DOCSLIB.ORG

Proquest Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Proquest Dissertations Imagining the metropolis: Constructing and resisting modernity in Madrid (1914-1936) Item Type text; Dissertation-Reproduction (electronic) Authors Larson, Susan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 12:50:08 Link to Item http://hdl.handle.net/10150/283928 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of t>ie copy submitled. Broiien or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely aff^ reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs irKluded In the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are availat>le for any photographs or yiustratkMns appearing in this copy for an additional charge. Contact UMI (firectly to order. Bell & Howeil Information and Learning 300 North ZMb Road, Ann Arbor, Ml 48106-1346 USA UMI" 800-521-0000 NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received. 186-188 This reproduction is the best copy available. UMI IMAGINING THE METROPOLIS: CONSTRUCTING AND RESISTING MODERNITY IN MADRID (1914-1936) By Susan Larson Copyright © Susan Larson 1999 A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH AND PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College The University of Arizona 1999 UMI Nxunber: 9946846 Copyright 1999 by Larson, Susan All rights reserved. UMI Microfonn 9946846 Copyright 1999, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 2 THE UNIVERSITY OF ARIZONA « GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by SUSAN LARSON entitled IMAGINING THE METROPOLIS; CONSTRUCTING AND RESISTING HODERNITY IN MADRID (1914-1936) and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Ph.i»..»phy C (XO/u- =- ^/lb/g9 Malcolm A. Conpitelle Date S/^y ff * A ' Joan Gilabert Date Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. Dissertation Director Date Malcolm A. Conpitello 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at the The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgement of source is made. Requests for permission of extended quotation liom or reproduction of this manuscript in whole or in part may be granted by the copyright holder. / SIGNED: 4 ACKNOWLEDGEMENTS Those who have influenced this project are too numerous to count. I owe more than I can possibly express to my flnest and most inspirational teachers who have challenged me and given me every opportunity to do well. Cesar Puente, my teacher at Huron High School from 1983 to 1986 is without a doubt one of the most committed teachers I have ever known. His love of language and literature is infectious and 1 have never forgotten it. Reading Miguel de Unamuno in the original Spanish for his class was one of the most important experiences of my young life. Professor Mary S. Vasquez at Michigan State University, now of Davidson College, has also been a source of constant encouragement and ideas. Her passion for the time period studied here was not lost on this student, with whom she has been very generous with her time and energy. It would have been impossible to finish this project without the support of those who had the patience and good will to read and discuss my work with me. I am grateful for my long, enlightening, honest conversations with Professor Joan Gilabert about literature, the profession I have chosen and life in general. Professor Judith Nantell has been invaluable for both her meticulous attention to detail and ability to see the big picture. She is an exceptional reader and I cannot thank her enough for her encouraging words when I needed them the most. William Sherzer of Brooklyn College generously offered his time and expertise in the area of Spanish literature in the first third of the century and the city of Madrid. I greatly appreciate the careful, focused attention he has paid to my work. My dissertation director, Malcolm A. Compitello, has consistently and unselfishly offered me every possible opportunity to finish my graduate degree successfully. He has invested an extraordinary amount of time in my intellectual development and provided me with a constant stream of references, contacts, opportunities, rides, meals, and other extraordinary favors. Our working relationship has been and will continue to be a long and fruitful one. I hope to live up to the high professional expectations he has always had for me. I also need to thank Malcolm for sharing with me what is without a doubt his life's most important work—his family. The presence of Malcolm, Pat, Gina and Michael has been one of the most constant and stabilizing forces in my decidedly chaotic life as a student. We've been through many adventures together and seen each other through some of life's landmark events. Lastly, it is Marc Heft, with whom I have been able to share my life these past couple of years, who has been there time and time again to remind me of what is most important. 5 DEDICATION To the memory of my beloved grandfather Harold Larson, inhabitant of one of the world's great cities soon to be my new home. Farmer, boxer, sailor, welder, bus driver, doting grandfather—whetlier he knew it or not, the best weapons he wielded against the adversity and constant change in his life were love and joy. The lessons of his life and death have not been lost on those who remember him often and with great fondness. He would have understood perfectly what I have tried to get across in these pages. .And to .Madrid, the place where I feel most alive. 6 TABLE OF CONTENTS LIST OF ILLUSTRATIONS 8 ABSTRACT 18 CHAPTER I Towards a Theory of the Urbanization of Consciousness: How to Approach Urban Culture 1.1 What is Place? 19 1.2 Cerro Belmonte 20 1.3 Fritz Lang's Metropolis 22 1.4 What is Spanish Modemity? 27 1.5 How to Approach Urban Culture 33 1.6 Cultural Studies 37 1.7 The Frankfurt School and the Aestheticization of Politics 38 1.8 Antonio Gramsci and Cultural Resistance 41 1.9 Henri Lefebvre and the Urban Process 42 1.10 David Harvey and the Urbanization of Consciousness 44 CHAPTER II Capital, Culture and the Urban Process in Modern Madrid: Socio-Historical Context 2.1 The Crisis of the Parliamentary Monarchy, 1917-1923 66 2.2 The Dictatorship of Primo de Rivera and the Fall of the Monarchy, 1923-1931 74 2.3 The Second Republic, 1931-1936 79 2.4 A Precarious Economic Base 82 2.5 The Rise of Organized Labor in Spain, 1910-1936 86 2.6 The Case of Urbanizing Madrid 92 2.7 Ideas and Ideologies Behind Attempts to Plan Modem Madrid 98 2.8 Madrid's Urban Planning, 1914-1936 104 2.9 Constructing Modemity: Architecture in Madrid 1914-1936 128 CHAPTER III Gender, Place and Culture in Madrid from 1900-1930: Entering Modemity with Carmen de Burgos 3.1 The "Nueva Mujer Modema" Enters the Public Sphere 145 3.2 Madrid 1900-1930: The Other Side of the City 7 TABLE OF CONTENTS - Continued CHAPTER IV Fashion and the Conunodification of the "New Woman'* in Madrid: Jose Diaz Fernandez's La venus mecanica 4.1 Women's Fashion in the 1920s 186 4.2 A Brief Biography 197 4.3 La venus mecanica 200 4.4 Formal Aspects of the Novel 201 4.3 Critique of Avant-Garde and Popular Culture in Madrid 217 4.4 The Politicization of Space 220 CHAPTER V Al Hollywood madrileno with Andr^ Carranque de Rios's Cinemat6£rafo; Madrid's Fledgling Film Industry and the End of an Era 5.1 Film and the Urbanization of Consciousness 232 5.2 Spain's Unique Film History 235 5.3 The Commodification of the Cinematic Image In and Of Madrid 238 5.4 The Impact of Cinema on Madrid's Built Environment 241 5.5 Cinematoerafo 247 CONCLUSION Modernity: An Incomplete Project 282 WORKS CITED 292 8 LIST OF ILLUSTRATIONS RGURE 1.1 Spanish Movie poster for Fritz Lang's Metropolis.
Load more

Recommended publications
  • Televisión Y Literatura En La España De La Transición (1973-1982)
    Antonio Ansón, Juan Carlos Ara Torralba, José Luis Calvo Carilla, Luis Miguel Fernández, María Ángeles Naval López y Carmen Peña Ardid (Eds.) Televisión y Literatura en la España de la Transición (1973-1982) COLECCIÓN ACTAS f El presente libro recoge los trabajos del Seminario «Televisión y Literatura en la España de la Transición» que, bajo el generoso patrocinio de la Institución ACTAS «Fernando el Católico», tuvo lugar durante los días 13 a 16 de febrero de 2008. En él se incluyen, junto con las aportaciones del Grupo de Investigación sobre «La literatura en los medios de comunicación de masas durante COLECCIÓN la Transición, 1973-1982», formado por varios profesores de las Universidades de Zaragoza y Santiago de Compostela, las ponencias de destacados especialistas invitados a las sesiones, quienes han enriquecido el resultado final con la profundidad y amplitud de horizontes de sus intervenciones. El conjunto de todos estos trabajos representa un importante esfuerzo colectivo al servicio del mejor conocimiento de las relaciones entre el influyente medio televisivo (único en los años que aquí se estudian) y la literatura en sus diversas manifestaciones creativas, institucionales, críticas y didácticas. A ellos, como segunda parte del volumen, se añade una selección crítica de los principales programas de contenido literario emitidos por Televisión Española durante la Transición, con información pormenorizada sobre sus características, periodicidad, fecha de emisión, banda horaria y otros aspectos que ayudan a definir su significación estética y sociológica. Diseño de cubierta: A. Bretón. Motivo de cubierta: Josep Pla entrevistado en «A fondo» (enero de 1977). La versión original y completa de esta obra debe consultarse en: https://ifc.dpz.es/publicaciones/ebooks/id/2957 Esta obra está sujeta a la licencia CC BY-NC-ND 4.0 Internacional de Creative Commons que determina lo siguiente: • BY (Reconocimiento): Debe reconocer adecuadamente la autoría, proporcionar un enlace a la licencia e indicar si se han realizado cambios.
    [Show full text]
  • "Beautiful All Year Round"
    Translated articles · Eme n 2 · 2014 102 Martin Salisbury · pp. 100-103. ISSN 2253-6337 Raquel Pelta Resano · pp. 103-110. ISSN 2253-6337 103 Translated articles · Eme n 2 · 2014 as objects in mind, to that end we do everything tion exhibition in London, in 2003 she set up her Cambridge School of Art, I see an increasing number Gilmour, Pat: Artists at Curwen, London, Tate in our power to ensure that they look good, smell company ‘Donna Wilson’, creating designs for of Masters students applying their work to a range of Gallery, 1977. good and most of all tell great stories!” cushion covers, blankets, soft toys etc. In 2010 she design contexts beyond the book. I am showing a few Salisbury, Martin: Artists at the Fry, Cambridge, As well as independent publishers such as No- was named Designer of the Year by the magazine, examples here. In the early stages of this course, stu- Ruskin Press/Fry Art Gallery and Museum, 2003. brow, small ‘private press’ printer- publishers still Elle Decoration. The studio now employs a team dents devote their time to self-proposed thematic ob- Bacon, CAROLINE AND MCGregor, James: seem to be thriving. But one of the most noticeable of workers making enough of Donna’s designs to servational drawing projects. Even at this early stage Edward Bawden, Bedford, Cecil Higgins Art gal- examples of a return to aspects of the mid-Twen- meet the demand from major high street stores of making acquaintance with their individual meth- lery, 2008. tieth ethos is the branching out of illustrators into such as John Lewis.
    [Show full text]
  • Encuesta Pre-Electoral Enero 2021: Nuevas Ideas Se Consolida Como Primera Fuerza, Arena Sube Y Gana Baja En Intención De Voto… El FMLN En Cuidados Intensivos
    Encuesta pre-electoral enero 2021: Nuevas Ideas se consolida como primera fuerza, Arena sube y Gana baja en intención de voto… el FMLN en cuidados intensivos Ficha técnica Tipo de estudio: Cuantitativo. Técnica de registro: Cuestionario individual pre-estructurado. Tipo de entrevista: Visita a hogar. Informante: Personas mayores e iguales a 18 años con DUI vigente y residente en el municipio. Trabajo de campo: Del 13 al 17 de enero de 2021. Entrevistas efectivas: 1,536 boletas efectivas a nivel nacional. Muestreo: Sistemático probabilístico con ajación proporcional a la población, con un nivel de conanza 95 %, error muestral ± 2.5 Made with 1. ¿Está usted decido en ir a votar para las próximas elecciones de Alcaldes, diputados y Parlacen? NC /NS 0.60% No estoy seguro 8.70% No 3.50% Si 87.20% Made with 2. A partir de este año y para las próximas elecciones, ¿ha cambiado usted de preferencia política? NC /NS 2.90% Sí he cambiado 45.75% No he cambiado 51.35% Made with 3. Si su respuesta anterior fue “SÍ HE CAMBIADO”, ¿a qué se debe el cambio? 50 45 40 35 30 25 20 15 10 5 0 47.2% 35.6% 5.4% 8% 3.8% El partido me ha defraudado Los candidatos no me convencen Por la campaña electoral Otra razón NC /NS Made with 4. De las alternativas que le leeré, ¿Cuál se acerca más al porqué de su intención de voto? Porque está en contra de la corrupción Porque está a favor de Nuevas Ideas Por las propuestas (del partido Porque está en 37.3% 17.5% o candidatos) contra de los 16.3% partidos tradicionales (Arena, FMLN, etc) 8.2% Porque he recibido ayuda durante la pandemia 16.5% NS/NR 4.2% Made with 5.
    [Show full text]
  • Orientalisms the Construction of Imaginary of the Middle East and North Africa (1800-1956)
    6 march 20 | 21 june 20 #IVAMOrientalismos #IVAMOrientalismes Orientalisms The construction of imaginary of the Middle East and North Africa (1800-1956) Francisco Iturrino González (Santander, 1864-Cagnes-sur-Mer, Francia, 1924) Odalisca, 1912. Óleo sobre lienzo, 91 x 139 cm Departament de Comunicació i Xarxes Socials [email protected] Departament de Comunicació i Xarxes Socials 2 [email protected] DOSSIER Curators: Rogelio López-Cuenca Sergio Rubira (IVAM Exhibitions and Collection Deputy Director) MªJesús Folch (assistant curator of the exhibition and curator of IVAM) THE EXHIBITION INCLUDES WORKS BY ARTISTS FROM MORE THAN 70 PUBLIC AND PRIVATE COLLECTIONS Francisco de Goya y Lucientes (National Calcography), Francisco Lamayer, César Álvarez Dumont, Antonio Muñoz Degrain (Prado Museum), José Benlliure (Benlliure House Museum), Joaquín Sorolla (Sorolla Museum of Madrid), Rafael Senet and Fernando Tirado (Museum of Fine Arts of Seville), Mariano Bertuchi and Eugenio Lucas Velázquez (National Museum of Romanticism), Marià Fortuny i Marsal (Reus Museum, Tarragona), Rafael de Penagos (Círculo de Bellas Artes de Madrid, Institut del Teatre de Barcelona, MAPFRE Collection), Leopoldo Sánchez (Museum of Arts and Customs of Seville), Ulpiano Checa (Ulpiano Checa Museum of Madrid), Antoni Fabrés (MNAC and Prado Museum), Emilio Sala y Francés and Joaquín Agrasot (Gravina Palace Fine Arts Museum, Alacant), Etienne Dinet and Azouaou Mammeri (Musée d’Orsay), José Ortiz Echagüe (Museum of the University of Navarra), José Cruz Herrera (Cruz Herrera
    [Show full text]
  • * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
    * hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • A Guide for El Salvador 2 | Doing Business 2020 a Guide for El Salvador 3
    Doing Business 2020 A guide for El Salvador www.pwc.com/interamericas 2 | Doing Business 2020 A guide for El Salvador 3 Preface Foreword Central America is a region brimming with opportunities to As part of the added value that PwC Interamericas offers to learn and innovate. The strategic commercial advantages all of its clients and the business community who want to do include cheaper manufacturing costs and labor, as well as a business in the Central America and the Dominican Republic great deal of arable lands. It is a region with a continuously reegion, it is a great honor to publish the sixth edition of the growing economy, which year after year receives increasing amounts of investment and tourism, which helps it to business guide called Doing Business 2020, containing interconnect with the world. important information, which allows us to understand cultural aspects, the climate for investment, and the most important On the other hand, the Dominican Republic has a promising things to consider on legal, commercial and fiscal matters and rapidly growing economy. Despite the fact that it does not belong to Central America, its proximity to the region on the region, that we have complemented with international and the fact that we share the same language and culture, standards and the best world practices. makes it a key contributor for the region. It’s very close Current business opportunities place Central America and commercial relationship with the United States in regard to tourism, the remittances, and exportations, help keep its the Dominican Republic as a highly attractive region for economy more stable.
    [Show full text]
  • Qel Salvador's New Legislative Assembly
    LATIN AMERICA ADVISOR A DAILY PUBLICATION OF THE DIALOGUE www.thedialogue.org Friday, May 14, 2021 BOARD OF ADVISORS FEATURED Q&A TODAY’S NEWS Diego Arria Director, Columbus Group POLITICAL Devry Boughner Vorwerk Is El Salvador’s Venezuela to Hold Chief Corporate Affairs Officer, Grubhub Local, Regional Joyce Chang Global Head of Research, Bukele Undermining Elections Nov. 21 JPMorgan Chase & Co. Venezuela will hold regional and Paula Cifuentes local elections in November, said Director of Economic & Fiscal Affairs, the Rule of Law? Pedro Calzadilla, the president of Latin America & Canada, Philip Morris International the country’s electoral council. Marlene Fernández The announcement came after Corporate Vice President for Venezuela named two opposition Government Relations, members to the council. Arcos Dorados (McDonald’s) Page 2 Peter Hakim President Emeritus, Inter-American Dialogue ECONOMIC Donna Hrinak Senior VP, Corporate Affairs, Brazil Joins South Royal Caribbean Group American Effort Jon E. Huenemann Council Member, for Undersea Cable GLG Inc. Brazil has joined an effort to build James R. Jones Salvadoran President Nayib Bukele’s Nuevas Ideas party this month ousted the attorney Chairman, general and the five magistrates of the constitutional chamber of the country’s Supreme Court . an 8,200-mile undersea fiber optic Monarch Global Strategies // File Photo: Salvadoran Government. cable from South America to Asia. Officials are planning the project Craig A. Kelly El Salvador’s new Legislative Assembly, controlled by the Senior Director, Americas to improve Internet connectivity. Int’l Gov’t Relations, Exxon Mobil New Ideas party of President Nayib Bukele, in its first Page 2 John Maisto session on May 1 voted to remove the five magistrates of Director, U.S.
    [Show full text]
  • EL SALVADOR 2019 Final Report
    European Union Election Observation Mission EL SALVADOR 2019 Final Report [Flag of host Presidential Election 3 February 2019 Table of Contents I. Executive Summary and Priority Recommendations ......................................................................... 1 II. Introduction ........................................................................................................................................ 4 III. Political Context ................................................................................................................................. 4 IV. Implementation of Previous EOM Recommendations ....................................................................... 5 V. Legal Framework ............................................................................................................................... 6 A. International Principles and Commitments .............................................................................. 6 B. Constitutional Human Rights ................................................................................................... 6 C. Electoral Legislation ................................................................................................................ 7 D. Election System ....................................................................................................................... 7 VI. Election Administration ..................................................................................................................... 8 A. Structure and Composition
    [Show full text]
  • University Micrdnlms International 300 N
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the Him is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Transatlantica, 2 | 2006 Film and Art : on the German Expressionist and the Disney Exhibitions 2
    Transatlantica Revue d’études américaines. American Studies Journal 2 | 2006 Révolution Film and Art : On the German Expressionist and the Disney Exhibitions Penny Starfield Édition électronique URL : http://journals.openedition.org/transatlantica/1192 DOI : 10.4000/transatlantica.1192 ISSN : 1765-2766 Éditeur AFEA Référence électronique Penny Starfield, « Film and Art : On the German Expressionist and the Disney Exhibitions », Transatlantica [En ligne], 2 | 2006, mis en ligne le 23 janvier 2007, consulté le 29 avril 2021. URL : http:// journals.openedition.org/transatlantica/1192 ; DOI : https://doi.org/10.4000/transatlantica.1192 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Film and Art : On the German Expressionist and the Disney Exhibitions 1 Film and Art : On the German Expressionist and the Disney Exhibitions Penny Starfield Le Cinéma expressionniste allemand, La Cinémathèque française, curators : Marianne de Fleury and Laurent Mannoni, October 26, 2006-January 22, 2007. Il était une fois Walt Disney, aux sources de l’art des studios Disney, curator : Bruno Girveau, Le Grand Palais, September 16, 2006-January 15, 2007 ; Musée des Beaux- Arts, Montréal, 8 March-24 June 2007. 1 Two major exhibitions in Paris delve into the relationship between the artistic and the film worlds. The German Expressionists in Film celebrates the seventieth anniversary of the French Cinémathèque, founded by Henri Langlois in 1936. It is housed in the temporary exhibition space on the fifth floor of the recently-inaugurated Cinémathèque, which moved from its historic site at the Palais de Chaillot to the luminous building conceived by Frank Gehry on the far eastern side of the right bank.
    [Show full text]
  • Un Guía a Las Elecciones Legislativas, Municipales Y Al Parlamento Centroamericano En El Salvador 2021
    Un Guía a las Elecciones Legislativas, Municipales y al Parlamento Centroamericano en El Salvador 2021 26 de febrero, 2021 Preparado por el Comité en Solidaridad con el Pueblo de El Salvador (CISPES): [email protected] ​ Pagina 2 El próximo 28 de febrero, El Salvador realizará su décima jornada de elecciones municipales y legislativas, en las que el pueblo elegirá a más de 3 mil funcionarios públicos, incluyendo los 84 diputados y diputadas de la Asamblea Legislativa, 262 Concejos Municipales (alcaldes), 1,424 regidores y regidoras, y a sus respectivos suplentes, y 20 diputados propietarios al Parlamento Centroamericano. Alrededor de 5.3 millones de ciudadanos y ciudadanas, están convocados a participar en este evento electoral que se realizará de manera presencial en los 14 departamentos del país y contará con la participación de diez partidos políticos: Alianza Republicana Nacionalista (Arena), Frente Farabundo Martí para la Liberación Nacional (FMLN), Nuevas Ideas, Gran Alianza por la Unidad Nacional (Gana), Vamos, Nuestro Tiempo, Cambio Democrático (CD), Partido Concertación Nacional (PCN), Partido Demócrata Cristiano (PDC), Democracia Salvadoreña (DS). Los pactos de coalición se han registrado principalmente para los ​ ​ concejos municipales, estos consisten en que dos o más partidos presentan candidaturas comunes. Para esta elección, el Tribunal Supremo Electoral inscribió 70 coaliciones entre Nuevas Ideas-CD y 16 de Nuevas Ideas-GANA para el mismo número de alcaldías en todo el país. También se registraron otras alianzas, como ARENA-PCN o ARENA-Democracia Salvadoreña, quienes comparten candidaturas a diputados en el departamento de San Salvador. El FMLN, Vamos, PDC y Nuestro Tiempo no presentaron solicitudes de coalición.
    [Show full text]