Analyze, Detect and Remove Gender Stereotyping from Bollywood Movies

Total Page:16

File Type:pdf, Size:1020Kb

Analyze, Detect and Remove Gender Stereotyping from Bollywood Movies Proceedings of Machine Learning Research 81:1{14, 2018 Conference on Fairness, Accountability, and Transparency Analyze, Detect and Remove Gender Stereotyping from Bollywood Movies Nishtha Madaan [email protected] Sameep Mehta [email protected] IBM Research-INDIA Taneea S Agrawaal [email protected] Vrinda Malhotra [email protected] Aditi Aggarwal [email protected] IIIT-Delhi Yatin Gupta [email protected] MSIT Delhi Mayank Saxena [email protected] DTU-Delhi Abstract 1. Introduction Movies are a reflection of the society. They mir- ror (with creative liberties) the problems, issues, The presence of gender stereotypes in many thinking & perception of the contemporary soci- aspects of society is a well-known phe- ety. Therefore, we believe movies could act as nomenon. In this paper, we focus on the proxy to understand how prevalent gender studying such stereotypes and bias in Hindi bias and stereotypes are in any society. In this movie industry (Bollywood) and propose an paper, we leverage NLP and image understand- algorithm to remove these stereotypes from ing techniques to quantitatively study this bias. text. We analyze movie plots and posters To further motivate the problem we pick a small for all movies released since 1970. The section from the plot of a blockbuster movie. gender bias is detected by semantic model- ing of plots at sentence and intra-sentence "Rohit is an aspiring singer who works as a level. Different features like occupation, salesman in a car showroom, run by Malik (Dalip introductions, associated actions and de- Tahil). One day he meets Sonia Saxena (Amee- scriptions are captured to show the perva- sha Patel), daughter of Mr. Saxena (Anupam siveness of gender bias and stereotype in Kher), when he goes to deliver a car to her home movies. Using the derived semantic graph, as her birthday present." we compute centrality of each character This piece of text is taken from the plot of Bol- and observe similar bias there. We also lywood movie Kaho Na Pyaar Hai. This simple show that such bias is not applicable for two line plot showcases the issue in following fash- movie posters where females get equal im- portance even though their character has ion: little or no impact on the movie plot. The 1. Male (Rohit) is portrayed with a profession silver lining is that our system was able to & an aspiration identify 30 movies over last 3 years where 2. Male (Malik) is a business owner such stereotypes were broken. The next In contrast, the female role is introduced with step, is to generate debiased stories. The no profession or aspiration. The introduction, proposed debiasing algorithm extracts gen- der biased graphs from unstructured piece itself, is dependent upon another male character of text in stories from movies and de-bias "daughter of"! these graphs to generate plausible unbiased One goal of our work is to analyze and quantify stories. gender-based stereotypes by studying the demar- c 2018 N. Madaan, S. Mehta, T.S. Agrawaal, V. Malhotra, A. Aggarwal, Y. Gupta & M. Saxena. Analyze, Detect and Remove Gender Stereotyping from Bollywood Movies cation of roles designated to males and females. correspond with the gender stereotypes which ex- We measure this by performing an intra-sentence ist in society? and inter-sentence level analysis of movie plots combined with the cast information. Captur- ing information from sentences helps us perform 2. Related Work a holistic study of the corpus. Also, it helps While there are recent works where gender bias us in capturing the characteristics exhibited by has been studied in different walks of life Soklar- male and female class. We have extracted movies idis et al.(2017),(MacNell et al., 2015), (Carnes pages of all the Hindi movies released from 1970- et al., 2015), (Terrell et al., 2017), (Saji, 2016), present from Wikipedia. We also employ deep the analysis majorly involves information re- image analytics to capture such bias in movie trieval tasks involving a wide variety of prior posters and previews. work in this area. (Fast et al., 2016) have worked on gender stereotypes in English fiction particu- 1.1. Analysis Tasks larly on the Online Fiction Writing Community. The work deals primarily with the analysis of We focus on following tasks to study gender bias how males and females behave and are described in Bollywood. in this online fiction. Furthermore, this work I) Occupations and Gender Stereotypes- also presents that males are over-represented and How are males portrayed in their jobs vs females? finds that traditional gender stereotypes are com- How are these levels different? How does it cor- mon throughout every genre in the online fiction relate to gender bias and stereotype? data used for analysis. II) Appearance and Description - How are Apart from this, various works where Hollywood males and females described on the basis of their movies have been analyzed for having such gen- appearance? How do the descriptions differ in der bias present in them (Anderson and Daniels, both of them? How does that indicate gender 2017). Similar analysis has been done on chil- stereotyping? dren books (Gooden and Gooden, 2001) and mu- III) Centrality of Male and Female Char- sic lyrics (Millar, 2008) which found that men acters - What is the role of males and females are portrayed as strong and violent, and on the in movie plots? How does the amount of male other hand, women are associated with home and being central or female being central differ? How are considered to be gentle and less active com- does it present a male or female bias? pared to men. These studies have been very IV) Mentions(Image vs Plot) - How many useful to uncover the trend but the derivation males and females are the faces of the promo- of these analyses has been done on very small tional posters? How does this correlate to them data sets. In some works, gender drives the de- being mentioned in the plot? What results are cision for being hired in corporate organizations conveyed on the combined analysis? (Dobbin and Jung, 2012). Not just hiring, it has V) Dialogues - How do the number of dia- been shown that human resource professionals' logues differ between a male cast and a female decisions on whether an employee should get a cast in official movie script? raise have also been driven by gender stereotypes VI) Singers - Does the same bias occur in by putting down female claims of raise requests. movie songs? How does the distribution of While, when it comes to consideration of opinion, singers with gender vary over a period of time views of females are weighted less as compared for different movies? to those of men (Otterbacher, 2015). On social VII) Female-centric Movies- Are the movie media and dating sites, women are judged by stories and portrayal of females evolving? Have their appearance while men are judged mostly by we seen female-centric movies in the recent past? how they behave (Rose et al., 2012; Otterbacher, VIII) Screen Time - Which gender, if any, 2015; Fiore et al., 2008). When considering oc- has a greater screen time in movie trailers? cupation, females are often designated lower level IX) Emotions of Males and Females - roles as compared to their male counterparts in Which emotions are most commonly displayed by image search results of occupations (Kay et al., males and females in a movie trailer? Does this 2015). In our work we extend these analyses for 2 Analyze, Detect and Remove Gender Stereotyping from Bollywood Movies Bollywood movies. trailers were obtained from YouTube. The mean The motivation for considering Bollywood movies and standard deviation of the duration of the all is three fold: videos is 146 and 35 seconds respectively. The a) The data is very diverse in nature. Hence videos have a frame rate of 25 FPS and a reso- finding how gender stereotypes exist in this data lution of 480p. Each 25th frame of the video is becomes an interesting study. extracted and analyzed using face classification b) The data-set is large. We analyze 4000 for gender and emotion detection (Octavio Ar- movies which cover all the movies since 1970. So riaga, 2017). it becomes a good first step to develop compu- tational tools to analyze the existence of stereo- 3.2. Task and Approach types over a period of time. c) These movies are a reflection of society. It In this section, we discuss the tasks we perform is a good first step to look for such gender bias on the movie data extracted from Wikipedia and in this data so that necessary steps can be taken the scripts. Further, we define the approach we to remove these biases. adopt to perform individual tasks and then study the inferences. At a broad level, we divide our analysis in four groups. These can be categorized 3. Data and Experimental Study as follows- a) At intra-sentence level - We perform this 3.1. Data Selection analysis at a sentence level where each sentence We deal with (three) different types of data for is analyzed independently. We do not consider Bollywood Movies to perform the analysis tasks- context in this analysis. b) At inter-sentence level - We perform this 3.1.1. Movies Data analysis at a multi-sentence level where we carry context from a sentence to other and then analyze Our data-set consist of all Hindi movie pages the complete information. from Wikipedia. The data-set contains 4000 c) Image and Plot Mentions - We perform this movies for 1970-2017 time period. We extract analysis by correlating presence of genders in movie title, cast information, plot, soundtrack in- movie posters and in plot mentions.
Recommended publications
  • Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8
    FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors ​ selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8. The Lab ​ ​ supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the four­day Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risk­taking. The Lab is centered around one­on­one story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown ​ ​ of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally.
    [Show full text]
  • Yuva Movie English Subtitles Download Torrent
    1 / 2 Yuva Movie English Subtitles Download Torrent Manorama Online Movie section provides all movie news in Malayalam language. The movie channel covers Hollywood, Bollywood, Kollywood, Tollywood and.. Yuva Movie English Subtitles Download Torrent DOWNLOAD http://bit.ly/2RSUlf5. Yuva Movie English Subtitles Download Torrent ->>->>->> http://bit.ly/2RSUlf5. Hindi Movies 2016 Full Movie - Mumbai Mirror - Bollywood Action Movies - English Subtitles.. YUVA 3 (2019). NEW RELEASED Hindi Dubbed Movie | Movies .... ... dubbed movie free download torrent Yuva full movies in hd hindi movie download in torrent malarvadi arts club english subtitles download .... Yuva. Release: DVDRip; Number of CD's: 1; Frame (fps): 23,976. Language: Turkish. Year: 2004. Uploader: DamlaK. Report Bad Movie Subtitle: Thanks (0).. Yuva Ratna a Telugu super Romance movie, starring Nandamuri Taraka Ratna, Jivida Sharma , music composed by M.M.Keeravani & directed ... Jai Gangaajal movie torrent download hd 720p, full movie, kickass download . ... Movie Hindi Dubbed Download 720p Hd .. ... mla,bjp office,opposition,Yuva ... Into the Storm kickass with english subtitles, Into the Storm movie free download, .... Download Gemini Man 2019 YTS and YIFY torrent HD (720p, 1080p and bluray) 100% free. you . ... No Country for Old Men yify movies torrent magnet with No Country for Old Men ... 1, Italian, subtitle No Country For Old Men 2007 720p BrRip x264 YIFY, Bepatient. ... Yuva Serial Title Song Free Download.. Yuva. (10)IMDb 7.42h 40min2004NR. Youth leader Michael is shot by hit man Inba. Arjun, a ... Subtitles: English ... Yuva is a rebellious, young generation movie.. The Official Home of YIFY Movies Torrent Download - YTS is the best website to download English movies with subs.
    [Show full text]
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • UTV Acquires the Feature Film Rights of Ashwin Sanghi's
    UTV acquires the Feature Film rights of Ashwin Sanghi’s ‘Chanakya’s Chant’ ~ A film based on the #1 National Bestseller to go on floors soon ~ Mumbai, Wednesday, June 15th, 2011: UTV Motion Pictures has acquired rights to Ashwin Sanghi’s national bestseller - Chanakya’s Chant, published by Westland. The interesting fast-paced story based on politics in two radically different eras will now be adapted into a film by the studio. Chanakya's Chant, a historical political thriller, released by Westland in January 2011, shot into the Top-5 Bestsellers of India within 2 weeks of its launch, proving that Chanakya’s neetis are as relevant today as they were in ancient times. The book narrates two parallel political tales, one in Chanakya’s puranic Bharat 2300 years ago and the other in post-independence contemporary India. While the ancient story is largely historical, based upon Chanakya’s rise to power and the clever tactics applied by him towards installing Chandragupta Maurya on the throne, the modern story is mostly fictional and tells the tale of Kanpur’s Pandit Gangasagar Mishra who draws inspiration from the master strategist Chanakya and employs his strategies in a modern context to get his protégée Chandini Gupta appointed to the highest office in India. On announcing the film, Siddharth Roy Kapur, CEO, UTV Motion Pictures, said "Chanakya’s Chant is one of those rare books with a storyline that has the potential to be translated into a superbly cinematic and immensely entertaining screenplay. The tale is about the underbelly of national politics which the book superbly exposes, where strategies developed by Chanakya 2300 years ago are still as valid in the modern day political scenario.
    [Show full text]
  • Media Release Reliance Entertainment and Phantom Films
    Media Release Reliance Entertainment and Phantom Films’ Super 30 to release on 23rd Nov, 2018 Directed by Vikas Bahl, “Super 30” will star Hrithik Roshan Mumbai, November 4, 2017: Anil D. Ambani led Reliance Entertainment and Phantom Films’ “Super 30” directed by Vikas Bahl and starring Hrithik Roshan in the lead role will release on 23rd November 2018. Super 30 is a story of a mathematics genius from a modest family in Bihar, Anand Kumar, who was told that only a king’s son can become a king. But he went on to prove how one poor man could create some of the world’s most genius minds. Anand Kumar’s training program is so effective that students post cracking IIT have gone on to become some of the most successful professionals. Many students trained under the Super 30 program have joined some of the top global companies like Adobe, Samsung Research Institute, Amazon etc. Anand Kumar said, “I trust Vikas Bahl with my life story and I believe that he will make a heartfelt film. I am a rooted guy so I feel some level of emotional quotient is required to live my life on screen. I have seen that in Hrithik – on and off screen. I have full faith in his capabilities.” Vikas Bahl, truly inspired by Anand Kumar’s initiative, said, “Super 30 is a story of the struggles of those genius kids who have one opportunity and how those 30 amongst thousands of others redefine success. The film will focus on the Super 30 program that Kumar started, which trains 30 IIT aspirants to crack its entrance test.” Vikas Bahl is one of the most critically and commercially acclaimed directors of our country.
    [Show full text]
  • Online Piracy of Indian Movies: Is the Film Industry Firing at the Wrong Target?
    ONLINE PIRACY OF INDIAN MOVIES: IS THE FILM INDUSTRY FIRING AT THE WRONG TARGET? Arul George Sea ria* INTRODUCTION .......................................................................................... 648 I. ONLINE PIRACY OF INDIAN MOVIES ................................................... 649 II. EFFECTIVENESS OF THE LEGAL MEASURES AGAINST ONLINE PIRACY ................................................................................................ 657 III. SUSTAINABLE SOLUTIONS FOR ONLINE PIRACY ................................ 660 CONCLUSION .............................................................................................. 663 ABSTRACT India has recently introduced some digital rights management (DRM) provisions to the Indian copyright law with the objective of providing "adequate" protection for copyrighted material in the online digital environment. Film industry was one of the biggest lobbying groups behind the new DRM provisions in India, and the industry has been consistently trying to portray online piracy as a major threat. The Indian film industry also extensively uses John Doe orders from the high courts in India to prevent the access of Internet users to websites suspected to be hosting pirated material. This paper explores two questions in the context of the new DRM provisions in India: ( 1) Is online piracy a threat to the Indian film industry? and (2) Are the present measures taken by the film industry the optimal measures for addressing the issue of online piracy? Based on data from an extensive empirical
    [Show full text]
  • Masaan-Press-Kit.Pdf
    MACASSAR PRODUCTIONS, PATHÉ ET AND DRISHYAM FILMS PRÉSENTENT PRESENT Durée Length : 1H43 Photos et dossier de presse téléchargeables sur www.pathefilms.com Material can be downloaded on www.patheinternational.com DISTRIBUTION FRENCH DISTRIBUTION & INTERNATIONAL SALES PATHÉ DISTRIBUTION 2, rue Lamennais – 75008 Paris Tél. : 01 71 72 30 00 www.pathefilms.com www.patheinternational.com À CANNES IN CANNES INTERNATIONAL SALES Boutique Bodyguard Résidences du Grand Hôtel - IBIS Entrance 45, la Croisette Apartement 4 A/E - 4th floor Jardins du Grand Hôtel Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : 04 93 99 91 34 RELATIONS PRESSE INTERNATIONAL PRESS LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément REBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 40, rue Anatole France – 92594 Levallois-Perret Cedex Tél. : 01 41 34 23 50 [email protected] À CANNES IN CANNES RELATIONS PRESSE FRANCE & INTERNATIONAL LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément RÉBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 29, rue Bivouac Napoléon – 06400 Cannes Tél. : +33 7 86 23 90 85 [email protected] [email protected] [email protected] [email protected] Bénarès, la cité sainte au bord du Gange, punit cruellement ceux qui jouent Benares, the holy city on the banks of the Ganges, reserves a cruel punishment avec les traditions morales. Deepak, un jeune homme issu des quartiers for those who play with moral traditions. Deepak, a young man from a poor pauvres, tombe éperdument amoureux d’une jeune fille qui n’est pas de la neighborhood, falls hopelessly in love with a young girl from a different caste. même caste que lui.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
    Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • Big Synergy and Phantom Films Enter Into an Alliance to Create a Content Production Powerhouse Across Tv and Digital Media
    BIG SYNERGY AND PHANTOM FILMS ENTER INTO AN ALLIANCE TO CREATE A CONTENT PRODUCTION POWERHOUSE ACROSS TV AND DIGITAL MEDIA Mumbai, 1st July , 2016: Big Synergy Media and Phantom Films have forged an alliance to create a content production powerhouse, to deliver relevant and impactful entertainment content across TV and Digital Media. With the new alliance, both Big Synergy and Phantoms Films will benefit from each other’s core expertise to expand their businesses. Big Synergy will now have access to the tremendous creative talent resource of Phantom Films to expand their offering into the fiction segment for both TV and Digital Media. Phantom Films will build on Big Synergy’s well-established leadership in factual entertainment to expand their business in the TV and Digital Media. Phantom Films will also now have access to Big Synergy’s expertise and reach in production of regional language content across seven languages in the fiction & non-fiction space. BIG Synergy, promoted by Siddhartha Basu and Anita Kaul Basu, has built its reputation as a leader in the field of factual entertainment, starting off as one of the country's first independent television production houses in 1988. Big Synergy has since then been at the helm of producing some of the country’s most critically acclaimed and popular television programmes. Keeping abreast of constantly changing viewership and growth of regional markets, Big Synergy has incorporated top of the line technology and state-of the art techniques, creating content and programme ideas in sync with market demands across India. Phantom Films, established in 2011 by four prolific filmmakers , Anurag Kashyap, Vikas Bahl ,Vikramaditya Motwane and Madhu Mantena has earned a reputation for producing some of India’s most path breaking and engaging films in recent times.
    [Show full text]
  • Global Symposium on Gender in Media
    Global Symposium on Gender in Media 17 FEBRUARY 2016 ITC Grand Central, Mumbai India Ambassador Council Barbi Appelquist Chair, Attorney, Cohen Gardner, LLP About the Geena Davis Institute Megan Beyer on Gender in Media Director, External Affairs, EDGE Vincent Bruzzese Founded by Academy Award®-winning actor CEO, C4 R&D, LLC Geena Davis Amir Dossal Founder and Chair and advocate Geena Davis, the Institute is Chairman, Global Partnerships Forum the only research-based organization working Geralyn Dreyfous within the media and entertainment industry Founder and Board Chair Utah Film Center to engage, educate, and influence the need Brown Johnson to dramatically improve, gender balance, Executive Vice President, Creative Director, Sesame Workshop reduce stereotyping and create diverse Surina Khan Madeline Di Nonno female characters in entertainment targeting CEO, Women’s Foundation of California Chief Executive Officer Geraldine Laybourne children 11 and under. For more information visit www.seejane.org Chairman of the Board, Alloy Media Ann McElaney-Johnson, PhD President of Mount St. Mary’s University About Mount Saint Mary’s University Nina Tassler Chairman, CBS Entertainment Mount Saint Mary’s University is the only Jacki Zehner women’s university in Los Angeles and one of President, The Jacquelyn and Gregory Elizabeth Kilpatrick Zehner Foundation Vice President Development the most diverse in the nation. The University Advisory Council has partnered with the Geena Davis Institute Deborah Calla on Gender in Media for the past three years to Founder, Calla Productions produce the University’s annual Report on the Mimi Polk Gitlin Status of Women and Girls in California™, to Producer/President, Gitlin Productions Caroline Heldman, PhD research information regarding women in media Politics Professor, Occidental College Jazmin Borad and to advocate for issues affecting women and David Kleeman Director of Programs girls.
    [Show full text]