Eastern Progress 1991-1992 Eastern Progress
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Skinny Puppy Bites Mp3, Flac, Wma
Skinny Puppy Bites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Bites Country: Benelux Released: 1989 Style: EBM, Industrial MP3 version RAR size: 1200 mb FLAC version RAR size: 1709 mb WMA version RAR size: 1932 mb Rating: 4.1 Votes: 248 Other Formats: DMF ADX MP3 MP2 APE TTA AC3 Tracklist Hide Credits Attack Assimilate A1 6:56 Mixed By, Tape, Synthesizer [Bass], Effects [Treaments], Sampler – Tom Ellard The Choke A2 6:25 Synthesizer [Bass] – Wilhelm Schroeder Blood On The Wall A3 2:51 Bass – Mr D Pleven* A4 Church 3:12 Decay Deadlines B1 6:15 Guitar – Cevin Key B2 Last Call 5:52 B3 Basement 3:15 B4 Tomorrow 4:57 Companies, etc. Published By – Nettwerk Overboard Publ. Published By – Les Editions Confidentielles Recorded At – Mushroom Studios, Vancouver Recorded At – Doghouse Studios Pressed By – Sony/CBS, Haarlem – 08-024787-20 Printed By – Sony/CBS, Haarlem – 08-024787-20 Mastered At – Foon Credits Engineer – Cevin Key, David Ogilvie* Executive Producer – Terry McBride Producer – Cevin Key (tracks: A2 to A4, B1 to B4), David Ogilvie* (tracks: A2 to A4, B1 to B4), Tom Ellard (tracks: A1) Sleeve – Steven • R • Gilmore* Sleeve [Assistant] – Greg Sykes Synthesizer, Sequenced By, Tape, Sampler, Effects [Treatments], Percussion, Drums, Programmed By [Rhythm], Bass – Cevin Key Voice, Lyrics By, Synthesizer, Percussion, Effects [Treatments], Other [Objects] – Nivek Ogre Written-By, Performer – Skinny Puppy Notes Recorded 1984 - 1985 at Mushroom Studios, except tracks A4 & B4 which are recorded on 4track in the Dog House. -
Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Violence Against the Self in Depressive Suicidal Black Metal Owen Coggins
Article Owen Coggins Distortion, restriction and instability Distortion, restriction and instability: Violence against the self in depressive suicidal black metal Owen Coggins The Open University Owen Coggins researches violence, ambiguity and mysticism in popular music, particularly in relation to extreme music and noise. His monograph, Mysticism, Ritual and Religion in Drone Metal was published by Bloomsbury Academic in 2018, and, in addition to contributing several articles to Metal Music Studies his work has appeared in Popular Music, Implicit Religion, and Diskus: Journal of the British Association for the Study of Religion amongst others. He also runs Oaken Palace Records, a registered charity raising money for endangered species through releasing drone records. He is Honorary Associate of the Religious Studies Department at the Open University. Contact: Religious Studies Department, The Open University, Walton Hall, Milton Keynes MK7 6AA, UK. E-mail: [email protected] https://orcid.org/0000-0002-8322-1583 Abstract In the underground subgenre of depressive suicidal black metal (DSBM), extremes of violence against the self are presented in combination with a restrictive version of black metal. Album covers feature explicit photographs of self-cutting or drawings of suicide by hanging; vocals are tortured screams expressing extreme suffering, and guitar sounds are so distorted that they begin to approach an ambient atmospheric blur. Given the history of concern about metal and its health implications, I investigate DSBM as a case in which representation of harm in music is overt, explicit and extreme, yet the health impact of the music is undetermined. I discuss how different modalities of distortion and restriction may connect the sound of DSBM to themes of violence against the self, presenting a theoretical framework for approaching DSBM as music which negotiates a complex economy of the staging and control of violence with respect to the self. -
Generation X and the Invention of a Third Feminist Wave
GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib -
MTO 20.2: Heetderks, Review of S. Alexander
Volume 20, Number 2, March 2014 Copyright © 2014 Society for Music Theory Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford, 2013) David Heetderks NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.14.20.2/mto.14.20.2.heetderks.php KEYWORDS: industrial, post punk, electronic music, EBM, electronic body music, futurepop, cut-up, Throbbing Gristle, Cabaret Voltaire, Nitzer Ebb, Front 242, Skinny Puppy, Laibach, Burroughs Received March 2014 [1] The genre of industrial music is long-lived and, as is evident from comparing Audio Clip 1 and Audio Clip 2, encompasses a broad range of styles. Audio Clip 1, from “Hamburger Lady” (1978) by Throbbing Gristle, is a collage of noisy sounds and a spoken text that has been electronically modified to near indistinguishability. The only suggestion of a beat is provided by a distant thump, perhaps suggesting a heartbeat. The text assaults common notions of good taste: it describes the medical care of a severely burned woman, forcing listeners to confront a figure that civilized society would keep hidden. Audio Clip 2, from “Headhunter” (1988) by Front 242, features a driving dance beat that, in contradistinction to “Hamburger Lady,” is crisp and motoric. The lead singer shouts out the story of a bounty hunter, performing an aggressive form of masculinity. The sounds of industrial music have appeared even in recent years: the harsh and abrasive synthesizer beats in Kanye West’s 2013 album Yeezus have galvanized critics, leading some to describe a masochistic form of listening that is reminiscent of responses to industrial music. -
“I Was in a Position to Dismantle It”: Industrial Music
“I WAS IN A POSITION TO DISMANTLE IT”: INDUSTRIAL MUSIC APPROPRIATIONS OF WILLIAM S. BURROUGHS by Joseph Vecchio, A.A., B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Music with a major in Music May 2014 Committee Members: Kevin Mooney, Chair Ludim Pedroza Charles Ditto COPYRIGHT by Joseph Vecchio 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Joseph Vecchio, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION To Ruth, with all of my love. ACKNOWLEDGEMENTS I would like to thank Dr. Kevin Mooney for his unwavering support for this project, enthusiasm about the material, and wonderful editorial remarks. Thank you to Dr. Ludim Pedroza for being a true inspiration for a multidisciplinary approach to musicology. Thank you to Dr. Charles Ditto for his membership on my committee and eagerness to see this project carried to fruition. Ruth Vecchio, your knowledge of industrial music is encyclopedic and has been an extremely valuable tool in aiding the completion of this project, and your help with editing has been invaluable. -
Central Florida Future, Vol. 23 No. 29, November 29, 1990
University of Central Florida STARS Central Florida Future University Archives 11-29-1990 Central Florida Future, Vol. 23 No. 29, November 29, 1990 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 23 No. 29, November 29, 1990" (1990). Central Florida Future. 1033. https://stars.library.ucf.edu/centralfloridafuture/1033 " I ( . • Theritral Flori Future Volume 23, Number 29 University of Central Florida/Orlando Thursday November 29, 1990 ROTC. stamps. .. out 23 teams UCF ties· for 1st, loses in tie-breaker by Sheila Howard eight men to make a rope CENTRAL FLORIDA FUTURE bridge and cross over it above a stream using equipment simi UCFs Army ROTC Ranger lar to mountain climbing gear. Challenge Team came in a "The more weight you have close second in the Southeast on the rope, the more it's going Championship on Nov. 17-18 to stretch," said Glenn Becker, at Camp Blanding. executive officer and cadet UCF and Embry-Riddle captain. "Since I was the Aeronautical University tied heaviest, I was the one left out,.... with ·51 points in the seven of that event." UCF placed event competition, but Embry first in the the bridge competi- Riddle won the tie-breaker. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
HOLL YWOOD!! Auq
non-profit organization US POSTAGE P A I D No!'p Dame. Indiana Permit No. JO COMING ATTRACTIONS: FEB. 15 BLUES BROTHERS FEB. 17 THE ABYSS , . -'~' . ~ " .", LOCATION: CUSHING AUDITORIUM SHOW TIMES: 8 PM AND 10:15 PM COMING SOON: SOPHOMORE LITERARY FESTIVAL ,\ ., ·Sponsored by JPW GOES STUDENT UNION BOARD HOLL YWOOD!! auq: I c S11 Notre Dame's Student Magazine COVER JPW Goes Hollywood Junior Parents Weekend salutes Tinseltown in its opening 10 dinner by Kristine De Gange JPW Calendar COMPLETE MUSI 13 Cover artwork by Vivienne Padilla Mon. Tues. Wed. Thurs Fri. Sat. Sun. NEWS Hungering for Awareness . 7-9 The World Hunger Coalition fights the problem of hunger 7 by Steffanie Keller SPORTS 9 -12 Morning Concert Topsy Turvy M Spotlight inside look at a pivotal match in Notre Dame wrestling's 12 - 1 ':':':':':':':':':':':':':'M'-:'e'............................. '. ;"~d: "'a:'~':':':':':':':':':':':':':': 0 . An .....................................:l'~. ~'. ~'~'.'.'.'.'.'.'.'.'.'.'.'.'.'. E on SBSym. 14 T p harried season by Kevin Guilfoile R Sunday Chamber Baroque & United 20 Century 0 elM p E R Precision Between the Pipes 1-2 Masterworks Before Live Masters 0 R E Notre Dame's Lance Madson personifies the lost art of stand- L 17 I Q up goal tending by Brian McMahon T A U 2-5 A E N S 5-7 Tafelmusik T Saturday Show Request ) 7-8 MacNeil - Lehrer News Hour S BIG BANDS Philadelphia Chicago Salzburg and Worm and lrtI.od/ Symphony Symphony Vienna Music Music H of our 8 -10 l-.que ... Orchestra Orchestra Festival Remembered 0 Time Blues Celtic Cafe 01 Jazz 10 -12 Broadway W IMPRES- Review Traditions duI...cu: Unlimited SIONS 12 - 2 a SPRING SCHEDULE 1990 Tune in to 88.9, WSND, Notre Dame's FM, stereo music station, for the best in fine arts radio every day. -
AIDS on Campus Thanks for Not Smoking Card Shuffle
OBSER VER Volume 16, Number 1 College at Lincoln Center, Fordham University, New York January 15,1992 AIDS On Campus Thanks For Not Smoking By Vivian Lake is that most students think it can'tl By William Brooks & Clarisel the cloakroom, the cafeteria's south By the end of 1993, between happen to them, said Margaret! Gonzalez section and the 12 floor lobby. 390,000 and 480,000 Americans will McQuillan, director of Fordham'sl Areas which are not identified as have developed full-blown AIDS Health Center. The non-smoking policy here at smoking areas should be considered said Tom Skinner, spokesman at the Fordham's AIDS policy as CLC has been reinvigorated, as non-smoking , states the Center for Disease Control (CDC) in delineated in the student handbook, according to Father George J. handbook. Atlanta. consists of education and McMahon, Vice-President of CLC. Feelings about this new policy are There are about 1 million HIV prevention. This includes making As of Spring 1992, there will no split among smokers and non- positive Americans, he said. information available to students on longer be a designated area for smokers. "AIDS among male homosexuals has how the disease is transmitted and smokers on the second floor lounge. According to CLC junior Jim Plasko, started to level off...we're seeing I.V how they can protect themselves.! Prior to this new policy the area who is a smoker, there is no respect drug users and heterosexuals Students who want to be tested are near the registrar windows was for smokers rights. -
714.01 [Cover] Mothernew3
NewMusic ® CMJ 25 SUPER FURRY ANIMALS Report REVIEWED: LIFESAVAS, IMA ROBOT, VUSI MAHLASELA, CMJ SPOTLIGHT PORCUPINE TREE... PLUS MORE! Issue No. 822 • July 14, 2003 • www.cmj.com DANGER! HIGH VOLTA CMJ The Mars Volta Gets Ready To Say What Words Never Can CMJ RETAIL To Infinity And Beyonce STATION PROFILE Hearing Voices: Maine’s WERU MUSIC NEWS Cat Claws The Lips RADIO 200:RADIOHEAD LOCKED AT NO. 1 • SUPER FURRY ANIMALS MOST ADDED 7/14/2003 Issue No. 822 • Vol 76 • No. 7 COVER STORY 8 Escape From Mars While Mars Volta’s debut LP, De-Loused In The Comatorium, wrings arrhythmic chaos, intricate prog-rock and shrill harmonies, Mars Volta itself was wrought with bereavement after the loss of keyboardist and partner-in-arms Jeremy Ward, who died mid-tour. Guitarist Omar Rodriguez- Lopez checks in with CMJ to discuss the redemptive qualities of playing music; something the group will need as the remaining members attempt to pick up the pieces and carry on. DEPARTMENTS 4 The Week In Industry News or not, the Animal’s sixth record is sure to The RIAA unleashes its lawyers on the unsus- blow listeners away with its surreal, epic pop. 8 pecting public; Major League Baseball hits a grand slam with Clear Channel. 24 Tours Liz Phair shakes up Tour Of The Week, 5 The Week In Music News Beautiful Mistake leads the Vital Five, and The Flaming Lips get into a Cat-fight; Open Hand, Lonesome Organist, Stephan Spiritualized finds Grace with Sanctuary and Smith and more land in the news! Blur’s Modern Life Is Rubbish receives CMJ’s “Silver Salute.” 25 Loud Rock Reviews of Fu Manchu, Nightrage and Figure 6 Essential/Reviews Four; Iron Maiden track listing revealed; new Lifesavas, Ima Robot, Revolution Smile, Fred Ill Niño lineup announced; Zakk Wylde com- Avril, Vusi Mahlasela, Porcupine Tree, Diffuser ments on new Ozzy album; Nuclear Assault’s and Ohgr.