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Skinny Puppy Bites Mp3, Flac, Wma
Skinny Puppy Bites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Bites Country: Benelux Released: 1989 Style: EBM, Industrial MP3 version RAR size: 1200 mb FLAC version RAR size: 1709 mb WMA version RAR size: 1932 mb Rating: 4.1 Votes: 248 Other Formats: DMF ADX MP3 MP2 APE TTA AC3 Tracklist Hide Credits Attack Assimilate A1 6:56 Mixed By, Tape, Synthesizer [Bass], Effects [Treaments], Sampler – Tom Ellard The Choke A2 6:25 Synthesizer [Bass] – Wilhelm Schroeder Blood On The Wall A3 2:51 Bass – Mr D Pleven* A4 Church 3:12 Decay Deadlines B1 6:15 Guitar – Cevin Key B2 Last Call 5:52 B3 Basement 3:15 B4 Tomorrow 4:57 Companies, etc. Published By – Nettwerk Overboard Publ. Published By – Les Editions Confidentielles Recorded At – Mushroom Studios, Vancouver Recorded At – Doghouse Studios Pressed By – Sony/CBS, Haarlem – 08-024787-20 Printed By – Sony/CBS, Haarlem – 08-024787-20 Mastered At – Foon Credits Engineer – Cevin Key, David Ogilvie* Executive Producer – Terry McBride Producer – Cevin Key (tracks: A2 to A4, B1 to B4), David Ogilvie* (tracks: A2 to A4, B1 to B4), Tom Ellard (tracks: A1) Sleeve – Steven • R • Gilmore* Sleeve [Assistant] – Greg Sykes Synthesizer, Sequenced By, Tape, Sampler, Effects [Treatments], Percussion, Drums, Programmed By [Rhythm], Bass – Cevin Key Voice, Lyrics By, Synthesizer, Percussion, Effects [Treatments], Other [Objects] – Nivek Ogre Written-By, Performer – Skinny Puppy Notes Recorded 1984 - 1985 at Mushroom Studios, except tracks A4 & B4 which are recorded on 4track in the Dog House. -
Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Introduced Weed Species
coastline Garden Plants that are Known to Become Serious Coastal Weeds SOUTH AUSTRALIAN COAST PROTECTION BOARD No 34 September 2003 GARDEN PLANTS THAT HAVE BECOME Vegetation communities that originally had a diverse SERIOUS COASTAL WEEDS structure are transformed to a simplified state where Sadly, our beautiful coastal environment is under threat one or several weeds dominate. Weeds aggressively from plants that are escaping from gardens and compete with native species for resources such as becoming serious coastal weeds. Garden escapees sunlight, nutrients, space, water, and pollinators. The account for some of the most damaging environmental regeneration of native plants is inhibited once weeds are weeds in Australia. Weeds are a major environmental established, causing biodiversity to be reduced. problem facing our coastline, threatening biodiversity and the preservation of native flora and fauna. This Furthermore, native animals and insects are significantly edition of Coastline addresses a selection of common affected by the loss of indigenous plants which they rely garden plants that are having significant impacts on our on for food, breeding and shelter. They are also affected coastal bushland. by exotic animals that prosper in response to altered conditions. WHAT ARE WEEDS? Weeds are plants that grow where they are not wanted. Weeds require costly management programs and divert In bushland they out compete native plants that are then resources from other coastal issues. They can modify excluded from their habitat. Weeds are not always from the soil and significantly alter dune landscapes. overseas but also include native plants from other regions in Australia. HOW ARE WEEDS INTRODUCED AND SPREAD? WEEDS INVADE OUR COASTLINE… Weeds are introduced into the natural environment in a Unfortunately, introduced species form a significant variety of ways. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
MATTHEW SCHULTZ CV Mattschultz.Com • [email protected]
MATTHEW SCHULTZ CV mattschultz.com • [email protected] Southern Illinois University (2007-2010) Carbondale, Illinois - MFA - Sculpture Education University of Illinois Springfield (2005-2007) Springfield, Illinois - BA- Sculpture Southern Illinois University (1984-1989) Carbondale, Illinois - Sculpture/Cinema & Photography Design by Matthew Schultz (1999 - PRESENT) • Freelance graphic design, print layout and film production • Produce and edit films and commercials • Work as Art Director to create and design publications and websites • Clients include Independence Day Resurrection, In the Mix magazine, Etcon electronics and Midwest Showcase music magazine, Abe Magazine Director - The Booth Gallery (2015) • Assemble proposal guidelines and review submissions • Establish calendar of exhibitions and events • Provide publicity and manage openings • Assist artists in setting up shows, lighting and clean up Adjunct Professor - Robert Morris College (2012 - 2014) Typography, Interactive Digital Publication, 2D Animation, Premiere Pro, After Effects, Professional Development The Business of Art and Design, Graphic Design Fundamentals, Illustrator, Photoshop, InDesign • Create course parameters and goals • Develop lectures, lesson plans, tests and other necessary materials • Compose lectures and presentations on software, graphic design and commercial art Work • Aid students in understanding time management and construction capabilities Experience • Aid students in understanding “real world” situations that arise for a designer/artist Adjunct -
INITIALS C.C. Liner Notes
Chris Connelly : INITIALS C.C. Out-takes, Rarities and Personal Favourites 1982-2002 vol.1 01. Detestimony – Fini Tribe: This was the “A” side of an EP called “Let the Tribe Grow,” written and recorded when the Fini Tribe was going through great musical changes. We had acquired an Ensoniq ‘Mirage’ sampling keyboard, and as was the same for a lot of bands at the time, it changed everything, opened up a lot of doors, and led us into some very uncharted waters. The actual piece was whittled down from a fifteen-minute opus we had written. I remember being in Philip Pinsky’s bedroom one night with John Vick. Philip’s then-roommate, Lindsay, gave us an old quarter-inch reel of tape he had. On it was a beautiful recording of the church bells you hear on the song; we sampled them and came up with the melody. The EP actually did better than any of us had anticipated and became a sort of hit in the Ibiza clubs at the very advent of the acid house/rave phenomenon. We actually went ahead and re-wrote/re- structured the song for the WaxTrax! Records release (“Make it Internal/Detestimony Revisited”) a couple of years later. 02. Mania – Murder Inc.: Certainly what I feel is the most compelling song on the one and only album released by Murder Inc. The band was basically Killing Joke, minus Jaz Coleman (Killing Joke’s singer), plus me, as well as the original drummer, Paul Fergusson, and newer drummer, Martin Atkins. The sessions took place at Pachyderm Studios in rural Minnesota during September of 1991. -
VOD-Records Member/Mitglieder-Newsletter 12/2009 (
VOD-Records Member/Mitglieder-Newsletter 12/2009 (www.vod-records.com) Dearest VOD-Members VOD wishes all members a great start into 2010 VOD wünscht allen Mitgliedern einen tollen Start in das neue Jahr 2010 VOD will release the last 3 releases of the 2009-membership end January. Die Form, Smegma and instead of DDAA we have a fantastic 4Lp Box of O Yuki Conjugate. I hope DDAA gets in touch with us again some day soon. Ende Januar kommen die letzten 3 VÖ’s von 2009. Smegma, Die Form und die faszinierenden O Yuki Conjugate, die für DDAA einspringen (welche sich leider gerade nicht mehr melden. Ich hoffe DDAA kommen irgendwann wieder auf uns zu. Programm for 2010 steht, fast alle 300 Plätze sind schon vergeben. Gebt bitte bescheid, wenn ihr wieder dabei seid. Programm 2010 is fixed and almost all of the 300 memberships are gone, so please confirm if you want to join in 2010. INDUSTRIAL: appr. 20 Records / 20 Schallplatten Current 93 Vol.1 (3LP), Rapoon (3Lp), Laibach (4Lp), Voice of Eye (2Lp), Hunting Lodge (4Lp), Psychic TV (w. White Stains) (4Lp) MINIMALSYNTH/WAVE: appr. 24 records / 24 Schallplatten Current 93 Vol.2 (4Lp), Portion Control (8Lp-Box), Sleep Chamber (4Lp), Experimental Products (1Lp), Mark Lane (2Lp), GermanWave Box (5Lp) Membership in 2010 for all 12 releases (VOD73-84) with 44 records (plus add. bonuses) is 429 ! plus tax if required/needed plus 3 x postage (Shipments in March, June, December / Lieferungen in März, Juni und December) If paid in full by End February you can also pick a Bonus-Record Amount can be paid in 2 installements, minimum payment by Mid March must be 300 Euros. -
Issue 195.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 195 October Oxford’s Music Magazine 2011 BORDERVILLE “As soon as you put a giant insect on stage it all gets a bit Stonehenge” Oxford’sOxford’s baroquebaroque poppop heroesheroes bringbring Kafka’sKafka’s `Metamorphosis’`Metamorphosis’ toto lifelife Also inside: Introducing AGNESS PIKE Remembering THE NUBILES RAPTURE on the move plus All your Oxford music news and reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net Truck Store is set to bow out with a weekend of live music on the 1st and 2nd October. Check with the shop for details. THE SUMMER FAYRE FREE FESTIVAL due to be held in South Park at the beginning of September was cancelled two days beforehand TRUCK STORE on Cowley Road after the organisers were faced with is set to close this month and will a severe weather warning for the be relocating to Gloucester Green weekend. Although the bad weather as a Rapture store. The shop, didn’t materialise, Gecko Events, which opened back in February as based in Milton Keynes, took the a partnership between Rapture in decision to cancel the festival rather Witney and the Truck organisation, than face potentially crippling will open in the corner unit at losses. With the festival a free Gloucester Green previously event the promoters were relying on bar and food revenue to cover occupied by Massive Records and KARMA TO BURN will headline this year’s Audioscope mini-festival. -
Violence Against the Self in Depressive Suicidal Black Metal Owen Coggins
Article Owen Coggins Distortion, restriction and instability Distortion, restriction and instability: Violence against the self in depressive suicidal black metal Owen Coggins The Open University Owen Coggins researches violence, ambiguity and mysticism in popular music, particularly in relation to extreme music and noise. His monograph, Mysticism, Ritual and Religion in Drone Metal was published by Bloomsbury Academic in 2018, and, in addition to contributing several articles to Metal Music Studies his work has appeared in Popular Music, Implicit Religion, and Diskus: Journal of the British Association for the Study of Religion amongst others. He also runs Oaken Palace Records, a registered charity raising money for endangered species through releasing drone records. He is Honorary Associate of the Religious Studies Department at the Open University. Contact: Religious Studies Department, The Open University, Walton Hall, Milton Keynes MK7 6AA, UK. E-mail: [email protected] https://orcid.org/0000-0002-8322-1583 Abstract In the underground subgenre of depressive suicidal black metal (DSBM), extremes of violence against the self are presented in combination with a restrictive version of black metal. Album covers feature explicit photographs of self-cutting or drawings of suicide by hanging; vocals are tortured screams expressing extreme suffering, and guitar sounds are so distorted that they begin to approach an ambient atmospheric blur. Given the history of concern about metal and its health implications, I investigate DSBM as a case in which representation of harm in music is overt, explicit and extreme, yet the health impact of the music is undetermined. I discuss how different modalities of distortion and restriction may connect the sound of DSBM to themes of violence against the self, presenting a theoretical framework for approaching DSBM as music which negotiates a complex economy of the staging and control of violence with respect to the self. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 25, 2020 Page 1 of 28 INSIDE Coronavirus Causes Dip in • Paradigm’s Streaming, But Children’s Music, Coronavirus Layoffs Panned by Music Video on Demand & Catalog Industry: ‘This Is Really Just Greed’ Are Bright Spots • LA Clippers Owner Reaches $400M BY ED CHRISTMAN Deal to Purchase The Forum From MSG Music industry executives hoped that the coronavirus Within that, all sales formats, as summarized by • Radio Stations quarantines might buoy music streaming activity with albums plus track equivalent albums, fell a whopping Adjust to Social- so much of the population isolated indoors. So far, 25.6% last week to 1.94 million from the prior week Distancing, Work- the opposite has occurred. In the last two full weeks total of 2.61 million units. From-Home Studios as the Covid-19 pandemic was spreading across the Before Covid-19 took hold in the U.S., streaming Amid Coronavirus world, the U.S. industry has had a moderate downturn was soaring: the week ending March 5 marked 2020’s • As Dow Jones in streaming, with even bigger drops in physical. highest streaming week, with 25.55 billion plays. Scores Single-Day Two weeks ago, in the week ended March 12, the But there is a bigger cloud on the horizon: as mil- Record, Live Nation industry saw a dip in music streaming — down by 1% lions of people lose their jobs due to the vast economic & MSG Stocks Post to 25.3 billion streams from 25.55 billion streams. But shutdowns, some music executives fear that they will Big Gains it would appear that the longer people stayed out of get rid of fixed expenses —- namely, music stream- • Spotify Pledges the office, the less music they consumed.