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Contents Poetry Ireland Review 112 John F Deane 5 editorial Pádraig J Daly 8 incarnation 11 blinded 12 passover 12 prayer in age Maitreyabandhu 13 the garden 14 visitation 15 homecoming Pauline Stainer 16 long friday Neil Curry 17 kingfisher Christian Wiman 18 the preacher addresses the seminarians Thomas Kinsella 20 too direct for this world Gerard Smyth 21 old news 22 proxies 23 in the supper room Gillian Clarke 24 the carpenter’s boy Eva Bourke 25 piet à 27 sister hildegard at 98 considers her life 28 jesus in mayo Enda McDonagh 29 essay: jesus and poetry Gwyneth Lewis 39 fruit Thomas McCarthy 40 it was not our fault Steve Ely 41 dismas the good thief Fred Marchant 42 beit sahur 43 a day later 44 paraskevi 45 sixty-six Harry Clifton 46 a vision of hokkaido in the rain Wendell Berry 48 from a timbered choir John Burnside 49 officium George Kalogeris 50 iconostasis 51 athanassios Andrew Lansdown 53 sehnsucht 54 measure 54 path 55 man of sorrows John Ennis 56 going back for all i’d on Daniel Tobin 60 mount of olives Sujata Bhatt 62 florence 64 VIRIDITAS : hildegard and jesus John Poch 68 good god 69 mine Gillian Allnutt 70 ignominy 70 to god my god 71 ‘it is snowing’ 72 ‘as it were hunger’ Mark Patrick Hederman 73 essay: bees of the invisible James Harpur 83 the white silhouette Robert Cording 87 advent stanzas Paul Murray 92 o merciful one Michael Longley 93 piet à 93 carol Ian Parks 94 lazarus Ruth Padel 95 from seven words and an earthquake John O’Donnell 102 the storm Dragan Dragojlovi c´ 103 father 104 mother 105 a distant voice Conor McDonough 106 essay: ‘our gaze is submarine’ Paul Perry 111 jesus as a young hungarian deaf woman ... Ned Balbo 112 dead man walking William Wenthe 114 a lesser story Paddy Bushe 116 to jesus on the cross Philip McDonagh 117 the mockery 118 de-constructing silence 119 renunciation 120 horn and ivory 121 the choice of medium Seamus Heaney 122 the latecomers Eiléan Ní Chuilleanáin 123 teaching daily in the temple Mark Jarman 12 5 the teachable moment Rowan Williams 128 stations of the gospel David Harsent 132 trickster christ Sinéad Morrissey 134 the second coming of christ Armand Garnet Ruffo 136 indian jesus christ, 1974 Andrew Hudgins 137 one easter Penelope Shuttle 139 hour’s ghost 140 hourglasses in the church at jukkasj a¨rvi Patricia McCarthy 142 brides of christ Michael Augustin 144 zu dritt/threesome/tríonóidín Wendy Cope 146 a poem about jesus Murray Bodo 147 white birch Colum McCann 148 essay: name and nature ... Michael Glover 150 the birth 151 this man 152 in the immediate aftermath 153 carelessly careful 154 the decision 155 jesus is lord 156 depending Vincent Woods 157 about his business Tim Liardet 158 self-portrait with shroud and radiation ghost Fiona Sampson 159 the four-limbed cross Nate Klug 162 mary magdalene Dennis O’Driscoll 163 update Notes on Contributors 165.

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Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism.
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Table of Contents (Pdf)
Contents Poetry Ireland Review 123 Eavan Boland 5 editorial Nan Cohen 7 a liking for clocks Eamon McGuinness 8 a gift Afric McGlinchey 9 in an instant of refraction and shadow Mara Bergman 10 the night we were dylan thomas Joseph Horgan 11 art history of emigration Maria Johnston 12 review: michael longley, john montague Harry Clifton 17 thérèse and the jug Simon West 18 on a trip to van diemen’s land Maresa Sheehan 20 our last day Niamh Boyce 21 hans ardently collects patients’ art work Alan Titley 22 maolra seoighe Proinsias Ó Drisceoil 23 review: biddy jenkinson, aifric mac aodha John D Kelly 27 the red glove Eva Bourke 28 small railway stations Catherine Phil MacCarthy 29 legacies of empire Richard W Halperin 30 the beach, malahide Matt Kirkham 31 kurt responds to adele’s call to remove a spider from the bathtub Susan Lindsay 32 when they’ve grown another me Jaki McCarrick 34 review: pete mullineaux, noel duffy, patrick moran Stav Poleg 39 listen, you have to read in a foreign language Noel Monahan 40 two women at a window Stephen Spratt 41 subjectivity AB Jackson 42 the mermayd Cathi Weldon 43 in the key of alzheimer’s John F Deane 44 old bones June Wentland 46 ‘their whiteness bears no relation to laundry ...’ Louis Mulcahy 47 potadóireacht na caolóige Harry Clifton 48 review: michael o’loughlin Matt Bryden 52 the lookout Orla Martin 53 the poets Catullus 54 ‘if you’re lucky you’ll dine well’ John Sewell 55 being alive Tess Adams 56 i hate my stinking therapist Patrick Holloway 57 barrage Eleanor Rees 58 st.
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The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England .
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Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R.
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Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis „Das Moor als dialogischer Moment in der Dichtung von Ted Hughes und Seamus Heaney“ verfasst von / submitted by Gabriella Olivia Violette Attems, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 870 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Vergleichende Literaturwissenschaft degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Norbert Bachleitner MOORS Are a stage for the performance of heaven Any audience is incidental. Ted Hughes Remains of Elmet It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. Seamus Heaney North Meinen Eltern Dr. Manfred Attems und Chantal Andries, meinem Bruder Dr. Maximilian Attems und meinem Sohn Cian Attems Clendennen gewidmet. Besonderer Dank gebührt Univ.-Prof. Dr. Norbert Bachleitner für die Betreuung dieser Arbeit sowie für die Förderung meiner spezifischen Interessen während des Studiums. Für Ansätze, die mitunter zu dieser Arbeit führten, danke ich Univ.-Prof. Dr. Werner Huber und Univ.- Prof. Dr. Christine Ivanovic. Für Hilfestellungen zu meinem Forschungsgebiet danke ich Doz. Dr. Walter Wagner. Inhalt Liste der verwendeten Siglen.....................................................................................................................1
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THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
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Images and Perceptions of South America, Central America and the Caribbean in Irish Culture
specializes in “Formes et Représentations en Littérature”. Teacher in a high school in La Rochelle and temporary lecturer at the university of La Rochelle Estelle Epinoux is currently working on Irish cinema, with a particular interest in aesthetics, history, identity, diaspora, space, territory, and transnationalism. Her most recent publications include: Estelle Epinoux, Frank Healy, Post-Celtic Tiger Ireland: Exploring new Cultural Spaces, Cambridge Scholars Publishing, 2016; Magalie-Flores-Lonjou, Estelle Epinoux, La famille au cinéma: regards juridiques et esthétiques, Mare Martin, 2016; Estelle Epinoux, Nathalie Martinière Rewriting in the 20th WORKSHOP –21st Centuries: Aesthetic Choice or Political Act?, Michel Houdiard, 2014. She has also contributed to collective volumes, including “Le long cheminement de la rédemption en Bosnie Herzégovine” in Le silence et la parole au lendemain des guerres yougoslaves, (2015) and “Irish Cinema and Europe throughout the Twentieth Century: An Overview” in, Contemporary Irish Cinema (2011), among others. Lecturer at the Department of English Studies in the Faculty of Arts at the University of Limoges, France. Images and Perceptions Frank Healy: For many years his research was focused on the molecular basis of identity and he published extensively in this field. More recently, he has been working on the Irish diaspora in Scotland, and is involved in a project looking at soccer and nationalism. He is also involved in a research project examining the work of the contemporary Northern Irish playwright of South America, Owen McCafferty. He co-translated into French one of his plays, Mojo Mickybo (1998), which was premièred in French at the University of Tours in March 2012 and has been performed in various cities in France since then.
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Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p.
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MICHAEL S. BEGNAL [email protected]
MICHAEL S. BEGNAL [email protected] EDUCATION M.F.A., North Carolina State University, Raleigh, NC English, Creative Writing – Poetry. Thesis: “Red Horse.” John Balaban, Director. B.A., Pennsylvania State University, University Park, PA English Literature. TEACHING POSITIONS HELD Assistant Teaching Professor (Full-Time), Department of English, Ball State University, Muncie, IN August 2015-Present. Creative writing and first-year writing. Instructor (Full-Time), Department of English, Duquesne University, Pittsburgh, PA August 2013-May 2015. Creative writing, literature, and first-year writing. Instructor (Part-Time), Department of English, Duquesne University, Pittsburgh, PA August 2009-May 2013. Creative writing and first-year writing. Instructor (Part-Time), Department of English, Wake Technical Community College, Raleigh, NC August 2008-May 2009. First-year writing. Graduate Teaching Assistant, Department of English, NC State University, Raleigh, NC August 2006-May 2008. Creative writing. PUBLICATIONS Poetry Collections Future Blues. Cliffs of Moher, Ireland: Salmon Poetry, 2012. 86 pages. Print. Ancestor Worship. Cliffs of Moher, Ireland: Salmon Poetry, 2007. 70 pages. Print. Chapbooks The Muddy Banks. Syracuse, NY: Ghost City Press, 2016. 30 pages. Print. Mercury, the Dime. Pittsburgh: Six Gallery Press, 2005. 46 pages. Print. As Editor Honeysuckle, Honeyjuice: A Tribute to James Liddy. Ed. Michael S. Begnal. Galway, Ireland: Arlen House, 2006. 144 pages. Print. The Burning Bush literary magazine. Spring 1999 to Spring 2004. Eleven issues published. Print. Refereed Articles “‘Bullets for Hands’: Witter Bynner, Arthur Davison Ficke, and the Spectra Poems of World War I.” Twentieth- Century Literature. Accepted. Expected publication in 2018. “Modernist Mythologies: The Turquoise Trail Anthology and the Poets of Santa Fe.” Western American Literature.
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Jefferson Holdridge Cv
JEFFERSON HOLDRIDGE English Dept. Wake Forest University P.O. Box 7387 Reynolda Station Winston-Salem, NC, 27109-7387 Ph: 336-758-3365 email: [email protected] EDUCATION University College Dublin, Dublin, Ireland (1991-97). Ph.D. in Anglo-Irish Literature (supervisor, Prof. Declan Kiberd; external examiner, Prof. Terence Brown). Thesis on Yeats, the beautiful and the sublime, entitled Those Mingled Seas. University College Dublin, Dublin, Ireland (1986-1988). M.A. in Anglo-Irish Literature. 1st class honors (supervisor, Prof. Augustine Martin; external examiner, Prof. A. N. Jeffares). Thesis on Irish and English literature of the 1890s entitled Prayers Out of the Canon. San Francisco State University, San Francisco, CA (1979-1983). B.A. in English. Also concentrated on Greek and Roman mythology and literature. School of Irish Studies, Dublin, Ireland (1981-1982). Undergraduate study of the history, language, folklore and literature of Ireland. TEACHING AND RESEARCH EXPERIENCE Wake Forest University, Winston-Salem, North Carolina (2002-present). Associate Professor of English and Director of Wake Forest University Press. Duties include teaching undergraduate and graduate courses on Irish literature from the 18th century to the contemporary periods, teaching intensive writing courses, introduction to literature surveys, and first-year seminars, as well as supervising WFU Press. General duties as Director of Wake Forest University Press: editing, acquisitions and management. University College Dublin, Dublin, Ireland (1997-2000). Faculty of Arts Fellow in Department of Modern English. Lectured on Modernism/Postmodernism and on 18th-century to contemporary Anglo-Irish literature, ran seminars for postgraduates, taught 3rd-year tutorials, and supervised M.A. theses in Anglo-Irish literature.
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Ecocriticism & Irish Poetry a Preliminary Outline
Estudios Irlandeses , Number 6, 2011, pp. 54-69 __________________________________________________________________________________________ AEDEI Ecocriticism & Irish Poetry A Preliminary Outline James Mc Elroy The University of California, Davis Copyright (c) 2011 by James Mc Elroy. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This article offers a brief thumbnail sketch of how Irish poetry has situated “nature” inside its competing narrative forms. Beginning with Irish poetry’s earliest lyrics and concluding with some of Ireland’s most recent, and most experimental, writers, the goal of the piece is to introduce some rudimentary eco-critical theory as a means of better understanding how nature acts as a complex cultural and political semiotic, so often overlooked, in Irish literature. En route, the article examines and in part deconstructs those critical categories that have often divided Irish literature into two distinct ecological camps: the picturesque (read colonialist/tourist) and the oral (read native/indigenous). The article also considers the importance of ecofeminist theory and asks how critics might better read Ireland’s women poets as nature poets in their own right. In closing, the piece turns its attention to a number of recent poets, both men and women, who have exceeded the picturesque/oral divide and now require eco-alternative readings of nature as we enter the second decade of the 21st Century. Key Words. Nature, ecocriticism, picturesque, oral, ecofeminisim Resumen. El artículo ofrece una breve reseña de cómo la poesía irlandesa ha situado a la ‘naturaleza” en el centro de sus variadas formas narrativas.
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Download Annual Report 1977
An Chomhairle Ealaíon An Séú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1977. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-Sixth Annual Report and Accounts for the year ended 31st December 1977. Presented to the Government and laid before each House of the Oireachtas pursuant to Section 6 [3] and 7 [1] of the Arts Act, 1951. Front Cover: Multiple image of a sculpture ceramic, by Pat Connor, purchased by the Council An Chomhairle Ealaíon was set up by the Arts Acts 1951 and 1973 and consists of a chairman and not more than sixteen other members appointed by the Taoiseach. The present Council was appointed on 31st December 1973 and its term of office expires in 1978. The principal role of' the Council is to stimulate public interest in the arts; to promote the knowledge, appreciation and practice of the arts; and to assist in improving the standards of the arts. The Council also acts as an adviser on artistic matters to the Government and Government Departments and is one of the four bodies which have a statutory duty to make representations to local authorities in connection with applications for planning permission in areas of special amenity throughout the country. The Council receives an annual grant-in-aid from the Oireachtas. In the Arts Acts, the expression 'the arts' means painting, sculpture, architecture, music, drama, cinema, literature, design in industry, and the fine arts and applied arts generally.
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