, wood, by Minkoku, 26/4:15,15 on lotus with frog, on base, ivory, by Rensai, 27/1:obc holding two frogs, ivory, by Yoshinaga, 26/4:15,15 stalking frog underneath lotus, by Gyokuyosai, 33/4:14,14 kaura mask, wood, by Sansho, 32/1:24 among butterflies, inro, 27/3:49,49 karyobinga* female, stag antler, by Ippuku, 30/2:5 ivory, by Tomomasa, 29/4:46,46 gold ojime, by Bradford Blakely, 32/1:54,54 ivory, uns., himotoshi discussed, 31/3:10,10 head of kappa Kasen*, Raiden preparing to strike ground with geta, wood, 28/2:33 stagantler, uns., 25/3:19 Kasen*, Raiden seated, geta in hands, wood, by Kozan, 30/4:7 28/2:33 stagantler, sashi, by Kokusai, 22/3:22 Kashima no Kotofure in ceremonial attire, with on conch, wood, green inlay, by Toshinaga, cymbals, ivory, 28/2:53,53 31/3:42,42 Kashu* on tortoise, wood, by Toyoyo, 31/4:46,46 Jofuku sennin on crane, wood, 33/4:18,18 holding flowers, stagantler, by Ippuku, 31/2:5 ox with blanket marked with kanji (read as peering from , gold ojime by Brad Blakely, dragon or star), metaphor explained, ivory, 32/1:54,54 33/4:29 pensive, wood, by Zanmai, 28/4:4 snake, wood, 30/1:58,58 standing, wood, by Minko, 34/4:42,42 Kasumasa*, dragon, ivory, 23/1:24,24 two, with karasu-like faces, one grooming the katabori netsuke other, ivory, by Toun, 33/2:47,47 depicted in 17th century screen, 22/2:19,18 karako* katakiribori*, engraving technique described, described, 30/1:16 27/1:15 holding long-haired goat, ivory, 30/2:53,53 Katchen*, Julius, and Arlette, 26/1:30 holding Daruma doll, 32/1:22 Netsuke 7, by A. Katchen, reviewed, 30/2:55 playing go, wood, Fernao Mendes Pinto and Kato Kyomasa in armor, with sword and fan, wood, kirin, signed and dated, 30/1:13 by Shugetsu, 30/1:55,55 playing amongst themselves, tsuishu manju, Katori Myojin 34/2:29,29 monkey portraying, while calming the namazu, reaching for female demon mask held by man, ivory, 33/4:37,37 ivory, by Shuyo, 31/3:52,50 Katsuhiro, Noh actor in Shishiguchi role, 24/4:22,22 reaching for Hannya mask held by Dutchman, Katsusuke*, 21/2:35; 23/4:40 ivory, 31/3:53,53 association with Miwa, 21/2:38-29 reaching for Okame mask held by Hotei, ivory, by Masayuki, 31/3:52,50 gama sennin in mugwort skirt, and toad, plumb wood, 21/3:28 two, hiding from shishi behind tsuitate, wood, by Tametaka, 34/2:54,54

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sennin with staff and double-gourd vessel, Kibidaijin* 21/2:39,39 story of, 28/3:40 South Sea islander, holding two snakes, wood, with go board, emerging from persimmon, ivory, 33/3:47,47 by Hidemasa, 28/3:40,40 Katsuyoshi* Kibyoshi (humorous fiction), 21/4:27 snail on leaves, wood, 23/1:42,42 Kichibei* Katsuyu* sennin Fukurokuju playing kemari, 25/1:34 mistaken for Koshohei, 23/1:54; 29/3:9 Kidomaru* hiding under goat, ivory, 30/1:56,56 and goat, ivory, uns., 23/1:54,54 Kigyoku* Kawabane, Ryo, pictured, 27/2:44 Ono no tofu, balancing on geta, ivory, Kawakami Takeru fighting, ivory, by Anraku, 32/4:34,34 32/2:22,22 Shoki looking for oni down well bucket, wood, Kayo* Renka, inro, samurai helmet, 28/4:39/39; 21/3:39,39 29/1:54,54 Kiho* Kazumasa* pictured and Yayoi, 25/4:63 comparison of signature with Kazuyuki, signature, 33/4:56 34/3:22,23 French fries, tonkotsu, milkshake ojime, Kazutomo*, tiger, ivory, 23/3:52,52 cheeseburger manju, 33/4:52,55 Kazuyuki*, signature compared to Kazumasa, monkey weaving a , 24/3:34,34 34/3:22,23 Pinocchio, wood, 21/4:50 “Keep Your Eyes Open!,” by A. Ducros, 33/3:12 rat playing cello, 24/3:39,39 Kehoe, Lesley, pictured 26/4:8; 33/2:37 selection of gold and other metals, 28/1:ifc Keimen* stag in autumn leaves, representing a poem, Chohi, coral headdress inlay, ivory manju, wood, 22/2:28,29 27/4:54,54 Sushi-san as a poet, wood, by Sachiko, Keiun* 24/3:38,38 ferry boat with passengers, ivory, 30/4:21 Sushi-san on Mars, wood, 26/4:54,54 blow fish, ivory, 33/2:46, 46 Kiho Takagi by Robert O. Kinsey. Reviewed by S. Kelley, Scott and Carol, pictured,27/2:39 Wraight, 27/4:67 Kelso, Jim, 23/2:4; 23/4:4; pictured 21/2:73 Kikugawa* ken*, blade used in rituals and talismans, 31/4:13,13 Benkei fighting giant carp kemari, a game played by a nobleman, by Seiho, ivory, 27/4:46,46 21/4:ifc ivory manju, 34/2:28,28 Kenji* konoha tengu, manju, 22/3;53, 53 cat, amber, 32/1:51,51 tennin and sho on ivory manju, 34/4:48,48 dragon, 30/4:5 tennin, ivory, 23/1:7 six-eyed bakemono, ivory, 23/1:17; 30/4:5 tennin in clouds, holding lotus stalk, ivory manju shishi, 30/4:5 (sig. shown), 27/4:54,54 snarling tiger, wood, 29/2:57,57 Kikujido* suisei, 30/4:5 reading at desk, ivory, by Ueshima Kagetoshi., Tanuki, wood, ivory beads, 25/4:54,54 30/1:26,26 Kerley, Mahri, pictured 24/1:8, 25/4:57; 31/2:52 on large chrysanthemum, with writing brush, Kesa* ivory, 32/2:54,54 head of, resting on scroll, ivory, style suggestive wood, by Tomokazu, 31/1:29 of Tokoku’s early work, 26/1:42,42 Kilmartin, Maribel, pictured 24/2:36; 24/2:41 head of, and snake, ivory, by Ryuko, 28/2:50,50 death, 28/3:57 kettle*, lacquer on wood, imitating iron, by Kimiya, Junko, pictured 23/2:9 Mitsuhiro, 26/1:24, 24 Kimura, Ikuko, Ph.D.

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“Anabori (Cavern) and Interior Carving,” “The Opening of the Kyoto Seishu Netsuke Art 27/1:23 Museum,” 28/2:31 “Kokusai’s Kamon Netsuke,” 32/1:26 Kintaro* “Amazing Devines in Movable Netsuke: Why fighting boar, ivory, by Anraku, 32/2:21,21 and How: Beyond Toys,” 34/4:20 fighting carp Kinba* (or Kinma), squatting shishi, pink coral, ex ivory, by Masatsugu, 27/4:46,46 daimyo collectioin, 34/2:50,50 wood, by Isshinsai Masanao), 31/2:34,34 kinchaku. See purse fighting wolf, wood, by Ryukei II, 26/1:42,42 King of Champa mask, wood, by Masatoshi, 21/3:10,10 confused with Fugen Bosatsu, 28/4:9 Kintoki.* See Yama Uba seated on elephant, ivory, uns., 28/4:9 Kintaro mask, 21/8:10,10 King of the East, holding tide jewel, octopus on Kinuyo, cheeseburger manju, wood, and milkshake head, wood, identity questioned, 30/1:52,52 ojime, 33/4:56,55 kingfisher* Kirchhoff, Bluette, pictured 24/3:62; death, 29/3:56 possible collaboration, 32/4:8 kirin* whale tooth, gilt metal beak, by Masatsugu, characteristics and virtues, 27/3:64 33/1:19 confused with hakutaku, 22/2:54,54 Kingyoku*, baku king, shaped as parrot. wood, and young 23/4:11,10 with two elders, baying, ivory, by Ikkosai, Kinko* sennin 23/3:23,23 story of, 24/1:15; 27/4:47 baying, ivory, by Ikkosai, 23/3:23,23 riding carp feeding young, ivory, by Ranmei, 30/1:59,59 in waves, cypress, by Shuzan, X-rayed, human kirin in kimono, and snake, 23/3:24,24 21/2:35,35 bronze sculpture, 26/3:ifc in waves, ivory by Mitsuhiro, style of Anraku, 33/3:41,41 baying looking forward and up ivory, by Otoman, 22/4:32 ivory, attrib. to Ikkosai, 23/3:23,24 reading scroll, wood, 27/4:48,48; ivory, by ivory, dating questioned, 21/2:24,24 Hoshin, 29/4:9,8 ivory, by G. Weil, 22/3:45,44 reading scroll, ivory, uns., 24/1:15,15; ivory, by Masatomo (sig. discussed), 33/4:24 22/1:53,53 reading scroll ivory, by Yoshitomo, ivory, tall, by Tomotada, 27/3:66,66; 34/1:17; 21/1:46,46; 26/3:40,39; 26/4:37,37 34/2:11 Kinoshita Collection, 29/2:9 ivory, attrib. to Tomotada, 29/1:47,47 Muneaki Kinoshita, pictured, 28/2:31 ivory, by Yoshimasa, 31/4:46,45 Kyoto Seishu Netsuke Art Museum opening, ivory, 28/2:54,54; 31/3:33;34/2:46,46; tall, 28/2:31 33/2:34 Netsuke Art of Kinoshita Collection, reviewed, two legged, ivory, by Masatoshi, 21/3:10,10 29/3:53 wood, tall, by Tomotada, 22/3:22; Kinsey, Charles, bio, 24/2:53 wood, by Issho, 31/4:5,45 Kinsey, Hollis wood, by Masakazu, 22/1:47,47 profile of Susan Wraight, 26/3:48 baying, head turned back and up Kinsey, Robert, 21/2:2; 24/2:31, bio, 24/2:54 ivory, 26/4:38,38; 29/1:24,25; 24/1:38,38; pictured 24/3:58; 25/4:63; 26/3:48 “Meinertzhagen kirin,” ivory, tall, The Poetry of Netsuke (reviewed), 24/2:57 27/3:66,66; 28/4:cover, 34,34 “Twenty-First Century Netsuke,” 24/3:34 after the “Meinertzhagen kirin,” ivory, by G. “A Shoki-Oni Episode Involving Daruma,” Weil, 34/2:cover,22 26/4:57 ivory, 23/3:41,41 ivory, uns., 29/1:58,58; 33/1:55,55

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wood, by Masatoshi, 32/1:47,47 “Kiseruzutsu Revealed,” by M. Stratos, wood, 29/1:24,25 ivory,33/3:17 two baying, ivory and horn, by Bishu, Kishioka, Yukio, 29/3:4, pictured 23/2:9 2/1:53,53 wood, ivory and horn eyes, Kiso*, crane and snake, ivory manju, 29/3:31,31 29/1:24,25 kitsune. See fox crouching kitsune* ken looking back, ivory, by D. Carlin, 24/3:7 explained, 27/3:39 crouching, ivory, by Masanao (Kyoto), entertainers in fox masks playing kitsune ken, by 26/2:18,18 Morita Soko, 27/3:40,40 uns., 29/1:33 (see also fox) head of, amber, by G. Weil, 22/3:48,48 Kiyohime* in waves, ivory manju by Gyokuhosai, portrayed by actor, ivory, uns., 22/1:48,48 27/1:45,45 (see also Anchin and Kiyohime) on base, grooming hind quarter, ivory, uns., “Kiyohime & Anchin,” by K. Ficara, 28/1:14 24/4:12,12 Kiyokatsu kirin/shishi, wood, by G. Weil, 22/3:45,46 chrysanthemums, manju, 23/3:31 reclining rat, ivory, 23/3:38,38 looking back Kiyomasa Kato, large manju, uns., 27/1:11,11 wood, by Ichimin, 32/3:9 Kiyonao*, inro, three snails, 33/4:53,53 ivory, by Okatomo, 33/3:43,43 Kiyotada*, dancing fox, ivory, (sig. discussed), looking back and up, ivory, uns., 21/1:51,51 28/3:44,44 looking to side and up, wood, by Ikkan, Kiyozumi*, goat and young, ivory, 23/1:20,20 23/4:11,10 Kizan* See Kameyama looking to side, head lowered Klefisch, Trudel, 25/1:5; pictured, 33/2:36 wood, by Masayuki, 29/1:49,49 Klotz, Jeffrey, 24/2:32; 26/1:6 wood, uns., 32/4:37,37 pictured 21/3:4; 24/3:59; 25/4:59; 26/2:7; 28/4:7 partially reclining, ivory, uns., 24/4:47,47 “Leigh Sloggett: Contemporary Netsuke seated Carver,” co-author, 23/1:45 and two boys, ivory, uns., Kyoto, 23/1:22,22 book review, 29/3:54 fawn, looking up, ivory, by Masatoshi, “An Artist’s Prayer: The Work of Matt 24/3:37,37 Kowollik,” 34/1:32 looking back, wood, 25/4:45,45 knife, dragon formed as a knife handle and looking back and up, wood, ivory horns, by scabbard, 23/3:39,39 Minkoku, 32/3:50,50 knife*, wooden (bokuto) looking to side and up, horse-like, wood, by by Hideaki, 23/2:52,52 Tategawa family, 24/3:15,15 wood, by Toyomasa (sig. shown), 22/1:38,38 scratching chin, ivory, by Ikkosai, sheathed (kozuka), ebony sashi, by D. 23/3:24,24; 27/3:54,54 Sanders, 32/2:7 wood, by Toyomasa, 27/3:65,65 Knudson, Karen and Eric, pictured, 24/2:37; 27/1:8; standing 27/2:41; 30/1:10; 31/3:7 Elder Kirin, wood, by D. Carlin, 24/3:7 Knutson, Rolf, pictured, 30/3:6; 31/2:52 human face kobako. See incense box gold, by G. Weil, 22/3:47,47 Kochi the giant tsuishu lacquer, by G. Weil, 22/3:45,45 story of, 29/2:12 human face, arms on hips, wood, by Ohinata, as a south sea islander, with Wasobioye on his 27/3:65,65 shoulders, ivory, uns., 29/2:12,12 (see also suisei) Wasobioye seated on head of, ivory, uns., kiseruzutsu*. See pipecase 29/2:12,12

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Kodama*. See Yasuaki goat and two young, wood, 28/3:46,46 Kodo*, hare, wood, 31/4:27 frog hibernating, wood, 21/4:61,60 horse leaf, lacquered ivory, 21/4:59 and young, wood, by Kokei, 26/1:26,26 Shoki and oni, and why he made this netsuke, horse, reclining, wood, 26/1:26,26 26/4:58,58 and foal, wood (sig. shown), 33/1:37,36 Koen*, marching daimyo, inro, 24/1:43 mermaid and young, wood, 28/3:47,47 Kogetsu* rabbits, two, wood, 25/1:20,20 flying tanuki, stagantler cigarette sansukumi, wood, 34/4:41,41 holder,,31/2:21,21 sea bream (tai), shells, sea grass, 30/4:52,52 Susano O no Mikoto, marine ivory ryusa, shishi seated, wood, 29/1:48,48 27/4:54,53 snake, wood, horn eyes, 32/2:45,45 wasp in rotted pear, wood, 21/3:32,32 sword scabbard and handle, wood, with ivory rat Kogetsu (unrecorded) and Daruma, 23/3:11,12 Spirit of the Plum Tree, woman resting under tiger seated, wood, 22/4:55,55; 31/1:46:47 tree, ivory manju, 34/2:28,28 wild dog with skull, ivory, 26/1:39,39 Kogetsusai* wild dog with skull, wood, 26/1:25,25; Tadamori and oil thief, 2-part ivory, manju, Kokoku* 28/2:52,52 Bishamon and tiger, ivory and wood, 21/2:3 kogo*. See incense box Hannya and bell of Dojoji, 21/2:67 Kogo, bear, ivory okimono, 21/4:73 Kokosai*, round inro, rabbits, leaves, 32/2:obc Kogyoku* Koku* rat atop kinchaku netsuke, coral ojime, 30/2:53,53 octopus, round ryusa, stagantler, 30/4:54,55 Kogyokusai* oni subduing rain dragon, square, stagantler manju, 28/2:51,51 witch of Adachigahara, ivory manju, 25/2:46 oni no nembutsu carrying female, and dog, ivory, monkey on awabi, and large octopus, wood, 30/2:49,49 30/4:45,45 shells, ivory manju, 30/4:54,55 Kohosai* Koku Sennin, story of, 34/1:12 cavorting shishi, inro, 33/1:23 resting in alms bowl, ivory, b Natsuki, poet Fujiwara Yasusada, square manju, ivory, 34/1:12,12 29/1:52,52 Kokusai*, 27/3:61 Koichi* carving style, 24/2:14 duck, ivory, 33/4:26 comparison of real and fake monkey, 24/4:51-55 Fujin with sack of wind, ivory, 23/1:17 connection to Asakusa, 24/2:13 karasu tengu, wings deployed, large sphere, ivory, 29/1:55,55 design origins, 31/2:11 Koji*, two actors, inro, 29/1:60,60 grave monument, 31/2:10 Kojitsu*, Ryujin’s attendance, octopus perched on interpretation of name, 24/1:46 his head, 23/3:43,43 researching the artist, 31/2:8 Koka*, laughing Hotei inside his own bag, ivory, signatures, 24/2:14,15 signed and dated, 34/4:51,51 signing Takeda, 32/1:29 Kokei* signature character correction 25/4:70 at name Kireiken, kanji analyzed, 31/1:46,47 bat, stylized, attrib. to, 34/3:8 style, 23/3:12; 23/1:56 Benten holding scepter, ivory ryusa manju, cat standing on roof tile, wood, 30/4:41,41 34/2:26,26 chimera, ebony, tortoiseshell eyes, 33/3:54 dragon resting on oval slab of stagantler, fisher girl resisting an octopus, wood, 24/1:18,18 34/2:48,48 goat, 22/1:53,53; 23/1:56,56 monster, sashi, stag antler, signed Koku, 33/3:56

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Back to netsuke.org oni, stagantler obihasami, 29/4:35,35 Tanuki coin-faced dancer, obihasami, stagantler, eating mokugyo-belly, stagantler, 27/3:30,29 21/4:47,47 hands on belly, wood, 34/4:45,45 elephant, resting, smiling, stagantler, 28/3:12,12 water-wheel, waves, ryusa, style of Kokusai, flowers on waves, stagantler, 22/3:obc 30/1:53,53 frog as story teller, stagantler, by Kokusai, wheel and waves, stagantler, by Koku, 32/4:obc 26/4:27,27 fly whisk on flat stagantler, 28/1:42,43 wolf and skull, wood, ivory, stagantler, hair ornament and comb, 25/3:24, 31/2:14,14 28/1:42,43 heikan pipecase, stagantler, 31/2:13,13 yin-yang design, stagantler, 31/2:12 Hotei with children, nut shell, 30/3:32,32 “Kokusai’s Kamon Netsuke,” by I. Kimura, incense burner, nyoi, tea bowl, 31/2:16,16 32/1:26 kanae pipecase, stagantler, 31/2:13,13 Kokusai (brother of Zokoku), two-case inro, 21/3:20,21 kappa, sashi, stagantler, 22/3:22 Kokusho*, musozutsu pipe case, dragonfly, wood, manju, stagantler, 29/2:51,51 33/4:46,46 mokugyo, opposing heads, stagantler, uns., Koma Bunsai, lacquered Bugaku dancer, a 25/3:21 collaboration, 26/1:38, 38 monkey Koma Kansai Kyuhaku*, 21/3:8 fake, 24/4:52 fan dancer, inro, 25/1:13 arm extended, hand on head, stagantler sashi, geese in moonlight, moon, inro, 31/2:ibc 29/1:57,57 leaves on red ground, inro, 31/2:40,40 extended hand forms himotoshi, hand on head, long legs, umimatsu, 30/4:13,13 mandarin ducks, inro, 33/4:52,52 clenched hands form himotoshi, long legs, seller of love letters, inro, 26/3:12,12 umimatsu, 30/4:13,13 shells, dark lacquer inro, 27/2:19 movable head, sashi, ivory, 21/2:69 plum tree, dark lacquer inro, 27/2:24,24 obihasami; stag antler, 24/1:41,41 Koma Koryu obihasami, laughing character, stagantler, snake encircling a biwa, inro, 24/1:35,35 29/4:35,35 , inro collaboration with Haruaki, octopus and seaweeds, stagantler, 28/1:42,42 23/1:36,36 octopus fan dancing, obihasami, stagantler, cranes, dark lacquer inro, 27/2:20,20 21/4:48,48 ravens, dark lacquer inro, 27/2:21,21 Onna Daruma face, hand, manju-style, attrib. to, Koma Yasutada, pheasants, inro, 34/2:30 22/1:59,59 Komachi washing the manuscript, interior clam pipecase, musozutsu, reishi, lucky symbols, carving, ivory, 21/3:12,12 33/4:50,50 Komada, Makiko, 21/4:7, 29/2:9; 30/4:6 rain dragon, fungus, ryusa manju, 29/1:52,52 pictured 21/4:15, 23/2:9; 24/1:8; 24/2:41; reishi fungus, stagantler, 31/2:13,13 24/3:58; 25/3:6; 30/2:8 ryusa manju, ivory, stylized crane, 21/3:obc Komada*, Ryushi (See Ryushi) sensha tray, 31/2:16,16 Komai*, damascene box depicting Sojobo, 31/4:ifc shishi mask, stagantler, 31/2:12,12; attrib. to, Komei*, Ishikawa 21/3:36,36 art name Juzan, 25/2:48 shishi and reishi fungus, musozutsu pipecase, career, 25/2:47 stag antler, 34/2:55,55 monkey, seated, ivory, 29/3:cover, 45,45 skull on Buddhist whisk, 26/4:44,44 tiger, seated, ivory, 21/3:3 snail on fungus, forming rui shape, 34/2:51,51 Komin* snake, wood, 25/4:45,45 period worked, 29/1:36 straw hat twined with wire, stagantler, tengu from egg, wood, 34/2:44,44 28/1:42,43

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inro Hotei leaning against sack, ivory, 28/3:44,44 chrysanthemums, gold lacquer, 34/4:43 Raiden seated on and holding onto geta, crane, 21/2:25,25 26/3:60,60 Raiden and Futen, 26/1:56,56 Koshohei* sennin rattan blind design, 34/1:31 problems identifying, confused with Sennin netsuke Katsuyu, 23/1:53; 29/3:9 ghoul, wood, 27/3:24,24 Kotofure. See Kashima no Kotofure monkey seated, ivory, 29/3:45,cover Koun, Takamura, brother of Hozan, 22/3:13 Okame, lacquered, 23/3:40,40 Koushi-jo, mask of, persimmon inro, 30/3:21 Oharame (firewood seller) seated on Kowollik*, Matt firewood, wood, 28/1:13,13 profile and work of, 34/1:32 Ono no Komachi as old woman, wood, ivory Brambleberry Sprites, 29/3:5 face and hands, 28/2:48,48 chili pepper with slug, horn, wood, 34/1:34 puppy, wood, green himotoshi, by Komin + golden crowned kinglet on winter leaf, wood, kao, 29/1:36 horn, 34/1:33 komuso (masterless samurai) suggested by flute and holly leaf, 26/1:2 woven hat, wood, by Masashige, 30/2:26,26 kinglet, wood, 21/4:ifc Koppich, Steve, pictured, 30/3:6 leaf hopper on bloom, 26/1:3 Korakusai* butterfly with tomobako, sheep horn, tomobako Sojobo, tengu king, from egg, wood, ivory cap, of wood, 34/1:5 29/1:48,48 mouse eating acorn, and tomobako, wood, Koremochi* confronting witch, 28/2:52,52 34/1:36 Korin*, child with spinning top, ivory manju, salamander and taro leaf, and tomobako, 25/3:3; 34/2:29,29 34/1:35 Koryu* starfish with mussel, 26/4:56,56; 34/1:33 inro, bird of prey and pine tree, 28/2:43,46 tropical frog, wood, sheep horn, 34/1:32 inro snake capturing crane, 34/4:43,43 Kozan* Koryusai* frog on leaf, stagantler, 24/3:41,41 use of western decorations, coat of arms, on inro, gecko on a kettle hook, wood, 24/2:19 32/4:14 flying squirrel, 26/1:2 Onna Daruma, a parody, ivory manju, 30/1:28,30 kappa (Friend of an Illusion), stagantler, inlays, two ama, octopus in coral reef, ivory and coral, 30/4:6 28/3:23,23 Oiwa, wood, 25/4:51,51 Kosagi*, paragon of virtue, scooping water turned root fragment and minogame, wood and silver, to wine, 3-case inro, 29/1:ifc 31/2:34,34 Kosai* kozuka. See knife founder, school of ivory manju carvers, 32/2:41 Kravchuk, Antoliy, pictured, 30/2:8 coin purse, coconut shell, 32/2:40,40 Kress, Heinz and Else, pictured, 33/1:11 Handaka Sonja under pine tree, holding alms 2012 exhibition at Embassy of Finland, Tokyo, bowl, ivory manju, 34/2:26,26 33/1:9 Kosai Juo photo archives, 28/2:42 Hojo no Tokimasa on way to shrine, ivory Inro of the Ryukyus, 22/3:50 manju, 34/2:28,28 Inro Shita-e, reviewed by N. Davey, 24/4:59 Kosekiko* “Tamakaji Zokoku: A Remarkable Lacquer association with horse, 22/2:15 Artisan,” 21/2:54 in alms bowl, wood, by Mitsuhiro, signature/seal “Hokusai for Foreigners,” 27/3:16 shown, 25/1:15,15 “Shunga for Beginners,” 27/4:26 Kosen* “Gyotai: Badge of Rank for Collectors?,” child with fan, ivory, 21/3:15 28/1:24

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“Birds of a Feather,” 28/2:42 Kroch, Carl, lacquer collection, 26/3:16 “Menuki, Metalwork to Adorn Swords – and Krupp, Herman Inro,” 28/3:24 story of an early American collector, 28/3:18 “Taming the Wild Bull,” 28/4:28 Kudan* “Tsuishu from a Daimyo Grave,” 29/1:18 confused with hakutaku, 24/3:25 “Inro Made in Kyoto, 350 Years Ago,” 29/2:20 identifying, 22/2:54; 22/3:7 “An Tablet Depicting Inro and Netsuke by rarity in , 32/4:11 Suzuki Masayoshi, dated 1760,” 29/3:10 representations in Japanese art, 24/3:22 “Tall and Slim: Depiction of Beautiful Women in clouds, wood, by Kagetoshi, 24/3:23,23 and the Seven Sages in late 18th century Japan,” ghost of, marine ivory, by Nobumasa (sig. 29/4:22 shown), 24/3:27,27 “Running with Empty Hands Towards a Tiger: reclining Paragons of Filial Piety as Hokusai saw them,” 30/1:42 ebony, uns., 32/4:11,11, 52,52 “Dragons and Waves, Carved in Ryukyu by ivory, uns., 32/4:12,12 Three Members of One Family, 30/2:42 ivory, inscription to protect against “Excavated from daimyo graves, inro by misfortunes, 24/3:23,22 Tsuchida Soetsu and Toyo; Part 1, 30/3:40; Part marine ivory by Nobumasa, 24/3:27, 27 2, 30/4:32 (retracted in Vol. 25/1:61 as not by “Gyotai, Badge of Rank for Collectors?,” Nobumasa), 24/3:27,27 28/1:24 wood, uns., 24/3:23,23 “Inro Matching the Patterns of a Samurai’s wood, ivory, teeth, 24/3:23,23 Official Dress, 31/1:48 ivory, 24/3:25,25 “Three Nanban Inro Decorated in the Colours of seated Russian Lacquer wares,” 31/3:20 ivory, by Masanao, 24/3:22,22 “Three Blue Lacquer Inro,” 31/4:34 on base, wood, by Yasuaki, 32/4:12,12 “Walrus Tusk or Ivory - Some Carved Inro with standing Quails among Millet,” 32/1:38 roaring, ivory, 23/3:38,38; “Coin Purses of Carved Coconut, Moritoshi wood, by Ichi(?), 32/4:cover, 11 Kosai copying Kurokawa Masahide?,” 32/2:40 wood, 24/3:23,23 “Some inro covered with glass beads,” 32/3:40 wood okimono, 32/4:12,12 “Nanban-Style Revival? Inro Decorated with a Western Coat of Arms and Other Works by “Kudan: In Search of the Archetype,” by S. Laere- Fisher, 24/3:22 (Kajikawa) Koryusai,” 32/4:14 kumosuke*. See Tokaido road porter “Carved by Hidari Issan: Powerful Dragons among Clouds and Waves,” 33/1:46 Kunihiro* “Bands of Flowers in Gold and Silver…..,” female shojo sleep on arm, wood, 29/1:16,16 33/3:26 Kunitomo, boar asleep on leaves, ivory, 33/2:45,45 “Budweiser Beer and a Cheeseburger with Fries Kuniyoshi, print of Minamoto no Raiko, 25/1:45,49; and Shake: A Japanese Take on Some 20th C interpretation on p. 50 American Designs,” 33/4:54 Kurebayashi, Mr. Mikio, 25/3:5, pictured 25/3:6; “Black Lacquer Eighteenth Century Inro in the 27/1:7; 30/3:4 Shape of Antique Ink Tablets and Their kuron mask, wood, by Sansho, 32/1:25 Sixteenth Century Design Drawing,” 34/1:40 Kurstin, Joseph, 22/3:7; 33/4:8; bio, 24/2:53 “Indian cotton print designs as decoration of pictured 24/2:8; 26/2:7; 27/2:39; 29/3:3; 33/2:36 ‘Portuguese’ leather, made in Macao, and of and Elena, pictured 21/1:12; 21/4:16; 23/3:54, Japanese metal and lacquer inro,” 34/2:33 25/4:59; 26/2:7 “Inro and Their Design Drawings, as co-author of Q&A, a column; topics are listed Documented in Yoyusai’s Workshop Books under “Questions & Answers” Dated 1801-1841,” Part 1, 34/3:32; Part 2, 34/4:30

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review of exhibition “Netsuke: Fantasy and Kyoto* school, 28/2:8 Reality in Japanese Miniature Sculpture,” interpretation of art names, 24/1:47 22/3:20 ivory tall figures from Kyoto or Kyushu? “An Early 17th Century Screen,” 22/2:16 33/1:14; 34/1:18 “The Meinertzhagen Kirin,” 28/4:34 sparrows a popular design, 26/3:25 Kusakabe, Yoko, 26/4:32 Sosen, a Kyoto netsukeshi?, 27/2:30 kusudama. See medicine ball Kyoyu* sennin Kuya* washing his ears, ryusa manju, 31/2:46, ama in waves, knife between teeth, and tama in cleansing ear, painted wood, style of Shuzan, hand, ivory, 29/4:obc 29/1:55,55 Ashinaga & Tenaga exchanging fish and gourd, Kyumei, Tateishi Matazaemon, 27/4:34,34 symbolism explained, wood sculpture, house of, location maps, 27/4:40,41 26/2:24,25 Kyumonryu Shishin fighting enemy, ivory, by baby boy pointing to inscription on kinchaku, Anraku, 24/4:18,18 ivory, 21/2:28,28 Kyusai* (Tetsugen) shishimai dancer, ivory, 22/3:40,40 bird, nut shell, 30/3:28,28 Kuzunoha* magnolia blossom, ivory, 28/4:40,40 fox mother and baby, wood, by Tadatoshi, prawn, ivory, 24/4:22,22 29/4:50,50 Kyusaku, Akiyama, 25/3:31 fox mother and baby, wood, style of Masakazu, 32/2:49,49 Kyushu, Japan’s southern island Kvesic, Freda, 33/4:15 ivory trade route, 27/4:34 Kyogen* theater, 21/4:17,18 “Kyushu Netsuke,” by A. Ducros, 34/1:18 Kyoho* inro imitating ink stick, Rimpa style, 31/2:47,47 L** Kyokatsu* Lac Lacquer Laquest, catalog by Sydney l Moss, 38,3:31 Chokaro’s horse emerging from gourd, ivory, 25/3:41,41 lacquer* Kyo-Yu, holding gourd to his ear, legend of, appreciation of black lacquer, 27/2:14 24/2:9,9 black lacquer, an appreciation, 30/4:10 Kyoku-o*, desirable to western collectors, 32/4:14 Oni no Nembutsu, wood, 24/1:45,45 market fluxuation, 26/3:16 Kyokusai* number of lacquer workshops in Edo period, penitent oni, wood, 21/2:22,22; 22/4:54,54 28/2:47 peony and buds, wood, 28/4:40,40 writing pens, 21/2:46 peony blossom, ivory, 32/4:49,49 Tamakaji Zokoku, lacquer Artisan,” 21/2:54 stones in basket, 21/3:8 x-ray to determine substructure, 24/4:21 tanuki with hunter and assistant, ivory, 31/3:5 (see also inro) Kyosai* lacquer box Ashinaga holding peach, Tenaga holding fish, 3-tiered lacquer box, bamboo and ants, by painting; 26/2:23,25 Ganbun, 26/1:27, 27 Jigoku Dayu, design source for pipecase by box, decorated with fireflies, by Masayuki, Tokoku, 26/2:35,35 24/3:41,41 Kyosenhei* box, decorated with tsuba and kozuka, 24/2:3 emerging from a peach by Toyomasa; 24/2:24,24 box, with poem and shooting star, by Akira, 24/3:40,40 interpreted as Tobosaku sennin, 25/4,8,8 elephant shape, lacquer, 24/4:21,20 Kyoshi*, paragon of filial piety, fetching water and fish, ivory, 27/2:57,55 fruit box, roped, wood, by Chokusai, 27/1:38,38 Kyoshige*, hyottoko mask, ebony, 28/3:51,51 gold lacquer suzuribako and bundai, 33/1:ifc

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gold lacquer, autumn scene, 25/2:5 leaf, lacquered ivory okimono, by Kodo, 21/4:59 inro and sagemono decoration, wood, Rimpa leaf hopper on bloom, by Matt Kowollik, 26/1:2 style, 29/4:48,48 Lee, Victor, pictured, 29/3:58 kobako, tale of Genji, 23/1:ibc Legends* Column lady with child’s drum, ivory, by Minkoku, Ryuho, Founder of the Han Dynasty, 21/2:65 25/1:54,55 Tokubei, the Robber and Adventurer, 21/4:70 longevity symbols, 28/1:58,58 Tadatsune, 22/2:56 six sliding doors, 32/4:39,39 Tengu, 22/3:53 suzuribako, koto-form, and bunko, 23/3:3 Yuai and the Raining Cash, 23/1:52 suzuribako, pomegranates, uns., 21/1:67 Ryujin, the Dragon King of the Sea, 23/3:43 tanzabaku-bako by Ryushin, 22/2:11 Demon Cat of Nabeshima, 23/4:48 Saratani, 24/3:44,45 Bishamon, 23/4:49 tengu, lacquer, collaboration of Birch and Oni and the Traveling Bride, 24/2:61 Saratani, 24/3:44,45 Adachigahara, 25/2:46 tanuki, lacquer, collaboration of Birch and Hojoe, or Setting Free, 26/2:41 with compass, wood, metal, 31/3:35,35 Emma O, King of Hell, 26/3:61 togidashi box, 22/2:49 Lehman, Kate and Robin, pictured, 25/4:59 writing* box, views of Akashi, 30/4:ifc leopard* (see also hako, incense box, medicine box;) inro design by Genkosai, 24/2:27 lacquer chest seated, looking back, ivory, style of Mitsuhiro, gold lacquer kodansu with theme of inro and 22/1:58, 58 ojime, 21/3:3 “A Letter from the Past or a Message to the lacquerer’s ranking chart, 30/1:26 Future…?,” by V. Bykoriz, 30/4:16 Lamb, Nick Levenson, Robert, 26/4:11 pictured 25/4:62 Mary and Robert, pictured, 26/2:7 badger eating honeycomb, wood, 22/1:ifc leveret*. See rabbit/hare bird, wood, inlays, 22/2:ifc Levin, , pictured, 27/4:6 Burmese mountain dogs, 21/3:ifc Levitt, Dmitry, pictured 21/4:10 clown fish, 26/1:3 Lewis, Edmund J., 22/2:6 frog on floating wood, mammoth ivory and Lewis-Bale, Eleanor, pictured 21/1:10 buffalo horn, 28/2:5 Lewis, Dorothy, pictured 24/3:59 Sitting Bull, 26/4:55,55 Lieberman, Phyllis, 24/2:31 Landau, Stefan, pictured, 33/2:37 pictured 24/3:59, 25/4:59 Lanfranchi collection “Leigh Sloggett: Contemporary Netsuke Netsuke collection of, in Museo Poldi Pezzoli, Carver,” co-author, 23/1:45 Milan, 28/4:22 “The Power of Netsuke: How Netsuke Impart Langegger, Dr. Florian, 24/3:5 and Why It Matters,” 24/4:43 index of G. Lazarnick’s books, 24/3:5 lion* “Where are the Takarabukuro Mitsuhiros?,” heraldic-looking holding onto a post, ivory, 22/4:48 22/3:29,29 Langen, Mike and Alyson, pictured, 32/4:6 heraldic, front paws on bridge post, 22/2:55,55 lantern* worn on head by blind man, 28/3:8,8 heraldic on serpent’s head, 26/1:31,31 Laudenbach, Helmut, death, 30/4:57 (see also shishi) Laux, Jim, pictured, 27/2:45 lion dance Lazarnick, George, memoriam, 24/2:65 at festival, and entertainers, drum w/3-comma Meinertzhagen Card Index, 25/2:12 design, ivory manju, by Tomochika, 34/4:cover; Lazarnick, Verna, death, 29/3:57 14,16 pictured 23/4:53; 24/2:38 Litwin, Jeff and Karen, pictured 24/3:62

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lizard* bending over, spider on his backside, wood, confused with gecko, 26/3:57 32/1:46,46 in rotted pear, wood, by Ikkyu, 31/2:obc blowing horn, seated, ivory, 29/1:55,55 on leaf, ivory, uns., 23/4:27,27 contorting, practicing wrestling moves?, wood, on oak branch, wood, Iwami, 23/1:42,42 by Sosui, 29/4:36,36 on driftwood, wood, by M. Webb, 29/3:50,50 Christian figure on pedestal, ivory 32/2:45,45 on mushroom, wood, by Goho and Ikkokusai, dancing, with fan, ivory manju, 33/4:27 31/3:25 on one foot, arms tucked into sleeve, ivory, (see also gecko) 28/2:51,51 Lloyd, Bettina, pictured 21/1:10 entertainer, tall, in headgear, 27/3:49,49 Lohrberg, Dr. Reinhard, 21/3:2; 31/3:7 fishmonger cutting fish, wood, by Sosui, 32/1:49,49 pictured, 27/2:42 head of, stagantler, uns., 25/3:19 Lonis, Anatol, pictured, 324:4 holding basket, tall, ivory, 22/1:59,59 loquat* holding bird, ivory, uns. 27/2:10 cluster, ivory, by Kyoto Masanao, 32/1:48,48 holding coral branch, umimatsu, uns, 34/1:20 two on branch, ivory, by Mitsuhiro, 21/3:51,51 holding gourd, smiling, ivory, by Masanao, two on branch, ivory, by Doshosai, 21/3:51,51 29/4:44,44 Lorin, Gilles, pictured 27/2:39 holding palm out (for payment?), wearing sword Lorrey, Mr. and Mrs., pictured 23/2:8 or bokuto, 26/4:45,45 lotus* leaf holding snake, screaming, wood, by Kameyama, associated with Buddhism, 27/3:29 28/2:34,35 by Yasui, 23/1:41,41 mid-eastern, holding uchiwa, dark wood, glass, uns., 31/3:35,35 32/2:45,45 stagantler, uns., 25/3:3 Kabuki chanter, ivory, by Yoshitomo, 26/3:38 lotus pod, ivory, uns., 22/3:27,27 laborer resting on shovel, ivory, by Masakazu, lotus stem and two crabs, wood, by Sessai, 28/1:52,52 28/4:24,24 legend of man, dog, and wife, 22/4:12,12 love letter lifting rice bale, wood, by Soko, 29/4:36,36 tradition, 265/3:12 nobleman holding bird, uns., tall, ivory, 27/2:11 wrapped, about, 26/3:11 King of Champa on elephant, ivory, uns., ivory, signed Nanka, 26/3:11,11 28/4:9,9 seller of, inro by Koma Kyuhaku, 26/3:12,12 on horse, stagantler, uns., 25/3:18 on kite? shaped as a bat?, wood, by Masayuki, 25/1:15,15 M** on log, cutting wood, wood, by Sosui, 32/1:49,49 Madden, Odile oni on shoulder, tall ivory, uns., 25/4:54,54 pictured 24/2:33; 24/4:24 pilgrim carrying giant tengu mask on back, “Beyond Ivory: The Colorful World of wood, ivory, 28/1:41,41 Netsuke,” Part 2, 24/4:24 pounding rice, by Jobun, 22/1:19,19 Maeda, Ataru, and Chiharu, pictured, 27/2:43; scholar meditating beside a waterfall, ebony and 29/3:60 ivory, 31/2:46,45 “The Mail Courier’s Netsuke and Sagemono,” by Y. seated on bale, holding hossu, pulling hair, ivory, Shimatani, 22/2:22; 23/4:31 uns., 25/1:18,18 magnolia*, blossom, ivory, by Kyusai, 28/4:40,40 shooting craps, dice in hands, ivory, 29/1:57,57 man** stone chipper, wood, by Jobun, 22/1:18 asleep, with work basket, ivory, 23/1:34,34 stone worker splitting mill wheel, ivory, by beheaded by executioner, by Yoshihide, Toyohide, 30/3:50,50 24/1:36,36

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story teller, seated, ivory, blue stain, by Ichiro, manju* 32/2:35,35 Moritoshi Kosai, founder, school of ivory manju tea grinder napping, wood, uns., 34/3:3 carvers, 32/2:41 temple attendant fussing over broken geta, “Manju at the Ashmolean” museum, by N. Platt, lacquered wood, uns., 34/3:cover, 23,23 34/2:25 two on temple pillar, wood, by Masanao, mantis* 25/1:OBC half praying mantis, by Bishu, 32/3:7 wearing mask, cloak, Noh player, painted wood, on fruit, wood, etc, by Minko, 34/4:11 signed Toen, 27/1:13,13 Manzai* dancers. See dancer with struggling shishi, 24/3:8,8 map* of earthquakes, 31/4:13,13; 16,16 with Daruma doll, wood, by Sansho, 30/1:32; market 32/1:19,18 state of, 24/2:45 with drum, on straw hat, by Jobun, 22/1:19,19 (see also prices) with drum, ivory, uns., 31/3:35,35 marriage, represented in scroll of Ashinaga & with lantern, large hat, geta, 23/3:40,40 Tenaga, 26/2:26, 26 workmen pulling barge upstream, uns. inro, Martin, Dante, 29/2:8 29/2:21,24 pictured 23/2:9; 25/3:6; 27/1:7 see also actor, archer, bather, beggar, Chinese, Martin, Katherine E., auction coverage, 21/2:21 chonin, cooper, Dutchman, farmer, merchant, monk, Portuguese, sake drinker, yakko Marsden, Doug, pictured 24/3:58 man and dog eel, wood, 24/3:35,35 and dog yellow, green glaze ceramic, by Kenya, Masa*, spirited dancer, playing tsuzumi, ivory, 30/2:52,52 31/3:obc eating snack, and dog, by Jobun, 22/1:19,19 Masachika* or woman, holding dog, tall ivory, 21/3:40,40 monkey and octopus fighting, wood, 27/1:32,32 man and karako, ivory manju, 33/4:23 monkey and two young playing, wood, 34/1:51,51 man applying moxa sennin and snow monkey, ivory, dating ivory, uns., 26/1:11,11 discussed, 29/1:23,23 wood, by Minko, 28/3:51,51 Toshiotoko scattering beans at festival, man and eel 23/2:51,51 cook struggling with eel, wood, by Masakazu, Masachika Toyosai 27/2:55,55 monkey, hand on head, astride gourd, wood, man fighting giant eel, wood, by Sosui, signed Masachika, attrib. to Toyosai, 34/2:50,50 29/4:37,37 Masaharu man and fundoshi Buddhist angel (tennin), and Ikkaku sennin, confused with man crying out in pain, 26/1:48 ivory, 25/1:54,54 tying, ivory, 29/4:34,34 Masahide* tying, wood, uns., 26/1:48,48 coconut-shell kinkachi, rabbits in tall grasses, wood, tying, by Awataguchi, 26/1:48,48 32/2:42,42 man and raft Masahiro* two, ivory and wood, by Sosui, 24/2:ibc Jigoku Dayu, ivory, 26/2:35,35 manatee and young, deer antler, netsuke and ojime, junishi, ryusa manju, wood, 30/1:55,55 by Stradiotto, 21/1:ifc Okame aping roly-poly Daruma, on base, ivory, Mang, Helen, 23/1:4 22/3:28,28 Mang, Jack, death, 23/2:58 toad, stagantler, 23/1:26,26 Mang, John Jr., death, 32/4:56; sale of collection, Masajo* 32/4:45 shojo asleep, seated, wood, 23/1:21,21; Manini, G., grieving female, wood sculpture, 23/4:20,20; 29/2:56,56 24/1:32,31 Masaka*

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oni applying moxa, ivory, 26/2:60,60 rat, coiled, 26/4:41,41 oni mixing mochi, okimono-type, ivory, 30/4:ibc rat eating bean pod, 32/1:47,47 rat catcher, ivory, 27/2:28,28 rat with abacus, ivory, 32/4:47,47 rat and eggplant, ivory, 31/2:19 Raiden leaning on drum, and Futen, 28/2:32 six rats on Daikoku’s mallet, ivory, 27/2:28,28 snake, wood, 26/1:26,26 Masakata* Soshi resting arm on bench, dozing, ivory, Tadanori, climbing lantern, ivory, 32/2:56,57 30/2:25,25 Urashima Taro on dragon-turtle, wood, sumo wrestlers, Kawazu throw, wood, 23/1:20,20 30/1:57,57 Masakatsu* (see also Masasada) date of death, 24/4:36 Masami* cockerel and hen, 24/3:14,14 frog on sandal, wood, 24/3:35,35; 27/1:3 frog on well bucket, wood, 25/1:21,20 horse, reclining, wood, 27/1:3 horse, wood, okimono, 22/1:54,54 monkey holding its foot, wood, 27/1:3 horse, reclining, 27/3:49,49 Masamichi* Kadori Myojin calming large namazu, wood, alternate reading of signature, 29/2:15,15 30/1:50,50 panting tiger, wood, 25/1:20,20 monkey eating loquat, 29/4:49,49 Fukurokuju, child covering head with cloth, Masakazu* ivory (sig. shown) 29/2:15, alternate reading Masasada, 30/3:22 Masamine* badger smothering hunter with scrotum, ivory, quails nestling in bed of reeds, ivory, 29/1:44,44 21/3:36, 36 Masamitsu*, 25/2:47 chicken and young beside drum, wood, 34/2:ibc kirin reclining, looking back, wood, 34/2:45,45 cook struggling with eel, wood, (signature added rooster and hen, chicks on basket, 24/4:48,48 later) 27/2:55,55 two shishi fighting, wood, 32/1:ibc male figure, possibly holding a tama, ivory, Tenaga carried by Ashinaga grasping octopus, 29/1:58,58 ivory, 22/3:22 fox in kimono, wood, 23/1:20,20 Masamori* fox woman nursing child, wood, 25/4:46,46 style doctor’s doll, ivory, sealed Masamori, of, 32/2:49,49 23/3:21,21 Fukura suzume by Masakazu, 26/3:24,24 rabbit eating tokusa grass, ivory, 33/4:33,33 Fukurokuju Sha-en sennin, ivory, 34/1:10,10 staff, scroll, and karako, ivory, 30/4:51,51 Masanao child on shoulders shaving his head, ivory, dragon emerging from a kakemono, 23/1:58 32/3:48,49 horses, two, reclining, wood, 30/4:48,49 Hotei laughing, with kemari ball, ivory, man, smiling, holding gourd, ivory, 29/4:44,44 29/4:49,49 oni carrying reliquary, signed Masanao (but kirin baying, wood, 22/1:47,47 attrib. to Hidemasa), 24/3:obc laborer resting on spade, ivory, by Masakazu, ox on manju, ivory, (sig. discussed), 31/2:36,36 28/1:52,52 rat, balled, wood, 30/4:52,53 monkey lifting turtle, wood, 34/1:52,52 Masanao* (of Ise) monkey on horse, ivory, 24/2:48,48 cockerel and hen on roof tiles, wood, 31/2:42,42 monkeys, two, huddling, sharing fruit, wood, dragon, coiled, wood, 28/2:13,13 34/2:51,51 frog on a pumpkin, wood, 23/1:42,42 oni at Setsubun festival hobby horse, wood, 27/4:obc crouching, protecting head, wood, 24/1:40,40 horses, two reclining, 32/2:ibc oni hiding foot warmer box, wood, 34/2:44,44 Hotei teasing child with Okame mask, 29/2:15,16 ox, about to rise, wood, 28/2:55,55

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kudan, ivory, 24/3:22,22 horse monkey doll, wood, 28/2:23,23 reclining, grooming hind leg, ivory (sig. monkey eating fruit, wood, 32/3:50,50 shown), 22/1:54,54 rat, coiled, wood, 31/3:44,44 reclining, ivory, 22/1:55,55 samurai on horse, on base, wood, 30/4:24,24 rolling, ivory, 23/3:26,26; 28/1:37:38 snake and skull, wood, 30/2:50,51 rolling, wood, 25/2:28; 26/3:32 Tanuki transforming into tea kettle, carved from two, in yin-yang position, ivory, 31/4:52,52 nut, 33/1:43,43 two reclining horses, wood, 26/1:39,39 toads, five, 32/1:13 loquat cluster, ivory, 32/1:48,48 Masanao Isshinsai* monkey grooming young, ivory, 23/4:29,29 cicada chrysalis on walnut, 26/3:56,56 Okame as prostitute, wood, 26/1:42,42 Kintaro fighting carp, wood, 31/2:34,34 Okame fixing hair, wood, attrib. to, 26/4:17 mask group, wood (sig. shown), 21/3:26,26 ox, reclining, head resting on ground, ivory, pupa case, wood, 26/1:42,42 21/1:48,48; 31/4:50,50 Masanao* (of Kyoto) pond snail, wood, horn inlaid eyes, 27/1:30 among early carvers of sparrows, 26/3:26 pup and awabi shell, attrib. to, 21/3:36,37 interpretation of name, 24/1:46 rabbit grooming, ivory, 22/3:24 reading of kanji, 22/3:7 rat subjects, 31/4:26 resting on its tail, wood, 31/4:49,49 amagatsu doll, 30/1:21 scratching chest, ivory, 34/2:15 bikuni, prostitutes dressed as nuns, wood and scratching ear, wood, Kyoto Masanao style, ivory, 26/1:45,46 32/4:38,38 boar sleeping, ivory, by Kyoto Masanao, and young, ivory, 21/1:48,48 34/3:12,12 reclining, front legs on leafy branch, ivory, with pepper pod, ivory, 27/1:31 30/2:30 sparrow, ivory, 28/1:37:38 carp, ivory, 27/4:44,44; 29/4:34,34; 29/4:50,50 tengu from egg, ivory, 31/2:49,49 cat on pillow, ivory, attrib. to, 21/4:54,54 tiger chonin, drunk, ivory, 32/3:48,48 reclining, looking back sly look, ivory, cockerel, ivory, 22/3:ibc 21/3:41,41; 24/2:25,25 crab astride stone mortar, alluding to resting, ivory, 22/4:60,60 Sarukanigassen (monkey vs crab), ivory, 27/1:31 Masanao* (of Yamada-Ise) Daikoku playing tsuzumi, on sack, ivory, frogs as popular subject matter, 26/2:31 32/4:38,38 boy standing pulling down one eye, wood, dog and pup on cushion, ivory, uns., attrib. to, 21/3:39,39 27/1:30 cicada pupa case, wood, 26/1:42,42 dog dog and two pups, wood, 28/3:45,45 scratching, ivory, 26/2:55, 56 dog, wild, seated, looking up, ivory, 26/2:59,59 smiling, sitting on its tail, ivory, 26/2:55,56 four boys from two, wood, 28/1:50,50 smiling, seated, ivory, 26/1:37,37 dragon smiling, reclining, wood, 30/4:41,41 coiled, wood, 28/2:13,13 doll, hoko, ivory, school of, 28/2:24,24 head lifted, wood, attrib. to, 21/3:41,41 fish opposing heads, mokugyo, ivory, 28/2:16,16 boxfish or trunkfish, ivory, 27/1:31 frog ivory, 24/1:19,19 carrying young on back, wood, 26/1:18,18; fugu, ivory, 24/1:19,19 23/4:27, 27 kirin, crouching, ivory, identical to one in N&IA, wood, 26/1:18,18 26/2:18,18 monkey grooming young, wood, 21/3:33

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monkey doll, wood, 28/2:23,23 tengu hatching with hatching young beside, monkeys, two, wood, 29/1:53,53 wood, 30/3:25,26 pilgrims on Nara temple pillar, wood, 25/1:OBC (see also Masakazu) rat/mouse “Masasada (Masakazu),” by Jay Hopkins, 30/3:22 coiled, wood, 23/1:31,31; 24/3:13,13, Masashige*, basket and flute alluding to komuso, 26/4:41,41; 29/2:57,57 wood, 30/2:26,26 resting, wood, 27/3:57,57 Masatada*, grazing horse, ivory, 22/3:18 snake, coiled, wood, attributed to, 21/2:cover; Masatami* 26/1:39,39 cat on tsuitate, wood, 29/3:51,51 sumo, wood, 28/1:51,51 hare, reclining, wood, 21/2:67 tigers, two, on large rock, 23/4:22,22 monkey and fruit, ivory, 32/1:45,44 toads wrestling on sandal, wood, 22/1:56,56 monkey and young, ivory, 24/2:47,46 wood, 23/4:27,27 rat on open fan, ivory, 24/2:47,46 Masanao Shinzan, See Shinzan Masanao rat on pod, ivory, 27/2:28,28 Masanari*, Shiomi, 21/3:8 two shishi play-fighting, wood, 32/1:ifc spider on chestnut, wood, 23/2:21,22 Masateru*, seven rats, wood, 30/1:55,55 inro: Masatomo* dragon in clouds, 21/1:42,42 Choun on horse through waves, wood (sig. fox prowling in grasses, 33/1:31 shown), 30/3:27,27; 33/1:39,39 monkey pulling horse by reins, 28/4:ibc; pup reclining, wood, 25/4:5 21/1:56,56 hare with mushroom, ivory, 23/1:18,18 Munechika assisted by Fox-Spirit near hen and two chicks, wood, 33/4:44,45 gate, 28/2:11,11 kirin, ivory, signed, (sig. discussed), 22/1:53,53 ox and herds boy, 28/4:29,29; 30,30; Masatoshi* 32/4:44,44 death, 21/2:72 seven sages in bamboo grove, 22/3:29,29 memories of, 21/3:9 Masanobu* pictured 21/2:72 connection with seal/stamp business, 24/1:26,27 bakemono holding long neck, 23/4:47 history, 24/1:22 cat masquerading as geisha, 34/4:52,52 seal of, 24/1:26 bat, flying, 28/1:30,30 gama sennin riding frog, wood, 24/1:27,27 bear, ebony, 24/3:13,13 shishi and ball, ivory. Possibly by Tomotada Benkei reading scroll, ivory, 29/3:46,46 discussed, 26/4:42,24 black woodpecker, ivory, 22/3:40,40 netsuke possibly by Tomotada, 26/4:42 earthquake fish, tortoiseshell, 24/4:22,22 shishi cubs thrown from cliff, ivory, and design fish in Ming bowl, 24/4:28,28 source, 31/3:14,14 ivory frog on wood gourd, 34/2:15 Masao*, kagamibuta of moonscape, large size Gatten, moon goddess, and hare, ivory, discussed, 27/1:12,12 29/1:56,56 Masasada* (Masakazu) ghost, female alternate reading of signature, 30/3:22 tall, ivory, 26/4:51,51 appreciation and work of, 30/3:22 in kimono, stagantler, 32/1:5 oni standing with account book, wood, hare, seated, one paw lifted, 33/3:54 30/3:24,25 Hattara Sonja in mugwort cloak, ivory, Raiden kneeling with geta and drum, wood, 30/2:36,37 30/3:23,24 heron, ivory, 24/4:26,26 shishi standing, wood, ivory claws, (sig. shown), 30/3:23 ho-o bird on one foot, ivory, 31/1:9 tengu hatching, wood (sig. shown), 30/3:25,25 Kintaro, wood mask, 21/3:10,10 kirin

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baying, wood, 32/1:47,47 Ema tablet depicting inro and netsuke, dated seated, head up, ivory, 24/3:37,37 1760, 29/3:10 two-legged, ivory, 21/3:10 Masayuki* Mt. Fuji, tortoiseshell, 24/3:37,37 sig. shown, 31/3:31 Okinawan gentleman, ivory, 33/2:5 Arababa with scissors, ivory manju, 25/1:14,14 Oiwa ghost, ivory sashi, 33/3:ibc bat and reishi fungus, 24/3:17 pup, seated, wood, 25/4:3 doctor’s sword, collaboration, 24/4:32 salamander, 24/4:26,27 ghost frightening Ashinaga and Tenaga, ivory, Sogoro Sakura, 21/2:67 28/2:39:40 Sphinx, wood, 29/3:49,49 horse, saddled, on base, ivory, 21/2:29,29 sumo wrestlers Kawazu and Matano, wood, Hotei with Okame mask, and karako, ivory, 22/3:23 31/3:51,51 Tekkai sennin, ivory, 21/3:10,10 kirin, reclining, 29/1:49,49 Toran sennin, hippo tooth, 27/1:8 lacquer box, fireflies, 24/3:41,41 tree spirit, wood, 34/2:19 man on a kite shaped as a bat?, wood, 25/1:15,15 whitebait in Ming bowl, 24/1:19,19 monkey on bamboo stalk, stagantler, 25/3:22 Masatoshi (Shinkeisai Masatoshi) oni holding reliquary, ivory, 29/2:14,14 Daikoku, Ebisu, and Hotei, ivory, 23/2:42,42 oni stealing Bishamon’s pagoda, stag antler, metal, 34/1:15,15 Kan’u, ivory, 23/2:42,42 rokurokubi scaring Ashinaga and Tenaga, ivory, Masatoyo* 28/2:53,53 carp on waves, ebony, 23/1:40,40 tanuki and bakemono face, 27/3:29,28 kirin, ebony, 23/1:43,43 tanuki in robe, asleep on mokugyo, stagantler, Masatsugu* 30/3:52,52 12 animals of zodiac, ivory, falsely signed, tengu emerging from egg, ivory, 26/2:32 26/2:43,43 tengu emerging from egg, wood, 33/1:44,44 boar resting against grasses, bent leg, ivory, toad on leaf, 22/1:52 28/3;43,44 Masayuki Shugendo Kintaro and giant carp, ivory manju, by Masatsugu, 27/4:46,46 anonymity due to misreading signature, 29/2:14, 16 Okame holding nose of tengu mask, 33/1:44,44 oni carrying reliquary, ivory, 29/2:14,14 Sambaso dancer, ivory, wood mask, 22/1:ibc Masayume* two shojo with large sake bottle, symbolism, shishi, seated, ivory, kanji discussed, 29/1:45,45 ivory (sig. shown), 29/1:17,17 tiger eating bamboo, 24/3:56,56 (see also Kaigyokusai Masatsugu) Masazane*, rat on vegetable or fruit, wood, Masayoshi* 30/4:44,44 canon, 33/1:33 mask* goat and ox, wood (sig. shown), 29/1:59,59 36 masks by Hokkyo Hozan, 22/3:13,13 goat, reclining, ivory (sig. shown), 23/1:56,56 12 from No and Gigaku theater, wood, hare stirring mochi, wood (Roswell Hare), large 23/1:30,30 eye inlay, 31/1:29 15 from Noh and Kyogen, by Hakuunsai, Tadamori capturing the oil thief, wood, 23/1:23 24/4:38,38 tiger scratching, wood, 32/3:41 cluster, ivory, 21/4:30,30 Masayoshi Goto, period worked, 23/1:56 distressed look, ivory, 21/4:47,47 Masayoshi Iwama, frog on lotus, collaboration, Fukai, Okame, and Buaku, by Jobun, 22/1:24,24 34/4:41,41 Genjoraku, red lacquer, by Hokei, 21/3:38,38 Masayoshi Kitao, painter and ukiyoe artist (sig. ghost mask, wood, by Shuzan, 23/1:16 shown), 31/2:45,45 nut shell, 30/3:34,33 Masayoshi Suzuki

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man grimacing matsuri*. See festival/celebration another mask on the inside; the nose serving “Matsuri: A Bridge to a Better Future,” 28/1:34 as himotoshi; hornbill, 34/4:14,14 Matsuura Kiyoshi, daimyo and collector of netsuke, long nose, wood, uns., 29/2:30,30 34/1:23 wood, s/ with kao, 29/2:31 McCoy, Lani, 21/4:16 wood, by Sansho, 30/1:32 McFarland, Don, 25/1:4 man, old, shouting or singing, ivory, 29/3:52,52 McHenry, Malcom, pictured 25/4:57 Ko Omote-type (by Tenkaichi Bingo); Bugaku; McNiff, Ed, and Debbie, pictured 21/4:10; 23/1:15; nezumi (rat) type; by Chigusa; kiwami; and Ono 24/2:40; 25/4:57 Deme masks, 28/3:53 reporter Eldred’s auctions O-tobide, wood, by Deme Uman, 23/1:17 “Encounters,” 23/1:15 pottery, uns., 22/4:57,57 2004 Honolulu Convention review, 24/2:30 shishi, stagantler, attrib. to Kokusai, 21/3:36,36 2005 San Francisco Convention review, 25/4:56 shojo, wood, by Shuman (sig. shown), 23/1:17 “Chariots, Search Engines, and the Non-Self,” wood, by Isshinsai Masanao, 21/3:26,26 26/4:26 (see also Hannya) McOwan, Danny, pictured 26/4:8 mask* carver “The Meaning of Serendipity,” by R. Bandini, wood, by Miwa, 28/1:40,41 31/4:20 carving hyottoko mask, by Toman, 31/3:29,29 Mebun. See Ganbun/Gambun ivory, by Seiji, 24/4:47,47 “Mebun aka Gambun: A New Discovery,” by J. Maske, Andrew, pictured 21/4:8 Towers, 21/3:24 masseur* medicine*/medicinal confused with Totsuka beggar, 26/1:46,46; extract from toad used as ointment, 26/2:30 33/1:6 box, round, horn inlay, by Toyomasa, 26/1:27,27 and client, by Jobun, 23/2:51,51 case, stagantler, inlays, by Ikko Hasegawa, Masui, Mitsuko, 22/2:15; 22/4:8 27/1:9 sister, Hisayo, pictured; 24/1:8 woodblock prints used as medical ads, 27/1:50 Matano Goro* (see also moxa) confused with Asahina Saburo, 31/3:17 medicine ball (kusudama) with large bolder, ivory, and design source, as talisman against misfortune, 30/2:40 31/3:16,16 ingredients, 30/2:40 materials* Meigyokusai* coconut shell, material for coin purses, 42/2:42 commissioned to sign other artists’ names, coloration, 24/4:24 26/2:42 identification for conservation purposes, 24/4:24 12 zodiacs, ivory, 26/2:43,43 imported, 33/1:20,21,22; 34/1:20 Ono no Tofu, umbrella, ivory, 28/3:23,22 inlays, 24/4:28 rat nibbling, ivory, 22/3:40,40 magical, talismanic, and medicinal properties of, raven on skull, ivory, 29/3:50,50 24/4:16,24 Meiji era, a centennial note, by N. Davey, 32/2:28 maki, a wood from Ryukyu, 34/1:23 Meijitsu* kurogaki (black persimmon), pictured 22/1:40 egg tester, wood, ivory egg, 34/1:7 treating mold, 24/4:41 Fugen Bosatsu on elephant, reading scroll, walnuts and vegetable ivory in netsuke, 30/3:28 29/4:46,46 X-radiograph to determine damage, inlays, Meikei* 24/4:35 copying Sosui’s Fukurokuju and Okame netsuke, (see also “Beyond Ivory, Part 1,” 24/4:14; and wood, 29/3:40,40 Part 2, 24/4:24; “Is it Because I’m Black?,” Kan’u on horseback, 23/4:38,38 30/4:11)

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Oni no Nembutsu doing penance, wood, wood, by Tadatoshi, 24/3:14,14 30/1:27,30 wood, by Takusai, 32/2:33 Yama Uba whisking away Kintaro, wood, on shell, wood, by Hideharu, 24/1:17,17; 28/3:11 28/3:ibc, 29/4:13 Meinertzhagen Card Index in the British Museum, merman*, wood, 24/3:14,14; 32/2:32 21/2:2, 25/2:12 Meselson, Ann, 25/2:54; 26/1:59 notes by, on card for ivory kirin, 28/4:35,35 pictured with son, 25/2:54 Meinertzhagen, Frederick, letters from, 21/1:59 memoriam, 28/2:60 “The Meinertzhagen Kirin,” by J. Kurstin, 28/4:34 metal* smiths/engravers Meishun, dragonfly inro ensemble, 23/2:54,54 loss of customer base in 1870s, 24/4:21 menuki* 23/2:4 about, 28/3:24 metal workers collaborating with inro makers, as adornments to swords and inro, 28/3:24 26/1:51 ebony, pair of nio, 21/1:50,50 Michizane* Sugawara tiger and dragon, 22/3:14,14 legend, 25/1:8 “Menuki, Metalwork to Adorn Swords – and Inro,” story of and loss of rank, 28/1:24 28/3:24 ivory, by Yasuaki, 25/2:8,8 merchant* mikoshi nyudo, demon monk, ivory, uns., class distinction in 19th century, 26/2:29 27/3:cover,25,25 and courtesan, ivory, by Tomochika I, Milazzo, Gerald 26/2:29,29 ivory netsuke “And one makes you small,” mustachioed, smiling, crouched over mortar and 26/2:27 hoe, 34/4:47,47 nautilus, mammoth ivory, 29/3:46,46 Chinese (Mandarin?), tall, elegant robe wave Miller, Amanda, pictured 23/3:55; 25/4:57, 27/2:41 pattern at bottom, wood, 27/1:35,36 Miller, George and Ayako, pictured 21/4:14 wearing sagemono, lacquered wood, uns., Miller, Marilyn J, 22/1:68 33/3:21 millstone cutter, laughing, by Jobun, 22/1:19,18 seated, wearing sagemono, 32/4:19 Minamoto no Kuro Kitsune, wood, by Jugyoku, Meredith, Linda, 24/2:36; 25/1:4 21/1:51,51 pictured, 21/4:8,15; 25/4:61; 30/3:6 Mingyoku* mermaid* (ningyo) kagamibuta artist, 27/1:19 a western creation, 24/1:16 Minjo* and child career notes, 24/2:12 wood, 29/2:56,56 Daruma, and dragon, collaboration with Hakusai, wood, by Kokei, 28/3:47,47 24/2:13,13 and octopus, by Gensai, 23/3:37,37 decoration on kagamibuta, 27/1:19 asleep, ivory, 23/3:42,41 Minko*, 23/4:41; 24/2:47 in swirling water and waves, ivory, 24/3:8,8 analysis of signature kanji, 31/1:45 holding tail source of art name, 24/1:49 ivory, uns., 34/4:46,46 searching for Minko’s elephant, 26/1:43 wood, by Hideharu, 29/4:13 Anchin in bell, and Kiyohime, wood, ivory, wood, by Ryusenshi, 28/3:47,47 28/1:20; 31/3:42,42 wood, by Tadatoshi, 29/1:56; 34/2:44,44 boar holding tama/sphere bent leg, wood, 23/3:41,41 ivory, uns., 32/2:33 bent leg, black wood, 30/1:59,60 wood, 24/3:9,9 bent leg, persimmon, 30/3:29 wood, by Hozan, 29/4:48,48 Busho(?) slaying tiger, wood, 34/1:49,49 wood, by Sansho, 32/1:22 cock on tile, wood (sig. shown), 28/4:18,18

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Back to netsuke.org crane, ivory, 32/3:9 tea utensils, wood, 31/2:35,35 dog, smiling, wood, (sig. shown), 28/4:16,18 tengu no tamago emerging from egg, wood, dragon, coiled, wood (sig. shown), 28/4:16,17 25/4:46,46 ghost head on green lotus leaf, ivory, 26/4:39,39 tiger, seated, looking back, wood, 24/2:47 47; goat, wood, 23/1:57,57; 24/1:36,36; 28/4:16,17 25/4:55,55; 34/4:44,45 (sig. shown) wild dog and skull, 24/2:obc hare, wood (sig. shown), 28/4:16,17 Minko, Tsuhan horse Bashiko tending to dragon, wood, 33/4:34,34 and young, reclining, wood, 26/4:41,41 Hanadaka Sonja with dragon, wood, 25/3:40,40 Mongolian pony, reclining, wood, 28/4:41,41 Minkoku*, 23/4:40 reclining, alert, ebony, 30/3:5 Benkei blowing conch inside conch, ivory, reclining, compact, dark wood (sig. shown), possibly by pupil Shuyusai,34/2:49,49 28/4:16,17 bokuto, tiger design, 33/4:32,32 reclining, dark wood, 31/3:42,42 decorations on kagamibuta discs, 27/1:18 reclining, teeth barred, wood, 22/2:65 female traveler, stained ivory, 29/3:46,45 Hotei on Bizen sake flask, inscribed, 34/4:51,51 fisher girl resisting an octopus, 24/1:18,18 kappa, standing, wood, 34/4:42,42 fortune teller and client, wood, 25/1:14,15 karako with demon mask, wood, 22/4:55,55 Fujihime and oni nembutsu on ivory panel, Kiyohime surrounding the Dojoji bell, Anchin 26/1:38,38 inside, wood and ivory, 28/1:20,20 Fukurokuju, ivory, 23/1:24,24 man applying moxa, wood, 28/3:51,51 goat, seated, looking back, wood, ivory horns, mask of foreigner, wood, 31/2:36,36 33/3:15,15 monkey Kan’u holding beard, wood, 26/4:37,37 hear-see-speak no evil, stacked, dark wood, karu, with frog on head, wood, 26/4:15,15 30/4:13,13 lady with child’s drum, ivory box, 25/1:54,55 stirring, wood (sig. shown), 28/4:16,18 priest drinking tea, and badger teapot, 25/1:17,17 and octopus ghost, wood, tall, 32/4:51,51 Tenaga as circus acrobat, ivory, 28/2:40,40 namazu, ebony, 21/3:38 two drunk chonin (townspeople), wood, Okame, standing, nursing infant, wood, 30/4:30 31/3:43,43 oni Fukurokuju, slightly bowed, arms in sleeves, ivory, 23/1:23,24 at Setsubun, writhing, wood, 22/4:60,60 minogame* repentant, wood, attrib. to, 24/2:62 attribute of Urashimataro, 23/3:45 ox, ebony (sig. shown), 28/4:16,16 symbolism, 22/2:13 praying mantis on fruit, wood, mixed materials, 34/4:11 shaped as an inro, 22/1:60,60 rabbit on boar tooth, ivory, 28/4:40,40; 29/1:13,13 bunny, wood (sig. shown), 23/1:16 on driftwood seated, wood, 26/4:43,43 dark wood, by Gyokusho, 30/4:15,15 Raiden, wood, 32/3:9 wood, by Ganbun, 31/2:47,47 rat, coiled, dark wood, 29/1:58,58 on leaf, 24/2:46,46 Ronin crouching, wood, 31/1:45,46 (sig. shown) on log, dark wood, 30/4:14,14 shojo, dozing behind large sake cup, wood, on root fragment, wood and silver, by Kozan, 33/4:43,43 31/2:34,34 snake, sashi netsuke w/knife, 28/4:16,17 Minshu*, Daruma stretching, holding a jui, 34/2:49,49 shishi and cub, signed and dated, 23/4:19,19 Minyoku*, fisherman struggling with octopus, shishi, recumbent, wood, 34/2:54,54 wood, 33/3:obc snail on mushroom, wood, 34/4:11 Misrahi, Caroline, pictured 27/2:39 tanuki, wood tonkotsu, by Minko, 28/3:52,52

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“Mitate and Rusu Moyo: Two Important Genres of netsuke by, in Fuld’s Index, 23/1:4 Japanese Art and Culture,” badger transforming into kettle, ivory, 26/3:obc; Part 1 (Mitate), 30/1:24 31/4:55,55 Part 2 (Rusu Moyo), 30/2:23 baku on base Mitsuchika* ivory, 26/1:35,35; 27/2:34:34 of Adachigahara with knife and on earthy mound, ivory (inscription shown) frightened pilgrim, ivory, 25/2:46,46 33/1:3 Busho killing tiger with fist, ivory, 34/2:47,47 bat on roof tile, ivory, 30/4:53,54 Mitsuharu* bird perched in mouth of oni head, 34/4:44,44 style, signatures compared with Shigeharu, biwa with fly, ivory, 29/1:9 30/2:12 bonito on plate, ivory, 29/3:38,38 cow and calf, ivory, (sig. shown), 29/4:47,47 cat frog on willow branch, brown lacquer pipecase, climbing peony, ivory, 27/3:50,50 signed for metalwork, 34/4:42,42 on kotatsu (table), ivory, 26/2:17 goat on tile, ivory, and tomobako, 29/3:38,38 and young, ivory, 23/1:cover chidori, cloud and moon, ivory, 22/2:34 long haired, seated, ivory, 30/2:12,12; container secured with rope, ivory, 22/3:10,12 33/3:15,16 crane long haired, standing, 27/3:7; 33/3:45,44 protecting egg, ivory, 27/1:42,42 seated, wood, 30/2:12,12 resting, ivory, neck stained black, 27/3:50,50 seated, head turned back, ivory, 30/3:29 resting, ivory, 32/4:48,48 monkey and young grappling over branch, wood, Daruma uns., attrib. to, 34/4:10 doll octopus, wood, 30/3:18,18 shishi holding ball, ivory, 23/1:20; 25/4:54,55; 29/1:7; 29/1:51,51; 30/4:cover doll, ivory, 27/3:55,55; 30/3:18,etched on ivory slice, style of Sanko, 28/1:56,56 shishimai dancer, wood, 34/4:47,47 standing, arms tucked in sleeves, ivory, wild dog and captured monkey, ivory, 25/2:9,9 34/2:53,53 Mitsusada* yawning, standing, ivory, 30/3:18,18 Daikoku with mallet, in noxious radish, ivory, dog/pup 34/2:44,45 pup, dragonfly on back, ivory, 27/1:32,32 Daikoku carved in relief on daikon, ivory, 34/4:44,44 pup, seated, looking up, wood (sig. shown), 31/4:31 Mandarin duck, ivory, 28/2:49,49 dove, or teal duck, wood, 28/4:40,40 quail with millet stalk, ivory, attrib. to, 21/3:51,51; 29/1:10,10 eggplant with poem, porcelain, 22/2:36,36 Mitsuhide* fish head in bowl, wood, ivory, 28/1:39,40 ape and young, ivory, 32/3:49,49 fruit basket, wood, 27/4:51,51 Dutchman holding trump, child on back, wood, fruits on branch, ivory, 24/2:48,48 30/4:50,50 Fukurokuju-like, on cloud, ivory, 30/3:18,18 monkey and two young, ivory, 21/1:38; geisha with fan, ivory, 31/4:30 28/2:48,49 ginkgo nut, ivory, 29/2:51,51 shishi, paw on young, ivory, 30/4:50,50 goose, ivory (sig. shown), 21/3:cover, 50,50 Mitsuhiro* gourd with etching of traveler, ivory, 21/4:58,58 interpretation of name, 24/1:48 gourds in bundle, ivory, 32/3:50,50 designs similar to other artists, 21/3:51 Hotei, 21/3:52,52 sig. shown, 21/3:48 inside sack, ivory, 33/3:43,44 signature compared to, on tomobako, 29/3:38,38 standing, made of Bizen ware, 25/3:36,36; sketchbook of designs recorded by the artist, 30/1:obc 21/1:16; 21/3:48; 21/4:55 (reviewed) relief carving on sake bottle, 21/3:52,52

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wrapped in his bag, ivory, 27/3:51,51 Mitsunori*, Shoki riding a shishi, pursuing oni, hunting for netsuke in the Takarabukuro, ivory, metal manju, 34/2:48,48 21/3:48; 22/4:48 Mitsushige*, kashira, a sword fitting made into a netsuke, Hotei, 21/3:52 22/4:46,46 Mitsutsugu, shishi scratching, wood, 22/1:57,57 kettle, lacquered wood imitating iron, 26/1:24 Mitsutada* Kinko riding carp in waves, style of Anraku, Kan’u holding halberd and beard, signature 33/3:41,41 added later, 25/3:28 Kosekiko in alms bowl, wood, signature/seal Mitsutoshi* shown, 25/1:15,15 sig. shown, 21/4:52 leopard, seated, style of, 22/1:58,58 trout and catfish, ivory, 24/1:19,19 loquats, two, on branch, ivory, 21/3:51,51 sennin Mojo, manju, 21/4:52,52 monkey, hear-see-speak no evil, 23/3:44,44 Mitsuyoshi* Noh actor with female mask, wood, 29/1:56,56 elephant, kagamibuta, wood, metal, 22/3:21 octopus Fukurokuju, ivory, 23/1:24,24 and crayfish, ivory, 28/1:39,40 Mitsuyuki* opening clam shell, ivory, (sig. shown) ducks in basket, ivory, 28/3:23,23 21/3:37,37; (sig. discussed) 48,48 Miura* Kenya tentacle and fly, 21/3:50,50 face of Kiyohime on Dojoji bell, ceramic, turtle, ivory, style of, 33/1:55,55 28/1:21 pinecone*, ivory, 25/3:36,36 itinerant monk, yellow glaze ceramic, dog, rabbit/hare 30/2:52,52 hare, stylized, ivory, 29/4:35,35 Miura-no-Osuke shishi bow and arrow as attribute, 23/3:45 on base, 21/3:52 Miwa*, 28/2:34; 31/4:23 and ball, snarling, ivory, 26/4:38,38 interpretation of name, 24/1:48 snail on sake jar, wood, 30/4:21 boy priest asleep in giant sake cup, transforming Songoku, ivory, 21/4:56,56 into oni, wood, 27/3:31:30 tiger on slice of narwhal, 27/4:18 figure (Jizo?) cradling another, 29/1:59,59 tree stump fugu, wood, by Miwa, 27/4:42,41 etched with flying goose, ivory,, 22/4:45,45 mask carver, wood, 28/1:40,41 (sig. shown); 32/4:43,43 monkey doll, wood (sig. shown), 23/1:33,33 with maple leaf, ivory (sig. shown), monkey pulling ear of trainer, 26/1:26,26 21/3:49,49; 31/4:55,55 nio, wood, 31/4:23 twig, ivory, 28/1:39,40 octopus turtle/tortoise alarming monkey, wood, 33/2:30 hatching from egg, ivory, 33/2?47,47 in kimono, stirring mochi, 24/3:10,10 ivory, by Mitsuhiro (sig. shown) and peering from barnacled pot, wood, ivory, discussed, 28/3:48,48 30/3:obc withdrawn into shell, ivory, 21/3:49,49 in short jacket, small monkey at feet, young on back, ivory, 21/3:49,49 26/4:41,41; 26/4:42,42 vase decorated with camellia, 27/1:40,40 pregnant woman toweling her face after bath, woman sitting on hand, shunga, ivory, wood, 27/4:12 28/2:49,49 shishi with ball, ebony, 29/4:13 Mitsumasa* South Sea islander, 21/1:14 metal work on inro of running boars, 33/4:51,51 Tadamori holding oil thief, wood, 34/4:obc shell group, ivory, 21/2:67; 31/1:24 Miwa Yukan sleeping boar, ivory, 21/3:26,26 horse from gourd, wood, 34/1:37

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mochi* association with, 24/1:12 konoha tengu stirring mochi with nose, wood, ivory, by Kaigyokusai, 24/1:12,12 uns., 22/3:53,53 and earthquake fish (namazu) octopus stirring pot of, by Miwa, 24/3:10,10 as Katori Myojin calming the namazu, ivory, Modern Ivory Netsuke, by A. Chan, reviewed, 24/1:20,20; 33/4:37,37; ivory, 31/4:17,17 28/4:59 and frog “Modern Pioneers: Leonard Weisman,” by D. frog on shoulder, wood, uns., 21/2:28,28 White, 33/4:20 and fruit mokugyo* eating fruit, narwhal, by Kaigyokusai, and drum stick, wood, by Gyokkin, 25/2:16,16 27/4:17 and fly whisk, kagamibuta, by Hakusai, eating loquat, wood, by Masakatsu, 24/2:17,17 29/4:49,49 opposing heads, stagantler, seal Kokusai, 25/3:21 small gold? monkey on fruit, agate, uns., opposing namazu heads, stag antler tonkotsu 31/3:35 signed Koku but attrib. to Gyokumin, 34/4:12 and gourd opposing dragon heads, stag antler tonkotsu by astride large gourd, wood, by Masachika Gyokumin, 34/4:13 (Toyosai Masachika), 34/2:50,50 turning into dragon, wood, by Gyokumin, ivory, by Okatomo, 29/4:50,50 32/2:ibc ivory, 31/4:18,18 Mokujiro, hatching demon, 24/4:13 and horse Mokusui Shumei monkey on horseback boy pulling down eye, ebony, 26/4:34 symbolism, 31/1:44 Momotaro* in humorous fiction (Kibyoshi), 21/4:33 ivory, by Masakazu, 24/2:48,48 “Momotaro, The Peach Boy,” by V. Bykoriz, ivory, uns., 31/1:44,44 29/4:10; correction, 32/2:9 monkey restraining horse, ivory, by Okakoto, mon*. See crest 22/4:60,60 money lender* and netsuke a trade available to the blind, 27/4:62 monkey inspecting netsuke ensemble with in Edo Japan, 27/4:62 magnifier, wood, by Chuichi (Tadakazu), Mongol holding scroll and hat, ivory, 25/1:16,16 24/3:13,13 monk* monkey inspecting monkey netsuke, wood, mikoshi nyudo, ivory, uns. 27/3:cover, 25 by Toshisugo, 22/4:55,55 abbot leading procession of monks, wood, and octopus 33/4:49,49 fighting with, wood, by Masachika, monkey* (saru) 27/1:32,32 associations in myth, Shinto religion, and the octopus ghost, wood, tall, by Minko, earthquake fish (namazu), 33/4:36,37 32/4:51,51 and baku, wood, by Tametaka, 32/3:9 on awabi, surprised by large octopus, wood, and bamboo by Kogyokusai, 30/4:45,45 on bamboo cushion, dark wood, by on rock, by Garaku, 25/4:52,52 Toshiharu, 30/4:14,14 struggling with, walrus ivory, by Tomomasa, on bamboo stalk, stagantler, signed Masayuki 30/2:5 and chestnut and peach monkey peering out of chestnut, wood, by eating peach on branch, wood, by Tomokazu, Toyoyo, 33/4:11 26/1:25,25 and crab in peach, holding branch, wood, by Toyokazu, 26/1:26,26 story of, 23/3:36 holding peach branch, young monkey on his by Gensai, 3/3:36,36 shoulders, ivory, 25/1:22,23 and eagle

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peach is ivory, monkey is wood, by Gansui, two young, playing, wood, by Masachika, 21/2:obc 34/1:51,51 peaches slung over back, ivory, inscribed wood, by Nick Lamb, 26/4:50,50 Rantei, 27/2:29 arm extended, other hand on head, stagantler, peeling large peach, ivory, by Ransen, seal Koku, 29/1:57,57 23/1:26,26 as Ashinaga, bent over on base, ivory seal form, stealing peach branch, ivory, by Rantei, 28/3:50,50 21/3:32,32 as Sambaso dancer, ivory, coral face, by and persimmon Ryomin, 29/4:48,48 eating, wood, ivory teeth, by Masanao (Ise), as Shinto priest, ebony, 33/4:37,37 32/3:50,50 at desk writing New Year’s resolutions, ivory, with branch of persimmons, ivory, by wood, uns., 29/1:22 Okatomo, 27/4:10 bending over to inspect foot, narwhal, by and object (fruit?), ivory, by Okatomo, Kaigyokusai, 27/4:17 28/1:38,38 doll, wood, by Masanao, 28/2:23,23 and pomegranate, stagantler, uns., 25/3:17,17 doll, stylized, ivory, 34/2:42,42 and pumpkin feeding a bear, ivory, 22/3:9 inside pumpkin, wood, uns. (attributed to grooming /scratching Toyomasa?), 25/1:21,21 grooming arm, wood, by Ichiun, 31/4:24 and rabbit/hare grooming left leg, peach branch underfoot, standing on back of hare, ivory, by Garaku ivory, by Okatomo, 33/2:45,45 (sig. shown), 24/3:57 scratching foot, ivory, 29/4:49,49 and siniu-like goat, ivory, 33/4:36,36 holding foot and tiger foot resting over hand, ivory, attrib. to monkey preening tiger’s ear, wood, by Kaigyokusai, 27/1:37,37 Toyomasa, 26/1:40,40 foot holding its arm, ivory, by Komei, 29/3, and turtle cove, 45 holding and feeding turtle, wood, by holding foot with both hands, wood, by Shugetsu, 29/1:58,58 Masami, 27/1:3 lifting turtle, wood, by Masakazu, wood, wood, by Tomochika, 21/4:54,54 34/1:52,52 holding gold branch overhead, ivory, by Weil, on tortoise, wood, by Tomokazu, 21/1:ibc 33/3:3 on turtle, ivory, by Okatori, 28/1:38,38 wood, possibly two-boy puzzle parody, on turtle, wood, by Tomokazu, 33/3:45,45 28/3:42,42 and wasp mask of, red lacquer, 26/1:41,41 stung by a wasp (a proverb), wood, obihasami, by Kokusai; 24/1:41,41 21/2:16,16 ojime, metal, by Nagatsune, 25/4:52,52 and young on base, trained, wearing jacket, narwhal, and peach branch, ivory, by Rantei, 27/4:18 27/4:52,52 on egg, with emerging tengu, wood, by Bazan, both grappling over branch, wood, uns., 26/1:42,42, 26/2:32 attrib. to Mitsuharu, 34/4:10 on lotus leaf, stagantler by Tokoku, 25/3:22 elder grooming young seated, looking right, ivory, by Kaigyokusai, ivory, by Kaigyokusai, 31/4:52,52 32/4:48,48 wood, by Masanao (Ise), 21/3:33 squatting, holding lower leg, wood, uns., 33/4:23 wood, Okatomo school, 22/3:11 shivering from cold, wood, by Bishu, 24/2:19 ivory, by Masanao (Kyoto) 23/4:29,29 standing, hand on shoulder, other covering groin, ivory, by Masatami, 24/2:47,46 ivory, uns., 29/4:34,34 stagantler, uns., 26/1:60,60

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standing, bending to the ground, ivory, by both asleep, ivory, uns. 21/1:56 Kangyoku, 22/3:42,42 ivory, by Yoshinaga, 30/4:48,49 swinging, ivory, 29/1:9 monkey’s hand on trainer’s cap, ivory, uns., (see also ape, snow monkey, Songoku) 32/3:24,24 monkeys* monkey stealing food, ivory, uns., 29/3:44; as Ashinaga and Tenaga, a parody, ivory, uns., 32/3:24,25 30/1:27,29 monkey stealing food, ivory, uns., 23/1:27,27 elder and two young seated playing with bee, wood, by Shuhaku, 21/1:19 trainer and monkey in reversed roles, elder chastising youngster, a second 33/4:37,37 youngster observing monkey holding sword, wood, 21/4:18,18 ivory, by Mitsuhide, 21/1:38; 28/2:48,49; monkey looking over shoulder, metal ojime, unsigned, 23/1:27,27 25/4:45 ivory, by Mitsuhide, 21/1:38 monkey pulling trainer’s ear, wood, by Miwa, group of monkeys 26/1:26,26 cutting huge gourd, wood, by Shoko, standing, monkey on shoulder 30/4:26,26 ivory, 27/1:45,45 inro by Inagawa w/seal Nakaharu, 29/1:53,53 ivory, attrib. to Insai, 21/2:17 two monkeys holding saber, uns., 34/4:16 eating persimmon, ivory by Okatori, monkey with peach branch, ivory, by 33/1:52,52 Yoshitomo, 26/3:38 huddled, sharing fruit, wood, by Masakazu, monkey with peach branch, ivory, by 34/2:51,51 Yoshinaga, 23/2:7 ivory, inscribed Okatomo, 33/2:38,39 monkey’s hand on trainer’s cap wood, by Masanao, 29/1:53,53 ivory, uns., 32/3:23,23 three monkeys wood, uns., 32/3:23,23 youngsters, wood, uns., 23/3:obc standing, monkey on shoulder/back fighting over a persimmon, wood, by ivory, Osaka school, 30/2:52,53 Toyomasa, 31/4:53,53 ivory, uns., 32/3:23,23 forming circle, ivory manju, 34/1:14,15 wood, uns., 32/3:cover, 23,23 four monkeys stacked vertically, ivory, wood, by Jobun, 22/1:23,22; 31/2:45,45; 21/2:25,25 33/4:37,37 seven monkeys, wood, by Tametaka, 23/1:25,25 Monroe, Dan, pictured 21/4:8 12 or more monkeys stacked upon each other, moon, full, significance of, 32/2:10 wood okimono, by Jiun, 22/3:57 moon* goddess. See Gatten (see also sambikisaru) moonscape, large size discussed, signed Masao, monkey doll (saru ningyo) 27/1:12,12 doll (saru ningyo), arms, legs, joined in front, Moreno, F monkey doll (saru ningyo), protector against “Netsuke in the Lanfranchi Collection of the illness, 28/2:23 Museo Poldi Pezzoli, Milan, by F. Morena, limbs meeting at center, abstract, wood, by 28/4:22 Miwa, 23/1:33,33 Mori*, rising snake, ebony, 34/1:49,49 wood, by Masanao (Ise), 28/2:23,23 Morikuni, Tachibana, illustrator-painter whose work monkey trainer* (sarumawashi) may be design sources for netsuke, 31/3:12,12 disguise for military spying, 33/4:37 Morimasa*, Handaka Sonja, dragon from alms monkey as the trainer, 33/4:37,37 bowl, ivory manju, 34/2:26,26 kneeling on one knee, monkey on back, wood, Morimitsu*, ebony snake, 24/3:15,15 by Sokoku, 31/2:44,44 lying on side resting/asleep, monkey on back

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Morimoto, Eiko and Setsuji, and daughter Yuki attendant applying moxa to Okame, 26/1:11,11 Hirano, pictured, 27/2:43; 29/3:60; 31/2:52; and man applying, ivory, uns., 26/1:11,11 Takaharu Hirano, 29/3:60 priest applying, wood, uns., 34/3:3 Morito and head of Kesa, by Shoko, 23/4:38,38 oni applying, ivory, by Okatori, 26/1:13,13 Moritoshi* Moy, Jeffrey, pictured 24/2:4; 25/4:62; 28/4:6 history, 23/2:18 Mudrovskaya, Galina, pictured, 32/4:8 Abe no Seimei and 9-tail fox, ivory manju, mugwort* leaves 33/4:42,42 about, 30/2:34 Onibaba and oni, ivory manju, 27/4:54,54 ingredient of medicine ball (kusudama), 30/2:40 Buddha Shaka, gold and ivory kagamibuta, by ingredient of moxa, 30/2:38 Isshosai, 23/2:18,19 association with Daoism and medicine, 30/2:35 Morse, Anne Nishimura, pictured 21/2:73 detailed images, 30/2:35,36 Moses carrying tablets, by G. Weil, 34/2:21,21 worn by various personages, mainly sennin, Moso*, paragon of filial piety 30/2:36,37 digging bamboo shoots, wood, uns., 25/3:38,38 Müller, Armin holding two shoots, ivory, 30/4:52,52 basket of fish, porcelain, 24/3:37,37 holding two shoots, wood, uns., 25/1:15,15 Chiyo-jo morning glory haiku, porcelain inro, lifting huge bamboo shoot, ivory, by 22/2:33, 36 Awataguchi, 32/3:26,26 frog in snowshoe, porcelain, 21/4:51 Moss, Geoffrey, 26/1:30, pictured 25/2:42,41,44 inro, ojime, netsuke, octopus, 26/1:44 Moss, Mr. and Mrs. Patrick, pictured 21/1:12 Munechika* and fox-spirit, by Shiomi Masanari, Moss, Oliver, pictured, 30/3:6 inro, 28/2:11 Moss, Paul, 23/1:14; 33/4:10; pictured 21/1:10, Muneyoshi*, dragon sculpture, 34/1:ifc 23/2:5, 25/4:59, 27/2:45, 30/1:10; 30/3:6; Munishige (Ichiyusai Muneshige), pipecase, 31/2:52 30/1:20 23/4:19,19 “Georges Weil Netsuke,” 22/3:44 Muramitsu* “But I Digress,” a column, subtitles: functioning clock on single case inro, a Mission statement, 23/2:16 collaboration, 29/4:39,39 Tanuki time, 23/3:10 Murray, Catherine, pictured 24/2:40 What to collect…, 23/4:39 musk cat. See jakoneko A netsuke by any other name would smell Museums* as sweet, 24/1:46 Asia Art Museum, San Francisco, 30/2:12 Critic’s corner, 24/3:28 Ashmolean Museum of Art and Archaeology, Night and day, 24/4:51 Oxford, 34/2:25 Voyage around my father, 25/2:40 Bristol Museum, England, 27/2:8; 34/4:6 Moss, Sydney, 25/2:40 Chicago Art Institute, 22/4:14 As Dreams Are Made On, Japanese Netsuke Ferenc Hopp Museum of Eastern Asiatic Arts, from the Willi G. Bosshard Collection, reviewed, Budapest, 22/4:58 28/4:60 Field Museum, Chicago, 21/2:19 Moss, Ruth, pictured 21/1:10 Fitzwilliam Museum, Cambridge, 27/2:8 mother* nursing child, ivory, 22/1:58,58 City Museum of History, 23/4:12 Mount Fuji, aogai, by Jugyoku, 26/4:39,39 Hamilton Gallery, 26/4:7 mountain*. See Horaisan, Mount Fuji Hermitage Museum, 27/2:47; 28/1:37; 30/2:8; mouse*. See rat/mouse 31/3:9 moxa* Holburne Museum, Bath, 32/3:4 Ashinaga applying moxa to Tenaga, wood, Japanese Art Gallery New South Wales, 26/4:9 23/2:51,51 Kakegawa Ninomaru Museum of Art, medicinal qualities, 26/1:11 Prefecture, 29/2:9 mugwort, principal ingredient of, 30/2:38

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Kiyomizu Sannenzaka Museum, Kyoto, 21/3:8 mythical* creature Kyoto Seishu Netsuke Art Museum, 28/2:31 standing, gold, by G. Weil, 34/2:18,18 Kyushu National Museum, Fukuoka, 32/2:9 standing, tsuishu, by G. Weil, 34/2:18,18 Linden Museum, Stuttgart, 28/3:28 stagantler obihasami uns., Anraku-style, Los Angeles County Museum of Art, 26/4:9 22/4:60,60 Mingei Int’l Museum, California, 24/4:6 (see also baku, suiko) Morikami Museum, 27/2:39 mythology, “The Power of Netsuke, 24/4:43 Musee Arts Asiatiques, Guimet, Paris, 28/4:30 Musee de Ennery, Paris, 22/1:47 Museo Poldi Pezzoli, Milan, 28/4:22 N** Museum of Fine Art, Boston, 21/2:73; 21/4:9; Nagamine, Takashi, pictured 26/1:9 23/4:10 Nagamitsu*, eight clams, interior carved, 23/4:44,44 Museum Tsuru, 22/3:12 Nagami* Iwao, centipede on boar tusk, 29/1:14,15 National Gallery of Victoria, 26/4:7 Nagami Tatsuoki (Ryuki), okimono bronze National Museum, Beijing, 31/2:25 rabbits, 33/4:ifc National Prehistoric Ethnographic Museum, Nagao, Mitsue, pictured, 27/2:45 Rome, 32/2:40 Nagatomo* Palace of Fine Arts, San Francisco, 21/3:4 smiling, balanced on one foot, ivory, 25/3:40,40 Pasadena Art Museum, 25/3:26 Nagatsune* Peabody Museum, Salem, 21/4:8; 23/1:15; monkey ojime, metal, 25/4:52,52 31/1:25 tiger, manju-style, metal, 25/4:52,52 Peter the Great Museum of Anthropology and Nagoya*, source of sleeping shojo, 23/4:16 Ethnography, 31/3:7 Nagoya/Gifu school Reimeikan Museum, Kagoshima, 33/1:24 an area of collecting, 23/4:41 Santa Barbara Museum of Art, 21/4:28 animal carvers, 23/4:41 Seattle Asia Art Museum, 22/2:60 Naito, Eizo, pictured 22/1:40,40 Seikado Bunko Art Museum, 21/1:15,42; Nakagawa, Tadamine, pictured 25/4:62 22/2:16 Nakamura, Tamiko, daughter of Masatoshi Takayama Museum of History & Art, 34/3:4 death, 22/1:68 Tikotin Museum of Japanese Art, Israel, 22/3:44 rabbit, 24/3:37,37 Tokugawa Art Museum, 23/4:11; 29/3:39 Nakaoji Moei, pheasants, inro, 34/2:30 , 21/1 Nakanoko Fukiko, doll maker, descendant of Toledo Museum of Art, 30/3:2; 30/3:55; 33/2:10; Nakanoko Kichibei, 25/1:35,35 33/3:2; netsuke installation, 33/4:12 Nakanoko Kichibei, 25/1:35 Victoria & Albert Museum, London 26/4:9; Nakasena Sonja holding begging bowl, wood, 31/1:45 uns., 34/1:6 (see also Handaka Sonja) World Museum, Liverpool, 29/1:8 Nakoro sennin and tiger, uns., 23/4:34,34 mushroom(s)* namazu*. See earthquake fish; map of earthquakes and ants, by Zeshin, 24/1:34,4 Namboku* cap and chrysanthemum, ivory, school of Rensai, sparrow, wood, 21/1:33 22/3:30,30 tengu no tamago, wood, 27/4:56,56 cap, and frog, ivory, by Rensai, 23/3:38,39 naminari* mask, wood, 29/1:51,50 group, woven cane, by Zeshin, human, ivory, insect overlay, 31/3:43,43 nanban* (southern barbarian) 21/1:20; 32/4:14 shunga, by Raku, ivory, 37 Chinese print, 33/1:32,32 two, with pine needles, wood, by Reisei, inro with colors of Russian lacquer wares, 22/1:50,50 31/3:20,20 musozutsu*. See pipecase inro with Western coat of arms by Koryusai, 32/4:14,14

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Nanboku*, 24/1:25 children’s 21/2:26 Nango Sanjin, green lacquer boar tusk, 23/1:38,38 Chinese influence, 24/4:15 Nanka, love letter wrapped, ivory, 26/3:11,11 cleaning, 26/1:12; 33/1:8 Nanko*, kneeling, inro by Tokoku, 31/3:47,47 created to appear from an earlier century, Nanryu* 29/1:23 Ono no Komachi, ivory, 22/2:31,31 damage, repair, what to look out for, ivory goat, Naoharu 34/4:44,44 Takatsuna on horse in waves on Uji river, with demand for, 29/1:25 Sasaki clan mon, ivory manju, 34/2:53,53 design sources in illustrated books (ehon), Naokazu, Yuai seated upon coins, ivory, 23/1:52,52 31/3:12 Naoaki*, two dolls, ivory, 28/2:23,23 designs made to appeal to foreigners, 30/4:23 Naomasa* (seal of Kogetsusai) early tall netsuke, 31/4:22 Naomitsu*, Tadatsune astride boar, ivory, evidence for some tall figures carved in Kyushu, 21/3:38,38 33/1:14 narwhal* evaluating, 22/1:64 history, facts, and uses in netsuke, 27/4:14 evidence of wear, 21/3:31 netsuke carvings made from, 27/4:17 export pieces, 24/4:39; 30/4:23,23 showing off the material, 27/4:19 first signed netsuke, 31/4:22 “Narwhal and the Wedded Rocks of Fatami,” by R. in Edo Japan, 25/3:46 th Rudolph, 26/2:38 katabori on 17 C screen, 22/2:19,18 nasubi. See eggplant medium for satire and sexuality, 21/1:37; Natsuki* 23/3:22 grooming hind leg, 25/4:46,47 misidentifying subjects, 33/1:6 Koko sennin resting in alms bowl, ivory, models copied, 22/1:12 34/1:12,12 on bases, design elements, 30/4:23 reclining horse, wood, (sig. shown), 33/1:40,40 paring with inro, 32/2:10 shishi grooming paw, ivory, 23/2:57,57 poetry represented in, 22/2:27 Natsuo*, 25/3:51 positioning on obi, 21/3:3; 21/2:2 bamboo, reeds, metal kagamibuta, style of Kano sashi-wheel, predecessor of katabori, 22/2:19,18 Natsuo, 34/4:42,42 types of, 25/1:54 clasp on pouch, inscribed and dated, with Soko size preference, 22/3:15 netsuke, 29/4:40,40 size dictated by fashion, 27/1:11 hibiscus poem, ojime, gold, 22/2:36,37 (see also authenticity, contemporary netsuke, snake, wood ojime, 31/2:42,42 prices) tobacco pouch, 22/3:14,14 Netsuke by Albert Brockhaus, reviewed, 25/2:50 Naunton, G. H., 28/3:24 Netsuke, by Dr. Mircea Veleanu, reviewed, 28/2:58 Nayar, Dr. and Mrs. Gopi, pictured, 31/2:52 Netsuke, 100 miniature masterpieces from Japan, by neck wrestlers* N. Tsuchiya, reviewed, 34/3:55 ivory, by Masatoshi, 21/4:ifc Netsuke 7, by A. Katchen, reviewed, 30/2:55 netsuke* netsuke artists appeal as keepsake, 30/4:22 copying master’s work, 26/3, 37 allusions and parodies, 30/1:24; 30/2:23 dealing with inferior work, 28/4:25 as talisman, 21/1:34; 31/4:12 from Hosokawa han, 33/1:27 as wedding gift, 22/2:12 from Satsuma clan, 33/1:26 buying on-line, 24/1:30 lack of information about, 28/3:35 carried by mail couriers, 22/2:22 signing other artists’ names to netsuke, 26/2:42 change in emphasis on function, 24/1:18; student signing master’s work, 28/4:26; 29/3:39 26/3:26; 30/4:22 social status, 28/4:25

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“Netsuke Basics from A-Z” “A New Year’s Gift,” an inro with one of 12 Subjects: surviving poems by Ma Huaisu, 29/2:26 Ama, anabori, antler, Ariomaru, Asakusa school, Newman, Valerie, pictured 21/1:10; 21/4:16; Ashinaga, autumn grasses and flowers, 27/3:58 27/2:39 Blind men, 27/4:62 “News from Japan,” intermittent column by N. Cats, 28/1:28 Watanabe, topics: Dolls, 28/2:23 Exhibitions at Tokyo National Museum and Seikado Elephant, 28/3:12 Bunko Art Museum, 21/1:14 Fukusuke, 28/4:42 25th anniversary publication of Nihon Netsuke; Grapevine, 29/1:38 Tomokazu Signatures, 21/2:12 Himotoshi, 29/2:50 Exhibition at Kiyomizu Sannenzaka Museum, Ivory, 29/3:42 21/3:8 Jittoku & Kanzan, 29/4:14 Yoshimura Shuzan, 22/2:14 Long legs (Ashinaga), 30/1:34 Exhibition in Yokoyama; size of netsuke, Mugwort, moxa, 30/2:34 22/3:15 Nuts (walnut, vegetable ivory), 30/3:28 Exhibition in Nagoya and Boston 23/4:10 Okimono, 30/4:22 Nieto, Jim, pictured 21/2:5; and Evelyn, 21/3:4 Paragons, 32/3:26 Nikki Danjo*, with scroll and rat, by Hideyuki, Rishi (sennin), 32/4:26 21/4:ifc Tanuki and tengu, 33/1:42 Nikkosai* Urashima, 33/2:22 period worked, 23/3:46 Watanabe no Tsuna, 33/3:22 two poets of the rokkasen, inro, 23/3:46,46 Yoshitsune, 33/3:23 inro, birds of prey, 28/2:43,44 Zodiac, 33/4:28 Nikolova, Tatiana netsuke carvers’ ranking chart, 21/1:16 “Affiliation between Japanese Netsuke and Carl “The Netsuke Carvings of Jobun,” by M. Stratos, Fabergé’s Works,” 27/2:47 22/1:14 “Survey of the Hermitage Museum’s Netsuke “The Netsuke of Natasha Popova,” by R. Nursey, Collection,” 28/1:37 28/1:43 ningyo*. See mermaid “Netsuke: Fantasy and Reality in Japanese ningyoo.* See doll Miniature Sculpture, by J. Earle (reviewed), nio* (temple guardians) 22/2:51; 22/3:7; 28/4:25 described, 30/1:15; 33/1:12 Netsuke: The French Connection (reviewed), Hindu , Japanese counterparts Kongo 21/1:54 Rikishi and Misshaku, 26/3:19 Netsuke: Japanese Miniature Carvings, Collections and oni in Kawazu throw, wood, 27/1:34,34 of the Ferenc Hopp Museum of Eastern Asiatic and temple cleaners, wood, by Soko, 30/4:44,45 Arts, Budapest, by E. Czeh (reviewed), 22/4:58 carrying Benten, parody of ikkaku sennin and The Netsuke Art of Kinoshita Collection, reviewed, harlot, ivory, uns., 33/1:12,13 29/3:53 hauling big canister inscribed ‘peace’, geta in “The Netsuke of Hakuunsai II,” by M. Bernstein, hand, wood, 34/4:48,48 24/4:36 lifting heavy mortar, ivory, by Ikkosai, “The Netsuke of Miura Yoshinaga,” by M. Stratos, 33/2:40,40 31/1:10 repairing sandal, wood, by wood, by Miwa, “Netsuke on $5 a Day #7: To E-Bay or Not to E- 31/4:23 Bay,” by R. Goode, 24/1:30 two, arm wrestling, by Higo Daijo, Netsuke Subjects Addendum by K. Schwarz 22/3:19;23two, inro by Toyo, fashioned from (reviewed), 21/4:52 at Todaiji, 26/3:21,21 “Netsuke that Could Only Be Contemporary,” by J. wood, by Rokko, 26/3:14 Klotz and P. Lieberman, 26/4:52

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Nitta no Shiro* (Tadatsune) Beyond netsuke and sagemono, 26/1:49 story of, 32/3:8 Dogs, 26/2:52 astride a wild boar nue* ivory, uns., 22/2:56,56 crouching, wood, 30/4:53,54 ivory, uns., 31/3:cover,12,12 crouching, wood, by Umetada, 31/4:47,47 ivory, by Kaigyokusai, and design source, reclining, looking back, ivory, attrib. to Garaku, 31/3:12,12 32/4:47,47 Yorimoto trampled underneath, ivory, by numbers in Japanese and Chinese art, 23/3:44 Naomitsu, 21/3:38,38 Nursey, Ross, pictured, 27/2:41 descending into cave, ivory ryusa manju, “The Netsuke of Natasha Popova,” by R. 22/2:56,56 Nursey, 8/1:43 inro, by Masanobu, 32/3:8,8 nut* Nitta Yoshisada, praying, kagamibuta, uns., ginkgo nuts, by Tadayoshi, 24/2:48,48 25/1:54,55 ivory group of, by Kaigyokusai, 24/2:48,48 Niwa*, 31/4:23 tagua nut as netsuke material, 30/3:36,34 Nobuchika* nyo-i scepter seven rats, ivory, 30/2:53,53 meaning, 25/2:17 Nobumasa* sandalwood, by Gyokkin, 25/2:17,16 marine ivory kudan, 24/3:27,27. Retracted in Vol. 25/1 as not by Nobumasa, 24/3:27,27 O** Noh* theater, 21/4:18 O’Brien, Mary Louise, A Guide for Collectors, multiple selves in, 21/4:30 22/1:55 dancer, wood, in ivory mask of Jo, 24/1:38,38 obiguruma. See sash-wheel dancer, wood, Mitsuhiro, 29/1:56,56 O-, 26/3:53 mask of Beshimi, wood, ivory eyes, by Deme octopus* (taco) Uman, 28/1:41,42 legends associated with, 24/1:16 Nomura, Chieko, pictured, 30/2:8 Ariomaru, struggling against, wood, by Nordskog, Elinore Itsumin, 21/3:38,38 pictured, 31/2:50 as Oni no Nembutu, a parody, 30/1:27,30 collection catalog, 30/4:31 and fisherman death, 34/1:55 struggling, wood, by Jugyoku, 21/3:27,27; Norichika, wasp nest, wood, 21/1:51,51 24/1:16,16 Norishige, tattooed brigand, ivory, 21/2:67 struggling, pot, ivory, uns., 30/3:51,52 “Notes*,” column by N. Davey and fishes Topics : and crawfish, ivory, by Mitsuhiro, 28/1:39,40 Meinertzhagen letters, 21/1:59 and sea bream in bowl, wood, 23/1:20,20 Fakes, 21/2:68 ivory, by Kaigyokusai, 21/3:40,40 Mitsuhiro’s Takarabukuro, 21/3:48 rounded rectangular ivory, by Ikkosai, memories of early career, 21/4:71 25/1:14,14 Evaluations, 22/1:64 two octopuses capturing fish, 24/3:8,8 Ojime, 22/3:55 wood, by Kaigyokusai, 33/1:55,55 Visit to Seattle, 22/2:60 and monkey Goats, 23/1:53 octopus in jacket, standing over monkey, Chikuyosai Tomochika, 23/2:38 wood, by Miwa, 33/2:30 Numbers represented in art, 23/3:44 capturing monkey, ivory, 24/3:8,8; Numbers, cont’d, 23/4:44 30/4:53,54 Medium-priced netsuke, 24/2:45 fighting monkey, wood, by Masachika, Nihon Netsuke Kenkyukai, 25/2:47 27/1:32,32

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wood, signed Tou (Tsuchiya Yasuchika), Part 1, 23/2:23; Part 2, 23/3:20 33/2:30 Oguri Hangan, association with horse, 22/2:15 and octopus pot Oharame* a parody of Anchin and Kiyohime, ivory, firewood sellers, 28/1:13 uns., 30/1:27,29 woman seated on firewood bundle, lighting pipe, inside pot, ivory, horn, by Rantei, 27/2:55,55 wood, signed Komin, 28/1:13,13 inside pot, by Yoshimasa, 31/4:33 Ohashi, Robert and Marianne, pictured 22/2:4 escaping, iron, 32/4:28 Ohinata* escaping, wood, by Sangetsu with kao, kirin, human face, hands on hips, wood, 33/1:55,55 27/3:65,65 peering over rim, wood, ivory, by Miwa, Ojizo-san, protector of travelers holding sphere, 30/3:obc ivory, 22/3:42,42 struggling with diver, ivory, uns., 30/3:51,52 oil* thief*. See Tadanori two octopus, one outside overturned pot, by Oiwa* (lantern ghost) Ikkyu, 24/1:29, 29/4:35,35 holding child and seaweeds, stagantler, by Kokusai, 28/1:42,42 ivory, 33/3:50,50 as repentant oni, by Hidemune, 21/1:41,41 ivory, by Yoshihiro, 29/1:ibc family and chimera, attrib. to Hakuunsai II, frightening man, wood, ivory inlay, by Tokoku, 24/4:40,40 30/4:53,53 fan dancing, stagantler, by Kokusai, 21/4:48,48 holding severed head, uns., wood, 32/4:47,47 in reed basket, ivory, Toshitsugu kakihan shown, lantern head grotesquely formed, wood, by 34/3:17,17 Sansho, 31/2:41,41 negoro lacquer, by Gyokuzan, 24/1:cover,16 tall, ivory sashi, by Masatoshi, 33/3:ibc on clamshell, allusion to an ama), ivory, by wood, by Toriusai Kozan, 25/4:51,51 Hidemasa II, 34/2:50,50 ojime* opening clam, ivory, attrib. to Mitsuhiro, materials, 22/3:55 21/3:37,37,;48,48 Gordon Harvey collection, 22/3:55 Orochi, 8-headed serpent, 31/4:12,13 necklace, 23/2:55,55 with wind instrument, riding a mule, ivory, tall, 27/1:36,36 Okada, Barbra Teri, memoriam, 32/2:60 standing Okakoto* wood, by L. Sloggett, 23/1:48,48 archer, ivory, 30/2:52,52 huge head, from warthog tooth, 30/1:55,56 goat, one hoof on branch, ivory, 25/1:17,17 tentacle around forehead, stag angler, uns., Hotei and two karako, ivory, 29/1:60,60 22/3:37,37 monkey restraining a horse, ivory, 22/4:60,60 stylized, ryusa, stagantler, by Koku, 30/4:54,55 oni and gaki wrestling on a lotus, ivory, tying chef’s bandana to head, wood, by Shuya 23/1:18,18 33/2:31 STIO rat grooming paw, ivory, 32/2:48,48 teapot on head, walrus ivory, uns., 33/2:31 rat grooming tail, ivory, 23/3:42,42 tentacles gathered underneath head, compact, shishi, paw on ball, ivory, 31/2:48,48 wood, 30/1:57,58 tiger seated, paw raised, ivory, 31/1:24,24 tentacle on head, ivory, 34/1:46,46 Yama Uba carrying Kintoki, ivory, 28/1:53,53 wearing kimono/jacket Okame* stirring mochi, wood, by Miwa, 24/3:10,10 confused with Buddhist priestess, 26/1:45 working as an artisan, by Jobun, 24/3:12,12 and huge mushroom between legs, wood, small monkey at feet, wood, by Miwa, 33/4:42,43 26/4:41,41; human-like by Miwa, 26/4:42,42 and 9-tailed pup; parody of 9-tailed fox, ivory, (see also Ariomaru, Otohime, squid) by Gyokusai, 28/1:ibc “The Off-Broadway Collector,” by G. Wilhelm and rat, shunga

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ivory, uns. Kyoto, 31/2:7,7 wood, by Jobun, 22/1:24,24 wood, by Shuzan, 34/1:48,48 rat escaping from Okame’s robes, wood, by nursing a child, ivory, 24/1:36,36 Hidemasa, 34/4:ibc nursing infant, wood, by Minko, 30/4:30 wood, by Hidemasa, 31/2:7,7 shaving head of Fukurokuju, wood, by Sosui, and tengu mask 29/4:37,37 snuggling giant nose of clothed, tengu mask, shunga by Hoen, 23/2:51,51 ivory, 25/1:17,17, 28/3:50,50 setsubun; looking out window at scurrying oni, stroking nose, ivory, by Rantei, 26/1:28,28 33/3:30 stroking nose, ivory, by Hakuunsai, toweling after bath, ivory, shunga, by 27/4:55,55 Tomochika, 27/4:56,55 stroking nose, wood, 30/4:54,55 (see also Otafuku, Okuni) stroking nose, ivory, 23/1:18,18 Okanobu*, Hotei with child inside robe and on wearing phallic mask, and karako, wood, by shoulder, ivory, 29/4:33,33 Tokoku, 31/3:3 Okatomo* as Botticelli’s Venus, wood, by Sansho, carp and waterwheel, ivory, 25/4:50,50 32/1:cover; 32/1:23 boar as roly poly Daruma, on base, ivory, by asleep on leaves, ivory, 32/2:57,57 Masahiro, 22/3:28,28 bent leg, ivory, inscribed (sig. shown), 27/1:5 bathing, drying after bath, hairdo like large bean, running, ivory, 33/2:45,45 allusion to Setsubun, 33/4:42,42 cockerel, ivory, 29/4:47,47; 33/4:38,38 breast feeding infant, ivory, 27/1:43,44 cockerel on branch, 30/3:50,50 dancing dog wood, 24/4:47,46 and spinning top, 22/1:9 wood, by Kokeisai Sansho, 26/1:35,35 and venison, ivory (sig. shown), 26/2:55,55 lacquered, by Komin, 23/3:40,40 seated, ivory, 21/1:41,41 dipping finger into bowl, wood, ivory, by two, both with fancy collars, ivory, Tokoku, 30/4:44,44; 32/2:48,48 23/4:25,25 dressed as prostitute, wood, by Masanao paw on ball, ivory, 31/4:53,53 (Kyoto), 26/1:42,42 wild, reclining, chewing on deer leg, fixing hair, wood, attributed to Masanao 27/1:39,39 (Kyoto), 26/4:17 wild, with crab, ivory, 32/1:44,44 gold and colored lacquer, Koma Kansai, 24/4:21,21 deer her head shaped as hako (box), ivory, black doe and fawn, ivory, by 21/3:43 lacquer, by Tanaka Yosei, w/inscription, stag baying, ivory, 21/2:ibc 26/4:39,39 stag reclining, looking back, ivory, holding mushroom, giggling, 32/2:55,55 27/3:52,52 holding sake jar aloft, wood, 31/2:49,49 goat, reclining, ivory, 23/1:55,55 licking finger, harikata underneath, ivory, horse, ivory, curled within /wood kagamibuta, shunga, 28/2:54,54 22/1:54,54 mask kirin reclining, looking back, 33/3:43,43 carved inside box, by Toshu, meaning of, monkey 26/3:10,10 grooming young, wood, school of, 22/3:11 in basket, and frog, meaning, 26/3:10,10 two, ivory, inscribed Okatomo, 33/2:39,39 ivory, by Soko, 21/2:23,23 with gourd, ivory, 29/4:50,50 ivory, by Soko, signature compared to with object, ivory, 28/1:38,38 tomobako, 29/3:37,37 with persimmon branch, ivory, 27/4:10 two-part manju, ivory, uns., 29/2:30

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with peach branch, grooming, ivory, oni applying moxa, ivory, 26/1:13,13 3/2:45,45 two, with persimmons, ivory, 33/1:52,52 Ono no Komachi* rabbit/hare as ghost, with grave post, skull, ivory, by ivory, 22/3:21; 24/3:18 Bunshojo, 29/3:19,19 wood, 24/1:37,36 as old woman, standing, giant hat, staff, rat basket, ivory, 23/1:ifc on millet, ivory, 32/2:54,54 as old woman, wood hooded cloak, ivory face on millet, wood, 33/4:29 and hands, 28/2:48,48 two, ivory, 28/1:11 ox shishi and herds boy, ivory, 33/4:29 crouching over ball, ivory, 32/4:32,33 ivory, 21/1:48 48; 25/4:53,53 climbing onto large ball, ivory, by Okatori, quail and millet 34/3:13 and two young, ivory, 34/1:47,47 tiger inscribed(?), inro, 23/2:57,57 and two cubs, elder playing with one, ivory, two, ivory, and design source, 31/3:15,15 31/4:50,50 two, ivory, 33/3:40,40 eating bamboo, ivory, 24/4:11,11; 30/2:54,54 rabbit/hare grooming paw, ivory, 21/2:16,16; 23/4:19 hare and mushroom, ivory, 22/3:24 grooming hind paw, ivory, 26/4:50,50; rat 31/1:55,55 eating candle, ivory, 25/4:52,52 Okazaki, Akinobu, pictured 23/2:9 on shogi, wood, by Ikkan (sig. shown), okimono* 28/4:16,16 netsuke-okimono evolution, 34/3:16 two, and candle, ivory, by Okatomo (sig. examples of 34/3:17-25 shown) 28/4:16,16 netsuke carved as, 30/4:22 with bean pod, scratching cheek, ivory, fisherman, wood, adapted into netsuke, 26/2:28 28/2:ibc patterns matching inro designs, 31/1:48 Tadamori and oil thief, ivory, signed Tomotada, attrib. to Okatomo, 31/1:obc “Okimono - What a Passion!,” by G. Rimondi, 34/3:16 tiger Okina mask, ivory, by Hojitsu, 25/1:16,16 and cub, ivory, 23/4:27,27 Okinawa. See Ryukyu grooming hind leg, ivory, 34/1:7 Okinawan gentleman, ivory, by Masatoshi, 33/2:5 reclining, snarling, ivory, inscribed, 28/4:41,41 Okita, Itsuko, pictured, 29/3:60 tortoises on lotus, ivory, 29/1:57,57 Okuni* wolf story of, 27/1:12 and crab, ivory, 23/2:37 lacquered wood, uns., 27/1:12,12 with shell, wood, 34/4:47,47 performer, wearing sash-wheel netsuke, print, 23/2:25,26 with severed arm, ivory, 33/3:23,23 performer, fan, lacquered wood, uns, 27/1:12,12 Okanobu, ox, 23/4:25,25 pregnant and suicidal, wood, uns., 31/2:30 Okatori* Okuno, Hidekazu, 22/2:15 dog/pup pictured 23/3:8 dog grooming hind paw, ivory (sig. shown), 26/2:54,54 “Tonkotsu: Meaning of the Word,” 26/4:30 dog balancing on ball, ivory, 32/1:33 Olson, Jeff, pictured, 29/3:60 pup with awabi shell, ivory, 28/3:42,42; Omin* 30/1:23; 32/4:25 pipecase with Shoki, , and kappa, green monkey ivory, signed Omin, seal Nagai, 26/1:25, 25 and turtle, ivory, 28/1:38,38 Omori* Hikoshichi and demon

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demon pulling Hikoshichi’s hair, ivory, by in Buddhist pose on base, ivory, uns., 31/3:37,37 Otoman, 28/3:30,31 Kawazu throw with nio, wood, by Shugetsu, demon on Hikoshichi’s back, ivory, 31/2:46,46 23/1:21,21 frightened by demon, ivory, 25/4:52,52 making bekkanko sign, wood, 32/4:32,33 ivory, by Otoman, 28/3:30 mask of struggling, ivory, by Hokyudo Itsumin, 26/1:33 hornbill, 26/1:38,37; 29/4:ifc oni*(demon) mask in metal, worn by woman in wood robe, described, 24/2:61 by Yasuchika, 31/2:34,34 severed arm, story of, 23/3:9 mixing mochi, ivory, by Masaka, 30/4:ibc and gaki wrestling on lotus pulling large himotoshi cord, wood, 28/2:54,54 ivory, by Okakoto, 23/1:18,18 ojime, metal, 25/4:45,45 ivory, by Sensai, 29/2:57,57 on shoulder of man, tall ivory, uns., 25/4:54,54 and Idaten, wood, uns., 28/3:9,9 polishing mokugyo, ivory, by Tomomasa, and Idaten(?) stealing jewel, ivory, 28/3:50,50 22/4:56,56 and nio in Kawazu throw, 27/1:34,34 rain dragon subduing by, stagantler, square manju, 28/2:51,51 and Onibaba, ivory shishsiabori manju, by Moritoshi, 27/4:54:54 reclining on side, head resting in hand applying moxa, ivory, by Masaka, 26/2:60,60 ivory, uns., 26/1:cover, 26/2:59,59; 30/4:10,10,11 at Setsubun ebony, 30/4:10,10,11 wood, by Masakazu, 24/1:40,40 repentant wood, by Soko, 30/2:54,54 wood, by Kyokusai, 21/2:22,22; 22/4:54,54 wood, by Sukenaga, 24/2:61,61 wood, attrib. to Minko, 24/2:61,62 carrying reliquary, signed Masanao (but attrib. to Hidemasa), 24/3:obc running, both hands forming himotoshi, wood, uns., 34/4:28 carrying reliquary, ivory, by Shugendo Masayuki, 29/2:14,14 samurai’s hat for scrap iron, symbolism explained, ivory, by Tomochika I, 26/2:29,29 carving mask, ivory okimono by Gyokuichi, 34/3:19,19 shining huge shoes, ivory okimono by Gyokuzan (sig. shown), 34/3:19,19 courier, by Gensai, story of, 23/3:36,36 squatting, grimacing, wood, 30/1:59,59 cradling small figure, dark fruitwood, ivory horns; 30/4:12,12 struggling with upside down Okame mask, wood, 21/4:29,29 crying over severed arm of Rashomon demon, ivory, by Otoman, 32/4:53,53 wearing gong, holding ju-i, ivory, by Chuko, 22/4:56,56 dressed as samurai, holding folding lamp, wood, by Kameyama, 28/2:34,35 wearing Okame mask, wood, by Deme, 34/4:28 head of, wood, by Zanmai, 28/4:4 wearing straw cape, ivory, 23/1:24,24 hiding with account book, wood, by Masasada, 30/3:24,25 behind mask of Shoki, ivory, 21/4:cover, 29,29 with Daikoku’s mallet, ivory, 30/4:54,55 behind screen, wood, by Masanao, human, with spiked club, black negoro, 24/4:21,21 ivory, insect overlay, 31/2:45,45 (see also devil) kanabo behind back, a proverb, stagantler, oni no nembutsu uns., 28/1:12 carrying woman, and dog, ivory by Koku or under large hat, wood, with beans of various Tani, ivory, 30/49,49 materials, by Soju, 28/2:32 repentant, wood, by Meikei, 30/1:27,30 holding leaves, lacquer wood and gold, wood temple sculpture, 24/2:34 30/1:56,56 wood, by Kyoku-o, 24/1:45 holding rabbit, by L. Sloggett, 23/1:45,45; oni yarai. See Setsubun 24/4:43,43 Onibaba*

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and oni, ivory manju by Moritoshi, 27/4:54,54 daughter of Ryujin, 24/1:14 onna (female) legend, 33/2:22 mask, ivory, by Yoshiyuki, 29/1:51,51 wife of Urashimataro, 24/1:15 mask, wood, with kakihan, 29/1:51,51 Otoman* (see also woman) association with Bokugyuken Toshiharu, 26/1:32 Onna* Daruma, 26/2:34 association with Toshiharu, 25/1:35; 26/1:41 face and hand, manju style, attrib. to Kokusai, interpretation of name, 24/1:48 22/1:59,59 living descendants, 25/1:40,40 ivory, manju style, 22/1:59,59 pupils, 25/1:41 reclining, ivory and ebony, by Shuman, 21/1:55 sig. shown, 24/1:48 a woman as Daruma, a parody, ivory, by Asahina no Saburo neck-wrestling with an oni, Koryusai, 30/1:28,30 ivory, 22/4:33 (see also Daruma) Asahina and Soga no Goro, ivory, attrib. to, Ono, Masahiro, pictured 26/1:9 33/2:48,48 Ono no Komachi* cockerel and hen on woven mat, ivory, 21/1:4,4 story of, 29/3:18 goats, two, ivory, 22/1:53,53 ivory, by Nanryu, 22/2:31,31 Kinko on carp, ivory, 22/4:32 as old woman, wood, ivory face and hands, by Omori Hikoshichi and female demon, ivory, Komin, 28/2:48,48 28/3:30,31 as young woman, serenaded by court poet, oni crying over severed arm, ivory, 32/4:53,53 29/3:18,18 pup, paw on ball, ivory, 31/4:53,53 seated on grave post, wood, signed with a shojo leaning on sake jug, ivory, 27/1:38,38 kakihan, 27/1:34,34 Songoku, ivory, 33/3:53 seated on log tengu, hatching, wood, 29/3:ibc wood, 23/3:49 tiger, ivory (sig. shown), 25/1:41,41 with staff and basket, ivory, by Anraku, wolf and skull, ivory, 23/1:29,29 28/3:obc Outlaws of the Marsh (Water Margin), tale from, with bamboo staff and basket, ivory, by ivory manju by Kosai Moritoshi, 34/2:28,28 Okatomo, 23/1:ifc owl* Ono no Tofu* holly wood, by L. Sloggett, 23/1:51 balanced on one geta, drawing umbrella in cage, wood-metal kagamibuta, uns., ivory, by Kigyoku, 34/4:34,34 26/1:61,61 ivory, by Anraku, 30/1:27,30 ivory, by Tami, 22/3:40,40 hand inside umbrella, ivory, by Meigyokusai, on branch 28/3:23,22 and two movable owlets, by Tomokazu, under willow tree, holding umbrellas, ivory 24/3:14,14 square manju, 34/2:28,28 and two movable owlets, wood, signed, O’Rourke, James, pictured 24/1:9; 30/1:10 and 34/4:46,46 Betsy King, 2/2:4 wood, attrib. to Ikkyu, 29/1:50,50 Osher, Barney, 25/3:31 wood, by Ikkyu, 24/1:29; 29/4:49,49 oshidori. See duck wood, uns., 24/1:32,32 Oshikyo* playing flute, and Okyo with uchiwa, ox* (ushi)/bull ivory, uns. 26/4:11,11 and boy Otafuku* boy holding rope, basket nearby, ivory, by mask, ivory, by Hidemasa, 21/2:23,23 Kaigyokusai, 21/3:42,42 with huge tengu mask, wood, 22/4:58,58 boy playing flute, by Yoshikazu, 22/4:56,56 (see also Okame) boy playing flute, ivory, uns., 25/1:60 Otohime* and goat and octopus, ivory, uns., 22/2:21

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ivory, by Kaigyokusai Masatsugu, 26/1:36,36 red lacquer inro, by Masanari, 32/4:44,44 wood, by Masayoshi, 29/1:59,59 “Taming the Wild Bull,” by E. and H. Kress, and herds boy 28/4:28 symbolism, 28/4:28 (see also buffalo, cow) on base, ivory, by Anraku, 30/3:16,16 Oyura manhandled by Kuranosuke, story of, 29/3:17 and bull, parodying steps to enlightenment, Ozaki, Isaku, grandson of Kokusai, 31/2:10 print, 28/4:28,28 and Mrs. Ozaki, pictured 23/1:6 herder attempting to mount ox, ivory manju, P** 34/2:27,27 Parks, Doris and Ed, pictured 23/3:55 herder resting on back of, ivory, Yoshitomo, memoriam for Ed, 34/1:54 33/3:44,44 parrot*, wood, 26/4:46,46 herds boy holding rope Passaro, Ray, pictured 21/3:4 ivory, attrib. to Garaku, 33/4:47,47 pavilion in landscape, umoregi, by Horaku, 2/4:obc ivory, by Okatomo, 33/4:29,29 peach* ivory, inscribed Tomotada, 26/1:57,57; attribute of Tobosaku, 23/3:45 ivory, by Tomotada (sig. shown), 33/2:23 Kyosenhei as tengu-no-tamago, emerging from, etched on boar’s tusk in shishsiabori, Iwami wood, by Toyomasa, 24/2:24 school, w/, 23/1:38,38 Pearson, Pamela Stewart, pictured, 27/2:43; 29/3:58 led by Sofu, on base, wood, 28/4:41,41 Peleg, Les, pictured 22/3:6 man and ox on base, wood, Anrakusai, pelican, ivory, by G. Weil, 34/2:20,20 32/2:26,25 pens, lacquered, 21/2:46 man hiding in belly of, ivory, Tomotada school, 22/2:55,55 “Pocket Masterpieces: Japanese Lacquered Pens,” by D. Pepper, 21/2:46 reclining peony* blanket with kanji reading dragon or star, metaphor explained, wood, by Kashu, and buds, wood, by Kyokusai, 28/4:40,40 33/4:31,32 blossom, ivory, by Kyokusai, 32/4:49,49 head resting ground, ivory, by Masanao king of flowers, 29/2:37 (Kyoto), 31/4:50,50 netsuke-ojime set by Ikku, 25/4:55,55 looking ahead peonies in Ming vase, seal, 23/3:28,28 ebony, by Tomiharu, 29/1:55,55 peony spray and butterfly, Shibayama, wood, by Masakazu, 28/2:55,55 28/1:57,57 ivory, by Okatomo, 21/1:48,48; Pereda, Anthony, 21/3:4; pictured, 29/3:58 25/4:53,53 memoriam, 33/2:57 looking back, wood, signed and dated by Perry, Amy and Otis, pictured, 27/4:5 Toyomasa, 32/4:39,39 phoenix* bird (ho-o) looking to side symbol of virtues, 22/2:13 ivory, by Tomotada, 25/1:19,19; coiled, wood, ryusa manju, by Toyomasa, 26/4:37,37 26/4:44,44 ivory, by Kaigyokusai, signature shown, formed as incense burner, silver sculpture by 34/4:5 Shohei, 34/4:ifc slightly turned, lowered, ivory, by tortoiseshell box, by Hogetsusai Fujjiwara no Tomotada, 30/4:48,48; 31/4:29 Masaaki, 27/2:ifc wood, by Sukenaga, 33/2:43,43 with peach and character meaning longevity, looking up, wood, by Harumitsu, 31/3:53 ivory, 23/4:16,16 rising or settling, ebony, by Minko (sig. shown), photographs of old 19th C Japan, 34/3:50 28/4:16,16 physician*. See doctor standing, looking to side, wood, by Tomotada, pilgrims in Nara temple pillar, wood, by 27/1:38,38 Masanao, 25/1:OBC

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Pincus, Roberta, 25/4:41 Waterlogged Misconceptions; Jigoku Dayu pine, bamboo, plum, symbolism, 22/2:13 (Courtesan of Hell); Horse of a Different Color, pine cone* 26/2:30 cluster, ivory, by Ryugyoku, 30/2:50,50 Unmasked; Playing Games; Made for the East, Misinterpreted in the West; Insect Decides, interior carving, ivory, by Kaigyokusai, 26/3:53 23/4:36,36; 32/2:47,47 porter* ivory, by Mitsuhiro, 25/3:36,36 dancing Tokaido road porter, wood, by Shojusai, pine* tree, designs on inro traced to 17th C Vol. 25/1:16,16 Platt, Nigel, 32/3:4; 31/3:55 smiling, black wood, 21/2:22,22 “Jugyoku Shirauo,” 30/:47 Portuguese* “Yoshitomo and Fukusuke,” 31/1:25 traders, 25/4:18; 32/4:14 “The Goat,” 33/3 traders, inro by Yoyusai, 32/4:43,43 plover* in clouds dandy tipping hat, by Ryushi, 25/4:IBC and moon, ivory, by Mitsuhiro, 22/2:34 man tying sash, ivory and horn, 28/4:23,23 ryusa manju by Rensai, 24/1:21,21 see also foreigner moon, ryusa manju by Jugyoku and Yoshi--, post* for tying horses, and netsuke fashioned after, 31/2:28,29 31/2:24 plum* blossom, ivory, by Hideyuki, 28/3:11; Postal, Susan Abel, pictured 21/4:9; 33/2:37 30/4:52,53 pouch*, lacquer, by Tatsuke, 23/2:20 Plunkett, James “The Power of Netsuke: How Netsuke Impart pictured 23/4:26 Myths and Why It Matters,” P. Lieberman, “Encounters,” 23/4:26 24/4:43 poem* Powers, Danny, 21/2:6 8 views of Oumi Hakkei on boar tusk by Gansui, prawn. See shrimp. praying mantis 27/3:8,8i rendering by Bob Sanderson of Gyokkin, Book of Songs, 22/3:18 25/2:cover on stagantler, uns., 25/3:19 sashi, wood, 25/2:21,21 on inro by Jogetsusai(?) Baikyoku, 29/2:26,27 praying mantis. See mantis) poet* Prescott, Ken group of drunken, ivory okimono by Toshichika, “Convention Memories, Boston 2001,” 21/4:8 21/3:42,42 prices*, 23/4:32;39 (see also Fujiwara Yasusada Michizane medium-priced netsuke, 24/2:45 Sugawara; Ariwara no Narihira, Rinnsai;) priest* The Poetry of Netsuke, by R. Kinsey, 22/2:27; (reviewed), 24/2:57 Jesuits in Japan, 25/4:190 pomegranate branch of, on suzuribako, uns., 22/1:67 traveling, tall and slender, ivory, 22/3:29,29 “Poor Man, Beggar Man, Rich Man, Thief!...but is Promenade dans l’art japonais: Art, magie et the Amma also a fish without water?,” by C. medicine, by Alan Ducros, reviewed, 26/4:60 Beamer, 30/2:18 prostitute* Popova, Natasha, pictured, 28/1:45 prostitute Yukitomo, story of burial, 25/1:37 life and work, 28/1:45 (see also bikuni; harlot of Benares) dragonfly and grasshopper, mammoth ivory provenance, 24/3:19 ryusa, 28/1:cover,47,47 value of, 30/3:12 examples of ryusa netsuke in mammoth ivory, proverbs* 28/1:46 horse from gourd, 26/1:41 poppy* maiden, stagantler, by G. Shaw, 30/3:7 monkey stung by wasp, 21/2:16 “The Porcupine,” a column by Alain Ducros oni hiding kanabo behind back, 28/1:12 subheadings: tiger, 21/2:16 Bikuni; Totsuka Beggar; Fundoshi, 26/1:48

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(see also symbolism) attrib. to Mitsusada, 29/1:10,10 publications* recommended, 22/1:12 ivory, by Mitsusada, 21/3:51,51 pumpkin* two quail elongated like eggplant,, dark wood, 34/4:48,48 on base, wood, by Tatekawa, 29/3:49,49 hirado ware, 24/4:21,20 nestling in bed of reeds, ivory, by Masamine, on table being sliced by a cook, wood, by Sokei, 29/1:44,44 34/1:50,50 in autumn grasses, stagantler, kagamibuta, puppeteer*,traveling, wood, by Hojitsu, 30/4:23,23 uns., 27/3:63,63 puppy. See dog, on millet purse* (kinchaku) ivory, 32/2:48,48; 33/3:40,40 coin purse, coconut shell, by Kosai, 32/2:40,40 ivory, by Okatomo, and design source, rabbits in tall grasses, coconut shell, by 31/3:15,15 Masahide, 32/2:42,42 “The Question of Authenticity,” by S. Wertheim, Putney, Carolyn 28/4:25 netsuke installation at Toledo Museum of Art, “The Question of Condition,” by S. Wertheim, 33/4:12 27/4:31 retirement, 34/4:9 “Questions* & Answers” column by Y. Yoshida & J. Kurstin puzzlers* topics (chronologically) : breed of cat, 23/1:31,31 Dutchman’s coat with no buttons, 21/1:20 figure riding shishi: Fudo Myo-O or Endo Morito, or?, 26/4:44 monkey stung by a wasp, and tiger licking paw, 21/2:16 foreigner holding his exposed breast, 26/4:46,46 Komachi washing a manuscript, 21/3:12 man (Daruma?) bending over to capture a spider, wood, 32/1:46,46 actor drinking sake from a bowl, 21/4:17 man among clouds (fisherman or Raiden?), ryusa monkey holding sword, 21/4:18 manju, 34/2:27,27 copying of popular designs, 22/1:11 man riding shishi, Endo Morito or Fudo Myo-O, netsuke as gifts, 22/2:12 26/4:44 grazing horse motif, 22/3:18 man strapped to kite shaped as a bat, by man-like dog, and woman from Kukoku, 22/4:12 Masayuki, 25/1:15,15 goat with branch, ivory, 23/1:10 what object is the shishi guarding?, 23/2:36,36 proverbs represented in motifs, 23/2:14 octopus with wind instrument, riding a mule, severed arm on roof tile, 23/3:9 ivory, 27/1:36,36 sleeping Shojo, 23/4:16 scowling man holding large fish, with sennin- eagle capturing monkey, 24/1:12 like garb, 26/4:45,45 Butei; Kyo-Yu, 24/2:8 smiling man in long robe, wearing bokuto or Japanese calendar, 24/3:6 sword, holding hand out, as if asking for payment, 26/4:45,45 skeleton biting woman; Mexican folk-craft, 24/4:7 `Q** cats, 25/1:10 quail* Michizane Sugawara; dogs & wolves with prey, symbolism, 29/1:10 25/2:8 and two young, ivory, by Okatomo, 34/1:47,47 jakoneko (shaggy dog), lizard on roof tile, atop millet, wood, by Horaku, 24/3:13,13 25/3:14 in cage, inscribed(?) Okatomo, inro, 23/2:57,57 Tobosaku sennin catalogued as Kyosenhei, ivory, uns., x-rayed, 21/2:34,34 25/4:8 millet in beak moxa, 26/1:11 ivory, by Mitsuhiro, 21/3:51 Shinno, Chinese emperor; three sake tasters, ivory, by Mitsusada, 21/3:51,51 26/2:12 ivory, Anraku, 21/3:51,51

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Okame mask inside square box, love letters on R** netsuke and inro; turtle authentication, 26/3:10 rabbit*/hare (usage) Sho player; tennin; Shozuka no Baba; Karu and association with zodiac, moon, 33/4:33 gamma sennin, 26/4:11 in tall grasses, meaning of, 32/2:10 Large manju ensemble; Izumo no Okuni; and fruit/vgetables moonscape kagamibuta; Noh player 27/1:11 on bean pods, head up, ivory, 26/1:36,36 Takarabune, takaramono, , paw on fruit, amber eyes, 33/1:53,53 27/2:12 paw on fruit, ivory, by Okatori, 22/3:21, poems related to eight views of Oumi Hakkei, 24/3:18 27/3:8 with mikan, ivory, Kyoto, 31/2:41,41 pregnant woman after bath, seated on powder bag, 27/4:12 and flowers, Oni ni Kanabo; Oharame, 28/1:12 nibbling, wood, by Tomokazu, 23/4:41,41 Dutchman putting on shoe, 28/2:9 and moon blind man with lantern on head, 28/3/8 bamboo pipecase by Ikko, 29/3:32,32 crescent moon, ivory, 32/2:12 Idaten with oni, 28/3:9 jumping over points of crescent moon, Hakamadare Tasusuke, 28/3:10 améthyste, 33/4:33,33 Royoo Daruma, 28/4:8 pose resembles half moon quail and millet, 29/1:10 ivory, by Yoshinaga, 33/4:33,33 chasen vendor, 29/2:10 and mortar filled with mochi, wood, uns., Koshosei and goat, 29/3:8 25/1:21,22 Shiyei-Kinko astride carp; oni Shiko with rat and and mushroom holly, 29/4:8 ivory, by Masatomo, 23/1:18,18 signature on Futen netsuke, 30/1:15 ivory, by Okatomo, 22/3:24 comparison of goats by Mitsuharu Shigeharu, on mushroom group, pewter and wood, by 30/2:12 Ganbun, originally signed Tadakuni, influence of provenance on value, 30/3:12 21/3:24,25 bekanko, pulling down the eye, 30/4:8 and rice tea master Tsuen, 31/1:6 making rice cakes, by Rantei, 21/1:14 Nezumi no Mimi (The Rat’s Ears), 31/2:6 stirring rice, large eye inlay, hare stirring Okame with rat, shunga, 31/2:7 mochi, wood, large eye inlay (aka Roswell himotoshi on karasu tengu, karyobinga, and ho-o Hare), by Masayoshi, 31/1:29 bird; 6-armed god of horses, 31/3:9 and waves 6-armed Chinese warrior, 31/3:10 ivory, 22/3:29,29 blind men on log, 31/4:10 running over waves, manju, 23/3:31 magic mountain Horaisan, 32/1:9 and young rabbit in tall grasses, 32/2:10 narwhal, 27/4:17 Nitta no Shiro killing boar, 32/3:8 on base, narwhal, 27/4:17 Busho killing tiger, 32/3:11 two young, ivory, by Tomotada, 31/4:51,51 kudan, 32/4:11 wood, 21/1:50,50; 24/3:13,13 nio and Benten, 33/1:12 wood, by Ikkan, 24/1:42,42 Ichirai Hoshi on bridge post, 33/3:8 bunny, wood, by Minko, 23/1:16 Jofuku Sennin, 33/4:16 climbing, by Zanmai, 26/1:2 rare sennin Sha-en, Sanfushi, and Koku, 34/1:10 eating tokusa grass, ivory, by Masanori, Japanese arrowheads, 34/2:9 33/4:33,33 Hanasaka Jiji, 34/4:18 grooming ivory, by Masanao, 22/3:24 paw, ears akimbo, wood, 30/1:57,57

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paw, wood, by Ikkan, 27/4:56,56 relationship with Futen, 26/3:19 group and Futen, inro by Hokkyo Komin, 26/1:56,56 in tall grasses, inro by Shibayama, 32/2:12,12 and Futen, wood, by Masakazu, 28/2:32 in tall grasses, coconut-shell kinchaku, banging geta on ground 32/2:42,42 ivory, uns., 26/3:60,60 leveret, seated, by Kokei, 31/427 wood, by Kasen, 28/2:33 okimono, zelkova wood, 24/4:3 carrying son, ivory, 23/3:27,27 reclining hitting ground with geta stylized, by G. Weil, ivory, 33/3:3 and has umbrella, wood, 32/3:9 head up, wood, by Masatami, 21/2:67 drum on back, wood, ivory horns, fangs,, by alert, ivory, by Issan, 31/3:45,45 Masasada, 30/3:23,24 resting, nose to ground ivory, 23/3:41,41 and tokugusa grass, ivory, by Kaigyokusai, seated upon geta, drum son back, wood, by 30/3:51,52 Kosen, 26/3:60,60 ivory, by Kaigyokusai, 30/4:48,49 stag antler, 24/4:45,45 ivory, 33/4:44,44 wood, by Kasen, 28/2:33 narwhal, by Kaigyokusai, 27/4:17 wood, by Shunkosai, 29/1:56,56 stylized, ivory, by G. Weil, 34/2:17,17 in cloud, manju-type, by Teiji, 26/1:38,38 seated, alert inside drum, wood, by Toyomasa, 28/2:33 head up, wood, by Toyokazu, 25/1:17,17 manju, 24/1:39,39 large eye inlay, ivory, by Yoshinaga, mask, wood, by Tadatoshi, 26/4:39,39 27/3:48,48 on cloud, drum slung over shoulder, wood, uns., on haunches, looking up and back, mammoth 26/3:59,59 tusk, by Tamiko Nakamura, 24/3:37,37 rummaging through his sack, wood, by paw raised, ivory, by Masatoshi, 33/3:54 Tomokazu, 33/4:43,43 paw raised, wood, by Okatori, 24/1:37,36 playing samisen, Shibayama inro, 23/1:35,35 style of Okatori, ivory, 21/1:47,47 releasing wind from pouch, wood, by Tomokazu, stylized hare, by Mitsuhiro, 29/4:35,35 30/4:48,48 wood, by Minko, 26/4:43,43; 28/4:16,17 reclining on clouds and ring of drums, ivory, wood, by Toyomasa, 27/1:32,32; 27/3:36 uns., 25/1:IBC scratching chin, ivory, by Garaku (sig. shown), Raiko* 28/2:55,55 in grotto of Shuten-doji, ivory ryusa, “Sexy Rabbit,” by Bishu, 24/3:55,55 25/3:36,36Minamoto no Raiko and earth spider, print by Kuniyoshi, 25/1:45,48 silver, on ivory ryusa-style manju, by Hakusai, 24/2:17,17 (see also Hakamadare Tasusuke) standing rain dragon*, 23/1:34,34 coral eye inlay, by Toyomasa, 27/3:37 defined, 28/2:15 head down, one ear flapping, wood, bokuto (wood knife), wood, by Toyomasa, 33/1:53,53 22/1:38,38 two in clouds, on base, hornbill, uns., 33/3:56 hares playing, wood, by Ikkan, 31/4:51,51 long, ivory, 26/4:43,43 ivory by Rantei, 25/4:48,48; 30/3:13 ivory manju, 23/3:31 wood, by Kokei, 25/1:20,20 ryusa-style manju, uns., Asakusa, 23/1:27,27 wood, by Ichijo, 29/1:59,59 ryusa-style manju, stagantler, attrib to Kokusai. 29/1:52,52 wood, by Tametaka, 29/3:52,52 Raitt, David, 30/3:55 raconteur. See Daikoku, Fukusuke) rakan* (disciples of Buddha) Raiden* (or Raijin, god of thunder) confused with rakan, 22/4:8 legend of, 26/3:59

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and playful shishi, wood, uns., 22/4:obc Ranmei*, kirin feeding young, ivory, 30/1:59,59 and shishi, ivory, uns., 33/3:25 Ranryo dancer* disciple of Buddha, confused with rakan, 22/4:8 holding mask aloft, and flute, ivory, by holding alarm staff, wood, 29/4:33,33 Hoshinsai, 26/4:38,38 holding fruit, chuckling, ivory, by Yoshinaga, ivory, by Hideyuki, 22/3:42,42; 33/2:5 32/4:42,42 mask of, 3-case inro by Toyo, 25/4:ifc in mugwort cloak, ivory, by Masatoshi, wood, by Tadatoshi, 30/3:51 30/2:36,37 Ranseki, rat eating candle, ivory, 32/2:43,43 ivory kagamibuta by Tenmin, 34/4:42,42 Ransen* leaning against shishi, ivory, by Hidemitsu, crane, ivory, 33/4:44,44 30/2:50,50 horse, reclining, ivory, 21/1:40,40 on base, 23/4:45,45 monkey peeling large peach, ivory, 23/1:26,26 Raku* tiger, seated, ivory, 21/1:40,40 heraldic lion on serpent’s head, ivory, 26/1:31,31 Ranshu, mule or she-ass suckling rats, 23/3:25,25 Hotei inside scroll, ivory, 27/3:49,49 Rantei* mushroom, shunga, ivory, 21/3:37,37 comparing fake and authentic, 21/2:71,70 piebald cat sleeping, ivory, attrib. to, 32/2:29 interpretation of name, 24/1:48 Rakuchu*, pictured, 29/4:20 sig. shown, 21/2:71,70 “Rakuchu: A Neoclassical Netsuke Carver,” by Y. boar and snake, ivory, 26/3:15 Shimatani, 29/4:20 deer and young, ivory, 30/1:57,57 netsuke by, 29/4:21 diving girl and child, ivory, 31/3:37,37 stag antler, 24/4:45,45 dog wood, by Kasen, 28/2:33 scratching, by Masanao (Kyoto), 26/2:55,56 wood, by Shunkosai, 29/1:56,56 with human hand, ivory (sig. shown), Rakumin* 25/2:9,10; 26/2:55,56 Emma-O at table, oni applying moxa, wood, horse 29/1:49,49 emerging from gourd, ivory, Rantei III, kneeling horse groomer, ivory, 31/3:44,44 26/2:37,37 pigeon, wood, ivory, horn, 28/1:42,42 fake compared to authentic (signatures sennin and , ivory, 28/1:42,42 shown), 21/2:71,70 Rakushiken (Kanbayashi Seisen) Hotei Tsuen, tea master, holding utensils, green tea inside bag, wood, 23/2:29,29 wood, 31/1:6 leaning backward over sack, ivory, Ralston, Jerry and Terri, 29/3:60 28/1:38,39 “Random Thoughts on Netsuke Subjects and monkey Carvers, by N. Watanabe, 31/1:43 and young, peach branch, ivory, 27/4:52,52 “Random Thoughts on Toads,” by Dr. P. Jirka- carrying peaches, ivory, inscribed, 27/2:29 Schmitz, 26/1:13 stealing peach branch, ivory, 21/3:32,32 Ranichi* octopus in pot, ivory, horn, 27/2:55,55 boar resting on leafy bed, ivory, 30/2:54,54 Okame caressing tengu mask, 26/1:28,28 puppy, paw on ball, ivory, 21/3:27,27 rabbit/hare rat in a bowl, holding Daikoku’s mallet, making rice cakes, 21/1:14 27/1:41,41 two, 25/4:48,48; 30/3:13 rat, seated and alert, ivory, eye inlay, 31/3:38,38 snake encircling egg revealing interior carving, ranking chart* ivory, 28/2:51,51 lacquerers’, 30/1:25,26 tiger grooming hind paw, ivory, 30/3:50,51 netsuke carvers’, 21/1:16 wild dog with human hand, ivory, 25/2:9,10 sumo wrestlers’, 30/1:25,25 Rashomon*

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story of severed arm, 23/3:9 on two rice b ales, ivory, by Garaku, legend of Rashomon oni, 25/1:43 34/2:45,45 oni retrieving severed arm, wood, by Soko, climbing inro cord, ivory ojime, uns., 34/3:26 25/1:51,51 cluster, ivory, by Hoshin, 24/1:40,40 roof tile with design of severed arm, 23/3:9,9 coiled Rashomon Gate, history and legend, 25/1:43 mouse, wood, by A. Derkachenko, “Rashomon Gate and Ibaraki Doji, Two Works by 23/3:48,48 Zeshin and Soko” by Y. Shimatani, 25/1:42 silver casting, 21/1:47,46 (see also Ibaraki) wood, by Masakazu, 26/4:41,41 rat*/mouse* (nezumi) wood, by Masayuki, 26/4:41,41 paw on pawn, wood, by Ikkan, 24/4:42; wood, by Masanao (Ise), 23/1:31,31; 25/1:31,31; 25/2:27 24/3:13,13; 26/4:41,41; 29/2:57,57; and pod 30/4:52,53; 31/3:44,44 and scratching cheek, ivory, by Okatomo, wood, by Minko, 29/1:58,58 28/2:ibc wood, by Shinzan Masanao, 26/4:41,41 eating bean pod, ivory, by Masaka, eating rice stalk, wood, by Unshu, 24/1:43 32/1:47,47 eating, wood, by Tomokazu, 21/1:56,56 holding bean pod, wood, by Futatomo, gnawing on umbrella, meaning of, 23/2:14 originally read as, 26/2:48,49 grooming on bean pod, ivory, by Masatami, 27/2:28,28 ear, wood, Kyoto Masanao style, 32/4:38,38 paw on bean pod, wood, by Ikkan, 34/3:ibc ivory, by Okakoto, 32/2:48,48 recumbent, with bean pod, ivory, by on mochi, wood, by Kaigyoku, 29/4:46,46 Kaigyokusai, 23/3:38,38 paw, wood, by Ikkan, 27/4:56,56 on chili pod, or pepper, ivory, by Masanao paw, style of Masanao (Kyoto), 34/1:51,51 (Kyoto), 27/1:31 tail, ivory, by Okakoto, 23/3:42,42 and candle wood, by Ichimin, 27/4:56,56 eating, ivory, by Ranseki, 33/2:43,43 holding Daikoku’s mallet, ivory, by Ranichi, and chestnut 27/1:41,41 atop, wood, Nagoya, 29/2:56,56 holding tail on chestnut, wood, Nagoya, 29/2:56,56 ivory, uns., 30/4:56,56 protecting, wood, by Goho, 28/4:obc; ivory, uns., attrib. to Yoshinaga, 34/4:10 33/3:45,45 ivory, by Kiyokatsu, 23/3:38,38 and fruit looking up, ivory, uns., style of, 33/2/42,42 holding fruit, wood, by Tomokazu, wood, by Ikkan 26/1:26,26 26/1:25,25; 26/1:59,59 wood, by Kagetoshi, 22/4:54,54 on fruit or vegetable, wood, by Masazane, 30/4:44,44 wood, 25/4:53,53 and mushroom wood, by Masanao, 27/3:57,57 chewing through mushroom, ivory, Raku wood, by Tomokazu, 26/2:50,50 style, 32/2:49,49 looking back, perky, ivory, uns., Kyoto, on lotus pod, wood, by Sukenaga, 33/2:43,43 22/3:36,36 wood, by C. Schneider, 21/4:ifc mouse wedding, inro by Jitokusai Gyokuzan, 26/2:45,45 and radish, wood manju, inlays, 34/2:29,29 mule or she-ass nursing rats, by Ranshu, and and rope bundle, uns., 24/3:10,10 print design source, 23/3:25,25 and young on clam, wood, by Seiosai (or Shoosai), eating bean, ivory, by Ikko, 27/1:41,41 33/2:43,43 elder eating millet, wood, by Ikko, on Daikoku’s sack, piebald, ivory, by Raku, 24/2:47,46; 32/2:48,48 ivory, by Sadayoshi, 24/3:11; 26/1:23

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on fan, by Masatami, 24/2:47,46 with sparrow escaping instead of rat, ivory, by on haunches, eating, ivory, by Jumei Anraku, 32/2:23, (Meigyokusai), 22/3:40,40 wood okimono, uns., 31/3:36,36 on ink stick, black persimmon, by Tomiharu, raven. See bird. 27/2:37 “Red Robe Kokusai, Part III, by Y. Shimatani, on kinchaku netsuke, coral ojime, ivory, by 31/2:8 Kogyoku, 30/2:53,53 Read, Peter, pictured 24/2:38 on millet, ivory, 32/2:54,54 Read, Sir Charles, early writer of netsuke, 25/3:42 on rope, ivory, 25/1:24,24 “Recollections of Raymond Bushell,” by H. on a sanbo (used for food offerings, wood, Wakayama, 24/2:63 26/3:54,54 Reed, Catherine S. (Shelley), pictured 21/4:16; on scroll, ivory, by Hidemasa, 33/4:29,29 22/2:6;23/2:6; 24/1:9; 30/1:10 on shogi, wood, by Ikkan (sig. shown); “Reflections of Christianity in Japanese Culture,” by 28/4:16,16 R. Bandini, 25/4:18 on sword scabbard, ivory, wood, by Kokei, Reiss, Klaus, and Florence, pictured, 27/2:42 23/3:12,13,14 Reisai, two mushrooms, 22/1:50,50 playing cello, by Kiho, 24/3:39,39 reishi* (fungus) resting made from fungus, by Ichiryu and dated, 32/4:30 on tail, wood, by Tametaka, 31/4:49,49 stagantler, by Kokusai, 31/2:13,13 on tail, wood, by Masanao (Kyoto, wood, uns., 23/4:20,20 31/4:49,49 Rensai* alert, ivory, by Ranichi, 31/3:38,38 chrysanthemum on mushroom head, school of, wood, by Tomokazu, 26/1:25,25; 28/1:31 23/3:30,30 sleeping, ivory, by Masanao (Kyoto), 34/3:2,12 cicada, style of, 25/1:24 two rats cicada on plaque, leaf design, ivory, 33/4:45,45 ivory, by Okatomo, 28/4:16,16 hornet, dragonfly, lotus, seed, alluding to the on millet harvest, wood, by Okatori, 33/4:29 , wood, 30/2:27,27 on tied rope, 27/1:39,40 kappa, lotus, frog, on base, ivory, 27/1:obc nestling, ivory, by Okatori, 28/1:11 mushroom and chrysanthemum, 22/3:36,36 two, on fruit, ivory, signed (?), 24/1:31 mushroom and frog (sig. in sosho), stagantler, wood, by Ikkan, 28/3:47,47 23/3:38,39; 25/3:22,22 three rats and radish, ivory, by Tanetoshi, plover in clouds, ryusa manju, 24/1:21,21 32/1:48,48 repair, revealed by x-ray, 21/2:32 six rats on Daikoku’s mallet, ivory, by Masaka, “Research on Ashinaga and Tenaga,” by K. 27/2:28,28 Akabane, 26/2:20 seven rats rhinoceros horn, 24/4:17 ivory, by Tomochika, 23/2:41,41 rice* as currency, 25/3:46 wood, by Masateru, 30/1:55,55 rice pounder knocking out his tooth, wood by Jobun, ivory, by Nobuchika, 30/2:53,53 22/1:19,19 with abacus, ivory, Masakazu, 32/4:47,47 Richardson, Lynn (see also Daikoku, Sesshu) pictured 24/2:38,41; 25/4:63; 31/2:52 rat catcher* Basho frog haiku, porcelain, 22/2:32,32 holding down rat, wood, by Jobun, 25/4:9,9 cicada on bean pod, porcelain, 25/2:11 rat escaping furoshiki cat, 26/1:3 ivory, 24/1:38,38 pup chewing on sneaker, porcelain, 26/4:54:54 ivory, by Masaka, 27/2:28,28 two polar bears, 22/3:10 wood, by Jobun, 22/1:18 Riddle, Don, pictured 21/4:14 wood, by Rokko, 28/4:24,24 Riess, Trudel and Klaus, pictured 21/4:16

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Rimondi, Giovanni scaring Ashinaga and Tenaga, ivory, by “Okimono - What a Passion!,” 34/3:16 Masayuki, 28/2:53,53 Rimu ivory, ebony, gold, by David Abel, 34/2:56 cicada, wood, 23/1:41,41 (see also demon, ghost) snail on bucket, wood, 25/1:21,21 Romaine, Susan, pictured, 33/2:36 Rinnsai*, Chinese poet roof tile* plum branch, crane, ivory, 28/3:44,44 and lizard, meaning of, 25/3:15,15 standing with crane, ivory, 34/2:45,45 bat on roof tile, ivory, 31/4:obc Rinsho*, shishi and cub, ivory, 33/4:27 seven tiles, stagantler, uns., 25/3:17,17 rishi. See sennin shaped as a shishi, with nesting fledglings, wood, Risui 25/2:4 similar style to Shigetada, 26/1:20 ronin* toad, wood, 26/1:20,20 crouching, wood, by Minko, 31/1:45,46 Ritsuo* (Ogawa Haritsu) drunken, in fundoshi, sword, wood, by Hidemasa (sig. shown), 33/3:21 early carver of netsuke, 31/4:22 hiding under straw, ivory, by Issai, 33/2:39,39 Benkei blowing conch, sculpture, lacquer, wood, 31/1:30 rope*, tied, and two rats, ivory, 27/1:39:40 box, suzuribako, wisteria pods and gourd vine, Rose, Dr. James, in memoriam, 31/3:56 26/4:ifc Rose Rose, Lois, pictured 24/2:40 box, lacquer, designs of sagemono, 29/4:47,47 Rosei’s dream* dried salmon, lacquer, aogai, attrib. to, Rosei asleep inside palace, wood/ivory, by 22/3:13,13, 30/4:41,41 Kagetoshi, 28/1:50,51 sake bottles, lacquer, mother-of-pearl, 22/2:3 Rosenzweig, Daphne Lange inro “Chasing the Illusive Japanese Dragon,” 28/2:12 Bugaku headdress, 22/2:35 Rosetsu* caparisoned elephant, 28/3:15,17 pipecase, woven, reishi fungus, 33/4:49,49 Daruma, style of, 22/1:50,50 pipecase, woven design, stagantler, birds in horse, rope halter, 33/4:46,46 umimatsu, 34/4:42,42 ink cake, brown lacquer dragon, and ebony Rosette, Irene, pictured, 28/4:7 ink stick netsuke, 30/4:43,43 Roshi* ink cake, with tensho characters, 32/2:50,50 on baku, ivory, 22/2:53 ink stone, 23/1:20,21 on ox, ivory, 21/3:31,31; 23/1:20,20 ship on black ground, 31/4:57,57 on ox, scroll in hand, wood, by Gyokueisai Rochishin*, the brigand, ivory, by Shunkosai, Tomomasa, 24/3:10,10 21/3:26,26 on ox, ivory, 32/4:27,27 rock garden, 30/1:25 wood, tall, 30/1:59,59 rock, paper, scissors. See sansukumi Roshin*, holding sake bottle, floral tattoo, by Rogers, Malcolm, pictured, 22/3:20 Doraku, 30/1:58,58 Rokkasen* (six poets), identified, 23/3:46,46 Ross, Jeffrey, pictured, 30/3:6 Rokko* Rudolph, Roger, 25/1:4; 30/2:11 Jurojin, standing, wood, 26/3:14 pictured 21/2:6; 24/3:58; 27/1:8 nio, standing, wood, 26/3:14 book review, 24/2:57 rat catcher, wood okimono, 28/4:24,24; “Stumped by Mitsuhiro,” 22/4:45 30/4:26,26 34/3:23,23 “Narwhal and the Wedded Rocks of Fatami,” Rokko mountain range, peaks formed by bent legs 26/2:38 of Ashinaga, ivory, 28/2:40,41 Rutherston, Max, 27/4:8; 30/4:6 rokurokubi* pictured 24/2:38,42; 25/4:67; 31/2:51; 33/2:35 “Kameyama or Kizan?,” 28/2:34

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Ryo* priest Hojoe buying tortoise from child, ivory, by discrepancies in birth-death, 29/2:34,36 Ho Ryomin, 26/2:41,41 life and work of, 29/2:34 Ryosei (Eguro Ryosei I) work representing new area of social change, genealogy, 23/2:45 29/2:34 history, 23/2:47 ama and octopus, ivory, 29/3:14,14 pictured 23/2:49 ama swimming, holding awabi, ivory, 29/3:14,14 Hannya mask, wall hanging, 23/2:48 boy Jurojin, ittobori, wood, okimono, 23/2:48 toys tied to his back, ivory, 24/4:obc Jurojin and crane, wood, okimono, 23/2:48 fencing mask in front, ivory, 29/2:37,37 Otafuku mask, yew wood, 23/2:49 balancing book, design source, ivory, Otafuku mask, wall hanging, wood, 23/2:48 29/2:38,39 rabbit, ittobori technique, wood, 23/2:49 playing drum, ivory, 29/2:37,38 tiger inro, ojime, and pipecase, wood, 23/2:48 three, under umbrella, ivory, 29/2:41,41 tiger on rock, okimono, eppf. 23/2:48 child holding toy dog, ivory, 29/2:40,40 Ryotohin, lacquered wood, by Shuzan, 27/3:51,52 courtesan in kimono, ivory, 29/3:14,14 Ryoun*, amma lifting stone, ivory, 30/2:19:18 farmer, samurai, sharing tobacco, 29/2:35,34,35 Ryubi. See Gentoku gama sennin, ivory, 29/3:16,16 Ryuchin* geisha holding hat brim, ivory, 29/3:13,13 12 zodiac animals, ivory ryusa, 28/2:52,52 girl wiping after bath, ivory, 29/2:38,38 Ryugyoku* Kabuki actor as street ruffian, ivory, 29/3:22,22 pine cone cluster, ivory, 30/2:50,50 Mandarin duck, ivory, 29/3:22,22 Ryuho* mother feeding boy at table, ivory, 29/2:39,39 founder of Han dynasty, legend of, 21/2:65 Ono no Komachi as young woman, serenaded by grasshopper in flower, musozutsu, 25/1:16,16 flutist, 29/3:18,18 stabbing the dragon, ivory, by Tomochika, Oyura carried by Kuranosuke, ivory, 29/3:17,17 21/2:65,65 Shoki, ivory, 29/3:17,17 Ryujin* (ruler of the sea) snail, ivory, 29/3:21 characteristics similar to Genjoraku, 29/4:27 street performer chanting, playing mokugyo, described, 24/1:14 ivory, 29/3:20,20 legend of, 23/3:43 sumo wrestler, ivory, 29/3:15,15 assistant of Ryujin, w/tama, octopus as headdress tree stump, wood, 29/2:36,37 identity questioned, 30/1:52,52 woman wood, 26/4:49,49 blackening teeth, ivory, 29/3:16,16 wood, by Kojitsu, 23/3:43,43 playing cards, ivory, 29/2:40,41 holding tama, bare headed walking with lantern, 29/3:14,15 hand to ear, tama in left hand, oni belt buckle, walking with live tai fish ivory, 29/3:15,15 ivory, 29/4:4 selling fans, ivory, 29/3:13,13 one hand to ear, ivory, uns, 33/3:49,49 two, viewing blossoms, ivory, 29/2:40,40 holding tama, dragon as headdress Ryokuzan, frog on leaf, ivory, 25/3:3 painted wood, style of Shuzan, 32/4:40,40 Ryomin* wood, 33/2:22,24 kagamibuta miscataloged as by, 34/4:43,43 wood, by Tametaka, 27/1:43,43; 30/1:53,53 boy in fox mask, dancing, ivory, ebony base, wood, 24/1:14,14 28/3:55,51 wood, uns., 23/3:43,43 Hotei, 23/4:37,37 Noh actor as Ryujin monkey sambaso dancer, ivory, coral face, presenting tama, ivory kagamibuta, by 29/4:48,48 Somin, 29/1:52,52

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with tray with two tama, ivory, by Jugyoku, child with cat, ivory, 32/2:38,38 29/4:26,26 ghost, ivory, 32/2:38,38 palace of Ryujin, clam’s dream, by Hoshin, girl in haori coat, 32/2:39,39 24/1:14,14 Ise , ivory, 32/2:39,38 struggling with dragon, wood, by Akihide, mermaid, ivory, 32/2:37,37 29/2:57,57 mermaid, wood, 28/3:47,47 Ryukei*, 23/4:40 Ryushi* Komada arhat with fly whisk, wood, ivory, 28/1:41,41 80th birthday celebration 34/4:8 Benkei and Yoshitsune, wood, tall, 21/2:55 Bronze Hakutaku award recipient, 29/3:3 Benkei with diminutive Yoshitsune on head, pupils, 28/3:33 wood, 21/3:31,31 dandy tipping hat, 25/4:ifc Buddhist gong, dragon, wood, ivory, 28/1:41,41 geisha and kitten, wood, 22/1:ifc Bugaku dancer, lacquered ivory, collaboration, 26/1:38,38 Heian princess, ivory, 23/4:38,38; 32/3:34,34 Bukan Zenshi, by Ryukei II, 23/4:34,34 Heian court beauty, ivory, 27/4:10; 32/3:34,34 Daruma seated, his face resembling a cat, wood, Katarai (Heian prince and princess), 32/2:5 21/1:39,39 My Subaru, ivory, 26/4:52,52 Kintaro fighting large wolf, wood, by Ryukei II, woman 26/1:42,42 asleep, ivory, 32/2:37,37 pilgrim, large tengu mask on back, wood, ivory, bare breasted, ivory, 32/3:33,33; and octopus, 28/1:41,41 ivory, 29/2:14 Ryuko* courtesan, ivory, 32/3:35,34; 35,35 head of Kesa, and snake, ivory, 28/2:50,50 geisha, two, 24/3:36,36 Ryukyu (Okinawa) inebriated, ivory, 32/2:39,38 attraction of Ryukyu inro to samurai, 30/2:42 kneeling, ivory, 22/3:10,10; with letter, inro from, 22/3:50 29/1:cover inro from one Ryukyu family (Sosei, Sokei, maiko and geisha, ivory, 32/3:35,35 Sosho), 30/2:42 nude, in hat, ivory, 32/2:37,37 trade with Japan, 33/1:21 nude, ivory, 24/3:cover, 24/3:36,36 Ryumin*, 32/1:6 praying, ivory, 32/3:33,33 farmer holding sparrow, gold ojime, 31/1:ifc tying obi, ivory, 32/3:33,33 kagamibuta subjects, 27/1:22 with long tresses, ivory, 32/3:32 karako roughhousing, ivory, red hat, style of, with letter box, ivory, 32/2:39,39 22/1:56,56 with cat, ivory, 32/2:38,38 Hotei, standing, ebony, 28/2:21 with sake gourd, ivory, 29/2:7; 32/2:39,39; Ryu(?)sen, reclining boar, tagayasan wood, pearl 32/3:32,32 inlaid eyes, ivory tusk, 27/1:44,44 with , ivory, 32/2:37,37; 29/2:7 ryusa* manju, chidori on waves, by Jugyoku and selection of, 29/2:6 Yoshi-, 31/2:28,29 ivory, ebony, 21/1:54,54 Ryusensai* Ryushin Umezawa, lacquer tanzabaku-bako, karasu tengu carrying Yoshitsune, ivory, 22/2:11 32/4:33,34 Ryusho* Ryusenshi* Hanasakajiji on tree stump, holding bowl of pictured 24/1:8; pictured 23/2:9; 24/3:58; mortar, ivory, signature read as Ryusho or 32/2:34; and Masue, 30/2:8 Ryusei, 34/4:18,18 life and work of, 29/2:34, 29/3:13, 32/3:32; 32/2:34, S** abstract female, ivory, 32/2:36,36 Sachiko* bather, ivory, 32/2:36,36 acorn, wood, 24/3:38,38

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manju covered with clover leaves, lacquer on flask, inro by Hanzan, 29/4:40,40 wood, 25/2:11 jar, and demons and priest, ivory, 30/4:25,25 Sackett, Jerry and Barbara, 22/2:4 sake cup?, uns., 24/1:33,33 Sadakazu*, fly on driftwood, marine ivory, seller and puppy, wood, ivory, by Tokoku, 23/1:41,41 21/2:ifc Sadanobu*, 24/1:25,26 three sake tasters (Buddha, Confucius, and Lao connection to Masanobu, 24/1:26 Tze), 23/3:45,45; ivory, uns., 26/2,13,13 bamboo shoot and eggplant, wood, 21/1:32 salamander* dragon in clouds looming over tiger, wood, on taro leaf, horn, and wood tomobako by M. 26/1:40,40 Kowollik, 25/3:3 shishi scratching neck, wood, 33/2:50,50 whale tooth, by Masatoshi, 24/4:27,27 Sadayoshi* sambaso* dancer Fukurokuju, extra long forehead, ivory, ivory, wood mask, by Masatsugu, 22/1:ibc 31/2:48,48 ivory, ebony mask, 27/2:28,28 rat and young, ivory, 24/3:11; 28/2:27 ivory kagamibuta, Shibayama style, 28/1:57,57 snail on lotus, ivory, 26/4:49,49 lacquer by Zeshin, 31/2:36,36 tiger, ivory, attrib. to, 29/4:43,43 with hobby horse, ivory, by Hojitsu, 32/4:49,49 sage* wood, by Joso, 23/3:ifc Chinese, holding basket, ivory, 34/1:7 sambiki saru(hear-see-speak no evil monkey). Chinese, holding rooster, hat, ivory, 31/1:19,19 hear-see-speak no evil (sambiki saru) (see also Kyo-Yu) story of, 23/3:44 Sai*. See Sansai representing a Buddhist doctrine, 33/4:37 sailor* father and two sons mimicking, ivory, clinging to ivory branch, ivory and coral, by 33/4:37,37 Doshosai, 34/1:15 one monkey representing all three seated, with square wine bottle, wood, carved in ivory, by Mitsuhiro, 23/3:44,44 Kyushu?, 34/1:28,28 wood, by Sosui, 29/4:37,37 th wearing pants designed in 17 C France, ivory, three monkeys ivory, by Ikkosai, 24/4:49,49 uns., 33/1:cover,15.15 vertically stacked, wood, by Bokuzan, Saishi* 24/1:30,30 paragon of filial piety, 32/3:27 vertically stacked, wood, by Minko, 30/4:13,13 breast feeding her mother Samson fighting the lion, by G. Weil, 34/2:21,21 child nearby, ivory, 22/3:28,28 samurai* ivory, by Tomochika, 23/2:52,51; 32/3:27,27 in humorous fiction (Kibyoshi), 21/4:36 ivory, by Yoshinaga 23/4:45,45; 31/1:19,19 inro worn as indication of social status, 28/2:42 print by Hokusai, 30/1:45,45 loss of prestige late Edo, 26/2:29 Saito, Eriko, pictured 24/2:41 privileges extinguished, 29/2:35 Saji*, legend of, 23/1:54 on horseback, and farmer sharing tobacco, ivory, Sakai, Masami, pictured 21/4:14; 24/2:40,42; by Ryo, 29/2:34,35 27/2:43; 30/3:4 on horseback, on base, wood, by Masanao, Sakamoto, Takehiro, 29/2:9 30/4:24,24 sake* sharpening karimata-style arrowhead, ivory, 8 bowls, to lure 8-headed serpent, 31/4:13,13 uns., 34/2:9 bottles, lacquer, mother-of-pearl, pair, by Ritsuo, samurai helmet 22/2:3 v-shaped decoration, 21/2:2 cup, by Kajikawa, 24/1:ibc inro by Kayo Renka, 28/4:39/39; 29/1:54,54 drinkers, two sejo, bottle, ivory, by Hidemasa, stagantler, by Ikku, 25/3:cover; 25/3:23 28/1:38,38 San (see Toman)

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sanbo* life, work, signature and kao, 32/1:12 small tray on a stand used for food offerings, actor wearing tengu mask, wood, ivory, (sig. wood, signed Masakatsu, 26/3:54,54 shown), 32/1:19,19 sanbokojin*, type of horse saddle for transporting bean pod, ivory (sig. shown), 32/1:15,15 multiple people/items boy in lantern, ivory, wood, 30/1:32 man leading a horse, with his family on a Daruma pulling down eye (bekanko), wood, sanbokojin, wood, uns., 26/3:55,55 30/4:8,8 Sanders, Doug, pictured 25/4:63 demon lovers, hinoki wood, 30/1:33; 32/16,17 dragon kozuka, ebony, 32/2:6 demonic mask, wood, signed w/kakihan of Sanderson, Bob (Kokeisai) Sansho, 34/4:50,50 rendering of Gyokkin praying mantis, 25/2:cover fox as a monk, wood, 32/1:16,16 Sandfield, Norman, 23/4:4; 30/4:6 grape design, wood, inlays, (sig. shown), 32/1:25 book review, 25/2:50; 25/3:54; 30/3:55; 34/2 hyottoko mask, wood, (sig. shown), 32/1:25 pictured 21/4:15; 24/1:54; 24/2:38; 28/4:6; Ikkaku sennin mask, 32/1:24 29/3:3 jeweled female on a base, ivory, tall, 23/1:28,28 library donated to the Toledo Museum, 24/1:54 karako with Daruma doll, wood, (sig. shown), netsuke installation at Toledo Museum, 33/4:12 32/1:22 Silver Kirin recipient, 29/3:3 karura mask, wood, (sig. shown), 32/1:24 Ichiro: Master Netsuke Carver, reviewed, kuron mask, wood, (sig. shown), 32/1:25 29/3:54 man with Daruma doll, wood, (sig. shown), “Japanese Netsukes: A very Early English 30/1:32; 32/1:19,18 Language Article,” by Norman Sandfield, man playing kamifuki, (sig. shown), wood, 25/3:42 32/1:19,18 Ultimate Netsuke Bibliography, 23/4:4 mask of grimacing man, wood, (kao shown) Sanfushi* sennin 30/1:32 story, 34/1:12 mermaid with jewel, wood, (sig. shown), 32/1:22 afloat on umbrella, ivory, by Hidemasa, Oiwa, lantern head of, grotesque, wood, 34/1:12,12 31/2:41,41 Sangetsu* Okame, dancing, wood, 26/1:35,35 octopus escaping pot, wood, 33/1:55,55 Okame as Botticelli’s Venus, wood, 32/1:cover; wasp in rotting pear (sig. shown), 32/1:23 wood, x-rayed, 21/2:36,36 rooster on tree stump, (sig. shown), 32/1:20,20 wood, 28/3:46,46; 30/1:57,58 spirit of victory, wood, 32/1:25 Sanko* Taikomochi (dancer), wood, ivory, 32/1:21 Yama uba carrying Kintoki, ivory, by Sanko, Takuan, painted wood, (sig. shown), 32/1:21 34/4:19 tekkai sennin, painted wood, tall attrib. to, Sanko* (Sakihiro) 28/2:50,50 reading of kanji, 28/1:56 three wise apes stacked on each shoulders, ivory, boy with stick, and two-headed serpent, wood, tall, with kao, 33/3:53 27/2:29 sansukumi* (snake, frog, snail) Gentoku on horseback, ivory, attrib. to: 32/3:47 defined, 27/3:38 Ikkaku sennin and the harlot of Benares, ivory, trilogy, interpretation of, 26/3:54 attrib. to, 27/2:8 netsuke made of roots, 29/2:32,32 oni running from bean tossing, wood, 27/3:51,51 inro, by Kansai, 31/4:55,55 Sansai* ivory, 32/4:52,52 mother, two children, kettle, square manju, pipecase, wood, inlays, by Ikko, 32/1:23 ivory, 31/3:38,38 wood, by Goho, 21/4:38 Sansho* wood, ivory snake, green frog, by Ikko, 29/2:32; interpretation of name, 24/1:48 30/1:55,55

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wood, by Kokei, 34/4:41,41 spider web netsuke, 28/3:55 wood, by Sukenaga, 23/3:44,44 Schmidt, Stefan, pictured, 33/2:36 Saratani*, Tomizo, pictured 22/2:41,41; 24/3:43 Schmidt-Bothelt, Eberhard, 29/1:6; 30/2:11 collaboration with Michael Birch, 24/3:43 pictured, 33/1:34 life and work of, 22/2:39 “An Unusual Netsuke: Emma-O in Pain,” chestnut and leaves, lacquer ojime, 32/1:54,54 29/1:42 frog, coral, lacquer, 24/1:43 “A Remarkable Sansukumi,” 29/2:32 tanuki and tengu, two lacquered box netsuke, “Unusual Animal and Bird Configurations in collaboration with Birch, 24/3:43,44,45 Netsuke,” 29/3:30 Sari* “Choun: Legend and Netsuke,” 30/3:27 puppy, reclining, wood, 21/1:53 “Horses in My Life,” 33/1:34 shells, wood, 21/1:53; 21/3:32,32; 24/2:47,48 Schmitt, Mr. and Mrs. Gerard, pictured 25/4:67 snails, four, wood, 22/3:27,27 Schmoll, Rolf, pictured, 27/2:39 snake, coiled, wood, 33/4:34,35 Schneider, Cornel, rat with mushroom, wood, tiger and monkey, wood, 22/1:47,47 21/4:ifc sarigue*, confused with squirrel, 22/4:9 Schneider, F. P., 26/1:59 saru ningyo. See monkey doll Schuerch, June sarumawashi*. See monkey trainer pictured 21/2:10; 24/1:8 “Sarumawashi in Old Japan,” by E. Schmidt- death, 29/4:52 Bothelt, 32/3:22 Schwarz, Karl M. Sasagawa, Takeshi, pictured 25/3:6; 27/1:7; death, 27/2:68 27/2:43,45 pictured 26/1:62 Sasano, Masayuki, pictured 25/3:49 “Collectors and Collecting,” 25/1:54 Sasayama* Legends column, 21/1:57, 21/2:65 clan, 24/1:22 “Narihira no Ariwara: A Famous Poet and history, 22/1:28 Beau,” by K. Schwarz, 27/1:28 lords, 22/1:31 Netsuke Subjects Addendum, 21/4:52 Sasayama clan, 21/2:41 “The Scottish Samurai,” by J. Fowlie, 28/4:51 “Sasayama: the Home of Naito Toyomasa,” by N. Scorsi, Lindsey, pictured, 28/3:7 Watanabe, 22/1:28 sea, netsuke subjects associated with, 24/1:13 sash wheel* (obiguruma) Seaborn, Meredith, pictured 27/1:8 examples of, 23/2:26,27 seahorse* illustrated in prints, 23/2:25,25; 23/2:26 sandalwood, 24/4:16,16 predecessor of katabori netsuke, 22/2:19,18 obihasami, uns., 24/1:21,21 Sato, Hiroshi, Consul General of Japan, and wife seal* Yoko, pictured, 30/3:10 notebook of engraving designs, 24/1:22,22 Sato no Tadanobu, wood, by Jugyoku, 21/1:51, 51 used in formal contracts, 24/1:22 Satsuma clan, Kyushu, 33/1:21 used on Uji dolls, 31/1:8,8 Sanzan and Songoku, ivory, 27/2:56 seal engravings by Toyomasa, 22/1:41 Schiller, C. U. Guido, “The Siniu Enigma,” 22/3:26 seal* netsuke, 21/4:20 Schluifer, Gernot Chinese motif in, 31/2:24 death, 28/3:54 an area of collecting, 21/4:20 pictured 21/4:14 badger, seal netsuke, 21/4:21,21 Basho Autumn crow haiku, crystal, 22/2:37,37 with saddle grip, inscription, 21/4:20,20 Basho frog haiku, crystal, 22/2:32 32 baku on base, ivory, 22/3:28,28 crow, crystal, 26/4:54,54; 28/3:55 Daikoku and Ebisu, ivory, 22/2:12 fallen leaf, 21/4:62,62 Dutchman’s head, wood, 21/3:27,27 Moses, crystal sculpture, 28/3:55 Fernando Mendes-Pinto, ivory, uns., 26/4:ibc

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frog, ittobori, and original box, 23/4:30,30,31 Sekiran* Kaibutsu, with written proverb, 21/4:20,20 interpretation of name, 24/1:49 kirin, ivory, 21/4:24,24 Jurojin with peach, ivory, anabori (cavern) puppy, w/ of Sengai Gibon, 21/4:25,25 27/1:24,24 shishi, ebony, by Kaigyoku, 30/1:54,54 seven sages of the bamboo grove, ivory, anabori shishi, wood, 21/4:22,22 (cavern), 27/1:23,23 shishi, ivory, 21/4:25,25 Sekisen* shishi, rhinoceros horn, 21/4:21,21 human tengu mask, wood, ivory eyes, 28/2:30,30 tanuki, 21/4:21,21 Sekko*, three pups playing on mat, ivory, 29/1:5 Seidensticker, George W, pictured 24/2:36 Senkakusai*, inro, Okina dancer, No theatre, Seihan, spider crab, 21/4:55,55 30/4:47,47 Seiho* sennin* death, 24/3:37 identifying characteristics, 29/3:8; 30/2:34 birds on bundle, feeding on berries, 24/3:37,37 connection with mugwort, 30/2:37 Kwan yu [sic] [Kan’u], wood, 22/1:ifc late carvings imitating earlier work, 29/1:23,23 neck wrestlers, ivory, 21/4:ifc typical mugwort cloak and skirt, 30/2:34,34 shishi scratching chin, wood, 33/2:41,41 and dragon Shoki and oni, wood, inlay, 29/3:49,49 dragon from alms bowl, ivory, 30/4:48,49 Seii* and karako goose, silver with gold, 31/2:36,36 possibly Tekkai, ivory, uns., 33/4:19 mask maker, ivory, 24/4:47,47 and kirin Seiko*, farmer and sparrow, ivory, 29/4:42.42 riding kirin, ivory, by Yoshinaga (sig. shown), 31/1:20:20 Seikan*, crab on abalone, stagantler and ebony, holding down rising rising kirin, ivory, by signed and dated, 23/1:43,43 Yoshinaga, 31/1:20,20 Seimin (Yotsuya), 21/1:3 leaning over reclining kirin, ivory, by nine frogs (scene from a play?), 21/3:34,34 Yoshinaga, 31/1:20:20 No and Kyogen masks, walnut shell, 21/1:3 and nymph, ivory, by Rakumin, 28/1:42:42 Seiobo* and shishi on shoulder, holding basket, ivory, ivory, 24/4:cover,30; 31/2:49 uns., tall, 31/4:47,47 polychrome wood, uns., 22/4:56,57 1dancing, holding fan, ivory, by Anraku (sig. with hare, flat lacquer box, 26/1:27,27 shown), 32/2:19,19 Seiosai* (can be read as Shoosai) hands at sides, one holding tied sash, fierce unrecorded artist, rat on clam, wood, 33/2:43,43 looking ivory, standing, 30/2:34,34 Seisen*. See Rakushiken hand on head, standing Seishichi*, 27/1:24 gourd in back, wood, by Jobun, 22/1:23,23 anabori netsuke of Hotei and karako, wood, gourd in front, wood, by Jobun, 22/1:23,23 27/1:26,26 head is upside down, transforming into rain Seishu* dragon or fish, ivory, 22/2:52,52 fisherman on rock, ivory okimono (sig. shown), holding branch, standing, wood, uns., 25/1:60 34/3:25,25 holding faggots bundle on shoulder, ivory, uns., ghost and child, ivory, 33/3:55 22/2:57 ghost of Adachigahara holding child, ivory, holding fish to head, humanoid spirit on 21/1:40,40 shoulder, ivory, 32/4:53,53 Sekido, Kengo, 21/1:16; 22/3:13 holding gourd overhead and hand of karako, memoriam, 28/2:60 ivory, by Yoshinaga, 31/1:19,19 Sekiho* holding mokugyo, ivory, 32/4:48,48 human tengu mask, wood, ivory eyes, 28/2:30,30 holding peach on shoulder, ivory, by Yoshitomo, 26/3:38

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holding long walking stick with both hands, being liberated from prison by a pack of rats, by ivory, tall, 29/4:43,43 Yoshihide, 24/3:9,9 holding snow monkey ivory, by Masachika, rat chewing rope around Sesshu, ivory, by Ichiro, dating discussed, 29/1:23,23 30/2:26,26 looking down to left, standing, narwhal, by rat on ink stick, alluding to Sesshu, by Tomiharu, Garaku (sig. shown), 27/4:19 30/2:26,26 looking up, scowling, holding tama Seton, Alistair, pictured 24/2:41,42 stag antler, tall, uns., 27/2:ibc Setsubun* festival, 24/2:61, 28/1:13 ivory, uns., tall, 32/4:ibc matsuri festival, 28/1:34 scratching head, with seated dog and drum, Okame scattering beans, wood, 28/1:34,34 standing, ivory, 31/2:42,42 Okame drying after bath, hairdo resembling seated on bale, holding hossu, pulling strand of bean, wood, 33/4:42,42 hair, ivory, uns., 25/1:18,18 Setsuga (also Tokosai), 24/3:17 shishi on shoulder, ivory, uns., 29/2:ibc Setsusen* (Yukikawa) looking up, staff and basket, standing, uns., Ashinaga and Tenaga, wood, 22/1:51 26/2:obc Seven Gods of Good Fortune* (shichifukujin) (see also Bukan Zenshi, Chinnan, Chokaro, attributes of, ivory ojime by Kaigyokusai, 31/1:5 Chorio, Gama, Gyokushisho, Handaka Sonia, engraved on kiseruzutsu, by Matsuke Hokei, Ikkaku, Jogen Fujin, Jofuku, Katsuyu, Kanzan 23/3:47,47 and Jittoku, Kinko, Koko, Koku, Kyoyu, mugwort, Nakoro, Oshikyo, Roshi, Sanfushi, in the takarabune, wood, ivory, uns., 27/2:12,12 Sha-en; Shoriken, Shubaka Sonia, Tekkai, set, ivory, by Yasutaka, 27/2:13,13 Tobosaku, Toyenmei) wood ryusa manju, by Shuzan, 28/2:51,51 Senpo* seven grasses of autumn, described, 23/3:63 comparing early/late work, 33/2:14,14 seven* plants of autumn, inro, 23/3:47,47 cicada, wood, 32/4:50,50 seven sages* cicada on log, wood w/tomobako, 33/2:14,14 anabori netsuke by Sekiran, ivory, 27/1:23 “Senpo’s Cicada Netsuke,” by D. White, 33/2:12 in grove, on base, ivory, by Kaigyokudo w/, Sensai* 33/3:41,41 oni and gaki wrestling on lotus leaf, ivory, inro, 23/3:46,47; 29/4:23,23 29/2:57,57 seven worthies of bamboo grove, ivory sculptures, Seo, Joseph, 25/4:41 27/4:ifc serpent* Sha-en sennin 8-headed, 31/4:12,13 story of, 34/1:10 ebony, by L. Sloggett, 23/1:50; 24/4:13 with bag and book, ivory, by Masamori, mythical monster being killed by Ejara Heida, 34/1:10,10 ivory manju, 27/4:55,54 (see also sennin) servant. See yakko Sha-in with open book, ivory, by Yoshitomo, Sessai* 26/3:38 interpretation of name, 24/1:48 Shakkyo by Shugetsu, 21/1:14 Ashinaga, applying moxa to bent legs, wood, Shannon, Jonathan, pictured, 30/3:6 27/3:62,62; Shaw, Guy, 22/3:39 lotus stem and two crabs, wood, sashi, death, 24/1:53 28/4:24,24; 34/3:16,17 (sig. shown) life and career of, 24/3:46 wrestlers, Kawazu throw, 24/3:15,15 pictured 21/4:14; 24/3:46;52 Sessai, Shima a remembrance by M. Birch, 24/1:53 Kanshin and the bully, wood, okimono, caricature of by A. Derkachenko, 23/3:49,49 34/3:16,16 autumn leaves, mastodon, wood, 21/4:65,65; Sesshu*(painter) empty shells, 24/3:49,49

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Dance of Life, wood, 21/4:63,63 correction, Vol. on base, elaborate trappings, 28/1:56,56 22/1:69 peony spray and butterfly, ivory manju, fallen leaf, burr wood, 21/4:63,63 28/1:58:57 letters, 24/3:51,51 pheasant in cherry tree, ivory manju, 29/3:45 mushroom group, stagantler, 24/1:11 pigeon, ivory manju, 25/1:14,14 poppy maiden, boar tusk, 24/3:52,52; 30/3:7 Shigechika*, child (or Fukusuke), carrying sack of set of teeth, 24/3:50,50 gifts, wood, 34/1:48,48 spider in leaf, wood, 21/4:64,64 Shigeharu* This Busy Life, hippo tooth, 21/4:63,64 style similar to Mitsuharu; signatures compared, Unsung Hero, burrwood, 21/4:63,63 30/2:12 twisted leaf, 24/3:38,38 goat seated, wood, 30/2:12,12; 33/3:14,15 wood smoke, 24/3:51,51 Shigekatsu*, 24/1:25 “Memories of Guy Shaw,” by W. Zacken, tengu emerging from egg, wood, 33/1:44,45; 24/3:46 34/1:47,47 (sig. shown); 34/4:50,49 Shaw, Quincy A. Shigemasa* bio, 21/1:15 coiled dragon, ivory, 22/3:37,37 exhibition of, 21/1:14–15 karasu tengu pushing egg, ivory, 22/3:53,54 sheath inro sansukumi, 27/3:38,38 lacquer, monkey with peach by Somada sleeping shojo, wood, 34/1:52,52 Jittokusai Gyokusai, 25/4:44 snail on bucket, wood, 23/1:30,31; 31/1:ibc shells* snail on fungus, wood, 26/1:28,28 and sea creatures, wood, by Ganbun, 34/3:8 Shigetada* cluster, ivory, Iwami school, 30/4:48,48 toad, 26/1:20,20 cluster, ivory, by Mitsumasa, 31/1:24 toads similar to Risui, 26/1:20,20 Hirado porcelain, 24/2:48,48 Shigetsugu*, doctor’s sword, 24/4:32 ivory, manju, by Koku, 30/4:54,55 Shigeyoshi*, inro, running boars, collaboration, wood, by Sari, 21/1:53; 21/3:32,32; 24/2:47,48 33/4:51,51 Shiba* Onko Shiko*, the oni, with rat and holly on its back, ivory, uns., 29/4:9,9 boys with large vase, ivory, by Tomochika, 21/2:28,28 Shikokenkyukai Wajima Lacquer Art Assn., pictured 26/4:9 wood tonkotsu, 32/2:54,54 Shimatani, Yoichi Shibata Shinzo, death, 23/4:52 pictured 21/4:14; 23/1:6, 23/2:9; 49; 24/1:8; Shibayama* 24/2:38; 25/3:6; 25/4:59; 27/1:7, 27/2:44 inro “The Mail Courier’s netsuke and Sagemono,” Daruma stretching, 23/1:35,35 22/2:22 flying crane, 22/2:12,12 “Eguro Family Carving History,” 23/2:44 purse-shaped, battle of frogs and “Genkosai,” 24/2:26 grasshoppers, uns., 29/1:34 “The Rashomon Gate and Ibaraki Doji, Two Raiden singing, playing samisen, 23/1:35,35 Works by Zeshin and Soko,” 25/1:42 rabbits in tall grasses, inro, 32/2:12 “Hashi-Ichi II,” 26/3:27 skeletonized snake, 30/1:54,54 “Rakuchu: A Neoclassical Netsuke Carver,” tsuba, 26/1:53,53 29/4:20 netsuke “Red Robe Kokusai, Part III, 31/2:8 bird on perch, ivory, inlays, uns., school of, “Ango Fujii – The Wonder of Balance in 34/2:26,26 Netsuke,” 32/1:34 clam’s dream, dwelling of Ryujin, wood, Shimazu clan in Kyushu, 33/1:21 28/2:obc Shingetsu* kagamibuta and manju, style of, 28/1:57,57 mandarin duck, lacquered ivory, 32/1:51,51

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swan, ivory, 33/2:5 reclining, looking back, wood, by Tadayoshi, Shinno, Chinese emperor 26/1:39,38 legend explained, 26/2:12 front legs on ball with two fangs, seated on rock, ivory, uns., looking back, ivory, by Garaku, 29/3:26,27 26/2:12,12 looking back, ivory, by Mitsuharu, with object in mouth, basket of flowers, seated 23/1:20,20; 25/4:54,55; 26/4:38,38; 29/1:7, on rock, ivory, uns., 26/1:12,12 51,51; 29/3:26,27 30/4:cover,18,18 Shinryusai looking back, ivory, uns., 29/3:26,27 artisan tools and mask, inro, 31/2:40,40 looking forward, ivory, by Okatori, Shinsai*, sword fitting (kogai), design alluding to 32/4:32,33 Jurojin, lacquer, 30/2:24,24 looking forward, ivory, by Tomokazu, Shinzan* Masanao, coiled rat, wood, 26/4:41,41 29/3:24,24,29; looking to side, 29/3:27,28, Shirahara, Yukiko, pictured 22/2:5 looking forward, wood, uns., 31/4:37 shishi* looking sideways, ball in mouth, ivory, 32/2:57,57 Asian origin, 22/3:22 looking sideways, ivory, uns., Mitsuharu Chinese, porcelain, 24/4:19,19 style, ivory, 27/1:32,32 Chinese, single horned, 23/3:23,22 looking sideways, ivory, by Tomotada, rope in mouth, significance of, 31/2:24 21/2:24,24 handstand with forelegs; and Chinese man, looking sideways, aggressive, ivory, by ivory, by Yoshinaga, 31/1:14,14 Masanobu, possibly Tomotada discussed, hatching from egg, by Garaku, 24/4:10,10 26/4:42,42 head, ryusa, stagantler, Asakusa school, 26/2:5 four legs on ball, balancing incense burner shape, attrib. to Toyomasa, wood, attrib. to, Garaku, 32/1:30; style of 27/3:37 wood, uns., style of Garaku, 31/4:41,41 karashishi and Monju Bosatsu holding ruyi, and cub ivory okimono, 29/1:47,47 cub facing opposite elder, wood, 30/4:54,55 and ball cub on elder’s back, wood okimono by ball in mouth, ivory, uns., 32/2:57,57; 32/3:4 Genkosai, 24/2:29 breaking through ball, ivory, by Tomokazu, cub on elder’s back, signed and dated by 29/3:27,29 Minko, 23/4:19,19 climbing up on large ball, one paw raised, cub on elder’s back, ivory, by Toshinaga, 34/3:13 26/3:3 covering large ball with body, ivory, by cub climbing on elder’s back, ivory, by Harutada, 33/1:ibc Rinsho, 33/4:27 peering from inside huge ball, wood, cub looking up at elder, ivory, by 33/2:49,49 Gyokuyosai, 32/4:49,48 pierced ball between forelegs, wood, cub scratching chin, ivory, by Tomotada, 29/1:49,49 27/4:37 stepping up on ball, by Tomokazu; ivory, elder ball in mouth, cub on back, ivory, 29/3:27,28; wood, 29/3:27,28 32/2:58,58 standing on stippled rock base with loose elder ball in mouth, cub leaning on back, ball, marine ivory, uns., 33/4:31 ivory, attrib. to Tomotada, 27/1:39,39; one paw on ball 27/4:36 seated. head tilted, ivory, uns., 30/1:28,30 elder biting peony branch mouth, wood, seated, looking back, ebony, by Miwa, 27/1:33,33 29/4:13 elder paws on with ball, ivory, 29/3:42 other paw raised, standing, ivory, by Okatori, elder’s paw on cub, wood, by Tametaka, 32/1:33 23/3:39,39

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elder’s paw on young, ivory, 30/4:50,50; paw on ball, narwhal, 27/4:17 32/4:35,35 rolling on back, ivory, uns., Kyoto, elder protecting cubs, wood, by Tametaka, 23/2:35,35 23/3:39,39 seated, ivory, uns., 21/2:28,28 elder rising, cub crawling on back, ivory, standing, ivory, uns., 33/4:27 Osaka school, 31/4:40,40 standing on rocky base, ball in cage, ivory, elder seated, cub playing, wood, by uns. 33/4:31 Tomochika, 25/4:47,47 on Buddhist manju, ivory, silver manju, by elder throwing cubs from cliff, ivory, by Harumichi, 34/2:29,29 Masanobu, and design source, 31/3:14,14 on pedestal, ivory, by Anraku (sig. shown), elders searching for young from cliff, uns., 32/2:18,16 23/2:cover reclining elder snarling at cub, bed of peonies, looking forward, wood by Minko, 34/2:54,54 triangular ivory, 28/2:50,50 looking forward, reddish wood, by Tomin, mother and cub on top of perturbed father, 32/4:42,42 ivory, 23/2:34,34 looking to side, wood, , wood, by Toun, standing over two cubs on rocky base, ivory, 23/4:23,23 uns., 33/4:31 looking to side, rear foot slightly raised, and bell, comic expression, paw raised, wood, ivory, uns., Kyoto style, 34/4:44,44 30/1:56,56 pale ivory, by Tomotada, 27/4:37 and man roaring, wood, by Tametaka, 25/4:47,47 man riding shishi, possibly Fudo Myo-O, or reclining Endo Morito, ivory, 26/4:44 ball in mouth, ivory, Kyoto, 23/2:51, 51 struggling to escape man’s grasp, 24/3:8,8 head resting on paws, ivory, 21/1:49,49 and mokugyo on pillow, paw on mokugyo, ivory, by Ikko, leaning head on mokugyo, all on base w/ 31/2:47,47 “mugaku” (the ignorant), 32/4:32,33 rising, ivory, by Yoshinaga, 31/4:40,40 paw on mokugyo, ivory, by Gyokuyosai, scratching chin 22/2:obc; 32/4:49,49 ball in mouth, ivory, 32/4:52 and peony comical, wood, by Seiho, 33/2:40,41 and large peony, wood, by Tametaka, 25/4:47,47 reclining, ivory, uns., 23/4:22,22 reclining, biting peony branch, wood, reclining, ivory, by Okatomo, 29/3:26,27 29/4:43,43 seated, ivory, by Kaigyokusai, 26/1:35,35 seated, peony branch in mouth, 32/4:41,41 28/4:33; 29/3:26,27 biting peony branch, wood, 27/1:33,33 scratching ear two playing in peonies, ivory, uns., 28/1:obc ivory, 26/4:50,50 with peony, wood, by Tametaka, 25/4:47,47 ivory, by Garaku, 32/1:30 crouching looking back, ivory, uns., 22/1:48,48 ivory, uns., Kyoto, 25/4:17 grooming hind leg , on bed of leaves, ivory scratching head (subject could be a shaggy dog), 34/4:46,46 flat, rounded, by Rensai, 22/3:36,36 manju, growling head, wood, by Zanmai, 32/4:4 ivory, 26/4:43,43 mask scratching neck attrib. to Kokusai, 21/3:36,36 wood, by Sadanobu, 33/2:50,50 manju, stagantler, by Kokusai, 31/2:12,12 wood, by Tametaka, 29/4:49,49 on base seal netsuke fashioned after stone posts for tying holding up ball, by Hidemasa, 21/3:53,53 horses, 31/2:24 paw on broken ball, wood, by Tounsai, seated 22/1:5

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looking back & up, ball in mouth, wood, by ojime, gold, 25/4:45 Mitsutsugu, 22/1:57,57 (see also dancer) looking back, roaring, ivory, by Garaku, shishimai* mask 25/3:40;39 child playing with, by Yasuaki, 26/4:59,59 looking forward, ivory, uns., 21/4:53,53 child lifting from head, five-point star cloak looking forward, carved of coral by Kinba, design, ivory, 28/2:50,50 ex-daimyo collection, 34/2:5,50 Shiyei* astride giant carp, ivory, uns., tall, 29/4:8 looking to side, ivory, by Masayume (sig. sho* (wind instrument) reading discussed), 29/1:45,45 about, 26/4:11 looking up, ivory, 30/4:29 (see also Yoshimitsu) looking left, ivory, inscribed Okatomo, Sho* 33/3:43,43 horse and tiger, inscribed with a debt paid in full, looking ahead, wood, by Kokei, 29/1:48,48 ivory, 29/4:50,50 silver, against irregular ivory plate, signed Shogyokusai*, water seller on tall geta, wood, Yanagawa, 34/4:52,52 31/2:47,47 standing Shohei*, phoenix bird shaped as incense burner, arched, like a cat, ivory, 25/3:40,40 silver sculpture, 34/4:ifc head down and back, wood, ivory claws, by Shoji, Tsumugi, pictured 21/4:9 Masasada, 30/3:22,23 shojo* looking forward, wood, horn inlays, by described, 27/2:30 Zanmai 21/4:11 favored by Nagoya, 23/4:16 stone sculpture female mistakenly identified as shojo, 29/1:16,16 guarding Todaiji temple by Toman, 25/2:17 story of and design inspiration, 23/4:16 sashi netsuke inspired by, 25/2:18-21 actor, ceramic, by Teiji, 27/1:44,44 two shishi and setsubun oni, ivory, by Hideyuki, 31/3:38,38 among bushes, silver manju, 32/4:33,33 dancing among peony flowers, ivory, 28/1:38,39 ivory, by Yoshitomo, 26/3:38 play fighting inside sake jar, wood, ivory, 29/3:52,52 ivory, by Masayoshi, 31/4:41,41 leaning against sake cup, ivory, by Otoman, ivory, by Tomochika, 23/2:40,41 27/1:38,38; 29/1:16,16 over chrysanthemum, ivory, 27/3:48,48 mask, hornbill, 28/1:53,53 wood, by Masamitsu, 32/1:ibc filling sake bowl from bucket wood, by Tametaka, 31/4:41,41 ivory, by Sosen, 27/2:30,30 wood, by Tomokazu, 31/1:55,55 ivory, style of Yoshinaga/Yoshitomo, wood, by Toyomasa, 31/4:44,44 27/2:30,30 wood, Kyoto school, uns., 26/4:36,36 sleeping, lying down, head resting on arm wood, 29/3:27,28 female, wood by Kunihiro, 29/1:16,16 three shishi fighting, wood, by Tomokazu, wood, by Shigemasa, 34/1:52,52 29/3:27,28 wood, by Tadatoshi, 28/3:ifc; 29/2:56,56; (see also lion) 31/2:48,48 shishimai dancer* wood, Nagoya school, 23/4:16 and boy, fox and drum on reverse, ivory manju, sleeping, seated, leaning in hand sig. illegible, 33/4:27 behind large sake cub, wood, by Minko, ivory, by Kuya, 22/3:40,40 33/4:43,43 wood, by Mitsuharu, 34/4:47,47 wood, by Ikkan, 23/1:21,21; 29/1:55,55; wood, by Soko, 21/1:51,52; 29/4:36,36 32/4:50,50 wood, pearl inlay, 34/1:48,49 wood, by Masajo, 23/1:21,21; 23/4:20,20; wood tall, by Shugetsu, 22/4:ifc 29/2:56,56

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wood, by Tadashige, 34/1:52,52 holding struggling oni’s hand, standing wood, by Tadatoshi, 28/3:45,4;533/3:53 ivory, 31/2:46,46 two, with large sake bottle, meaning of, ivory, by wood, 34/1:46,46 Masatsugu, 29/1:17,17 holding oni under his arm Shojusai* ivory, by Yoshinaga, 23/4:32,32 Tokaido road porter dancing, wood, Vol. wood, inlays, by Seiho, 29/3:49,49 25/1:16,16 holding oni by foot, ivory okimono, 29/4:35,35 Shokansai* holding oni by head, ivory, Kyoto, uns., 25/3:25 violet bee on chrysanthemum, lacquer & metal holding oni by scuff of neck, ivory, uns., manju, 26/3:57,57 30/1:27,28 Shokasai* holding oni’s arm, ivory, 24/1:40,40 inro, bird of prey, 28/2:43:45 looking for oni down a well bucket, wood, by Shoki* Kigyokou, 21/3:39,39 mistakenly identified as companion of Kan’u and oni at feet, wood, by Jugyoku, 27/3:56,56 Gentoku, 22/4:8 oni captured, ivory, attrib. to Hidemasa, as talisman for health, 26/4:58 27/3:55,55 and demons, by A. Derkachenko, 23/3:48,48 oni playing broomstick, square manju, ivory, scroll design by Genkosai, 24/2:28 inlays, by Doyusai, 30/4:50,50 and Kikujido, dancers, 23/2:42,42 oni in mat, on Shoki’s back, 32/2:55,55 holding beard, sword at side, wood, inlays, tall, oni, stained green, escaping furoshiki, by signature Tomochika discussed, 27/3:53,53 Tokoku, wood, 30/2:ifc holding sword behind his back, scowling, wood, oni under foot, ivory, by Hidemasa, and design by Tametaka, 23/4:27,27 source, 31/3:18,18 on one foot oni under foot, wood okimono by Genkosai, holding hat, sword, wood, by Toshiharu, 24/2:29; 25/4:54,54 oni on Shoki’s hat with sword, ivory, 26/4:36,36; uns., ivory, uns., 24/1:28; 25/1:16,17; 25/4:obc 31/3:37,37 wood, similar to a sennin, 30/1:49,49 riding a shishi, by Tametaka, 22/4:59,58 oni on Shoki’s shoulders and head sword in front, shouting, wood, tall, 27/4:51,51 ivory, uns., 25/3:39,39 sword in front, holding fabric of skirt wood, tall, oni has ivory teeth, 29/1:46,46 ivory, by Yoshinaga, 29/1:58,58 oni’s head in arm lock, ivory, 34/2:42,42 ivory, by Yoshitomo, 26/3:38 kagamibuta, lacquer and metal, by Zeshin, narwhal, by Yoshinaga, 27/4:19 33/4:48,48 sword at side dark wood, tall, signed, 21/3:30,30 Shoki behind window, sheath inro, 34/4:40,40 dark wood, ivory inlays, tall, uns., 27/3:obc sword pointed at struggling oni, wood, ivory, gold ojime by Takahisa, 22/3:35,34 Tokoku school style, 29/4:25 ivory, by Ryo, 29/3:17,17 trapping oni under basket, wood, by Tomokazu, Shoki and oni 34/4:28 astride tiger, chasing an oni, ivory, metal ryusa two oni, on shoulder and waist, ivory, by manju, 34/2:48,48 Yoshinaga, 31/1:14,14 capturing oni, by Kodo, sketched while in Shoko* hospital, 26/4:58,58 pictured 25/1:52 chasing onis and kappa, green ivory pipecase by Benton playing biwa, wood, 31/2:47,47 Omin, seal Nagai, 26/1:25, 25 cicada on leaf, wood, 32/4:50,50 fighting oni, ivory, by Tomochika, 26/1:33 demon Zochoko, wood, 29/4:36,36 four oni on head and back, ivory, Kyoto, Ebisu trapping fish under hat, wood, 21/2:25,25 30/2:52,52

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frogs on leaf, leaf as samisen, Hida school, seated, with gaki (lost soul), ivory, uns., wood, 30/1:52,52 26/4:13,13 insects, wood ryusa manju, 32/4:50,50 standing, crying, ivory, uns., 26/3:62,62 Morito and head of Kesa, wood, 23/4:38,38 shrimp*/prawn skull and snake, wood, 22/1:57,57 shrimp inside iron suigarake, 30/1:56,56 turtle, wood, 30/4:53,54 prawn ivory, by Tetsugen (Kyusai), 24/4:22,22 Shoko* (Eguro Suketada) genealogy, 23/2:45 Shubaka Sonia astride shishi, ivory, 32/4:27,28 Shoko Suganoya Shugetsu*, 23/2:29; 23/4:40 blind man with stone geta, wood, 27/4:63,63 readings of kanji, 34/1:25 monkeys cutting gourd, wood, (sig. shown), Ashinaga and Tenaga with octopus, wood, 30/4:26,26 signature discussed, 343/1:25,25 shokuin*, human face, 3 eyed, standing, ivory, egg tester, wood, 34/1:cover, 26,26 34/2:48,48 foreigner with drum, shouting, 22/3:cover Shomei*, pipecase with poem by daimyo Takanori, Hotei inside bag, 23/2:29,29 26/1:25,24 Kan’u, wood, 22/4:54,54 Shomin* Kato Kyomasa in armor, sword and fan, wood, Kan’u and retainer 30/1:55,55 wood, 30/4:26,26 man applying moxa, wood, by Shugetsu III, wood, holding down rat, wood, by Jobun, 30/2:38,38 25/4:9,9 monkey in haori, feeding turtle, wood, by Shoriken sennin* and tiger, wood, by Toyokazu, Shugetsu, 29/1:58,58 34/3:11 Otafuku with huge tengu mask, wood, Shorinsai* 22/4:58,58 Daikoku on bale, holding mallet, 34/4:15 Shakkyo, 21/1:14 herd-boy with flute, on ox, inro, and design shishimai dancer, tall, wood, 22/4:ifc source, 28/4:31 sumo wrestlers, wood, 23/1:21,21 Shosai. See Kakosai tortoise, collaboration with Kansai, wood and Shoso*, Daruma meditating, ivory kagamibuta, tortoiseshell, 31/2:35,35 27/4:52,52 turtles, rain-cape tail, by Shugetsu III, 24/1:20,20 Shoto*, turtle group, wood, 27/2:obc Shuhaku*, monkey and young and bee, wood, Shounsai* 21/1:19 courtesan, 29/3:14,15 Shuko*, arhat Chingi and wife Keishi on cloud, Urashima Taro with Ryujin’s castle, manju, wood, 26/1:24,24 ivory, 27/1:45,45 Shukosai*. See Anraku Yoko fighting tiger to save his father, ivory on Shukusho*, crab on abalone, ivory, 29/1:14,14 base, 34/4:48,48 Shukyu* Shousai* tinker with transforming badger, wood, Fukurokuju feeding minogame, ivory, 33/1:43,43 31/2:46,47 Shuman* Shoyusai*, sparrow, ivory, 33/2:46,46 Onna Daruma, 21/1:55,55 Shumei* Mokusui shojo mask, wood, 23/1:17 boy with Hannya mask doing bekkako, ebony, Shumemaru* 26/4:34 Futen emerging from spiraling cloud, wood, Shozan*, inro, three heroes of Han dynasty, 28/1:39,39; 26/4:35 (sig. shown); 26/4:48,48 23/3:45,45 Shumin*, 24/2:46 Shozui*,Hannya mask, metal, inscribed, 33/4:47,47 Asajiro catching fireflies, ivory kagamibuta, Shozuka no Baba, (female demon) 28/2:52,52 about, 26/4:13 court attendant, seated, wood, 30/2:50,50 Daruma seated

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wood, 24/2:46,46 ghost, female, painted wood, 32/4:40,40 wood, ivory hat, 24/3:10,10 ghost mask, wood, 23/1:16 wood, ivory earrings, 29/3:46,46 horse, elongated neck, wood, 23/3:26,26 goose resting head on its back, wood, 29/1:46,46 Kinko sennin on carp, cypress, x-rayed, Onna Daruma, reclining, ebony, ivory, 21/1:55 21/2:35,35 tengu emerging from egg, wood, 28/3:42,42 Kyo-Yu, sage, cleansing ear, style of, 29/1:55,55 shunga* nio carrying straw sandal, wood, 22/4:58,58 radish, Daikoku’s hammer and sack formed as Okame mask, wood, 34/1:48,48 embracing lovers, and rat, ivory, 34/2:4,4 Ryujin holding tama, painted wood, attrib. to, otsu-e, inoffensive, amusing folk art, 27/4:26 32/4:40,40 mushroom, ivory, by Raku, 21/3:37,37 Ryotohin, lacquered wood, 27/3:51,52 octopus opening clamshell, ivory, attrib. to Seven Gods of Good Fortune, wood ryusa Mitsuhiro, 21/3:37, 37; 21/3:48,48 manju, 28/2:51,51 “Shunga for Beginners,” by Else and Heinz Kress, snake, coiled, wood, 29/1:49,49 27/4:26 tengu Sanjin, long scarf, style of, 29/1:55,55 Shunkan* Zhong Kui and demon, colored wood, exiled priest, story of, 27/3:60 28/1:39,39 (see also Ariomaru) Shuzan, Yoshimura Shunkosai* birth, evidence of, 22/2:14 the brigand Rochishin, ivory, 21/3:26,26 Kan’u on horseback, attrib. to, 21/1:14 Raiden pounding geta on the ground, wood, Tekkai sennin, staff, hinoki wood, style of, 29/1:56,56 33/3:49,49 Shuraku*, 32/1:6 signatures* career notes, 24/2:12 added later, 25/3:28, 27/2:55 Nakamura Junko, descendant of, 25/1:36 added to meet demand, 21/2:68; 22/1:11; 26/3:13 Shusetsuken (go of Nakamura Toshimitsu), alternate readings of Japanese names (onyomi 25/1:35 and kunyomi), 28/2:36 technique in kagamibuta, 27/1:17 authenticity, 30/2:10,22 Daruma, playing a paper game, ivory, 30/4:9,9 comparing carved and written, 29/3:37 figure in loin cloth, ivory, tall, 30/3:31 importance to netsuke-shi, 29/3:41 poet Hitomaru with brush, and oni preparing ink, interpretation, 24/1:56 ivory and metal kagamibuta, 30/4:50,50 study of, 30/1:11; 30/1:12 Shushin (Kobayashi Shushin) “What’s in a Name?,” by S. Wertheim, 30/1:40 Chohi, Kan’u, and Gentoku, 23/2:42,42 “A Letter from the Past or a Message to the Shuya* Future,” by V. Bykoiz, 30/4:16 signature of, 31/3:49,49 silver* mined in Iwami provenance, 29/1:14 gama sennin resting atop frog, 21/3:29,29 Silver Kirin Award karako grabbing mask from man, ivory, 25/4:32; 2001 Gabor Wilhelm and Neil Davey 22/3:5 31/3:50 2004 Frances Bushell octopus tying chef’s bandana on head, wood, 2005 Doug Wright and Linda Meredith 33/2:31 2007 Miami Princess Takamado Shuzan*, 31/4:22 2009 Norman Sandfield and HIH Prince contemporaries of, 31/4:23 Takamado, 29/3:3,4 badger tea kettle, wood, 25/1:24,25 2011 Richard Silverman, 31/2:53 figure, wood, style of, 23/4:22,22 2013 Alain Ducros gama sennin Silverman, Richard, 22/3:39; 23/3:2; 23/4:51; on back of large toad, wood, 26/1:21,22 24/2:32; 29/2:6 standing, and toad, bone, 28/1:39:40 bio, 24/2:54

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pictured 21/2:10; 21/4:16; 24/1:8; 24/2:38; pictured 24/3:58; 33/2:37 and wife Shoko 29/3:60; 30/3:2 Hosono, 21/4:14,15; 22/3:6; 24/2:33; 25/4:59 Silver Kirin Award, 2011, 31/2:53 albatross on captain’s hat, 27/3:3 “Great Kagamibuta and Great Luck,” 23/3:16 doppelganger, wood, 26/4:55,55 “ Stagantler,” 25/3:16 dragon Adornment in Clay: Ceramic Netsuke from the changing form, wood 21/4:11 Richard R. Silverman Collection, reviewed, egg, stagantler, 23/1:47, 24/4:44,44 30/3:55 fish Singer, Robert T., pictured 21/4:9, 22/1:10 at play, ebony and wood, 23/1:49 siniu* in waves, ironwood, 23/1:46 and young, on base or seal, 22/3:26,31,31 horse fighting snake, wood, 24/3:55,55 a goat in form of a siniu, with monkey, ivory, jar in waves, acacia wood, 23/1:46; 24/3:36,36 33/4:36,36 octopus, wood, 23/1:48 seal, ivory, uns., 22/1:48,48 oni “The Siniu Enigma,” by C. Schiller, 22/3:26 and rabbit, wood, 24/4:43,43 Sinityn, Alexander, pictured, 31/3:7 holding rabbit, wood, 23/1:45 “Size Matters,” K. Brown, 21/1:30 owl, holly wood, 23/1:51 skeleton* sea snail, wood, ojime, 23/1:46 and monkey and woman, ivory, by Gyokkosai, serpent, ebony and stagantler, 23/1:50; 24/4:13 30/4:23,23 shark fisherman, wood, 23/1:49 as botan toro, with peony lantern smiling, 26/1:2 uns., wood, 21/3:31,31 snake wood, by Tametaka, 21/3:30,30 “belly up,” elk antler, 33/4:5 fetal position, dark wood, 32/2:56,56 drinking water from rock, 23/1:49 grief-stricken, wood, by Carlin, 34/1:3 wood 21/4:11; 32/4:6 three fighting on base, ivory, signed and dated Kikutai Yomoyuki, 24/1:40,40 snail* within a mokugyo, ryusa, ivory, uns., 22/3:25 tale of old couple and snail, 29/3:21 skull*, and fungus, wood, horn snail, by Tokoku, 22/3:31,31; 22/4:ibc; 29/3:7 human and kappa, ivory, gold, by D. Abel, 34/2:56 half-skull, wood, 21/3:39,39 and young insect overlays, ivory, okimono-netsuke, 31/2:42,42 ivory, by Masatomo, 33/3:46,46 on funerary urn, ivory, by Hojitsu, 32/1:45,45 ivory, by Ryo, 29/1:20,20 on a Buddhist whisk, by Kokusai, 26/4:44,44 emerging from shell, wood, signature unread, 10/4:53,54 stagantler, uns., 25/3:17,17 on boar tusk, buffalo horn, by Tomiaki, wood, by Eguro Suketada, 23/2:46 24/4:17,17 wood, by Toshimasa, 29/3:52,52 on bucket wood, mother of pearl snake, x-ray of, wood, by Rimu, 25/1:21,21 21/2:32,33 wood, by Shigemasa, 23/1:30,31; 31/1:ibc human, and snake on decaying cucumber, wood, 23/1:obc wood, by Itsumin, 32/1:45,45 on frog, by Goho, ivory, 21/4:ibc wood, by Shoko, 22/1:57,57 on fungus wood, by Sukenao, 32/1:obc fungus shaped as a rui, stagantler, by wood, by Toyomasa, 30/2:51,51 Kokusai, 34/2:51,51 Sloggett, Leigh, 24/2:31 wood, by Shigemasa, 26/1:28,28 career of, 23/1:45 on mushroom ivory, by Sadayoshi, 26/4:49,49

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wood, by Minko, 34/4:11 and skeleton, stagantler, by A. Fujii, 32/1:35 on sake jar, wood, by Mitsuhiro, 30/4:21 and skull on taro leaf wood, by Itsumin, 32/1:45,45 persimmon wood, by Kamman, 28/1:33 wood, by Sukeyuki, 29/1:59,59 ivory, by Tomiharu, 27/2:37 wood, by Masanao Ise, 30/2:51,51 on toad, and spider and fly, by Goho, 29/4:28,29 and tortoise on tooth, horn, by C. Hallam, 34/2:8,8 symbolism, 31/1:43 pond snail, wood, horn inlaid eyes, by Masanao wood, by Tomokazu, 31/1:43,43 (Kyoto), 27/1:30 coiled ready to strike, wood, by Bishu, 33/2:41,41 ebony, by Deme Taiman, 32/4:37,37 sea snail, wood, by L. Sloggett, 23/1:46,46 ivory, 22/1:11; wood, 22/1:11 wood ivory, by Tadatoshi, 22/1:11:11 by Hidari Issan, 31/1:55,55 ivory, 33/1:52,52 by Masanao 23/4:27,27 loosely coiled, wood, by Tanri, 32/4:37,37 by Tadakuni, 33/3:55 wood, by Masanao (Ise), 21/2:cover, by Tadatoshi, 26/1:39,38; 27/1:32,32 26/1:39,39 by Tadatoshi, 33/4:48,48 wood, by Sari, 33/4:34,35 by Toyomasa, 27/3:49,48 wood, by Shaku, 30/1:58,58 by Yoshiharu, 30/2:51,51 wood, by Shuzan, 29/1:49,49 signed and dated by Toyomasa (signature wood, coiled, attrib. to Suzuki Masanao, illustrated), 22/3:37,37 21/2:cover wood and pewter, by Jobun, 31/2:45,45 wood, by Tametaka, 30/1:58,58 snails wood ojime, by Natsuo, 31/2:42,42 two coiled asymmetrically wood, by Hideharu, 25/3:36,37 elk antler, by L. Sloggett, 33/4:4 wood, buffalo horn, by Kamman, 28/1:33 ebony, by Mori, 34/1:48,48 on reishi fungus, wood, horn, ivory, by Toko, ebony, by Morimitsu, 24/3:15,15 29/1:50,50 wood, by Kokei, 25/4:45,45; 32/2:45,45 three wood, by Tadatoshi, 22/1:11; 33/2:44,44 wood, 24/1:35,35 ivory, by Tadashige, 33/2:ibc inro by Kiyonao, 33/4:53,53 ivory, unsigned, 33/2:44,44 four held by screaming man, wood, by Kameyama, wood, by Sari, 22/3:27,27 28/2:34,35 snake* (hebi), 23/3:46 inro by Toshihide, 29/4:38,38 association with Kiyohime, 33/4:34 inro by Ganshosai Shunsui, 32/4:43,43 characteristics of, 32/4:4 killed by Ryuho, ivory, by Tomochika, and boar, ivory, 26/3:14 21/2:65,65 and crane, 4-case inro by Koma Koryu, on vegetable, narwhal, 27/4:18 34/4:43,43 pipe holder, wood, and snakeskin pouch, and egg, encircling egg, hole with interior 28/2:49,49 carving, ivory, by Rantei, 28/2:51,51 sinuous, wood, by L. Sloggett, 32/4:7 and frog (see also serpent) ivory, 33/1:52,52; 34/1:49 “The Sneezer,” by R. Hieronymus, 21/3:54 on lotus flower, ivory, 34/1:46,46 Snow, Donald, pictured, 27/2:44 wood, by Toman, 31/3:27,27 snow* monkey held by a sennin, ivory, by and pumpkin Masachika, 29/1:23,23 wood, by Yoshimasa, 29/3:51,51 Soetsu* wood, uns., style of Tadakuni, 25/1:25,25 inro, carp breaching water, 33/4:50,50

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inro excavated from daimyo graves, 30/3:40; nio, and temple cleaners, wood, 30/4:44,45 30/4:32 obidome, corncob, wood, green stain, 30/1:59,60 Sofu* leading ox, on base, wood, by Sosui, Okame mask, 21/2:23,23, ivory, and tomobako, 28/4:41,41 29/3:37,37 Soichi* oni hiding under hat pelted with beans, wood, caparisoned elephant, ivory, 28/3:16,17 30/2:54,54 Sojobo*. See Tengu King plaster masks, 25/1:53,53 Soju*, pomegranate, 22/3:13 pattern on snake, 22/1:11 Rashomon oni retrieving severed arm, wood, pictured 25/1:52 25/1:51,51 oni sheltering under large hat, wood; the beans shishimai dancer, 29/4:36,36 of various materials, 28/2:32 wood bundle, 24/4:22,22, 29/4;36,36 soldier* Sokoku* foot soldier, humorous, movable tongue, pictured 25/1:52 wood/ivory, by Ikko, 29/3:33,33 sarumawashi, kneeling, with monkey (sig. Sokei* (from Okinawa) shown), wood, 31/2:44,44 ebony crouching tiger, 29/4:35,35 Solomon, Peter, pictured, 27/2:44; 33/2:37 cook, cutting pumpkin, at table, wood, Somei*, husk of a nut, 32/4:37,37 34/1:50,50 Somin* Soken Kisho*,by Inaba Tsuryu metal artist, 21/3:8 56 netsuke carvers listed, 28/3:33 cold chisel technique, 27/1 Soken Kisho artists, 28/3:32 karako as gods of good fortune at Dontaku Soko* matsuri, 28/1:33 apprentices, 25/1:53,52 ojime, oni, metal, 25/4:45,45 his work, as told by Sokoku, 25/1:52 Ryujin in dragon headdress, with tama, ivory signature on netsuke compared to tomobako, kagamibuta, 29/1:52,52 29/3:37,37; 38,38 Songoku* (Monkey King) pictured 25/1:52 and Sanzan on horse, ivory, 27/2:55,56 bamboo section, ivory, sashi, 29/2:52,52 ivory, by Mitsuhiro, 21/4:56,56 banana leaf, wood, okimono, 21/1:45,45 ivory, by Yuso, 22/3:22 bean pod, pipecase, 33/4:48,49; 34/2:19 ivory, by Otoman, 33/3:53 beans, wood, 21/1:52,52 fighting a shishi, wood, 28/1:52,52 carpenter in bamboo node, 21/3:8 holding magic wand, ivory, by Hidemasa, cherry blossoms, ivory, 29/4:36,36 29/1:60,60 chrysanthemum, ivory, 31/3:47,47 on cloudbank, wood, by Hojitsu?, 25/3:38,38 cooper inside large barrel, ivory, 34/2:24,24 Sosei (from Okinawa) Daikoku, resting on koban coins with rat, inro 30/2:42,43 24/3:10,10 Sosen*, 25/2:48 Daruma, seated, wood, 30/1:cover; 30/1:28,30 a Kyoto netsukeshi? 27/2:30 entertainers wearing fox masks playing kitsune shojo filling sake bowl from bucket, ivory, ken, 27/3:40,40 27/2:30,30 farmer and treasure box, 23/4:38,38 inro, deer, 32/2:50,50 Kannon, 11 faces, and tomobako, 29/38:38 Soshi* (Chinese philosopher) letter box netsuke by Soko attached to pouch and Hotei with karako (each karako with with clasp inscribed and dated by Natsuo, different hairstyle), 25/4:33 29/4:40,40 resting, leaning on bench, ivory, by Masakazu, man lifting huge rice bale, wood, 29/4:36,36 30/2:25,25 mountain grapes, wood, 29/1:41,41 with book, asleep, ivory, by Yoshinaga, 28/2:53,53

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Soshichi* South Sea islander* goat, reclining, wood, 27/1:38,38 by Miwa, 21/1:14 Tenaga tying Ashinaga’s shoe, ivory, 32/1:37,37 ivory, wood, holding large pink coral, by Soshin* Jugyoku, 29/3:43 work of, 30/2:14 holding fish to mouth, ivory, tall, uns., 21/4:23 Chinese scholar carrying bamboo container, holding two snakes, wood, tall, by Suzuki wood, 30/2:12,12 Katsusuke, 33/3:47,47 Koko sennin, vapor from pot, wood, 30/2:16,16 in waves with large piece of coral, by Genryosai, parrot or cockatoo on branch, 30/2:12,12 24/4:ifc Shoki and oni, wood, 30/2:12,12 with drum, tall, wood, uns. 30/1:51,51; 33/4:23 Tekkai sennin walking with staff, wood, wood, uns., 21/4:23 25/1:33,33; 30/2:15,15 Soya* “Soshin,” by Jay Hopkins, 30/2:14 boy at desk drawing characters “he no he no mo Sosho* (from Okinawa) he ji,” wood, 25/3:38,38; 26/3:53,53 inro by, 30/2:47,47,48 Soyo, astride rat, ivory kagamibuta, 34/2:48,48 Soso*, red Hannya mask, wood, 32/2:46,46 Soyo or Shuyo Sosui* New Year dancer, gold ojime, 22/3:34,34 abalone diver asleep on fish, marine ivory, wood, Soyo*, Shoki on a lion, kagamibuta, 23/4:22,22 21/2:ifc Sozan*, frog on leaf, ivory, 22/4:55,55 beautiful woman, 24/4:29,29 Sparks, Peter, pictured 24/2:33 carrying heavy jar, wood, 30/1:52,52 sparrow* dandy, with umbrella, ivory, signed, inscription and clamshell, symbolism, 31/1:44 to client, 27/4:51,51 in Japanese literature and poetry, 26/3:23 farmer cutting large log, wood, 32/1:49,49 crisscross pattern on wings, ivory, uns., fishmonger cutting fish, wood, 32/1:49,49 21/3:34,34 farmer tying wood bundle, wood, 32/1:49,49 feeding young, ebony, by Horaku, 32/2:58,58 female ghost, shitan wood, 27/3:54,54 Fukura suzume (good-luck sparrow), branch in jewel maiden, wood, 30/1:52,52 beak, ivory, by Masakazu, 26/3:24,24 man contorting on one foot, 29/4:36,36 Fukura suzume, ivory, uns., 27/1:41,41 man fighting eel, wood, 29/4:37,37 Hatsu suzume (first sparrow), ivory, by Yasuhide, 26/3:24,24 Meikei copying Sosui’s Fukurokuju and Okame, 29/3:40,40 in clamshell, wood, by Toyomasa, 31/1:44,44 monkey (hear-see-speak no evil), wood, in flight 29/4:37,37 ivory, by Kagetoshi, 33/3:40 Nakajima Wadaemon, seated, foot resting on ivory by Masanao (Kyoto), 28/1:37,38 sandal, 33/2:48,48 ivory, by Shoyusai, 33/2:46,46 Okame shaving head of Fukurokuju, wood, wood, attrib. to Masanao (Kyoto), 34/3:3 29/4:37,37 wood, by Namboku, 21/1:33 Rashomon demon, 34/1:21 wood, by Toyomasa, 27/3:37 shirabayoshi, or dancing girl elaborately dressed, stag antler, signed Koku, but brand new, wearing eboshi, in boat, 28/3:46,46 34/4:44,44 Watanabe no Tsuna and demon of Rashomon, stylized, ivory, bamboo sprig, by Dosho, wood, 29/4:37,37 28/3:50,51 two men on a raft, wood and ivory, 24/2:ibc; stylized, wood, by G. Weil, 22/3:47,47 two men on a raft, wood, 27/4:64,64 “Suzume no Yado” a sanctuary for sparrows, by Sotheby’s, 22/3:7 C. Beamer 26/3:23 closing of Japanese Dept., 27/2:4; 27/3:32; (see also tongue-cut-sparrow) 27/4:8 Sphinx*, wood, by Masatoshi, 29/3:49,49 Sousa, Jean, pictured 21/4:14

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spider* “The Story of a Great Modern Lacquer Master,” by and web, “Ambush,” by Ippuku, stagantler D. Pepper, 22/2:39 manju, 30/1:7 Storving, Birgitte, pictured; 24/3:59 on boar tusk, Iwami school, 23/1:43,43 Stradiotto, Gregg on boar tusk, by Bunshojo, 27/4:50,50 grazing horse, walrus ivory, 21/1:ifc on chestnut, wood, by Masanari, 23/2:21,22 Halloween ghost, deer antler netsuke; walrus on taro leaf, ivory, by Bunshojo, 27/3:54,54; ivory ojime, 21/1:ifc 29/1:15,15 leather back turtle, netsuke and ojime, ebony, spider-crab, by Seihan, 21/4:55 21/1:ifc (see also Minamoto no Raiko) manatees, netsuke and ojime, deer antler, Spindel, Sybil, pictured 21/4:14 21/1:ifc spirit of the plum tree, woman seated under tree, St. Sebastian, walrus ivory, 21/1:ifc ivory manju, by Kogetsu, 34/2:28,28 Stratos, Milton, 21/2:2; 21/3:2; 23/4:40 spirit of victory, wood, by Sansho, 32/1:25 pictured 21/4:9 squid, balanced on one tentacle, ivory, uns., “The Netsuke Carvings of Jobun,” 22/1:14 26/1:60,60 “The Netsuke of Miura Yoshinaga,” 31/1:10 squirrel* “Kiseruzutsu Revealed,” 33/3:17 confused with sarigue, 22/4:9 street entertainer* and grapes, ceramic, uns., 29/1:40,41 by Hakuunsai II, 24/4:38,39 inside apple, wood, by Akira, 29/4:7 chanting, playing mokugyo, ivory, by Ryo, flying, by Kozan 26/1:2 20/3:20,20 paired with grapes, symbolism, 29/1:40 Strone, Michael J., 27/4:8; 30/4:16 stabbing cloak. See Yojo pictured, 27/2:45; 29/3:3 Stafford, Jerry and Nancy, pictured 23/2:6 “California Ivory Problems,” 32/1:4 stag*. See deer “Yoshitomo: A Comparative Study,” 26/3:36 stagantler* column: see “From the Outside Looking In” carvers known for using stagantler, 25/3:21 memoriam for Antonio Pereda, 33/2:57 use in netsuke carving, 25/3:16; 27/3:59 Georges Weil (a profile), 34/2:14 “Stagantler,” by R. Silverman, 25/3:16 “Stumped by Mitsuhiro,” by R. Rudolph, 22/4:45 stations of the cross Such Stuff As Dreams Are Made On, Japanese fifth station, ivory manju, uns., 25/4:cover Netsuke from the Willi G. Bosshard Collection, reviewed, 28/4:60 Stephen, Barry, pictured, 29/3:59 suicide rooms, 25/1:40 Sterling, Tom, pictured 21/2:6 Suiko-ju, wood mask, 26/1:34,34 fallen leaf netsuke, hippo tooth, and ojime, 21/4:65 suiko, mythical creature, ivory or stagantler, 22/2:53 stirrup, ivory, by Anraku, 30/3:19,20 suisei* Stock, Franco, pictured, 27/2:42 seated, looking back, stagantler, uns., 27/3:66,67 stolen*/missing art Suizan*, kappa emerging from cucumber, wood, 26/3:ibc netsuke, from a collector, 23/3:52 Sukeharu (Eguro Sukeharu) netsuke, from Y. Shimatani, 21/4:67; recovered, 22/2:2 history, 23/2:45 inro, from Rolf Schmoll, 28/1:59; recovered, frog on a clog, 23/2:45 28/2:4 Sukemasa (Futamura Sukemasa) stone lifter* genealogy, 23/2:45 ivory, 29/1:60,60 Sukenaga* wood, by Jobun, 22/1:cover, 19,18; 26/1:24,24 family known for frog netsuke, 26/2:31 (see also Totsuka beggar) sig. shown, 22:26 being ridden by Yamada Nagamasa, 26/2:31,31

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dragon skull and snake, wood, 29/1:59,59 claws resting along body, alert, wood, toad and young, wood, 21/3:41,41 33/4:30 Sumi*, cat, collared, ivory, 32/1:52,52 on base, ebony, 29/4:48,48 sumo* wrestlers. See wrestlers on base, black persimmon(?), 30/4:12,12 sumptuary laws of Edo period, 21/1:36 protecting a ball or pearl, 24/3:15,15 sundial and compass, dragon design, 23/1:34,34 frog Susano-O* on log, wood, 27/1:38,38 god of sea and , legend, 31/4:12, 12 on lotus pod, wood, 33/2:46,47 fighting dragon amid clouds, marine ivory oni hiding under hat at Setsubun festival, ryusa, by Kogetsu, 27/4:54,53 24/2:61,61 slaying the dragon Orochi, 31/4:12,12 ox, looking right, 33/2:43,43 swan ivory, by Hisanobu, 21/1:46,46 rabbit, ittobori technique, 22/2:26 Swanson, Will, pictured, 27/2:44 rat with lotus pod, wood, 33/2:43,43 Swedlow, David, 23/1:14; and Sandy, 26/1:59 rice merchant in basket ferry, wood, 30/1:50,50 Sweet, Aubrey, 29/2:8 tiger grooming shoulder, ivory, 26/4:47,47 and Eva, and Jeremy, pictured 22/3:6 toad on roof tile, 24/3:16,16 memoriam, 26/2:61,61 toad on lotus pod, ivory, 28/3:42,42 Sweet, Eva, 31/3:4;pictured, 27/2:43; 30/1:6 Sukenaga & Hida school festival, 33/4:9 sword furniture Sukenaga Matsuda, 25/1:42 kashira, sword fitting made into a netsuke, by sansukumi, 23/3:44,44 Mitsuhiro, 22/4:46,46 Sukenao* sword scabbard and handle by Kokei, 23/3:11,12 Morishita Sukenao genealogy, 23/2:45 sword, wooden. See bokuto frog on pumpkin stalk, wood, 23/1:29,29; swords* 26/2:31,31; 31/2:23 ban, 25/3:33; 28/3:25 gama sennin, wood, 33/3:52 menuki on sword mounts, 28/3:25 skull and snake, wood, 32/1:obc forgeries, 25/3:34 Sukenori, seal netsuke of a frog, and original box, long, 25/3:46 23/4:30, 30, 31 Symbols of Japan, by M. Baird (reviewed), 21/2:66 Suketada* (Eguro Suketada) symposium in Takayama 2014, reviewed, 34/3:4 later art name, Shoko, 23/2:46 Szeszler, Denis, 22/4:55; 30/4:28 history, 23/2:46

brush pot, wood, 23/2:46

coin-shape seal, wood, 23/2:46 T** kappa and clam, wood, 23/2:47 Tadachika, Toyosai, 23/2:41 line engraving, bamboo, wood, 23/2:46 Tadakazu*. See Chuichi skull, okimono, wood, 23/2:46 Tadakuni* tiger inro and pipecase with monkey, 23/2:47 mushroom group, wood, rabbit image in pewter, wolf and skeleton fighting, wood, 23/2:47 by Ganbun, originally signed Tadakuni, Suketomo* 21/3:24,25 frog on tile, wood, 31/2:43,43 pumpkin and snake, wood, style of, 25/1:25,25 Suketomo (of Hida) snail, wood, 33/3:55 doctor’s sword decorated with long bean, Tadamori* collaboration, 24/4:32 and oil thief skeleton and wolf fighting, 23/2:44 2-part ivory manju by Kogetsusai, 28/2:52,52 Suketoshi (Eguro Suketoshi), genealogy, 23/2:45 climbing stone lantern, 32/2:56,57 Sukeyuki, holding oil thief, wood, by Miwa, 34/4:obc Sukeyuki*

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ivory, signed Tomotada; attrib, to Okatomo, “Takaashigani Sennin: One of a Kind?” by R. 31/1:obc Hieronymus, 34/1:38,38 ivory, by Hidemasa, 30/2:49,49 Takahisa* ivory, by Anraku, 32/2:21,20 Shoki, gold ojime, 22/3:34,34 hiding behind temple lamp, marine ivory ryusa, Takamado, HIH Prince 27/4:55,54 pictured 21/1:12; 23/1:6; 24/3:3,38 Tadashige* death of, 23/1:59 sleeping shojo, wood, 34/1:52,52 Takamado, HIH Princess Hisako snake, ivory, 33/2:ibc pictured 24/1:8 Tanuki being belly, wood, 33/1:42,43 Silver Kirin recipient, 29/3:4,4 tsuba, design alluding to potted trees, 30/2:24,22 Takanori, governor of Bizen Province, carving Tadatoshi* message, kagamibuta, by Tenmin, 28/1:57,57 Buaku dancer, wood, 34/2:obc takarabune (treasure ship) chrysanthemum, wood, ivory bee, metal ants, about, 27/2:12 28/3:49,49 at sail with seven gods, wood, ivory, uns., fox Kuzunoha with baby, ivory, 29/4:50,50 27/2:12,12 mermaid, wood, 24/3:14,14; 29/1:56,56; Takarabukuro (treasure bag), a notebook of netsuke 34/2:44,44 designs by Mitsuhiro (reviewed), 24/4:55 Raiden mask, wood, 26/4:39,39 Takatsuna on horse on Uji river, with Sasaki clan Ranryo dancer, wood, 30/3:51,51 mon, ivory manju, by Naoharu, 34/2:53,53 shojo asleep Takazawa, Kenji, 29/2:8; pictured, 30/3:4 lying down, wood, 31/2:48,48 Takuan*, wood, by Sansho, 32/1:21 seated, head in hands, wood, 33/3:53 Takugyoku*, cicada, 23/1:39,40 seated, wood, 28/3:ifc Takusai* snail, wood, 26/1:39,38; 27/1:32,32 mermaid holding tama, wood, 32/2:33 snake, asymmetrically coiled, wood, 33/2:44,44 Takutaku snake, coiled, ivory, 22/1:11; wood, 22/1:11 Bunshosei, on a dragon-headed fish, wood, Tadatsune.* See Nitta no Shiro 30/1:51,51 Tadayoshi* Tale of Genji, theme in gold lacquer bundai and suzuribako, 33/1:ifc ginkgo nuts, (Hogen Tadayoshi) 24/2:48,48 “Tall and Slim: Depiction of Beautiful Women and shishi, paw on ball, wood, 26/1:39,38 th the Seven Sages in late 18 century Japan,” by shojo, head in hand, asleep lying down, wood, E&H Kress, 29/4:22 29/2:56,56 Tamakaji* snail, wood, 33/4:48,48 swallows in cherry tree, inro (sig. shown), snail on mushroom, ivory, 26/4:49,49 * 21/2:56,56 taikomochi (dancer), by Sansho, 32/1:21 “Tamakaji Zokoku: A Remarkable Lacquer Taishin* Artisan,” by H. & E. Kress, 21/2:54 box netsuke, bamboo, 30/4:42,42 Tamamo* no Mae caddy, inro, 34/3:9 and 9-tailed fox moon landscape, dark lacquer inro, 27/2:22,22 and Abe no Seimei’s daughter, ivory, pipecase, bean pod shape, cricket, walrus ivory, 29/1:56,56 31/2:38,38 and Mitchigana, ivory kagamibuta, ivory, by Taishin O Fujin playing a harp, and dragon, by Toun, 29/1:52,52 Hakusai and Tenmin, 24/2:12,12 wood, by Sosui, wood, 30/1:53,52 Taishun*, paragon of filial piety, seated ivory manju, by Kikugawa Toun, 25/1:24,24 backwards on elephant, ivory, uns., 25/1:16,16 Tamanini, Rino, 30/4:28 Takaashigani sennin Tametaka* crab as his attribute, ivory, 34/1:38,38 style, 23/1:57

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boar, two, on leaves, wood, 26/1:26,26 Tanaka, Jun’ichi, 24/1:7; 25/2:48 cockerel on drum, wood, 32/2:obc pictured 23/2:9; 24/1:8; 25/3:6; 27/1:7; 30/3:4 Daikoku on two bales of rice, wood, 26/1:26,26; Tanba/Tamba school 30/2:39 founder, students, and followers of Naito dog, bushy tail, scratching ear, wood, 27/1:43,43 Toyomasa, 21/2:40 dragon popular motifs carved by outside artists, 21/2:45 manju-form, wood, 31/2:48,48 “Tamba School Report: Gama Sennin by and bell, wood, 32/3:25 Masanobu,” by K. Ichimichi, 24/1:22 sennin, 21/1:14 Tanetoshi* frog, wood, 32/3:25 three rats and radish, ivory, 32/1:48,48 goat, wood, 23/1:57,57 12 zodiac animals, ivory, 32/1:54,54 goats, three, wood, 30/4:41,41 Tanida, Yushi; pictured, 30/3:4 horse Tanri*, snake loosely coiled, wood, 32/4:37,37 reclining, wood, 32/3:25 Tansui, inro of Okame at circular window; setsubun, grazing, wood, 33/2:45,45 33/3:30 jakoneko, standing, biting foliage, wood, 34/3:10 tanuki*(see badger) karako, two, hiding from shishi behind tsuitate, Tarapakan, Anatoliy, pictured, 30/2:8 wood, 34/2:54,54 Taro, ivory mask aside, drinking sake from bowl, Kiyohime engulfing temple bell, wood, wood, legend of, 21/4:17,17 23/4:17,17; 33/4:48,48 Tasai (Fukushima Tasai), lacquer muso pipecase, monkey(s) 24/3:32 elder and four young, wood, 31/2:46,46 Tatamori Hime, the heroine retrieving a jewel from the evil dragon, 24/4:49 49 on baku, wood, 32/3:9 Tategawa* family, kirin, wood, 24/3:15,15 seven, huddling, wood, 23/1:25,25 Tatekawa* Uchino, two quail on base, wood, rabbits, two, wood, 29/3:52,52 29/3:49,49 rat resting on its tail, wood, 31/4:49,49 Tatsuta river, maple leaves, ivory ryusa, 27/4:55,55 Ryujin, wood, 27/1:43,43; 30/1:53,53 Tatsuke*, lacquer pouch, 23/2:20,21 shishi Tatsuuma, Sumiko and Chikako, pictured 23/2:10 and cubs, 23/3:39,39 tea* scratching neck, wood, 29/4:49,49 Uji ningyo, tea picker dolls, 31/1:7 two play fighting, wood, 31/4:41,41 utensils, wood, by Minko, 31/2:35,35 with large peony, wood, 25/4:47,47 tea caddy (cha-ire), inro, 22/3:38,38 Shoki tea house, 30/1:24,24 scowling, dark wood, tall, sig. shown, tea grinder asleep, wood, 34/3,3 21/3:30,30 tea shop, woodblock print, 31/1:6,6 holding sword behind his back (ukibori sig. shown), 23/4:28,28 tea kettle, ebony, inlays, style of Mitsuhiro, 24/4:19,19 riding a shishi, wood, 22/4:60,59 (see also ; badger transforming; kettle) skeleton, lotus hat, peony lantern, dragon mask, wood, 21/3:30,30 tea whisk (chasen). See chasen vendor snake, wood, 30/1:58,58 tea master. See Tsuen tiger Teiji* on rock, wood, 24/3:16,16 Daruma seated in red cloak, wood, 31/2:44,44 reclining, wood, 21/3:ibc shojo actor, ceramic, 27/1:44,44 Yama Uba breast feeding Kintoki while he Raiden in cloud, ceramic, 26/1:38,38 contains a wild boar, wood, 28/1:53,53 Tekkai sennin* Tami*, owl, ivory, 22/3:40,40 balancing on one foot with staff “Taming the Wild Bull, by E & H Kress, 28/4:28 ivory, by Kagetoshi, 21/3:35,35

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ivory, by Masatoshi, 21/3:10,10 similar to bell dragon, ivory, by G. Weil, hinoki, style of Shuzan, 33/3:49,49 22/3:47,48 on a base, ivory, 32/4:26 head of standing, stroking beard, wood staff, by Kodo pink ivory wood, by Wes Thorpe, 34/3:12,12 Gyokuzan, 28/4:21 wood, by Gyokusai, 28/1:43,43 walking with staff, wood, by Soshin, crow tengu (karasu tengu) 25/1:33,33; 30/2:cover,15,15 characteristics, 33/1:44 wearing with gourd (Chokaro?), ivory, carrying Yoshitsune, ivory, by Ryusensai, 32/2:55,55 32/4:33,34 exhaling soul and chick, ivory, by Ikko, 22/3:24 24/2:24,24; 30/1:51,51; 32/4:46,46 and young, both hatching from separate eggs, ivory, by Yoshinaga, 30/1:ibc wood, by Masasada, 30/3:25,26 ivory, uns., 30/2:3 dressed as yamabushi, ivory, uns., 33/1:44,44 balancing on one foot with staff hatching from egg, wood, by Masasada, ivory, by Kagetoshi, 32/1:3 30/3:24,25 wood, by Gessho, 32/2:55,55 holding sprig, ivory, himotoshi discussed, reclining, ivory, by Yoshinaga, 25/1:17,18; 31/3:9,9 seated on rock, exhuming soul, drawing by hook-like beak, wood, by Deme Uman, Genkosai, 24/2:26,26 28/2:29,30 standing mask ivory, uns., 24/3:ifc bearded tengu used in Kyogen, 28/2:30 painted wood, tall, attrib. to Sansho, corozo nut and hair of stagantler, by 28/2:50,50 Haku, 28/2:29,29 with staff, tall, wood, 24/3:14,14 long beak, ivory, 28/2:29 wood, by Tsuji, 23/4:44,44; wood, by Gyokuin, 28/2:29,29 Tekkan*, Gigaku mask of a nio, wood, 29/1:9 human tengu (konoha tengu) Temple, Charles R., 22/3:6 characteristics, 33/1:44 pictured 21/4:9 reading book, ivory, signed Hide with kao, 26/2:32 Handbook of Traditional Themes in Japanese Art, reviewed, 28/2:56 head, stagantler, uns., 25/3:20 Tempo reformation, 25/1:45 balancing toy on nose, ivory, manju, by Kikugawa, 22/3:53,53 Tenaga (without Ashinaga) mask Tenaga applying moxa to his own bent legs, wood, by Sessai, 27/3:62,62; 30/1:37,37 carried by Okame, ivory, by Ogasawara Issai, 25/1:17,17 as circus acrobat, ivory, by Minkoku, 28/2:40,40 head wrapped in furoshiki, ivory, on drum, ivory, compact, 28/1:42,42 28/2:29,30 Tenaga clipping toenails, wood, 30/1:37,37 long nose, ivory, 33/1:44,44 tengu* pottery, by Sekiho, 28/2:30,30 about, 33/1:44 smiling, pottery, by Sekisen, 28/2:30,30 as gods, 28/2:28 Okame touching long nose, ivory, by characteristics of human and crow, 22/3:53 Masatsugu, 33/1:44,44 described, and types of, 28/2:28 stirring mochi with nose, wood, uns., humorous and erotic characteristics, 28/2:29 22/3:53,53 legend of tengu and woodcutter, 28/2:30 pushing egg, by Shigemasa, ivory, 22/3:53,54 netsuke artists typically carving tengu, 28/2:28 wearing hexagonal hat, wood, 28/2:29,29 and young, ivory, by Hasegawa Ikko, 25/2:15 wings deployed, with large sphere, ivory, by box netsuke, lacquer, collaboration of Birch and Koichi, 29/1:55,55 Tomiso Saratani, 24/3:44,45 Tengu King (Sojobo)

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carrying Yoshitsune, ivory, by Ryusensai, rakan, ivory bowl, 34/4:42,42 33/1:44,45 Taishin O Fujin, collaboration with Hakusai, mask, tengu king (Sojobo), wood, by Hidari 24/2:12,12 Issan, 28/2:30,30 “Tenmin School of Kagamibuta Makers,” by D. seated, wings spread, ivory, 29/1:56,56 Eijer, 27/1:14 Sojobo from egg, wood, ivory cap, by Tenmin Shojo-o Korakusai, 29/1:48,48 kagamibuta miscataloged as by Ryomin, wings folded in front, wood, uns., 33/1;45,45 34/4:42,42 “Tengu Netsuke,” by P. Jacquesson, 28/2:28 Tennin*. See Buddhist angel tengu no tamago* (tengu from egg) Terou characteristics, 28/2:28 lacquer box, shell poetry game, 22/2:30,31 and monkey, wood, by Bazan, 26/1:42,42, letter lacquer box netsuke, 22/2:29,30 26/2:32 Saigyo’s death poem, 24/3;41,41 human head, wood, uns., 25/3:38,38 Tessai* cross-nosed mask, wood, 28/3:51,51 Kano Tessai, history, 23/4:12 bronze, uns., 33/1:44,45 exhibition at Gifu City museum of History, ivory, by Hidemasa, 26/2:33 23/4:12 ivory, by Masanao, 31/2:49,49 pipe cases, wood, 33/4:7 ivory, by Masayuki, 26/2:33 Tetsugen*. See Kyusai. ivory, uns., 23/1:24,25; 25/1:16,16; Wakayama Tetsuro*, 22/3:12 carvers, 34/4:11 Basho helmet, a tsuba haiku, ebony, 22/2:32,33 wood, by Jobun, 22/1:16-17; 26/2:32 girl listening to sea shell, wood, 24/1:50, wood, by Komin, 34/2:44,44 24/3:1;41,41 wood, by Masayuki, 33/1:45,45 Kannon, seated, ivory, 29/3:50,50 wood, by Namboku, 27/4:56,56 monkey, wood, 22/3:10,10 wood, by Otoman, 29/3:ibc Thorpe, W wood, by Shigekatsu, 33/1:43,45; 34/1:47; Tengu head, pink ivory wood, 34/3:12,12 34/4:50,49 Thornton, Spencer, 30/1:12, pictured, 30/3:10 wood, by Shumin, 28/3:42,42 three friends of winter (pine, bamboo, and prunus) wood, by Tanaka Minko, 25/4:46,46 ivory and cloisonné ryusa manju by Hakusai, wood, by Toyomasa, 26/2:32; 32/4:29 24/2:17,17 wood, ebony skull cap, by Kagetoshi, saishi with inlays, by Hideyuki, 31/3:39,39 29/1:49,49; 34/2:3 three heroes of the Han dynasty, 22/4:8; 23/3:44 wood, uns., attr. to Toshimitsu, 25/1:36,36 inro by Kakosai, 23/3:45,45 tengu Sanjin wearing a scarf, painted wood, Shuzan ivory, by Tomochika, 23/4:43 style, 29/1:55,55 Kan’u, Chohi, and Ryubi Gentoku, 22/4:8 Tenjiku *Tokubei “Three Nanban Inro Decorated in the Colours of seated like a toad, wood, red, gold lacquer, Russian Lacquer wares,” by H. and E. 30/4:54,55 Kress,31/3:20 (see also Yamada Nagamasa) three sake tasters (Buddha, Confucius, and Lao Tze) Tenkaichi* by Hachigaku, 23/3:45,45 whistling amma with strength stone, wood, three sleepers, 27/1:37 30/2:19,19 tiger* (tora). Tenmin* attributes, 33/4:32 career notes, 24/2:12 a proverb, 21/2:16,16 Ebisu preparing carp for cooking, kagamibuta, and bamboo, metaphor explained, 33/4:32 28/1:57,57 association with Busho, 32/3:10,11 Emma-O, kagamibuta, 30/4:42,42 inro and scroll designs by Genkosai, 24/2:27,28 kappa, foot caught in clam, wood, 28/1:56,56

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Back to netsuke.org eating bamboo wood, by Sari, 22/1:47,47 ivory, by Denshin, 33/4:32,33 and snake, wood, by Zanmai, 26/4:3 ivory, by Masayume, 24/3:56,56 contorted, snarling, wood, by Bishu, 29/3:50,50 ivory, by Okatori, 24/4:11,11 crouching ivory, by Tomochika, 22/3:36,36 made of bamboo, 33/4:32,32 ivory, by Tomotada, sig. discussed, on rock, wood, by Tametaka, 24/3:16,16 33/2:40,40 snarling, ivory, attrib to Hakuryu, 29/1:46,46 ivory, uns., Kyoto, 32/4:34,34 grooming forepaw on bamboo reclining, ivory, by Tomotada, signature lying on bamboo, licking paw, ivory, uns. questioned, 26/4:51,51 Kyoto, 27/1:33and one cub wood, Kyoto style, 33/1:53,53 seated on bamboo, wood, Kyoto-type, grooming hind leg 26/1:28,28 ivory, by Okatomo, 34/1:7 and cub ivory, by Tomotada, 25/4:48,48; 6/1:37,37 cub climbing on elder’s back, ivory, by wood, by Natsuki (Kaboku), 25/4:46,46 Okatomo, 23/4:27,27 grooming hind paw cub carried by scruff of neck through a river, ivory, by Okatori, 23/4:19,19; 21/2:16,16; ivory, 31/2:46,46 26/4:50,50; 31/1:55,55 cub on elder’s back, ivory, by Kazutomo, ivory, by Rantei, 30/3:50,51 23/3:52,52 grooming shoulder cub on elder’s back, ivory, uns., Kyoto style, ivory, by Sukenaga, 26/4:47,47 30/2:obc wood, 21/4:13; cub scratching chin, ivory, 32/4:29 looking back cub scratching chin, ivory, 24/4:ibc crouching, ivory, by Kyoto Masanao, elder’s foreleg or paw on cub 22/4:60,60 ivory, uns., 25/1:19,19 crouching, looking back and up ivory, by Hakuryu, 25/3:49,49; 32/3:41 snarling, by Kenji, 29/2:57,57 ivory, 30/1:56,56 ivory, 34/1:47,47 ivory, signature discussed, 30/2:51,51 ivory, attrib. to Sadayoshi, 29/4:43,43 struggling cub, wood, 27/1:32,33 ivory, inscribed Okatomo, 28/4:41,41 while elder grooming itself, ivory, by ivory, Osaka style, 31/2:46,46 Tomotada, 31/4:50,50 lantern fruit in mouth, wood, by Issan, while elder grooming itself, ivory, uns., 26/4:47,47 Kyoto, 25/4:52,52; 26/4:50,50 paw up, ivory, 30/4:53,53 while elder scratching its head, ivory, by Tomotada, 33/2:40,40 reclining, black persimmon, Kyoto, 28/1:3 and two cubs reclining, ebony, by Tomotada, 27/4:37 elder playing with, ivory, by Okatori, wood, by Minko, 24/2:47,47; 25/4:55,55; 31/4:50,50 28/4:16,16 (sig. shown) ivory, by Hakuryu, 25/3:45,45; 25/4:45,45 wood, by Tomin, 24/2:47,47 and dragon wood, style of Tomotada, 22/1:58 58 wood, 30/1:50,50 wood, by Toyomasa, 22/4:60,60; 26/4:36,36; 27/3:36 dragon-in-clouds, wood, by Sadanobu, 26/1:40,40 wood, by Toyoyo, 31/4:50,50 and monkey looking down and back, wood, by Toyomasa, 32/4:36,36 monkey cleans tiger’s ear, wood, by Toyomasa, 26/1:40,40 looking forward toy tiger & monkey, wood, by Chikusai, seated, ivory by Komei, 21/3:3 25/3:38,38

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seated, wood, by Kokei, 22/4:55,55; clasp, gold, by Natsuo, 22/3:14,14 31/1:46,47 ensemble: pouch, pipe, and manju netsuke looking to side depicting Kato Kiyomasa, 27/1:11,11 reclining, ebony, by Sokei, 29/4:35,35 with flint and steel, leather, 27/4:42,42 seated, smiling, ivory, by Ikko, 26/4:3 Tobosaku* seated, snarling, ivory, by Kangyoku, 26/4:3 catalogued as Kyosenhei, 25/4 seated, wood, by Ryusansai Issan, 22/1:58,58 catalogued as Momotaro, 30/1:54,54 seated, forelegs crossed, wood, uns. and peach 25/1:15,15 emerging from, wood, by Toyomasa, dated, grooming forepaw wood, by Tomokazu, 25/4:8,8, 30/2:50,50; 33/1:23 32/4:51,51 holding branch, ivory, 26/1:28,28 looking up, ivory, uns., 23/1:25,25\ holding peach, ivory, by Yoshitomo, 26/3:37 paw raised, ivory, by Okakoto, 31/1:24,24 holding peach, ivory, 33/4:22 paw raised, panting, wood, by Masamichi, holding peach, ivory, head to side, looking 25/1:20,20 up, peach, tall, 32/4:27,27 scratching chin, ebony, by Yoshitada, holding peach and frog, ivory, by Yoshinaga, 34/1:48,48 31/1:54,54 scratching head, wood, by Masatoshi, 32/3:41 with scroll and peaches, ivory, 21/2:22,22 shoulders hunched, wood, uns. 23/4:obc Todaiji temple, Nara, 25/2:14,14 snarling, ivory, by Kaigyokusai, 30/4:48,49 Toen* snarling, ivory, amber eyes, by Kangyoku, Noh actor wearing fox mask, 28/2:27,27 33/3:5 Noh player in mask, cloak, painted wood, looking up 27/1:13,13; 28/2:27 sly, crouching, ivory, by Masanao (Kyoto), sashi inspired by shishi sculpture at Todaiji 24/2:25,25 temple, 25/2:17,20 snarling, reclining, wood, by Tametaka, Toimochi, S, Ambassador of Japan, pictured, 32/4:8 21/3:ibc Tokaido road*, 23/4:45 seated, forelegs crossed, wood, 25/1:15,15 inro with design of 53 stations standing by Fukosai Wagon, 32/4:22 etched on narwhal slice, by Mitsuhiro, by Kanosai Wagon, 32/4:21,23 27/4:18 by Koryusai, 32/4:22 howling, wood, by Bishu, 28/3:5 posting stations, 23/4:45 ivory, style of Okatori, 21/1:47,47 Tokaido road porter standing, painting by Kishi Gantai, 22/1:40 doing splits, wood, uns., 26/4:34 toy, movable head, lacquer, 34/2:5 performing acrobats, wood, uns., 26/4:35 two tigers on large rock, by Masanao (Ise), standing, knees bent, ivory, 32/2:17 23/4:22,22 standing, Okame mask on back, ivory,28/3:48,48 (see also Bukan Zenshi, Busho, leopard) Tokisada*, gecko and young, wood, 30/2/:33 suzuribako. See lacquer box Tokiwa Gozen Tillbrook, Glenn with two children hidden under her robe, wood, pictured 26/2:58 by Gyokusensai, 33/3:22,23 tribute to, by S. Djelal, 26/2:58 Toko*, snails on reishi, wood, horn, ivory, toad. See frog 29/1:50,50 Toba* Tokoku*, 24/1:7 on horse, ivory, by Yoshitomo, 26/3:39 work history, 29/2:9 on mule, Jurojin on reverse, uns. inro, 25/1:18,18 amma lifting stone, rope tied to hand and foot, tobacco* pouch, 24/4:15 by Tokoku II, 30/2:20,20 clasp, by Teikan, 22/3:21 badger tea kettle, 30/1:ifc

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butterfly, 24/4:11,11 inro showing iris, fruit basket, in tokonoma, Daikoku 30/4:45,45 and gaki seated back to back, wood, 31/3:3 Tokubei* sculpting, wood, 30/2:28, confused with gama sennin, 21/4:70,70 Daruma emerging from toad wood, by Toyomasa, on scroll, 23/4:23,23 21/4:70,70 meditating on pad, wood, ivory inlays, Tokugawa, Tsunenari, 28/2:42 28/4:41,41 Tokusai* with fly whisk and begging bowl, Barekejin, protector of horses, 31/3:10,10 24/4:22,22 pipecase with reishi fungus, bats, 30/1:53,53 Fukurokuju holding scroll, wood, 25/3:IBC Tokyo (Edo) school, 23/2:38 44 ghost frightening mortal, wood, 21/1:40,40 early Tokyo school masters, 23/4:40 gourd in string bag (and x-ray of), 24/4:35,35 genealogy chart of Eguro family, 23/2:45 gourd-shape inro, beetles and ferns, 31/2:43,43 Tokyoku*, Benkei on carp, ivory, 30/4:46,46 Hotei Toledano, Henry, pictured, 30/3:6 in his sack, wood, 25/1:21,21 Toman* karako on his back, wood, inlays, 23/4:37,37; work of, 31/3:26 24/3:20,20; 27/3:21 Daruma toy, wood, 31/3:27,27 seated, hossu, prayer beads, wood, ivory, Deme mask of Hannya, wood, 31/3:26,26 32/3:49,49 fish group, wood, 31/3:28,28 standing with sack, wood, 23/4:37,37; fugu, wood, 31/3:27,27 28/2:21 kappa with cucumber, wood, 31/3:26,26 inro showing Nanko kneeling, 31/3:47,47 snake swallowing frog, wood, 31/3:26,27 Kesa’s head resting on scroll, ivory; style mask carver, mask of Hyottoko, wood (sig. suggestive of Tokoku’s early work, 26/1:42,42 shown), 31/3:29,29 mokugyo on lotus, stagantler, 25/3:22 “Toman,” by J. Hopkins, 31/3:26

Tamane no Hoe. See Tamano no Mae mokugyo-shaped tonkotsu, namazu heads, Tomiaki, buffalo horn snail on boar tusk, 24/4:17,17 signed Koku, attrib. to Gyolumin, 34/4:12 Tomihaku* Oiwa frightening man, wood, ivory teeth, 30/4:53,53 monkey on tree stump, wood (inscription shown), 23/1:32,32 Okame in phallic tengu mask, and karako, wood, 31/3:3 Tomiharu*, 24/1:21 Okame dipping finger into bowl, wood, ivory, interpretation of name, 24/1:46 30/4:44,44; 32/2:48,48 calligraphy on ivory slice, 29/3:44 peasant woman and child, 21/1:14 centipede on boar’s tusk, ivory, 27/2:36 pipecase, bamboo, 29/4:41,41 click beetle on boar tooth, 26/3:55,55 pipecase, rakan with begging bowl, rattan, crab on driftwood, wood, 21/1:49,49 31/2:38,38 frog on leaf; 23/4:11,11; 24/4:16,16; wood, rat on Daikoku’s mallet, 30/2:27,27 29/1:12,12 sake seller and puppy, wood and ivory, 21/2:ifc frog on persimmon wood, attrib. to, 29/1:35 Shoki, wood, and green oni escaping furoshiki, ox, ebony, 29/1:55,55 30/2:ifc rat on ink stick, black persimmon, 27/2:37 snail and fungus, wood, horn, gold, 22/3:31,31; snail, 24/4:26,26 22/4:ibc snail on taro leaf, ivory, 27/2:37 walrus ivory manju, collaboration with Hakusai, statue of seated Hotei, wood, 29/1:13,13 24/2:11,11 Tomin* tokonoma* shishi reclining, wood, 32/4:42,42 tiger, 24/2:47,47

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“Tomizo Saratani: The Story of a Great Modern signatures of Tomokazu I, II, II, IV, 21/2:13; Lacquer Master,” by D. Pepper, 22/2:39 29/3:25; 29/3:39 Tomochika* boar, reclining, wood, 21/1:46,46 three carvers using this name, 26/2:28 cicada on log, wood, 26/1:26,26 family, followers, 23/2:38 dog, collar of coins, wood, 27/1:43,43 Chikuyosai Tomochika I, 23/2:39 fisherman, loin cloth trapped in clam, wood, genealogy, of Yamaguchi Tomochika, 23/2:45 30/4:46,46 Ashinaga and Tenaga stretching, ivory, frog, seated, wood, 25/3:OBC 30/1:37,37 horse blind musician, 23/2:39,40 reclining, wood, 26/2:48,48; teeth barred, dragon from cup, frightening boys, ivory, 29/4:33,33; 33/1:37,37 34/1:52,52 Kikujido, wood, 31/1:29 eagle a dog, ivory, 28/3:43,43 Kiyohime, as angry Hanna, wood mask by Ikkyu, priest, ivory, by Tomochika III, Tomotada, 33/4:34,35 26/2:35,35 monkey karako with hyottoko mask, ivory, 32/2:47,47 eating fruit branch, wood, 22/3:10,12 lion dance at street festival, ivory manju, on tortoise, wood, 21/1:ibc; 33/3:45,45 30/4:cover;14,17 with peach branch, wood, 2/1:25,25; merchant and courtesan, ivory, 26/2:29,29 26/1:25,25 monkey, holding left leg, wood, 21/4:54,54 ox, reclining, head held high, wood, 31/4:49,49 Okame toweling after bath, ivory, shunga, owl on branch, and two owlets, 24/3:14,14 27/4:56,55 rabbit, 23/4:41,41 oni stealing samurai hat for scrap iron, political Raiden/Futen satire, ivory, 26/2:29,29 with drum, wood, 28/2:33 rats, seven, by Tomochika II, 23/2:41,41 Raiden releasing wind from pouch, wood, saishi breast feeding old woman, 23/2:52,52 30/4:48,48 Shiba Onko and boy with large vase, ivory, Raiden opening sack, wood, 33/4:42,43 21/2:28,28 rat shishi and young, wood, 25/4:47,47 eating, wood, 21/1:56,56; shishi, two, 23/2:41,40 holding tail, head up, 26/1:25,25; 28/1:31 Shoki fighting oni, ivory, 26/1:33 holding fruit, wood, 26/1:25,25; 26/1:59,59 Shoki, very large, wood, inlays, signature shishi on tama, ivory, 29/3:24,24 discussed, 27/3:53,53 shishi, two fighting, wood, 31/1:55,55 three heroes of Han, 23/4:43 snake and tortoise, wood, 31/1:43,43 tiger eating tall bamboo, shoot, ivory, 22/3:36,36 tiger, wood, 32/4:51,51 woman terrorized by , ivory, 32/1:48,48 turtle/tortoise, stack of, wood, 30/3:51,52 (see also tongue-cut sparrow) Tomomasa* “Tomochika I: Carver and Pundit?,” by Chris Ashinaga & Tenaga, octopus, ivory, 27/4:51,51 Beamer, 26/2:28 karako playing drum for lion dancer, ivory, Tomoe* Gozen and Wada Yoshimori in battle at Uji 25/4:31, 31 River, ivory manju, karyobinga, ivory, 29/4:46,46 Tomokazu* monkey and octopus, struggling, walrus ivory, connection to Ikkan, 29/3:39 30/2:5 difficulty distinguishing which Tomokazu, oni polishing mokugyo, ivory, 22/4:56,56 29/3:24,39 Roshi on ox, scroll in hand, 24/3:10,10 other artists signing name, 29/3:39 Tomomitsu* records dating his career as 18th C carver, 23/4:14; 29/3:39 dragon with tama, wood, 23/1:16 relief carvings at , 23/4:14,15 Tomonobu (Arima Tomonobu), 24/2:47

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pumpkin and other vegetables, 24/2:47,47 with single horn as a unicorn, ivory, Tomotada* 33/4:36,36 interpretation of name, 24/1:47 horse Masanobu netsuke possibility by Tomotada grazing, wood, attrib. to, 26/4:16 discussed, 26/4:42 standing, head turned back, wood, 31/4:52,52 model comparisons (sig. shown), 28/3:34 kirin boar asleep on leaves, ivory, 31/4:54,54 baying, wood, 22/3:22 buffalo, ivory, 28/1:37:38 baying, ivory, 27/3:66,66; 27/4:36; 34/1:17; cat and rat, ivory, 25/1:11 34/2:11; attrib. to, 29/1:47,47 cow and calf seated, looking left, ivory, inscribed, elder with blanket, ivory, 30/4:54,55 33/3:43,43 ivory, 27/4:36; 28/1:54,54; 29/4:46,46; Korejin sennin and tiger, ivory, and design 30/4:48,48 source, 31/3:15,15 dog ox and ball, ivory, 23/2:11; 24/1:41,41 and boy holding rope, inscribed, 26/1:57,57 and bitch, ivory, 33/2:50,50 and herds boy, ivory (sig. shown), 33/2:23 and collar man hiding in carcass of, ivory, school of, 22/2:55,55 with bell, wood, attrib. to, 21/3:11 reclining, ivory, 26/4:37,37; 30/4:48,48; with bell, ivory, 23/2:11 31/4:29 and crab, ivory, 25/2:10,10 standing, wood, 27/1:38,38 and pup, elder growling, pup scratching, rooster and hen, ivory, 25/3:27 ivory, 26/2:54,54 shishi greyhound, 21/1:42 and cub, reclining, ivory, attrib. to, puppy, paw on awabi, ivory, 25/4:51,51 27/1:38,39 seated, head turned back, ivory, 25/2:10 and cub, young licking elder’s neck, ivory, wild dog (yamainu)/wolf 33/3:41,41 and crab, ivory, 26/4:37 ball in mouth, and cub, ivory, 27/4:36 and monkey, ivory, 24/1:41,41; attrib. to, front paws on ball, ivory, 21/2:24,24 29/1:51,51 karashishi, ivory, by signed Masanobu, but and prey, wood, 23/3:42,42; 27/1:33,33 possibly by Tomotada, 26/4:42 and venison, ivory, 21/2:37; 23/4:25,25 Shoki trapping oni under basket, wood, 34/4:28 and young, ivory, 30/4:47,47 Tadamori and oil thief, ivory, attrib. to Okatomo, paw on deer antler, wood, signature 31/1:obc discussed, 27/3:52,52 tiger and cub dragon elder licking paw, ivory, 31/4:50,50 coiled, with tama, ivory, 25/4:34 elder looking back, cub scratching chin, coiled, manju-type, ivory, 27/3:49,49 ivory, 27/4:37 from incense burner, ivory, inscribed, elder’s paw over young, ivory, signature 34/2:44,44 discussed, 30/2:51,51 fisherman, wood, work similar to Garaku, tiger grooming 24/1:17,17 front paw, ivory, authenticity discussed, goat 26/4:51,51 and young, ivory, 26/2:60,60 hind leg, 25/4:48,48; 26/1:37,37 eating fruit, ivory, 23/1:55,55 tiger looking back, reclining, pale ivory, 27/4:37 eating fruit, wood, 28/4:39,39 ebony, 27/4:37 reclining, looking back, signature discussed, unicorn reclining, looking back and up, 27/3:55,55 23/3:23,23 water buffalo, wood, 22/1:55,55

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wolf an parishioner dedicating a rooster, ivory, and skull, ivory, 31/4:33 28/1:35,35 with crab, ivory, 30/2:54,54 Torigoye, Dr. Kazutaro, 25/3:31 with venison, ivory, 21/2:37; 34/4:47,47 tortoise*. See turtle/tortoise Tomotaka* tortoise mountain, 28/2:34 Kanshin crawling through legs of braggart, (see also Kameyama) 23/2:43,43 Toshiaki, whale, wood, 24/1:20,20 Tomotane*, 23/2:41 Toshichika, drunken poets, ivory okimono, Jogen Fujin, with kirin, 32/4:32,32 21/3:42,42 Yama Uba and Kintoki, ivory, 33/2:25 Toshiharu* Tomoyoshi*, association with Otoman, 25/1:34; 26/1:41 gold ojime, 22/3:34,34 two artists using this name, 25/1:34 inro, Anchin and Kiyohime, 29/4:39,39 horse emerging from egg, wood, 26/3:32 Tomoyuki* monkey on straw cushion, dark wood, Fukurokuju as acrobat, colored ivory, 22/1:3 30/4:14,14 tongue cut sparrow* (shita kiri suzume) Shoki on one foot, wood, 25/4:54,54 and farmer or old man Toshiharu Bokugyuken*, 23/1:32 farmer and sparrow, ivory, by Seiko, 29/4:42,42 family name Nakamura Kiyosaku, family history, 25/1:34 farmer and treasure box, wood, by Soko, 23/4:38,38 real name, Nakamura Seisaku, 25/1:34 farmer holding sparrow, gold ojime by Ryumin, Toshihide* 31/1:ifc Kintoki carried by Yama Uba, ivory, 32/4:38,39 farmer opening box of jewels, ivory, by Yasuaki, snake, inro, 24:38,38 28/3:50,51 sparrow on camellia branch, inro, 32/2:50,50 old man on back of sparrow, by Hidemasa, turtle, inro, design source, 33/4:51,51 26/3:25,25 Toshimitsu* old woman and sparrow, ivory, by Anraku, go: Shusetsuken, 25/1:36 32/2:22,22 improved rice packaging, 27/4:39 old woman on back, with scissors, wood, by life of, 25/1:38 Hide? (signature reading discussed), 33/2:46,46 tomb, 25/1:37,36; 27/4:38 old woman terrorized by goblins, ivory, by pupil of Bokugyuken Toshiharu, 25/1:34, Tomochika, 32/1:48,48 27/4:38 wood, style of Masanao (Kyoto), 34/3:3 eagle with captured monkey, ivory, 33/1:19 tonkotsu* Futen on bag, attr. to, 25/1:36:36 awabi (abalone) shell and wood, 21/2:7 wolf & skull, wood, ivory, attr. to, 25/1:36,36 Chinese characters, 21/2:25,25 Toshimune* imitating leather, dragon in cloud design, Ebisu holding down tai, ivory, 32/4:25 34/1:50,50 Toshinaga* lacquer, by Zeshin, design of basket, bamboo, 29/1:54,54 diver with large coral tied to back, 24/4:19,19 wood, 24/1:30,30; 26/4:32,32 kappa on conch shell, green inlay, wood, 31/3:42,42 wood, with shell, snail, and ants, inro by Zeshin, 28/4:38,38 shishi and cub, ivory, 26/3:3 “Tonkotsu: Meaning of the Word,” by H. Okuno, Toshinao*, 4 tree frogs on turtle, wood, 33/1:obc 26/4:30,30 Toshinsai*, Fukusuke as raconteur, wood, inlays, tools, artisan, inro by Shinryusai, 31/2:40,40 28/4:43,43 Topper, Victor, pictured 21/4:16 Toshiotoko scattering beans at festival, wood, by Masachika, 23/2:51,51 Tori* no Ichi (first day of the rooster) Toshisugo* matsuri festival, 28/1:33

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monkey examining a monkey netsuke, wood, nio fashioned after sculptures in Todaiji, inro, 22/4:55,55 26/3:21,21 Toshitsugu* portrait of Danjuro, inro, by Mitsumasa, inro, kakikan of, on octopus in reed basket, 34/3:17,17 31/3:45,45 kakihan of, on okimono, 34/3:17,17 Ranryo dancer, 3-case inro, 25/3:ifc Toshiyuki* single case, brocade bags, inro, 32/2:52,52 monk and Bumbuku chagama, ivory, 21/2:26,26 Toyohide* Tosk, Susan, pictured 24/2:37; 31/2:52 Bugaku dancer, reclining, mask removed, wood, Tosk, Eugene, 23/1:13 21/1:33,35 Totenko*, cockerel, wood, 22/1:55,55 stone worker splitting mill wheel, ivory, 30/3:50,50 Totsuka* beggar* Toyokazu*, 24/1:25 confused with stone lifter, 26/1:46 boar. reclining, head up, wood, 26/4:36,36 lifting enlarged testicles gama sennin, wood, inscribed, 21/2:22,22 wood, by Gyokkei, 26/1:46,46 gama sennin, frog standing on shoulders, wood, wood, uns., 26/1:46,46 24/1:27,27 ivory, uns., 26/1:46,46 rabbit, wood, 25/1:17,17 Tou*. See Yasuchika Tsuchiya Shoriken sennin with tiger, wood, 34/3:11 Toun* (Hogen Takamura) snake, coiled, wood, 33/2:44,44 shishi, wood, 23/4:23,23 turtle, withdrawn, wood, 26/1:27,27 Toun (Ikkosai) Toyomasa* I (Naito Toyomasa) monkey feeding a bear, ivory, 22/3:9 end of Tanba school, K. Ichimichi, 21/2:40 two kappa, ivory, 33/2:47,47 and Hidari Toyomasa, 21/1:24,24 Toun Kikugawa and Toyoyo, a comparison of events and Tamano no Mae, ivory, manju, 25/1:24,24 transition of signature, 21/1:28 Tamano no Mae, ivory kagamibuta, ivory, apprentices, 24/1:25 29/1:52,52 history, and family of 22/1:36 Toun* Shishido example of mugwort cloak, 30/2:36,37 netsuke by, 27/2:58-65 interpretation of name, 24/1:48 Basho Friend of the Moon haiku, persimmon managing a seal/stamp shop, 24/1:22 wood, 22/2:33,33 arrow case, alluding to Kagesue, wood, computer, mammoth, 26/4:52,52 30/2:26,26 dragonfly on bamboo wreath, 24/3:38,38 boar, reclining, mouth open, wood, 27/3:36 hair ornament box decorated with moon, bokuden (doctor’s sword); basket design, blossoms, 24/3:42,42 stagantler, wood, 31/3:39,39 poem card game, wood, 22/2:28,28 bokuto* (wooden knife) “Toun Shishido,” by H. Kinsey, 27/2:58 shaped as rain dragon (sig. shown), Tounsai 22/1:38,38 shishi on base, paw on broken ball, wood, 22/1:5 tiger & bamboo design, wood, 33/4:32,32 Towers, Joseph P., Mebun aka Gambun, 21/3:24 dog/pup townsman. See chonin two pups playing, wood, 31/3:25; 32/1:33 toy* tiger, movable head, lacquer, 34/2:5 dragon Toyenmei* with child, flowers, ivory, 32/4:27,28 inside fruit, wood, 27/1:46,46 Toyo*, 21/3:8 inside orange, wood, 34/4:47,47 inro excavated from daimyo graves, inro, inside gourd, wood, 23/2:ifc 30/3:40; 30/4:32 dragon, wood, 33/4:14,15 misidentification of Futen as Nio discussed, inro, dragon motif on wood stick, 21/2:45,45 26/3:19,19 fish group, wood, 33/2:19

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Back to netsuke.org foreigner, dancing, wood, attrib. to, 28/4:40,40; grooming hind paw, wood, 22/3:10,12 29/1:55,55 seated, looking down and back, wood, Fukurokuju seated, hand on knee, wood,. 32/4:31 32/4:36,36 gama sennin Tobosaku sennin in mugwort cloak, goat on shoulder, wood, emerging from peach, wood, 30/2:50,50 30/2:36,37 emerging from peach, wood, dated, 25/4:8,8 with toad ivory, 22/2:53,53 on large peach branch, wood, confused with with toad, wood, 21/4:70,70 Momotaro, 30/1:54,54 Hannya mask, wood, 23/1:19,19 Tokaido road porter. See kumosuke horse Tokubei (confused with sennin), frog on back of, reclining, signed and dated by Toyomasa, wood, 21/4:70,70 21/1:24,24 Tokubei riding backward on frog, wood, hozuki (winter berry), 23/4:20,20 21/4:70, 70 kappa on clam, wood, 32/1:17 tombstone, 21/1:25; 22/1:43 kirin, seated, looking back, wood, 27/3:65,65 Tomonobu*, Hotei leaning on sack, stagantler, Kyosenhei emerging from a peach, 24/2:24,24; 32/4:32,32 interpreted as Tobosaku sennin in Q&A 25/4:8,8 tortoise mikan ryu netsuke, 24/1:7 wasp on nest, wood, wood, by Itsumin, monkey 30/1:52,52 in peach holding branch, wood, 26/1:26,26 withdrawn, 25/4:46,46, wood, 29/1:58,58 in pumpkin, wood, attributed to, 25/1:21,21 wolf and tortoise, wood, 22/1:37 preening tiger’s ear, wood, 26/1:40,40 wolf with tortoise, wood, 34/1:16 monkeys fighting over a persimmon, wood, “Naito Toyomasa,” Part II, by K. Ichimichi, 31/4:53,53 21/1:21 ox, reclining, looking back, wood, 32/4:39,39 “Naito Toyomasa,” Part III: The End of the Tanba puffer fish, wood, 21/1:52,52 Toyomasa* II (also Hidari Toyomasa, Toyoyo, rabbit Toyoyasu) seated female hare, wood, 33/2:43,43 history, 21/121; 21/2:42 seated, wood, 27/1:32,32; 27/3:36 reading of kanji as Toyoyo, 21/1:21 standing, ivory, coral eye, 27/3:37 son of Sakujiro, 21/2:44 Raiden inside a drum, wood, 28/2:33 tombstone, 21/1:25 seal engraving designs, 22/1:41 Daikoku, wood okimono, 21/1:26 shish Kanshin crawling through braggart’s leg, wood, play fighting, wood, 31/4:44,44 26/4:47,47 standing, horn inlay, attrib. to, 27/3:37 kappa on tortoise, wood, 31/4:45,45 snail, wood, signed and dated (sig. shown), monkey in chestnut, wood, 33/4:11 22/3:37,37; 27/3:48,48 tengu no tamago, wood, 23/1:18,18 sparrow Toyosuke*, attrib. to, Hotei dreaming on bag, brown wood, 27/3:37 lacquer, stoneware, 24/4:20,20 in clamshell, wood, 31/1:44,44 Toyotsune* ox, reclining, looking back, wood, 32/4:39,39 Ashinaga & Tenaga with octopus, tall wood, Tanuki wrapped in lotus, wood, 33/1:44 25/4:48,48 tengu emerging from egg, wood, 26/2:32, Toyoyasu*/Toyoyo. See Toyomasa II Toyoyo*. See 32/4:29 Toyomasa II tiger “Tradition and Innovation in the Work of Shibata in bamboo, wood, 21/1:cover; 22/1:36 Zeshin,” by M. Dean, 31/1:32 looking back, wood, 22/4:60,60; 26/4:36,36; Traditional Chinese Toggles: Counterweights and 27/3:36 Charms, by M. Duda (reviewed), 31/3:54

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transformation holding bow, ivory, by Hidemasa, and design of foxes and badgers, 21/4:28; 27/3:28,29 source, 31/3:17,17 of humans, 21/4:36; 27/3:31:30 killing the stag, ivory, 23/1:22,21 “Transformations and Bewitching Apparitions,” by “Tubby Ink Containers in Fresh Colours,” H. Kress, R. Bandini, 27/3:22 33/2:26 tray. See (sanbo) Tubis, Dmitry, pictured, 33/2:36 treasure* bag turtle*/tortoise*, 23/3:46; 24/1:20 belong to Daikoku, ivory with Kamon design, Genbu (), one of four holy 34/4:46,46 creatures, 31/1:43 ivory, and large coral branch, 34/2:47,47 tortoise mountain pictograph, 28/2:34,35 tree stump* and young etched with flying goose, ivory,, 22/4:45,45 (sig. on awabi shell, wood, by Kaho, 32/4:39:40 shown); 32/4:43,43 young on back, by Mitsuhiro, 21/3:49,49 with maple leaf, ivory (sig. shown), 21/3:49,49; young on back, ivory, by Garaku, 29/1:60,60 31/4:55,55 drinking sake offered by Urashimataro, Trower, Seymour, 29/1:25 24/1:15,15 tsuba* hatching from egg, ivory, by Mitsuhiro, as future collectibles, 25/3:32 33/2:47,47 ivory, by Anraku, 32/2:18,16 inro shaped as turtle, by Tadakazu, 22/3:28,28 kagamibuta in shape of, with wild geese, boat, group of ivory, 33/4:42,42 five, wood, by Chuichi, 28/1:40,41 (3-eyed bakemono). See Watanabe no three on rock, wood, by Shoto, 27/2:obc Tsuna two, one atop the other, wood, by Hidari Tsuen* Issan, 34/4:46,46 Tsuen family, 31/1:8 two, on lotus, ivory, by Okatomo, 29/1:57,57 tea master, background, 31/1:6 stacked, wood, by Tadatoshi, 30/3:51,52 holding tea ceremony utensils, netsuke from head partially or fully extended from shell green tea wood, seal Rakushiken, 31/1:6,6 ebony, by Joei, 23/1:40,40 seals used on Uji dolls, 31/1:8,8 in foliage, ivory, by Bunsai, 23/3:42,42 statue of, by Ikkyu, 31/1:7,7 ivory, by Mitsuhiro, sig. shown and tea shop, history, 31/1:6,6; 8 discussed, 28/3:48,48 “Tsuishu from a Daimyo Grave,” by E. & H. Kress, ivory, style of Mitsuhiro, ivory, 33/1:55,55 29/1:18 wood, by Sugaya Shoko, 30/4:53,54 Tsuji*, 23/4:41 leatherback, ebony, netsuke and ojime, by Dutchman on horse; 24/2:24,24 Stradiotto, 21/1:ifc elephant and mahout, wood, 33/3:cover, 55 with rain cape tail, by Shugetsu III, 24/1:20,20 Fukurokuju and karako, wood, 23/1:23,23 withdrawn into shell gama sennin, wood, 23/4:24,24 ivory, by Mitsuhiro, 21/3:49,49 Tekkai sennin, wood, 23/4:44,44; 24/2:24,24; wood, by Toyomasa, 25/4:46,46; 29/1:58,58 30/1:51,51; 32/4:46,46 wood, by Toyokazu, 26/1:27,27 Tsujo, 12 zodiac animals in soft metal, 22/3:13 (see also minogame; Otohime; Urashimataro; Tsukada, Sachiko, pictured 24/1:8 Kameyama) Tsumugi, Grace, pictured, 27/2:39,44 “Twenty-First Century Netsuke,” by R. Kinsey, Tsunemasa*, camel-faced horse, pig-bone, 24/3:34 29/1:57,57 twig, ivory, by Mitsuhiro, 28/1:39,40 Tsunemoto* misidentified as Ii no Hayata and Yorimasa, U** 31/3:17 Ueda Ryosuke, 33/1:7

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Uji* (see also Otohime; Ryujin) Uji dolls, seals used on, 31/1:8,8 Ushumai*, mask subject confused with Jo, Uji bridge 26/3:53,53; 33/1:28 site of clash between Yorimoto and Taira clan, 31/1:7 V** travelers crossing bridge over turbulence, inro, Van Laere-Fischer, Dr. Suzy 22/3:38,38 “Facts and Speculations about the Carp,” Part 1, (see also Tomoe Gozen, Takatsuna) 27/2:54; Part 2, 27/3:42; Part 3, 27/4:44 umimatsu* “Kudan: In Search of the Archetype,” 24/3:22 as carving material, 34/1:20,21 Vargas, Marsha. See Marsha Vargas Handley as talisman against volcanic eruptions, vase* 34/1:20,20 Shoki cashing oni, gold lacquer, 26/2:ifc Umitada*, crouching nue, wood, 31/4:47,47 spill vase, birds, flowers, ivory 33/3:ifc unicorn* with camellia, ivory, by Mitsuhiro, 27/1:40,40 half ram, an enigma, ivory, by Tomotada, with plum blossoms, pink coral netsuke, 21/1:5 33/4:36,36 vegetable ivory playful, ivory, by Bishu, 32/1:52,52 material for netsuke, 30/3:28 prancing, ivory, gold, by G. Weil, 32/1:52,52 vendor* reclining, with Tomotada signature (shown), candy vendor, wood, by Gyokuso, 29/4:35,35 23/3:23,23 pepper seller, by Jobun, 22/1:23,22 Unju*, standing human-faced kirin, ivory, 34/1:obc water seller wearing tall geta, wood, by Unpo, Hotei inside rolled scroll, ivory, 25/1:18,18 Shogyokusai, 31/2:47,47 Unryuan* Virginia G. Atchley: The Grande Dame of Netsuke, street entertainer, gold lacquer inro, 34/4:43,43 26/1:56 Unsai, Emma-O and four masks, 23/4:20,20 Unshu* W** pictured 24/3:59 Wagner, Sachi, pictured, 27/2:44; 29/3:58; 33/2:35 boar, wood, 24/2:19 Wakata, Asako, pictured 27/2:39 cat, ivory, 24/3:55,55 Wakayama, Hideko rat, wood, 24/1:43 “Recollections of Raymond Bushell,” 24/2:63 Unsold Masterpieces: Netsuke by David M. Abel, by Wakyosai*, fox priest, ivory, 34/4:49 S. Postal, reviewed, 34/2:56 walnut* “Unusual Animal and Bird Configurations in material for netsuke, 30/3:28 Netsuke,” by E. Schmidt-Bothelt, 29/3:30 walrus tusk* Urashima Taro* distinguishing from ivory, 32/1:38 legend, 24/1:15; 33/2:22 walruses, five, ryusa manju, 23/3:31 and tortoise, wood, 33/2:22,22 (straw sandal) minogame as an attrib.ute, 23/3:45 Warren, Barbara on dragon-turtle, wood, by Masakata, 23/1:20,20 bio, 24/2:55 on minogame, kagamibuta, 33/2:22,25 pictured 21/4:8; 24/2:32; 26/2:7; 31/2:52 on turtle, by Gyokkei, bamboo pipecase, book review, 23/3:48 25/2:20,22 remembrance of Barry Davies, 26/3:64 on turtle, by Gotei, wood, 23/1:42,42 Waryu*, 31/4:23 Ryujin’s castle, sea life, ivory manju by Shounsai, 27/1:45,45 Wasobiyoe*, ivory, uns., 31/1:33 with box and turtle, by Garaku, 21/3:53 wasp* with Tobosaku and Miura-no-Osuke, ivory, in rotting apple, ivory, by J. Coutu, 22/3:43,43 23/3:45,5 in rotting pear, by Sangetsu, x-rayed, 21/2:36,36

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in rotting pear, by Sangetsu, wood, 28/3:46,46; cluster of frogs, wood, 21/4:ifc 30/1:57,58 frog on lotus, 22/3:43,43 on nest, wood, by Toyomasa, wood, by Itsumin, lizard on driftwood, wood, 29/3:50,50 30/1:52,52 wedded rocks of Fatami, narwhal manju, 26/2:40,40 wasp nest Wei Boyang, Taoist alchemist with dog on shoulder, wood, by Chuichi (Tadakazu), 33/1:11; 34/1:13 ivory, uns., 34/1:21,1 wood, by Kawami Chuichi, 28/1:40,41 Weil, Georges wood, by Norichika, 21/1:51,51 pictured, 34/2:14 Watanabe, Masanori, 21/1:47; 30/1:19, 21 work of, 22/3:44 bio, 24/2:55 profiled, 34/2:14 on Kokeisai Sansho, 32/1:14 baku, crouching, ivory, 22/3:45,46 pictured 21/4:16; 22/1:40; 23/2:9; 24/1:8; 27/1:7, butterfly, ivory, 34/2:17,17 27/2:45; 31/2:52; 33/2:35; and family, 25/2:49 David and Goliath, wood, inlays, 34/2:21,21 “News from Japan” (for topics, see “News from Elijah riding horse to heaven, 34/2:21,21 Japan” female ghost, wood, 33/3:2 “Sasayama, the Home of Naito Toyomasa,” female torso, ivory, 34/2:18,18 22/1:28 horse, prancing “A Big Question to ‘The Question of Authenticity’,” 29/3:37 gold, 34/2:18,18 “Mitate and Rusu Moyo: Two Important Genres ivory, gold horn, 34/2:20,20 of Japanese Art and Culture,” kirin Part 1 (Mitate), 30/1:24 gold, 22/3:47,47 Part 2 (Rusu Moyo), 30/2:23 head of, amber, 22/3:48,48 “Random Thoughts on Netsuke Subjects and baying, ivory, 22/3:45,44; 34/2:22,22 Carvers, 31/1:43 kirin/shishi, ivory, 22/3:45,46 Watanabe no Tsuna* red man kirin, boxwood, 22/3:45,45 story of, 33/3:22 lovebirds, 34/2:17,17 history, 25/1:43,44 monkey holding aloft gold branch, ivory, 33/3:3 described as Omori Hikohichi, but possibly Moses holding tablets, 34/2:21,21 Watanabe no Tsuna, ivory, by Itsumin; and mythical being design source, 31/3:18,18 standing, gold, 34/2:18,18 and Raiko, dazed, and Tsuchigumo, ivory manju, standing, tsuishu, 34/2:18,18 28/2:52,52 pelican, ivory, 34/2:20,20 (sig. shown is and Raiko’s fighters hunting Shutendoji, wood, incorrect; should be ukibori, not incised). by Yasunaga, 33/3:24,25 rabbit, resting, ivory, 33/3:3; 34/2:17,17 fighting demon of Rashomon Samson fighting lion, 34/2:21,21 ivory, by Hidemasa, 28/1:38,39 shell dragon, 22/3:47,48 wood, by Sosui, 29/4:37,37 sparrow, stylized, wood, 22/3:47,47 woodblock by Yoshitoshi, 25/1:44,44 tengu oni carrying severed arm, ivory, signature in after bell dragon handle, ivory, 22/3:45,45 sosho, 25/3:40,40 human, wood, 22/3:47,48 standing over demon, about to trample, wood, uns., 33/3:23,22 unicorn, prancing, ivory, 32/1:52,52 water wheel, stagantler manju, style of Kokusai, wrestlers, ivory, 22/3:45,45,49 30/1:53,53 Weisman, Leonard wave* design on kagamibuta, 34/4:42,42 pictured, 33/4:24 waves and sea creatures, kiseruzutsu, 32/2:31 profiled and collection of, 33/4:20 Webb, Michael, 22/3:39 “Welshmen Never Yield,” remembrances of Barry memoriam, 32/2:61 Davies, by Barbara Warren, 26/3:64

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Wenz, H. Bernard, pictured, 28/3:7; 30/3:6 ivory, by Okatomo, 23/2:37 Werdelman Collection in the Kunstpalast Museum, ivory, by Tomotada, 26/4:37,37; 30/2:54,54 Dusseldorf, reviewed by Dr. P. Jirka-Schmitz, and monkey, ivory, by Tomotada, 24/1:41,41 28/2:57 and skull, symbolism 31/4:33 Wertheim, Stanley, 21/3:4; 26/1; 28/3:4; 30/4:16 ivory, by Otoman, 23/1:29,29 pictured 25/4:59; and Mary, 21/3:4; 27/2:44; ivory (sig. shown), 25/1:41,41 31/2:53 ivory, by Tomotada, 31/4:33 reporter, NY auctions, 25/4:52 wood, ivory, stagantler, by Kokusai, “The Question of Condition,” 27/4:31 28/1:42,43 “The Question of Authenticity,” 28/4:25 wood, by Issan, 31/4:33 “What’s in a Name?,” 30/1:40 and tortoise, wood, by Toyomasa, 22/1:37; whale, wood, by Toshiaki, 24/1:20,20 34/1:16 wheel of life inro design by Genkosai, 24/2:28 as a Buddhistic representation of the life cycle, on rocky base (a tiger?) wood, by Hojitsu, 26/4:26 26/1:28,28 wheel and waves with shell, wood, by Okatomo, 34/4:47,47 stagantler, by Koku, 26/4:27,27 with kill, wood, by Tomotada, 23/3:42,42 stagantler, uns., Asakusa school, 26/4:26,26 with venison sculpture of Buddhist Wheel of Life, Tibet, ivory, 34/3:14,14 26/4:28,28 ivory, Kyoto, 32/2:47,47 White, David, 33/4:14 ivory, by Tomotada, 21/2:37; 23/4:25,25 ; and Lynn, pictured, 31/2:53; and Becky, 33/2:35 34/4:47,47 “Senpo’s Cicada Netsuke,” 33/2:12 Wolfsill, Ney collection, 21/3:4; 29/1:25 “Shukosai Anraku(sai), An Often Overlooked, Wollman, Ilse, pictured 21/3:4 Playful Master Carver,” 32/2:15 memoriam, 22/2:63 “Modern Pioneers: Leonard Weisman,” 33/4:20 woman* “Whose Dog Is It?,” by V. Bykoriz, 29/3:24 and karako, ivory, by Anraku, 32/2:25,25 Widauer, Mag., pictured 26/1:62 African Benin-style woman holding breasts, Wilhelm, Gabor, 26/2:8 animal tooth, 32/2:45,45 pictured, 33/2:36 attendant applying moxa to Okame, ivory, uns., 2001 recipient of Silver Kirin award, 22/3:4 26/1:11,11 reporter, “On the Continent,” blackening teeth, custom explained, ivory, by “The Off-Broadway Collector,” Part 1, 23/2:23’ Ryo, 29/3:16,16 Part 2, 23/3:20 breastfeeding child, ivory, 30/1:57,57 “Netsuke Happenings: The Case of the Twin child shopping, wood, by D. Carlin, 22/1:ifc Christ Figures,” 29/2:47 Chinese woman holding dog Williams, Irving, pictured 27/1:8 ivory, uns., 26/2:53,53; 29/1:24,24 Wilson, Ann and Kevin, 25/1:4; pictured 21/4:15; wood, 29/1:24,24 25/4:57 dancing girl (shirabayoshi) wearing eboshi, Winkworth, William, 25/4:37 ferrying in a boat, wood, by Sosui, 28/3:46,46 Wisteria maiden* feeding boy at table, ivory, by Ryo, 29/2:39,39 with Fukurokuju, shunga, inro by Koma Koryo, grandmother bathing infant in tub, ivory, uns., 27/4:26 27/4:20 in broad hat, wood, by Gyokuso, 30/1:60,60 half praying mantis, by Bishu, 32/3:7 wolf* Heian court beauty, painted ivory, by Ryushi, not native to Japan, 25/2:9 27/4:11 and arm, symbolic of demon Ibaraki, ivory, by holding aloft basket labeled “luck” and with bats, Okatomo, 33/3:23,23 uns., 24/3:10,10 and crab

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kneeling on cushion, with letter, ivory by pictured 21/4:14–16; 24/3:58; 25/4:59, 26/3:48 Ryushi, 29/1:cover and President George H. W. Bush, 26/3:51; and mother nursing child, ivory, 22/1:58,58 Ray, 22/3:6 mother carrying kettle and baby, ivory square profiled by Hollis Kinsey, 26/3:48 manju, by Sansui, 31/3:38,38 Cheshire cat, wood, 26/3:49,49 nude woman wearing hat, by Ryushi, 24/3:cover; frog in bark, wood, 26/3:48,48 24/3:36,36 frog on lotus, wood, 26/3:50,50 partially naked, sitting on hand, shunga, ivory, gift wrapped in furoshiki, wood, 24/3:38 38 by Mitsuhiro, 28/2:49,49 Koala bear, wood, 26/4:54,54 peasant, and child, by Tokoku, 21/1:14 lion and mouse, netsuke & ojime, wood, playing cards, ivory, by Ryo, 29/2:38,38 26/3:50,50 possibly a man, lotus design robe, holding dog, owl and pussycat, wood, 26/3:49,49 tall, 21/3:40,40 phoenix birds, ryusa manju, 22/3:10 pregnant, towel on face, after bath, seated on platypus, wood, 26/3:51,51 powder pouch, powder pouch explained, rabbit pair, wood, 26/3:51,51 27/4:12,12 skunk, wood, 26/3:51,51 selling fans, ivory, by Ryo, 29/3:13,13 tadpoles, three, wood, 26/3:52,52 toweling herself after a bath, ivory 24/3:9,9 wrapped and tied, wood, lion and mouse, netsuke torso, ivory, by G. Weil, 34/2:18,18 & ojime, wood, 26/3:50,50 traveler, hat and cane, stained ivory, by Wrangham, Edward A. (Ted), 25/4:39 Minkoku, 29/3:45,46 pictured 21/4:9 two, viewing blossoms, ivory, by Ryo, 29/2:38,38 death, 29/4:51 walking with lantern, ivory, by Ryo, 29/3:15,15 interviewed by R. Bandini, 27/4:58 walking home with live tai fish in basket, ivory, wrestlers* by Ryo, 29/3:15,15 book review of Tiny Titans, 27/2:66 young, listening to seashell, wood, by Tetsuro, ranking chart, 30/1:25,25 24/3:1; 41,41 by G. Weil, 22/3:45,45;49 “Tall and Slim: Depiction of Beautiful Women Daikoku and Ebisu wrestling, ivory, uns., and the Seven Sages in late 18th century Japan,” 21/1:40,40 29/4:22 frogs wrestling on folded leaf, ivory, by (see also bather, fisher girl, geisha, girl, onna) Yoshitomo, 21/3:36,36 wood*. Kawazu throw as superior carving medium, 31/4:26 Kawazu Saburo and Matano Goro, wood, by dark woods, an appreciation, 30/4:10 Masatoshi, 22/3:23 spiritual and medicinal properties of wood, Kawazu Saburo and Matano Goro, wood, and fruitwood, 24/4:16 design source, 31/3:16,16 See also materials red and tan lacquered wood, 27/3:52,52 woodblock* Sukeyasu and Kagehisa, ivory, by Itsumin, treated as common art, 25/4:36 31/3:31,32 used as advertisements for medical ailments, wood, by Hozan, 31/4:ibc 27/1:50 wood, by Itsumin, 30/1:52,52 using western style to appeal to foreigners, wood, by Ittan, 28/3:52,52 32/4:19 wood, by Sessai, tall, 24/3:15,15 workman with Daruma doll, Miwa school, wood, uns, tall, 33/3:46,46 23/4:40,40 oni and gaki on a lotus, ivory, by Okakoto, The World of Netsuke: The Werdelmann Collection, 23/1:18,18 by Dr. P. Jirka-Schmitz, reviewed, 25/3:54 oni and nio in Kawazu throw, by Shugetsu, Wraight, Susan 23/1:21,21 sumo, elaborate robe, ivory, by Ryo, 29/3:20,20

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sumotori standing with fierce look, ivory, Yamada Nagamasa (aka Tenjiku Tokubei) confused 23/3:52,52; 33/1:54,54 with Gama Sennin, 26/2:31; 26/2:34 (see also neck wrestlers) riding a frog, wood, by Sukenaga, 26/2:31,31 Wright, Douglas J. K. Yamaguchi, Kazu, pictured 25/4:61; 27/2:43 pictured 21/1:10,11; 23/1:13; 25/4:63; and Yamaguchi, Shingo, 24/1:7, pictured 24/1:8 Joyce, 21/1:11; 22/1:8 Yanagawa* anecdote about his Uncle Douglas Glendining, silver shishi on ivory plate, 34/4:52,52 26/4:47 Yang Xiang and tiger, ivory, by Kagetoshi, book review, 22/2:51 28/1:38,39 profile, 25/2:30 Yasuaki* reporter, auctions column blind men walking on trail, lacquer tray, retirement party, 21/1:10 27/4:66,66 Wulfes, Andreas, and Kerstin Ihlenfeldt-Wulfes, old man opening box of jewels, ivory, 28/3:50,51 pictured 21/4:14 Hotei in green lacquered robe, 23/4:37,37 X** ivory, inlays, 24/3:11 “X-Ray Computed Tomography of Japanese seated, open robe decorated with crests, Netsuke,” M. Bernstein, et al, 21/2:32 28/1:53,53 seated, open robe decorated, nyoi scepter on Y** back, ivory, s/with seal , 34/4:52,52 yabusame* (archery exhibition). See archer kudan, wood, 32/4:12,12 dancing about, wearing huge oni belt, wood, Michizane Sugawara, ivory, 25/1:8,8; 31/2:47,47 boy playing with shishimai mask, 26/4:59 standing, clenching fist, leafy belt, ivory, Yasuchika* 22/1:48, 48 doctor’s sword, collaboration, 24/4:32 yakko* (servant), dancing, wood, 34/1:46,46 female in long wood robe, wearing metal oni Yama Uba* mask, 31/2:34,34 breast feeding Kintoki Hotei in sack, gilt kagamibuta, 32/2:46,46 ivory, uns., 23/1:22,22 inro, watchman and gate, collaboration, cicada while Kintoki contains a wild boar, wood, by on gourd flask; and sake cup netsuke, 23/4:3 Tametaka, 28/1:53,53 Yasuchika Tou, frog on lotus, a collaboration with carrying Kintoki Iwama Masayoshi, 34/4:41,41 ivory, by Okakoto, 28/1:53,53 Yasuchika Tsuchiya, metal worker ivory, by Sanko, 34/4:19 seated octopus and monkey, wood, 33/2:30 ivory, by Tomotane, 33/2:25 Yasuhide*, Hatsu suzume, ivory, 26/3:24,24 ivory, by Toshikata, 32/4:38,38 Yasui*, lotus leaf, wood, 23/1:41,41 balanced on leg, with staff, carrying Kintaro, Yasumasa* and mushroom, ivory, 32/2:56,56 boy eating watermelon, ivory, 32/1:8 whisking away with Kintaro, wood, by cock and hen, wood, 34/1:46,46 Meikei, 28/3:11 Yasunaga, Unkyo yamainu*. See dog/mountain Raiko’s band hunting Shutendoji, wood, yamabushi* 33/3:24,25 and officials in wooded landscape, by Koma Yasutaka*, set of seven gods of good fortune, Koryu and Haruaki, 23/1:36,36 27/2:13,13 disguise as a tengu, 28/2:29 yatate* (portable brush & ink case. head of, mask, 28/2:29,29 see brush rest hexagonal hat an attribute of, 29/2:29 yin* and yang design, stagantler, by Kokusai with pack and staff, ivory, 22/3:35,35 31/2:12,12 Yamada, Aiko, 27/2:45 Yip, Suzannah, pictured 27/2:39; 29/3:60

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Yoei*, octopus huge head, small tentacles, wood, dancing Hotei w/uchiwa, 26/3:46,46 30/4:54,55 kirin baying, ivory, 31/4:46,45 Yojo* stabbing the cloak octopus in pot, wood, 31/4:33 story of, 29/3:17 snake and pumpkin, wood, 29/3:51,51 ivory, 29/3:17,17 Yoshimitsu* ivory, by Ryusensai, 32/4:34,34 gazing at mouth organ, ivory 2-part manju, by Yoka, dragonfly and pomegranate, wood, 25/2:11 Hakuunsai, 28/2:51,52 Yoko* recumbent deer, ivory, 33/3:45,45 paragon of filial piety, 32/3:27 Yoshinaga* and tier, print, by Hokusai, 32/3:27 correction, 32/3:6 and tiger, inro by Zeshin, 30/1:42,42 interpretation of name, 24/1:47 saving tiger from father, ivory, on base, by signatures of artists using name, 31/1:13 Shounsai (Joryu), 34/4:48,48 two carvers (Koyoken and Miura) using name, Yokosai*, gama sennin and toad, wood, 33/2:obc 31/1:10 Yokoya family of metal artists, 27/3:15 baku Yomeisai* seated, ivory (sig. shown), 31/:15,15 Fernao Mendes Pinto and kirin, ivory, signed seated, ivory, uns., 31/1:16,16 and dated, 30/1:13 seated, wood, uns., 31/1:16,16 Yomoyuki (Kikutai Yomoyuki) Dutchman with horn, child on shoulder, ivory three skeletons fighting, signed and dated, (inscription shown), 31/1:17,17 24/1:40,40 fisherman, ivory, 31/1:13,13 Yorimoto and Saigyo Hoshi talking, ivory, by gama sennin, 23/4:34,34 Hikaku, 32/4:33:33 hare, resting, big inlaid eyes, ivory, 27/3:48,48 Yoro* no taki Hotei and karako, ivory (sig. shown), 31/2:3 seated with large gourd, ivory, 29/2:17,17 Kanzan and Jittoku, scroll and broom, ivory, Yosei*, Tanaka 31/1:cover; 10,10, 31/31 hako (box) of Okame’s head, ivory, w/signature karu holding two frogs, ivory, 26/4:15,15 and inscription, 26/4:39,39 monkey trainer Yoshi* (Yoshiaki) lying down, ivory, 30/4:48,49 metal artist on ivory ryusa manju by Jugyoku, standing, ivory, Kyoto, 23/2:7 31/2:29,29 standing, with pot, monkey on shoulder, Yoshida, Yukari attributed to Insai, 21/2:17,17 pictured 23/2:9; 24/1:8; 24/2:8; 25/3:6 rabbit, shape resembles half moon, ivory, co-author of Q&A column 33/4:33,33 Yoshiharu* rakan, chuckling, holding fruit, ivory, 32/4:42,42 snail, wood, 30/2:51,51 rat, resting, grasping tail, ivory, attrib. to, Yoshihide* (Hoshu) 34/4:10 Buddhist angel, ivory, 23/1:2 Ryujin’s assistant, octopus head-dress, ivory executioner beheading a man, 24/1:36,36 (sig. shown), 31/1:18,18 centipede on log, 23/1:40,40 Saishi breastfeeding elderly woman, ivory, Oiwa ghost and child, ivory, 29/1:ibc 31/1:19,19 Yoshikazu* sennin boy on an ox, playing flute, 22/4:56,56 and reclining kirin, ivory, 31/1:20,20 frog, persimmon wood, 29/1:35 Gama and Tobosaku, with frog and peach, ivory, 31/1:54,54 Yoshikiyo* gourd, and karako, 31/1:19,19 okimono of man arranging flowers (sig. shown), 34/3:24,24 Ikkaku sennin and woman, ivory, 31/1:21,21 Yoshimasa* riding kirin, ivory, 31/1:20,20

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shishi Hotei, 23/4:35,35 balancing on forelegs, and Chinese man with and child on back, ivory, 23/4:35,35; 26/3:39 leaf, ivory, 31/:14,14 arms upraised, shouting, bamboo, 25/4:55,55 rising, ivory, 31/4:40,40 reclining, with karako, ivory, 26/3:36 Shoki seated, with uchiwa, ivory, 26/3:36-37-38 glaring, sword drawn, ivory, 29/1:58,58 Jurojin w/uchiwa narwhal tusk, 27/4:19 and deer, standing, ivory, 26/3:39 seated, ivory, by Yoshinaga, 31/1:15,15 and stag, reclining, 26/3:37 Shoki and oni Kabuki chanter w/fan, ivory, 26/3:38 ivory, 23/4:32,32 Kanzan and Jittoku, 23/4:34,34; reading scroll, with two oni, ivory, by Yoshinaga (sig. ivory, 26/3:38; 29/4:18,18 shown), 31/:14,14 Kinko riding carp, reading scroll, ivory, Soshi (Chinese philosopher) with book, asleep, 21/1:46,46; 26/3:39 ivory, 28/2:53,53 leaning over deer, ivory, 28/2:54,54 Tekkai sennin, reclining, exhuming soul, monkey trainer w/monkey and basket, ivory, 25/1:17-18; 32,32 26/3:38 Tekkai sennin, standing, exhuming soul, 30/1:ibc ox, herder resting on its back, ivory, 33/3:44,44 Yoshinaga Kanjukin, 31/1:21 sennin w/peach, frog on shoulder, ivory, 26/3:38 Yoshinobu* Sha-in with open book, ivory, 26/3:38 dog, reclining, wood, glass eyes, 30/4:54,55 Shojo holding ladle and plate as hat, ivory, man with tools, making boxes, ivory okimono 26/3:39 (sig. shown), 34/3:24,24 Shoki, ivory, 26/3:38 Yoshinori, inro with Swiss clock and zodiac stag, reclining, ivory, 27/4:50,50 animals, 23/2:3 Toba on horse, holding scroll, ivory, 26/3:39 Yoshitada, tiger scratching chin, ebony, 34/1:48,48 Tobosaku with peach, seated, ivory, 26/3:37 Yoshitomo* “Yoshitomo: A Comparative Study,” by M. Strone, carving characteristics, 26/3:42 26/3:36 interpretation of name, 24/1:47 “Yoshitomo and Fukusuke,” by N. Platt, 31/1:25 predecessor of Yoshinaga and Tomotada, Yoshitoshi* 26/3:46 blind masseurs injured by rickshaw, woodblock, signature, 26/3:40,40 27/4:65,65 his various models of Fukusuke, 31/1:26 Ibaraki viewing severed arm, print by Bukan Zenshi and tiger, ivory, 23/4:34,34; Yoshitoshi, 25/1:45,46 26/3:39, 27/1:37,37 Watanabe no Tsuna fighting demon, 25/1:44,44 camels, two, ivory, 30/2:51,51 Yoshitsugu Chokaro sennin and horse from gourd, ivory, connection to Sadanobu, 24/1:26 26/3:36 rabbit, 24/1:26 dragon Yoshitsune* ivory, coral tama, 27/1:42,42 and Benkei fighting, inro, 33/3:24,24 guarding coral tama, ivory, 34/2:46,46 (see also Benkei) dragon fish and young, ivory, Kyoto, 30/2:ibc Yoshiwara* elephant, ivory (sig. shown), 23/1:25,25; dandy, ivory, by Sosui, with inscription to client, 33/4:44,44 27/4:51,51 frogs wrestling on leaf, ivory, 21/3:36,36 Yoshiyuki* Fukusuke, ivory, 31/1:36 female (onna) mask, ivory gama sennin Yosui*, snake and boar, wood, 34/1:51,51 seated, frog on knee, ivory, 23/4:36,36 Younggren, Lee and toad, head up, ivory, 26/3:41,41 pictured; 24/1:8

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death, 30/2:56 Zeraku*, three blind men fighting, ivory, 30/4:46,46 horse, walrus tusk, 26/1:60,60 Zeshin* Yoyusai* black lacquer as medium, 27/2:26 Portuguese traders, inro, 32/4:43,43 techniques, 26/4:19-25; 31/1:32 dark lacquer inro, willows, 27/2:23,23 bokuto repaired by, 31/1:32 duck, wood, lacquer manju, 28/1:41,42 cabinet with tsuba designs, 26/1:54,54 gama sennin, seated, holding up frog, wood, cicada on gourd flask; and sake cup netsuke, 33/2:obc 23/4:3 inro and their design drawings in Yoyusai’s hako netsuke, sambaso dancer, 31/2:36,36 workshop, 34/3:32; 34/4:30 inro Yuai* boat, and hako netsuke, 30/4:43,43 legend of, 23/1:52 basket of charcoal, 31/1:54,54 seated upon coins, by Naokazu, 23/1:52 bamboo stalks, leaves, 31/1:54,54 Yukikazu* Ebisu and Daikoku, 22/2:12,12; 31/1:53,54 reclining horse, wood, ivory teeth, 26/1:28,28; farmhouse scene, lacquer panel, 34/4:40,41 26/2:47,47 fish, eggs, fishing rod decoration, 31/1:53,53 Yukimasa*, boar reclining, ivory (dating discussed), moon, fruits, 32/2:44,44 21/2:21,21 fruit against large moon, 32/3:44,44 Yukoku*, female diver drying hair, 24/1:18,18 geometric patterns, 32/2:49,49 Yumoto, John, 25/3:31 hammer, tools, 31/2:39,39 Yusen, macro cephalous bakemono, wood, Hotei under willow tree, 31/1:35 28/1:51,51 Hotei, two karako, 22/2:ibc Yuso*, monkey king Songoku, ivory, 22/3:22 Joe and Uba, 22/2:12,12

maple leaf, 30/3:30

metal gong with strike; manju netsuke of Z** chestnuts, 26/4:cover Zacken, Irene, pictured 24/3:52 panels, box, and tonkotsu, 32/1:50,50 Zacken, Wolfmar plum tree, 27/2:24,24 “Can You Think of a Title, My Friend?: rats stealing eggs, 21/1:56,56 Memories of Guy Shaw,” 24/3:46 Shoki behind window, sheath, 34/4:40,40 Zanmai* sickle moon, dark lacquer, signed and dated, pictured 21/4:14 27/2:cover; 26-27 bird spirit, wood, 28/4:5 snail on hako shape, also by Ganbun, climbing rabbit, 26/1:2 32/2:46,46 Daruma in a ball, wood, 29/4:7 tsuba, kozuka, cicada on gourd flask; and dragon, 24/1:43 sake cup netsuke, 23/4:3 kappa, 24/4:13 village scene, simulated metalwork, kappa, wood, 28/4:5 34/4:43,43 oni’s head, wood, 28/4:4 warabi and grasses, 33/3:31 shishi, wood, 21/4:11 window view, foliage, 34/3:15 shishi, manju, wood, 32/4:4 Yoko (filial paragon) and tiger, 30/1:42,42 spinning dragon, wood 21/4:11; 26/4:52,52 netsuke tiger and snake, wood, 26/4:3 kagamibuta, ivory, metal, 26/1:54,54 tanuki on tama, wood, 34/3:5 kagamibuta, Shoki design, lacquer, metal, by Tatamori Hime, 24/4:49,49 Zeshin. toad, manju, 32/4:5 mushrooms and ants, wood, 24/1:34,34 Zemin*, blind men fighting, ivory manju, mushroom group made of woven cane, 27/4:66,66 31/3:43,43

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simulated hako netsuke, wood, made to copy seal signatures, 21/3:22 Ganbun’s style (sig. shown), 33/3:12,12 sheath inro made for daimyo, 21/3:20,19 tebako, gold lacquer, autumn scene, 25/2:5 kogo (incense box), 21/3:18,18 pipecase sheath inro, narwhal exterior with flora and grasshopper, pewter, bamboo, 29/4:41,41 fauna; rhino interior, 21/3:19,18 selection of, 21/3:8 “Zokoku: Research from a Visit to Shikoku,” by A. painting, Ibaraki fleeing w/severed arm, Ducros, 21/3:18 25/1:45,45 “Zokoku Tamakaji: A Remarkable Lacquer Artisan, print, Fugen Bossatsu on elephant, 30/1:27,27 by H. & E. Kress, 21/2:54 tonkotsu, design of basket and leaves, Zusho* Hirosato, wood statue signed and dated by 28/4:38,38; 29/1:34,34 Deme Uemon, 33/1:24,24 woodblock print of shop advertisement, 24/1:18,18 writing box, bamboo shoots, 28/4:37,37 “Tradition and Innovation in the Work of Shibata Zeshin,” by M. Dean, 31/1:32 “Zeshin: The Catherine and Thomas Edson Collection,” by S. Izzard, 26/4:18 Zhong Kui and demon, colored wood, by Shuzan, 28/1:39,39 Ziesnitz, Arno, 24/2:43 pictured 24/3:58; and Sharon, 25/4:57 zodiac* animals, twelve (junishi) associated hours, dates, compatibility, 33/4:28 components of the Zodiac system, 28/4:10-19 12 animals of, by Meigyokusai, falsely signed Masatsugu, 26/2:43,43 set of 12 animals by Risshisai Kangyoku, hornbill, 27/3:12 juxtaposition of zodiac animals, 24/3:6 ivory, by Hasegawa Ikko, 23/4:44,45 ivory, by Kagetoshi, 32/4:48,48 ivory, by Kaigyokusai, 24/4:22,22 ivory manju, 34/2:6,6 marine ivory manju, 33/4:29 ivory ryusa, by Ryuchin, 28/2:52,52 ivory, ryusa style, by Tanetoshi, 32/1:54,54 ivory sukashibori by Hakusai, 24/2:18,18 junishi in clouds, inro, by Hidari Issan, 30/1:53,53 on rocky base, wood, by Shuzan Yasusada, 29/1:obc ryusa manju, wood, by Masahiro, 30/1:55,55 wood, by Masayoshi, 24/4:10,10 “Jikkan + Junishi = Eto,” by K. Ficara, 28/4:10 Zokoku* (Tamakaji Shojiki) life and work of, 21/2:54-64; 21/3:20 brother, Kokusai, 21/3:21 genealogy chart, 21/3:23

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