26 IRISH POETS SPECIAL FEATURE on Reverse

Total Page:16

File Type:pdf, Size:1020Kb

26 IRISH POETS SPECIAL FEATURE on Reverse No. 11 — WINTER 2012 ISSN: 1913-7265 $14.95 1913-7265 ISSN: 2012 WINTER — 11 No. JULY 2012 JULY UNTIL ISPLAY D A JOURNAL OF ARTS & CULTURE No.11 No.11 A JOURNAL OF ARTS & CULTURE A JOURNAL OF ARTS & CULTURE 26 IRISH POETS SPECIAL FEATURE ON REVERSE EATURE F PECIAL S ENCE F IDDLE R A POETRY IRISH # 11 Michael Pittman, Witch Ridden (abattoir). Acrylic, charcoal and india ink on panel. 124.5cm x 91.5cm. 2009. May 26 – August 26, 2012 MICHAEL PITTMAN May 26 – August 26, 2012 JOHN MCDONALD: YOU DON’T KNOW COLD www.therooms.ca 709.757.8000 | 9 Bonaventure Ave. | St. John’s | NL NEW THIS Finding Me in France BOBBI FRENCH It’s never too late to find the life you’ve always wanted. Bobbi French is just an ordinary person seeking an extraordi- nary life. For her, that means taking the boldest leap of faith in her life: moving to France to fulfill a lifelong dream. All she has to do is give up her successful medical career in Canada, sell her house, pare down her possessions to only what would fit in a carry-on suitcase, and buy a one-way ticket to Semur-en-Aux- ois. She also has to ignore the common opinion that she’s lost her mind, walking away from it all for a fantasy. Finding Me in France is a chronicle of the delights and depreca- tions of making a dream come true. Landing in a small village in Burgundy with only her expectations of adventure and purpose to guide her, she details the unaccountable stumbling blocks and the unforeseen joys of her often awkward, fre- quently perplexing, always entertaining journey of discovery. Illustrated with inspiring photographs, here is a funny and per- ceptive account of her experience of a lifetime. BOBBI FRENCH was born and raised in Newfoundland and achieved a successful career as a psychiatrist working with chil- dren and adolescents in crisis. She currently lives in France with her understanding husband and grapples with her new life of vexing French verbs, suspicious-looking foodstuffs, and unusual plumbing. Biography ISBN- 13: 978-1-897174-94-4 ISBN-10: 1-897174-94-2 6”x 8.5”/ 270 pp / $19.95 CDN 430 Topsail Rd., Village Shopping Centre, St. John’s, NL A1E 4N1 TUCKAMORE BOOKS • KILLICK PRESS • CREATIVE PUBLISHERS Tel. 709.748.0813 Fax 709.579.6511 www.creativebookpublishing.ca APRIL 18-22, 2012 ST. JOHN’S CADENCE WEAPON THE INBREDS JULIE DOIRON SHEEZER SNAILHOUSE STANLEY BRINKS LAURA BARRETT WAX MANNEQUIN BA JOHNSTON WOOLLY LEAVES RICHARD LAVIOLETTE MARINE DREAMS THE WEATHER STATION OLYMPIC SYMPHONIUM ROUGE FRESCHARD ALL THE WILES TOLEDO ANIMAL FACES EAST OF EMPIRE LEATHERBACK ANDREW JAMES O’BRIEN COLONEL CRAZE & THE HUNCH SHERRY RYAN STEVE MALONEY JOANNA BARKER VENEERS TEXMESTICS THE CORROBORATORS DAS FUCKING TOPS HEAR/SAY WITH READINGS BY LITTLEFISHCART PRESS ALUMS JERAMY DODDS, JOSH TROTTER, GABE FOREMAN, AND LEIGH KOTSILIDIS FREE TWO DAY ALL-AGES DOWNTOWN MUSIC CRAWL PANELS ON INDEPENDENT MUSIC AND PUBLISHING RECORD AND SMALL PRESS FAIR riddle n SED iv, 93 ‘riddle sticks’ D. Attrib SUBMISSION riddle (rod) fence ([1987] QUINLAN 30). 1981 SPARKES xv To make a riddle fence, GUIDELINES a top and a bottom rail are first either nailed to posts or are tied in position with WE PUBLISH THE BEST green withes. A middle rail is then set in IN CANADA. MAKE US place. The riddles are forest thinnings of young spruce, about as tall as a man and A JOURNAL OF ARTS & CULTURE not much bigger than a man’s thumb. They want TO PUBLISH YOU. No. 11 — WINTER 2012 are laced vertically on the three rails in a Riddle Fence is a Newfoundland-based jour- basket-weave manner. nal of arts and culture, published three times from The Dictionary of Newfoundland English yearly. We endeavour to publish high quality fiction, non-fiction, poetry, artwork, and anything else that fits on paper and punches Riddle Fence above its own artistic weight. PO Box 7092 St. John’s, NL, Canada A1E 3Y3 [email protected] www.riddlefence.com So what are we looking for? Simply amazing fiction, non-fiction, poetry and visual art. We ISSN 1913-7265 Publications Mail Agreement No. 417 250 14 Charitable No. 84167 9822 RR0001 only accept previously unpublished work. We license first North American serial rights. Who We Are For fiction and non-fiction, our suggested Riddle Fence is a Newfoundland and Labrador-based journal of arts and culture, published three maximum word count is 5,000 words, but if times a year by Riddle Fence Inc., a registered Canadian charity, and managed by a volunteer edito- it’s brilliant and a bit longer, we just might rial executive and board of directors. The mandate of Riddle Fence is to publish high quality artwork, go with it. essays, interviews, poems, reviews and short fiction. Distributed by Magazines Canada. For non-fiction, we’re looking for essays on the arts or on particular artists, or on Executive Director Proofreader Board of Directors aspects of “culture” and “art” as an idea or Shoshanna Wingate Susan Rendell Chip Clark (chair), Michael as a specific practice. In-depth book reviews. Crummey (vice-chair), Bob Interviews with artists of all disciplines. Managing Editor Associate Editors Hallett, Pat Hayward, Lisa Creative non-fiction with a strong narrative Carson Butts Angela Antle, Art Moore, Dave Paddon. drive. What aren’t we looking for? Travel Susan Rendell, Designer Catherine Hogan Safer, writing, re-told folklore or academic essays. Graham Blair Leslie Vryenhoek, Fiction Your best bet? Read some back issues of Riddle Fence, and you’ll quickly get an idea what we publish. For visual art: 300 dpi minimum. We do publish colour, but we also love, love, love black and white. When submitting, please make sure your Front cover: Reverse cover: submission goes to the right e-mail address: Dave Sheppard, The Wound, Study from Wolf Rhonda Pelley, Migration (2008). Photo composite, Tickets (2011). Watercolour, 8.5” x 12”. pigment ink on fine art paper, 12” x 11.25”. [email protected] [email protected] [email protected] [email protected] THE NEWFOUNDLAND POETRY SERIES was started in 1993 as Breakwater’s twentieth anniversary project to honour and preserve the literary talents of our Newfoundland and Labrador poets. new this spring soak K E R R I CULL ISBN: 978-1-55081-380-7 • $15.95 “As a whole, the collection is mature, courageous, and inspirational.” – R A N D A L L MAGGS award-winning poetry & art where genesis begins T O M D A W E&GERALD SQUIRES ISBN: 978-155081-261-9 • $39.95 Winner: 2011 Heritage and History Book Award, Winner: Canadian Authors Association (CAA) Poetry Award, Finalist: E.J. Pratt Poetry Award Also included in the Newfoundland Poetry Series 1.800.563.3333 www.breakwaterbooks.com SHORT FICTION RIDDLE US WITH YOUR MOST BRILLIANT WRITING. WIN BIG PRESTIGE, PUBLICATION, AND FIVE DAYS AT THE PIPER’S CONTEST FRITH WRITERS’ RETREAT IN NEWFOUNDLAND. The winning story will be published in the Winter 2013 issue of Riddle Fence and the winner will receive full registration to Piper’s THE RULES Stories must be in some form of English (any dialect); Frith: Writing at Kilmory, maximum of 4,000 words. including program fees, accommodation, meals and Stories entered in the contest must be unpublished and not currently submitted to any other publication or transportation from St. John’s contest. to/from Kilmory Resort. Open to all writers aged 19 and over, everywhere fine SPONSORED BY THE LITERARY writing is done. ARTS FOUNDATION OF One entry per participant, please. NEWFOUNDLAND & LABRADOR Stories will be judged “blind” so include the title of your story but NOT the author’s name or any revealing data Kilmory is a four-star resort on the story itself. Include a cover letter or cover email nestled in the Piper’s Hole River with your name, mailing address, phone number, story Valley on the estuary leading to title and word count. the headwaters of Placentia Bay, Entry fee (includes a one-year subscription to Riddle amid the wilderness of the Burin Fence): $35 in Canada; $45 elsewhere. Outside Canada/ Peninsula. Waterfront chalets U.S., please send a money order in Canadian or U.S. and cottages, all with equipped funds for $45. kitchens and furnished living All entrants will receive a one-year subscription to Riddle areas, offer a perfect indoor Fence. (Already receiving RF? Let us know in your cover complement to a spectacular letter/email whether you want to extend or give this outdoor setting for leisure and subscription as a gift.) adventure. Deadline: August 3, 2012 (postmark) Past instructors include Michael Email your dazzling work to [email protected] or Crummey, Don McKay, Mary mail it to: Dalton, Jessica Grant and Joan Riddle Fence Clark. PO Box 7092 St. John’s, NL, Canada A1E 3Y3 For more information about Piper’s Frith, visit: Questions? Write to www.literaryartsnl.com/pipersfrith.htm [email protected] CONTENTS Poetry 26 Irish Poets A Riddle Fence Special Feature Flip the magazine for this featured section Fiction Caitlin Laura Galway Dog Fights in Dresden 11 First Prize Winner / Riddle Fence Short Fiction Contest 2011 Matthew Heiti The First Snow Covers Everything 23 Andrew MacDonald Up, Away, Here, Gone 32 Ryan Paterson An Imposter 43 Contributors 55 Acknowledgements 55 (2011). Digital photograh by Jillian Parsons, 22” x 30”. (2011). Digital photograh by Jillian Parsons, Limited Possession—April “I don’t want to make money, I just want to be wonderful.” Colette Urban, “I don’t want to make money, I just want to be wonderful.” ON THE FENCE Carson Butts You’re standing there with a full pint of beer in your left, and I push my pint into your right the moment before I pants you in front of all our friends; you didn’t see it coming.
Recommended publications
  • Austin Clarke Papers
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R.
    [Show full text]
  • Ecocriticism & Irish Poetry a Preliminary Outline
    Estudios Irlandeses , Number 6, 2011, pp. 54-69 __________________________________________________________________________________________ AEDEI Ecocriticism & Irish Poetry A Preliminary Outline James Mc Elroy The University of California, Davis Copyright (c) 2011 by James Mc Elroy. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This article offers a brief thumbnail sketch of how Irish poetry has situated “nature” inside its competing narrative forms. Beginning with Irish poetry’s earliest lyrics and concluding with some of Ireland’s most recent, and most experimental, writers, the goal of the piece is to introduce some rudimentary eco-critical theory as a means of better understanding how nature acts as a complex cultural and political semiotic, so often overlooked, in Irish literature. En route, the article examines and in part deconstructs those critical categories that have often divided Irish literature into two distinct ecological camps: the picturesque (read colonialist/tourist) and the oral (read native/indigenous). The article also considers the importance of ecofeminist theory and asks how critics might better read Ireland’s women poets as nature poets in their own right. In closing, the piece turns its attention to a number of recent poets, both men and women, who have exceeded the picturesque/oral divide and now require eco-alternative readings of nature as we enter the second decade of the 21st Century. Key Words. Nature, ecocriticism, picturesque, oral, ecofeminisim Resumen. El artículo ofrece una breve reseña de cómo la poesía irlandesa ha situado a la ‘naturaleza” en el centro de sus variadas formas narrativas.
    [Show full text]
  • Download Annual Report 1977
    An Chomhairle Ealaíon An Séú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1977. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-Sixth Annual Report and Accounts for the year ended 31st December 1977. Presented to the Government and laid before each House of the Oireachtas pursuant to Section 6 [3] and 7 [1] of the Arts Act, 1951. Front Cover: Multiple image of a sculpture ceramic, by Pat Connor, purchased by the Council An Chomhairle Ealaíon was set up by the Arts Acts 1951 and 1973 and consists of a chairman and not more than sixteen other members appointed by the Taoiseach. The present Council was appointed on 31st December 1973 and its term of office expires in 1978. The principal role of' the Council is to stimulate public interest in the arts; to promote the knowledge, appreciation and practice of the arts; and to assist in improving the standards of the arts. The Council also acts as an adviser on artistic matters to the Government and Government Departments and is one of the four bodies which have a statutory duty to make representations to local authorities in connection with applications for planning permission in areas of special amenity throughout the country. The Council receives an annual grant-in-aid from the Oireachtas. In the Arts Acts, the expression 'the arts' means painting, sculpture, architecture, music, drama, cinema, literature, design in industry, and the fine arts and applied arts generally.
    [Show full text]
  • Poems John Ennis
    Firenze University Press https://oajournals.fupress.net/index.php/bsfm-sijis Poems Citation: J. Ennis, G. Mangiante John Ennis and Giovanni Mangiante (2021) Poems. Sijis 11: pp. 467- 474. doi: 10.13128/SIJIS-2239- 3978-12903 Copyright: © 2021 J. Ennis, G. Mangiante. This is an open access, peer-reviewed article published by Firenze Univer- sity Press (https://oajournals. John Ennis fupress.net/index.php/bsfm-sijis) and distributed under the terms of the Creative Commons Attri- bution License, which permits “Boy Among Sparrows” unrestricted use, distribution, and reproduction in any medi- He recalls Tony’s hay benchknife that um, provided the original author and source are credited. carved halfmoons and a white-beamed sun over wintry boughs on a hurley Sunday Data Availability Statement: cousin Michael did not come. All relevant data are within the paper and its Supporting Infor- mation fi les. Th ey were the days of family and grain farms, of oats tall in the stem lodged by Competing Interests: The a rogue shower, the end of August when Author(s) declare(s) no confl ict of interest. the fi rst gale blew, when crows and pigeons glided down in fl ocks. We children were dispersed to scatter them. Each midland house with its own tilled ripe cornfi elds, grain scattered freely in yards of rhode-island red and sparrow; grain fed to pigs and calves and ground in barns where the new electric grinder spread a fi ne white fl our dust even out the door. Contesting the troughs with turkeys, ducks and geese, untameable, domestic, close and yet distant, the sparrows held assemblage over him, as a child in the yard, up in the great elm.
    [Show full text]
  • Database of Poets by Area.Xlsx
    County of residence (or Country if Irish poet Name based abroad) Area/town of residence Contact details About I'm a teacher in secondary school and I also work for the Open University teaching their second year undergraduate Creative Writing course. I facilitate Maureen Boyle Antrim Belfast [email protected] creative writing workshops for the John Hewitt @stephanieconn2 https://poethead.wordpress.com/2015/07/12/delta- and-other-poems-by-stephanie-conn/ http://www.poetryni.com/stephanie-conn.html http://laganpress.co/blog/2015/poetry-originals-1- stephanie-conn Stephanie Conn was born in Co. Down in Northern Ireland in 1976. She now lives in County Antrim with her husband and two daughters. A former primary school teacher, she developed and taught the literacy programme Passport to Poetry. Her own poetry has been widely published. She is a graduate of the MA programme at the Seamus Heaney Centre, Queens University, Belfast. Stephanie is a recipient of an N.I. Arts Council Career Enhancement Award and won the inaugural Seamus Heaney Award for New Writing. She recently won the Funeral Services NI and Yeovil Poetry Prize. Her first poetry collection is due to be published by Doire Press later this year. Stephanie Conn Antrim Ballyclare [email protected] She is currently working on her second collection. I am a poet and workshop facilitator based in Belfast. My work has been widely published. My recent work has looked at the intersections between the changing city, popular music, tourism and, most importantly, the winding world of rivers. In 2015 I have undertaken a personal challenge to write a short poem for every river, canal, stream and waterway in Fermanagh, Armagh, Tyrone, Derry/Londonderry, Antrim and Down.
    [Show full text]
  • Irish Issue Contents
    Editorial – Patricia McCarthy Introduction to John Montague’s 75 th Birthday supplement – Patricia McCarthy John Montague : poems Last Court On the Last Heath Slievemore Hermit The Absent Limb Conversations with David Jones Seamus Heaney : So succession passes…. Seamus Heaney : On ‘Mount Eagle’ Thomas McCarthy : On the edge is best – a memoir Hugh MacDiarmid : John Montague’s Ulster Dennis O’Driscoll : Interview 1988 Two poems for John Montague: Michael Longley : The Pear Nicolas Jacobs : Jugs ‘The Forge’ by Peter Brennan Martin Dodsworth : John Montague: Making Irish Poetry Maurice Harmon : John Montague: ‘Restless Spirit’ John Greening : Place Wisdom Thomas Dillon Redshaw : Location as Vocation: John Montague’s ‘The Northern Gate’ Gerald Dawe : Fair Dues: A Note Peter Denman : Legendary Obstacles, Ancient Forms, Modern Poetics David Wheatley : An Incendiary Inspiration Matthew Geden : Completing the Job – an interview Elizabeth Wassell : A brief interview with John Montague Photograph of John Montague Patricia McCarthy : Birthday poem for John Montague: Downloading Your Portrait Anthology of Poems: page…to page…. James Aitchison -Terrains Fergus Allen -Penguin Island / The Dartry Dye Works Gary Allen -Wash Day, Behind the Flats / The Island / In a Bombed Hotel in Portstewart / Kingdoms Lost Joseph Allen-Transitive /Languages Rosita Boland -Foundations / Chimney Norman Buller -Her Youth Nick Burbridge -Connection Paddy Bushe -Crossing Waibaidu Bridge / In the Summer Palace / Lapse at Innisfallen Maggie Butt -Stabiliser Siobhan Campbell
    [Show full text]
  • Magazine a REVIEW of the ARTS in LAOIS, LONGFORD, OFFALY and WESTMEATH SPRING/SUMMER 2016 • ISSUE 25
    Issue 25 Midland Arts v3:Layout 1 7/3/16 09:46 Page 37 Midlands andCulture ArtsMagazine A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH SPRING/SUMMER 2016 • ISSUE 25 THE WRITTEN WORD MUSIC & DANCE THEATRE & FILM VISUAL ARTS FREE Issue 25 Midland Arts v3:Layout 1 7/3/16 09:27 Page 2 MidlandsArts andCultureMagazine Easter Camps in Laois ...........................................Page 2 Down Windmill Lane ..............................................Page 3 1916 at Dunamaise EASTER Longford Expressions.............................................Page 4 Book Launch Dunamaise ART CAMPS Westmeath 1916 • Industrial to Musical ............Page 5 Laois Youth Theatre • Longford Community TV...Page 6 presented by Faithful Rising.........................................................Page 7 Laois Arts Office A Word from Filmaker Calvin ......................................................Page 8 the Editor Sing Fest – the Choral Countdown Looking for some creative It’s been a dark, damp winter but Brave Giants • Music Generation Laois...............Page 9 finally there is a glimmer of light. The Caper Trail • Bealtaine/Culture Night 2016 .....Page 10 fun for children and young dawns are brighter and as they say High Street Move • Bressie’s Lust for Life ........Page 11 people over the Easter “there is a stretch in the evenings” … it is also a time to consider outdoor Ray Murphy ..........................................................Page 12 break…Places are filling activities and getting out and about Backstage returns to the All Ireland circuit .................13 up fast and enjoying all there is to see and John Ennis Midlandia experience in the midlands. Tullamore Academy Choir ..................................Page 14 Arts and Craft for Ages 6-9years. Artist, In this month’s issue our regular Paul Gurney • A Nation’s Voice Wendy Wright will host fun, creative contributor Manchán Magan waxes Luan Kingerlee.....................................................Page 15 arts and craft workshops.
    [Show full text]
  • Contents Poetry Ireland Review
    Contents Poetry Ireland Review 112 John F Deane 5 editorial Pádraig J Daly 8 incarnation 11 blinded 12 passover 12 prayer in age Maitreyabandhu 13 the garden 14 visitation 15 homecoming Pauline Stainer 16 long friday Neil Curry 17 kingfisher Christian Wiman 18 the preacher addresses the seminarians Thomas Kinsella 20 too direct for this world Gerard Smyth 21 old news 22 proxies 23 in the supper room Gillian Clarke 24 the carpenter’s boy Eva Bourke 25 piet à 27 sister hildegard at 98 considers her life 28 jesus in mayo Enda McDonagh 29 essay: jesus and poetry Gwyneth Lewis 39 fruit Thomas McCarthy 40 it was not our fault Steve Ely 41 dismas the good thief Fred Marchant 42 beit sahur 43 a day later 44 paraskevi 45 sixty-six Harry Clifton 46 a vision of hokkaido in the rain Wendell Berry 48 from a timbered choir John Burnside 49 officium George Kalogeris 50 iconostasis 51 athanassios Andrew Lansdown 53 sehnsucht 54 measure 54 path 55 man of sorrows John Ennis 56 going back for all i’d on Daniel Tobin 60 mount of olives Sujata Bhatt 62 florence 64 VIRIDITAS : hildegard and jesus John Poch 68 good god 69 mine Gillian Allnutt 70 ignominy 70 to god my god 71 ‘it is snowing’ 72 ‘as it were hunger’ Mark Patrick Hederman 73 essay: bees of the invisible James Harpur 83 the white silhouette Robert Cording 87 advent stanzas Paul Murray 92 o merciful one Michael Longley 93 piet à 93 carol Ian Parks 94 lazarus Ruth Padel 95 from seven words and an earthquake John O’Donnell 102 the storm Dragan Dragojlovi c´ 103 father 104 mother 105 a distant voice Conor McDonough 106 essay: ‘our gaze is submarine’ Paul Perry 111 jesus as a young hungarian deaf woman ..
    [Show full text]
  • CIPF 2013 PDF.Pdf
    Welcome The Munster Literature Centre/Ionad Litríochta an Deiscirt has been hosting spring literary festivals in Cork since the mid nineties. Last year in recognition of the central position of poetry in Cork’s contemporary literary life we decided to make the festival exclusively poetry. But we don’t feature just Cork poets. Every year we invite brilliant bards from across the globe. English is the dominant language of the festival: we always present a strong showing of poets from these islands and the Americas, but we also feature poets working in Irish and many European languages, including, this year, Estonian, Maltese, Slovenian, Swedish and Welsh. The European dimension to this festival is especially important in 2013 as it coincides with Ireland’s assumption of the European Presidency. The months of January to June will see Ireland proudly celebrating its integral place at the heart of European civilisation, politically and culturally. Special events will happen throughout Ireland featuring European writers and artists and throughout Europe involving Irish writers and artists. The Munster Literature Centre/Ionad Litríochta an Deiscirt and the Cork Spring Poetry Festival is proud to be a part of these celebrations. Cork is a picturesque city of hills and waterways, grand Georgian parades and characterful 17th century alleyways leading off streets which twist and turn to fit in with the topography. Restaurants with international reputations serve the best of local produce, and a proliferation of traditional pubs boast of the best in live music. Come to Cork to experience all this and the Cork Spring Poetry Festival. You’ll get a huge welcome.
    [Show full text]
  • Introduction María Graciela Eliggi Citation: M.G
    Firenze University Press https://oajournals.fupress.net/index.php/bsfm-sijis Introduction María Graciela Eliggi Citation: M.G. Eliggi (2021) Introduction. Sijis 11: pp. 21-31. National University of La Pampa (<[email protected]>) doi: 10.13128/SIJIS-2239- 3978-12870 Copyright: © 2021 M.G. Eliggi. This is an open access, peer-re- Ireland and Latin America whether on a mythical or real viewed article published by basis have had a long connection. Was San Brendan the fi rst Firenze University Press (https:// to arrive on Mexican shores? Was the encounter between Irish oajournals.fupress.net/index.php/ travellers and Latin American peoples produced later? As I started bsfm-sijis) and distributed under the terms of the Creative Com- reading more about the origin of this connection and how it mons Attribution License, which evolved along time I could confi rm that what had happened and permits unrestricted use, distri- how it happened constituted an amazing network. A network bution, and reproduction in any that had been “woven” by diff erent kinds of “threads” or actors medium, provided the original author and source are credited. which gave rise to the interconnected group of people that both in Ireland looks to Latin America and vice versa. And all this Data Availability Statement: went on for several centuries and continues even today. Th e All relevant data are within the paper and its Supporting Infor- fl ow of people and information, their history, their languages mation fi les. and literatures, their local arts, saw periods of greater and lesser exchange but what is undeniable is that those links remained Competing Interests: The unbroken until the present.
    [Show full text]
  • WILLIAM BUTLER YEATS and ME
    WILLIAM BUTLER YEATS and ME by Marian Seyedi A Thesis Submitted in Fulfillment of the Requirements for the Degree of M.A. (Research) in Creative Writing at Waterford Institute of Technology Supervisor: Janice Fitzpatrick Simmons May 30, 2008 MA Thesis – Marian Seyedi Dedicated to my brother Edward and to the memory of my parents. MA Thesis – Marian Seyedi Acknowledgements I thank Ms Janice Fitzpatrick-Simmons, Course Director, Facilitator Extraordinaire, and co-founder of The Poet’s House; Dr. Greagoir O’Duill, Lecturer. Dr. John Ennis, Head of School of Humanities, WIT; They made the whole process a great learning experience for me. I thank those who participated in the Creative Writing sessions for their insight into my work, generosity of spirit, and unfailing encouragement. They are: Eamon Breathnach, John Doorty, Garrett FitzGerald, Alan Garvey, Rory Johnston, Rita Kelly, Emanuel Ogbeni, Sam Thomas. I thank Margaret O’Meara, my “anam cara” who held my hand throughout. I thank The Limerick City Council who administered the Higher Education Grant. I thank the staff at The Limerick City Library for their patience, kindness, and efficiency. Seyedi 1 TABLE OF CONTENTS NOTES 3 POEMS 4 - 44 Foxy 4 The Return 5 Holy Night 6 The Road to the Retreat 7 The Shape of the Wound 8 Hungry for Jamaica 9 Sacred Places 10 No Poem 11 On Calle Fuencarral 12 The Magdalen Laundry Chimney Speaks 13 Cinerama 14 Messy Verse 15 Ronnie 16 Drought 17 Villanelle for a Sufi Master 18 Fault Line 19 Dance 20 Art and All That Jazz 21 Because This is how Poems are
    [Show full text]
  • An Chomhairle Ealaion 1985.Pdf
    An Chomhairle Ealaíon An Ceathrú Tuarascáil Bhliantiúl is Tríocha maille le cuntais don bhliain dár chrioch 31ú Nollag 1985. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 (3) agus 7 (1) den Acht Ealaíon 1951. Thirty-fourth Annual Report and Accounts for the year ended 31st December 1985. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 (3) and 7 (1) of the Arts Act, 1951. ISBN 0 906627 12 5 ISSN 0790-1593 Members Máirtín McCullough, Chairman John Banville Vivienne Bogan Breandán Breathnach (died November 1985) David Byers Patrick Dawson Máire de Paor Bríd Dukes Vincent Ferguson Mairéad Furlong Garry Hynes Barry McGovern Rosemarie Mulcahy (from August 1986) Tom Munnelly (from February 1986) Patrick J. Murphy Eilís O'Connell (until June 1986) Seán Ó Mordha Michael Smith Michael Taylor (December 1986) Staff Director Adrian Munnelly Officers: Literature, Arts Centres and Festivals, Community Arts Laurence Cassidy Visual Arts Medb Ruane Visual Arts/Exhibitions and Film John Hunt Drama and Personnel Phelim Donlon (from March 1985) Drama and Dance Arthur Lappin (until March 1985) Music and Opera Patricia Quinn Traditional Arts and Administration Dermot McLaughlin (from July 1986) Regions, Research, Information Marian Fitzgibbon (from June 1985) Education and Dance Martin Drury Finance David McConnell Executive Assistants Nuala Donnelly Kevin Healy Nuala O'Byrne Bernadette O'Leary Secretarial Assistants Suzanne Quinn Patricia Moore Jennifer Traynor Mary Cloake Mary Hickey Paula Harold Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2. Telephone: (01) 611840 (December 1986) An Chomhairle Ealaíon An Chomhairle Ealaíon/The Arts Council is an independent body set up under the Arts Acts 1951 and 1973 to promote and assist the arts.
    [Show full text]