The Transformation of China's Architectural Education From
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Research on the Relationship Between Customer Knowledge
Executive DBA, Université Paris-Dauphine 巴黎九大高级工商管理博士学位项目 Research on the Relationship between Customer Knowledge Management and Innovation Capability, the Case of Architectural Design Enterprises in China (Thesis submitted for the degree of Executive Doctorate in Business Administration) Cohort: 2014 Candidate: WANG Wei Supervisor: Kin Hang Chan April 22, 2017 CONFIDENTIALITY AND AUTHORISATION There is a need to protect the confidentiality of information provided by the interviewees and their organizations. For this reason, the data and other material included in the thesis have been presented in such a way as to protect the interests of the participants. This thesis has been accepted as confidential, and will be handled according to the Université Paris-Dauphine’ confidentiality policy. Furthermore, the writer fully understands the relevant policy of Université Paris-Dauphine, regarding to the reservation and usage of the dissertation, namely that the University has the right to retain copies of the thesis, allow the thesis to be accessed and borrowed; The university may publish all or part of the contents of the thesis, and can save the thesis by photocopying, microprinting or other means. Signature: Signature of Supervisor: Date: I ACKNOWLEDGEMENT My deepest gratitude goes first and foremost to Prof. Kin Hang Chan, my supervisor, for his constant encouragement and guidance. He has walked me through all the stages of the writing of this thesis. Without his consistent and illuminating instruction, this thesis could not have reached its present form. At the same time, Dr. Chen profound knowledge, rigorous scholarship, so I very much admire the attitude that I model for future study and work. -
Practice in State-Owned Design Institutes in Post-Mao China (1976-2000S): a Case Study of CAG (China Architecture Design and Research Group)
‘Critical’ Practice in State-owned Design Institutes in Post-Mao China (1976-2000s): A Case Study of CAG (China Architecture Design and Research Group) By Feng LI Submitted in total fulfillment of the requirements of the degree of: Master of Architecture (by Research) (by Thesis) July 2010 Faculty of Architecture, Building, and Planning The University of Melbourne Abstract During the past three decades, China has witnessed an unprecedented upsurge of construction at astonishing speed. Architectural design firms from all over the world have participated in China’s design and building practice. One of the leading forces of this progress, however, is the state-owed design institute, which is a unique type of architectural design practice originally formed in the Maoist era (1949 - 1976) in China. Different from private practices, the design institute is institutionally associated with the government and significantly influenced by governmental policies. Taking the China Architecture Design and Research Group (CAG) as an example, this thesis aims to summarize the common and consistent features of the practice in the design institute in the post-Mao era (1976 - present) and to find an underlying socio-political mechanism that is perhaps driving the design practice in specific settings. In this research, the practice in the design institute is studied with a focus on the design agenda of architects. In order to capture a picture of the evolution of design ideas, I employed the concept of ‘criticality’ into my research from the ‘critical’ and ‘post-critical’ discussion in North America and East Asia. The formal characteristics of CAG’s works are tested in this measurement for an analytical interpretation. -
Chronology of Chinese History
AppendixA 1257 Appendix A Chronology of Chinese History Xla Dynasty c. 2205 - c. 1766 B. C. Shang Dynasty c. 1766 - c. 1122 B. C. Zhou Dynasty c. 1122 - 249 B. C. Western Zhou c. 1122 - 771 B.C. Eastern Zhou 770 - 249 B. C. Spring Autumn and period 770 - 481 B.C. Warring States period 403 - 221 B.C. Qin Dynasty 221 - 207 B. C. Han Dynasty 202 B. C. - A. D. 220 Western Han 202 B.C. -AD. 9 Xin Dynasty A. D. 9-23 Eastern Han AD. 25 - 220 Three Kingdoms 220 - 280 Wei 220 - 265 Shu 221-265 Wu 222 - 280 Jin Dynasty 265 - 420 Western Jin 265 - 317 Eastern Jin 317 - 420 Southern and Northern Dynasties 420 - 589 Sui Dynasty 590 - 618 Tang Dynasty 618 - 906 Five Dynasties 907 - 960 Later Liang 907 - 923 Later Tang 923 - 936 Later Jin 936 - 947 Later Han 947 - 950 Later Zhou 951-960 Song Dynasty 960-1279 Northern Song 960-1126 Southern Song 1127-1279 Liao 970-1125 Western Xia 990-1227 Jin 1115-1234 Yuan Dynasty 1260-1368 Ming Dynasty 1368-1644 Cling Dynasty 1644-1911 Republic 1912-1949 People's Republic 1949- 1258 Appendix B Map of China C ot C x VV 00 aý 3 ýý, cý ýý=ý<<ý IAJ wcsNYý..®c ýC9 0 I Jz ýS txS yQ XZL ý'Tl '--} -E 0 JVvýc ý= ' S .. NrYäs Zw3!v )along R ?yJ L ` (Yana- 'ý. ý. wzX: 0. ý, {d Q Z lýý'? ý3-ýý`. e::. ý z 4: `ý" ý i kws ". 'a$`: ýltiCi, Ys'ýlt.^laS-' tý.. -
The Role of Jørn Utzon's 1958 Study Trip to China in His Architectural Maturity
$UFKLWHFWXUDO Chiu, C-Y 2016 China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity. Architectural Histories, 4(1): 12, +LVWRULHV pp. 1–25, DOI: http://dx.doi.org/10.5334/ah.182 RESEARCH ARTICLE China Receives Utzon: The Role of Jørn Utzon’s 1958 Study Trip to China in His Architectural Maturity Chen-Yu Chiu Both before and after his study trip to China in 1958, Danish architect Jørn Utzon (1918–2008) consistently cited dynastic Chinese architecture as one of his essential design ideals. This article commences with a reconstruction, using archival and anecdotal evidence, of Jørn Utzon’s 1958 study trip to China with his close friend, the noted Norwegian architect Geir Grung (1926–89). The investigation seeks to explain both why, as a student, Utzon was so interested in the civilisation of China and how his carefully planned journey yielded Utzon both an intuitive grasp of ideas of Chinese architecture, and, most importantly, a continuing interest in China’s traditional systems of building construction. The answers could add to a methodological and theoretical framework for understanding Utzon’s work. Introduction This article then establishes built-form analogies Both before and after his study trip to China in 1958, the between Utzon’s 1958 study of Chinese architecture in situ Danish architect Jørn Utzon (1918–2008) consistently and his design proposals over the three decades following cited dynastic Chinese architecture as one of his essential the trip, with a view to retracing the path of Utzon’s grow- design ideas and ideals (Faber and Utzon, 1947; Utzon ing understanding of Chinese architecture during this 1962; 1970). -
Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: Arthistoricum.Net 2021, P
Manifestations of Bauhaus on the Mainland: Historical Advent of China’s Modernities in Arts, Crafts, and Architecture Chin-Wei Chang Chang, Chin-Wei, Manifestations of Bauhaus on the Mainland: Historical Advent of China’s Modernities in Arts, Crafts, and Architecture, in: Bärnreuther, Andrea (ed.), Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: arthistoricum.net 2021, p. 295-313, https://doi.org/10.11588/arthistoricum.843.c11915 Fig. 1 The images of Bauhaus Dessau (top right), Gropius and Meyer (bottom left) published in: Manufacture and Crafts, 1931, Issue 2 297 Chin-Wei Chang bauhaus and politics Mies van der Rohe liaised with influential Nazi ideologue Alfred national socialist politics Rosenberg to win his support for reopening the Bauhaus in Ber- lin on the day after its closure on 11th April 1933. Rosenberg’s simple, yet incisive, question «Why didn’t you change the name for heaven’s sake?»1 reverberated in a 2009 exhibition monograph published by the Museum of Modern Art (MoMA), New York— a publication largely indebted to the foundational work by Hans Maria Wingler, who proposed that the Bauhaus-Archiv be estab- lished. It revealed that this leading Nazi ideologue considered the name «Bauhaus» far more dangerous than the school itself, be- cause it had become a powerful signifier for radical left-wing cul- bauhaus signifying ture. The idea that the Bauhaus could have been reopened in the left-wing culture Nazi era under a new name and clearly defined conditions was not a new insight upon the school’s 90th anniversary, but it is interest- ing to find it at such a historical moment in an institution that was from its very beginnings deeply connected with the Bauhaus and its mythologization. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Competing Visions of the Modern: Urban Transformation and Social Change of Changchun, 1932-1957 Permalink https://escholarship.org/uc/item/0149581v Author Liu, Yishi Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Competing Visions of the Modern: Urban Transformation and Social Change of Changchun, 1932-1957 By Yishi Liu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor Greig Crysler Professor Wen-Hsin Yeh Fall 2011 Abstract Competing Visions of the Modern: Urban Transformation and Social Change of Changchun, 1932-1957 By Yishi Liu Doctor of Philosophy in Architecture University of California, Berkeley Professor Nezar AlSayyad, Chair Examining the urban development and social change of Changchun during the period 1932-1957, this project covers three political regimes in Changchun (the Japanese up to 1945, a 3-year transitional period governed by the Russians and the KMT respectively, and then the Communist after 1948), and explores how political agendas operated and evolved as a local phenomenon in this city. I attempt to reveal connections between the colonial past and socialist “present”. I also aim to reveal both the idiosyncrasies of Japanese colonialism vis-à-vis Western colonialism from the perspective of the built environment, and the similarities and connections of urban construction between the colonial and socialist regime, despite antithetically propagandist banners, to unfold the shared value of anti-capitalist pursuit of exploring new visions of and different paths to the modern. -
Urban Transformation and Social Change of Changchun, 1932-1957
Competing Visions of the Modern: Urban Transformation and Social Change of Changchun, 1932-1957 By Yishi Liu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor Greig Crysler Professor Wen-Hsin Yeh Fall 2011 Abstract Competing Visions of the Modern: Urban Transformation and Social Change of Changchun, 1932-1957 By Yishi Liu Doctor of Philosophy in Architecture University of California, Berkeley Professor Nezar AlSayyad, Chair Examining the urban development and social change of Changchun during the period 1932-1957, this project covers three political regimes in Changchun (the Japanese up to 1945, a 3-year transitional period governed by the Russians and the KMT respectively, and then the Communist after 1948), and explores how political agendas operated and evolved as a local phenomenon in this city. I attempt to reveal connections between the colonial past and socialist “present”. I also aim to reveal both the idiosyncrasies of Japanese colonialism vis-à-vis Western colonialism from the perspective of the built environment, and the similarities and connections of urban construction between the colonial and socialist regime, despite antithetically propagandist banners, to unfold the shared value of anti-capitalist pursuit of exploring new visions of and different paths to the modern. The first three chapters relate to colonial period (1932-1945), each exploring one facet of the idiosyncrasies of Japanese colonialism in relation to Changchun’s urbanism. Chapter One deals with the idiosyncrasies of Japanese colonialism as manifested in planning Changchun are the subject of the next chapter. -
(Tsinghua) University
appendix a of selected chinese architects and profiles schools spective institutions. Zhang Kaiji, Zhang Bo, and Dai Nianci are three of the most prolific and well-known of the many practicing architects the school has educated. Southeastern’s enduring quality was built, most of all, on an extraordinary faculty. Liu Dunzhen, Tong Chuin, and Yang Tingbao each taught there for up to four decades. Because of the depart- ment’s longevity, its library also enjoys one of China’s most extensive holdings in architecture. Pan Guxi, ed., Dongnan daxue jianzhuxi chengli qishi zhounian jinian zhuanji (Memorial Sympo- sium for the seventieth anniversaries of the Architectural Department of Southeastern University) (Beijing: Zhongguo jianzhu gongye chubanshe, 1997). Qi Kang, b. 1931 Qi Kang attended Nanjing Institute of Technology under the tutelage of Yang Tingbao, and joined the faculty of the school after graduation. As Yang Tingbao’s protégé, Qi Kang has also collected and edited almost all of Yang’s existing writings and works. In addition, Qi trained dozens of graduate students and was elected fellow of the Chinese Academy of Sciences. As a professional architect, Qi established a distinctive and powerful style of memorial and monu- mental architecture. Among his works are the Memorial Museum of the Nanjing Massacre and Yuhuatai Memorial Hall. Qinghua (Tsinghua) University Tsinghua School was founded in 1911, in part with the American repayment of the Boxer Indemnity penalties, as a school to prepare Chinese youth to study in the United States. Chen Zhi, Liang Sicheng, Yang Tingbao, and Tong Chuin all attended it before going to the University of Pennsylvania. -
Two Spheres: Mao and the Market in Chinese Architecture (1990-)
Two Spheres: Mao and the Market in Chinese Architecture (1990-) Jiawen Han A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy Australian School of Architecture and Design Faculty of the Built Environment August 2014 ABSTRACT Mao and the market, meaning the centralised state and the market, as expanded by Robin Porter, is the broad subject of this thesis. The aim of this study is to examine how changes in the social-political system, the residual influence of Mao, and the acceptance of the market, have changed Chinese architecture over recent time. The process from Mao to market currently cannot be easily situated within any overarching theory, nor is it a linear and systematic transition, but it has far reaching effects on every corner of China, every Chinese social group, from bureaucratic agendas to personal motives. Looking at the architecture from this perspective provides a strategy, a fresh way of reading architecture and architects, and a solid way of framing them under the uncertain nature of the socialist transition. This research re-examines the new wave of innovative architecture through three case studies of Liu Jiakun, Cui Kai, URBANUS and their designs in the context of a longer vision and a broader perspective, extending the research to an ideological level. The market, the West, the East, the state, the architect – all these elements are decisive factors in shaping contemporary architecture, but they make different contributions in different cases, and, more significantly, they affect architectural design at different points in time under different versions of socialism. In other words, the intricate details of the historical pressures and practical approaches have been clarified through case studies. -
2017 Editor Richard De Grijs Deputy Editor Ines Eben V
JOURNAL OF THE ROYAL ASIATIC SOCIETY China Vol. 77 No. 1, 2017 Editor Richard de Grijs Deputy Editor Ines Eben v. Racknitz Copyright 2017 RAS China The Journal of the Royal Asiatic Society China is published by Earnshaw Books on behalf of the Royal Asiatic Society China. Contributions The editor of the Journal invites submission of original unpublished scholarly articles and book reviews on the religion and philosophy, art and architecture, archaeology, anthropology and environment, of China. Books sent for review will be donated to the Royal Asiatic Society China Library. Contributors receive a copy of the Journal. Subscriptions Members receive a copy of the journal, with their paid annual membership fee. Individual copies will be sold to non-members, as available. Library Policy Copies and back issues of the Journal are available in the library. The library is available to members. www.royalasiaticsociety.org.cn Journal of the Royal Asiatic Society China Vol. 77 No. 1, 2017 978-988-8422-64-7 EB 097 © 2017 Royal Asiatic Society China The copyright of each article rests with the author. Designed and produced for RAS China by Earnshaw Books Ltd 17/F, Siu Ying Commercial Building, 151-155 Queen’s Road Central, Hong Kong All rights reserved. No part of this book may be reproduced in material form, by any means, whether graphic, electronic, mechanical or other, including photocopying or information storage, in whole or in part. May not be used to prepare other publications without written permission from the publisher. The Royal Asiatic Society China thanks Earnshaw Books for its valuable contribution and support. -
Architectural Characteristics and Transformation of Private Gardens of Nanjing in Modern Chinese History
Modern Landscape Architecture Architectural Characteristics and Transformation of Private Gardens of Nanjing in Modern Chinese History HUI WANG1, LEN JINZE2, OUYANG QIU3 College of Landscape Architecture Nanjing Forestry University College of Landscape Architecture of Nanjing Forestry University, Nanjing 210037 CHINA E-mail: [email protected] Abstract: - Research on modern private gardens of Nanjing, based on different historical stages, could be divided into two parts, the one focusing on gardens during the late Qing Dynasty and the other on gardens in the Republic of China period. This paper first elaborates on Xuyuan Garden and Zhanyuan Garden, two most representative gardens during the late Qing Dynasty and gives a brief introduction of another three “home gardens” built during the period of The Taiping Heavenly Kingdom. Afterwards, by probing into the former residence of distinguished figures, the author tries to summarize the landscape design techniques and styles of private gardens during the era of the Republic of China. Despite all these efforts, the research itself is still in infancy with vast potential for further study. It is expected that this research could fill a vacancy in the study in this field. Key-Words: - landscape architecture; private gardens; the late Qing Dynasty; the Republic of China ; construction technique; changes of architectural style 1 Hui Wang, Associate Professor, College of Landscape Architecture of Nanjing Forestry University. Deputy director general of the Kunming Landscape Administration Bureau. Member -
Chinese Architecture: a History
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Index Page numbers in boldface refer to Anqiu, Han tomb in, 44 Baodingshan, 176–77, 178 Big/Little Dipper(s), 32, 109, 146, figures. Anxiwangfu, 200–201 Bao’en Monastery: in Nanjing, 223, 260 Anyang, 14–16, 15, 25; Buddhist 314, 316; in Sichuan, 249, 290; Binglingsi, 84, 85 A caves in, 88, 89, 89–90; in Suzhou, pagoda of, 180, 182, Binyang caves, 87 Aai, 93 pagoda in, 97. See also Xiaotun; 215, 282 Bishushanzhuang. See Chengde Abaoji, 136, 138, 144, 192 Xibeigang Baoguo Monastery: in Fuzhou, Bixia Shrine, 251 abbot’s hall, 172 Anyi, 20, 21, 32 Daxiongbao Hall of, 156, 166–67, Biyong, 37, 38, 39, 120, 262, 262 abstinence (hall), 76, 183, 227, 232, Anyuanmiao (Temple), 283 167, 168, 184, 204; on Mount Biyunsi (Monastery), in Beijing, 233, 238, 260 Anyue, caves in, 177 Emei, 254; in Yuncheng, 117 273, 274, 284, 327, 333; in Shanxi, Acheng, 195–96, 196 Aohanqi, 8 Baoji, 17 126, 131 “Admonitions of the Court Aolimi, tombs in, 186 baosha, 165, 264 bizhu, 98, 99 Instructress,” 82 apsara, 143, 250 Baoshan, 24, 25; caves, 88, 89–90, block-house/block-like style Adunqiaolu. See Aduuchuluu Arabs, 106 118; tombs in, 144, 145 architecture, 268–69, 269, 276, Aduuchuluu, 16 “architect,” in China, 1, 150, 314 barbarian, 136 279, 284, 311 air shaft, 79, 120, 125 architrave, 6, 98, 99, 100, 101, 113, batter, 113, 127, 130, 163, 165, 204, Board of Works, 228, 314 Allied Architects, 322, 328, 334 113, 131, 154, 158, 159, 160, 161, 207, 209, 210, 211 boat-shaped dwellings, 311 Almaliq, 201 163, 174, 204, 210, 229, 280 bay system, 153–54, 154, 293 Book of Changes.