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Kultuur Culture Kultuur Culture Kumu KUMUst levis Rumours about KUMU Euroopasse have spread into Europe Kunstimuuseum KUMU kerkib esi- The Art Museum KUMU looks like le otsekui ürgkaljust. Hobuseraua- as if it rose from a pristine rock. kujuline paekivist, klaasist ja va- The horseshoe shaped limestone, sest futuristlik ehitis on mõeldud glass and copper futuristic build- Tallinna kultuurikeskusena, mis ing is meant as the cultural cen- on orienteeritud eeskätt kodumai- tre of Tallinn specializing prima- se kunsti eksponeerimisele. Pekka rily for exhibiting local art. Pekka Vapaavuori, KUMU projekti autori Vapaavuori, architect of KUMU arvates on Eestis nüüdseks igati so- thinks that Estonia has now a bilik kunsti- ja kultuurimuuseum. suitable art and culture museum. KUMUst saab interaktiivne muu- KUMU becomes an interactive mu- seum, kus leiavad aset ka kontser- seum with concerts, happenings, did, häppeningid, teatrietendused performances and design shows. ja disaininäitused. (DN, 15.02) (DN, 15.02) KUMU idee pärineb 1911. aastast, mil esma- Idea of KUMU dates back to 1911 when Estonian art- kordselt eksponeeriti Eesti kunstnike maale ists’ paintings and sculptures were for the fi rst time ja skulptuure ühe katuse all – Vene tsaari Pee- exhibited together in one building – in the Kadriorg ter I rajatud Kadrioru lossis. Püsiväljapane- Palace which had been built for Russian Czar Peter I. ku silmapaistvamate taieste hulka kuuluvad Works by Konrad Mägi, Nikolai Triik, Karl Pärsimägi, Konrad Mäe, Nikolai Triigi, Karl Pärsimäe, Johannes Greenberg and representatives of fauvism Johannes Greenbergi ning fovismi esindajate belong to the most remarkable pieces of the per- teosed. (La Libre, 25.04) manent exhibition. (La Libre, 25.04) Uues kunstimuuseumis saab Eesti lõpuks At last Estonia can put for show all its treasures oma aarded nähtavale tuua. 5000 ruutmeetril in the new art museum. Estonia shows its 300- näitab Eesti oma kunsti 300-aastast ajalugu. year-old history of its art in 5,000 square metres. Väljapanek annab hea ülevaate sellest, kust on Th e exhibition gives a good survey about where 68 KULTUUR • CULTURE 2006 EESTI UUS KUNSTIMUUSEUM KUMU ESTONIAN ART MUSEUM KUMU pärit ja millest toitub eesti kunsti eneseteadvus. the self-awareness of Estonian art comes from Veidi dünaamilisemana mõjub moodsa kunsti and what are its sources. Th e modern art part osa. Väljapaneku kolmas, rahvusvaheline osa is more dynamic. Th e third, international part is on pühendatud eksperimentidele. (SZ, 23.02) dedicated to experiments. (SZ, 23.02) KUMU on ühtaegu uhke ja tagasihoidlik. Ar- KUMU is proud and modest at the same time. Its hitekt Pekka Vapaavuori projekteeritud ehitis building which was designed by architect Pekka tõstab eestlaste eneseväärikust, olles Põhja- Vapaavuori rises the self-esteem of Estonians as ja Baltimaade suurim. Vapaavuori geniaalsus it is the biggest in Nordic and Baltic states. Th e seisneb ehitise paigutamise viisis. Muuse- brilliance of Vapaavuori shows in the position- um on osaliselt ehitatud lubjakivi rindesse, ing of the building. It is partly built into the lime- et hoone tunduks väiksemana. Muuseumi stone front to make the building look smaller. Th e fassaad on põhiliselt lubjakivist, vasest ja façade of the building is mainly from limestone, klaasist. Ehitis tundub olevat madal, kuid copper and glass. Th e building seems low though on seestpoolt ligi 9 meetri kõrgune. KUMUs inside it is 9 m high. Th e entire Estonian art history on kogu Eesti kunsti ajalugu, see on samal is in KUMU. It is a national gallery as well as mod- ajal nii rahvusgalerii kui ka kaasaegse kunsti ern art museum at the same time. (HS, 19.02) muuseum. (HS, 19.02) Th e president of Estonia Arnold Rüütel and the Eesti uue kunstimuuseumi KUMU avasid Ees- president of Finland Tarja Halonen opened the ti president Arnold Rüütel ja Soome president new art museum KUMU. Halonen expressed Tarja Halonen. Halonen avaldas lootust, et her hope that this museum becomes a new muuseumist saab kahe rahva uus kohtumis- meeting point for two nations and praised the paik ning kiitis arhitekt Pekka Vapaavuori pro- building designed by Pekka Vapaavuori. Rüütel 69 2006 PILK PEEGLISSE • GLANCE AT THE MIRROR jekteeritud ehitist. Rüütel rõhutas hõimusuhe- emphasised the importance of kinship relations te tähtsust ja võrdles KUMU avamist Estonia and compared opening of KUMU with opening teatri avamisega 1913. aastal. (HS, 18.02) of the theatre Estonia in 1913. (HS, 18.02) Eesti oli viimane Euroopa riik, kus kunstimuu- Estonia was the last European state where the art seumil polnud oma maja. Arvestades riigi suu- museum did not have its own building. Considering rust, on KUMU kunstikogud märkimisväärsed. the size of the state, the art collections of KUMU are Kõige rabavam on algupärase, kuid Euroopa remarkable. ”Socialist realism” comes across as the trendidega kaasamineva eesti kunsti kõrval most striking feature next to the original Estonian art „sotsialistlik realism”. (Die Welt, 27.02) which follows the European trends. (Die Welt, 27.02) Eesti maailmamuusika Estonia on the musical kaardil map of the world Eesti paiknemine muusikamaailma „kaardil” Estonia’s place in the music world is justifi ed on õigustatud tänu sellistele muusikutele nagu thanks to the musicians like Arvo Pärt, Erkki-Sven Arvo Pärt, Erkki-Sven Tüür, Eduard Tubin, Nee- Tüür, Eduard Tubin, Neeme and Paavo Järvi. Music me ja Paavo Järvi. Muusikal on eesti kultuurile has had a long-term infl uence on Estonian culture. olnud pikaajaline mõju. Eestlased kasutasid Estonians used singing when striving for cultural laulmist kultuurilise ja poliitilise vabaduse poo- and political freedom. (Luxemburger Wort, 17.05) le püüdlemisel. (Luxemburger Wort, 17.05) Eri Klas, chief conductor of Aarhus Symphoby Eri Klas, kes oli Aarhusi Sümfooniaorkestri Orchestra in 1991–1996, again waves the baton peadirigent aastatel 1991–1996, keerutab taas in Aarhus Music House where he has not been dirigendikeppi Aarhusi Muusikamajas, kus teda forgotten. Klas is the chief visiting conductor of ei ole tänini unustatud. Klas on Hollandi Raa- Dutch Radio Symphony Orchestra, Artistic Di- dio Sümfooniaorkestri peakülalisdirigent, Soo- rector of Tampere Philharmonic in Finland and mes Tampere Filharmoonia ja Eestis Tallinna Tallinn Philharmonic Society in Tallinn. Eri Klas Filharmoonia kunstiline juht. Eri Klasi arvates thinks that conducting is similar to art of per- sarnaneb dirigeerimine veenmiskunstiga – os- suasion – skill of persuading your colleagues in kus veenda oma kolleege orkestris ja kuulajaid, the orchestra and the listeners that your way of et antud esitus on kõige õigem. (JP, 16.02) presentation is the most correct one. (JP, 16.02) Eri Klas valmistub andma oma viimast kont- Eri Klas prepares to give his last concert as the serti Tampere Filharmoonia peadirigendina. chief conductor of Tampere Philharmonic. Th is See on amet, kus töö ei saa kunagi otsa, alati is a never ending job, there is always something on midagi õppida, tõdeb Eri Klas. Klasi sõnul new to learn, Klas admits. Klas says that he has on tal elus hästi läinud ja ta on saanud oma been lucky and that during his career he could karjääri jooksul dirigeerida kõike, mida on conduct everything he has wished. Work in soovinud. Töö Tamperes lõpeb, kuid hoogne Tampere ends but the dashing career continues. karjäär jätkub. (TS, 28.05) (TS, 28.05) 70 KULTUUR • CULTURE 2006 Olari Elts juhib külalisdirigendina Bretagne’ i Olari Elts conducts the Bretagne orchestra as a orkestrit. Väikses Eestis on üksikute orkestrite visiting conductor. Th ere is a tough competition juhtide kohale tihe konkurents. Lootustandva for a few places of orchestra directors in small Bretange’i orkestriga koostööd tegema moti- Estonia. Open communication with musicians veeris teda avatud suhtlemine muusikutega. in promising Bretagne orchestra motivated the (Quimper, 10.10) co-operation. (Quimper, 10.10) Mihkel Kütson võitis Berliinis välja antud Sak- Mihkel Kütson won the German Conductor sa Dirigendipreemia. See on välja kasvanud Prize issued in Germany. It has emerged from Bad Homburgi dirigendipreemia traditsioo- the Bad Homburg conductor prize involving nist, millega kaasneb kohustus olla vähemalt the obligation to be a musical director of Bad ühe hooaja Bad Homburgi lossikontsertide Homburg palace concerts for at least one sea- muusikaline juht. (FR, 18.10) son. (FR, 18.10) Paavo Järvi juhatas Viini Filharmoonikute Paavo Järvi conducted the performance of Vi- esinemist Pariisis. Järvi peab oma suureks enna Philharmonics in Paris. Leonard Bernstein eeskujuks Leonard Bernsteini, kuid soovib is a great example of Järvi, but he still wishes to siiski säilitada oma originaalsust. Ainsaks preserve his own originality. Th e only reason for musitseerimise põhjuseks peab põhjamaa- making music is the emotion it gives according lasest dirigent emotsiooni, mille see annab. to the Nordic conductor. Järvi learns a lot from Järvi õpib palju orkestritelt, keda ta juha- the orchestras he conducts. Conducting is an tab. Dirigeerimine on kogemus, mis põhineb experience based on understanding music. (Le muusikast arusaamisel. (Le Figaro, 28.11) Figaro, 28.11) Paavo Järvi juhatusel esitab Prantsuse rahvus- French National Orchestra presents symphonies orkester Saint-Denis’ festivalil Mahleri ja Bergi of Mahler and Berg in Saint-Denis’ festival. Th e sümfooniaid. Teoste esitlustel peab Järvi esma- conductor is Paavo Järvi. “Giving life to music” seks „muusikale elu andmist”. „Muusika ei ole is primary in presenting
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