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Middle Grade Indicators of Readiness in Chicago Public Schools
RESEARCH REPORT NOVEMBER 2014 Looking Forward to High School and College Middle Grade Indicators of Readiness in Chicago Public Schools Elaine M. Allensworth, Julia A. Gwynne, Paul Moore, and Marisa de la Torre TABLE OF CONTENTS 1 Executive Summary Chapter 5 55 Who Is at Risk of Earning Less 7 Introduction Than As or Bs in High School? Chapter 1 Chapter 6 17 Issues in Developing and Indicators of Whether Students Evaluating Indicators 63 Will Meet Test Benchmarks Chapter 2 Chapter 7 23 Changes in Academic Performance Who Is at Risk of Not Reaching from Eighth to Ninth Grade 75 the PLAN and ACT Benchmarks? Chapter 3 Chapter 8 29 Middle Grade Indicators of How Grades, Attendance, and High School Course Performance 81 Test Scores Change Chapter 4 Chapter 9 47 Who Is at Risk of Being Off-Track Interpretive Summary at the End of Ninth Grade? 93 99 References 104 Appendices A-E ACKNOWLEDGEMENTS The authors would like to acknowledge the many people who contributed to this work. We thank Robert Balfanz and Julian Betts for providing us with very thoughtful review and feedback which were used to revise this report. We also thank Mary Ann Pitcher and Sarah Duncan, at the Network for College Success, and members of our Steering Committee, especially Karen Lewis, for their valuable feedback. Our colleagues at UChicago CCSR and UChicago UEI, including Shayne Evans, David Johnson, Thomas Kelley-Kemple, and Jenny Nagaoka, were instrumental in helping us think about the ways in which this research would be most useful to practitioners and policy makers. -
Ninth Grade Academy
Ninth Grade Academy Parent-Student Handbook 2018-2019 This Agenda belongs to: ______________________________________________ - 0 - TABLE OF CONTENTS Table of Contents/Welcome 1 School Vision and Mission 2 Ninth Grade Academy Faculty 5 Academics 5 Attendance Policy and Procedures 14 Bus / Transportation / Weather 20 School Discipline and Standards of Behavior 24 Bullying/Harassment 34 Technology Expectations 37 Athletics 41 B.A.R.K. 44 Wellness Policy 45 Appendix 52 Welcome to the Academy of Science and Innovation The following guidelines have been created by the Ninth Grade Academy teachers and administration. These guidelines will give students a clear understanding of the manner in which our classes and teachers will operate so that every student will have a successful school year. The basic team rules and requirements are designed to assist you in making the transition from Grade 8 to Grade 9. To help you find information quickly, these guidelines are broken into the following themes: Academy of Science and Innovation Faculty Academics Graduation Requirements Attendance Policy and Procedures Bus Transportation School Discipline and Standards of Behavior Bullying/Harassment Technology Expectations Athletics B.A.R.K. Wellness Policy Grade 9 Academy Policies and Procedures Appendix - 1 - The Academy of Science and Innovation School Vision: The Academy of Science and Innovation Magnet School is a solutions-oriented, technology-based science and engineering community. Students are inspired and prepared to meet the challenges of the 21st century through a robust academic program where collaboration, innovation, and critical thinking skills ensure college and career readiness. Students are respectful, self-disciplined, and productive global citizens in a diverse, multicultural environment. -
Academic Expectations and Guide to Success at MSA Grade 10
Academic Expectations and Guide to Success at MSA Grade 10 Welcome to tenth grade at the Math and Science Academy! Please read the following academic information and sign the agreement. Math and Science Academy has accelerated curricula, small class sizes, and is a rigorous, college-prep school. Regardless of a child’s previous academic scores on tests or grades in school, ALL tenth grade students will be placed in the following classes: Tenth Grade Courses All tenth grade students are registered for the following courses: British World Literature Modern World History Chemistry or AP Chemistry (see information below) Spanish class (see information below) Math class (see information below) Electives – two periods of electives; a combination of year-long and/or semester classes (2 full year classes = two electives/two periods; four semester-long classes = two periods) MATH New students: All incoming tenth grade students will be given a math placement exam. The math placement exam will determine if the student will be placed in Integrated Math II, Integrated Math III, Integrated Pre-calculus, or Pre-calculus. Please see the math information included in this guide for tenth grade. There are other options available to advance and graduate from MSA if the student is beginning in Integrated Math II. MSA’s math courses are advanced compared to other schools. Returning students: Returning students will follow the math progression courses and be placed accordingly. For example, if a student successfully completed Integrated Math III, the next course the student will take is Pre-calculus. SPANISH New students: All incoming tenth grade students with previous Spanish experience will take a placement test to determine a starting level and follow the flow chart from there. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Brief Introduction to Technology Education in Taiwan
Preface Technology Education at both elementary and secondary schools levels has become an important means to develop citizens' technological literacy for all worldwide. In Taiwan, Living Technology is also necessary to be energetically offered at both elementary and secondary school levels in order to improve technological literacy of the public. This brief introduction is to present the national status of technological literacy education at both elementary and secondary school levels, and provides examples of schools, written by school teachers, in the hope that domestic and international people will gain a better understanding of the ideal and reality of this field. We would like to acknowledge the support of funds for facilitating academic performances from the National Taiwan Normal University. Also, thanks to hardworking authors and editors. All of them are essential to the publication of this brief introduction. Lung-Sheng Steven Lee (Professor & Dean) July 2004 1 The National Status The Overview of Technology Education in Taiwan The Technology Education in Kindergartens, Elementary Schools, and Junior High Schools Technology Education at the Senior High School Level Technology Teacher Education Professional Associations and Events of Technology Education Examples of Schools The Affiliated Kindergarten of National Taiwan Normal University Taipei Municipal Jianan Elementary School Taichung Municipal Li Ming Elementary School Taipei Municipal Renai Junior High School Taipei Municipal Jinhua Junior High School The Affiliated Senior -
History Curriculum
History Curriculum Humanities (Grade Nine) Humanities History 9 is a full-year required course comprising the history portion of the ninth grade humanities curriculum. Curriculum Goals: • Developing the skills of critical thinking, close reading, and analytical writing, and mastering the importance of additional skills like note-taking and organization. • Exploring a global variety of past cultures and events and examining the connections among those cultures and the present. • Making connections between our own experiences and those of people from the past. Themes and Content: Our focus is directed at a number of historical attempts to create an “ideal” society which balances the needs of the individual with the needs of the community. We will investigate Confucianism in China, Democracy in Athens, Republicanism in Rome, and the Christian theocracy of the late Roman Empire. In each case, we will examine not only the ideas and origins of these social experiments, but also how well they met the challenges of their times. In our study, we will explore essential questions such as: • What is the purpose of government? • What do people expect from their governments? • How do different governments balance the needs of society against individual ambition and the desire for self-fulfillment? • What role do ethical systems (like religions) play in government? • How do societies based on an ideal form adapt to practical problems and challenges? Textbook: A variety of primary and secondary sources is distributed in class or accessed online. No textbook. World History (Grade Ten) This year-long course is designed to explore the people, events and trends that have shaped modern world history, from approximately 1300 AD to the present. -
Helping Students Make the Transition Into High School: the Effect of Ninth
mdrc HELPING STUDENTS MAKE THE IMPLEMENTING NINTH GRADE ACADEMIES TRANSITION INTO HIGH SCHOOL in Broward County, Florida in Broward County, The Effect of Ninth Grade Academies on Students’ Academic and Behavioral Outcomes Marie-Andrée Somers Ivonne Garcia June 2016 JUNE 2013 Helping Students Make the Transition into High School The Effect of Ninth Grade Academies on Students’ Academic and Behavioral Outcomes Marie-Andrée Somers Ivonne Garcia with Janet Quint June 2016 This study is funded by a research grant from the U.S. Department of Education’s Institute of Educa- tion Sciences (Evaluation of State and Local Education Programs and Policies Grant #R305E090019). The broader dissemination of MDRC publications is supported by the following funders that help finance MDRC’s public policy outreach and expanding efforts to communicate the results and im- plications of our work to policymakers, practitioners, and others: The Annie E. Casey Foundation, Charles and Lynn Schusterman Family Foundation, The Edna McConnell Clark Foundation, Ford Foundation, The George Gund Foundation, Daniel and Corinne Goldman, The Harry and Jeanette Weinberg Foundation, Inc., The JBP Foundation, The Joyce Foundation, The Kresge Foundation, Laura and John Arnold Foundation, Sandler Foundation, and The Starr Foundation. In addition, earnings from the MDRC Endowment help sustain our dissemination efforts. Contribu- tors to the MDRC Endowment include Alcoa Foundation, The Ambrose Monell Foundation, An- heuser-Busch Foundation, Bristol-Myers Squibb Foundation, Charles Stewart Mott Foundation, Ford Foundation, The George Gund Foundation, The Grable Foundation, The Lizabeth and Frank Newman Charitable Foundation, The New York Times Company Foundation, Jan Nicholson, Paul H. O’Neill Charitable Foundation, John S. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
PARENTS ATTEND PRESCHOOL ORIENTATION Child’S Teacher and Were Able and Skill Development
EYE ON EDUCATION A Publication of the Paramount Unified School District 15110 CALIFORNIA AVE., PARAMOUNT, CA 90723 • TEL: 562-602-6000 • FAX: 562-634-6029 SEPTEMBER 2008 Paramount High School Welcomes the Class of 2011 The event was assisted Ms. Talamantes mentions with the incorporation of that “the event allowed for various student leaders from students to not only connect various campus clubs and with other students, it allowed organizations. Eleventh-grade for them to feel a sense of be- student-leader Lizbet Ordaz longing to our school culture.” mentions that “the Pirate She further explained that Orientation showed the stu- it gave students an opportu- dents that we are here to sup- nity to team build within their Paramount High School students to the senior campus counselors. Students submit- port them through their high own grade level. When asked held it’s first annual Sophomore in a way that showcased our ted all necessary school forms school journey. The students how she felt about the Pirate Pirate Orientation on August Pirate Pride!” during the registration process, will know where to go when Orientation, incoming tenth 13th and 14th. Paramount High A total of 826 incoming committed to personal goals they need help or assistance.” grade student Adriana Herrera School Counselors Patty Ja- tenth-grade students actively during the Path to Graduation Lizbet further explains that mentioned that “it was fun; it cobo and Maria Talamantes participated in the event and session, and interacted in nu- the Sophomore Pirate Orien- was a good way for us to get coordinated the event as a kick- were involved in three main merous team-building exercises tation experience will help the to know one another and com- off in implementing systematic sessions. -
Review of Elevator to the Gallows
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2006 Review of Elevator to the Gallows Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/135 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Elevator to the Gallows (Criterion Collection, 4.25.2006) Louis Malle’s 1958 film is notable for introducing many of the elements that would soon become familiar in the work of the French New Wave directors. Elevator to the Gallows conveys the sense of an artist trying to present a reality not previously seen in film, but a reality constantly touched by artifice. The film is also notable for introducing Jeanne Moreau to the international film audience. Although she had been in movies for ten years, she had not yet shown the distinctive Moreau persona. Florence Carala (Moreau) and Julien Tavernier (Maurice Ronet) are lovers plotting to kill her husband, also his boss, the slimy arms dealer Simon (Jean Wall). The narrative’s uniqueness comes from the lovers never appearing together. The film opens with a phone conversation between them, and there are incriminating photos of the once-happy couple at the end. In between, Julien pulls off what he thinks is a perfect crime. When he forgets a vital piece of evidence, however, he becomes stuck in an elevator. Then his car is stolen for a joyride by Louis (Georges Poujouly), attempting some James Dean-like rebellious swagger, and his girlfriend, Veronique (Yori Bertin).