Kazi Nazrul Islam - Poems
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Poetry and History: Bengali Maṅgal-Kābya and Social Change in Precolonial Bengal David L
Western Washington University Western CEDAR A Collection of Open Access Books and Books and Monographs Monographs 2008 Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal David L. Curley Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/cedarbooks Part of the Near Eastern Languages and Societies Commons Recommended Citation Curley, David L., "Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal" (2008). A Collection of Open Access Books and Monographs. 5. https://cedar.wwu.edu/cedarbooks/5 This Book is brought to you for free and open access by the Books and Monographs at Western CEDAR. It has been accepted for inclusion in A Collection of Open Access Books and Monographs by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Table of Contents Acknowledgements. 1. A Historian’s Introduction to Reading Mangal-Kabya. 2. Kings and Commerce on an Agrarian Frontier: Kalketu’s Story in Mukunda’s Candimangal. 3. Marriage, Honor, Agency, and Trials by Ordeal: Women’s Gender Roles in Candimangal. 4. ‘Tribute Exchange’ and the Liminality of Foreign Merchants in Mukunda’s Candimangal. 5. ‘Voluntary’ Relationships and Royal Gifts of Pan in Mughal Bengal. 6. Maharaja Krsnacandra, Hinduism and Kingship in the Contact Zone of Bengal. 7. Lost Meanings and New Stories: Candimangal after British Dominance. Index. Acknowledgements This collection of essays was made possible by the wonderful, multidisciplinary education in history and literature which I received at the University of Chicago. It is a pleasure to thank my living teachers, Herman Sinaiko, Ronald B. -
Chapter- II Kazi Nazrul Islam's Works Having Less Or No Perso-Arabic Words
52 Chapter- II Kazi Nazrul Islam's works having less or no Perso-Arabic words "Nazrul Islam used comparatively less Perso-Arabic words in the love and nature related poems and did not use abundant of Perso-Arabic words in the poems which were written in "Payer Chhanda"— remarks of the Authority on Nazrul Islam's work's Dr. Rafiqul Islam, Department of Bengali of Dhaka University. In sorting out titles of this chapter, the mile stone is fixed upto 150 Perso-Arabic words or less used in a title. Bengali race being predomi nantly consisted of Hindus and Muslims, Nazrul Islam did use traditional words of both the socities together for analogy and traditional words can not display themselves side by side in a nicely manner and meaningful bearings. There are so many words in usage in Hindu society to create Hindu environment where as there are words used in Muslim societyto indicate Muslim environment. Nazrul created appropriate environment for his situation using appropriate words which go easy to the depth of the situation and got the acceptance of the mass people of both the socities to differentiate and high light this inequlity of using less Perso-Arabic words, the following titles were sorted out. The figure on the right side in the bracket or at the end of each word indicate number of time the word used in the book (poeti'y) 53 Titk'S Arabic words Persian words Total l^erso-Arabic Words l.Chittanama(1925) 15 09 24 2. Gitishatadal(1934) 14 23 37 3.Chakrabak(1929) 20 20 40 4.ProlayShikha(1930) 19 25 44 5. -
IBEF Presentataion
WEST BENGAL CULTURALLY ARTISTIC For updated information, please visit www.ibef.org July 2017 Table of Content Executive Summary .…………….….……...3 Advantage State ...………………………….4 Vision 2022 …………..……..…………..…..5 West Bengal – An Introduction …….……....6 Annual Budget 2015-16 ……………………18 Infrastructure Status ..................................19 Business Opportunities ……..…………......42 Doing Business in West Bengal …...……...63 State Acts & Policies ….….………..............68 EXECUTIVE SUMMARY One of the largest state . West Bengal, India’s 6th largest economy, had a gross state domestic product (GSDP) of US$ 140.56 billion economies in 2016-17. The state’s GSDP grew at a CAGR of 10.42% during 2005-16. Kolkata as the next IT . By 2015-16, 8 IT parks located at Barjora, Rajarhat, Asansol, Durgapur Phase II, Bolpur, Siliguri Phase II, Puralia & Kharagpur started operating. Establishment of 7 new IT parks at Haldia, Krishnanagar, Kalyani, hub Bantala, Taratala, Howrah, Malda is expected to start soon in next 5 years. Major producer of . In 2016-17, West Bengal was the 2nd largest producer of potato in India, accounting for about 25.06% of the potato country’s potato output. The state’s potato production stood at 11 million tonnes in 2016-17. West Bengal is the largest producer of rice in India. In 2016-17, rice production in West Bengal totalled to Largest rice producer 16.2 million tonnes, which is expected to cross 17 million tonnes by 2017. West Bengal is the 3rd largest state in India in term of mineral production, accounting for about one-fifth of Coal rich state total mineral production. Coal accounts for 99% of extracted minerals. Source: Statistics of West Bengal, Government of West Bengal 3 WEST BENGAL For updated information, please visit www.ibef.org ADVANTAGE: WEST BENGAL 2014-15 Geographic and cost advantage Rich labour pool 2022-23 T . -
Introduction to Bengali, Part I
R E F O R T R E S U M E S ED 012 811 48 AA 000 171 INTRODUCTION TO BENGALI, PART I. BY- DIMOCK, EDWARD, JR. AND OTHERS CHICAGO UNIV., ILL., SOUTH ASIALANG. AND AREA CTR REPORT NUMBER NDEA.--VI--153 PUB DATE 64 EDRS PRICE MF -$1.50 HC$16.04 401P. DESCRIPTORS-- *BENGALI, GRAMMAR, PHONOLOGY, *LANGUAGE INSTRUCTION, FHONOTAPE RECORDINGS, *PATTERN DRILLS (LANGUAGE), *LANGUAGE AIDS, *SPEECHINSTRUCTION, THE MATERIALS FOR A BASIC COURSE IN SPOKENBENGALI PRESENTED IN THIS BOOK WERE PREPARED BYREVISION OF AN EARLIER WORK DATED 1959. THE REVISIONWAS BASED ON EXPERIENCE GAINED FROM 2 YEARS OF CLASSROOMWORK WITH THE INITIAL COURSE MATERIALS AND ON ADVICE AND COMMENTS RECEIVEDFROM THOSE TO WHOM THE FIRST DRAFT WAS SENT FOR CRITICISM.THE AUTHORS OF THIS COURSE ACKNOWLEDGE THE BENEFITS THIS REVISIONHAS GAINED FROM ANOTHER COURSE, "SPOKEN BENGALI,"ALSO WRITTEN IN 1959, BY FERGUSON AND SATTERWAITE, BUT THEY POINTOUT THAT THE EMPHASIS OF THE OTHER COURSE IS DIFFERENTFROM THAT OF THE "INTRODUCTION TO BENGALI." FOR THIS COURSE, CONVERSATIONAND DRILLS ARE ORIENTED MORE TOWARDCULTURAL CONCEPTS THAN TOWARD PRACTICAL SITUATIONS. THIS APPROACHAIMS AT A COMPROMISE BETWEEN PURELY STRUCTURAL AND PURELYCULTURAL ORIENTATION. TAPE RECORDINGS HAVE BEEN PREPAREDOF THE MATERIALS IN THIS BOOK WITH THE EXCEPTION OF THEEXPLANATORY SECTIONS AND TRANSLATION DRILLS. THIS BOOK HAS BEEN PLANNEDTO BE USED IN CONJUNCTION WITH THOSE RECORDINGS.EARLY LESSONS PLACE MUCH STRESS ON INTONATION WHIM: MUST BEHEARD TO BE UNDERSTOOD. PATTERN DRILLS OF ENGLISH TO BENGALIARE GIVEN IN THE TEXT, BUT BENGALI TO ENGLISH DRILLS WERE LEFTTO THE CLASSROOM INSTRUCTOR TO PREPARE. SUCH DRILLS WERE INCLUDED,HOWEVER, ON THE TAPES. -
Sharmila Roy, Internationally Acclaimed Tagore Scholar & Singer
Sharmila Roy, internationally acclaimed Tagore scholar & singer. Sharmila Roy grew up on the idyllic campus of Vishva Bharati University, Shantiniketan, which was founded by Nobel Laureate poet Rabindranath Tagore (1913, in literature). This resulted in her experiencing Tagore’s music, poetry, dance dramas, and his world embracing philosophy as part of everyday life at the Ashram-like setting of this school. Besides receiving her formal degrees from Calcutta University (English) and from Shantiniketan (Graphic Arts), she studied Tagore songs and classical Indian music in Shantiniketan and in Kolkata. She came to Paris in 1975 on a French government scholarship to study art after which she did her Doctoral studies at the Sorbonne, Paris. Her beautifully evocative voice has enriched the works of world class directors like Satyajit Ray (JanaAranya/Middleman), Nacer Khemir (in Bab'Aziz), Peter Brook (in The Mahabharata) and others. She has adapted and directed several dance dramas of Tagore in French, besides translating into French works by Kazi Nazrul Islam, Lalon Fakir and the wandering Baul musicians/minstrels of Bengal. She has done French subtitles for Satyajit Ray's films, participated in several documentary films and has written on the music in Satyajit Ray's films for such publications as "Positif", a French cinema journal. She has a wide discography, starting with Grammophone Company of India and RPG, Virgin, Real World, ALM Kojima, EMI, Erato Warner, Prime Records, Long Distance, Disques Meys, Adarsh Media, etc. She has represented India in many international festivals and collaborated with contemporary dancers and composers of different traditions and cultures such as the Battery Dance Company, NY; Kudsi Ergunar of Turkey; Annemarie Porras of France, etc. -
A Hermeneutic Study of Bengali Modernism
Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern. -
KRAKAUER-DISSERTATION-2014.Pdf (10.23Mb)
Copyright by Benjamin Samuel Krakauer 2014 The Dissertation Committee for Benjamin Samuel Krakauer Certifies that this is the approved version of the following dissertation: Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music Committee: Stephen Slawek, Supervisor Charles Capwell Kaushik Ghosh Kathryn Hansen Robin Moore Sonia Seeman Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music by Benjamin Samuel Krakauer, B.A.Music; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Dedication This work is dedicated to all of the Bāul-Fakir musicians who were so kind, hospitable, and encouraging to me during my time in West Bengal. Without their friendship and generosity this work would not have been possible. জয় 巁쇁! Acknowledgements I am grateful to many friends, family members, and colleagues for their support, encouragement, and valuable input. Thanks to my parents, Henry and Sarah Krakauer for proofreading my chapter drafts, and for encouraging me to pursue my academic and artistic interests; to Laura Ogburn for her help and suggestions on innumerable proposals, abstracts, and drafts, and for cheering me up during difficult times; to Mark and Ilana Krakauer for being such supportive siblings; to Stephen Slawek for his valuable input and advice throughout my time at UT; to Kathryn Hansen -
The Black Hole of Empire
Th e Black Hole of Empire Th e Black Hole of Empire History of a Global Practice of Power Partha Chatterjee Princeton University Press Princeton and Oxford Copyright © 2012 by Princeton University Press Requests for permission to reproduce material from this work should be sent to Permissions, Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu All Rights Reserved Library of Congress Cataloging-in-Publication Data Chatterjee, Partha, 1947- Th e black hole of empire : history of a global practice of power / Partha Chatterjee. p. cm. Includes bibliographical references and index. ISBN 978-0-691-15200-4 (hardcover : alk. paper)— ISBN 978-0-691-15201-1 (pbk. : alk. paper) 1. Bengal (India)—Colonization—History—18th century. 2. Black Hole Incident, Calcutta, India, 1756. 3. East India Company—History—18th century. 4. Imperialism—History. 5. Europe—Colonies—History. I. Title. DS465.C53 2011 954'.14029—dc23 2011028355 British Library Cataloging-in-Publication Data is available Th is book has been composed in Adobe Caslon Pro Printed on acid-free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 To the amazing surgeons and physicians who have kept me alive and working This page intentionally left blank Contents List of Illustrations ix Preface xi Chapter One Outrage in Calcutta 1 Th e Travels of a Monument—Old Fort William—A New Nawab—Th e Fall -
'Aradhona' a University of Visual & Performing Arts By
‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS BY IFREET RAHIMA 09108004 SEMINAR II Submitted in partial fulfillment of the requirements for the degree of Bachelors of Architecture Department of Architecture BRAC University SUMMER 2013 DISSERTATION THE DESIGN OF ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS This dissertation is submitted to the Department of Architecture in partial gratification of the exigency for the degree of Bachelor of Architecture (B.Arch.) at BRAC University, Dhaka, Bangladesh IFREET RAHIMA 09108004 5TH YEAR, DEPARTMENT OF ARCHITECTURE BRAC UNIVERSITY, DHAKA FALL 2013 DECLARATION The work contained in this study has not been submitted elsewhere for any other degree or qualification and unless otherwise referenced it is the author’s own work. STATEMENT OF COPYRIGHT The copyright of this dissertation rests with the Architecture Discipline. No quotation from it should be published without their consent. RAHIMA | i ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS A Design Dissertation submitted to the Department of Architecture in partial fulfillment of the requirement for the Degree of Bachelor of Architecture (B.Arch) under the Faculty of BRAC University, Dhaka. The textual and visual contents of the Design Dissertation are the intellectual output of the student mentioned below unless otherwise mentioned. Information given within this Design Dissertation is true to the best knowledge of the student mentioned below. All possible efforts have been made by the author to acknowledge the secondary sources information. Right to further modification and /or publication of this Design Dissertation in any form belongs to its author. Contents within this Design Dissertation can be reproduced with due acknowledgement for academic purposes only without written consent from the author. -
Kazi Nazrul Islam
Classic Poetry Series Kazi Nazrul Islam - 265 poems - Publication Date: 2012 Publisher: PoemHunter.Com - The World's Poetry Archive Kazi Nazrul Islam (24 May 1899 - 29 August 1976) Kazi Nazrul Islam was a Bengali poet, musician and revolutionary who pioneered poetic works espousing intense spiritual rebellion against fascism and oppression. His poetry and nationalist activism earned him the popular title of Bidrohi Kobi (Rebel Poet). Accomplishing a large body of acclaimed works through his life, Nazrul is officially recognised as the national poet of Bangladesh and commemorated in India. Born into a Muslim quazi (justice) family in India, Nazrul received religious education and worked as a muezzin at a local mosque. He learned of poetry, drama, and literature while working with theatrical groups. After serving in the British Indian Army, Nazrul established himself as a journalist in Kolkata (then Calcutta). He assailed the British Raj in India and preached revolution through his poetic works, such as 'Bidrohi' ('The Rebel') and 'Bhangar Gaan' ('The Song of Destruction'), as well as his publication 'Dhumketu' ('The Comet'). His impassioned activism in the Indian independence movement often led to his imprisonment by British authorities. While in prison, Nazrul wrote the 'Rajbandir Jabanbandi' ('Deposition of a Political Prisoner'). Exploring the life and conditions of the downtrodden masses of India, Nazrul worked for their emancipation. Nazrul's writings explore themes such as love, freedom, and revolution; he opposed all bigotry, including religious and gender. Throughout his career, Nazrul wrote short stories, novels, and essays but is best-known for his poems, in which he pioneered new forms such as Bengali ghazals. -
GOD BETWEEN the LINES GOD BETWEEN God Between the Lines Ed
GOD BETWEENGOD THE LINES God Between the Lines ed. by Tiziano Tosolini God Between the Lines The authors under study here belong to a wide and heteroge- neous religious background. Kazi Nazrul Islam (1899–1976), the Rebel Poet of Bangla- desh, was a Muslim. Yusuf Bilyarta Mangunwijaya (1929–1999), the priest-architect of Indonesia, was a Catholic. Endō Shūsaku (1923–1996), the restless-novelist of Japan, was also a Catholic, while Huang Chun Ming (1935–), the farmer-novelist of Taiwan, is a Folk Religion believer. These authors, while very much immersed and situated in Tosolini Tiziano their own specific time and context, expressed and witnessed a common human con- cern, although it was embodied in culturally different forms. Furthermore, they man- ifested in their literary production an outstanding capability of reflecting, interpreting and narrating the cultural core of being Bengali, Indonesian, Japanese and Taiwanese respectively —From the Introduction Asian Study Centre Study Asian tudy S C n en ia t s r e A Xaverian Missionaries – Japan God Between the Lines Asian Study Centre Series FABRIZIO TOSOLINI. Esperienza Missionaria in Paolo. 2002. S. Targa, F. Tosolini, T. Tosolini. To What Needs are Our Cultures Responding? 2003. S. Targa, F. Tosolini, T. Tosolini. Culture and Alterity. 2004. S. Targa, F. Tosolini, T. Tosolini. Experiences of Conversion. 2005. Fabrizio Tosolini. The Letter to the Romans and St. Paul’s Grace and Apostleship:Towards a New Interpretation. Edited with Fu Jen Catholic University Press, Taipei, Taiwan. 2005. Tiziano Tosolini. Controstorie dal Giappone. 2006. S. Targa, F. Tosolini, T. Tosolini. Faith and Money. 2006. -
Shakespeare in the Restoration: Nahum Tate's the History of King Richard the Second, the History of King Lear, and the Ingratitude of a Common-Wealth
This dissertation has been 65—3820 microfilmed exactly as received AYRES, James Bernard, 1933— SHAKESPEARE IN THE RESTORATION: NAHUM TATE'S THE HISTORY OF KING RICHARD THE SECOND, THE HISTORY OF KING LEAR, AND THE INGRATITUDE OF A COMMON-WEALTH. The Ohio State University, Ph.D., 1964 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan SHAKESPEARE IN THE RESTORATION: NAHUM TATE'S THE HISTORY OF KING RICHARD THE SECOND. THE HISTORY OF KING LEAR. AND THE INGRATITUDE OF A COMMON-WEALTH DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James Bernard Ayres, B.A., A.M. ****** The Ohio State U niversity 1964 Approved by Department of English ACKNOWLEDGMENTS I am Indebted to my adviser, Professor John Harold Wilson, for the answers 'o questions I c e rta in ly would not have thought about, for his patience in helping me, through broken hand and jaw, to understand the varieties of Restoration tragedy, and for permitting me the use of his library and valuable notes on Restoration drama, esp ecially Emmett Avery's unpublished records of the London stage, 1660-1700. I would also like to thank Gary D. W illh ard t and Joseph A. Johnson, J r ., for reading and commenting upon the various chapters. 11 VITA March 25, 1933 Born - Kansas City, Missouri 1953 — 1955 .... United States Army 1958 .......................B.A., Baylor University, Waco,Texas 1958-1960 .... Graduate Assistant, Department of English, Florida State University, Tallahassee, Florida I960 ....................... A.M., Florida State University, Tallahassee, Florida 1960-196^ ...