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For best results, print this page out on: Note: Make sure to print actual For best results, print this page out on: NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or size (do not choose 'Shrink to fit NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 DISC 2 DISC 3 Set I Set I (cont’d) Set II (cont’d) 01 Punch You In The Eye (8:35) 01 Julius (8:40) 01 Halley’s Comet (6:33) Anastasio Anastasio/Marshall Wright 02 Backwards Down The Number Line (8:00) Set II 02 2001 (6:07) Anastasio/Marshall Deodato*** 02 Down With Disease (19:23) 03 Axilla I (3:26) Anastasio/Marshall 03 David Bowie (11:00) Anastasio/Marshall/Herman Anastasio 03 Piper (9:14) 04 Taste (9:07) Anastasio/Marshall Encore Anastasio/Fishman/Gordon/McConnell/Marshall 04 Fluffhead (15:04) 04 Character Zero (6:48) 05 Boogie On Reggae Woman (5:45) Anastasio/Pollak Anastasio/Marshall Wonder* 05 Cities (6:49) 06 Stash (11:45) Byrne** Anastasio/Marshall 06 Free (7:05) Madison Square Garden 07 Lawn Boy (3:06) Anastasio/Marshall New York, New York Anastasio/Marshall 12.03.09 PHISH: Trey Anastasio, Jon Fishman, 08 Time Turns Elastic (15:21) Mike Gordon, Page McConnell Anastasio Recorded by Timothy Powell 09 Back On The Train (7:03) Post-Production by Micah Gordon Anastasio/Marshall Phish Inc. is Beth Montuori Rowles, Kevin Shapiro, Julia Mordaunt, and Ben Collette All songs copyright Who Is She? Music, Inc. (BMI) except for: *Black Bull Music Inc. (ASCAP), Jobete Music Co Inc. (ASCAP); **Bleu Disque Music Co Inc. (ASCAP); ***EMI Full Keel Music (ASCAP). Released December 2009 2009 Phish. All rights reserved. WARNING: Unauthorized reproduction of this recording is prohibited by Federal law and subject to criminal prosecution..

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Appendix D: Remedies 1 Appendix D: Remedies
www.GetPedia.com * More than 500,000 Interesting Articles waiting for you . * The Ebook starts from the next page : Enjoy ! Introduction 1 Introduction The Sunfood Diet is the promise that we can become something more – that there is a better way to live. You can be totally rejuvenated. You can walk the Earth barefoot again as you did as a child, feeling the blades of grass beneath your feet, touching the flower petals, chasing the butterflies, watching the ants, thinking clearly and calmly. Within you is the power which will astonish you. Within you are the seeds of greatness, of beauty, of discipline, of excellence, of destiny. This is the last moment of the way you used to be. It is time to give yourself permission to reach the absolutely highest possible state of health. What good are all the possessions in the world if you do not have your health? What good are material experiences if you do not have the intense vibrancy to enjoy them? The Sunfood Diet is the product of a new will-to-health, a new will-to-life, arising from ashen foods like a phoenix all over the world. The Sunfood Diet identifies those foods that allow the body to work to its maximum potential. The Sunfood lifestyle teaches that robust health is the natural state; inspired energy is our natural birthright. It demonstrates how to purify your physical body and unlock the key to your maximum potential. Sunfoods beautify the body, mind, and spirit. They carry with them the vitality of health and life – the vibrant Sun energy that nourishes all life on Earth.
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Discovery to Delivery Biovision Alexandria 2004
Discovery to Delivery BioVision Alexandria 2004 Discovery to Delivery BioVision Alexandria 2004 Editors: Ismail Serageldin Gabrielle J. Persley The Doyle Foundation Bibliotheca Alexandrina Cataloging-in-Publication Data Discovery to delivery : BioVision Alexandria 2004 / editors, Ismail Serageldin, Gabrielle J. Persley. – Alexandria : Bibliotheca Alexandrina, 2005. p. cm. ISBN 1. Biotechnology – Congresses. 2. Crops – Genetic engineering. I. Serageldin, Ismail, 1944- II. Persley, G. J. 660.6--dc21 2005236017 ISBN 977-6163-01-7 Dar El Kotob Depository Number 5240/2005 Cover, text design and layout: Mohammad Maher © Bibliotheca Alexandrina, 2005 All rights are reserved by the Bibliotheca Alexandrina. However, for non-commercial purposes, this publication may be freely reviewed, abstracted, reproduced or translated in part or in whole, stored or introduced in a retrieval system or transmitted in any form or by any means, electronic, mechanic, photocopying, recording or otherwise without prior permission of the Bibliotheca Alexandrina provided that the source is acknowledged/credited. The information in this publication is solely the responsibility of the authors. Printed in EGYPT 1000 copies Bibliotheca Alexandrina www.bibalex.org The Doyle Foundation www.doylefoundation.org Suggested Citation: Serageldin, I., and G.J. Persley (eds.) 2005. Discovery to Delivery: BioVision Alexandria 2004. Bibliotheca Alexandrina, El-Shatby-Alexandria 21526, Egypt. www.bibalex.org/bioalex2004conf Contents Preface xiii Acknowledgments xv Contributors xvii Acronyms and Abbreviations xxi Forewords: H.E. Atef Ebeid, Arab Republic of Egypt xxiii Ibrahim Badran, Arab Republic of Egypt xxv Philippe Desmarescaux, BioVision France xxvi Massimo Garzelli, UNIDO xxviii François Gros, Academy of Sciences, France xxxi Mohamed H.A. Hassan, Third World Academy of xxxii Science Koji Omi, Japanese House of Representatives xxxiv Mamphela Ramphele, The World Bank xxxv Section 1: Nobel Laureates: Perceptions and Insights 1.
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WWJW: What Would Jesus Wear?
THE MASSACHUSEttS DAILY COLLEGIAN TUESDAY, MAY 3, 2011ARTS“Good luck exploring& the infinite abyss.”L - AndrewIVING Laregman, “Garden State” [email protected] WWJW: What would Jesus wear? S. P. SULLIVAN/COLLEGIAN The Collegian’s own Andrew Sheridan models the “I love Jesus” boxer briefs from New York Designer Jason Sutherland, founder of the company “Piss & Vinegar.” Their line of “I Love...” underwear also includes “Buddah,” “Girls ” and “Boys,” with a style to suit any wearer. The iconic undies are all about humor and self expression. BY ANDREW SHERIDAN thing you can to find the energy needed to be some- Upon arriving at my church, I was informed that Undeterred, I continued my trek and headed to COLLEGIAN STAFF thing and more,” said Sutherland in a recent interview. the children’s message I had been roped into partici- Chinatown to meet up with a girl who staunchly Sutherland is a pioneer in the industry, doing to boxers pating in had been called off. Someone lost the script, claimed that her middle name was, in fact, “danger.” (Editor’s note: This story was originally published and briefs what Hot Topic has done for t-shirts. so I didn’t have to do a thing. I chalked that up to a My omnipotent shorts must have known my inten- on January 17, 2010.) While he does see the humor in his over-the-top win for the man with God in his pants, and sat back tions with this young lady were impious, because These days, symbols of faith seem to be in high fash- designs, Sutherland uses iconic figures for a pur- and listened to the day’s sermon.
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Vasoline STONE TEMPLE PILOTS
May 27, 1994 ISSUE #376 The 4-• 95 708 Stokes Road o Medford, N.J. 08055 Phone: 609.654.7272 fax: 609.654.6852 TOP P RIORITY à Vasoline STONE TEMPLE PILOTS VASOLINE TRIPLE A CE DULCINEA A LTERNATIVE PICK Beastie Boys ILL COM MUNICATION H ARD I-1 fITE R A RTISTRY. INTE GRITY. H ONESTY. A ND ONE HELL OF A SO U N D FRO M T H A T BOTTLE NECK GUITAR. déLEINGING The:Iïew track from tig "kSql Already on: WSHE KTXG1 WM MR WPYX WBAB WRDU WHCN WRXR WSFL WROG1 KMJX KLBJ KEZE KCLB KCQR KFMF KSEZ WBLM KG1WB KRZZ WRCG1 WAPL KSMY and ma . U .S . T O U R S T A R T S T H IS J U L Y : 7 El: M IL W A U K E E, W I • 7/ 9: A U B U R N H ILL S, M I • 7 1 0: C IN CI N N A TI, O H • 7/ I 2: N OBLESVILLE, IN • 7/ 1 3: C O L U M B U S, O H • 7/ 1 5 S. 1 6: B O S T O N, M A • 7/ 1 7: F AY S T O N, V T • 7/ 1 9: P O R T L A N D, M E • 7/ 2 0: N E W H A V E N, C T • 7/ 2 2: H O L M D E L, N J • 7/ 2 4: H E R S H E Y, P A • 7/ 2 5: L E N O X, M A • 7' 2 S : S A R A T O G A S P RI N G S, N Y • 7/ 2 9: C O L U M BI A, M D • 7/ 3 1 & B 1: V IE N N A, V A • 13/ 3 S.
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Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles
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Outside Front Outside Back
For best results, print this page out on: Supplies available from Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or http://www.phish.com/drygoods (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 DISC 2 Set I Set II 01 AC/DC Bag (7:13) 01 Wilson (5:04) Anastasio Anastasio/Marshall/Woolf 02 Camelwalk (5:11) 02 Down With Disease (9:40) Holdsworth Anastasio/Marshall 03 Crowd Control (4:54) 03 99 Problems* (4:22) Anastasio/Marshall Carter/Henderson/Marrow/Landsberg/ Pappalardi/Rubin/Squier/Ventura/Weinstein 04 Stash (12:22) Anastasio/Marshall 04 Big Pimpin'** (3:32) Carter/Joshua/Mosley 05 Cars, Trucks, Buses (4:27) McConnell 05 Chalk Dust Torture (16:07) Anastasio/Marshall 06 Carini (7:43) Anastasio/Fishman/Gordon/McConnell 06 Harry Hood (11:43) Anastasio/Fishman/Gordon/McConnell/Long 07 My Sweet One (2:08) KeySpan Park Fishman 07 Taste (11:35) Brooklyn, NY PHISH: 06.18.04 Anastasio/Fishman/Gordon/McConnell/ 08 Character Zero (6:43) Marshall Trey Anastasio Anastasio/Marshall Jon Fishman Encore Mike Gordon 09 Tweezer (15:18) Page McConnell Anastasio/Fishman/Gordon/McConnell 08 Bug (7:31) Anastasio/Marshall Special guest appearance by Jay-Z on: disc 2, tracks 3 & 4 09 Tweezer Reprise (3:22) Anastasio/Fishman/Gordon/McConnell Recorded by Paul Languedoc Post-Production: Brad Serling (nugs.net) All selections copyright Who Is She? Music, Inc. (BMI) except *Careers BMG Music Publishing, Inc.
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Moskovitz Research Paper
!1" Moskovitz:"Phish"Fan"Research"Paper/Spring"2015" Birds of a Feather: Phish Fans as an Information Community Submitted by Amy S. Moskovitz LIBR 200-12: Information Communities Dr. Michael Stevens April 29, 2015 Abstract Fans of the band Phish are a large and unique community requiring information and social connectedness to thrive. By examining and evaluating scholarly literature on information communities, music fans, Phish and Phish fans, as well as popular, fan-generated sources and informal conversations with fans, this research paper serves to create a comprehensive overview of this community. It focuses on their information needs, practices and preferences and their !2" Moskovitz:"Phish"Fan"Research"Paper/Spring"2015" information seeking behavior. The author finds that Phish fans seek information on a variety of topics related to their fandom and do so mostly via internet-based and user-generated websites and social networking. The research reveals that this information community values social interaction as well as technology and often exploits both to reinforce and satisfy their information goals and social bonds. The author also critically analyzes the findings and resources available to the Phish fan community and provides suggestions for information professionals on how to better assist this community with their information needs." Introduction “Birds of a feather are flocking outside.” –Phish Birds of a Feather (Phish, 1998) The phrase “birds of a feather flock together” is a fitting metaphor for music fans and information communities. Fisher and Durrance (2003) define an information community as a group that forms around a specific need for information. Music fans are not a new type of information community.
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Album Review
Undermind PHISH, 2004 Elektra 62969-2 Phish called it quits in the summer of 2004, disappointing legions of their ‘‘phans’’ with a decision that was ultimately an interesting exercise in artistic integrity. Put succinctly, they were not feeling it any more. Three-quarters of the band felt that they had run their course; that they had had a great ride—one marked by phenomenal successes, most of which were hardly noticed by mainstream media and culture—but knew or felt, somehow, that enough was enough. No acrimonious fights and no bitter rifts. They wanted, quite simply, to go out on top. Chief among their concerns was a fear of becoming a nostalgia act, of turning into caricatures, of rehashing themselves and their songs beyond the point of healthy return. It was a fascinating decision by a fascinating band. The band built up a loyal and dedicated following due, in large part, to the nature of their concerts. Both set lists and song duration were ever changing. The band fashioned a sound that drew from a wide array of influences and musical styles or genres, evident not only in their own songs, but in their choice of cover material (one of a few key elements of the Phish experience). As with 1960s icons the Grateful Dead (a facile and often misguided comparison), no two Phish performances were ever alike. And it was this element of surprise and discovery that kept phans positively hooked. Followers of Phish formed and maintained a bona fide, full-blown (sub)culture and they provide a rich and fascinating case study indeed.
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OVER CENSORSHIP by AUSTIN AIRENSBERG, PAIGE Judicious, Compassionate, and Profes- Initial Charges Fell Through
fThePHLPIN ? F Li ~~~~~~~~~~~~~~~~~~~~~~~ONTHEWB olUMe cdarywwwphillipian.com Volume CXXIV, Number 10 Phllp Academy, Andover, Massachusett ay 18,2001 Former Faculty Member David Cobb POPURRI~DEA On Dismissal, Conviction, Sentence SPARKS TENSION GRANTS PHILLIPIAN INTER VIEW FROM NEW HAMPSHIRE PRISON OVER CENSORSHIP By AUSTIN AIRENSBERG, PAIGE judicious, compassionate, and profes- initial charges fell through. The police YEROK7EES SET K AUSTIN, and ROSS PERLIN sionl. had thought they were not child porn. BACKOKRLESES In the spring of 1996, a 27-year The FBI ruled they were not child _________ ~veteran of the Phillips Academy Eng- Phillipin: What are you doing with porn. The postal experts ruled they Aae yPo dre ad lish department, David Cobb, was con- your time in prison? were not child porn. New England's A ae yPoeue n victed of attempted child molestation leading sex offender clinic said they Problems with Publish- ,and possession of child pornography in DC: For five years, seven days a week, were not child porn. The judge's own the state of New Hampshire. Mr. Cobb I have scrubbed toilets, showers, and senior court investigator said they were e a s ea was dismissed from the faculty follow- urinals, and I have even more years of not child porn. The prison's senior e as ea ing his arrest in the summer of 1995. the same job .. I am not allowed to shrink, just before he retired in 1996,ByMCALRD N During his time at PA, Mr. Cobb teach or use my education or experi- said they were not child porn. MyByICALRD N served as Dean of Students and Resi- ence in any way, because of the prose,- lawyers and their consultants said they Det isddalns ihp dential Life, Dean of Flagstaff cluster cutor's personal issues with,"Phillips were not child porn.
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SUNFOOD DIET SUCCESS SYSTEM This Book Contains Little-Known Truths Regarding the Human Body's Amazing Secrets
THE SUNFOOD DIET SUCCESS SYSTEM This book contains little-known truths regarding the human body's amazing secrets. A Note To The Reader: Each lesson in this book contains facts, concepts, and ideas that build upon the lessons before it. Therefore, on the first time through, we urge the reader to avoid skipping around. The reading will surely prove most fruitful if you begin at the Table Of Contents and read straight through. It is our desire that a thousand years hence the contents of this book will be as up-to-date as at this moment. A lifestyle based on the cosmic laws is always in order and never becomes obsolete. WHAT PEOPLE ARE SAYING ABOUT Unless otherwise noted, all poems are the author's work. The Sunfood Diet Success System Disclaimer: This book is sold for information purposes only. Neither the author, the publisher, nor the distributors will be held accountable for the use or misuse of the information contained in this book. This book is not intended as medical advice because the author and publisher of this work "The philosophy and teachings of The Sunfood Diet Success System are do not recommend the use of cooked foods or medicines to alleviate health challenges. Because there is always some risk involved, the author, publisher and/or distributors of this book are not terrific. The foundational law is the key understanding of this book: 'one thing responsible for any adverse effects or consequences resulting from the use of any suggestions or does lead to another.' David Wolfe, in a beautifully authentic way, plants the procedures described hereafter.
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Outside Front Outside Back
For best results, print this page out on: Supplies available from Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or http://www.phish.com/drygoods (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 disc 2, continued disc 3, continued Set I Set II Encore 01 Buried Alive (4:06) 03 46 Days (7:37) 07 Sneakin' Sally Through The Alley Anastasio Anastasio/Marshall (4:53) Toussaint****** 02 AC/DC Bag (12:34) 04 Drowned (12:01) Anastasio Townshend*** 08 Vocal Jam (7:19) Anastasio/Fishman/Gordon/McConnell 03 Limb By Limb (11:22) 05 2001 (5:44) Anastasio/Marshall/Herman Deodato**** 04 Moma Dance (14:00) 06 Down With Disease (16:58) Anastasio/Fishman/Gordon/McConnell/ Anastasio/Marshall Marshall 07 Free (10:44) 05 Old Home Place (4:01) Anastasio/Marshall Jayne/Webb* 06 Roggae (10:01) DISC 3 Anastasio/Fishman/Gordon/McConnell/ Thomas and Mack Center Set II, continued Marshall 04.15.04 Las Vegas, NV PHISH: 07 Water In The Sky (5:45) 01 Scent Of A Mule (5:32) Trey Anastasio Gordon Anastasio/Marshall Jon Fishman Mike Gordon 08 All Of These Dreams (4:35) 02 Girls, Girls, Girls (6:36) Page McConnell Bailey/Belton/Brock/Carter/Fleming/Miller/ Anastasio/Marshall/Herman Payne/Relf/Smith***** Recorded by Paul Languedoc Post-Production: Brad Serling (nugs.net) 03 Scent Of A Mule (3:12) DISC 2 Gordon All selections © Who Is She? Music, Inc.
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A Phan on Phish: Live Improvised Music in Five Performative Commitments
A Phan on Phish: Live Improvised Music in Five Performative Commitments Jna n A . Bla u Abstract Explored as a series of five interrelated performative commitments, the author takes seriously the notion that live musical performance, especially when it is pervaded by an improvisational ethos, can be <jUite powerful and well worth close examination. In particular. the band Phish, with its devout subcultural following of "phans," is mined as a rich site for critical, theoretical, and descriptive fodder. The author writes as both a phan and a scholar, drawing from his own experiences seeing Phish live on many occasions as well as from an interdisciplinary body ofscholarly literature. The essay provides insight not only into the Phish phenomenon but also into the intersections of performance, communication, popular music, and critical cultural studies. Here we go. Pbisb, in downtown Cincinnati, Winter '03. 1 As popular jam band Phish was beginning to sell out They open the set with two shorter, more straight midsize venues across the United States in the mid-1990s, ahead rockers, a solid way to get us psyched. But, it's lead guitarist Trey Anastasio (as cited in Gill, 1994) once time to get more ambitious. It's time for a big jam. shared, "OK, what do you have for us now, boys?," I think to myself. The other day I was reading The Noam Chomsky Rea They start building a cloud of amorphous sound. der, and there was this great quote in there-"The They stretch it out and build it, looping guitar twin beginning and end ofall philosophy is freedom."[....] kles and bass whooshes around a swirl of cymbals "lbat quote is true, because when we get onstage we and spacey keys.
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