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1 1 State of New Jersey 2 Urban Enterprise Zone Authority Meeting 3 4 5 in Re: : 6 : 7 Public Meeting
1 1 STATE OF NEW JERSEY 2 URBAN ENTERPRISE ZONE AUTHORITY MEETING 3 4 5 IN RE: : 6 : 7 PUBLIC MEETING : 8 : 9 10 11 12 Mary Roebling Building Conference Room #218 13 20 West State Street Trenton, New Jersey 14 Wednesday, June 13, 2007 10:00 a.m. 15 16 17 18 19 20 21 22 23 24 25 2 1 HELD BEFORE BOARD MEMBERS: 2 3 KEVIN DRENNAN 4 Chairman Designee 5 6 AMBAR ABELAR 7 Public Member 8 9 LOIS A. CUCCINELLO 10 Labor and Workforce Designee 11 12 LEWIS HURD 13 Public Member 14 15 LOPA KOLLURI 16 Treasury Designee 17 18 PAUL STRIDICK 19 DCA Designee 20 21 22 BOARD STAFF & PROFESSIONALS: 23 24 PATRICIA BRUCK, ESQ. 25 Deputy Attorney General 3 1 2 LISA MIGLIACCIO 3 Administrative Assistant 4 Office of Urban Programs 5 6 KATHIE CUBE, Director 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 4 1 I N D E X 2 3 APPLICANT PAGE 4 5 Elizabeth 5 6 Gloucester City 12 7 Jersey City 15 8 Kearny 30 9 Lakewood 36 10 Millville 37 11 Mount Holly 44 12 Newark 53 13 Orange 56 14 Passaic 57 15 Pleasantville 57 16 Union City 64 17 Vineland 66 18 West New York 73 19 Consent Agenda 75 20 21 PUBLIC COMMENT 22 23 Jenn Northrop 76 24 Louis Ferrara 80 25 Rafael Zabala 82 5 1 Roger Tees 89 2 Roberta Farber 93 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 6 1 MR. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Carnegie Hall a Rn Eg Ie an D H Is W Ife Lo 12 Then and Now Uise, 19
A n d r e w C Carnegie Hall a rn eg ie an d h is w ife Lo 12 Then and Now uise, 19 Introduction The story of Carnegie Hall begins in the middle of the Atlantic. itself with the history of our country.” Indeed, some of the most In the spring of 1887, on board a ship traveling from New York prominent political figures, authors, and intellectuals have to London, newlyweds Andrew Carnegie (the ridiculously rich appeared at Carnegie Hall, from Woodrow Wilson and Theodore industrialist) and Louise Whitfield (daughter of a well-to-do New Roosevelt to Mark Twain and Booker T. Washington. In addition to York merchant) were on their way to the groom’s native Scotland standing as the pinnacle of musical achievement, Carnegie Hall has for their honeymoon. Also on board was the 25-year-old Walter been an integral player in the development of American history. Damrosch, who had just finished his second season as conductor and musical director of the Symphony Society of New York and ••• the Oratorio Society of New York, and was traveling to Europe for a summer of study with Hans von Bülow. Over the course of After he returned to the US from his honeymoon, Carnegie set in the voyage, the couple developed a friendship with Damrosch, motion his plan, which he started formulating during his time with inviting him to visit them in Scotland. It was there, at an estate Damrosch in Scotland, for a new concert hall. He established The called Kilgraston, that Damrosch discussed his vision for a new Music Hall Company of New York, Ltd., acquired parcels of land concert hall in New York City. -
1 1 2 DEPARTMENT of JUSTICE ANTITRUST DIVISION 3 And
1 1 2 DEPARTMENT OF JUSTICE ANTITRUST DIVISION 3 and FEDERAL TRADE COMMISSION 4 5 Hearing on: 6 7 COMPETITION AND INTELLECTUAL PROPERTY LAW 8 AND POLICY IN THE KNOWLEDGE BASED ECONOMY 9 10 Session 1: Refusals to License and Compulsory 11 Licensing in the European Union, 12 Canada, and Australia 13 14 Session 2: Licensing in the European Union: 15 The Technology Transfer Block Exemption and 16 Agreements that Fall Outside its Scope 17 18 19 Wednesday, May 22, 2002 20 Great Hall of the U.S. Department of Justice 21 333 Pennsylvania Avenue, N.W. 22 Washington, D.C. 2 1 MORNING SESSION PARTICIPATING PANELISTS: 2 3 Morning Session: Refusals to License and 4 Compulsory Licensing 5 6 Gwillym Allen, Senior Economist and Strategic 7 Policy Advisor, Competition Policy 8 Branch, Canadian Competition Bureau 9 Henry Ergas, Managing Director, Network Economics 10 Consulting Group, Australia 11 Ian Forrester, Executive Partner, White & Case 12 LLP, Brussels 13 David W. Hull, Partner, Covington & Burling, 14 Brussels 15 John Temple Lang, Counsel, Cleary, Gottlieb, 16 Steen & Hamilton, Brussels 17 Patrick Rey, Professor of Economics, University 18 of Toulouse, France, and Research 19 Director, Institut d'Economie 20 Industrielle 21 James S. Venit, Partner, Skadden, Arps, Slate, 22 Meagher & Flom, Brussels 3 1 AFTERNOON SESSION PARTICIPATING PANELISTS: 2 3 Afternoon Session: Licensing in the European 4 Union: The Technology Transfer Block 5 Exemption and Agreements that Fall 6 Outside its Scope 7 8 Peter Alexiadis, Partner, Squire, Sanders & 9 Dempsey, Brussels 10 Fiona Carlin, Local Partner, European Law Center, 11 Baker & McKenzie, Brussels 12 Yee Wah Chin, Senior Counsel, Mintz, Levin, Cohn, 13 Ferris, Glovsky & Popeo, P.C. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Winter 2015 No
No. 140 Winter 2015 1915-2015 —100 Years to Remember 2015 Festival of Nations Armenian Presence Once again, it’s almost time for the an- at this year's Minnesota Festival of nual Minnesota Festival of Nations! The Nations! We will once again have dates this year are Thursday April 30th to educational displays, including dolls Sunday May 3rd, with all events held at the in traditional costumes, plants used River Centre in St Paul, MN. For more info in traditional dyes, and live silkworms about the Festival of Nations, see their which are always a hit with visitors! website at this link: We will also feature demonstrations http://www.festivalofnations.com/ of Armenian silk spinning, dyeing, Minnesota Armenians are among 98 printing and painting. We need vol- different cultural groups who participate in unteers to help guide visitors through the annual festival. the exhibits in our booth, as well as Thanks to members helping to sell our hand-dyed and of the Armenian decorated scarves, and even assist- Cultural Organiza- ing with our artisan demos for those tion of Minnesota, Armenian who would like to learn and demonstrate our craft. culture is on display through No experience is necessary, as all on-the-job train- two venues at the festival: ing is provided! In exchange for working our booth numerous dance perform- for a four-hour shift, you will also receive a pass to ances daily by the get in free to the entire festival for a Armenian Dance whole day. There are a number of shifts Ensemble, led by available, please let us know if you can Nairy Digris and Terry McGibbon, as well help! Costumes must be worn while in as an educational folk art booth in the Ar- the booth, but we can provide them if tisan Demonstration arena of the cultural needed. -
Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum
JAZZ STANDARDS ARRANGED FOR CLASSICAL GUITAR IN THE STYLE OF ART TATUM by Stephen S. Brew Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2018 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Luke Gillespie, Research Director ______________________________________ Ernesto Bitetti, Chair ______________________________________ Andrew Mead ______________________________________ Elzbieta Szmyt February 20, 2018 ii Copyright © 2018 Stephen S. Brew iii To my wife, Rachel And my parents, Steve and Marge iv Acknowledgements This document would not have been possible without the guidance and mentorship of many creative, intelligent, and thoughtful musicians. Maestro Bitetti, your wisdom has given me the confidence and understanding to embrace this ambitious project. It would not have been possible without you. Dr. Strand, you are an incredible mentor who has made me a better teacher, performer, and person; thank you! Thank you to Luke Gillespie, Elzbieta Szmyt, and Andrew Mead for your support throughout my coursework at IU, and for serving on my research committee. Your insight has been invaluable. Thank you to Heather Perry and the staff at Stonehill College’s MacPhaidin Library for doggedly tracking down resources. Thank you James Piorkowski for your mentorship and encouragement, and Ken Meyer for challenging me to reach new heights. Your teaching and artistry inspire me daily. To my parents, Steve and Marge, I cannot express enough thanks for your love and support. And to my sisters, Lisa, Karen, Steph, and Amanda, thank you. -
NCMEA Orchestra North Carolina Orchestra Directors Resource
NCMEA Orchestra North Carolina Orchestra Directors' Resource 17th September 2012 Type Grade Composer Arranger Title Publisher String I Southerland Rolfe 12 Simple String Pieces (play 3) Mar String I Scott, R. Alpine Holday Kendor String I Caponegro, J. Caponegro Amazing Grace Kendor String I Isaac, M. American Folk Song Suite No 1 (play Kendor String I Mcleod, J. Andante Grazioso Kendor String I Mcleod, J. Andantino Cantabile Kendor String I Del Borgo, E. Anthem MSB String I Mozart, W. A. Rogers, D. Aria from Don Giovanni Car String I Svendsen, R. A. As Evening Falls Lantham String I Meyer, R. At The Grasshopper Ball Kjos String I Daniels, M.l. Beauty and the Beastinato SMC String I Ward, N. Blades and Ice HHP String I Niehaus, L. Bow Ties Kendor String I Caponegro, J. Bow-Regard's Parade Kendor String I Siennick, E. Bowin' and Scrapin' (Jolly Coppersmith High- String I Niehaus, L. Bows and Arrows Kendor String I Phillips, B. Cabbage Countdown Alfred String I Caponegro, J. Canyon Sunset Kendor String I Mcleod, J. Carousel for Strings TRN String I Williams, M. Celtic Dance High/Etl Page 1/187 Powered by DB-Toolkit NCMEA Orchestra North Carolina Orchestra Directors' Resource 17th September 2012 Type Grade Composer Arranger Title Publisher String I Arnold, A. Chopsticks Kjos String I Folk Song Vargas, J Cielito Lindo Grand Mesa String I Del Borgo, E. Clog Dance Kendor String I Frost, R. Cloverleaf Kjos String I Elledge, C. Copy-Cat Waltz, Potpourri Polka (either Kjos String I Chase, B. Cross Country LS String I Stephan, R. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
The Best 25 the Best of the Best - 1995-2020 List of the Best for 25 Years in Each Category for Each Country
1995-2020 The Best 25 The Best of The Best - 1995-2020 List of the Best for 25 years in each category for each country It includes a selection of the Best from two previous anniversary events - 12 years at Frankfurt Old Opera House - 20 years at Frankfurt Book Fair Theater - 25 years will be celebrated in Paris June 3-7 and China November 1-4 ALL past Best in the World are welcome at our events. The list below is a shortlist with a limited selection of excellent books mostly still available. Some have updated new editions. There is only one book per country in each category Countries Total = 106 Algeria to Zimbabwe 96 UN members, 6 Regions, 4 International organizations = Total 106 TRENDS THE CONTINENTS SHIFT The Best in the World By continents 1995-2019 1995-2009 France ........................11% .............. 13% ........... -2 Other Europe ..............38% ............. 44% ..........- 6 China .........................8% ............... 3% .......... + 5 Other Asia Pacific .......20% ............. 15% ......... + 5 Latin America .............11% ............... 5% .......... + 6 Anglo America ..............9% ............... 18% ...........- 9 Africa .......................... 3 ...................2 ........... + 1 Total _______________ 100% _______100% ______ The shift 2009-2019 in the Best in the World is clear, from the West to the East, from the North to the South. It reflects the investments in quality for the new middle class that buys cookbooks. The middle class is stagnating at best in the West and North, while rising fast in the East and South. Today 85% of the world middleclass is in Asia. Do read Factfulness by Hans Rosling, “a hopeful book about the potential for human progress” says President Barack Obama. -
From Label to Practice: the Process of Creating New Nordic Cuisine
Journal of Culinary Science & Technology,11:36–55,2013 Copyright © Taylor & Francis Group, LLC ISSN: 1542-8052 print/1542-8044 online DOI: 10.1080/15428052.2013.754296 From Label to Practice: The Process of Creating New Nordic Cuisine HALDOR BYRKJEFLOT,1 JESPER STRANDGAARD PEDERSEN,2 and SILVIYA SVEJENOVA2 1University of Oslo, Oslo, Norway 2Copenhagen Business School, Copenhagen, Denmark This article examines the process of creation of new Nordic cui- sine (NNC) as a culinary innovation, focusing on the main stages, actors, and mechanisms that shaped the new label and its prac- tices and facilitated its diffusion in the region and internationally. Fast-paced diffusion was possible because NNC was conceived as an identity movement, triggered by active involvement of entrepreneurial leaders from the culinary profession, high-profile political supporters, legitimating scientists, disseminating media, and interpreting audiences. It was facilitated by three mechanisms: First, the use of an “empty” label, without a previous meaning in food, yet with positive connotations in other domains, allowed establishing a positive abstract notion open to interpretations and different practices. Second, the invitation for participation and financial support for innovative initiatives allowed for more actors and institutions to develop practices associated with the NNC label. Third, organized dissemination allowed the excitement and engagement with the new label to spread quickly. KEYWORDS New Nordic Cuisine, culinary innovation, diffusion, identity movement Received 28 March 2012; accepted 11 June 2012. We would like to thank our informants Eivind Hålien, Peter Kreiner, Claus Meyer, Ólafur Örn Ólafsson, Harald Osa, Einar Risvik, Finn Børre Stokholm, Mette Vinther Talberg, Fannar Vernharðsson, and Andreas Viestad for sharing their insights about New Nordic Cuisine.