BIBLIOGRAPHY AND CRITICISM EILÉAN NÍ CHUILLEANÁIN Volumes of Poetry Acts and Monuments. Dublin: The Gallery Press, 1972. Site of Ambush. Dublin: The Gallery Press, 1975. The Second Voyage. Winston-Salem, NC: Wake Forest University Press; Dublin: The Gallery Press, 1977. 2nd edition, Dublin: The Gallery Press, 1986; Winston-Salem, NC: Wake Forest University Press, 1989. Cork. Dublin: The Gallery Press, 1977. The Rose-Geranium. Oldcastle, Co. Meath: The Gallery Press, 1981. The Magdalene Sermon. Oldcastle, Co. Meath: The Gallery Press, 1989. The Magdalene Sermon and Other Poems. Winston-Salem, NC: Wake Forest University Press, 1991. The Brazen Serpent. Oldcastle, Co. Meath: The Gallery Press, 1994; Winston-Salem, N.C.: Wake Forest University Press, 1995. The Girl Who Married the Reindeer. Oldcastle, Co. Meath: The Gallery Press, 2001; Winston- Salem, NC: Wake Forest University Press, 2002. Selected Poems. Oldcastle, Co. Meath: The Gallery Press, 2008; London: Faber, 2009; Winston- Salem, NC: Wake Forest University Press, 2009. The Sun-fish. Oldcastle, Co. Meath: The Gallery Press, 2009; Winston-Salem, NC: Wake Forest University Press, 2010. Other Works “Woman as Writer: The Social Matrix.” Crane Bag 4.1 (1980): 101–5. “Introduction.”In Eiléan Ní Chuilleanáin, ed. Irish Women: Image and Achievement. Dublin: Arlen House, 1985. 1–11. “Women As Writers: Dánta Grá to Maria Edgeworth.” In Eiléan Ní Chuilleanáin, ed. Irish Women: Image and Achievement. Dublin: Arlen House, 1985. 111–26. “Acts and Monuments of an Unelected Nation: The Cailleach Writes about the Renaissance.” The Southern Review 31.3 (July 1995): 570–80. The Water-Horse: Poems in Irish by Nuala Ní Dhomnaill. Translated by Medbh McGuckian and Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC: Wake Forest University Press, 2004. Ranchetti, Michele. Verbale. Translated by Eiléan Ní Chuilleanáin and others. Dublin: Instituto Italiano di Cultura, 2005. Malancioiu, Ileana. After the Raising of Lazarus. Translated by Eiléan Ní Chuilleanáin. Cork: Southword Editions, 2005. Interviews Consalvo, Deborah McWilliams. “An Interview with Eiléan Ní Chuilleanáin.” Irish Literary Supplement 12.1 (1993): 15–17. Ray, Kevin. “Interview with Eiléan Ní Chuilleanáin.” Eire-Ireland 32.1–2 (1996): 62–73. Criticism on Ní Chuilleanáin Allen, Nicholas. “‘Each Page Lies Open to the Version of Every Other’: History in the Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 22–36. Batten, Guinn. “‘The World Not Dead after All’: Eiléan Ní Chuilleanáin’s Work of Revival.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 1–22. Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork University Press, 2002; New York: New York University Press, 2002. Clutterbuck, Catriona. “Good Faith in Religion and Art: The Later Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 131–156. Coughlan, Patricia. “‘No Lasting Fruit at All’: Containing, Recognition, and Relinquishing in The Girl Who Married the Reindeer.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 157–177. Conboy, Sheila C. “‘What You Have Seen is Beyond Speech.’ Female Journeys in the Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 16 (1990): 65–72. Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010. Faragó, Borbála. “‘Alcove in the Wind’: Silence and Space in Eiléan Ní Chuilleanáin’s Poetry.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 68–83. Fogarty, Anne. “Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 1–250. Foster, John Wilson. “‘The Second Voyage’ by Eiléan Ní Chuilleanáin.” Eire-Ireland 13.4 (1978): 147–51. Gilsenan Nordin, Irene. “‘Between the Dark Shore and the Light’: The Exilic Subject in Eiléan Ní Chuilleanáin’s The Second Voyage.” In Michael Böss, Irene Gilsenan Nordin and Britta Olinder, eds. Exile: Realities and Metaphors in Irish History and Literature. Århus: Dolphin Press, 2005. 178–94. ___. “‘Betwixt and Between’: The Body as Liminal Threshold in the Poetry of Eiléan Ní Chuilleanáin.” In Irene Gilsenan Nordin, ed. The Body and Desire in Contemporary Irish Poetry. Dublin and Portland, OR: Irish Academic Press, 2006. 226–43. ___. “Like a Shadow in Water’: Phenomenology and Poetics in the Work of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 98–114. Grennan, Eamon. “Real Things.” Poetry Ireland Review 46 (Summer 1995): 44–52. Haberstroh, Patricia Boyle. “Eiléan Ní Chuilleanáin.” Women Creating Women. Syracuse: Syracuse University Press, 1996. 93–120. ___. “The Architectural Metaphor in the Poetry of Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 84–97. Holdridge, Jefferson. “‘A Snake Pouring over the Ground’: Nature and the Sacred in Eiléan Ní Chuilleanáin.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 115–30. Johnston, Dillon. “‘Hundred-Pocketed Time’: Ní Chuilleanáin’s Baroque Spaces.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 53–67. ___. “‘Our Bodies’ Eyes and Writing Hands’: Secrecy and Sensuality in Ní Chuilleanáin’s Baroque Art.” In Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern Ireland. Amherst: University of Massachusetts Press, 1997. 187–211. Kerrigan, John. “Hidden Ireland: Eiléan Ní Chuilleanáin and Munster Poetry.” Critical Quarterly 40.4 (Winter 1998): 76–100. McCarthy, Thomas. “‘We Could Be in Any City’: Eiléan Ní Chuilleanáin and Cork.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 230–43. Meaney, Geraldine. “History Gasps: Myth in Contemporary Irish Women’s Poetry.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 99–113. O'Malley, Aidan. “Praeterito: (Non-)Possession and the Translational Impulse in Ní Chuilleanáin’s Work.” Irish University Review: A Journal of Irish Studies 37.1 (2007): 178–96. Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96. Sirr, Peter. “‘How Things Begin to Happen’: Notes on Eiléan Ní Chuilleanáin and Medbh McGuckian.” The Southern Review 31.3 (Summer 1995): 450–67. EAVAN BOLAND Volumes of Poetry New Territory. Dublin: Allen, Figgis & Co., 1967. The War Horse. Dublin: Arlen House; London: Victor Gollancz, 1975. In Her Own Image. Dublin: Arlen House, 1980. Introducing Eavan Boland: Poems. Princeton: The Ontario Review Press, 1981. Night Feed. Dublin: Arlen House; London and Boston: Marion Boyars, 1982; Manchester: Carcanet Press, 1994. The Journey and Other Poems. Dublin: Arlen House, 1986; Manchester: Carcanet, 1987. Selected Poems. Manchester: Carcanet Press; Dublin: Arlen House, 1989. Outside History. Manchester: Carcanet Press, 1990. Outside History: Selected Poems 1980–1990. New York: Norton, 1990. In a Time of Violence. Manchester: Carcanet; New York: Norton, 1994. An Origin Like Water: Collected Poems 1967–1987. New York and London: Norton, 1997. The Lost Land. New York and London: Norton, 1998. Against Love Poetry. New York: Norton, 2001. Code. Manchester: Carcanet Press, 2001. New Collected Poems. Manchester: Carcanet Press, 2005. Domestic Violence. Manchester: Carcanet Press, 2007; New York: Norton, 2007. Other Works “The Woman Poet: Her Dilemma.” Midland Review 3 (1986): 40–47. Also in Krino (Spring, 1986); Stand Magazine (Winter 1986–87): 43–49; and American Poetry Review 16.1 (Jan./Feb. 1987): 17–20. “An Un-Romantic American.” Parnassus: Poetry in Review 14.2 (1988): 73–92. “The Woman Poet in a National Tradition.” Studies 76: 148–158. Also published as “A Kind of Scar: The Woman Poet in a National Tradition.” Dublin: Attic LIP Pamphlet, 1989. “Outside History.” American Poetry Review 19.2 (March/April 1990): 32–38. “The Woman, The Place, The Poet.” Georgia Review 44.1–2 (1990): 97–109. “In Defense of Workshops.” Poetry Ireland Review 31 (1991): 40–48. “Writing in the Margin.” Irish Times 18 April 1992: 12. “Writing the Political Poem in Ireland.” The Southern Review (July 1995): 485–98. Object Lessons: The Life of the Woman and the Poet in Our Time. New York and London: Norton, 1995. “New Wave 2: Born in the ’50’s; Irish Poets of the Global Village.” In Theo Dorgan, ed. Irish Poets since Kavanagh. Blackrock, Co. Dublin: Four Courts Press, 1996. “Daughters of Colony.” Eire-Ireland, 32.2–3 (1997): 7–20. The Making of a Poem: A Norton Anthology of Poetic Forms. Eavan Boland and Mark Strand, eds. New York: Norton, 2000. Three Irish Poets: An Anthology: Eavan Boland, Paula Meehan, Mary O’Malley. Eavan Boland, ed. Manchester: Carcanet Press, 2003. After Every War: Twentieth-Century Women Poets. Translated by Eavan Boland. Princeton, NJ: Princeton UP, 2004. Irish Writers on Writing. Eavan Boland, ed. San Antonio, TX: Trinity University Press, 2007. The Making of a Sonnet: A Norton Anthology. Eavan Boland and Edward Hirsch, eds. New York: Norton, 2008. Interviews Consalvo, Deborah McWilliams. “An Interview with Eavan Boland.” Studies: An Irish Quarterly Review 181.321 (Spring 1992): 89–100. O’Connell, Patty. “Eavan Boland: An Interview.” Poets & Writers (November–December 1994): 32–45. Reizbaum, Marilyn. “An Interview with Eavan Boland.” Contemporary Literature 30.4 (1989): 470–90. Tall, Deborah. “Q&A with Eavan Boland.” Irish Literary Supplement 7.2 (1988): 39–40. Wright, Nancy Means and Dennis Hannan. “Q&A with Eavan Boland.” Irish Literary Supplement (Spring 1991): 10–11. Criticism on Boland Allen Randolph, Jody, ed. Eavan Boland: A Critical Companion. New York: W.W. Norton & Co., 2008. ___. “Eavan Boland.” In Bill McCormack, ed. Blackwell Companion to Modern Irish Culture. Oxford: Blackwell, 2001. ___. “Écriture Feminine and the Authorship of Self in Eavan Boland’s In Her Own Image.” Colby Quarterly 27.1 (March 1991): 48–59. ___. “Finding a Voice where She Found a Vision.” PN Review 2.1 (September–October 1994): 13–17.