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Booklet Rosauro STR 37144 Ney Rosauro Concerto for Timpani Concerto for Marimba Double Concerto for Marimba e Timpani Ivan Mancinelli Marimba Domenico Cagnacci Timpani Haydn Orchestra of Bolzano and Trento Roberto Molinelli Conductor George Pehlivanian Conductor PMS PMS 000 000 4 Haydn Orchestra of Bolzano and Trento The Haydn Orchestra was founded in 1960 under the supervision of the city of Trento and Bolzano and of NEY ROSAURO (1952) their provincial governments, and it is supported by the Italian Ministry of Culture. The Haydn Orchestra has performed in important theatres and concert halls in Italy, Germany, Holland and Austria (among them, in the Mozarteum Salzburg and in the Vienna Musikverein). The Orchestra toured also in the USA, in Japan, Hungary and Switzerland; it participated to numerous international festivals, like the Haydn Festival in Esterháza, the Festpiele in Bregenz, the Tyrolean Festival in Erl, the Festival Arturo Benedetti Michelangeli Concerto for Timpani and Strings Orchestra* in Brescia and Bergamo, Maggio Musicale Fiorentino in Florence, Sagra Musicale Umbra in Perugia the 01. Bachroque 05’14” Rossini Opera Festival in Pesaro, Anima Mundi in Pisa and MiTo Settembre Musica in Torino. Its musical 02. Aria 06’58” repertory ranges from baroque to contemporary music, including many operas and oratorios. Important composers like Luigi Dallapiccola, Luigi Nono, Luciano Berio, Franco Donatoni, Giorgio Battistelli, Matteo 03. Horse Ride 06’16” D’Amico and Giovanni Sollima performed some of their new works for the first time with the Haydn Orchestra. Conductors like Claudio Abbado, Rinaldo Alessandrini, Riccardo Chailly, Ottavio Dantone, Concerto n.1 for Marimba and Strings Orchestra* Eliahu Inbal, Alain Lombard, Jesús López-Cobos, Neville Marriner, Riccardo Muti, Daniel Oren, José Serebrier, Jeffrey Tate, Juraj Valčuha and Alberto Zedda have also worked with the Orchestra. After Antonio 04. Saudaçao 03’23” Pedrotti, founder of the Haydn Orchestra, the role of chief conductor was respectively covered by Hermann 05. Lamento 07’02” Michael, Alun Francis, Christian Mandeal and Ola Rodner. Regarding its artistic direction, after thirty-years 06. Dança 03’59” in the hands of Andrea Mascagni, Hubert Stuppner, Gustav Kuhn (2002 – 2012) and Daniele Spini (since 07. Despedida 05’25” 2013) followed each other as the leading figures engaged in making the Haydn Orchestra excel. In 2014, Arvo Volmer took up the position of chief conductor. Several CDs and DVDs were realized for Agorà (Liszt’s Piano Concerto with Jeffrey Swann and an Oratorio of the South Tyrolean Father Hartmann), Amadeus Double Concerto for Marimba, Timpani and Orchestra** (Beethoven’s Triple Concerto with the Trio di Parma), Arts (Weber’s Clarinet Concerto with Alessandro 08. Divertimento 05’07” Carbonare), Camerata Tokyo (french flute concerts with Wolfgang Schulz), ColLegno (many symphonies by Beethoven, Schumann, Brahms under the direction of Gustav Kuhn), Concerto, Cpo (works of Domenico 09. Appassionato 05’58” Cimarosa, Alfredo Casella, Riccardo Zandonai and Ludwig Thuille), Dynamic (violin concerts of Henri 10. El Camino 08’41” Vieuxtemps with Massimo Quarta), Multigram, Naxos (various Rossini’s operas), Opus Arte, RCA, Unitel, 11. Joyful 06’44” Universal, Verdi Records, VMC Classics (concert of Haydn with Anna Kravtchenko, Benjamin Schmid und Sandro Verzari) and Zecchini. The Haydn Orchestra has also appeared various times on RAI (the Italian State Broadcasting Corporation), radio and local TV channels. 2 23 PMS PMS 000 000 0 States, including performances of Carmen for the Long Beach Opera, California, Jenufa, Barbiere di Siviglia, and Ernani for the New Israeli Opera, La traviata at the Mariinsky, St. Petersburg, Tosca at Grand Theatre de Bordeaux and St. Etienne, the Dutch premiere of Riders to the Sea in Rotterdam, La voix humaine at the Cité de la Musique, Paris, Otello, Cavalleria rusticana and Gianni Schicchi at Teatro San Carlo di Napoli, Pique Dame and Andrea Chenier at the Teatro Lirico, Cagliari, La damnation de Faust at Teatro San Carlo, Napoli and Teatro Regio, Parma, the world premieres of Le jour des meurtres dans l'histoire d'Hamlet by Pierre Thilloy for l’Opéra-Théâtre de Metz and Sette storie per lasciare il mondo by Marco Betta as well as a cri- Ivan Mancinelli Marimba tically acclaimed new production of Boris Godunov for Teatro Massimo di Palermo. Domenico Cagnacci Timpani In 2011 George Pehlivanian founded the Touquet International Music Masters in France, a unique festival assembling the National Youth Orchestras of Europe. Since 2012, Maestro Pehlivanian has been a Professor Haydn Orchestra of Bolzano and Trento at the Conservatoire National Supérieur de Musique de Paris (CNSMDP) and since 2013 has taught con- ducting at the Higher School of Music Education ‘Katarina Gurska’ in Madrid. Roberto Molinelli Conductor* He has collaborated with some of the renowned artists including: Maxim Vengerov, Leonidas Kavakos, George Pehlivanian Vadim Repim, Sarah Chang, Joshua Bell, Janine Jansen, Misha Maisky, Gidon Kremer, Jean-Yves Thibaudet, Conductor** Gil Shaham, Arcadi Volodos, Emmanuel Ax, Lynn Harrell, Maurice Andre, Evelyn Glennie, Andre Watts, Mirella Freni, Ruggero Raimondi, Dimitri Hvorostovsky, Ferruccio Furlanetto, Leona Mitchell, Leo Nucci, Denyce Graves, Vladimir Galuzin, Bernarda Fink, Marjana Lipovsek and countless more of the world’s highest calibre soloists/artists. Maestro Pehlivanian was asked to become the Chief Conductor and Artistic Director of the Slovenian Philharmonic (2005-2008) and has held many Principal Guest Conductor posi- tions with various orchestras, such as: Residentie Orkest of The Hague (1996-1999), Wiener Kammerorchester (1996-2000), Staatsphilharmonie Rheinland-Pfalz (2002-2012), Teatro Lirico di Cagliari, and the Armenian Philharmonic Orchestras. He has appeared at many of the world’s most important International Music Festivals, including the Maggio Musicale Fiorentino, White Nights of Saint Petersburg, Aix-en-Province, Mito Milan, Radio France de Montpellier, Jeunesse Musicale Vienna, Festival Bruckner of Linz, Verdi Festival di Parma, Rávena, Aspen, San Sebastien, Santander, Ravello, Madrid, El Escorial, Ljubljana, Granada, Osaka, and Kyoto. His discography includes a double CD release on Virgin Classics/EMI with the Monte-Carlo Philharmonic, recordings for BMG with the London Philharmonic, the world premiere recording of music by Zhukov under CHANDOS with the Residentie Orchestra, works by Rodrigo with the Orquesta Nacional de España STUDIO SM, as well as Liszt’s complete works for piano and orchestra with Louis Lortie and the Residentie Orchestra for Chandos. This recording received special praise by Gramophone Magazine. 05.06.2018 // 10-11.10.2018 - Bolzano/Auditorium Registrazione/Recording: : Matteo Costa Tecnico del suono/Recording engineer 22 3 PMS PMS 000 000 1 Questa registrazione nasce dall’incontro fra due musicisti italiani, Ivan Mancinelli, per- in Gorizia, in september 2016, and he composed the mandatory piece of the Competition, which was cussionista fra i più estrosi, e Domenico Cagnacci, il timpanista dell’Orchestra Haydn di performed during the semifinal stage and then in the concerts of the winners. He has arranged and conduc- ted the RAI Symphony Orchestra at Sanremo Festival in two editions, in 2005 and 2009, winning the first Bolzano e Trento, e dalla loro ammirazione per Ney Rosauro, protagonista assoluto del prize for the best arrangement in 2009. He has been President and member of the Jury at “SanremoLab – mondo della percussione tanto come concertista quanto come compositore. Nel catalogo Academy of Sanremo Festival”, for three years. imponente di Ney Rosauro spiccano due classici: il Concerto per marimba n. 1 op. 34, George Pehlivanian composto nel 1986, e il Concerto per timpani op. 37, del 2003. Mancinelli e Cagnacci French-American conductor, born in Beirut, into a musical family. George Pehlivanian’s path in music hanno avuto l’idea di far aggiungere a Rosauro una nuova tessera alla serie già ricca dei began with piano and violin lessons at the age of three and six respectively. In 1975, Pehilvanian and his suoi lavori per strumenti a percussione e orchestra, facendo nascere una partitura che family emigrated to Los Angeles and went on to study conducting with Pierre Boulez, Lorin Maazel and coinvolgesse sia la marimba sia i timpani, e son venuti a proporre l’impresa all’Orchestra Ferdinand Leitner. He also spent two summers at the Accademia Musicale Chigiana in Siena where he was Haydn: che non se lo è fatta dire due volte, e ha aggiunto il awarded the Diploma di Merito. Concerto doppio per marimba In 1991 Mr. Pehlivanian was crowned unanimously by the International Jury, with the Grand Prize of the e timpani alla lista già lunghissima dei pezzi composti su sua richiesta ed eseguiti in prima Besançon International Conducting Competition. Till today, Pehlivanian remains the First and only ameri- assoluta nelle sue stagioni nei suoi sessanta anni di attività. Scritto da Ney Rosauro nei can to receive this honor in the long history of one of the most respected and prestigious competitions in primi mesi del 2017, il Concerto è stato battezzato da Mancinelli e Cagnacci il 5 giugno the world of conducting for the past seven decades. 2018 a Bolzano, con la direzione quanto mai autorevole di George Pehlivanian. Since then Maestro Pehlivanian has consolidated his reputation as one of the leading conductors of his generation. On the concert-platform he has led many of the world’s
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