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Prog-JONDE Maquetaciûn 1 temporada octubre 2015 - enero 2016 2015eko urria - 2016ko urtarrila denboraldia urtarrilak 11 enero Joven Orquesta Nacional de España Dirección: George Pehlivanian Joven Orquesta Nacional de España Dirección: George Pehlivanian Trompeta solista: Manuel Blanco programa alexander grigori arutiunian (1920-2012) Concierto para trompeta y orquesta solista: Manuel Blanco —descanso— dimitri shostakovich (1906-1975) Sinfonía nº 7, op.60 Leningrado Allegretto Moderato (poco allegretto) Adagio Allegro non troppo duración aproximada: parte i: 20 min. —descanso— parte ii: 69 min. La colaboración de la JONDE con Baluarte en el verano de 2014 fue tan grata, cordial y enriquecedora, que cuando se nos propuso volver a realizar un encuentro no tuvimos la menor duda en aceptarlo sin reservas. Aparte de la plena disponibilidad de los espacios, como tuve ocasión de La Joven Orquesta decir públicamente en la rueda de Nacional de España prensa que se celebró unos días an- tes del primer concierto, nunca —en regresa a Baluarte los ya casi quince años que llevo al frente de la dirección artística de la JONDE— había visto un despliegue mediático similar al que Baluarte se encargó de coordinar. Hubo días en que llegué a mantener hasta tres entrevistas seguidas con diversos medios (prensa escrita, radio, televisión), lo que sin duda contribuyó a que Pamplona tomara con- ciencia de la presencia de la orquesta —los propios mú- sicos, sin duda, contribuyeron también a ello— y a la di- fusión de la actividad en todas sus fases: la de prepara- ción en ensayos seccionales a cargo de profesores de las diversas especialidades instrumentales; la de los ensa- yos de conjunto con el director invitado —el alemán Lutz Köhler en aquella ocasión—; y por último la celebración del primer concierto de la gira. Esta vez la JONDE cuenta con un maestro excepcional, el libanés George Pehliva- nian, cuya energía en el podio deja pequeña a la que los 105 jóvenes músicos poseen de forma innata, y servirá de magnífico soporte para que otro joven solista —y exin- tegrante de la orquesta—, el trompeta Manuel Blanco, brinde la que con toda seguridad será una excelente ver- sión del Concierto de Arutiunian. El plato fuerte: la Sin- fonía nº 7 (Leningrado) de Shostakovich. ¿Se puede pe- dir más? En todo caso, el disfrute está asegurado ❖ josé luis turina director artístico de la jonde George Pehlivanian director Invitado habitual de las más presti- giosas orquestas del mundo, George Pehlivanian captó la atención inter- nacional al convertirse en el primer director norteamericano ganador del prestigioso Concurso Internacional de Besançon. Estudió piano y violín y fue discípulo de Pierre Boulez, Lo- rin Maazel y Ferdinand Leitner. Ha sido Director Titular y Artís- tico de la Slovenska Filharmonija y Principal Director Invitado de la Staatsphilharmonie Rheinland-Pflaz otras. Ha colaborado con artistas de de la Ópera de Cagliari, de la Resi- reconocido prestigio, como Leoni- dentie Orkest de La Haya y de la das Kavakos, Vadim Repim, Sarah Wiener Kammerorchester. Chang, Joshua Bell, Misha Maisky, Ha dirigido a la London Philhar- Gidon Kremer, Jean-Yves Thibau- monic Orchestra, Gewandhaus de det, Arcadi Volodos y Emmanuel Ax, Leipzig, Philharmonia de Londres, entre otros. Israel Philharmonic Orchestra, Asiduo director de ópera, ha diri- Ceská Filharmonie, Filarmonica de- gido títulos como La Traviata, Tosca, lla Scala, Norddeutscher Rundfunk La voix humaine de Poulenc, Otello, NDR de Hamburgo, Accademia di Cavalleria rusticana, Gianni Schic- Santa Cecilia, Rotterdams Philhar- chi, La damnation de Faust, La dame monisch Orkest, Orchestre Phil- de pique, Andrea Chénier, Il barbiere harmonique de Radio France, Or- di Siviglia, Ernani, Jenufa y Boris Go- chestre Philharmonique de Monte- dunov, en importantes teatros como Carlo, BBC Philharmonic, Mariinsky el Kirov de San Petersburgo, Opéra Theatre Symphony Orchestra, Ro- National de Bourdeaux, Cité de la yal Scottish National Orchestra, Musique de París, San Carlo de Ná- Moscow Philharmonic Orchestra y poles, New Israeli Opera, Teatro las sinfónicas de Montreal, Toronto, Massimo de Palermo o el Teatro Li- Cincinnati y Houston, entre muchas rico de Cagliari. Su nombre aparece en los carteles ciones anteriores, siendo Maurice de los festivales más importantes: André el primero en conseguirlo en Maggio Musicale Fiorentino, No- 1963. Blanco es considerado como ches Blancas de San Petersburgo, su legítimo heredero. Ha trabajado Festival Bruckner de Linz, Verdi de como trompeta solista en orquestas Parma, Rávena, Aspen, Ravello, como Concertgebouw de Ámster- Ljubljana, Granada, etc. Ha grabado dam, Gewandhaus de Leipzig, Fi- discos para Virgin Classics, EMI, larmónica de Radio France, Gustav Chandos o BMG y ha recibido ga- Mahler Jugend Orchester, Euro- lardones como el Premio Especial pean Youth Orchestra, Berlin Staat- de la revista Grammophon. Desde soper, Filarmónica Arturo Tosca- 2012 es Profesor de Dirección Or- nini, Orquesta Mozart Bologna, Or- questal del Conservatoire National chestra Teatro alla Scala Milán y la Supérieur de Musique de París ❖ Orquesta Nacional de España, junto a directores de la talla de Claudio Manuel Blanco Abbado, Mariss Jansons, Rafael Frü- trompeta beck de Burgos, Lorin Maazel, Zu- bin Mehta, Daniel Barenboim, Ric- Nacido en 1985 en Daimiel (Ciudad cardo Chailly, Gustavo Dudamel, Real), Manuel Blanco comenzó muy Andris Nelsons, Kent Nagano, temprano sus estudios de trompeta Juanjo Mena, Josep Pons, Markus con Martín Baeza Rubio y José Ma- Bosch, Andrés Salado, Charles Oli- ría Ortí Soriano y en la actualidad vieri-Munroe, Semyon Bychkov y recibe asesoramiento musical del Pablo Heras-Casado. Como con- concertista internacional Reinhold certista, ha tocado con la Orquesta Friedrich. Ha ganando diversos con- de la Radio de Baviera, Orquesta de cursos como el Ciudad de Xátiva, Vi- la Radio de Múnich, Orquesta de Cá- llena, Calviá, Moixent y Jeju (Corea mara de Múnich, Budapest Cham- del Sur), pero su gran logro inter- ber Orchestra, Jeju Philharmonic nacional llegó tras ganar el primer Orchestra, Camerata XXI, Philar- premio en el prestigioso ARD Mu- monisches Orchester Würzburg en sic Competition de Múnich 2011, Mozarfest, Capella Symphonic Or- obteniendo la calificación más alta chestra (St. Petersburg), Hofer de la historia de la competición. Este Symphoniker, Niederrheinische galardón solo se ha concedido a Sinfoniker, Norddeutsche Philhar- otros dos trompetistas en sus 62 edi- monie Rostock, Orquesta Nacional de España, Orquesta Sinfónica de Joven Orquesta Nacional Navarra y Orquesta Sinfónica de de España RTVE. El interés de Manuel Blanco por la música de cámara le ha lle- La Joven Orquesta Nacional de Es- vado a liderar el quinteto de meta- paña (JONDE) pertenece al Instituto les Mediterranean Chamber Brass Nacional de las Artes Escénicas y de con el que ha actuado en todo el la Música (INAEM), dependiente del mundo. Proyectos futuros incluyen Ministerio de Educación, Cultura y conciertos como solista para el Con- Deporte. Creada en 1983 con el pro- servatoire National Supérieur de pósito de contribuir a la formación Musique de París con dos estrenos de músicos españoles en la etapa pre- encargados para él, con la Orquesta via al ejercicio de su profesión, su ob- Municipal de Valencia, Orquesta jetivo prioritario es la ampliación y Sinfónica de Bilbao, Orquesta Sin- el perfeccionamiento a través del es- fónica de Minería (México) y el lan- tudio y la práctica del repertorio sin- zamiento de su primer CD como so- fónico y de cámara, por medio de la lista junto a la Orquesta Nacional celebración de unos 6 encuentros de España ❖ anuales. En la primera parte del en- cuentro cada miembro de la orquesta cido la creación de la Academia Ba- se enfrenta a un programa, tutelado rroca de la JONDE, presentada en por profesores de reconocido presti- 2013 en colaboración con Centro gio, con el objeto de profundizar en Conde Duque Madrid. el estudio de su instrumento, con en- En 2014 se crea la Academia ONE- sayos parciales y de conjunto, sesio- JONDE-Fundación BBVA, colabo- nes de análisis e información sobre ración que ofrece a los músicos las obras trabajadas. La segunda parte JONDE la posibilidad de trabajar en de los encuentros concluye con la in- diversos programas de la Orquesta terpretación de una serie de concier- Nacional de España. tos, lo que ha llevado a la Orquesta La JONDE ha tenido como direc- por todo el país y, casi todos los años, tores invitados a Carlo Maria Giulini, al extranjero. Parte de su actividad se Gunther Schuller, Jakov Kreizberg, dedica a la grabación de CDs y DVDs. Fabio Biondi, Reinbert de Leeuw, Va- La música contemporánea recibe es- sily Petrenko, Krysztof Penderecki, pecial atención gracias a su Acade- Christian Zacharias, Paul Goodwin, mia de Música Contemporánea, que Lutz Köhler, Gianandrea Noseda, regularmente cuenta con la partici- Christopher Hogwood, George Peh- pación de compositores invitados. livanian, Peter Rundel, Edmon Co- También la música barroca ha mere- lomer, Jesús López-Cobos, Josep Pons, Antoni Ros Marbá, Víctor Pa- landa, Austria, Venezuela y Repú- blo, Rafael Frühbeck de Burgos, blica Dominicana. En estos países Bruno Aprea, Alberto Zedda, Arturo ha actuado en salas como el Théatre Tamayo, José Luis Temes, Joan Cer- des Champs Elysées (París), la Fi- veró o Günter Pichler, entre otros. larmónica de San Petersburgo, el Ha participado en numerosos fes- Carnegie Hall (Nueva York), el Ro- tivales y auditorios españoles, en el yal Albert Hall (Londres), el Con- ciclo
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