Blacastan & Stu Bangas the Uncanny Adventures Of

Total Page:16

File Type:pdf, Size:1020Kb

Blacastan & Stu Bangas the Uncanny Adventures Of BLACASTAN & STU BANGAS THE UNCANNY ADVENTURES OF WATSON & HOLMES Official Army Of The Pharaohs and Demigodz emcee Blacastan has been steadily staking his claim to the title of ‘savior of underground rap music’ since his debut mixtape Me Against The Radio and its key cut and video "Life Of A Tape" became an underground cult classic in 2007. The rapper turned his attention to the mic after the Hartford, CT street life, and his strong-arm style of handling business, left a then 16-year-old Blacastan serving a bid in the mid-'90s. He emerged from prison with a remarkable skill set, a throwback style, and an unrivaled drive. His 2010 debut album Blac Sabbath boasted production & vocals from the likes of Statik Selektah, Blue Sky Black Death, Mr. Green , Esoteric and Celph Titled, and 2012’s The Master Builder Part II, which was mixed by legendary DJ Doo Wop, had features from Slaine and Reef the Lost Cauze, among others. He has since also racked up appearances on Jedi Mind Tricks Violence Begets Violence, the Army of The Pharaohs albums In Death Reborn and Heavy Lies The Crown, the Demigodz Killmatic album, Apathy’s Wanna Snuggle?, Mr Lif’s Don’t Look Down and Czarface’s A Fistful of Peril, plus toured extensively across Europe, North America, and Australia with 01. A Glass Of Port (Intro) Celph Titled and Block McCloud. 02. Lucifer’s Sickle 2014 saw Blac teaming up with producer and longtime AOTP and Demigodz collaborator Stu Bangas for the first installment of 03. Summa Cum Laude (feat. Apathy) Watson & Holmes, which featured Esoteric, Apathy, Celph Titled and Vinnie Paz. Stu has been in the trenches since the 04. Rap Killin’ early 2000s, producing heatrocks for Slaine, Esoteric, Tragedy 05. Commando Khadafi, Heltah Skeltah, Jedi Mind Tricks, Vinnie Paz, Blaq Poet, Copywrite, Chino XL, Cappadonna, AOTP and Sean 06. Blac-O-Teric (feat. Esoteric of Czarface) Price, including the lead single “Definition of God” from Sean Price's upcoming posthumous album Imperius Rex. 07. State Your Name (Interlude) The duo is back with The Uncanny Adventures of Watson & 08. Zone Out Holmes, a sophomore effort that improves on the first in every way. Stu gets completely brutal with the beats, and Blac ups the 09. War Crimes (feat. Tragedy Khadafi) ante on the rhymes. Plus, they’ve enlisted Ill Bill (Non-Phixion, La Coka Nostra), Nutso, Apathy (Demigodz, AOTP) 7L & Esoteric 10. Sin City (AOTP, Czarface), and Tragedy Khadafi to lend their talents to the project. 11. Delete (feat. Ill Bill & DJ 7L) Blac explains that this time around, he “really dug in and executive 12. Murder Mystery II produced it: every sample, every transition, every edit.” He adds “People might not realize it, but this album took 4 years to make! 13. Remington I also worked closely with engineer Eddie Sancho on crafting the actual sound of the album... Stu and I are so familiar with each 14. Catchin’ Bodies other’s process that we already know what the other is thinking before he thinks it.” Stu elaborates, saying that “this time around 15. Forgot To Say (Interlude) we tried out different tempos, different vibes for songs, and Blac played around with different rhyme patterns, so it shows how we 16. Circle Of Fire (feat. Nutso) have both grown as artists.” LABEL: BRICK RECORDS FORMAT: CD CATALOG: BRK165-CD STREET: 06/09/17 BLACASTAN & STU BANGAS THE UNCANNY ADVENTURES OF WATSON & HOLMES Official Army Of The Pharaohs and Demigodz emcee Blacastan has been steadily staking his claim to the title of ‘savior of underground rap music’ since his debut mixtape Me Against The Radio and its key cut and video "Life Of A Tape" became an underground cult classic in 2007. The rapper turned his attention to the mic after the Hartford, CT street life, and his strong-arm style of handling business, left a then 16-year-old Blacastan serving a bid in the mid-'90s. He emerged from prison with a remarkable skill set, a throwback style, and an unrivaled drive. His 2010 debut album Blac Sabbath boasted production & vocals from the likes of Statik Selektah, Blue Sky Black Death, Mr. Green , Esoteric and Celph Titled, and 2012’s The Master Builder Part II, which was mixed by legendary DJ Doo Wop, had features from Slaine and Reef the Lost Cauze, among others. He has since also racked up appearances on Jedi Mind Tricks Violence Begets Violence, the Army of The Pharaohs albums In Death Reborn and Heavy Lies The Crown, the Demigodz Killmatic album, Apathy’s Wanna Snuggle?, Mr Lif’s Don’t Look Down and Czarface’s A Fistful of Peril, plus toured extensively across Europe, North America, and Australia with A1. A Glass Of Port (Intro) Celph Titled and Block McCloud. A2. Lucifer’s Sickle 2014 saw Blac teaming up with producer and longtime AOTP and A3. Summa Cum Laude (feat. Apathy) Demigodz collaborator Stu Bangas for the first installment of Watson & Holmes, which featured Esoteric, Apathy, Celph A4. Rap Killin’ Titled and Vinnie Paz. Stu has been in the trenches since the early 2000s, producing heatrocks for Slaine, Esoteric, Tragedy A5. Commando Khadafi, Heltah Skeltah, Jedi Mind Tricks, Vinnie Paz, Blaq Poet, Copywrite, Chino XL, Cappadonna, AOTP and Sean A6. Blac-O-Teric (feat. Esoteric of Czarface) Price, including the lead single “Definition of God” from Sean A7. State Your Name (Interlude) Price's upcoming posthumous album Imperius Rex. A8. Zone Out The duo is back with The Uncanny Adventures of Watson & Holmes, a sophomore effort that improves on the first in every way. Stu gets completely brutal with the beats, and Blac ups the ante on the rhymes. Plus, they’ve enlisted Ill Bill (Non-Phixion, La B1. War Crimes (feat. Tragedy Khadafi) Coka Nostra), Nutso, Apathy (Demigodz, AOTP) 7L & Esoteric (AOTP, Czarface), and Tragedy Khadafi to lend their talents to B2. Sin City the project. B3. Delete (feat. Ill Bill & DJ 7L) Blac explains that this time around, he “really dug in and executive B4. Murder Mystery II produced it: every sample, every transition, every edit.” He adds “People might not realize it, but this album took 4 years to make! B5. Remington I also worked closely with engineer Eddie Sancho on crafting the actual sound of the album... Stu and I are so familiar with each B6. Catchin’ Bodies other’s process that we already know what the other is thinking before he thinks it.” Stu elaborates, saying that “this time around B7. Forgot To Say (Interlude) we tried out different tempos, different vibes for songs, and Blac played around with different rhyme patterns, so it shows how we B8. Circle Of Fire (feat. Nutso) have both grown as artists.” LABEL: BRICK RECORDS FORMAT: LP CATALOG: BRK166-LP STREET: 06/09/17.
Recommended publications
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • Virtuoso, Beatdown
    Virtuoso, Beatdown (Virtuoso) Yo, I be attestin' bad you soon discover I'm the best around Virtuoso omnipotent medulla rule the extra crowds Step in battles weapon-rals give ya chest a pound 'til ya breast is ground meat Pharaohs Army sound fleet Snatch ahold of half ya soul make, casserole Crack a pole on ya back and roll you in the blackest hole The winter brewed, enter nude Amazonian jungle warfare Silver back guerilla I'm covered in more hair than four chairs in a barber shop Vocals hard as rocks and the beat's on smash Make ya veto, jigga weak foe Cause my machete unique flow fuckin' beat yo ass I got the key to sense or hear a deer sharp as fox Sound as when carver chop, galaxies and stars'll drop You know Virt, run with ogres who throw dirt Stomp ya ass 'til ya bones squirt like yogurt (T-Ruckus) Aiyyo rush extreme pervert, I'm undercover covert You need to put in work, and get ya games out my face Let the flames in the place, you fuckin' wid Ruck's a fatal move You stand in disgrace yo my brain's in outerspace Taste the toxic, improved reflexes like shadowboxin' Sternum crack, extreme force applied to ya back Pick ya torture that's the rack I'll scortch ya with the lift And word style I clash like, (woof) with full clips Guerilla war I killed ya core Atilla the Hun don't want none I rap shit, into the floors Spittin' shots through ya door, and kick that bitch down From the bowel, where Ruck throws the mic to the ground In discussin' Ruck you trust, word to us You spittin' the shit we flush time to bust And crack the earth's crust
    [Show full text]
  • I Make This Pledge to You Alone, the Castle Walls Protect Our Back That I Shall Serve Your Royal Throne
    AMERA M. ANDERSEN Battlefield of Life “I make this pledge to you alone, The castle walls protect our back that I shall serve your royal throne. and Bishops plan for their attack; My silver sword, I gladly wield. a master plan that is concealed. Squares eight times eight the battlefield. Squares eight times eight the battlefield. With knights upon their mighty steed For chess is but a game of life the front line pawns have vowed to bleed and I your Queen, a loving wife and neither Queen shall ever yield. shall guard my liege and raise my shield Squares eight times eight the battlefield. Squares eight time eight the battlefield.” Apathy Checkmate I set my moves up strategically, enemy kings are taken easily Knights move four spaces, in place of bishops east of me Communicate with pawns on a telepathic frequency Smash knights with mics in militant mental fights, it seems to be An everlasting battle on the 64-block geometric metal battlefield The sword of my rook, will shatter your feeble battle shield I witness a bishop that’ll wield his mystic sword And slaughter every player who inhabits my chessboard Knight to Queen’s three, I slice through MCs Seize the rook’s towers and the bishop’s ministries VISWANATHAN ANAND “Confidence is very important—even pretending to be confident. If you make a mistake but do not let your opponent see what you are thinking, then he may overlook the mistake.” Public Enemy Rebel Without A Pause No matter what the name we’re all the same Pieces in one big chess game GERALD ABRAHAMS “One way of looking at chess development is to regard it as a fight for freedom.
    [Show full text]
  • DJ Green Lantern Presents Fort Minor - Fort Minor: We Major Fort Arkansas - Anthem No
    DJ Green Lantern We Major mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: We Major Country: US Released: 2006 MP3 version RAR size: 1875 mb FLAC version RAR size: 1488 mb WMA version RAR size: 1462 mb Rating: 4.7 Votes: 142 Other Formats: RA AHX MP1 WMA TTA VOC WAV Tracklist Hide Credits 1 –DJ Green Lantern Intro 2 –Fort Minor 100 Degrees Dolla 3 –Fort Minor Featuring [Rap] – Styles Of Beyond Bloc Party 4 –Apathy Featuring [Rap] – Mike Shinoda, Tak S.C.O.M. 5 –Ryu Featuring [Chorus] – Mike ShinodaFeaturing [Rap] – Celph Titled, Juelz Santana Remember The Name (Funkadelic Remix) 6 –Fort Minor Featuring [Rap] – Styles Of BeyondRemix – Mike Shinoda Bleach (Jimi Remix) 7 –Styles Of Beyond Remix – Mike Shinoda Spraypaint & Inkpens 8 –Ghostface* Featuring [Rap] – Lupe Fiasco, Mike Shinoda Petrified (Doors Remix) 9 –Fort Minor Remix – Mike Shinoda Get It 10 –Styles Of Beyond Producer – Scoop Deville Be Somebody 11 –Fort Minor Featuring [Chorus] – Holly Brook, TakFeaturing [Rap] – Lupe Fiasco Respect 4 Grandma 12 –Fort Minor Featuring [Rap] – Styles Of BeyondFeaturing, Vocals [Additional] – Celph TitledProducer – Scoop DeVille* There They Go (Green Lantern Remix) 13 –Fort Minor Featuring [Rap] – Sixx JohnRemix – DJ Green Lantern All Night 14 –Apathy Featuring [Rap] – Celph Titled, Tak Nobody's Listening (Green Lantern Remix) 15 –Linkin Park Remix – DJ Green Lantern Cover And Duck 16 –Fort Minor Featuring [Rap] – Celph Titled, Styles Of Beyond Remember The Name (Album Version) 17 –Fort Minor Featuring [Rap] – Styles Of Beyond 18 –Fort Minor Petrified (Album Version) 19 –DJ Green Lantern Outro Where'd You Go (S.O.B.
    [Show full text]
  • NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
    01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C.
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • Language Contact and US-Latin Hip Hop on Youtube
    City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
    [Show full text]
  • Fort Minor Ft. Apathy, Tak of S.O.B., Bloc Party
    Fort Minor ft. Apathy, Tak of S.O.B., Bloc Party [Green Lantern:] ...invasion! [Mike:] Hey Ap, why don't you do the uh the intro on this shit? Apathy: Yo Apathy, Fort Minor, Styles Of Beyond, Demigodz [Mike:] Here we go [Apathy:] Yo, rappers like heavy metal and ghettos Guns, metals and ammos I pistol whip Tony and fuck Meadows Soprano A cat who sells them bugs but tell them thugs They don't know how to carry more heat than welding gloves I walk amongst the gods, keep my head in the clouds Oh we show groupie love, getting head in the crowds Put it in girls mouth blast off like NASA The master of nastiness transform a classy bitch into A little sheen freak sadomasochist Dastardly bastard of rap so disastorous Spitting, healed a cripple like Christ the miraculous And fights my savageness, turns punks, pacifists The police clock Ap like there he go Always on the watch because I use to carry blow Always lock her down but I never marry ho's Barry foes when the flows comes through your stereo [Mike:] Here we go flipping up a predictable verse It's a curse to burst words like turrets on purpose Put the verb like a backhand reject perverse as it is I can't stop and its making me nervous, ok? Get me on a track and I'm cracking Packing up a backpack full of tracks on some CDs Be me, fuck that and not like me To bite me you need to be you times ninety I got schemes and a team so hyped we Get on a scene make a scene on the nightly Say what I mean, whether mean or politely Living the dream in some clean white Nike's Or DC's, I'm not giving a shit Fuck
    [Show full text]
  • Apathy Public Execution
    Public Execution Apathy [Verse 1: Celph Titled] I'm an accident just waitin' to happen Plus i'm an insane muthafucka with a hunger pain, To be the first blastin And my gun's a Gatling, forcin' crews to break up And stickin' up rappers when they walkin' outta Jacobs I'm on the block with my dogs, walkin you cats To the depths of Hell, I could have you offed in a snap Lookin awkward at ya rear view See my scope peer though? And hope ya still here to, see your career through Shoulda seen the bullets racin' in Now homicide don't know where the shell casings went Even the finest forensic scientist can't fuck with me Gettin super ugly with a Ruger right in front of me Aimin' it at ya mothers tummy You claim ya carryin' heat? please... Go finance ya hooptie and you'll find that... That's the only time you RE-lease Cuz you ain't never bust a gat, bitch you're bout as ill as a cure Get my finger near a trigger, i'ma spill it for sure Fire repetitive shots, leave you beheaded for not... Respectin' Celph Titled, is you stupid or not? I came thru wildin' on a murder all mission And left you fuckin' dead, like a perverted mortician [chorus cuts] [Verse 2: Esoteric] Cats i've assaulted, call me the high exhaulted Esoterrorist, their cleverest nemesis I'll forever diss these cats, it's effortless Sever their wrist, with this disc on the premises muthafuckas Journalists said there's none better You weak creeps read it and weep like love letters I bring malice We smash ya palace Weave past cats like Steve Nash in Dallas I did ya man a favor by writin' his words When he didn't have the money that my writin' is worth Fuck with Esoteric, you go right in a hearse When you mention dope cats, Seamus Ryan is first Cuz I keep spittin' heat, till i'm dyin' of thirst While you try rehearse, you better tighten your verse Demigodz..
    [Show full text]
  • KEY SELLING POINTS: Indicate
    1. 2nd Lecture 2. Clock Keep Tickin’ 3. Kamalah 4. Steel Umbrella 5. Clock of Destiny 6. Prince Hall 7. Little African Girl 8. True and Living 9. Crooked Angel 10. 11:59 11. Let the Organs Play 12. Outro Though he’s dropped just two solo efforts to date, Chief Kamachi has much more of a prescience than his solo career would KEY SELLING POINTS: indicate. Start with the fact that he’s an original member of • Publicity by Roundabout Marketing legendary Hip Hop collective Army Of The Pharaohs. With (past clients include Warner Brothers, Def Jam, Lil AOTP, Kamachi has toured the world and the world has heard Scrappy, Prodigy, Little Brother and more) his skills on the mic. Then there’s his highly acclaimed collaboration • Radio promotion by Papa D! entitled Beautiful Minds with Wu Tang affiliate Killah Priest from • Features confirmed on Hiphopdx.com, 2008 (in which multiple reviews declared him “officially YoRaps.com and many more slept-on”) and the Black Candles release with the Ju Ju Mob. • iTunes Music calls Chief Kamachi: “Officially Slept On” He’s also collaborated on cuts with Planet Asia, Outerspace, • Massive consumer awareness of Chief Kamachi Reef The Lost Cauze and Guru. due to his involvement with Army of the Pharaohs • Late Spring west coast tour with Killah Priest Now the time is for the third solo effort from Philly’s Chief • Soundscan Highlights: Kamachi, The Clock Of Destiny. Kamachi grips the mic and 2004’s Cult Status — 1800 units brings it hard for 12 tracks of pure energy, lyricism and knowledge.
    [Show full text]