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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
ORANGE IS the NEW BLACK PILOT Written By: Jenji Kohan
ORANGE IS THE NEW BLACK PILOT Written by: Jenji Kohan Based on the Memoir by Piper Kerman Writer's first 5/22/12 BATHING MONTAGE: We cycle through a series of scenes with voice overs. Underneath the dialogue, one song plays throughout. Perhaps it’s ‘Tell Me Something Good,’ by Rufus and Chaka Khan or something better or cheaper or both that the music supervisor finds for us. INT. CONNECTICUT KITCHEN - DAY - 1979 A beautiful, fat, blonde baby burbles and splashes in a kitchen sink. A maternal hand pulls out the sprayer and gently showers the baby who squeals with joy. PIPER (V.O.) I’ve always loved getting clean. CUT TO: INT. TRADITIONAL BATHROOM - 1984 Five year old Piper plays in a bathtub surrounded by toys. PIPER (V.O.) Water is my friend. CUT TO: INT. GIRLY BATHROOM - 1989 Ten year old Piper lathers up and sings her heart out into a shampoo bottle. PIPER (V.O.) I love baths. I love showers. CUT TO: INT. DORM BATHROOM - 1997 Seventeen year old Piper showers with a cute guy. PIPER (V.O.) I love the smell of soaps and salts. CUT TO: INT. LOFT BATHROOM - 1999 Twenty year old Piper showers with a woman. (ALEX) ORANGE IS THE NEW BLACK "Pilot" JENJI DRAFT 2. PIPER (V.O.) I love to lather. CUT TO: INT. DAY SPA - 2004 Piper sits in a jacuzzi with girlfriends. PIPER (V.O.) I love to soak. CUT TO: INT. APARTMENT - 2010 Piper in a clawfoot tub in a brownstone in Brooklyn with LARRY. PIPER (V.O.) It’s my happy place. -
Lopez Villaveiran Paula MD 2
ABSTRACT Fiction has always made readers to explore new horizons and share experiences with the rest of the world. My dissertation addresses the question of how literacy and reading are essential to an inmate's rehabilitation. The current policy of banning certain books in prison prompts people to consider the act of reading as a privilege for prisoners and a menace for the system. Bearing in mind the cultural, political and social aspects such as mass incarceration in the United States, I focus on the analysis of the novel Orange is the New Black by Piper Kerman and the series by Netflix based on the same text, together with other articles and publications on related topics taken from reliable think tanks such as the Cato Institute, which provides information on prison conditions, or neuroscience articles, which give value to the question of adaptation and reflective reading. Piper Kerman served thirteen months at FCI Danbury, a minimum security prison located in Connecticut for her involvement in money laundering and drug trafficking crime. The account of her confinement makes us realize that among all the projects carried out in prison, education and reading programmes are almost nonexistent, a fact which contrasts with the Netflix series based on the same novel where inmates make a great use of the library and quotes from novels are common in their conversations. Studies show that receiving correctional education reduces rates in recidivism resulting in a 43% lower chances of recidivating if the inmate participates in an education programme. However, surveys show that the correlation between experience inside prison and recidivating does not undermine those rates in recidivism. -
Star Trek Beyond
lifestyle SUNDAY, JULY 17, 2016 Film Review ‘Star Trek Beyond’: A high octane but low impact sequel t doesn’t take a rocket scientist to see why direc- it’s good up to a point-because “Star Trek Beyond,” for all the out with a cast that audiences have-rightly-come to love. tor Justin Lin was handed the reins of the “Star addictive intensity of its visual flourishes, is the most prosa- On the planet, the crew members land in different places I Trek” series from the outgoing JJ Abrams. Lin, ic and, in many ways, the least adventurous of the Abrams- because they’ve escaped the crashing Enterprise in sepa- the director of four “Fast and Furious” films, is a era “Star Trek” outings. It’s a sturdily built movie that gets rate pods. It’s fun to watch Spock (Zachary Quinto) and virtuoso at making vehicles fly through space, and his “Star the job done, and it’s got a likable retro vibe: The fact that Bones (Karl Urban) bond through their antipathy. Or Scotty Trek Beyond” has a few of the most spectacular set pieces Kirk and his crew spend a good part of the film stranded, (Simon Pegg) try to weave his nerd weaselness around the ever seen in the series. What’s more, if you had to find a without recourse, gives “Star Trek Beyond” a wide-eyed, forceful Jaylah, the alien dominatrix in white who refers to theme in the “Fast and Furious” films-apart from their real slightly clunky analog stasis that takes us right back to the him as “Montgomery Scotty.” Or Anton Yelchin’s Chekov theme, which is that speed and destruction rock-it would spirit of the TV series. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
The Representation of Latinas in Orange Is the New Black a Thesis
The Representation of Latinas in Orange Is the New Black A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University By Sarah Weatherford Millette Bachelor of Arts Furman University, 2011 Director: Ricardo F. Vivancos Pérez, Associate Professor Department of Modern and Classical Languages Spring Semester 2015 George Mason University Fairfax, VA ACKNOWLEDGEMENTS I would like to thank first and foremost my advisor and mentor, Dr. Ricardo F. Vivancos Pérez, who has believed in me, encouraged me, and never stopped challenging me. I would also like to thank Dr. Lisa Rabin and Dr. Michele Back for their guidance and their time. Thank you to my family and friends for understanding my less-than-social life these past few months. Finally, I would like to thank my new husband, Nick, for accepting the fact that this has been my first love and priority in our first year of marriage. ii TABLE OF CONTENTS Page Abstract................................................................................................................................ iv Introduction........................................................................................................................... 1 Thesis Overview ................................................................................................................... 9 Chapter One - Gender, Sexuality, and Interethnic Relationships in the Fictional Prison .. 12 Women in the US Prison System................................................................................. -
The Rise of the Anti-Hero: Pushing Network Boundaries in the Contemporary U.S
The Rise of The Anti-Hero: Pushing Network Boundaries in The Contemporary U.S. Television YİĞİT TOKGÖZ Submitted to the Graduate School of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in CINEMA AND TELEVISION KADIR HAS UNIVERSITY June, 2016 I II ABSTRACT THE RISE OF THE ANTI-HERO: PUSHING NETWORK BOUNDARIES IN THE CONTEMPORARY U.S. TELEVISION Yiğit Tokgöz Master of Arts in Cinema and Television Advisor: Dr. Elif Akçalı June, 2016 The proliferation of networks using narrowcasting for their original drama serials in the United States proved that protagonist types different from conventional heroes can appeal to their target audiences. While this success of anti-hero narratives in television serials starting from late 1990s raises the question of “quality television”, developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. This thesis examines the development of the anti-hero on the U.S. television by focusing on the protagonists of pay-cable serials The Sopranos (1999-2007) and Dexter (2006-2013), basic cable serials The Shield (2002-2008) and Mad Men (2007-2015), and video-on-demand serials House of Cards (2013- ) and Hand of God (2014- ). In brief, this thesis argues that the use of anti-hero narratives in television is directly related to the narrowcasting strategy of networks and their target audience groups, shaping a template for growing networks and newly formed distribution services to enhance the brand of their corporations. In return, the anti-hero narratives push the boundaries of conventional hero in television with the protagonists becoming morally less tolerable and more complex, introducing diversity to television serials and paving the way even for mainstream broadcast networks to develop serials based on such protagonists. -
[email protected] Distribución En El Interior Lilian Laura Ivachow En Internet DISA SA Mariano Kairuz Tel
CINE N° 172 SEPTIEMBRE ELAM NTE 2006 29 de las mejores películas de nuestro cine contemporáneo en DVD. Una colección que te hara sentir orgulloso de ser argentino. Contiene fascículos coleccionables sobre los primeros pasos, las épocas doradas y el cine actual con destacados actores y directores argentinos. ELAMANTE CINE N°172 SEPTIEMBRE 2006 SUMARIO I número pasado hubo cruces de opiniones sobre Piratas del Caribe 2 y sobre The Weather Man, ambas de Gore Verbinski. En este número se ajustan Estrenos 2 Miami Vice cuentas sobre Mondovino y Viviendo con mi ex (que 7 Fuerza Aérea Sociedad aparecieron, respectivamente, a favor y en contra el número Anónima + Entrevista pasado), y hay alguna diferencia de valoración sobre Fulltime con Enrique Piñeyro Killer (estrenada en DVD). Sin embargo, se avecinan 11 Agua discusiones más fuertes a la brevedad. Y no precisamente + Entrevista con veróruca Chen Volver + Carmen Maura sobre Volver de Almodóvar (que en el papel sale a favor y fue 14 17 Pacto de silencio + Entrevista bastante en contra en el site). A juzgar por las discusiones con Carlos Echeverría internas en los cruces de mails, se vienen otras tormentas. Es 22 Porno altamente probable que, con todo el cine argentino que se 24 Sofacama anda estrenando, aparezcan focos de polémica. Pero la verdad 25 Cuatro mujeres descalzas Nuestra música es que los desacuerdos se adivinan más profundos y exceden 26 27 La música más triste del mundo cuestiones de nacionalidad, y en este mes saltaron a la vista en 28 Jorge el curioso, Las manos, dos películas: La dama en el agua y Pregúntale al viento. -
Sandspur, Vol 120, No 14, January 30, 2014
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-30-2014 Sandspur, Vol 120, No 14, January 30, 2014 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 120, No 14, January 30, 2014" (2014). The Rollins Sandspur. 1986. https://stars.library.ucf.edu/cfm-sandspur/1986 Florida's Oldest College Newsp Thursday, January 30 | Volume 120, Issue 14 Behind the rift: how two new business d and the future of the College of Professional Studies Annamarie Carlson page 6 Sandspur « NEWS Everything Real. Everything Rollins. Established in 1894 with the following editorial: "Unassuming yet almighty sharp, and pointed, ' well rounded yet many sided, assiduously tena cious, victorious in single combat, and therefore without a peer, wonderfully attractive and exten sive in circulation; all these will be found upon investigation to be among the extraordinary quali ties of The Sandspur." Las Vegas, Nevada EXECUTIVE STAFF Jamie Pizzi Editor-in-chief David Matteson Production Manager Annamarie Carlson Managing Editor K> CONTENT STAFF © Emily Kelly ^ g Head Content Editor Daniel Udell WHERE ^ to Head Copy Editor *9 s Mayra Macias Web Editor to Compiled by Lauren Waymire 44 Cara Guthrie iWORLD Alexandra Mariano Seoul, South Korea — The exercises are harmless. -
Los Nominados a La 24Ta Edición De Los Premios Del Sindicato De Actores De Cine Han Sido Anunciados
FOR IMMEDIATE RELEASE Contact: Rosalind Jarrett Sepulveda [email protected] (424) 309-1400 Los nominados a la 24ta edición de los Premios del Sindicato de Actores de Cine han sido anunciados. -------------------------------------------------------------------------------------------------------------- La ceremonia se transmitirá en vivo el domingo 21 de enero de 2017, en TNT y TBS a las 8pm (ET) 5pm (PT). LOS ÁNGELES (13 de diciembre de 2017) – Los nominados a la 24ta edición de los Premios del Sindicato de Actores de Cine por sus excepcionales actuaciones individuales y como elenco en cine y televisión en 2017, así como los nominados por sus excepcionales actuaciones como elencos de dobles de acción en cine y televisión fueron anunciados esta mañana en el SilverScreen Theater del Pacific Design Center en West Hollywood. La Presidenta de SAG-AFTRA, Gabrielle Carteris, presentó a Olivia Munn (X-Men Apocalypse, The Predator) y Niecy Nash (Claws, The Soul Man), quienes anunciaron los nominados para los Premios de este año, a transmitirse en vivo a través de TNT, TBS, truTV, sagawards.tntdrama.com, truTV.com y sagawards.org, en las aplicaciones móviles de TNT y TBS, y los canales en redes sociales de TNT y TBS en Facebook, Twitter y YouTube. Poco antes, la presidenta del Comité de los Premios SAG, JoBeth Williams, y la miembro del Comité, Elizabeth McLaughlin, anunciaron a los nominados como elencos de dobles de acción durante una transmisión en línea, en vivo a través de tntdrama.com/sagawards y sagawards.org. Repeticiones de ambos anuncios están disponibles para su visualización en tntndrama.com/sagawards y sagawards.org. La lista completa de los nominados a la 24ta edición anual de los Premios del Sindicato de Actores de Cine se encuentra a continuación de este aviso. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ