BIBLIOGRAPHY AND CRITICISM

EILÉAN NÍ CHUILLEANÁIN

Volumes of Poetry

Acts and Monuments. Dublin: The Gallery Press, 1972.

Site of Ambush. Dublin: The Gallery Press, 1975.

The Second Voyage. Winston-Salem, NC: Wake Forest University Press; Dublin: The Gallery Press, 1977. 2nd edition, Dublin: The Gallery Press, 1986; Winston-Salem, NC: Wake Forest University Press, 1989.

Cork. Dublin: The Gallery Press, 1977.

The Rose-Geranium. Oldcastle, Co. Meath: The Gallery Press, 1981.

The Magdalene Sermon. Oldcastle, Co. Meath: The Gallery Press, 1989.

The Magdalene Sermon and Other Poems. Winston-Salem, NC: Wake Forest University Press, 1991.

The Brazen Serpent. Oldcastle, Co. Meath: The Gallery Press, 1994; Winston-Salem, N.C.: Wake Forest University Press, 1995.

The Girl Who Married the Reindeer. Oldcastle, Co. Meath: The Gallery Press, 2001; Winston- Salem, NC: Wake Forest University Press, 2002.

Selected Poems. Oldcastle, Co. Meath: The Gallery Press, 2008; London: Faber, 2009; Winston- Salem, NC: Wake Forest University Press, 2009.

The Sun-fish. Oldcastle, Co. Meath: The Gallery Press, 2009; Winston-Salem, NC: Wake Forest University Press, 2010.

Other Works

“Woman as Writer: The Social Matrix.” Crane Bag 4.1 (1980): 101–5.

“Introduction.”In Eiléan Ní Chuilleanáin, ed. Irish Women: Image and Achievement. Dublin: Arlen House, 1985. 1–11.

“Women As Writers: Dánta Grá to Maria Edgeworth.” In Eiléan Ní Chuilleanáin, ed. Irish Women: Image and Achievement. Dublin: Arlen House, 1985. 111–26.

“Acts and Monuments of an Unelected Nation: The Cailleach Writes about the Renaissance.” The Southern Review 31.3 (July 1995): 570–80.

The Water-Horse: Poems in Irish by Nuala Ní Dhomnaill. Translated by Medbh McGuckian and Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC: Wake Forest University Press, 2004.

Ranchetti, Michele. Verbale. Translated by Eiléan Ní Chuilleanáin and others. Dublin: Instituto Italiano di Cultura, 2005.

Malancioiu, Ileana. After the Raising of Lazarus. Translated by Eiléan Ní Chuilleanáin. Cork: Southword Editions, 2005.

Interviews

Consalvo, Deborah McWilliams. “An Interview with Eiléan Ní Chuilleanáin.” Irish Literary Supplement 12.1 (1993): 15–17.

Ray, Kevin. “Interview with Eiléan Ní Chuilleanáin.” Eire-Ireland 32.1–2 (1996): 62–73.

Criticism on Ní Chuilleanáin

Allen, Nicholas. “‘Each Page Lies Open to the Version of Every Other’: History in the Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 22–36.

Batten, Guinn. “‘The World Not Dead after All’: Eiléan Ní Chuilleanáin’s Work of Revival.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 1–22.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Clutterbuck, Catriona. “Good Faith in Religion and Art: The Later Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 131–156.

Coughlan, Patricia. “‘No Lasting Fruit at All’: Containing, Recognition, and Relinquishing in The Girl Who Married the Reindeer.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 157–177.

Conboy, Sheila C. “‘What You Have Seen is Beyond Speech.’ Female Journeys in the Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 16 (1990): 65–72.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Faragó, Borbála. “‘Alcove in the Wind’: Silence and Space in Eiléan Ní Chuilleanáin’s Poetry.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 68–83.

Fogarty, Anne. “Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 1–250.

Foster, John Wilson. “‘The Second Voyage’ by Eiléan Ní Chuilleanáin.” Eire-Ireland 13.4 (1978): 147–51.

Gilsenan Nordin, Irene. “‘Between the Dark Shore and the Light’: The Exilic Subject in Eiléan Ní Chuilleanáin’s The Second Voyage.” In Michael Böss, Irene Gilsenan Nordin and Britta Olinder, eds. Exile: Realities and Metaphors in Irish History and Literature. Århus: Dolphin Press, 2005. 178–94.

___. “‘Betwixt and Between’: The Body as Liminal Threshold in the Poetry of Eiléan Ní Chuilleanáin.” In Irene Gilsenan Nordin, ed. The Body and Desire in Contemporary Irish Poetry. Dublin and Portland, OR: Irish Academic Press, 2006. 226–43.

___. “Like a Shadow in Water’: Phenomenology and Poetics in the Work of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 98–114.

Grennan, Eamon. “Real Things.” Poetry Ireland Review 46 (Summer 1995): 44–52.

Haberstroh, Patricia Boyle. “Eiléan Ní Chuilleanáin.” Women Creating Women. Syracuse: Syracuse University Press, 1996. 93–120.

___. “The Architectural Metaphor in the Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 84–97.

Holdridge, Jefferson. “‘A Snake Pouring over the Ground’: Nature and the Sacred in Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 115–30.

Johnston, Dillon. “‘Hundred-Pocketed Time’: Ní Chuilleanáin’s Baroque Spaces.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 53–67.

___. “‘Our Bodies’ Eyes and Writing Hands’: Secrecy and Sensuality in Ní Chuilleanáin’s Baroque Art.” In Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern Ireland. Amherst: University of Massachusetts Press, 1997. 187–211.

Kerrigan, John. “Hidden Ireland: Eiléan Ní Chuilleanáin and Munster Poetry.” Critical Quarterly 40.4 (Winter 1998): 76–100.

McCarthy, Thomas. “‘We Could Be in Any City’: Eiléan Ní Chuilleanáin and Cork.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 230–43.

Meaney, Geraldine. “History Gasps: Myth in Contemporary Irish Women’s Poetry.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 99–113.

O'Malley, Aidan. “Praeterito: (Non-)Possession and the Translational Impulse in Ní Chuilleanáin’s Work.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 178–96.

Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96.

Sirr, Peter. “‘How Things Begin to Happen’: Notes on Eiléan Ní Chuilleanáin and Medbh McGuckian.” The Southern Review 31.3 (Summer 1995): 450–67.

EAVAN BOLAND

Volumes of Poetry

New Territory. Dublin: Allen, Figgis & Co., 1967.

The War Horse. Dublin: Arlen House; London: Victor Gollancz, 1975.

In Her Own Image. Dublin: Arlen House, 1980.

Introducing Eavan Boland: Poems. Princeton: The Ontario Review Press, 1981.

Night Feed. Dublin: Arlen House; London and Boston: Marion Boyars, 1982; Manchester: Carcanet Press, 1994.

The Journey and Other Poems. Dublin: Arlen House, 1986; Manchester: Carcanet, 1987.

Selected Poems. Manchester: Carcanet Press; Dublin: Arlen House, 1989.

Outside History. Manchester: Carcanet Press, 1990.

Outside History: Selected Poems 1980–1990. New York: Norton, 1990.

In a Time of Violence. Manchester: Carcanet; New York: Norton, 1994.

An Origin Like Water: Collected Poems 1967–1987. New York and London: Norton, 1997.

The Lost Land. New York and London: Norton, 1998.

Against Love Poetry. New York: Norton, 2001.

Code. Manchester: Carcanet Press, 2001.

New Collected Poems. Manchester: Carcanet Press, 2005.

Domestic Violence. Manchester: Carcanet Press, 2007; New York: Norton, 2007.

Other Works

“The Woman Poet: Her Dilemma.” Midland Review 3 (1986): 40–47. Also in Krino (Spring, 1986); Stand Magazine (Winter 1986–87): 43–49; and American Poetry Review 16.1 (Jan./Feb. 1987): 17–20.

“An Un-Romantic American.” Parnassus: Poetry in Review 14.2 (1988): 73–92.

“The Woman Poet in a National Tradition.” Studies 76: 148–158. Also published as “A Kind of Scar: The Woman Poet in a National Tradition.” Dublin: Attic LIP Pamphlet, 1989.

“Outside History.” American Poetry Review 19.2 (March/April 1990): 32–38.

“The Woman, The Place, The Poet.” Georgia Review 44.1–2 (1990): 97–109.

“In Defense of Workshops.” Poetry Ireland Review 31 (1991): 40–48.

“Writing in the Margin.” Irish Times 18 April 1992: 12.

“Writing the Political Poem in Ireland.” The Southern Review (July 1995): 485–98.

Object Lessons: The Life of the Woman and the Poet in Our Time. New York and London: Norton, 1995.

“New Wave 2: Born in the ’50’s; Irish Poets of the Global Village.” In Theo Dorgan, ed. Irish Poets since Kavanagh. Blackrock, Co. Dublin: Four Courts Press, 1996.

“Daughters of Colony.” Eire-Ireland, 32.2–3 (1997): 7–20.

The Making of a Poem: A Norton Anthology of Poetic Forms. Eavan Boland and Mark Strand, eds. New York: Norton, 2000.

Three Irish Poets: An Anthology: Eavan Boland, Paula Meehan, Mary O’Malley. Eavan Boland, ed. Manchester: Carcanet Press, 2003.

After Every War: Twentieth-Century Women Poets. Translated by Eavan Boland. Princeton, NJ: Princeton UP, 2004.

Irish Writers on Writing. Eavan Boland, ed. San Antonio, TX: Trinity University Press, 2007.

The Making of a Sonnet: A Norton Anthology. Eavan Boland and Edward Hirsch, eds. New York: Norton, 2008.

Interviews

Consalvo, Deborah McWilliams. “An Interview with Eavan Boland.” Studies: An Irish Quarterly Review 181.321 (Spring 1992): 89–100.

O’Connell, Patty. “Eavan Boland: An Interview.” Poets & Writers (November–December 1994): 32–45.

Reizbaum, Marilyn. “An Interview with Eavan Boland.” Contemporary Literature 30.4 (1989): 470–90.

Tall, Deborah. “Q&A with Eavan Boland.” Irish Literary Supplement 7.2 (1988): 39–40.

Wright, Nancy Means and Dennis Hannan. “Q&A with Eavan Boland.” Irish Literary Supplement (Spring 1991): 10–11.

Criticism on Boland

Allen Randolph, Jody, ed. Eavan Boland: A Critical Companion. New York: W.W. Norton & Co., 2008.

___. “Eavan Boland.” In Bill McCormack, ed. Blackwell Companion to Modern Irish Culture. Oxford: Blackwell, 2001.

___. “Écriture Feminine and the Authorship of Self in Eavan Boland’s In Her Own Image.” Colby Quarterly 27.1 (March 1991): 48–59.

___. “Finding a Voice where She Found a Vision.” PN Review 2.1 (September–October 1994): 13–17.

___. “Private Worlds, Public Realities: Eavan Boland’s Poetry, 1967–1990.” Irish University Review 23.1 (1993): 5–22.

___ and Anthony Roche. “Eavan Boland—Special Issue.” Irish University Review 23.1 (1993).

Atfield, Rose. “Postcolonialism in the Poetry and Essays of Eavan Boland.” A Cultural Review 8.2 (Spring 1997): 168–82.

Auge, Andrew J. “Fracture and Wound: Eavan Boland’s Poetry of Nationality.” New Hibernia Review 8.2 (2004): 121–41.

Balinisteanu, Tudor. “The Persephone Figure in Eavan Boland’s ‘The Pomegranate’ and Liz Lochhead’s ‘Lucy’s Diary.’” In V.G. Julie Rajan and Sanja Bahun-Radunović, eds. From Word to Canvas: Appropriations of Myth in Women’s Aesthetic Production. New Castle upon Tyne: Cambridge Scholars, 2009. 23–49.

Batten, Guinn. “‘Time Feels Unclocked’: Romantic History, Gender, and a Poetics of Hysteria in Recent Irish Poetry.” Bucknell Review 45.2 (2002): 29–50.

Belanguer, Jacquelin. “‘The Laws of Metaphor’: Reading Eavan Boland’s Anorexic in an Irish Context.” Colby Quarterly 36.3 (2000): 242–51.

Böss, Michael. “The Naming of Loss and Love: Eavan Boland’s Lost Land.” Nordic Irish Studies 3.1 (2004): 127–35.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Brown, Susan. “A Victorian Sappho: Agency, Identity and the Politics of Poetics.” ESC 20.2 (June 1994): 205–25.

Burns, Christy L. “Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s Poetry.” Tulsa Studies in Women’s Literature 20.2 (2001): 217–36.

Cannon, M. Louise. “The Extraordinary Within the Ordinary: The Poetry of Eavan Boland and Nuala Ní Dhomhnaill.” South Atlantic Review 60.2: 31–46.

Clutterbuck, Catriona. “Eavan Boland and the Politics of Authority in Irish Poetry.” Yearbook of English Studies 35 (2005): 72–90.

___. “Irish Critical Responses to Self-Representation in Eavan Boland, 1987–1995.” Colby Quarterly 35.4 (1999): 275–87.

Conboy, Sheila C. “Eavan Boland’s Topography of Displacement.” Eire-Ireland 29.3 (1994): 137–46.

___. “‘What You Have Seen is Beyond Speech.’ Female Journeys in the Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 16 (1990): 65–72.

Consalvo, Deborah. “In Common Usage: Eavan Boland’s Poetic Voice.” Eire-Ireland 28 (Summer 1993): 100–15.

Craps, Stef. “‘Only Not Beyond Love’: Testimony, Subalternity, and the Famine in the Poetry of Eavan Boland.” Neophilologus 94.1 (2010): 165–76.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Denman, Peter. “Ways of Saying: Boland, Carson, McGuckian.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 158–73.

Haberstroh, Patricia Boyle. “Eavan Boland.” Women Creating Women. Syracuse: Syracuse University Press, 1996. 59–90.

___. “Woman, Artist and Image in Night Feed.” Irish University Review 23.1 (1993): 67–94.

Hagen, Patricia L. and Thomas W. Zelman. “‘We Were Never on the Scene of the Crime’: Eavan Boland’s Repossession of History.” Twentieth Century Literature 37.4 (Winter 1991): 442–52.

Hardy, Molly O’Hagan. “Symbolic Power: Mary Robinson’s Presidency and Eavan Boland’s Poetry.” New Hibernia Review 12.3 (2008): 47–65.

Heuving, Jeanne. “Poetry in Our Political Lives.” Contemporary Literature 37.2 (1996): 315–32.

Kelly, Sylvia. “The Silent Cage and Female Creativity in In Her Own Image.” Irish University Review 23.1 (1993): 45–56.

Kilcoyne, Catherine. “Eavan Boland and Strategic Memory.” Nordic Irish Studies 6 (2007): 89– 102.

Lojo-Rodríguez, Laura M. “At the Heart of Maternal Darkness’: Infanticidal Wish in the Poetry of Mary O’Donnell and Eavan Boland.” Nordic Irish Studies 7 (2008): 103–16.

Luftig, Victor. “‘Something Will Happen to You Who Read’: Adrienne Rich, Eavan Boland.” Irish University Review 23.1 (1993): 57–66.

Mahon, Derek. “Young Eavan and Early Boland.” Irish University Review 23.1 (1993): 23–28.

Mahon, Ellen M. “Eavan Boland’s Journey with the Muse.” In Deborah Fleming, ed. Learning the Trade: Essays on W.B. Yeats and Contemporary Poetry. West Cornwall, CT: Locust Hill, 1993. 179–94.

Matthews, Steven. “The Object Lessons of Heaney, Carson, Muldoon and Boland.” Critical Survey 15.1 (2003): 18–33.

McCallum, Shara. “Eavan Boland’s Gift: Sex, History, and Myth.” Antioch Review 62.1 (2004): 37–47.

Paddon, Seija. “The Diversity of Performance / Performance as Diversity in the Poetry of Laura (Riding) Jackson and Eavan Boland.” ES Can 22.4 (1996): 425–39.

Poloczek, Katarzyna. “Identity as Becoming: Polymorphic Female Identities in the Poetry of Boland, Meehan and Ní Dhomhnaill.” In Irene Gilsenan Nordin and Elin Holmsten, eds. Liminal Borderlands in Irish Literature and Culture. Oxford: Peter Lang, 2009. 131–50.

Raschke, Debra. “Eavan Boland’s ‘Outside History’ and ‘In a Time of Violence’: Rescuing Women, the Concrete, and Other Things Physical from the Dung Heap.” Colby Quarterly 32.2 (1996): 135–42.

Reizbaum, Marilyn. “What’s My Line: the Contemporaneity of Eavan Boland.” Irish University Review 23.1 (1993): 100–10.

Russell, Richard Rankin. “Boland’s ‘Lava Cameo.’” Explicator 60.2 (2002): 114–17.

Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96.

Shifrer, Anne. “The Fabrics and Erotics of Eavan Boland’s Poetry.” Colby Quarterly 37.4 (2001): 327–42.

Sullivan, Moynagh. “I am, Therefore, I am Not (Woman).” International Journal of English Studies 2.2 (2002): 123–34.

Villar-Argáiz, Pilar. “Recording the Unpoetic: Eavan Boland’s Silences.” Irish University Review: A Journal of Irish Studies 37.2 (2007): 472–91.

___. “Witchcraft and Evilness as Sources of Female Potential: Eavan Boland’s Representation of a New Eve in Irish Poetry.” Grove: Working Papers on English Studies 14 (2007): 129–45.

Weekes, Ann Owens. “‘An Origin like Water’: The Poetry of Eavan Boland and Modernist Critiques of Irish Literature.” Bucknell Review 38.1 (1994): 159–76.

Wheatley, David. “Changing the Story: Eavan Boland and Literary History.” Irish Review 31 (Spring-Summer 2004): 103–20.

EVA BOURKE

Volumes of Poetry

Gonella. Dublin: Dedalus Press, 1985.

Litany for the Pig. Dublin: Dedalus Press, 1989.

Spring in Henry Street Dublin: Dedalus Press, 1996.

Travels with Gandolpho. Dublin: Dedalus Press, 2000.

The Latitude of Naples. Dublin: Dedalus Press, 2005.

Other Works

Mit grüner Tinte / With Green Ink. Translated by Eva Bourke. Bamberg, Germany: Colibri Verlag, 1996.

Borchers, Elisabeth. Winter on White Paper. Translated by Eva Bourke. Dublin: Dedalus Press, 2002.

MEDBH MCGUCKIAN

Volumes of Poetry

Portrait of Joanna. Belfast: Ulsterman Publications, 1980.

Single Ladies. Budleigh Salteron: Interim, 1982.

The Flower Master and Other Poems. Oxford: Oxford University Press, 1982; Oldcastle, Co. Meath: The Gallery Press, 1982, 1993.

Venus and the Rain. Oxford: Oxford University Press, 1984; Oldcastle, Co. Meath: The Gallery Press, 1984, 1994.

On Ballycastle Beach. Oxford: Oxford University Press; Winston-Salem, NC: Wake Forest University Press, 1988; Oldcastle, Co. Meath: The Gallery Press, 1988, 1995.

___ and Nuala Archer. Two Women, Two Shores: Poems by Medbh McGuckian and Nuala Archer. Baltimore, MD: New Poets Series, 1989.

Marconi’s Cottage. Oldcastle, Co. Meath: The Gallery Press, 1991; Winston-Salem, NC: Wake Forest University Press, 1991.

Captain Lavender. Oldcastle, Co. Meath: The Gallery Press, 1994; Winston-Salem, NC: Wake Forest University Press, 1995.

Selected Poems: 1978–1994. Oldcastle, Co. Meath: The Gallery Press; Winston-Salem, NC: Wake Forest University Press, 1997.

Shelmalier. Oldcastle, Co. Meath: The Gallery Press, 1998; Winston Salem, NC: Wake Forest University Press, 1999.

Drawing Ballerinas. Oldcastle, Co. Meath: The Gallery Press, 2001.

The Face of the Earth. Oldcastle, Co. Meath: The Gallery Press, 2002.

Soldiers of the Year II. Winston-Salem, NC: Wake Forest University Press, 2002.

Had I a Thousand Lives. Oldcastle, Co. Meath: The Gallery Press, 2003.

The Book of the Angel. Oldcastle, Co. Meath: The Gallery Press, 2004; Winston-Salem, NC: Wake Forest University Press, 2004.

The Currach Requires No Harbours. Oldcastle, Co. Meath: The Gallery Press, 2006; Winston- Salem, NC: Wake Forest University Press, 2007.

My Love Has Fared Inland. Oldcastle, Co. Meath: The Gallery Press, 2008; Winston-Salem, NC: Wake Forest University Press, 2010.

Other Works

“Don’t Talk to Me about Dance.” Poetry Ireland Review 35 (1992): 98–100.

“Comhra, with a Foreward and Afterword by Laura O’Connor.” The Southern Review 31.3 (Summer 1995): 581–614.

“Home.” In Sophia H. King and Sean McMahon, eds. Hope and History: Eyewitness Accounts of Life in Twentieth-Century Ulster. Belfast: Friar’s Bush Press, 1996. 210–11.

Horsepower Pass By!: A Study of the Car in the Poetry of Seamus Heaney. Coleraine: Cranagh Press, 1999.

The Water-Horse: Poems in Irish by Nuala Ní Dhomhnaill. Translated by Medbh McGuckian and Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC: Wake Forest University Press, 2004.

Interviews

Bohman, Kimberly S. “Surfacing: An Interview with Medbh McGuckian, Belfast, 5th September, 1994.” The Irish Review 16 (Autumn/Winter 1994): 95–108.

Brandes, Rand. “A Dialogue with Medbh McGuckian.” Studies in the Literary Imagination 30.2 (1997): 37–61.

___. “An Interview with Medbh McGuckian.” The Chattahoochee Review 16.3 (Spring 1996): 56–65.

McCracken, Kathleen. “An Attitude of Compassion.” Irish Literary Supplement 9.2 (Fall 1990): 20–21.

McGrath, Niall. “The McGuckian Enigma: Interview with Medbh McGuckian.” Causeway (Summer 1994): 67–70.

Sailer, Susan Shaw. “An Interview with Medbh McGuckian.” Michigan Review 32.1 (Winter 1993): 111–27.

Criticism on McGuckian

Alcobia-Murphy, Shane, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

___. “‘Re-Reading Five, Ten Times, the Simplest Letters’: Detecting Voices in the Poetry of Medbh McGuckian.” Nordic Irish Studies 5.1 (2006): 136–47.

___. “‘That Now Historical Ground’: Memory and Atrocity in the Poetry of Medbh McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Batten, Guinn. “‘The More With Which We are Connected’: The Muse of the Minus in the Poetry of McGuckian and Kinsella.” In Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern Ireland. Amherst: University of Massachusetts Press, 1997. 212–44.

Beer, Ann. “Medbh McGuckian’s Poetry: Maternal Thinking and a Politics of Peace.” Canadian Journal of Irish Studies 18.1 (1992): 192–203.

Bendell, Molly. “Flower Logic: The Poems of Medbh McGuckian.” Antioch Review 48.3 (Summer 1990): 367–71.

Blakeman, Helen. “‘Poetry Must Almost Dismantle the Letters’: McGuckian, Mallarmé and Polysemantic Play.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Brazeau, Robert. “Troubling Language: Avant-Garde Strategies in the Poetry of Medbh McGuckian.” Mosaic: A Journal for the Interdisciplinary Study of Literature 37.2 (2004): 127– 44.

Brewster, Scott. “The Space that Cleaves: The House and Hospitality in Medbh McGuckian’s Work.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Cahill, Eileen. “‘Because I never garden’: Medbh McGuckian’s Solitary Way.” Irish University Review 24.2 (1994): 264–71.

Carville, Conor. “Warding Off an Epitaph: Had I a Thousand Lives.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Clutterbuck, Catriona. “A Gibbous Voice: The Poetics of Subjectivity in the Early Poetry of Medbh McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Denman, Peter. “Ways of Saying: Boland, Carson, McGuckian.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 158–73.

Docherty, Thomas. “Initiations, Tempers, Seductions: Postmodern McGuckian.” In Neil Corcoran, ed. The Chosen Ground: Essays on the Contemporary Poetry of Northern Ireland. Chester Springs, PA: Dufour Editions, 1992. 191–212.

Faragó, Borbála. “‘The Meeting of Two Tidal Roads’: Tradition and Identity in Medbh McGuckian’s The Face of the Earth and Eiléan Ní Chuilleanáin's The Girl Who Married the Reindeer.” Hungarian Journal of English and American Studies 10.1–2 (2004): 331–40.

___. “‘They Come Into It’: The Muses of Medbh McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Flynn, Leontia. “Re-assembling the Atom: Reading Medbh McGuckian’s Intertextual Materials.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Grey, Cecile. “Medbh McGuckian: Imagery Wrought to its Uttermost.” In Deborah Fleming, ed. Learning the Trade: Essays on W.B. Yeats and Contemporary Poetry. West Cornwall, CT: Locust Hill, 1993. 165–77.

Haberstroh, Patricia Boyle. “Medbh McGuckian.” Women Creating Women. Syracuse: Syracuse University Press, 1996. 123–58.

Hipp, Shannon. “‘Things of the Same Kind That Are Separated Only by Time’: Reading the Notebooks of Medbh McGuckian.” Irish University Review: A Journal of Irish Studies 39.1 (2009): 130–48.

Holmsten, Elin. “Signs of Encounters in Medbh McGuckian’s Poetry.” In Shane Alcobia- Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Kirkland, Richard. “Medbh McGuckian and the Politics of Minority Discourse.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Mallot, J. Edward. “Medbh McGuckian’s Poetic Tectonics.” Eire-Ireland: A Journal of Irish Studies 40.3–4 (2005): 240–55.

Mitchell, Erin C. “Slippage at the Threshold: Postmodern Hospitality in Medbh McGuckian’s Poetry.” Literature Interpretation Theory 17.2 (2006): 137–55.

Murphy, Shane. “Obliquity in the Poetry of Paul Muldoon and Medbh McGuckian.” Eire- Ireland 31.3–4 (1996): 76–101.

O’Brien, Peggy. “Reading Medbh McGuckian: Admiring What We Cannot Understand.” Colby Quarterly 37.4 (December 1992): 239–50.

O’Connor, Mary. “‘Rising Out’: Medbh McGuckian’s Destabilizing Poetics.” Eire-Ireland 30.4 (Winter 1996): 154–72.

Porter, Mary. “The Imaginative Space of Medbh McGuckian.” In Anne Brown and Maryanne Gooze, eds. International Women’s Writing: New Landscapes of Identity. Westport, CT: Greenwood, 1995. 86–101.

Porter, Susan. “‘The Imaginative Space’ of Medbh McGuckian.” Canadian Journal of Irish Studies 15.2 (1989): 93–104.

Schrage-Früh, Michaela. “Speaking as the North: Self and Place in the Early Poetry of Medbh McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

Sirr, Peter. “‘How Things Begin to Happen’: Notes on Eiléan Ní Chuilleanáin and Medbh McGuckian.” The Southern Review 31.3 (Summer 1995): 450–67.

Sullivan, Moynagh. “Dreamin’ My Dreams of You: Medbh McGuckian and the Theatre of Dreams.” Metre 17 (Spring 2005).

Thompson, Zoë Brigley. “The Life and Death of Language: A Kristevan Reading of the Poets Gwyneth Lewis and Medbh McGuckian.” Orbis Litterarum: International Review of Literary Studies 64.5 (2009): 385–412.

Wills, Clair. “Coda.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.

___. Improprieties: Politics and Sexuality in Northern Irish Poetry. Oxford: Clarendon Press, 1993.

___. “The Perfect Mother: Authority in the Poetry of Medbh McGuckian.” Text and Context 3 (Autumn 1988): 91–111.

___. “Voices from the Nursery: Medbh McGuckian’s Plantation.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 373–94.

KERRY HARDIE

Volumes of Poetry

A Furious Place. Oldcastle, Co. Meath: The Gallery Press, 1996.

Cry for the Hot Belly. Oldcastle, Co. Meath: The Gallery Press, 2000.

The Sky Didn’t Fall. Oldcastle, Co. Meath: The Gallery Press, 2003.

The Silence Came Close. Oldcastle, Co. Meath: The Gallery Press, 2006.

Only This Room. Oldcastle, Co. Meath: The Gallery Press, 2009.

Other Works

Hannie Bennet’s Winter Marriage. London: Harper Collins, 2000.

The Bird Woman. London: Harper Collins, 2006.

Criticism on Hardie

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

NUALA NÍ DHOMHNAILL

Volumes of Poetry

An Dealg Droighin. Cork: The Mercier Press, 1981.

Féar Suaithinseach. Ma Nuat (Maynooth): An Sagart, 1984.

Rogha Danta / Selected Poems. Translated by Michael Hartnett and Nuala Ní Dhomhnaill. Dublin: Raven Arts Press, 1986.

Pharaoh’s Daughter. Translated by Ciaran Carson et. al. Oldcastle, Co. Meath: The Gallery Press, 1990; Winston-Salem, NC: Wake Forest University Press, 1990.

The Astrakhan Cloak. Translated by Paul Muldoon. Oldcastle, Co. Meath: The Gallery Press, 1992; Winston-Salem, NC: Wake Forest University Press, 1993.

Cead Aighnis. An Daingean: An Sagart, 1998.

The Water Horse. Translated by Medbh McGuckian and Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC: Wake Forest University Press, 2000.

The Fifty Minute Mermaid. Oldcastle, Co. Meath: The Gallery Press, 2007.

Other Works

Jimín. Dublin: Deilt Productions, 1985. (play for children)

An Ollphiast Ghránna. Dublin: Deilt Productions, 1987. (play for children)

“Making the Millenium: Nuala Ní Dhomhnaill in Conversation with Michael Cronin.” Dublin: Graph I, 1986.

An Goban Saor. Ilanna Productions, 1993. (screenplay)

An T-Anam Mothala / The Feeling Soul. Ocean Productions, RTE, 1994. (screenplay)

Destination Demain. Paris: GES, 1993. (play for children)

The Wooing of Éadaoin. National Chambre Choir, 1994. (libretto)

“Comhra, with a Foreward and Afterward by Laura O’Connor.” The Southern Review 31.3 (Summer 1995): 581–614.

‘Jumping off Shadows’: Selected Contemporary Irish Poets. Nuala Ní Dhomhnaill and Greg Delanty, eds. Preface by Philip O’Leary. Cork: Cork University Press, 1995.

“Why I Choose to Write in Irish, The Corpse That Sits Up and Talks Back.” The New York Times Book Review 8 January 1995: 26–28.

“What Foremothers?” In T. O’Connor, ed. The Comic Tradition in Irish Women Writers. Gainesville: University of Florida Press, 1996. 8–10.

“The Hidden Ireland: Women’s Inheritance.” In Theo Dorgan, ed. Irish Poetry since Kavanagh. Blackrock, Co. Dublin: Four Courts Press, 1996.

“Introduction.” In Eilís Nic Dhuibhne, ed. Voices in the Wind: Women Poets of the Celtic Twilight. Dublin: New Island Books, 1995.

Interviews

Consalvo, Deborah McWilliams. “An Interview with Nuala Ní Dhomhnaill.” Studies 83.331 (Autumn 1994): 313–20.

McDiarmid, Lucy and Michael Durkan. “Q & A: Nuala Ní Dhomhnaill.” Irish Literary Supplement 6.2 (Fall 1987): 41–43.

Wilson, Rebecca E. “An Interview with Nuala Ní Dhomhnaill.” In Rebecca Wilson and Gillean Somerville-Arjat, eds. Sleeping With Monsters: Conversations with Scottish and Irish Women Poets. Dublin: Wolfhound Press, 1990. 148–57.

Criticism on Ní Dhomhnaill

Bourke, Angela. “Fairies and Anorexia: Nuala Ní Dhomhnaill’s ‘Amazing Grass.’” Proceedings of the Harvard Celtic Colloquium 13 (1993): 25–38.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Broom, Sarah. “‘A Spirit in the Wilderness’: Myth and Fairy Legend in the Poetry of Nuala Ní Dhomhnaill.” New Comparison: A Journal of Comparative and General Literary Studies 27–28 (Spring-Autumn 1999): 325–43.

Cannon, M. Louise. “The Extraordinary Within the Ordinary: The Poetry of Eavan Boland and Nuala Ní Dhomhnaill.’ South Atlantic Review 60.2 (May 1995): 31–46.

Consalvo, Deborah McWilliams. “Nuala Ní Dhomhnaill.” In Alexander Gonzalez, ed. Modern Irish Writers: A Bio-Critical Sourcebook. London: Aldwych Press, 1997. 278–82.

___. “Nuala Ní Dhomhnaill: Adaptations and Transformations A Second Glance: Bilingualism in Twentieth Century Ireland.” Studies 83.331 (Autumn 1994): 303–12.

___. “The Lingual Ideal in the Poetry of Nuala Ní Dhomhnaill.” Eire-Ireland 30.2 (Summer 1995): 148–61.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Drabble, Margaret and Jenny Stringer. “Ní Dhomnaill, Nuala.” The Concise Oxford Companion to English Literature. Oxford: Oxford UP, 2003.

Gilsenan Nordin, Irene. “Crossing the Threshold of Language: Nuala Ní Dhomhnaill and the Speaking Subject.” Nordic Irish Studies 3 (2004): 51–64.

Haberstroh, Patricia Boyle. “Nuala Ní Dhomhnaill.” Women Creating Women. Syracuse: Syracuse University Press, 1996. 161–95.

Holdridge, Jefferson. “The One Loved Form: Nature, Myth, and Instinct in Irish Literature.” Writing Modern Ireland: South Carolina Review, A Special Number 43.1 (Fall 2010): 238–52.

Kidd, Helen. “Cailleachs, Keens and Queens: Reconfiguring Gender and Nationality in the Poetry of Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill and Eavan Boland.” Critical Survey 15 (2003): 34–47.

Mac Giolla Leith, Caoimhin. “Contemporary Poetry in Irish: Private Language and Ancestral Voices.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 84–98.

Murphy, Maureen. “Folklore in the Poetry of Nuala Ní Dhomhnaill.” In Toshi Furomoto, George Hughes, Chizuko Inoue, James McElwaine, Peter McMillan, and Tetsuro Sano, eds. International Aspects of Irish Literature. Gerrard’s Cross: Colin Smythe, 1996. 14–23.

___. “The Irish Elegiac Tradition in the Poetry of Maire Mhac an tSaoi, Caitlin Maude, and Nuala Ní Dhomhnaill.” In James Brophy and Eamon Grennan, eds. New Irish Writing. Boston: GK Hall, 1989. 141–51.

Myers, Kimberly. “Nuala Ní Dhomhnaill and Women’s Sensual Spirituality.” In Kristina K. Groover, ed. Things of the Spirit: Women Writers Constructing Spirituality. Notre Dame, IN: U of Notre Dame Press, 2004. 304–28.

Ni Fhrighil, Riona. “Faitios Imni an Scathaithe: Eavan Boland agus Nuala Ní Dhomhnaill.” New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 6.4 (Winter 2002): 136–49.

O’Connor, Mary. “Breaking the Rules: Nuala Ní Dhomhnaill’s Language Strategies.” In John C. Hawley, ed. Cross-Addressing: Resistance Literature and Cultural Borders. Albany, NY: State U of New York Press, 1996. 67–85.

___. “Lashings of the Mother Tongue: Nuala Ní Dhomhnaill’s Anarchic Laughter.” In Theresa O’Connor, ed. The Comic Tradition in Irish Women Writers. Gainesville, LA: University of Florida Press, 1996. 149–70.

Ó Tuama, Seán. “‘The Loving and Terrible Mother’ in the Early Poetry of Nuala Ní Dhomhnaill.” Repossessions: Selected Essays on the Irish Literary Heritage. Cork: Cork University Press, 1995. 35–53.

Potts, Donna L. “‘When Ireland Was Still Under a Spell’: The Poetry of Nuala Ní Dhomhnaill.” New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 7.3 (Autumn 2003): 52–70.

Revie, Linda. “The Little Red Fox, Emblem of the Irish Peasant in Poems by Yeats, Tynan and Ní Dhomhnaill.” In Deborah Fleming, ed. Learning the Trade: Essays on W.B. Yeats and Contemporary Poetry. West Cornwall, CT: Locust Hill, 1993. 113–33.

___. “Nuala Ní Dhomhnaill’s ‘Parthenogenesis’: A Bisexual Exchange.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 344–55.

Romanets, Maryna. “The (Translato)Logic of Spectrality: Nuala Ní Dhomhnaill and Her English Doubles.” In Irene Gilsenan Nordin and Elin Erin Holmsten, ed. Liminal Borderlands in Irish Literature and Culture. Oxford, England: Peter Lang, 2008. 173–96.

Schrage-Früh, Michaela. “‘So Much Psychic Land […] to Reclaim’: Otherworldly Encounters in Nuala Ní Dhomhnaill’s Poetry.” In Irene Gilsenan Nordin and Elin Erin Holmsten, ed. Liminal Borderlands in Irish Literature and Culture. Oxford, England: Peter Lang, 2008. 151–72.

Sewell, Frank. “Irish Mythology in the Early Poetry of Nuala Ní Dhomhnaill.” Hungarian Journal of English and American Studies 8 (Spring 2002): 39–56.

MARY O’MALLEY

Volumes of Poetry

A Consideration of Silk. Galway: Salmon Publishing, 1990.

Where the Rocks Float. Galway: Salmon, 1993.

The Knife in the Wave. Co. Clare: Salmon, 1997.

Asylum Road. Galway: Salmon Publishing, 2001.

The Boning Hall: New and Selected Poems. Manchester: Carcanet, 2002.

A Perfect V. Manchester: Carcanet, 2006.

Criticism on O’Malley

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Olszewska, Kinga. “The Limits of Post-Nationalism: The Works of John Banville and Mary O’Malley.” Nordic Irish Studies 7 (2008): 135–46.

Wall, Eamonn. “Tracing the Poetry of Mary O’Malley.” Writing the Irish West: Ecologies and Traditions. South Bend: University of Notre Dame, 2011.

Wall, Eamonn. “From Macchu Picchu to Inis Mor: The Poetry of Mary O’Malley.” South Carolina Review 38 (2005): 118–27.

RITA ANN HIGGINS

Volumes of Poetry

Goddess on the Mervue Bus. Galway: Salmon, 1986.

Witch in the Bushes. Galway: Salmon, 1988.

Goddess and Witch. Galway: Salmon, 1990.

Philomena’s Revenge. Galway: Salmon, 1992.

Higher Purchase. Co. Clare: Salmon, 1996.

Sunnyside Plucked: New and Selected Poems. Newcastle upon Tyne: Bloodaxe, 1996.

An Awful Racket. Tarcet: Bloodaxe, 2001.

Throw in the Vowels: New and Selected Poems. Tarcet: Bloodaxe, 2005.

Other Works

Face Licker Come Home. 1991.

God of the Hatch Man. 1992.

Colie Lally Doesn’t Live in a Bucket. 1993.

Down All the Roundabouts. 1999.

The Big Break. 2004.

Down All the Roundabouts. Tarcet: Bloodaxe, 2005.

The Plastic Bag. 2008.

The Empty Frame. 2008.

The Plastic Bag. 2008.

Criticism on Higgins

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Bourke, Eoin. “Poetic Outrage: Aspects of Social Criticism in Modern Irish Poetry.” In Donald E. Morse, et. al., eds. A Small Nation’s Contribution to the World. Gerrard’s Cross: Colin Smythe, 1993: 88–106.

Hildebidle, John. “‘I’ll have to Stop Thinking About Sex’: Rita Ann Higgins and the Patriarchal Tradition.” In Alexander G. Gonzalez, ed. Contemporary Irish Women Poets: Some Male Perspectives. Westport, CT: Greenwood, 1999. 33–41.

Paul, Catherine. “Rita Ann Higgins: A Moderator’s View.” South Carolina Review 32.1 (1999): 12–14.

Steele, Karen. “Devil in the Mirror.” Irish Literary Supplement: A Review of Irish Books 20.2 (2001): 15–16.

___. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and Paula Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and the Politics and Poetics of Home. New York: Garland, 1996. 312–33.

Sullivan, Moynagh. “Assertive Subversions: Comedy in the Works of Julie O’Callaghan and Rita Ann Higgins.” Verse 16.2: 83–86.

Paula Meehan

Volumes of Poetry

Return and No Blame. Donnybrook: Beaver Row, 1984.

Reading the Sky. Donnybrook: Beaver Row, 1986.

The Man Who Was Marked by Winter. Oldcastle, Co. Meath: The Gallery Press, 1991; Cheney, WA: Eastern Washington University Press, 1994.

Pillow Talk, Oldcastle, Co. Meath: The Gallery Press, 1994.

Mysteries of the Home: Selected Poems. Newcastle Upon Tyne: Bloodaxe Books, 1996.

Dharmakaya. Manchester: Carcanet, 2000; Winston-Salem, NC: Wake Forest University Press, 2002.

Painting Rain. Manchester: Carcanet, 2009; Winston-Salem, NC: Wake Forest University Press, 2009.

Other Works

Mrs. Sweeney, First Plays. Siobhan Bourke, ed. Dublin: New Island Books, 1999.

Cell: a play. Dublin: New Island Books, 2000.

The Garden of Eden. Radio play, 2011.

Interviews

Dorgan, Theo. “An Interview with Paula Meehan.” Colby Quarterly 28.4 (Dec. 1992): 265–69.

Sperry, Amanda. “An Interview with Paula Meehan.” Wake Forest University Website, November 2008. http://www.wfu.edu/wfupress/An%20interview%20with%20Paula%20Meehan.html

Criticism on Meehan

Allen Randolph, Jody. “Paula Meehan: A Selected Bibliography.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 272–301. http://muse.jhu.edu/journals/an_sionnach/v005/5.1.randolph02.pdf

___. “Text and Context: Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 5–17.

Auge, Andrew. “The Apparitions of ‘Our Lady of the Facts of Life’: Paula Meehan and the Visionary Quotidian.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 50–64.

Boland, Eavan. “Unfinished Business: The Communal Art of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 17–24.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Collins, Lucy. “A Way of Going Back: Memory and Estrangement in the Poetry of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 127–39.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Falci, Eric. “Meehan’s Stanzas and the Irish Lyric after Yeats.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 226–238.

Fogarty, Anne. “‘Hear Me and Have Pity’: Rewriting Elegy in the Poetry of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 213–25.

González-Arias, Luz Mar. “In Dublin’s Fair City: Citified Embodiments in Paula Meehan’s Urban Landscapes.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 34–49.

Holdridge, Jefferson. “The Wolf Tree: Culture and Nature in Paula Meehan’s Dharmakaya and Painting Rain.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 156– 68.

Jackson, Eileen Deen. “The Lyricism of Abjection in Paula Meehan’s Drama of Imprisonment.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 169–79.

Kirkpatrick, Kathryn J. “‘A Murmuration of Starlings in a Rowan Tree’: Finding Gary Snyder in Paula Meehan’s Eco-Political Poetics.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 195–207.

___. “‘Between Breath and No Breath’: Witnessing Class Trauma in Paula Meehan’s Dharmakaya.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 47–64.

McCarthy, Thomas. “‘None of Us Well Fixed’: Empathy and Its Aesthetic Power in Paula Meehan’s Poetry.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 65–74.

McMullen, Kim. “‘Snatch a Song from a Stranger’s Mouth’: The Stage Plays and Radio Dramas of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 90–113.

Mulhall, Anne. “Memory, Poetry, and Recovery: Paula Meehan’s Transformational Aesthetics.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 142–55.

O'Malley, Mary. “City Centre.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1– 2 (2009): 27–33.

Poloczek, Katarzyna. “‘Sharing Our Differences’: Individuality and Community in the Early Work of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 75–89.

Schrage-Früh, Michaela. “‘Transforming That Past’: The Healing Power of Dreams in Paula Meehan’s Poetry.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 114–26.

Steele, Karen. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and Paula Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and the Politics and Poetics of Home. New York: Garland, 1996. 312–33.

Villar-Argáiz, Pilar. “‘Act Locally, Think Globally’: Paula Meehan’s Local Commitment and Global Consciousness.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 180–93.

MOYA CANNON

Volumes of Poetry

Oar. Galway: Salmon, 1990; Oldcastle, Co. Meath: The Gallery Press, 2000.

The Parchment Boat. Oldcastle, Co. Meath: The Gallery Press, 1997.

Carrying the Songs. Manchester: Carcanet Press, 2007.

Hands. Manchester: Carcanet Press, forthcoming in 2011.

Other Works

Cúm: An Anthology of New Writing from Co. Kerry. Ed. Moya Cannon. Co. Kerry: Kerry Co. Council, 1996.

Criticism on Cannon

Armstrong, Jeanne. “Otherworld Landscapes: An Appreciation of Moya Cannon’s Poetry.” Working Papers in Irish Studies 6.4 (2006): 1–37.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Cusick, Christine. “‘Our Language Was Tidal’: Moya Cannon’s Poetics of Place.” New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 9.1 (2005): 59–76.

Fluharty, Matthew, Nigel McLoughlin, and Frank Sewell. Breaking the Skin: 21st Century Irish Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.

Holdridge, Jefferson. “Introduction.” Wake Forest Series of Irish Poetry, Vol. 2. Winston-Salem, NC: Wake Forest University Press, 2010.

Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge: Cambridge UP, 2008.

Wall, Eamonn. “Carrying the Songs: The Poetry of Moya Cannon.” Writing the Irish West: Ecologies and Traditions. South Bend: University of Notre Dame, 2011.

KATIE DONOVAN

Volumes of Poetry

Watermelon Man. Newcastle upon Tyne, UK: Bloodaxe, 1993.

Entering the Mare. Tarcet: Bloodaxe, 1997.

Day of the Dead. Tarcet: Bloodaxe, 2002.

Rootling. Tarcet: Bloodaxe, 2010.

VONA GROARKE

Volumes of Poetry

Shale. Oldcastle, Co. Meath: The Gallery Press, 1994.

Other People’s Houses. Oldcastle, Co. Meath: The Gallery Press, 2000.

Flight. Oldcastle, Co. Meath: The Gallery Press, 2002.

Flight and Earlier Poems. Winston-Salem, NC: Wake Forest University Press, 2004.

Juniper Street. Oldcastle, Co. Meath: The Gallery Press, 2006; Winston-Salem, NC: Wake Forest University Press, 2006.

Spindrift. Oldcasle, Co. Meath: The Gallery Press, 2009; Winston-Salem, NC: Wake Forest University Press, 2010.

Criticism on Groarke

Archambeau, Robert. “Postnational Ireland.” Contemporary Literature 50.3 (Fall 2009): 610–18.

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vol.s 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Clutterbuck, Catriona. “New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke.” In Fran Brearton and Alan Gillis, eds. The Oxford Handbook of Modern Irish Poetry. Oxford: Oxford UP, forthcoming.

Coughlan, Patricia. “‘The Whole Strange Growth’: Heaney, Orpheus and Women.” The Irish Review 35 (Summer 2007): 25–45.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21st Century Irish Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.

Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.

Holdridge, Jefferson. “Landscape, Family and Home in Some Contemporary Irish Writers.” NAE: Trimestrale De Cultura 5.17 (2006): 39–45.

Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge: Cambridge UP, 2008.

ENDA WYLEY

Volumes of Poetry

Eating Baby Jesus. Dublin: Dedalus Press, 1994.

Socrates in the Garden. Dublin: Dedalus Press, 1998.

Poems for Breakfast. Dublin: Dedalus Press, 2004.

To Wake to This. Dublin: Dedalus Press, 2009.

Other Works

Boo and Bear. Dublin: O’Brien Press, 2004.

The Secret Notebook. Dublin: O’Brien Press, 2007.

I Won’t Go to China. Dublin: O’Brien Press, 2009.

SINÉAD MORRISSEY

Volumes of Poetry

There was a Fire in Vancouver. Manchester: Carcanet, 1996.

Between Here and There. Manchester: Carcanet, 2002.

The State of the Prisons. Manchester: Carcanet, 2005.

Through a Square Window. Manchester: Carcanet, 2009.

Criticism on Morrissey

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Brett, Louise. “The In-Between Territory of Sinéad Morrissey’s Japanese Influence.” In Maeve Tynan, Maria Belville and Marita Ryan, eds. Passages: Movements and Moments in Text and Theory. Newcastle upon Tyne, England: Cambridge Scholars, 2009. 49–62.

Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.

Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21st Century Irish Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.

Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.

Holdridge, Jefferson. “Introduction.” Wake Forest Series of Irish Poetry, Vol. 1. Winston-Salem, NC: Wake Forest University Press, 2005.

Howard, Ben. “In Sunlight and in Shadow.” Sewanee Review 17.4 (Fall 2009): 665–69.

Kennedy-Andrews, Elmer. Writing Home: Poetry and Place in Northern Ireland, 1968–2008. Cambridge, England: Brewer, 2008.

Poloczek, Katarzyna. “Ironies of Language and Signs of Existence in Contemporary Irish Women’s Poetry: Sinead Morrissey’s Between Here and There, Paula Meehan’s Dharmakaya and Eavan Boland’s Code.” In Liliana Sikorska, ed. Ironies of Art/Tragedies of Life. Frankfurt, Germany: Peter Lang, 2005. 275–300.

Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge: Cambridge UP, 2008.

Reed, Brian. “She Follows Them How Else? By Flying.” Contemporary Literature 48.3 (Fall 2007): 460–67.

CAITRÍONA O’REILLY

Volumes of Poetry

The Nowhere Birds. Tarcet: Bloodaxe, 2001.

Three-Legged Dog. Dublin: Wild Honey Press, 2002.

The Sea Cabinet. Tarcet: Bloodaxe, 2006.

The Wake Forest Series of Irish Poetry, Vol. 1. Winston-Salem, NC: Wake Forest University Press, 2005.

Criticism on O’Reilly

Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002.

Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21st Century Irish Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.

Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.

Holdridge, Jefferson. “Introduction.” The Wake Forest Series of Irish Poetry, Vol. 1. Winston- Salem, NC: Wake Forest University Press, 2005.

___. “Reclaiming the Wilderness: Nature and Perception in Caitríona O’Reilly.” Etudes Irlandaises 31.1 (Spring 2006): 11–25.

Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge: Cambridge UP, 2008.

LEONTIA FLYNN

Volumes of Poetry

These Days. London: Cape, 2004.

Drives. London: Cape, 2008.

Criticism on Flynn

Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21st Century Irish Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.

Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.

Kennedy-Andrews, Elmer. Writing Home: Poetry and Place in Northern Ireland, 1968–2008. Cambridge: Brewer, 2008.

Lyon, John. “Thought Potatoes.” PN Review 31.4 (2005): 66–67.

Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge: Cambridge UP, 2008.

Yeh, Jane. “Leontia Flynn.” Times Literary Supplement 18 July 2010.

GENERAL CRITICISM AND REFERENCES

Agee, Chris, ed. The New North: Contemporary Poetry from Northern Ireland. Winston-Salem, NC: Wake Forest University Press, 2008.

Alison, Jonathan. “Poetry from the Irish.” Irish Literary Supplement 10.1 (1991): 14.

Andrews, Elmer, ed. Contemporary Irish Poetry: A Collection of Critical Essays. London: Macmillan, 1990.

Archer, Nuala, ed. “Women Alone.” Midland Review 3.50 (1986). (special issue on Irish women writers)

Beale, Jenny. Women in Ireland: Voices of Change. Basingstoke: Macmillan, 1986.

Bedient, Calvin. “The Crabbed Genius of Belfast.” Parnassus: Poetry in Review 16.1: 195–210.

Bourke, Angela. “More in Anger than in Sorrow: Irish Women’s Lament Poetry.” In Joan Newlon Radner, ed. Feminist Messages. Urbana: University of Illinois Press, 1993. 160–82.

___. “Performing—not Writing.” Graph 11 (1991–92): 28–31.

___. “The Virtual Reality of Irish Fairy Legend.” Eire-Ireland 31.1–2 (1996): 7–25.

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