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Put in a Bind with New Law
KEVIN FRAYER/GETTY WEEK 24, 2021 I MA G ES CHINA INSIDER FOREIGN BUSINESSES IN CHINA PUT IN A BIND WITH NEW LAW See Page 2 2 | CHINA INSIDER Week 24, 2021 Week 24, 2021 CHINA INSIDER | 3 WILL RUSSELL/GETTY IMAGES OPINION Beijing’s ‘Anti-Foreign Sanctions’ Law Puts Global Businesses in Further Bind KEVIN FRAYER/GETTY IMAGES FAN YU People walk by an H&M oreign companies doing busi- store in Beijing on ness in China will soon find their March 30, operating environment littered 2021. with economic roadblocks be- cause of a series of new “anti- Fforeign sanctions” rules that China’s leg- islature rushed to pass on June 10. The new rules were introduced as coun- termeasures against foreign nations enact- ing sanctions on Beijing. This development may put foreign organizations and indi- viduals enforcing their home countries’ sanctions against China in a tough position going forward. The new law expands the Chinese re- gime’s toolkit to fight back against sanc- tions and can be used in conjunction with the existing Unreliable Entities List of com- panies it created last year. The measures are extensive and give the Chinese Communist Party (CCP) broad powers to sanction organizations and indi- viduals complying with sanctions against China. So, what exactly can it do? The CCP The Chinese consulate in Perth, Australia, on March 24, 2014. could deny visas for, deport, and restrict travel for affected entities, seize properties bank complying with President Joe Biden’s measures casually, these measures are now they have within China, block business updated executive order to affirm the available to the CCP under the new law. -
Media Capture with Chinese Characteristics
JOU0010.1177/1464884917724632JournalismBelair-Gagnon et al. 724632research-article2017 Article Journalism 1 –17 Media capture with Chinese © The Author(s) 2017 Reprints and permissions: characteristics: Changing sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1464884917724632DOI: 10.1177/1464884917724632 patterns in Hong Kong’s journals.sagepub.com/home/jou news media system Nicholas Frisch Yale University, USA Valerie Belair-Gagnon University of Minnesota, USA Colin Agur University of Minnesota, USA Abstract In the Special Administrative Region of Hong Kong, a former British territory in southern China returned to the People’s Republic as a semi-autonomous enclave in 1997, media capture has distinct characteristics. On one hand, Hong Kong offers a case of media capture in an uncensored media sector and open market economy similar to those of Western industrialized democracies. Yet Hong Kong’s comparatively small size, close proximity, and broad economic exposure to the authoritarian markets and politics of neighboring Mainland China, which practices strict censorship, place unique pressures on Hong Kong’s nominally free press. Building on the literature on media and politics in Hong Kong post-handover and drawing on interviews with journalists in Hong Kong, this article examines the dynamics of media capture in Hong Kong. It highlights how corporate-owned legacy media outlets are increasingly deferential to the Beijing government’s news agenda, while social media is fostering alternative spaces for more skeptical and aggressive voices. This article develops a scholarly vocabulary to describe media capture from the perspective of local journalists and from the academic literature on media and power in Hong Kong and China since 1997. -
Step Over to the Asian Side Yves Jeanneau Reveals That the Future of Documentary Points to Asia a Dynamic Professional Directory &Network Tool
March/April 2013 | Vol. 011 www.mediahubaccess.com INTERVIEW Alexandre Muller, Managing Director discusses new media developments at TV5Monde Asia COMPANY FOCUS CEO, Francois-Xavier Poirier, gives a glimpse of the stories behind the laughs at Novovision Step over to the Asian side Yves Jeanneau reveals that the future of documentary points to Asia A dynamic professional directory &network tool Looking for a fixer, a co-producer or OB van rental? Mediahub PROlink gives you access to all the contacts you need to plan any type of production in the world: Browse an extensive database of key contacts facilitating the organization of your production onsite: production studios, services, crews and facilities Join an international production, distribution and broadcast community where you can maximize your visibility, connect with other members and open up new business opportunities. Post any business related news through the Mediahub Message Board and spread the info to the entire Mediahub network. mediahubaccess.com EDITORIAL Director of Publication ransitions can be daunting. Al- as a prominent stop for producers Dimitri Mendjisky though most of the time it is a and documentary makers, the progression towards something time has arrived to step over to General Manager T better, not all of us are ready to the Asian side! Juliette Vivier embrace the change that follows. But, a transition is an important In our Interview of the month, EDITORIAL facet to a musical arrangement; TV5Monde’s Managing Direc- Editor-In-Chief a smooth segue from one move- tor, Alexandre Muller, is all about Suzane Avadiar ment to another is as vital as each the growth within the company. -
07Cmyblookinside.Pdf
2007 China Media Yearbook & Directory WELCOMING MESSAGE ongratulations on your purchase of the CMM- foreign policy goal of China’s media regulators is to I 2007 China Media Yearbook & Directory, export Chinese culture via TV and radio shows, films, Cthe most comprehensive English resource for books and other cultural products. But, of equal im- businesses active in the world’s fastest growing, and portance, is the active regulation and limitation of for- most complicated, market. eign media influence inside China. The 2007 edition features the same triple volume com- Although the door is now firmly shut on the establish- bination of CMM-I independent analysis of major de- ment of Sino-foreign joint venture TV production com- velopments, authoritative industrial trend data and panies, foreign content players are finding many other fully updated profiles of China’s major media players, opportunities to actively engage with the market. but the market described has once again shifted fun- damentally on the inside over the last year. Of prime importance is the run-up to the 2008 Beijing Olympiad. At no other time in Chinese history have so Most basically, the Chinese economic miracle contin- many foreign media organizations engaged in co- ued with GDP growth topping 10 percent over 2005-06 production features exploring the modern as well as and, once again, parts of China’s huge and diverse old China. But while China has relaxed its reporting media industry continued to expand even faster over procedures for the duration, it would be naïve to be- the last twelve months. lieve this signals any kind of fundamental change in the government’s position. -
Due Impartiality”;
Sanction 138 (20) CGTN Sanction: Decision by Ofcom Sanction: to be imposed on Star China Media Limited (SCML) For material broadcast on China Global Television Network Channel (CGTN) between 11 August 2019 and 21 November 20191. Ofcom’s Sanction against: SCML (the “Licensee”) in respect of its service CGTN (previously TLCS000575BA/22). For: Breaches of the Ofcom Broadcasting Code (the “Code”)3: Rule 5.1: “News, in whatever form, must be reported with due accuracy and presented with due impartiality”; Rule 5.11: “Due impartiality must be preserved on matters of major political and industrial controversy and major matters relating to current public policy by the person providing a service…in each programme or in clearly linked and timely programmes”; and Rule 5.12: “In dealing with matters of major political and industrial controversy and major matters relating to current public policy an appropriately wide range of significant views must be included and given due weight in each programme or in clearly linked and timely programmes. Views and facts must not be misrepresented”. Decision: To impose a financial penalty (payable to HM Paymaster General) of £125,000. 1 See Broadcast and On Demand Bulletin 403, 26 May 2020 (“the Breach Decisions”). 2 Ofcom revoked the Licence on 4 February 2021 under section 238(4) of the Communications Act 2003 and Condition 28(2)(a) of the Licence on the basis that SCML had ceased to provide the CGTN service and, in the circumstances, it was appropriate to revoke the Licence. The reasons for Ofcom’s decision are set out in the Notice of Revocation. -
Kick, Push, Coast Kick, Push, Coast
Kick, Push, Coast Kick, Push, Coast Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO MARCH 2018 03月份 that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Senior Digital Editor Matthew Bossons Shenzhen Editor Adam Robbins Guangzhou Editor Daniel Plafker Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang Digital Editor Katrina Shi National Arts Editor Erica Martin Contributors Paul Barresi, Sky Gidge, Lena Gidwani, Dr. Kate Gaynor, Bryan Grogan, Winnie Jin, Mia Li, Kheng Swe Lim, Erica Martin, Dominic Ngai, Katrina Shi HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No. -
Complaints Dealt with by the Communications Authority (“CA”) (Released on 15 December 2020)
Complaints dealt with by the Communications Authority (“CA”) (released on 15 December 2020) The CA considered the following cases which had been deliberated by the Broadcast Complaints Committee (“BCC”) – Complaint Cases 1. Television Programme “Another Hong Kong” (另一個香港) broadcast by Television Broadcasts Limited (“TVB”), PCCW Media Limited (“now TV”), Hong Kong Cable Television Limited (“HKCTV”) and Radio Television Hong Kong (“RTHK”) 2. Radio Programmes “Weekend Lucky Star” (潮爆開運王) broadcast by Hong Kong Commercial Broadcasting Company Limited (“CRHK”) The CA also considered cases of dissatisfaction with the decisions of the Director-General of Communications (“DG Com”) on complaint cases. Having considered the recommendations of the BCC, the CA decided– 1. that the complaints against the television programme “Another Hong Kong” (另 一個香港) were unsubstantiated. Nevertheless, there is scope to improve identification of the source of acquired/relayed factual programmes on controversial issues of public importance in Hong Kong to help viewers in making decisions in their choice of programmes and in forming their expectations and judgements. The CA suggested that TVB could inform viewers of the existence of other parts of such programmes which were not broadcast on its service, and that now TV and HKCTV should provide sufficient information about the source of such programmes in a prominent manner prior to their broadcast; 2. that strong advice should be given to CRHK on the complaint against the radio programmes “Weekend Lucky Star” (潮爆開運王); and 3. to uphold the decisions of the DG Com on two cases of dissatisfaction with the decisions of the DG Com. The list of the cases is available in the Appendix. -
2018 Radio Finalists
2018 RADIO FINALISTS CATEGORY ORGANISATION/ SYNOPSIS/REMARK ENTRY TITLE ‘Gook Jue’ (Cantonese for ‘living in an oven’, and the same pronunciation of a slang meaning ‘optionless’) is the theme of this episode, with the current housing problem as the theme. Lau, Tse-ling, a 28-year-old young lady, is desperate to move out, and decides to purchase a 128 Radio Television Hong Kong square feet unit. She is met with objection from the seniors in her family, however. Meanwhile, RTHK - Hong Kong “Twenty Years” Leung, Queenie, Lau’s mother, is faced with the risk of closing her small beauty salon in a shopping centre located in a public housing estate. Their story reflects the housing crisis, with property prices sky-rocketing unceasingly; it also reveals the anxieties of a large population in Hong Kong where their housing needs can never be met. The play is set in a militant training camp located in an isolated hill terrain' where cunningly, Religion is amalgamated with politics and innocent youngsters are brain-washed to turn into Maniacs eager to commit suicide and therewith kill others. Religion mixed with politics FINALIST transforms thought process of individuals, developing a parallel psyche, which when combined with doctrine of terrorism, becomes devastating for the whole world. Through such All India Radio ideological brain-wash, innocent victims, often emotionally fragile, are exploited to seek AIR - India vengeance and transform into killers taking hundreds of innocent lives without any remorse, in DRAMA “Brain-Wash” the quest for Jannat (paradise) and 'Eternal Bliss' after death, The protagonist in this play has had an awakening and is struggling to come out of this death trap along with his companion with whom he reasons and succeeds finally.The play portrays a reverse brain-wash, which turns them back into sensible human beings Who are ready to accept the world and its inhabitants and live in perfect mutual harmony. -
Media Oligarchs Go Shopping Patrick Drahi Groupe Altice
MEDIA OLIGARCHS GO SHOPPING Patrick Drahi Groupe Altice Jeff Bezos Vincent Bolloré Amazon Groupe Bolloré Delian Peevski Bulgartabak FREEDOM OF THE PRESS WORLDWIDE IN 2016 AND MAJOR OLIGARCHS 2 Ferit Sahenk Dogus group Yildirim Demirören Jack Ma Milliyet Alibaba group Naguib Sawiris Konstantin Malofeïev Li Yanhong Orascom Marshall capital Baidu Anil et Mukesh Ambani Rupert Murdoch Reliance industries ltd Newscorp 3 Summary 7. Money’s invisible prisons 10. The hidden side of the oligarchs New media empires are emerging in Turkey, China, Russia and India, often with the blessing of the political authorities. Their owners exercise strict control over news and opinion, putting them in the service of their governments. 16. Oligarchs who came in from the cold During Russian capitalism’s crazy initial years, a select few were able to take advantage of privatization, including the privatization of news media. But only media empires that are completely loyal to the Kremlin have been able to survive since Vladimir Putin took over. 22. Can a politician be a regular media owner? In public life, how can you be both an actor and an objective observer at the same time? Obviously you cannot, not without conflicts of interest. Nonetheless, politicians who are also media owners are to be found eve- rywhere, even in leading western democracies such as Canada, Brazil and in Europe. And they seem to think that these conflicts of interests are not a problem. 28. The royal whim In the Arab world and India, royal families and industrial dynasties have created or acquired enormous media empires with the sole aim of magnifying their glory and prestige. -
Reddening Or Reckoning?
Reddening or Reckoning? An Essay on China’s Shadow on Hong Kong Media 22 Years after Handover from British Rule Stuart Lau Journalist Fellow 2018 Reuters Institute for the Study of Journalism University of Oxford August 2019 CONTENTS 1. Preface 2 2. From top to bottom: the downfall of a TV station 4 3. Money, Power, Media 10 4. “Political correctness”: New normal for media 20 5. From the Big Brother: “We are watching you” 23 6. Way forward - Is objective journalism still what Hong Kong needs? 27 1 Preface Hong Kong journalists have always stood on the front line of reporting China, a country that exercises an authoritarian system of government but is nonetheless on track to global economic prominence. The often-overlooked role of Hong Kong journalists, though, has gained international attention in summer 2019, when weeks of citywide protests has viralled into the largest-scale public opposition movement ever in the city’s 22-year history as a postcolonial political entity under Chinese sovereignty, forcing the Hong Kong government into accepting defeat over the hugely controversial extradition bill. While much can be said about the admirable professionalism of Hong Kong’s frontline journalists including reporters, photojournalists and video journalists, most of whom not having received the level of warzone-like training required amid the police’s unprecedentedly massive use of potentially lethal weapons, this essay seeks to examine something less visible and less discussed by international media and academia: the extent to which China influences Hong Kong’s media organisations, either directly or indirectly. The issue is important on three levels. -
Platform Delegate List
First Name Surname Job Title Company Email Suleeko Abdi Student [email protected] Frances Abebreseh Communications Manager Netflix Lucy Acfield Head of Brand & Product Marketing Guinness World Records James Acken Founder, Freelancer Acken Studios lindsey@dailymadnessproducti Lindsey Adams Producer Daily Madness ons.com Megan Adams Look Mentor Look UK ToyLikeMe Seleena Addai Illustrator / Character Designer The Secret Story Draw [email protected] Animation Production Liaison [email protected] Abigail Addison Executive ScreenSkills om Aiden Adkin Creative Director Harbour Bay [email protected] Selorm Adonu Director XVI Films [email protected] Ivan Agenjo Executive Producer Peekaboo Animation [email protected] Jayne Aguire Walsh Entry Level Creative Freelance [email protected] Andrew Aidman Producer Andrew Aidman [email protected] Sun In Eye Productions, Aittokoski Metsamarja Aittokoski Screenwriter, Director, Producer Experience [email protected] Sonja Ajdin Research Manager Viacom Yinka Akano CRBA Exec BBC [email protected] Production and Development Francesca Alberigi Coordinator Nickelodeon International Aoife Alder Research Executive ITV Candice Alessandra Student Student Laura Alexander Video Producer / Editor Acamar Films Kristopher Alexander Professor of Video Games The Digital Citadel [email protected] Lisa Ali Freelance Freelance Shakila Ali Content Impact BBC Co-Founder and Chief Creative Caroline Allams Officer Natterhub [email protected] Bill Allard -
Freedom of Expression
1 II. Human Rights FREEDOM OF EXPRESSION International Standards on Freedom of Expression The Chinese government and Communist Party continued to re- strict expression in contravention of international human rights standards, including Article 19 of the International Convenant on Civil and Political Rights (ICCPR) and Article 19 of the Universal Declaration of Human Rights.1 According to the ICCPR—which China signed 2 but has not ratified 3—and as reiterated in 2011 by the Special Rapporteur on the Promotion and Protection of the Right to Freedom of Opinion and Expression, countries may impose certain restrictions or limitations on freedom of expression, if such restrictions are provided by law and are necessary for the purpose of respecting the ‘‘rights or reputations of others’’ or protecting na- tional security, public order, public health, or morals.4 An October 2009 UN Human Rights Council resolution declared restrictions on the ‘‘discussion of government policies and political debate,’’ ‘‘peace- ful demonstrations or political activities, including for peace or de- mocracy,’’ and ‘‘expression of opinion and dissent’’ are inconsistent with Article 19(3) of the ICCPR.5 The UN Human Rights Com- mittee specified in a 2011 General Comment that restrictions on freedom of expression specified in Article 19(3) should be inter- preted narrowly and that the restrictions ‘‘may not put in jeopardy the right itself.’’ 6 Reinforcing Party Control Over the Media INSTITUTIONAL RESTRUCTURING OF PARTY AND GOVERNMENT AGENCIES In March 2018, the Chinese