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The Representation of Latinas in Orange Is the New Black a Thesis
The Representation of Latinas in Orange Is the New Black A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University By Sarah Weatherford Millette Bachelor of Arts Furman University, 2011 Director: Ricardo F. Vivancos Pérez, Associate Professor Department of Modern and Classical Languages Spring Semester 2015 George Mason University Fairfax, VA ACKNOWLEDGEMENTS I would like to thank first and foremost my advisor and mentor, Dr. Ricardo F. Vivancos Pérez, who has believed in me, encouraged me, and never stopped challenging me. I would also like to thank Dr. Lisa Rabin and Dr. Michele Back for their guidance and their time. Thank you to my family and friends for understanding my less-than-social life these past few months. Finally, I would like to thank my new husband, Nick, for accepting the fact that this has been my first love and priority in our first year of marriage. ii TABLE OF CONTENTS Page Abstract................................................................................................................................ iv Introduction........................................................................................................................... 1 Thesis Overview ................................................................................................................... 9 Chapter One - Gender, Sexuality, and Interethnic Relationships in the Fictional Prison .. 12 Women in the US Prison System................................................................................. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
White Is the New Black: Entretejiendo Ejes De Discriminación En 'Orange Is the New Black'
Recibido: 2016_03_17 | Aceptado: 2016_04_15 215 WHITE IS THE NEW BLACK: ENTRETEJIENDO EJES DE DISCRIMINACIÓN EN ‘ORANGE IS THE NEW BLACK’ WHITE IS THE NEW BLACK: INTERWEAVING AXES OF DISCRIMINATION IN ‘ORANGE IS THE NEW BLACK’ DELICIA AGUADO PELÁEZ Y PATRICIA MARTÍNEZ GARCÍA [email protected] | [email protected] Universidad del País Vasco (UPV/EHU) Resumen: Desde un enfoque feminista clásico, Orange is the New Black (Netflix, 2013-) –a partir de aquí, OITNB– se considera una serie de televisión transgresora de la conocida como Tercera Edad Dorada de la Televisión. Un reconocimiento que se ha ganado a través de una representación diversa y compleja de las realida- des de las mujeres, con una gran variedad de cuerpos, etnias y sexualidades. No obstante, la revisión de esta producción desde un enfoque interseccional permite problematizar estos resultados positivos, revelándose la raza como un eje de este- reotipación. Así, a partir de un análisis de contenido se pretende examinar cómo se representan las tres grandes familias étnicas de OITNB en su interacción con una serie de ejes de discriminación señalados desde la interseccionalidad –clase social, diversidad funcional, edad, género, orientación sexual y religión– y obser- var cómo se reproducen patrones de dominación y opresión. En definitiva, la pro- ducción de Netflix privilegia las narrativas de las mujeres blancas, por lo que recae en patrones de discriminación y normatividad simbólica respecto a otras experien- cias raciales. Palabras clave: ejes de discriminación; género; interseccionalidad; Orange is the New Black; raza; series de televisión. Abstract: From a classical feminist view, Orange is the New Black (Netflix, 2013- ) –OITNB– is considered an innovative point of view on gender in the so-called Television's Third Golden Age. -
Cassette Books, CMLS,P.O
DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction, -
ORANGE IS the NEW BLACK – I Personaggi (Fino Alla Seconda Stagione)
ORANGE IS THE NEW BLACK – I personaggi (fino alla seconda stagione) A cura di Odamei Alex Vause: Alex Vause fa girare enormi quantità di droga e la testa a Piper Chapman, della quale è molta delizia e poco croce. Si ritrova fra le mura di Litchfield con la sua amante amata, salvo poi uscire per uno stratagemma processuale. Non si può dire che nel Queens se la passi meglio, così Piper fa in modo che possa tornare a soggiornare in un luogo più “ameno “ e sicuro. Laura Prepon, che interpreta Alex, è stata investita di “deitudine” dalle fans, alle quali provoca tachicardia, mancamenti, svenimenti e sconvolgimenti ormonali vari e assortiti ad ogni sua apparizione. Piper Chapman: detentrice, conquistatrice, “proprietaria” del cuore di Alex, della quale apprezza anche altre parti corporee, finge di odiarla in tutti i modi, arrivando al martirio, cioè fidanzandosi con Larry. Ma non c’è niente che riesca a tenere lontane le due fanciulle. Apparentemente dolce ed indifesa al suo arrivo a Litchfield, sfodera un istinto di sopravvivenza ed un’astuzia degni delle migliori volpi. Nicky Nichols: generosa elargitrice di piacere e piaceri alle compagne di detenzione, grazie a “mamma” Red ha divorziato dall’eroina ed è riuscita a resistere alle “tentazioni”. Ha un’agenda sulla quale annota scrupolosamente le “performances” delle sue partners. Galina “Red” Reznikov: rossa di capelli e russa di origini, è una donna d’onore che dirige la cucina e il contrabbando di generi vari, dal rasoio alle creme. La sua autorità ed il suo rapporto con le detenute vengono messi in serio pericolo dall’arrivo di Vee Parker, che si congeda da lei con un paio di souvenir non proprio graditi. -
Audies 2013 Press Release FINAL
FOR IMMEDIATE RELEASE February 20, 2013 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] Daniel Handler to Emcee the Audie Awards Gala on May 30, 2013 at the New-York Historical Society in New York City Princeton Junction, NJ – The Audio Publishers Association (APA) has announced finalists for its 2013 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 30, 2013, at the New-York Historical Society in New York. Writer Daniel Handler, longtime friend and supporter of the audiobook industry will emcee the event. “It is always an exciting revelation to see which titles have been nominated, especially as the number of titles produced in audio each year is growing so rapidly,” said Michele Cobb, President of the APA. “Yet again, this year’s finalists do not disappoint. With an outstanding host, an amazing list of potential winners and a gorgeous venue, we look forward to once again celebrating excellence in audio publishing.” Host Daniel Handler is no stranger to audiobooks. At last year’s 12th Annual Audiobook and Author Tea held during Book Expo America, Handler kept the audience laughing for the bulk of the event as he described his ill- fated decision to replace Tim Curry as the narrator of his popular Lemony Snicket series. “It was a terrible idea,” he said, describing in vivid detail his “stuttering, stammering, lip-smacking” attempt at audio narration. -
Intersectionality in Anglophone Television Series and Cinema
Intersectionality in Anglophone Television Series and Cinema Intersectionality in Anglophone Television Series and Cinema Edited by Kévin Drif and Georges-Claude Guilbert Intersectionality in Anglophone Television Series and Cinema Edited by Kévin Drif and Georges-Claude Guilbert This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Kévin Drif, Georges-Claude Guilbert and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5983-1 ISBN (13): 978-1-5275-5983-7 TABLE OF CONTENTS Acknowledgments .................................................................................... vii Foreword ................................................................................................. viii Kévin Drif & Georges-Claude Guilbert Chapter One ................................................................................................ 1 Intersectionality Is the New Black Anne Crémieux Chapter Two ............................................................................................. 13 Deux récits des lendemains de premiere guerre mondiale – approche intersectionnelle de Peaky Blinders et Downton -
ORANGE 1001 9-20-12 YELLOW PAGES Copy.Fdx
ORANGE IS THE NEW BLACK PILOT Ep. #1001 Written by Jenji Kohan Directed by Michael Trim Based on the Memoir by Piper Kerman Production Draft - 09/07/12 Blue (full) - 09/12/12 Pink (pages) – 09/14/12 Yellow (pages) – 09/20/12 Green (pages) – 09/24/12 (Pages Affected: Cast, 38, 46) Copyright © 2012 Lions Gate Television Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. ORANGE IS THE NEW BLACK CAST EPISODE #1001 GREEN 09/24/12 PIPER CHAPMAN TAYLOR SCHILLING LARRY BLOOM JASON BIGGS MISS CLAUDETTE PELAGE MICHELLE HURST GALINA “RED” REZNIKOV NICKY NICHOLS NATASHA LYONNE ALEX VAUSE LAURA PREPON SAM HEALY MICHAEL HARNEY POLLY HARPER MARIA DIZZIA GEORGE “PORNSTACHE” MENDEZ PABLO SCHREIBER JOSEPH “JOE” CAPUTO NICK SANDOW JOHN BENNETT MATT McGORRY LORNA MORELLO YAEL STONE ERICA “YOGA” JONES CONSTANCE SHULMAN DAYANARA DIAZ DASCHA POLANCO ALEIDA DIAZ ELIZABETH RODRIGUEZ JANAE WATSON VICKY JEUDY CARRIE “BIG BOO” BLACK LEA DELARIA CAROL CHAPMAN DEBORAH RUSH CAL CHAPMAN MICHAEL CHERNUS HOWARD BLOOM TODD SUSMAN TASHA “TAYSTEE” JEFFERSON DANIELLE BROOKS SISTER INGALLS BETH FOWLER SOPHIA BURSET LAVERNE COX PETE HARPER NICK STEVENSON BLANCA FLORES LAURA GOMEZ AMY KANTER-BLOOM KATHRYN KATES CELESTE CHAPMAN MARY LOORAM GINA MURPHY ABIGAIL SAVAGE BILL CHAPMAN BILL HOAG ANITA DeMARCO LIN TUCCI MISS ROSA CISNEROS BARBARA ROSENBLAT WANDA BELL CATHERINE CURTIN GLORIA MENDOZA SELENIS LEVYA ELIQUA MAXWELL LOLITA FOSTER J. -
Orange Is the New Black -Sarjassa
42 sLÄHIKUVA s3/2016 Outi Hakola /UTI(AKOLA &4 DOSENTTI !LUE JAKULTTUURINTUTKIMUS (ELSINGINYLIOPISTO VALLATTOMAT NAISET Naisen muuttuva paikka Orange Is the New Black -sarjassa Naisvankilasta kertovaa yhdysvaltalaissarja Orange Is the New Blackia on yhtäältä kiitelty monipuolisista henkilöhahmoista ja toisaalta kritisoitu rodulli- suuden normatiivisuudesta niin tuotannon kuin vastaanotonkin puolella. Kes- kustelu on usein tulkinnut henkilöhahmoja staatisina representaatioina, jolloin sarjan kerronnassa tapahtuvat liukumat ovat jääneet vähemmälle huomiolle. Sarjallisuus kuitenkin määritelee jatkuvasti uudelleen, mikä on soveliasta käytöstä naiselle ja millaisia mahdollisuuksia naisilla on, tai ei ole, rikkoa heille asetetuja sukupuolituneita ja rodullistetuja rooleja ja rajoja. Tarkastelemalla sukupuolikuvausten prosessimaisuuta analysoin naiseuden normitumista ja näiden normien kyseenalaistamista amerikkalaisessa viihteessä ja nykykultuu- rissa. Yhdysvaltalainen naisvankilasta kertova komediallinen draamasarja Orange Is the New Black (USA 2013–) on herättänyt paljon keskustelua siinä esitettyjen naisrepresentaatioiden monipuolisuudesta. Sarjan on nähty sekä rikkovan (esim. Enck & Morrissey 2015) että toistavan (esim. Caputi 2015; Najumi 2013) olemassa olevia luokkaan, sukupuoleen, etnisyyteen tai ihonväriin liittyviä stereotyyppisiä representaatioita. Sarjallisuus on osaltaan mahdollistanut erilaiset tulkinnat, sillä jaksosta toiseen eri henkilöhahmojen motivaatioita ja tavoitteita määritellään uusissa konteksteissa ja näkökulmissa. Prosessi- -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E. -
ORANGE IS the NEW BLACK Casting Nomination Scene Selections Episode 3
ORANGE IS THE NEW BLACK Casting Nomination Scene Selections Episode 3 - Hugs Can Be Deceiving Clip 1: • Start: 16:09 Vee and Red see each other, walk toward each other • Finish: 14:10 two shot of Vee and Red standing next to each other after Red's line, "ambitious and bullshit but nice" • Synopsis: Red and Vee see each other from opposite ends of the hall—it is clear these two have history. They walk toward each other, staring the other down the whole time. They finally come together and embrace. They catch up and we learn that Vee and Red have been here together before, but they feel much older now. • Characters: RED (Kate Mulgrew), VEE (Lorraine Toussaint) Clip 2 • Start: 14:05 shot of Crazy Eyes graduation • Finish: 9:42 ends on Piper turning around to see Vee has influence over Crazy Eyes • Synopsis: We see Suzanne’s (Crazy Eyes) parents and sister giving her a pep-talk before she is supposed to sing at her high school graduation. She freezes onstage and begins to hit herself. We cut to the Christmas pageant, where Suzanne also freezes onstage, and is rescued by Norma and the rest of the ladies. We see her leave the auditorium, high on the Christmas spirit, but she runs into Maritza and Flaca who then make fun of the way she hit herself when she froze onstage, which triggers the memories of her mother pushing her to do things when she was younger. She snaps and runs outside and in a daze attacks Piper (who is in the midst of attacking Pennsatucky), taking out her anger towards her mother. -
SATURDAY, FEBRUARY 1, 2014 Edison Ballroom 240 West 47Th Street • NYC
The Writers Guild of America, East Presents SATURDAY, FEBRUARY 1, 2014 Edison Ballroom 240 West 47th Street • NYC FEBRUARY 1, 2014 EDISON BALLROOM 1 2 The 66th Annual Writers Guild Awards SATURDAY, FEBRUARY 1, 2014 • EDISON BALLROOM • NEW YORK CITY Officers Lowell Peterson Michael Winship: President Executive Director Jeremy Pikser: Vice President Bob Schneider: Secretary–Treasurer Ruth Gallo Assistant Executive Director Council Members John Auerbach Marsha Seeman Henry Bean Assistant Executive Director Walter Bernstein Sue “Bee” Brown Awards Committee Arthur Daley Bonnie Datt, Chair Bonnie Datt Ann B. Cohen Terry George Gail Lee Gina Gionfriddo John Marshall Susan Kim Allan Neuwirth Jenny Lumet Danielle Paige Patrick Mason Courtney Simon Zhubin Parang Richard Vetere Phil Pilato Bernardo Ruiz Ted Schreiber Dana Weissman Lara Shapiro Director of Programs Courtney Simon Duane Tollison Nancy Hathorne Richard Vetere Events Coordinator Jason Gordon Director of Communications PKPR Red Carpet 3 DRAMA SERIES MAD MEN Written by Matthew Weiner André Jacquemetton Maria Jacquemetton Janet Leahy Semi Chellas Erin Levy Lisa Albert Michael Saltzman Tom Smuts Jonathan Igla Jason Grote Carly Wray CONGRATULATIONS TO OUR WRITERS GUILD AWARDS NOMINEES DRAMA SERIES BREAKING BAD Written by Vince Gilligan Sam Catlin Peter Gould George Mastras Thomas Schnauz Moira Walley-Beckett Gennifer Hutchison EPISODIC DRAMA “BURIED” Written by Thomas Schnauz “CONFESSIONS” Written by Gennifer Hutchison “GRANITE STATE” Written by Peter Gould © 2014 AMC Network Entertainment LLC. All rights reserved. AMC 3752 BRIAN S. Version: BLACK AND WRITERS GUILD OF AMERICA WHITE AD FULL PAGE NO BLEED 150 N/A 4.5"W X 7.5"H REVISED 1/10/14 client and prod special info: # A-004 job#1537F artistBRIAN S.