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The Letters of Elizabeth Bowen 1934-1949 Roz Parr 1 Table of Contents Rationale.......................................................................................................................................................................3 I. Introduction..............................................................................................................................................3 II. Elizabeth Bowen....................................................................................................................................4 III. Editing Theory......................................................................................................................................6 IV. Methodology........................................................................................................................................14 Bowen’s Letters.......................................................................................................................................................24 February 2nd, 1934 to Lady Cynthia Asquith..............................................................................................24 June 18th, 1942 to John Hayward......................................................................................................25 June 21st, 1943 to Jephson O’Conor ................................................................................................27 May 24th, 1944 to Owen Rutter..........................................................................................................30 March 19th, 1945 to C. Geoffrey Mortlock.....................................................................................31 March 23rd, 1945 to C. Geoffrey Mortlock. ...................................................................................32 April 26th, 1945 to C. Geoffrey Mortlock........................................................................................33 July 30th, 1945 to F.K. Hurst................................................................................................................34 March 1st, 1945 to Joan Penney.........................................................................................................35 January 24th, 1946 to C. Gilardino....................................................................................................36 March 1st, 1946 to Frank Rouda........................................................................................................37 March 18th, 1946 to John Hayward..................................................................................................39 May 3rd, 1946 to Philip Henderson..................................................................................................40 May 14th, 1946 to Denys Kilham-Roberts ....................................................................................41 July 1st, 1946 to Miss Beckett, Harper’s Bazaar..........................................................................42 September 30th, 1946 to Denys Kilham-Roberts.......................................................................45 October 4th, 1946 to Major Thompson...........................................................................................46 October 27th, 1946 to John Hayward..............................................................................................47 June 2nd, 1948 to Daniel George .......................................................................................................51 June 17th, 1948 to Denys Kilham-Roberts ...................................................................................53 February 21st, 1949 to Ralph Cooke................................................................................................54 April 30th, 1949 to Ralph Cooke .......................................................................................................55 June 15th, 1949 to Ralph Cooke..........................................................................................................56 August 3rd, 1949 to Ralph Cooke ......................................................................................................57 Emendations…….....................................................................................................................................................58 Biographical Register............................................................................................................................................59 Notes............................................................................................................................................................................63 Maps of Bowen’s Correspondence Locations.............................................................................................74 Photograph Locations...........................................................................................................................................77 Appendix A................................................................................................................................................................79 Works Cited...............................................................................................................................................................80 2 Rationale I. Introduction Declan Kiberd describes the characters of Elizabeth Bowen as “ladies and gentlemen [who] find themselves caught in a crisis of perpetual anticipation followed by inevitable disappointment, with all their days an expensive preparation for some splendid epiphany which never transpires” (377). I suppose, as a senior in college, I felt like one of Bowen’s characters. I was on the cusp of full adulthood, perpetually anticipating an anticlimactic graduation and entrance into the ‘real world.’ I was, and continue to be, amazed by Bowen’s hauntingly poignant prose in which she captures the tenuous nature of life so well. Bowen’s work, and her life, has a sense of ambiguity, an inability to be categorized. Bowen saw the binaries presented to her and effectively moved between them, occupying the gray space in the middle that eluded categorization. As an Anglo-Irish woman she shifted between the Irish and the English, maintaining one tradition while dismissing another. Her personal relationships were situated between the heterosexual and the homosexual. Her stories combine the realm of the living with the realm of the dead. She even lived during both World Wars, making each one a reference point between which she created some of her most moving fiction. She shifts between the Gothic and the modern; connections have been made between Bowen and Henry James, Bowen and Sheridan Le Fanu, Bowen and Oscar Wilde, Bowen and Virginia Woolf. Bowen transcends this sort of categorization. The only person against whom she can be compared is herself. This edition of Bowen’s letters is meant to establish Elizabeth Bowen as a historic and literary figure by way of her own correspondence, allowing the reader to glean what he or she 3 can from Bowen’s personal writings to learn more about this enigmatic literary figure. II. Elizabeth Bowen Elizabeth Bowen was born on June 7th, 1899 in Dublin, Ireland to Henry Charles Cole Bowen and Florence Colley Bowen. Her parents were members of the Anglo-Irish gentry, and Bowen spent much of her early childhood in Dublin and at her family’s home, Bowen’s Court, in County Cork. Her Irish upbringing was cut short when her father became mentally ill in 1907. At the age of seven years old, Bowen left Ireland for England with her mother, and the pair eventually settled in Hythe. After a mere five years in Hythe, Bowen’s mother passed away, leaving Elizabeth to be raised by her aunts on the Kentish coast. These early tragedies haunt Bowen’s fiction, particularly her ghost stories and orphaned children (Ellmann). Bowen’s upbringing in both England and Ireland led to her fragmented sense of national identity. Declan Kiberd explains, “If the Anglo-Irish were a hyphenated people, forever English in Ireland, forever Irish in England, then [Bowen] knew that better than most. At school in England, she played up her wild Irish side, yet she also tried to make herself more English than the English by her perfect decorum and style” (Kiberd 367). Bowen worked to float in between, haunting the space that separated the two nations and shifting from one to the other when it best suited her needs. Bowen began writing short stories at 20. Her first collection, Encounters, was published in 1923. In that same year, she married Alan Cameron, Assistant Secretary for Education in Northampton. It has been speculated that their marriage was never consummated due to Cameron’s homosexuality and that Bowen engaged in a number of extramarital affairs with men and women, as well. Regardless, the couple remained married until Cameron’s death in 1952 4 (Ellmann). The couple moved to Oxford in 1925 when Cameron was appointed Secretary of Education for the city of Oxford. While at Oxford, Bowen enjoyed tremendous social and professional success as her first novel The Hotel was published in 1927. After a decade in Oxford, Bowen and Cameron moved to Regent’s Park, London in 1935. This is the location from which Bowen wrote many of the letters contained in this edition. The couple remained in London until 1944 when neighboring buildings were bombed during World War II. While at Regent’s Park, Bowen wrote some of her greatest short stores. In