Netsuke: the Collection of a Lifetime

Total Page:16

File Type:pdf, Size:1020Kb

Netsuke: the Collection of a Lifetime Netsuke: The Collection of a Lifetime. by Ed Martel “By looking at netsuke closely,” explains west, Japanese art was exhibited for the first Professor Bruno Werdelmann, a collector of time at world fairs in Paris in 1867 and then South East Asian art and in particular netsuke, Vienna in 1873, sparking avid western interest Further information. “one can discover Japanese culture with all its in everything Japanese. The small size and www.japancollection.com/pages/netsuke/net- customs, legends and fairy tales, almost a vast array of netsuke made them ideal items for suke.htm microcosm of Asia.” the collector, and at a time when netsuke were old and new netsuke for sale. Netsuke (pronounced ‘net-skeh’) began life in used less and less, it provided an opportunity www.worldcollectorsnet.com/netsuke Japan most likely during the sixteenth century, for the netsukeshi to remain in business. information on netsuke and details of netsuke and developed over the centuries to become Famous netsukeshi include Masanao of Kyoto, collectors. what is now one of the most popular and famous for his fukura suzume (good-luck spar- diverse East Asian collectables the world has rows) and Ono Ryomin of Tokyo. Amongst the www.netsuke.org seen. The subject matter varies greatly, from many categories netsuke designs fall into are information on netsuke and links. intricate carvings of children at play, to phallic figures from Chinese history, flora and fauna, symbols, to simple beads. Netsuke are most Japanese mythology, (noh) masks and people, www.tsu-ho.com commonly made from intricately carved wood occupations and activities. many good quality pictures of netsuke for or ivory, although early examples were some- Even today, netsuke are still made for the col- sale. times small squashes, roots or coral. lecting market. The range of netsuke on the The netsuke formed an important part of the page opposite, all of which were taken from www.antiques-info.co.uk our Price Guide databases and sold at auction free to subscribers to Antiques Info, our data- in the last few years, demonstrates the diverse bases hold thousands of pictures, prices and styles of the carvings as well as the vast differ- descriptions of Japanese items sold at UK ences in terms of price. Those dating from the auctions recent years. early to mid nineteenth century and before are rarer and therefore tend to fetch prices much higher than those made any later: difficult to A B define because of the rare occurrence of signa- Glossary A) 19th C, 10cm x 5.5cm. tures or stamps on netsuke. Furthermore, more Netsuke - an often intricately carved toggle Kagamibuta netsuke, cornelian intricate carvings usually command higher which stops the himo from slipping through ojime. B) 19th C, 8.8cm x prices than plain or simple netsuke; those hav- the obi. Ne - wood, tsuke - fastening. 8.3cm. Well-pulley netsuke. ing moving parts fetching higher prices still. (The Werdelmann Collection). Kimono - traditional Japanese clothing. popular Japanese male dress until the Meiji period (1867-1912) when the kimono and Kosode - traditional Japanese clothing, simi- kosode became less commonly worn in favour The World of Netsuke, lar in design to a long shirt. of western style clothing. The kimono having by Patrizia Jirka-Schmitz no pockets, the Japanese instead used a series Obi - a sash, usually wide, worn around the of small medicine boxes (inro), money (kin- kimono, from which the sagemono hang. chaku) or tobacco (tabako-ire) pouches, pipes and writing implements, collectively known as Sagemono - collective term for the objects sagemono. The sagemono were threaded onto hanging from the obi. a cord (himo) and fastened or loosened with a bead (ojime). The himo was then suspended Ojime - a sliding bead strung on to the sash from the waist sash (obi), and kept in place by between the netsuke and sagemono, tightens the netsuke, which itself roughly translates as or loosens, to open or close the sagemono. ‘wood fastening’. One of the world’s most outstanding netsuke The netsuke is thought to originate from work- collections is the Werdelmann Collection at Netsukeshi - carvers of Netsuke. men who, wanting to find a way to have their the museum kunst palast Düsseldorf with tools to hand, would tie the tool to a root and almost 1100 objects, the result of thirty five Katabori - a form of netsuke, carved to repre- secure it in place under the obi. The populari- years of collecting and thus a unique survey sent figures. ty of the netsuke in Japan began to take off of this Japanese art from the seventeenth to considerably from the eighteenth century, the twentieth century. Sashi - a long, narrow netsuke. mainly as tobacco smoking became an accept- Each object is reproduced in brilliant colour ed custom. Around this period, it was a com- photographs and described according to the kinchaku - money pouch worn on the himo. mon ritual to begin a business meeting with a most recent scholarly research. An extensive smoke, and one’s netsuke was a form of status list of signatures and carvers with commen- himo - the cord, often of silk, which hangs symbol: the more intricate and sought after the tary rounds off the publication. from the netsuke and holds the ojime, sage- design, the more valuable the piece, and there- mono and inro. fore the more powerful its owner. (352 pages, 683 illustrations in colour with In 1781, Inaba Tsûryû published the Soken 1070 objects, 407 illustrations of inscriptions tabako-ire - tobacco pouch worn on the himo. Kisho. This eight volume work contained and marks). inro - a small medicine box or case. details of some fifty three netsukeshi, or net- suke carvers, and is reported to be the first kagamibuta - a type of netsuke with a mirror written record of netsuke. Less than one hun- fitted into a bowl shape. dred years later, as Japan began to open to the ANTIQUES INFO - July/August 05 1 7 12 17 22 Late 19thC carved ivory net- suke, in the form of a seated man with a lantern, floral engraving to back, two char- acter mark, 1.25in high. Another of a seated rotund Amber netsuke carved as a Ivory netsuke, Meiji, two man with a young boy, floral cat, 1.5in. Gorringes, Lewes. playful boys, one seated engraved back, 1in high. Two Feb 01. £110. upon the other’s back, others. Diamond Mills & Co, signed, 1.75in. Japanese ivory netsuke, 18th Felixstowe. Dec 04. £90. 8 Gorringes, Lewes. Japanese carved ivory net- Century, of a figure of a 2 Mar 03. £180. suke of a dragon faced war- Dutchman standing with a rior holding sword, standing curly wig under his tasselled, on a dome, with a snake wide brimmed hat, dressed in 13 coiled round. The base with a long coat and breeches, Group of seven signed two character mark.4.5cm holding a cockerel with both Japanese coloured ivory net- high. Rosebery’s, London. hands, signed on the back suke, all representing differ- Sep 04. £280. leg, 7.5cm. Sworders, ent pursuits, 2in. Gorringes, Stansted Mountfitchet. Lewes. Dec 03. £95. 18 Feb 05. £1,050. Early 20th century Japanese 3 ivory netsuke carved as a 23 noh mask, 2in. Gorringes, East Sussex. Mar 02. £110. Japanese ivory netsuke carved as a rat on a skull, 1.5in. Gorringes, Lewes. 9 Jun 03. £180. Ivory netsuke, Meiji, artisan Masanao, late 18thC ivory Japanese ivory netsuke, 14 grinder, his kimono with netsuke carved as a boar carved as a monkey with engraved detail, signed 1in. reclining on a bed of leaves hatching eagle egg, 1.75in. Gorringes, Lewes. coiling around the larger of Gorringes, Lewes. Mar 03. £300. the himotoshi, signed on red Sep 04. £95. Group of ivory netsuke, Meiji coral tablet, 5.5cm wide. Cheffins, Cambridge. and Taisho, ivory 19 4 Fukurokoju, 2.75in, elephant, Apr 04. £1,300. 1in and man with barrel, 2.75in. Wood netsuke of seat- Ivory netsuke, Meiji, father 24 ed man, 1.5in and an ivory and son at play, father wear- study of maternal monkey ing engraved kimono, signed, group, 1.5in. Gorringes, 1.25in. Three ivory netsuke, Meiji, Lewes. Mar 03. £140. Gorringes, Lewes. 19th Century carved wood seated shishi, 1.25in, fisher- Mar 03. £200. netsuke of a recumbent cow, man with pipe, 1.5in (rod 10 6cm. Sworders, Stansted missing) and seated lady, 15 Mountfitchet. Nov 04. £400. Toyomasa, mid 19th Century, 1.25in. Gorringes, Lewes. a fine and rare Tamba Mar 03. £100. School wood netsuke of sea 20 life, including a carp and crayfish, the details boldly 5 carved and with a good pol- ish, 5.5cm signed Toyomasa carved oval. Sworders, Japanese ivory netsuke of a Stansted Mountfitchet. seated couple, 1.5in, a pair Nov 04. £1,500. of ivory figures of hotei, 1in Ivory netsuke, Meiji, two rats An ivory netsuke, Meiji, three on an engraved fan, signed, and another of figures with mythological characters and (one eye missing) 2in long. 25 an ox, 2in. Gorringes, East shishi, signed, 2ins Ivory netsuke of a hare and a Sussex. Mar 02. £160. Gorringes, Lewes. leveret, carved in a crouch- Gorringes, Lewes. Mar 03. £750. ing position, signed, 1.75in. Mar 03. £240. Gorringes, Lewes. 11 21 Jun 03. £100. 16 6 Two Japanese hardwood net- Wood netsuke of two toads, A Japanese ivory netsuke 19thC Japanese ivory net- suke, carved as a rat and two Yamada School, 19thC, Japanese ivory clam netsuke, carved with a Buddha and suke carved as Kinko reading gourds Gorringes, Lewes. signed Masakatsu, signature and four others. two small figures 1.5in. as he rides a giant carp Jul 04.
Recommended publications
  • Netsuke Lots
    HAP MOORE ANTIQUES AUCTIONS Auction of Estate Antiques Netsuke and Other Carved Japanese Objects Saturday Morning, August 23, 2008 Auction Begins at 10:00 a.m. Netsuke and Carved Japanese Objects Sold at Approximately 11:00 a.m. Preview Friday, August 22nd from 2:00 to 6:00 p.m., From 8:00 to 10:00 a.m. on the Day of Sale Or by Appointment Lot Description 608 Bronze sui teki (water dropper) for mixing ink. 609 Mingei pipe case and tobacco box. 610 Signed boxwood monkey Okimono. 611 Japanese bronze pocket sundial, giving time, month and phase of moon. 612 Boxwood tobacco box with ivory ojime with noh masks and 18th c. netsuke of Dutchman. 613 Tobacco box with signed ojime, inlaid stained ivory and bronze, featuring bronze tiger with silver eyes, the piece having early 19th c. netsuke of dog mask. 614 Tobacco box with gold, lacquer, pewter and gilt bronze onlay and Mother of Pearl accents, having a late 18th to early 19th c. frog netsuke with signed brown and gold lacquer ojime. 615 Pipe case, pipe and tobacco box in form of Daruma, having bone ojime. 616 Signed one case inro with inlaid ebony eyes, monkeys en suite. 617 Traveling shrine with Amida Buddha. 618 Unsigned monkey-form tobacco box. 619 Lacquer inro with two-piece Ojime, netsuke of snake attacking bird and shi-shi on a wood bell. Netsuke and Other Carved Japanese Objects 620 Late 19th c. gold lacquered two case inro with Mother of Pearl inlays with phoenix and ivory Ojime. 621 Signed boxwood guardian figure.
    [Show full text]
  • Ichiro: a Life's Work of Netsuke the Huey Shelton Collection
    UNIVERSITY OF WYOMING ART MUSEUM 2009 Ichiro: A Life’s Work of Netsuke The Huey Shelton Collection PURPOSE OF THIS PACKET: EXPLORE: To provide K-12 teachers with background Students are encouraged to examine the various information on the exhibitions and suggest age professions, animals, and activities depicted in the appropriate applications for exploring concepts, netsuke carvings. What does the choice of subject say meaning, and artistic intent of work exhibited, before, about what is valued in the Japanese culture? during, and after the museum visit. CURRICULAR UNIT TopIC: CREATE: To examine netsuke sculptures as a means of artistic Students will be given time to create. They will sketch, and cultural expression. The focus of this educational draw, or sculpt a design for a netsuke that reflects the packet and curricular unit is to observe, question, student’s individual culture. explore, create, and reflect. OBSERVE: REFLECT: Students and teachers will observe the examples of Students will discuss their finished artwork with the netsuke carvings from master Netsuke carver Ichiro. other students and teachers and write a reflective paper Students will make comparisons between the different about the process they used to complete their work. styles and subject matter of netsuke. QUESTION: Students will have the opportunity to discuss the Japanese art form of netsuke. What are netsuke? What is the purpose? What materials are used? How do the netsuke carvings depict Japanese life? Ichiro Inada (Japanese, 1891-1977), Elderly Samurai Standing Pensively, Not dated, Ivory, 1-1/4 x 7/8 x 1 inches, The Huey G. and Phyllis T.
    [Show full text]
  • Susan Wraight Curriculum Vitae
    Susan Wraight Curriculum Vitae Born 1955, Berkshire, England 1974-1977 Brighton Polytechnic, Brighton, BA (Hons) Three Dimensional Design 1977-1980 Royal College of Art, London, MA Jewellery and Silversmithing Working in Victoria, Australia Susan Wraight trained originally as a jeweller but after exposure to the tradition of Netsuke during a museum visit while at college, she was inspired to retain the small scale of her jewellery but to change her medium. Netsuke is a traditional Japanese craft of carving miniature wooden sculptures designed to be used as toggles to hold the obi (sash) in place. Netsuke were widely worn during the Edo period (1615 – 1868). The later popularity of western dress in Japan made their use as an element of everyday wear redundant and Netsuke are now regarded as sculpture in their own right. Eschewing traditional ivory, Susan works in dense and tightly grained wood such as European boxwood and holly, which retain fine detail. She also uses Tagua nut, known as vegetable ivory, and uses inlays of, for example, amber and mother of pearl. Working in a western vocabulary, Susan draws her main inspiration from nature and manages to imbue her tiny carvings with a mischievous sense of life. Susan Wraight -2- Solo Exhibitions 1994 Susan Wraight, Australian Galleries, Sydney, Australia 1988 Misericords by Susan Wraight, Meat Market Craft Centre, Melbourne, Australia Selected Group Exhibitions 2019 2018 Adrian Sassoon, Masterpiece London, The Royal Chelsea Hospital, London 2017 50 Secrets of Magic Craftsmanship, Elements,
    [Show full text]
  • Fine Netsuke, Sagemono & Okimono
    Fine Netsuke, Sagemono & Okimono AUCTION APRIL, 27TH 2019 AUCTION Fine Netsuke, Sagemono & Okimono April, 27th 2019 at 2.00pm CET CATALOG NE0419 VIEWING www.zacke.at IN OUR GALLERY Preview: 15.04. - 27.04.2019 Monday - Friday 10am - 6pm Day of the sale: 10am - 2pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 1070 VIENNA AUSTRIA Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM FOR THE AUCTION Fine Netsuke, Sagemono & Okimono NE0419 /.$!4%APRIL 27TH, 2019 According to the general terms and conditions of business of Galerie Zacke Vienna, Founded 1968, SZA Versteigerungs & Vertriebs GmbH, 1070 Wien, online at www.zacke.at ,/4 ,/44)4,% ")$).%52/ ABSENTEE BIDDING Absentee bids are carried out under the regulations of the terms of 350,- the transport insurance will be automatically arranged by the business of Galerie Zacke, SZA Versteigerungs & Vertriebs GmbH, company if it does not expressively receive the purchaser´s written which requires written submission of your purchase limit. denial of this service. Payments due to the company under the Orders without purchase limits cannot be processed. insurance contract will be charged to the customer. The company Only the submitted lot number of the purchase object is binding for is also entitled to assign claims under the insurance contract to the processing of the absentee bid. The place of jurisdiction is Vienna, the customer providing the terms of the insurance contract do not Austrian Law and Austrian jurisdiction are exclusively applicable for prevent this. all legal questions arising from the business relationship.
    [Show full text]
  • Fine Netsuke, Sagemono & Okimono
    Fine Netsuke, Sagemono & Okimono AUCTION NOVEMBER, 24TH 2018 AUCTION Fine Netsuke, Sagemono & Okimono November, 24th 2018 at 2.00pm CET CATALOG NE1118 VIEWING www.zacke.at IN OUR GALLERY Preview: 14.11. - 24.11.2018 Monday - Friday 10am - 6pm Day of the sale: 9am - 2pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 1070 VIENNA AUSTRIA Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM (According to the general terms and conditions of business Gallery Zacke Vienna) FOR THE AUCTION FINE NETSUKE, SAGEMONO & OKIMONO NE1118 ON DATE November, 24th 2018 at 2.00pm CET Absentee Bids: Color and Condition: NO. TITLE BID IN EURO Absentee bids are carried out under the regulations of the terms of Objects lots coming to auction will be exhibited for viewing prior to business of Gallery Zacke which requires written submission of your the auction, thus offering all interested customers the opportunity to purchase limit. Orders without purchase limits cannot be processed. examine the quality and condition of the works exhibited. The catalogue illustrations are intended to assist customers during pre-viewing. In Only the submitted lot number of the purchase object is binding for illustrations, print colors cannot naturally correspond hundred percent the processing of the absentee bid. The place of jurisdiction is Vienna, to the originals. The catalogue images are neither for condition nor Austrian Law and Austrian jurisdiction are exclusively applicable for all qualities of the illustrated pieces authoritative. Flaws and damage are legal questions arising from the business relationship. only indicated in some cases in the catalogue.
    [Show full text]
  • Back to Netsuke.Org
    Back to netsuke.org This file will be updated quarterly to include the latest published issue. Each letter A-Z has a double asterisk and most nouns and artists’ names have a single asterisk to quickly maneuver throughout the index. Please report errors/omissions to Linda Meredith [email protected] INDEX INTERNATIONAL NETSUKE SOCIETY JOURNAL Vol. 21 to Vol. 34 (2001–2015) Updated to include Vol 34/4 (Winter 2015) A** wearing tengu mask, wood, ivory, by Sansho, Aarseth, Bjarte, pictured 24/3:58 32/1:19,19 Abel, David “Almost True,” fiction, 23/3:50 Rokurokubi, ivory, gold, ebony, 34/2:56 Adachigahara snail and kappa, ivory, gold, 34/2:56 legend, 25/2:46 Abel, Irene, pictured, 29/3:60 ivory manju, signed Kogyokusai, 25/2:46 Abe no Seimei Adameck, Ted, 23/4:4, 27/4:8 and Abe no Seimei’s daughter, ivory, 29/1:56,56 and daughter Sandra, pictured 24/3:59 startled by 9-tail fox, ivory manju, by Moritoshi, book review of The Art & Life of Michael Birch, 33/4:42,42 33/2:54 (see also Tamano no Mae) Adornment in Clay: Ceramic Netsuke from the acorn*, wood, by Sachiko, 24/3:38,38 Richard R. Silverman Collection, reviewed, 30/3:55 acrobat* Ainu* balancing on drum, wood, by Gyokumin, 25/3:41,41 Ainu or Mongolian?, conical hat, with dog, wood, 33/2:48,48 (see also Tokaido road porter) carrying fish, wood, by Hideyuki, 25/4:55,55 actor* Akira* in Usofuki mask; large shishi mask on back, ivory, by Gyokusai, 28/1:43,43 celestial globe, 26/4:52,52 impersonating Kiyohime, ivory, uns.
    [Show full text]
  • TELLING TOGGLES: NETSUKE in CONTEXT This Brochure Accompanies an Exhibition of the Same Name at the Bowdoin College Museum of Art
    TELLING TOGGLES: NETSUKE IN CONTEXT This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 1 1 through June 9, 2002 COVER ILLUSTRATION Child witli Mask and Driiiii (Catalog 34) This brochure is published with support from an endowed fund given by the Andrew W. Mellon Foundation and the George Otis Hamlin Fund. PHOTOGRAPHS Dennis Griggs, Topsham, Maine DESIGN Mahan Graphics, Bath, Maine PRINTER Franklin Printing, Farmington, Maine © 2002 by Bowdoin College TELLING TOGGLES NETSUKE IN CONTEXT Christine L. Paglia Bowdoin College Museum of Art 2002 Digitized by the Internet Archive in 2015 https://archive.org/details/tellingtogglesneOObowd INTRODUCTION Telling Toggles has been organized by Christine Paglia, Bowdoin Class of 2000, the tenth Andrew W. Mellon Foundation Curatorial Intern at the Bowdoin College Museum of Art. Since 1992 this enlightened program has furthered the active inte- gration of the Museum's collection into the teaching program of the college. Like her predecessors, Christine has worked energetically to bring the multi-faceted collec- tions to the attention of faculty across all the disciplines and has been instrumental in making hundreds of works which were not currently on view available to classes ranging from Chemistry to Classics. Mellon Interns are invited to take advantage of their intimate familiarity with the collections by organizing an exhibition which highlights a theme or period of particular interest to them. Christine chose to bring to light the Museum's collection of nearly 100 netsuke, only a few of which are normally on view at any given time. I am grateful for her meticulous research which situates these appealing miniature sculptures in both an aesthetic and an instructive cultural context.
    [Show full text]
  • Miniature Is Big in Japan Contents
    Discovering Japan 2015 no.17 Special Feature Tiny but Awesome! Miniature Is Big in Japan contents no. Cover photo (also seen on left): Small figurine to hang on a cup 17 for a surprisingly amusing effect. Height approx. 5 cm. (See related article on pages 21.) ⒸTanaka Katsuki/KITAN CLUB niponica is published in Japanese and six other lan- guages (Arabic, Chinese, English, French, Russian and Spanish), to introduce the world to the people and culture of Japan today. The title niponica is derived from “Nippon,” the Japanese word for Japan. Special Feature Tiny but Awesome! Miniature Is Big in Japan 04 The Traditional Decorative Arts of Japan, on a Minute Scale— Magnificent and Meticulous 10 Timepiece Manufacturing 14 New Ways to Have Fun with Bonsai 17 Column: A Fashion Motif Inspired by the Microscope 18 More Than Just Toys 22 Tasty Japan: Time to Eat! Kyara-ben 24 Strolling Japan Ise-Shima 28 Souvenirs of Japan Hashi-oki Left: On March 3 every year it is common for families to cel- ebrate their young daughters during the Hina-matsuri festival, by displaying small dolls in the home. In one region in Shizuoka Prefecture, homes are decorated with tsurushi-bina, which are made of cloth and suspended in an ornate display. (Photo: Aflo) No. 17 December 4, 2015 Published by: Ministry of Foreign Affairs of Japan 2-2-1 Kasumigaseki, Chiyoda-ku, Tokyo 100-8919, Japan http://www.mofa.go.jp/ Special Feature Haiku, a complete poem in just 17 syllables. Bonsai, a tree grown in a tiny pot. Or just a pocket-size Tiny but Awesome! transistor radio.
    [Show full text]
  • Splendors of Japan: a Resource Guide for Teachers About the Museum
    Splendors of Japan: A Resource Guide For Teachers About the Museum LACMA is the largest encyclopedic museum in the western United States with more than 100,000 works of art. Through its far-reaching collections, the museum is both a resource to and a reflection of the many communities and heritages in Southern California. The collection includes artworks from various cultures from the prehistoric to the present. Goals of this Resource Guide The goal of this tour is for students to learn about the historical significance of Japanese art, a tradition dating back to 4500 B.C. Students will compare and contrast Japanese culture with Western culture. An additional goal of this guide is to help teachers relate aspects of the tour to their school’s curriculum. About the Tour This tour is intended for students in grades 6–12 and provides an opportunity to deepen their understanding of Japanese culture by exploring the paintings, sculpture, netsuke, ceramics, and prints in the museum’s Pavilion for Japanese Art. The one-hour gallery tour is accompanied by a one-hour workshop in which students will practice traditional ink painting techniques. This tour meets state content standards for history/social science for grade 7. About Sumi-e Painting Sumi-e (literally ink painting) is a style of painting that has been practiced for thousands of years in many Asian cultures. The goal of Sumi-e is not simply to reproduce the appearance of the subject, but to capture its essence. Although similar, Sumi-e should not be confused with calligraphy, which focuses on the artistic representation of the characters (a written symbol that is used to represent speech) rather than a specific scene.
    [Show full text]
  • East Asian Collections in Scottish Museums Glasgow and Strathclyde
    Detail of woodblock print from the series Modern Music Like Pine Needles by Keisai Eisen. Japan, Edo Period, c.1830 © The Hunterian, University of Glasgow East Asian Collections in Scottish Museums Glasgow and Strathclyde Glasgow and Strathclyde (East Ayrshire, East Dunbartonshire, East Renfrewshire, Glasgow City, Inverclyde, North Ayrshire, North Lanarkshire, Renfrewshire, South Ayrshire, South Lanarkshire and West Dunbartonshire East) Auld Kirk Museum, East Dunbartonshire Council Glasgow Museums: Glasgow Museums Resource Centre, The Burrell Collection, Kelvingrove Art Gallery and Museum, Paisley Museum, Renfrewshire Leisure Low Parks Museum, South Lanarkshire Leisure and Culture Special Collections, The Mitchell Library, Glasgow Museums and Collections, Glasgow Life The Dick Institute, East Ayrshire Leisure The Hunterian Museum and Art Gallery, University of Glasgow The McLean Museum and Art Gallery (Greenock), Inverclyde Council 181 Auld Kirk Museum, East Dunbartonshire Council Location of Collections Auld Kirk Museum Cowgate, Kirkintilloch Glasgow G66 1HN Published Information Online collections: Not currently available A Wider World Collections Review (1994): Not surveyed Collection Overview There are 7 East Asian items in the collection. China No known Chinese artefacts. Japan 7 items. The collection includes 3 kimono, 3 obi sash belts, and a fan. Korea No known Korean artefacts. Known Donors Donor information is not known. 182 Glasgow Museums: Glasgow Museums Resource Centre, The Burrell Collection, Kelvingrove Art Gallery and Museum Location of Collections Glasgow Museums Resource Centre 200 Woodhead Road Glasgow G53 7NN Published Information Online collections: http://collections.glasgowmuseums.com/mwebcgi/mweb?request=home A Wider World Collections Review (1994): The Burrell Collection: 1,712 objects Kelvingrove Art Gallery and Museum: 3,000 objects A H, The Burrell Collection: Chinese Stonewares and Porcelains (Glasgow: Glasgow Art Gallery; The McLennan Galleries.
    [Show full text]
  • International Netsuke Society Journal Boxwood Netsuke by Shunko of Ise Length: 1.5 Inch (3.8 Cm) Japan, Mid-19Th Century (Late Edo Period)
    Volume 40 No. 2 Summer 2020 International Netsuke Society Journal Boxwood netsuke by Shunko of Ise Length: 1.5 inch (3.8 cm) Japan, mid-19th century (late Edo period) Pet project... This intriguing netsuke features a cicada resting on naturalistically carved with each leg grasping the lid, a woven straw object. One delightfully discovers it and the eyes are polished for contrast and vibrancy. to be the lid to a bug box, reminiscent of childhood. The straw lid artfully simulates years of loving use. The cover for a container of a pet insect provides a perfect compact form for a netsuke. These creatures The netsuke-shi Shunko hailed from the city of Tsu in thrilled young children who kept a favorite specimen. the province of Ise. He likely was mentored by Tanaka Perhaps the artist Shunko found pleasure in such a pet. Minko, also from Tsu, with whom he shares the kanji “ko” in his name. Shunko enjoyed elaborating this Semi (cicadas) are among the most important of theme, as Meinertzhagen notes that he also carved the mushi (insect) world, their songs suggesting late the subject of a snail on a woven straw object. summertime. An ancient symbol of transformation, they represent poignant notions of Buddhist Please contact Orientations Gallery for pet projects reincarnation and cycles of life. Even, as in The Tale by the finest artists of ojime, netsuke, inro, and much of Genji, evoking an evasive lover. The netsuke is more. Tel: 212.772-7705 NEW YORK CITY By appointment www.orientationsgallery.com e-mail: [email protected] Member of Art and Antique Dealers League of America, Inc.
    [Show full text]
  • Deities of Good Fortune in Japanese Prints, December 5, 2003-February 29, 2004
    Happiness and Longevity: Deities of Good Fortune in Japanese Prints, December 5, 2003-February 29, 2004 In Edo-period Japan (1603-1868), a long and happy life was believed to be the gift of a group of benevolent deities known as the Seven Gods of Good Fortune (Shichifukujin). This holy assembly of assorted divinities united four of Buddhist origin: Bishamonten, Daikokuten, Benzaiten, and Hotei; two derived from the Daoist tradition: Fukurokuju and Jurojin; and one borrowed from Shinto belief: Ebisu. To procure benefits from these gods of luck, people made annual visits to the temples devoted to their worship. Portraying the gods served the same purpose, thus they became an important theme in the ukiyo-e woodblock printing tradition, the major art form of the Edo period. Initially, representations of these deities were treated as sacred images. Over time, such prints evolved into often-humorous genre pictures. Many such images were produced for sale at the New Year. The beings depicted in the works on view are not distinguished by a godlike appearance. Neither stately nor austere, often characterized by eccentric features and behavior, they smile amiably and look approachable, as befits popular deities who bring happiness and prosperity. This exhibition embraces a period of over 180 years—from early experiments with color woodblock prints up to the very end of their history as popular art. Designed by Harunobu, Toyoharu, Shigemasa, Hokusai, Gakutei, and others, these prints occur in a variety of formats, including narrow, upright “pillar prints” (hashira-e), large-size print panels (ōban), privately commissioned and published deluxe prints (surimono), sketchbooks (manga), and albums.
    [Show full text]