The Lost World of Glen Canyon
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Terrestrial Vertebrate Fauna of the Kaiparowits Basin
Great Basin Naturalist Volume 40 Number 4 Article 2 12-31-1980 Terrestrial vertebrate fauna of the Kaiparowits Basin N. Duane Atwood U.S. Forest Service, Provo, Utah Clyde L. Pritchett Brigham Young University Richard D. Porter U.S. Fish and Wildlife Service, Provo, Utah Benjamin W. Wood Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/gbn Recommended Citation Atwood, N. Duane; Pritchett, Clyde L.; Porter, Richard D.; and Wood, Benjamin W. (1980) "Terrestrial vertebrate fauna of the Kaiparowits Basin," Great Basin Naturalist: Vol. 40 : No. 4 , Article 2. Available at: https://scholarsarchive.byu.edu/gbn/vol40/iss4/2 This Article is brought to you for free and open access by the Western North American Naturalist Publications at BYU ScholarsArchive. It has been accepted for inclusion in Great Basin Naturalist by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. TERRESTRIAL VERTEBRATE FAUNA OF THE KAIPAROWITS BASIN N. Diiane Atwood', Clyde L. Pritchctt', Richard D. Porter', and Benjamin W. Wood' .\bstr^ct.- This report inehides data collected during an investigation by Brighani Young University personnel to 1976, as well as a literature from 1971 review. The fauna of the Kaiparowits Basin is represented by 7 species of salamander, toads, mnphihians (1 5 and 1 tree frog), 29 species of reptiles (1 turtle, 16 lizards, and 12 snakes), 183 species of birds (plus 2 hypothetical), and 74 species of mammals. Geographic distribution of the various species within the basin are discussed. Birds are categorized according to their population and seasonal status. -
Glen Canyon Unit, CRSP, Arizona and Utah
Contents Glen Canyon Unit ............................................................................................................................2 Project Location...................................................................................................................3 Historic Setting ....................................................................................................................4 Project Authorization .........................................................................................................8 Pre-Construction ................................................................................................................14 Construction.......................................................................................................................21 Project Benefits and Uses of Project Water.......................................................................31 Conclusion .........................................................................................................................36 Notes ..................................................................................................................................39 Bibliography ......................................................................................................................46 Index ..................................................................................................................................52 Glen Canyon Unit The Glen Canyon Unit, located along the Colorado River in north central -
Getty Exhibition Celebrates Photography Pioneer Who Introduced Color to Landscape Photographs
DATE: Friday, May 5, 2006 FOR IMMEDIATE RELEASE GETTY EXHIBITION CELEBRATES PHOTOGRAPHY PIONEER WHO INTRODUCED COLOR TO LANDSCAPE PHOTOGRAPHS Eliot Porter: In the Realm of Nature At the Getty Center, June 13–September 17, 2006 “As I became interested in photography in the realm of nature, I began to appreciate the complexity of the Tidal marsh, Mount Desert Island, Maine, August 4, 1965 Eliot Porter (American, 1901-1990) relationships that drew my attention; and these I saw were The J. Paul Getty Museum more clearly illustrated in color than in tones of gray.” Gift of Daniel Greenberg and Susan Steinhauser © 1990 Amon Carter Museum, Fort Worth, Texas, —Eliot Porter Bequest of the artist LOS ANGELES—Eliot Porter (American, 1901–1990) promoted the use of color in landscape photography beginning in the early 1940s, and in doing so, redirected the history of the genre. Eliot Porter: In the Realm of Nature, at the Getty Center, June 13–September 17, 2006 examines Porter’s exploration of color as he searched for new ways to present the natural world, pushing beyond black-and-white photography as the sole standard for art. His ability to balance pure form and color resulted in images of enduring visual interest that have not only influenced the course of photography, but also played a key role in the country’s conservation movement. Over a career of 50 years, Porter traveled extensively to experience nature first- hand and to document its unwavering beauty. The exhibition features over 75 photographs from the 1930s to the 1980s of landscapes and birds in 14 states across the United States, Mexico, and Iceland. -
Drowned River the Death & Rebirth of Glen Canyon on the Colorado
DROWNED RIVER THE DEATH & REBIRTH OF GLEN CANYON ON THE COLORADO MARK KLETT — REBECCA SOLNIT — BYRON WOLFE DROWNED RIVER DROWNED RIVER THE DEATH & REBIRTH OF GLEN CANYON ON THE COLORADO Mark Klett — Rebecca Solnit — Byron Wolfe RADIUS BOOKS CONTENTS VII Introduction MICHAEL BRUNE IX Selected pages from The Place No One Knew ELIOT PORTER 01 Drowned River MARK KLETT, REBECCA SOLNIT & BYRON WOLFE 151 Appendix 192 Acknowledgments INTRODUCTION David Brower, the Sierra Club’s first executive director and the man who invented my job, was a master of the dramatic declaration, and his 1966 foreword to Eliot Porter’s The Place That No One Knew: Glen Canyon on the Colorado got right to the point: “Glen Canyon died in 1963 and I was partly responsible for its death. So were you.” That he and the board of the Sierra Club had chosen not to contest the damming of Glen Canyon was, in his mind, his greatest failure. By all accounts, though, it also transformed him. Brower went on to forge a template for modern activism that still defines much of the work of the Sierra Club to this day. David Brower had many years to regret the loss of Glen Canyon. He died in 2000—soon after “climate change” entered the national lexicon and shortly before the Sierra Club’s volunteer leadership resolved to focus on addressing it. Would he have savored the irony that climate pollution from fossil fuels is hastening the demise of Lake Powell? Perhaps, but such a harsh remedy surely is not one he would have chosen. -
Kane County, Utah Resource Management Plan
Kane County Resource Management Plan Adopted 28 November 2011 KANE COUNTY, UTAH RESOURCE MANAGEMENT PLAN For the Physical Development of the Unincorporated Area Pursuant to Section 17-27-301 of the Utah Code ADOPTED 28 NOVEMBER 2011 Should any part of the Kane County Resource Management Plan be determined invalid, no longer applicable or need modification, those changes shall affect only those parts of the Plan that are deleted, invalidated or modified and shall have no effect on the remainder of the Resource Management Plan. This document was prepared by the Division of Community and Economic Development of the Five County Association of Governments under the guidance and direction of the Kane County Resource Development Committee, Kane County Land Use Authority and the Board of County Commissioners. Funding used to prepare this document came from Kane County contributions, a Regional Planning grant from the Utah Permanent Community Impact Board and a Planning and Technical Assistance Grant from the U.S. Department of Commerce, Economic Development Administration. - 1 - Kane County Resource Management Plan Adopted 28 November 2011 Acknowledgments Every effective planning process includes a multitude of individuals if it is to be successful. This effort is no different. Many individuals have had an impact upon the preparation and adoption of this Plan. However, most important are the residents of Kane County, who have responded to surveys, interviews, and attended public meetings and hearings. All who did so should be commended for their desire to be a participant in determining the future of Kane County. Some specific individuals and groups have had intensive involvement in the Kane County planning process, and are acknowledged below: Kane County Commission Kane County Land Use Authority Doug Heaton, Chairman Shannon McBride, Land Use Administrator Dirk Clayson Tony Chelewski, Chairman Jim Matson Roger Chamberlain Wade Heaton Kane County Staff Robert Houston Verjean Caruso, Co. -
Porter Family Collection of Eliot Porter Papers
AMON CARTER MUSEUM OF AMERICAN ART ARCHIVES COLLECTION GUIDE Collection Summary Title: Porter Family Collection of Eliot Porter Papers Date: 1953–1988 Creator(s): Porter, Eliot (1901–1990) Extent: .4 linear feet Code: PFP Repository: Amon Carter Museum of American Art Archives Abstract: Eliot Porter (1901–1990) set the standard for contemporary color nature photography. These papers are copies of those held by individual family members, many, but not all, of which have subsequently been donated to the museum. They illustrate Porter’s diverse projects and publications, notably including letters written in the field offering observations on his work. This guide describes only the materials from Porter's archives housed in the Amon Carter Museum of American Art Archives. Other materials are in the Photography Collection and the Library. Information for Researchers Access Restrictions This collection is restricted. The collection is open to qualified researchers by special request only. Use Restrictions The Porter Family Collection of Eliot Porter Papers is the physical property of the Amon Carter Museum of American Art. The Amon Carter Museum of American Art acquired copyright to Porter's materials; however, rights to materials produced by others were not acquired. The Amon Carter Museum of American Art assumes no responsibility for infringement of literary property rights or copyrights or for liability to any person for defamation or invasion of privacy. Preferred Citation 1 Porter Family Collection of Eliot Porter Papers, [series information], [item identification], Amon Carter Museum of American Art Archives. Related Collections in the Amon Carter Museum of American Art Archives Dr. W. Powell Cottrille Collection of Eliot Porter Papers Eliot Porter/Ansel Adams Correspondence Eliot Porter Papers Patrick E. -
The Lost World of Glen Canyon
The Lost World Of Glen Canyon feel as though I’m traveling back through time as I round yet another bend in Davis Gulch, a tributary of the Escalante River in southern Utah. I’m descending deeper and deeper into a redrock labyrinth, which Ihasn’t seen the light of day for more than 30 years. Each new twist in the canyon walls reveals a succession of plant communities quickly reclaiming the newly exposed ground. Submerged beneath 60 feet of Lake Powell water just five years ago, the small clear steam at my feet now gurgles beneath a profusion of willows and eight-foot tall cottonwood trees swaying in the breeze. Before making this trip, I had visions of a muddy slog through silt- clogged, tamarisk-choked canyon bottoms. But now, my main impression is one of amazement Dry years in the West have lowered the level of Lake Powell and revealed long- submerged canyons Text And Photography By James Kay XX Outdoor Photographer Month 1997 XX My first impressions of Lake Powell came from the deck of a Captions for the opening spread and houseboat in the early ’80s. for thiese three shots to go here if you can fit them in the space alloted here. Sheer red sandstone walls rose Let me know if we need more vertically out of the impossibly spaceCaptions for the opening spread and for thiese three shots to go here if blue water. At that point in time, you can fit them in the space alloted I had very little knowledge of the here. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Stephen Porter Collection of Eliot Porter Papers
AMON CARTER MUSEUM OF AMERICAN ART ARCHIVES COLLECTION GUIDE Collection Summary Title: Stephen Porter Collection of Eliot Porter Papers Date: 1913–1996, n.d. Creator(s): Porter, Eliot (1901–1990) Extent: .6 linear feet Code: SPP Repository: Amon Carter Museum of American Art Archives Abstract: Eliot Porter (1901–1990) set the standard for contemporary color nature photography. These papers illustrate his diverse projects and publications, notably including letters written in the field offering observations on his work. This guide describes only the materials from Porter's archives housed in the Amon Carter Museum of American Art Archives. Other materials are in the Photography Collection and the Library. Information for Researchers Access Restrictions This collection is restricted. The collection is open to qualified researchers by special request only. Use Restrictions The Stephen Porter Collection of Eliot Porter Papers is the physical property of the Amon Carter Museum of American Art. The Amon Carter Museum of American Art acquired copyright to Porter's materials; however, rights to materials produced by others were not acquired. The Amon Carter Museum of American Art assumes no responsibility for infringement of literary property rights or copyrights or for liability to any person for defamation or invasion of privacy. Preferred Citation Stephen Porter Collection of Eliot Porter Papers, [series information], [item identification], Amon Carter Museum of American Art Archives. 1 Related Collections in the Amon Carter Museum of American Art Archives Dr. W. Powell Cottrille Collection of Eliot Porter Papers Eliot Porter/Ansel Adams Correspondence Eliot Porter Papers Patrick E. Porter Collection of Eliot Porter Papers Porter Family Collection of Eliot Porter Papers Related Collections in the Amon Carter Museum of American Art Over 10,000 prints and 88,000 transparencies and negatives in the Photography Collection. -
Porter Wall List
OBJECT LIST Eliot Porter: In the Realm of Nature (June 13–September 17, 2006) Corridor 1. Luna Moth, Silver Lake, New Hampshire 7. Spring Flowers, Great Spruce Head Island, Maine 1953 1938 Dye transfer print Gelatin silver print Lent by the Amon Carter Museum, Fort Worth, Lent by the Amon Carter Museum, Fort Worth, Texas, Bequest of the artist Texas, Bequest of the artist L.2006.3.37 L.2006.3.5 Gallery W104 8. Spruce Trees, Great Spruce Head Island, Maine August 25, 1939 2. Crow’s Nest in Tree, Maine Gelatin silver print May 1938 Lent by the Amon Carter Museum, Fort Worth, Gelatin silver print Texas, Bequest of the artist Lent by the Amon Carter Museum, Fort Worth, L.2006.3.9 Texas, Bequest of the artist L.2006.3.15 9. Dead Juniper Bush, Peak Island, Maine May 1938 3. Water Arum, Great Spruce Head Island, Maine Gelatin silver print 1938 Lent by the Amon Carter Museum, Fort Worth, Gelatin silver print Texas, Bequest of the artist Lent by the Amon Carter Museum, Fort Worth, L.2006.3.10 Texas L.2006.3.1 10. Matinicus Island, Maine 1938 4. Birch Tree and Bridge, Great Spruce Head Island, Gelatin silver print Maine Lent by the Amon Carter Museum, Fort Worth, August 7, 1940 Texas, Bequest of the artist Gelatin silver print L.2006.3.6 Lent by the Amon Carter Museum, Fort Worth, Texas, Bequest of the artist 11. East Penobscot Bay, Maine L.2006.3.2 1938 Gelatin silver print 5. Spruce Trees, Fish Hawk Point, Great Spruce Head, Lent by the Amon Carter Museum, Fort Worth, Island, Maine Texas, Bequest of the artist July 1934 L.2006.3.7 Gelatin silver print Lent by the Amon Carter Museum, Fort Worth, 12. -
Utah Historical Quarterly (Volume 26, Number 3, July 1958)
™ "/o LU " z 1- ^ < 3 2 or o Q 2 w < tf v» £J LU o — _i iz- °= < a O < <" H. _| to < u a Q: O O u. LU W O Q. HI < - £ 1 • o : _l 1 • ^te»\ %>„ o^ ^ .«», The map of lower Glen Canyon is by David E. Miller. On page 226 an aerial view looking southwest across the Colo rado River at the site known as the "Cross ing of the Fathers" is reproduced through the courtesy of W. C. Lee. DISCOVERY OF GLEN CANYON, 1776 By David E. Miller* Activities associated with the building of Glen Canyon Dam are focus ing nation-wide attention on the whole canyon country of southern Utah and northern Arizona, one of the most spectacular and unique regions in America. Here is a veritable scenic wonderland, rich in his toric background and resplendent with local color. High on the list of its attractions is the deep straight-walled canyon gorge where the dam is being built. Adequate observation points afford opportunity for visi tors to observe the actual progress of the construction program. A good access road extends eastward from Kanab to the damsite, seventy-five miles distant. This highway will soon bridge the Colorado gorge im mediately downstream from the dam and rejoin U.S. Highway 89 a dozen miles south of Navajo Bridge. Other important attractions in the * Dr. Miller was a member of an expedition, supported by a grant from the Uni versity of Utah Research Fund, which made a preliminary reconnaissance into the Glen Canyon area in 1956. -
The Far Side of the Sky
The Far Side of the Sky Christopher E. Brennen Pasadena, California Dankat Publishing Company Copyright c 2014 Christopher E. Brennen All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in a retrieval system, or translated into any language or computer language, in any form or by any means, without prior written permission from Christopher Earls Brennen. ISBN-0-9667409-1-2 Preface In this collection of stories, I have recorded some of my adventures on the mountains of the world. I make no pretense to being anything other than an average hiker for, as the first stories tell, I came to enjoy the mountains quite late in life. But, like thousands before me, I was drawn increasingly toward the wilderness, partly because of the physical challenge at a time when all I had left was a native courage (some might say foolhardiness), and partly because of a desire to find the limits of my own frailty. As these stories tell, I think I found several such limits; there are some I am proud of and some I am not. Of course, there was also the grandeur and magnificence of the mountains. There is nothing quite to compare with the feeling that envelopes you when, after toiling for many hours looking at rock and dirt a few feet away, the world suddenly opens up and one can see for hundreds of miles in all directions. If I were a religious man, I would feel spirits in the wind, the waterfalls, the trees and the rock. Many of these adventures would not have been possible without the mar- velous companionship that I enjoyed along the way.