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Contents Studio Sets . 3 Preset/User Tones . 4 SuperNATURAL Acoustic Tone . 4 SuperNATURAL Synth Tone . 5 SuperNATURAL Drum Kit . .15 PCM Synth Tone . .15 PCM Drum Kit . .23 GM2 Tone (PCM Synth Tone) . .24 GM2 Drum Kit (PCM Drum Kit) . .26 Drum Kit Key Assign List . .27 Waveforms . .40 Super NATURAL Synth PCM Waveform . .40 PCM Synth Waveform . .42 Copyright © 2014 ROLAND CORPORATION All rights reserved . No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION . © 2014 ローランド株式会社 本書の一部、もしくは全部を無断で複写・転載することを禁じます。 2 Studio Sets (Preset) No Studio Set Name MSB LSB PC 56 Dear My Friends 85 64 56 No Studio Set Name MSB LSB PC 57 Nice Brass Sect 85 64 57 1 FA Preview 85 64 1 58 SynStr /SoloLead 85 64 58 2 Jazz Duo 85 64 2 59 DistBs /TranceChd 85 64 59 3 C .Bass/73Tine 85 64 3 60 SN FingBs/Ac .Gtr 85 64 60 4 F .Bass/P .Reed 85 64 4 61 The Begin of A 85 64 61 5 Piano + Strings 85 64 5 62 Emotionally Pad 85 64 62 6 Dynamic Str 85 64 6 63 Seq:Templete 85 64 63 7 Phase Time 85 64 7 64 GM2 Templete 85 64 64 8 Slow Spinner 85 64 8 9 Golden Layer+Pno 85 64 9 10 Try Oct Piano 85 64 10 (User) 11 BIG Stack Lead 85 64 11 12 In Trance 85 64 12 No Studio Set Name MSB LSB PC 13 TB Clone 85 64 13 1–128 INIT STUDIO 85 0 1–128 129– 14 Club Stack 85 64 14 INIT STUDIO 85 1 1–128 256 15 Master Control 85 64 15 257– INIT STUDIO 85 2 1–128 16 XYZ Files 85 64 16 384 17 Fairies 85 64 17 385– INIT STUDIO 85 3 1–128 18 Pacer 85 64 18 512 19 Voyager 85 64 19 * When shipped from the factory, all USER locations were set to INIT STUDIO . 20 Mare Tranquilis 85 64 20 * 工場出荷時、USERはすべてINIT STUDIOになっています。 21 Icicles 85 64 21 22 Antique 5th 85 64 22 23 Cutoff Control 85 64 23 24 Fat Boy 85 64 24 25 Now Leaving 85 64 25 26 Instant Track 85 64 26 27 Waiting 85 64 27 28 Quasar 85 64 28 29 Slow Moves 85 64 29 30 Underwater 85 64 30 31 Creamy 85 64 31 32 Mega Phase 85 64 32 33 Retrox 85 64 33 34 Red Alert 85 64 34 35 Goes A Pad 85 64 35 36 Overture 85 64 36 37 Pioneers 85 64 37 38 Analog Bells 85 64 38 39 Electronic Bass 85 64 39 40 Signs Of Life 85 64 40 41 Aurora 85 64 41 42 Sine Ld & More 85 64 42 43 Silk Road 85 64 43 44 Busy Line 85 64 44 45 SearingCOSM POLY 85 64 45 46 Dear .GA2 85 64 46 47 Synth Pop Music 85 64 47 48 Orch Brass 85 64 48 49 Orch Str+Wind 85 64 49 50 Brazilian Accord 85 64 50 51 OSC Sync Cycle 85 64 51 52 Piano +Fireflies 85 64 52 53 Hop! Step! xxxx! 85 64 53 54 SlapBs/TWahClavi 85 64 54 55 Origin of Ours . 85 64 55 3 Preset/User Tones No Tone Name Category MSB LSB PC SuperNATURAL Acoustic Tone 52 B3 Jazz 3 E .Organ 89 64 52 53 B3 Jazz 4 E .Organ 89 64 53 (Preset) 54 B3 Jazz 5 E .Organ 89 64 54 55 B3 Jazz 6 E .Organ 89 64 55 No Tone Name Category MSB LSB PC 56 B3 Jazz 7 E .Organ 89 64 56 1 Full Grand 1 Ac .Piano 89 64 1 57 B3 Full D E .Organ 89 64 57 2 Full Grand 2 Ac .Piano 89 64 2 58 B3 Bossa E .Organ 89 64 58 3 Full Grand 3 Ac .Piano 89 64 3 59 C3 Rock 1 E .Organ 89 64 59 4 Deep Grand Ac .Piano 89 64 4 60 C3 Rock 2 E .Organ 89 64 60 5 BrightGrand Ac .Piano 89 64 5 61 C3 Rock 3 E .Organ 89 64 61 6 UprightPiano Ac .Piano 89 64 6 62 C3 Rock 4 E .Organ 89 64 62 7 Mono Grand Ac .Piano 89 64 7 63 C3 Rock 5 E .Organ 89 64 63 8 Rock Grand Ac .Piano 89 64 8 64 C3 Rock 6 E .Organ 89 64 64 9 HonkyTonk Pf Ac .Piano 89 64 9 65 Pure Wheel 1 E .Organ 89 64 65 10 ‘76 Pure E .Piano1 89 64 10 66 Pure Wheel 2 E .Organ 89 64 66 11 ‘73 Pure E .Piano1 89 64 11 67 Pure Wheel 3 E .Organ 89 64 67 12 ‘76 Stage E .Piano1 89 64 12 68 Nostalgie 1 E .Organ 89 64 68 13 ‘73 Stage E .Piano1 89 64 13 69 Nostalgie 2 E .Organ 89 64 69 14 ‘76 Tine E .Piano1 89 64 14 70 Nostalgie 3 E .Organ 89 64 70 15 ‘73 Tine E .Piano1 89 64 15 71 Nostalgie 4 E .Organ 89 64 71 16 ‘81 Tine E .Piano1 89 64 16 72 Ac Bass 1 Ac .Bass 89 64 72 17 Felt Tine E .Piano1 89 64 17 73 Ac Bass 2 Ac .Bass 89 64 73 18 Dyno Tine E .Piano1 89 64 18 74 Fing Bass 1 E .Bass 89 64 74 19 Tea Time E .Piano1 89 64 19 75 Fing Bass 2 E .Bass 89 64 75 20 Small Space E .Piano1 89 64 20 76 Comp FingBs E .Bass 89 64 76 21 Phaser Dyno E .Piano1 89 64 21 77 Phaser Fing1 E .Bass 89 64 77 22 90 Shift EP E .Piano1 89 64 22 78 Phaser Fing2 E .Bass 89 64 78 23 SlowSpin EP E .Piano1 89 64 23 79 Slap Bass E .Bass 89 64 79 24 Phaser Tine E .Piano1 89 64 24 80 Pick Bass E .Bass 89 64 80 25 TcDlyEP CC18 E .Piano1 89 64 25 81 Muted Bass E .Bass 89 64 81 26 Flanger Tine E .Piano1 89 64 26 82 LowBoostPick E .Bass 89 64 82 27 Chorus Tine E .Piano1 89 64 27 83 OD Pick Bass E .Bass 89 64 83 28 JC ChorusEP E .Piano1 89 64 28 84 Classic Gtr Ac .Guitar 89 64 84 29 Dirty Tine E .Piano1 89 64 29 85 Solid GutGt Ac .Guitar 89 64 85 30 Pure Reed E .Piano1 89 64 30 86 Gut Guitar Ac .Guitar 89 64 86 31 ‘68 Reed E .Piano1 89 64 31 87 ArpegSteelGt Ac .Guitar 89 64 87 32 Vibrato Reed E .Piano1 89 64 32 88 StrumSteelGt Ac .Guitar 89 64 88 33 Dirty Reed E .Piano1 89 64 33 89 StringsSect1 Ensemble Strings 89 64 89 34 Super Clav Clav 89 64 34 90 StringsSect2 Ensemble Strings 89 64 90 35 Pure ClavCA1 Clav 89 64 35 91 5th Down Str Ensemble Strings 89 64 91 36 Pure ClavCA2 Clav 89 64 36 92 Slow Strings Ensemble Strings 89 64 92 37 Pure ClavCB1 Clav 89 64 37 93 Tape Strings Ensemble Strings 89 64 93 38 Pure ClavCB2 Clav 89 64 38 94 Marcato Str Ensemble Strings 89 64 94 39 Deep Clav Clav 89 64 39 95 MarcatoWarm Ensemble Strings 89 64 95 40 Drive Clav Clav 89 64 40 96 Strings Stac Ensemble Strings 89 64 96 41 Dist Clav Clav 89 64 41 97 Strings Pizz Ensemble Strings 89 64 97 42 Phaser Clav1 Clav 89 64 42 98 Strings Trem Ensemble Strings 89 64 98 43 Phaser Clav2 Clav 89 64 43 99 Deep Grand 2 Ac .Piano 89 64 99 44 Spacy Clav Clav 89 64 44 100 Hex-Cho Tine E .Piano1 89 64 100 45 SoftSpinClav Clav 89 64 45 46 Twah Clav Clav 89 64 46 * SuperNATURAL Acoustic Tone 47 Awah Clav Clav 89 64 47 User 1-128 (MSB:89, LSB:0, PC:1-128) 48 PwahClv1CC18 Clav 89 64 48 User 129-256 (MSB:89, LSB:1, PC:1-128) 49 PwahClv2CC18 Clav 89 64 49 * When shipped from the factory, all User locations were set to INIT TONE . * 50 B3 Jazz 1 E .Organ 89 64 50 工場出荷時、UserはすべてINIT TONEになっています。 51 B3 Jazz 2 E .Organ 89 64 51 4 Preset/User Tones – SuperNATURAL Synth Tone No Tone Name Category MSB LSB PC SuperNATURAL Synth Tone 52 Soft Pad 11 Synth Pad/Strings 95 64 52 53 Soft Pad 12 Synth Pad/Strings 95 64 53 (Preset) 54 Soft Pad 13 Synth Pad/Strings 95 64 54 55 Soft Pad 14 Synth Pad/Strings 95 64 55 No Tone Name Category MSB LSB PC 56 Soft Pad 15 Synth Pad/Strings 95 64 56 1 JP8 Strings1 Synth Pad/Strings 95 64 1 57 Soft Pad 16 Synth Pad/Strings 95 64 57 2 JP8 Strings2 Synth Pad/Strings 95 64 2 58 Soft Pad 17 Synth Pad/Strings 95 64 58 3 JP8 Strings3 Synth Pad/Strings 95 64 3 59 Oct Str 1 Synth Pad/Strings 95 64 59 4 JP8 Strings4 Synth Pad/Strings 95 64 4 60 Oct Str 2 Synth Pad/Strings 95 64 60 5 JP8 Strings5 Synth Pad/Strings 95 64 5 61 Oct Str 3 Synth Pad/Strings 95 64 61 6 JP8 Strings6 Synth Pad/Strings 95 64 6 62 Oct Str 4 Synth Pad/Strings 95 64 62 7 JP8 Strings7 Synth Pad/Strings 95 64 7 63 Oct Str 5 Synth Pad/Strings 95 64 63 8 JP8 Strings8 Synth Pad/Strings 95 64 8 64 Oct Str 6 Synth Pad/Strings 95 64 64 9 JP8 Strings9 Synth Pad/Strings 95 64 9 65 Oct Str 7 Synth Pad/Strings 95 64 65 10 JP8Strings10 Synth Pad/Strings 95 64 10 66 Cloud Pad Synth Pad/Strings 95 64 66 11 JP8Strings11 Synth Pad/Strings 95 64 11 67 Slow Pad 1 Synth Pad/Strings 95 64 67 12 JP8Strings12 Synth Pad/Strings 95 64 12 68 Slow Pad 2 Synth Pad/Strings 95 64 68 13 JP8Strings13 Synth Pad/Strings 95 64 13 69 Brite Str 1 Synth Pad/Strings 95 64 69 14 JP8Strings14 Synth Pad/Strings 95 64 14 70 Brite Str 2 Synth Pad/Strings 95 64 70 15 JP8Strings15 Synth Pad/Strings 95 64 15 71 Brite Str 3 Synth Pad/Strings 95 64 71 16 JP8Strings16 Synth Pad/Strings 95 64 16 72 Brite Str 4 Synth Pad/Strings 95 64 72 17 JP-8 Pad 1 Synth Pad/Strings 95 64 17 73 Boreal Pad Synth Pad/Strings 95 64 73 18 JP-8 Pad 2 Synth Pad/Strings 95 64 18 74 Flange Str Synth Pad/Strings 95 64 74 19 JP-8 Pad 3 Synth Pad/Strings 95 64 19 75 Organ Pad 1 Synth Pad/Strings 95 64 75 20 JP-8 Pad 4 Synth Pad/Strings 95 64 20 76 Organ Pad 2 Synth Pad/Strings 95 64 76 21 JUNO Str 1 Synth Pad/Strings 95 64 21 77 Organ Pad 3 Synth Pad/Strings 95 64 77 22 JUNO Str 2 Synth Pad/Strings 95 64 22 78 Organ Pad 4 Synth Pad/Strings 95 64 78 23 JUNO Str 3 Synth Pad/Strings 95 64 23 79 Digi Str 1 Synth Pad/Strings 95 64 79 24 JX Strings Synth Pad/Strings 95 64 24 80 Digi Str 2 Synth Pad/Strings 95 64 80 25 OB Strings 1 Synth Pad/Strings 95 64 25 81 Digi Pad 1 Synth Pad/Strings 95 64 81 26 OB Strings 2 Synth Pad/Strings 95 64 26 82 Digi Pad 2 Synth Pad/Strings 95 64 82 27 OB Strings 3 Synth Pad/Strings 95 64 27 83 Digi Pad 3 Synth Pad/Strings 95 64 83 28 OB Strings 4 Synth Pad/Strings 95 64 28 84 Digi Pad 4 Synth Pad/Strings 95 64 84 29 OB Strings 5 Synth Pad/Strings 95 64 29 85 Heaven Pad 1 Synth Pad/Strings 95 64 85 30 OB Strings 6 Synth Pad/Strings 95 64 30 86 Heaven Pad 2 Synth Pad/Strings 95 64 86 31 Vintage 1 Synth Pad/Strings 95 64 31 87 Heaven Pad 3 Synth Pad/Strings 95 64 87 32 Vintage 2 Synth Pad/Strings 95 64 32 88 Heaven Pad 4 Synth Pad/Strings 95 64 88 33 Vintage 3 Synth Pad/Strings 95 64 33 89 Voice Heaven Synth Pad/Strings 95 64 89 34 Vintage 4 Synth Pad/Strings 95 64 34 90 ChordOfCnada Synth Pad/Strings 95 64 90 35 Vintage 5 Synth Pad/Strings 95 64 35 91 Awakening Synth Pad/Strings 95 64 91 36 Vintage 6 Synth Pad/Strings 95 64 36 92 JP8 Hollow 1 Synth Pad/Strings 95 64 92 37 Vintage 7 Synth Pad/Strings 95 64 37 93 JP8 Hollow 2 Synth Pad/Strings 95 64 93 38 Vintage 8 Synth Pad/Strings 95 64 38 94 JP8 Hollow 3 Synth Pad/Strings
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    저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer Master’s Thesis of International Studies The Comparison of Television Drama’s Production and Broadcast between Korea and China 중한 드라마의 제작 과 방송 비교 August 2019 Graduate School of International Studies Seoul National University Area Studies Sheng Tingyin The Comparison of Television Drama’s Production and Broadcast between Korea and China Professor Jeong Jong-Ho Submitting a master’s thesis of International Studies August 2019 Graduate School of International Studies Seoul National University International Area Studies Sheng Tingyin Confirming the master’s thesis written by Sheng Tingyin August 2019 Chair 박 태 균 (Seal) Vice Chair 한 영 혜 (Seal) Examiner 정 종 호 (Seal) Abstract Korean TV dramas, as important parts of the Korean Wave (Hallyu), are famous all over the world. China produces most TV dramas in the world. Both countries’ TV drama industries have their own advantages. In order to provide meaningful recommendations for drama production companies and TV stations, this paper analyzes, determines, and compares the characteristics of Korean and Chinese TV drama production and broadcasting.
  • TC 1-19.30 Percussion Techniques

    TC 1-19.30 Percussion Techniques

    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
  • Music Technology As a Tool and Guideline for Composition

    Music Technology As a Tool and Guideline for Composition

    Esca Jensen Music technology as a tool and guideline for composition Master’s thesis in Supervisor: Carl Haakon Waadeland Trondheim, January Master’s thesis Master’s NTNU Department of Music Faculty of Humanities Faculty Norwegian University of Science and Technology of Science University Norwegian Esca Jensen Music technology as a tool and guideline for composition Master’s thesis in Music Technology Supervisor: Carl Haakon Waadeland Trondheim, November 2018 Norwegian University of Science and Technology Faculty of Humanities Department of Music Table of content Music technology as a tool and guideline for composition 2 Applications of music technology in composition 3 Programming 3 Python 4 Generating a randomised note series and a midi file 5 Generating chords, melody, and a rhythm 6 Classical composition 9 Sibelius 9 Post composition 10 Composition after recording 11 Placing guidelines and working with the result 11 Vertical composition 12 Singer songwriter 12 Writing a song with only a piano 13 Co-creating a song in the studio 14 Studio and software instruments 14 Pro Tools 15 Logic Pro and software instruments 16 The compositional works 17 ‘Wind Chimes’ 17 ‘Droplets’ 21 ‘After Rain’ 28 ‘Out Of Time’ 33 ‘Water’ 37 ‘Layers’ 41 ‘Traffic Lights’ 45 ‘She Sang’ 47 Discussion 51 Synthetic versus organic origin 52 Pre- and post composition 54 Predetermined algorithms or randomness 55 Working digitally or traditionally 56 Conclusion 57 Bibliography 59 List of attachments 60 Music technology as a tool and guideline for composition Esca Jensen Page 1 ​ Music technology as a tool and guideline for composition Esca Jensen Music technology as a tool and guideline for composition In this project I have gone through eight different compositional processes where music technology was an essential part.