MARCH 2012 Welcome to

Anna Christie marks the sixth production in The Old Globe’s Classics Up Close series, in which we bring major, landmark plays into our intimate Sheryl and Harvey White Theatre, allowing audiences to experience great drama in new and often unexpected ways. Anna Christie is an early play by Eugene O’Neill, a universal story of family struggle that draws from O’Neill’s own experiences living and working

HENRY DIROCCO HENRY at sea. The lure and fascination of the ocean, which permeate Anna Christie, are familiar to many of us San Diegans. This production also marks The Old Globe premiere of director Daniel Goldstein, who joins us straight from directing the Broadway revival of Godspell.

As you may know, The Old Globe has embarked upon a nationwide search for new artistic leadership, assisted by the search firm AlbertHall&Associates. The firm was co-founded by former Globe Managing Director Tom Hall, whose knowledge of and commitment to The Old Globe are great assets to this process. We look forward to an exciting new chapter in the artistic life of The Old Globe as we continue to pursue our mission, serve our San Diego community and create some of the best theatre in the country.

Michael G. Murphy Interim Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS ANNA CHRISTIE

BY EUGENE O’NEILL

Wilson Chin Denitsa Bliznakova Austin R. Smith Paul Peterson SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Jan Gist Calleri Casting Annette Yé VOCAL AND DIALECT COACH CASTING STAGE MANAGER

DIRECTED BY DANIEL GOLDSTEIN

ANNA CHRISTIE is presented by special arrangement with SAMUEL FRENCH, INC.

—————————————————— SHERYL AND HARVEY WHITE THEATRE Conrad Prebys Theatre Center March 10 - April 15, 2012

2 PERFORMANCES MAGAZINE THE CAST (in order of appearance)

JOHNNY-THE-PRIEST...... John Garcia LONGSHOREMAN...... Chance Dean LARRY...... Brent Langdon* POSTMAN...... Jason Maddy CHRIS CHRISTOPHERSON...... Bill Buell* MARTHY OWEN...... Kristine Nielsen* ANNA CHRISTOPHERSON...... Jessica Love* JOHNSON...... Chance Dean MAT BURKE...... Austin Durant*

Stage Manager...... Annette Yé*

ACT I Johnny-the-Priest’s saloon near the waterfront. New York City. Fall, 1910.

ACT II The barge, Simeon Winthrop, at anchor in the harbor of Provincetown, MA. Ten days later.

15- MINUTE INTERMISSION

ACT III Cabin of the barge, at dock in Boston. A week later.

ACT IV The same. Two days later.

PRODUCTION STAFF Fight Choreography...... George Yé Assistant Director...... Amanda Buzzell Assistant Scenic Design...... Sean Fanning Assistant Costume Design...... Shelly Williams Production Assistant...... Amanda Salmons

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa.

If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors

The Old Globe’s premier place in the pantheon of American theatrical venues is secured in significant part by the consistent quality our resident professionals bring to the productions you see on our stages. The very length of our production schedule gives those professionals an opportunity to showcase their skills across a uniquely varied set of programs from musicals to classics to new plays and beyond. This spring, we give you both Eugene O’Neill’s landmark American classic Anna Christie and A Room with a View, an exciting World Premiere that brings E.M. Forster’s novel to the musical stage for the first time. While the quality and diversity of our 15-play production schedule is a key to our great success in maintaining an audience of more than 250,000 each year, the generosity of donors like you is ultimately what makes everything possible. Ticket sales last year covered slightly more than half our costs. Most of the rest came from donations large and small, and we take every opportunity to thank those of you responsible. Our future depends on growing our base of subscribers and donors. Your support for the Globe not only ensures San Diego’s access to the best that American theatre has to offer, but makes possible a broad range of educational and supplementary artistic programs that enrich the community far beyond our stages. Welcome to our theatres and enjoy the performance. Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Daphne Jameson Jim Wening Dolly Poet (1921-2007) Mary Beth Adderley* Jo Ann Kilty Lynne Wheeler Deborah Szekely Elizabeth Altman Ramin Pourteymour Karin Winner Hon. Pete Wilson Joseph Benoit Paula Powers* June Yoder Pamela Cesak Conrad Prebys* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Nicole A. Clay David Reagan Vicki Zeiger Garet B. Clark Peter J. Cooper* Sandra Redman J. Dallas Clark (1913–2005) *Executive Committee Member Valerie S. Cooper Reneé Schatz Bea Epsten Silvija Devine Jean Shekhter HONORARY DIRECTORS Sally Furay, R.S.C.J. Pamela A. Farr Ann Steck Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Karen Fox Daniel L. Sullivan, Ph.D. (1912–2005) Delza Martin (1915–2005) Victor P. Gálvez Julie H. Sullivan, Ph.D. Clair Burgener (1921-2006) Darlene Shiley Jean-Marie Hamel, Ph.D. Dean Thorp Mrs. John H. Fox (1908–2003) Patsy Shumway Kathryn Hattox* Evelyn Mack Truitt Audrey Geisel Elizabeth Helming Debra Turner Paul Harter Viviana Ibañez Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Deni Jacobs Crystal Watkins

4 PERFORMANCES MAGAZINE LEADERSHIP ProductionSponsors Sponsors of Anna Christie

GIFTS Pamela A. Farr The Old Globe recognizes and thanks With homes in San Diego and Greenwich, Connecticut, Pam the following generous individuals has served on the Globe’s Board of Directors since 2005. who have made extraordinary gifts After many years as Chair of the Greenwich Chapter of the American Red Cross, Pam was appointed National Chair of of $1 million or more. These major Volunteers in 2008 where she serves as volunteer partner to contributions have been designated the CEO and a member of the senior management team. She for artistic, endowment and facilities recently received the American Red Cross Harriman Award projects, and help The Old Globe for Distinguished Volunteer Service, the highest honor given to a volunteer at the remain one of our country’s great national level. Until recently, Pam was a partner in Muirhead Holdings, a private theatre institutions. equity investment firm, and served as Chairman of Amerigives, a multimillion- dollar philanthropic outsourcing business. Pam holds a B.A. in Economics from $20,000,000 or greater UC Berkeley and an M.B.A. from Yale University.

Donald* and Darlene Shiley Jo Ann Kilty $10,000,000 or greater Originally from Los Gatos, California, Jo Ann currently resides Conrad Prebys in Solana Beach and enjoys a second home in San Francisco. After a career in advertising, she took over her father’s seat on the Board of Directors of National Car Rental in Phoenix until $5,000,000 or greater the 2004 sale of the company. Jo Ann has served as Chair Sheryl and Harvey White of the Del Mar Cultural Arts Committee, and served two terms on the Board of the California Center for the Arts in Kathryn Hattox Escondido. In 2009, she joined the Globe’s Board of Directors where she serves on the Development and Nominating Committees. Jo Ann served as Honorary Karen and Donald Cohn Chair for the 2011 Globe Guilders Fashion Show, and this year assumes the important role of Co-Chair for the 2012 Globe Gala. $2,000,000 or greater

Viterbi Family Foundation

$1,000,000 or greater

California Cultural and Historical Endowment

Estate of Dorothy S. Prough

The Rivkin Family Featuring the Fall Collection from World-Renowned Fashion Designer Estate of Beatrice Lynds Monique Lhuillier Audrey S. Geisel/ San Diego Foundation Presented by Neiman Marcus Dr. Seuss Fund Tuesday, August 7, 2012 • Hilton San Diego Bayfront Mr. and Mrs. Victor H.* Ottenstein Auction - Luncheon - Live Fashion Show Mrs. Helen Edison* For more information: (619) 229-2090 The Stephen & [email protected] • www.GlobeGuilders.org Mary Birch Foundation

The Kresge Foundation Proceeds support The Old Globe’s artistic, education and community programs.

*In Memoriam

PERFORMANCES MAGAZINE 5 Eugene O’Neill Transforming the American Stage

BY DANIELLE MAGES AMATO

Eugene O’Neill (1888-1953) pioneered saloon that catered to sailors, a “bottom- modern American drama. Instead of the of-the-sea rathskeller” called Jimmy the melodrama, variety shows and drawing- Priest’s. (That bar and its denizens would room comedy so popular on American form a major setting for both Anna Christie stages, he wrote earthy, naturalistic and his later play The Iceman Cometh.) plays drawn from his own life, and then Dark times descended upon O’Neill. In experimental, expressionist dramas, and early 1912, he attempted suicide, was finally some of the great masterworks of rescued by his flophouse roommate and American theatre. He is the only American just months later contracted tuberculosis. playwright ever to win the Nobel Prize in During his recovery in a Connecticut Literature. sanitorium, however, he devoured plays The second son of James O’Neill, a by the great new European dramatists: popular touring actor, O’Neill was born in Henrik Ibsen, August Strindberg, Maxim a hotel and spent much of his childhood Gorky. On his release, he had a newfound traveling the country with his family. purpose: “To be an artist or nothing.” With After an an ill-fated year at Princeton the support of his father, he published a University — he was asked to leave when volume of one-acts. In 1916, he found his he failed to complete any of his courses — way to the Provincetown Players, who gave he entered a period of wandering. He Eugene O’Neill him his first production and launched his worked a series of short-term jobs, tried career as a playwright. He won the Pulitzer his hand at acting and took to the sea. He sailed to Honduras Prize for his first full-length play, Beyond the Horizon. to look for gold; he worked as a seaman on a Norwegian Writing the play that would eventually become Anna Christie ship bound for Buenos Aires; he traveled back and forth to was a struggle for O’Neill. Over a number of years he wrote England on tramp steamers and passenger liners. When he and rewrote it, worked and reworked it. He gave the play returned to New York, he found it hard to leave his sea-going four different titles over the course of its development — habits behind him. He took a room in a flophouse above a Chris Christopherson, The Ole Davil, Tides and finally Anna

The Wharf Theatre in Provincetown, Massachusetts where Eugene O’Neill’s first play, Bound East for Cardiff, was performed.

6 PERFORMANCES MAGAZINE Members of the Provincetown Players setting up the stage for Eugene O’Neill’s Bound East for Cardiff in New York City, fall, 1916. O’Neill stands on the ladder at the far left.

Christie. It was even produced and published in two very Perhaps what made Anna Christie such a struggle for O’Neill different versions. The final version of the play opened on to write was his desire to present the vast, unceasing flow of Broadway in 1920, where it was a critical and commercial life — as vast as that old devil sea — within the confines of a success. It was embraced by audiences and won O’Neill single evening. He wrote of Anna Christie, “I wanted to have his second Pulitzer Prize. It was quickly adapted as a silent the audience leave with a deep feeling of life flowing on, of movie, and 10 years later it was made into a major film the past which is never the past — but always the birth of the starring Greta Garbo as Anna — her first talking picture. future — of a problem solved for the moment but by the very Daring for its time, Anna Christie is populated by characters nature of its solution involving new problems.” When Anna O’Neill knew from his years living on the ocean and at Jimmy Christie draws to a close, therefore, there is no real ending. the Priest’s. Set in a barroom and onboard a ship, Anna Instead, said O’Neill, the ending “is merely the comma at Christie reflects O’Neill’s desire to bring new characters and the end of a gaudy introductory clause, with the body of the new stories onto the American stage, to fulfill his sense that sentence still unwritten. The sea outside — life — waits.” “the playwright today must dig at the roots of the sickness of today as he feels it.” By bringing Chris Christopherson, his daughter Anna Christie and Irish sailor Mat Burke to the stage, O’Neill asks audiences to see their lives, their struggles and the rough, everyday language they speak as worthy of artistic representation. In many ways, Anna Christie was a transitional play for O’Neill. After Anna Christie, he went on to write The Emperor Jones and The Hairy Ape, works that moved away from realism toward a more expressionist style. In Anna Christie, O’Neill sets realistic characters against a backdrop charged with mystery and symbolism — the sea, the fog — a constant, ever-present lure and threat. O’Neill would go on to experiment with and draw from different theatrical styles in his career. He wrote work inspired by Greek drama (Mourning Becomes Electra, Desire Under the Elms), plays inspired by his own family life and struggles (Moon for the Misbegotten, Long Day’s Journey Into Night) and a single comedy (Ah, Wilderness!). Greta Garbo in the title role of MGM’s Anna Christie, 1930.

PERFORMANCES MAGAZINE 7 Bringing the Sea INDOORS Talking with Scenic Designer Wilson Chin about the Set for Anna Christie.

Anna Christie was written in 1921 at a time when most if not We’re using a lot of raw materials: metal sheeting, plastic all plays were written for the proscenium stage. When you sheeting, hemp rope, plywood, water. We’re not creating read the stage directions, everything is conceived toward a pictorial scenery or illustrations. Instead, we’re using raw framed, impenetrable stage picture. As we translated it for materials to create a tactile and almost contemporary in-the-round, we had to completely redefine each scene and, environment. We’re also experimenting with dry ice and fog in doing so, rediscover the essential elements of the play. to create a dampness and depth of space. We’re playing with moments where the entire floor is obscured and the The play is very much about the sea and each character’s characters are almost floating in a glowing fog. differing relationship with it, so we are surrounding the characters in evocations of water. The entire floor is made of And because this is Classics Up Close, the audience is rusted metal. The cold, shiny metal oxidized with rust evokes right there with the actors. You’re inside the scene. In a water as well as the power of what water can do. The wetness proscenium theatre, the audience is essentially looking at a of the world should feel dangerous, ugly, peaceful, beautiful — picture in a frame. Here, you are inside the picture. So much contradictions that are all reflected in each character’s mind. of the play takes place in really small, claustrophobic spaces, and a lot of the time there are only two or three people on stage. In the round, the audience is the extra character. Sometimes you’re closer to the actors than they are to each other.

Bridge Pier, Rockaway Point, July 29, 1920. Photo courtesy of the New York City Municipal Archives.

8 PERFORMANCES MAGAZINE Winslow Homer’s Eight Bells, 1886 (oil on canvas). That Old Devil Sea

I lay on the bowsprit, facing astern, with the water foaming into spume under The land may vary more; me, the masts with every sail white in the moonlight, towering high above me. But wherever the truth may be — I became drunk with the beauty and singing rhythm of it, and for a moment I lost myself — actually lost my life. I was set free! I dissolved in the sea, became The water comes ashore, white sails and flying spray, became beauty and rhythm, became moonlight And the people look at the sea. and the ship and the high dim-starred sky! — Robert Frost — Eugene O’Neill, Long Day’s Journey Into Night

All loose things seem to drift There comes a time in a man’s life when At sea a fellow comes out. Salt water down to the sea, and so did I. he hears the call of the sea. If the man is like wine, in that respect. has a brain in his head, he will hang up — Herman Melville — Louis L’Amour the phone immediately. — Dave Barry

I must down to the seas again, to the lonely sea and the sky, The sea is the same as it has been since And all I ask is a tall ship and a star to steer her by, before men ever went on it in boats. And the wheel’s kick and the wind’s song and the white sail’s shaking, And a grey mist on the sea’s face, and a grey dawn breaking. — Ernest Hemingway — John Masefield, “Sea Fever”

PERFORMANCES MAGAZINE 9 Profiles

BILL BUELL AUSTIN DURANT The Crucible (Hartford Stage), She (Chris Christopherson) (Mat Burke) makes his Stoops to Conquer and Twelfth Night has appeared on Globe debut in Anna (McCarter Theatre Center), Richard II Broadway in Equus, The Christie. His previous (Yale Repertory Theatre), A Streetcar History Boys, Inherit the theatre credits include Named Desire and Henry V (The Wind, Urinetown, 42nd War Horse (Lincoln Shakespeare Theatre of New Jersey), Street, Titanic, The Who’s Center Theater), Death Philadelphia Theatre Company, Actors Tommy, Taking Steps, Big River, Annie, of a Salesman and Passion Play (Yale Theatre of Louisville, PlayMakers Once a Catholic, The First, Welcome to Repertory Theatre), A Doctor in Spite of Repertory Company, Capital Repertory the Club, The Miser and Anna Karenina. Himself (Intiman Theatre), The Illusion Theatre, Gulfshore Playhouse, Orlando His Off Broadway credits include The and One Flew Over the Cuckoo’s Nest Shakespeare Theater, B Street Theatre, Fourth Sister and Eight Days Backwards (Berkshire Theatre Festival), The Ensemble Theatre of Cincinnati and (Vineyard Theatre), Andorra and Waste Fantasticks (Mum Puppettheatre), Kentucky Shakespeare Festival. His (Theatre for a New Audience), Bad Othello, Jelly’s Last Jam and Romeo television credits include “Law & Order: Habits and Aristocrats (Manhattan and Juliet (Yale School of Drama) and Criminal Intent” and “Conviction.” He is Theatre Club), Queens Boulevard The Who’s Tommy and The Mystery of a graduate of the University of (Signature Theatre Company), Kin, On Irma Vep (Yale Summer Cabaret). He Evansville and University of North the Bum and a concert of Violet has also appeared on the television Carolina. (Playwrights Horizons) and Picasso at program “Nurse Jackie.” He received the Lapin Agile, The Common Pursuit, his B.A. from Temple University and his JESSICA LOVE The Mysteries and The False Servant M.F.A. from Yale School of Drama. (Anna Christopherson) (Classic Stage Company). With The is over the moon to be Public Theater’s Shakespeare in the JOHN GARCIA making her Globe debut. Park, he has appeared in Tartuffe, The (Johnny-the-Priest) is Originally from Santa Winter’s Tale and Twelfth Night. His film making his Globe debut. Barbara, Ms. Love and television credits include Across His San Diego regional studied printmaking at the Universe, Spy Game, Welcome to credits include Peter in UC Santa Cruz before attending The the Dollhouse, The Love Letter, Requiem Desire Under the Elms Juilliard School for acting. Since for a Dream, Quiz Show, Palindromes, and Malcolm and Evers in graduating in 2009 she has worked Kinsey, Dark Water, The Box, The Curse of the Starving Class (Cygnet regionally at The Denver Center for the “Boardwalk Empire,” “30 Rock,” “Blue Theatre Company), Harvey Milk and Performing Arts on two World Bloods,” “The Bronx is Burning,” John Stuart Milk in Dear Harvey Premieres, When Tang Met Laika and Adams, “Curb Your Enthusiasm,” “The (Diversionary Theatre), Boon in You Map of Heaven. In New York she has Jamie Kennedy Experience,” “Law & Never Can Tell (Avo Playhouse), performed in Lucy Thurber’s Bottom of Order,” “Ed,” “100 Centre Street” and Solyony in Three Sisters (New Village the World (Atlantic Theater Company) “Cosby.” Arts), Milt in Laughter on the 23rd and Kay Matschullat’s Don’t Fuck with Floor, Mr. Krauler in The Diary of Anne Love (Red Bull Theater). After Anna CHANCE DEAN Frank, Carlino in Wait Until Dark, Christie, she will be going to The Studio (Longshoreman, Simeon in Desire Under the Elms and Theatre to perform in Bachelorette. Johnson), an Orange Man in Holiday Memories (North Coast When she isn’t acting, Ms. Love works County native, is thrilled Repertory Theatre), Uncle John in The as an artist and illustrator. She lives in to be making his San Grapes of Wrath and Sergio in La Brooklyn. www.missjessicalove.org. Diego debut at The Old Gaviota (ion theatre company), Dean in Globe. His recent Bets and Blue Notes, Jack in Black in JASON MADDY performances include Luke in Next Fall The Mutilated (The Fritz Theatre), (Postman) recently (Actors Theatre Phoenix), Eddie Ensemble in The Whole World Is appeared at the Globe in Cochran in Be Bop A Lula (Edinburgh Watching (San Diego Repertory the 2011 Summer Festival Fringe), Ethan in Jesus Hates Theatre) and Mr. Adams in A Member of Shakespeare Festival, a Me (South Coast Repertory), Dennis in the Wedding and The Irrigator in Sinker childhood dream come Loot (Arden Theatre Company) and (The Muse Theatre). true, and has worked Dexter in Four (Azuka Theatre). He will with many San Diego theatre companies next be performing in the West Coast BRENT LANGDON in his time here, including Premiere Premiere of Reborning at the Chance (Larry) has appeared in Productions, Moonlight Stage Theater, where he is a company New York in the Productions, North Coast Repertory member and resident fight American Premiere of Theatre, Welk Resort Theatre, San choreographer. He received a B.A. in Howard Barker’s The Diego Musical Theatre, Intrepid Theatre from USC and an M.F.A. in Europeans (Atlantic Shakespeare Company and ion theatre Acting from Temple University in Theater Company Stage 2) company. His regional work includes Philadelphia. and Couldn’t Say (Abingdon Theatre Utah Shakespeare Festival, Illinois Company). His regional credits include Shakespeare Festival, Kingsmen

10 PERFORMANCES MAGAZINE Shakespeare Festival and Theatrical The Unauthorized Autobiography Roth Theatre) and King of Shadows Arts International Productions. Some of of Samantha Brown (Goodspeed (Working Theater). His opera designs his favorite roles include Iago in Musicals and Broadway Across include Lucia di Lammermoor (Lyric Othello, Touchstone and later Trinculo America) and Artificial Fellow Traveler Opera of Chicago), The Saint of in As You Like It, Louis in Angels in with Ethan Sandler (Williamstown Bleecker Street (Central City Opera) America (another dream come true) Theatre Festival, New York City, The and Don Giovanni (San Francisco and, most recently, Geoffrey in The Lion Black Dahlia Theatre and Red Dog Opera Merola). Regionally, he has in Winter. Mr. Maddy received his Squadron). As a writer, his musical designed at American Conservatory M.F.A. from the University of Illinois Unknown Soldier (written with Michael Theater, Barrington Stage Company, Urban-Champaign. He has taught for Friedman for a Huntington Theatre Geffen Playhouse, Geva Theatre, theatre companies and colleges across Company Calderwood Commission) Hangar Theatre, Hartford Stage, Indiana the country including Mt. San Jacinto was developed at the O’Neill Theater Repertory Theatre, People’s Light & College, University of Illinois Urbana- Center’s National Music Theater Theatre Company, Portland Stage, Champaign, La Jolla Playhouse, Utah Conference this past summer. His The Shakespeare Theatre Company, Shakespeare Festival and right here at other projects include the Huntington Signature Theatre Company, Studio The Old Globe. Theatre Company productions of Arena Theater, Trinity Repertory Falsettos (IRNE Award), Les Liaisons Company, Two River Theater Company, KRISTINE NIELSEN Dangereuses and The Cry of the Reed. Weston Playhouse, Westport Country (Marthy Owen) has He also directed Golden Boy (The Playhouse and Yale Repertory appeared in the Juilliard School), Annie (The Muny), Theatre. His current projects include Broadway productions of Clear (O’Neill Theater Center’s the American premiere of Conor Bloody Bloody Andrew National Music Theater Conference McPherson’s The Birds (Guthrie Jackson, To Be Or Not To and Dixon Place), True West Theater) and Eine Florentinische Be, Les Liaisons (Williamstown Theatre Festival), Miss Tragödie and Gianni Schicchi Dangereuses, Spring Awakening, A Margarida’s Way with Julie Halston (Canadian Opera Company). Mr. Chin Streetcar Named Desire, The (Bay Street Theatre), A New Brain (Toho is a graduate of UC Berkeley and Yale Greenbird, Jackie and The Iceman Theater in Tokyo), Mary’s Wedding School of Drama. www.wilsonchin.com. Cometh. Her Off Broadway credits (Two River Theater Company), a highly include Love, Loss and What I Wore, praised revival of Godspell (Paper Mill DENITSA BLIZNAKOVA (Costume Why Torture Is Wrong, and the People Playhouse), Beau Willimon’s Lower Design) is happy to return to The Who Love Them (Drama League, Outer Ninth (The Flea Theater and Summer Old Globe where she has previously Critics Circle Award nominations), Play Festival), the Off Broadway designed Groundswell, Jane Austen’s Crazy Mary, Our Leading Lady, Miss commercial production of the hit New Emma — A Musical Romantic Comedy, Witherspoon, Betty’s Summer Vacation York International Fringe Festival The Whipping Man, The Merry Wives (Obie Award, Drama Desk and Outer musical Walmartopia, Kenny Finkle’s of Windsor and Opus. Her design Critics Circle Award nominations) and Indoor/Outdoor (Daryl Roth Theatre work elsewhere includes productions Dog Opera (Obie Award). She has and SPF), But I’m a Cheerleader (New at Falcon Theatre, A Noise Within, appeared regionally at The Old Globe, York Musical Theatre Festival) and New Repertory Theatre, Long Wharf Williamstown Theatre Festival, Guthrie Bathsheba Doran’s Living Room in Theatre, Williamstown Theatre Festival Theater, Huntington Theatre Company, Africa (Gloucester Stage). He is the and others. Her previous work also Bay Street Theatre, McCarter Theatre Creative Director of THE RIDE NYC. includes touring shows for Kaiser Center, Alley Theatre, CENTERSTAGE, He has served as the Associate Director Permanente’s Educational Theater Edinburgh International Festival, La for All Shook Up and Fully Committed Program and projects for The Santa Fe Jolla Playhouse, Yale Repertory and Resident Director for the First Opera, San Diego Opera and “Law & Theatre, Long Wharf Theatre and National Tour of Mamma Mia! He is a Order.” Her design and stylist credits Philadelphia Theatre Company. Her graduate of Northwestern University. for other media include music videos films include Morning Glory, That’s (This production of Anna Christie is for Switchfoot, Bigg Steele and John What She Said, The Savages, Adelaide dedicated to the memory of Mayer, the short films Midgetman, and Small Time Crooks. Her television Theodore Mann, 1924-2012.) Sleep in Heavenly Peace and La Cerca credits include “Smash,” “Law & Order,” and the feature films Johnny Got “Law & Order: Criminal Intent” and WILSON CHIN (Scenic Design) returns His Gun and Undercover Kids. She is “Third Watch.” She received her M.F.A. to The Old Globe after designing currently an Assistant Professor at San from Yale School of Drama. Engaging Shaw and The American Plan. Diego State University where she leads His New York credits include Next Fall the M.F.A. Costume Design program. DANIEL GOLDSTEIN (Director) is (Broadway, Naked Angels), 10 Things to www.Denitsa.com. making his Globe debut. He is the Do Before I Die, Len, Asleep in Vinyl and director of the current Broadway The Dear Boy (Second Stage Theatre), revival of Godspell. His other recent Dark Matters and Boise (Rattlestick credits include God of Carnage Playwrights Theatre), Boom and Holy (Huntington Theatre Company), Cross Sucks! (Ars Nova), Masked (Daryl

PERFORMANCES MAGAZINE 11 Profiles

AUSTIN R. SMITH (Lighting Design) Theatre, Cape Fear Regional Theatre, Horizons for 10 seasons and numerous is making his Globe debut. His Off Hope Summer Repertory Theatre, seasons for Classic Stage Company Broadway and regional credits include Malashock Dance, University of San including the recent The Cherry Three Pianos (American Repertory Diego, San Diego State University and Orchard and the acclaimed School Theater, New York Theatre Workshop, Freud Playhouse at UCLA. Mr. Peterson for Lies and Three Sisters. Their other Incubator Arts Project), Rocky: The received his B.F.A. in Drama with an theatre credits include Williamstown Musical directed by Alex Timbers emphasis in Technical Design from San Theatre Festival (’11 and upcoming ’12), (Stage Entertainment), Beckett Diego State University. Rattlestick Playwrights Theater, Long (Creative Insteps Inc.), Balm in Gilead Wharf Theatre, The Flea Theater, Soho directed by Brian Mertes (Chashama), JAN GIST (Vocal and Dialect Coach) has Repertory Theater, Actors Theatre of Sleep No More (Punchdrunk), been Voice, Speech and Dialect Coach Louisville, Naked Angels, New Georges, Allegiance — A New American Musical for Old Globe productions since 2002. the stageFARM, Epic Theatre Ensemble (The Old Globe workshop) and Clear She has coached at theatres around and Summer Play Festival. Some long (Dixon Place). He has done various the country including Ahmanson running productions include Fully associate work at The Public Theater, Theatre, La Jolla Playhouse, Oregon Committed, Dinah Was and The Vagina Vineyard Theatre, Second Stage Shakespeare Festival, The Shakespeare Monologues (National Tour). Their Theatre, Kansas City Repertory Theatre Theatre Company in DC, The American television credits include “Army Wives,” and Center Theater Group. His Shakespeare Center, Utah Shakespeare “Lipstick Jungle,” “Z Rock,” “Ed,” “Hope ongoing productions include Futurity Festival, Alabama Shakespeare Festival, & Faith,” “Monk” and A Raisin in the (American Repertory Theater) and Arena Stage, Milwaukee Repertory Sun. Their film credits include the 2011 Massacre (Rattlestick Playwrights Theater, PlayMakers Repertory Sundance Film Festival Special Jury Theater). www.AustinRSmith.com. Company, Indiana Repertory Theatre, Prize winner Another Earth, Yearbook, American Players Theatre and Mo’olelo Merchant Ivory’s The City of Your PAUL PETERSON (Sound Design) Performing Arts Company. Ms. Gist Final Destination, Heights, The White has designed over 95 productions at has been a guest on KPBS radio’s Countess, Lisa Picard is Famous, The Old Globe, including Odyssey, “A Way with Words,” narrated San Ready? OK!, Trouble Every Day, Engaging Shaw, Life of Riley, Rafta, Diego Museum of Art documentaries, Peter and Vandy and Armless. Their Rafta…, Plaid Tidings – A Special coached dialects for the film The Rosa upcoming projects include That’s What Holiday Edition of Forever Plaid, Parks Story and recorded dozens of She Said (Sundance ’12) and Refuge. Welcome to Arroyo’s, Brighton Beach Books To Listen To. She is a founding They have been awarded eight Artios Memoirs, Broadway Bound, The Last member of The Voice and Speech Awards for Outstanding Achievement Romance, Boeing-Boeing, Alive and Trainers Association and has presented in Casting. Member CSA. Well, Lost in Yonkers, I Do! I Do!, The at many national and international Savannah Disputation, The Mystery of conference workshops for them and ANNETTE YÉ (Stage Manager) Irma Vep, Cornelia, The Price, Kingdom, for The Voice Foundation. She has was the Stage Manager for The Old Six Degrees of Separation, Since taught workshops in Russia for the Globe’s Groundswell and the 2010 Africa, The Women, Sight Unseen, The International Voice Teachers Exchange production of Dr. Seuss’ How The Pleasure of His Company, Dr. Seuss’ at The Moscow Art Theatre and at Grinch Stole Christmas! Her other How the Grinch Stole Christmas!, Bell, London’s Central School of Speech Globe credits include How the Grinch Book and Candle, Who’s Afraid of and Drama. She has been published in Stole Christmas! (’11), Boeing-Boeing, Virginia Woolf?, Two Trains Running, VASTA Journals, and chapters in books The First Wives Club, Opus, Dancing Hold Please, Restoration Comedy, Pig include The Complete Vocal Warm-Up, in the Dark, Hay Fever and the 2008, Farm, The Sisters Rosensweig, Trying, More Stage Dialects and an interview 2010 and 2011 Summer Shakespeare Moonlight and Magnolias, Vincent in in Voice and Speech Training in the Festivals. Ms. Yé’s regional credits Brixton, I Just Stopped By to See the New Millennium: Conversations with include Peter and the Starcatchers, Man, Lucky Duck, The Intelligent Design Master Teachers. She is a professor in Tobacco Road and ¡Salsalandia! (La of Jenny Chow, Blue/Orange, Time The Old Globe/USD Graduate Theatre Jolla Playhouse). Her other credits Flies, Pentecost, Compleat Female Program. www.jangistspeaking.com. include 9 Parts of Desire (Mo’olelo Stage Beauty, The Boswell Sisters and Performing Arts Company), Honky Crumbs from the Table of Joy. His CALLERI CASTING (Casting) (James Tonk Angels, Baby and No Way to regional credits include designs for Calleri, Paul Davis, Erica Jensen) also Treat a Lady (North Coast Repertory Milwaukee Repertory Theater, San Jose cast The Recommendation and the Theatre) and Forbidden Broadway: Repertory Theatre, CENTERSTAGE, La 2012 Summer Shakespeare Festival Special Victims Unit (Theatre in Old Jolla Playhouse, Sledgehammer Theatre at the Globe. They are currently Town). (Associate Artist), Mo’olelo Performing represented by Venus in Fur on Arts Company, The Wilma Theater, L.A. Broadway and the long-running Fuerza Theatre Works, San Diego Repertory Bruta. Some past Broadway credits Theatre, Florida Studio Theatre, include 33 Variations, A Raisin in the Lorraine Hansberry Theatre, North Sun, Chicago and James Joyce’s The Coast Repertory Theatre, Diversionary Dead. They have cast at Playwrights

12 PERFORMANCES MAGAZINE MICHAEL G. MURPHY (Interim Dies, Hairspray (Olivier nomination), Humane Letters, University of San Managing Director) has been the National Theatre: His Girl Friday. Six Diego, Honorary Doctorate in Fine General Manager at The Old Globe movies for PBS’s “American Playhouse.” Arts, San Diego State University and since 2003, overseeing the Production, Awards: 2008 Theatre Hall of Fame the annual Awards for Excellence in Education, Human Resources, Inductee, 2005 John Houseman Award, Theatre named in his honor by the San Information Technology and Facilities ArtServe Michigan 2008 International Diego Theatre Critics Circle. In 2007, Departments, as well as Front of House Achievement Award, Honorary he received the National Medal of operations. He also managed the Doctorate, University of Michigan. Arts — the nation’s highest honor for construction of the Globe’s new theatre Honorary Doctor of Humane Letters, artistic excellence — in a ceremony at and education facilities. Prior to the University of San Diego. Film (actor): the White House. Craig Noel died on Globe, he was the Managing Director Sex and the City 2. April 3, 2010 at the age of 94. of Austin Lyric Opera in Austin, Texas, Director of Administration of San CRAIG NOEL (Founding Director) Diego Opera and General Manager of was first appointed director in 1939, San Diego Repertory Theatre. Before directing 15 productions prior to relocating to San Diego from New York, World War II. Since then he directed he held similar positions at Theatre more than 200 plays of all styles and for a New Audience and the Joyce periods and produced an additional Theater Foundation’s American Theater 270 productions. His vision for The Old Exchange. He also served as negotiating Globe resulted in the establishment assistant for the League of Resident of the Shakespeare Festival and the Theatres and sales representative San Diego Junior Theatre in the late CALLERI CASTING for Columbia Artists Theatricals ‘40s, the expansion to two theatres James Calleri, Paul Davis, Erica Jensen Corporation. Mr. Murphy has served in the ‘50s, Globe Educational Tours on the Board of Directors of the San in the ‘70s and Teatro Meta and the Diego Performing Arts League and Old Globe/University of San Diego serves as a Management Trustee for MFA program in the ‘80s. During the San Diego County Theatrical Trusts, 1940s, Mr. Noel served as dialogue SPECIAL THANKS the pension and welfare trust for IATSE director for the 20th Century Fox stagehands in the San Diego region. He Studios and was the former director Pianist: Francis Thumm was also an adjunct faculty member of of the Ernie Pyle Theatre in Tokyo. the Music Department at the University Described by Variety as the eminence of San Diego. Mr. Murphy earned his grise of San Diego theatre, Mr. Noel B.F.A. degree in Stage Management is one of the few San Diegans to have from Webster University in St. Louis, had an entire year (1987) proclaimed Missouri and his M.F.A. in Performing in his honor, and to be named one of Arts Management from Brooklyn San Diego’s “Living Treasures.” He was College of the City University of New a founder of the California Theatre York. Council and a former vice president of the California Confederation of the This theatre operates under an agreement between the League of Resident Theatres JACK O’BRIEN (Artistic Director Arts. His numerous honors include and Actors’ Equity Association, the union of professional actors and stage managers in the Emeritus) served as the Artistic The San Diego Union-Tribune list of United States. Director of The Old Globe from 1982 25 persons who shaped the city’s through 2007. Broadway: Catch Me If history; the Governor’s Award for the

You Can, Impressionism, The Coast of Arts; University of Arizona Alumni The Directors are members of the Society Utopia (Tony Award), Dr. Seuss’ How Association’s Outstanding Citizen, of Stage Directors and Choreographers, an the Grinch Stole Christmas!, Dirty for his contribution to their Fine independent national labor union. Rotten Scoundrels (Tony nomination), Arts department; San Diego State Henry IV (Tony Award), Hairspray University’s Outstanding Alumnus; This Theatre operates under an Agreement with the International Alliance of Theatrical Stage (Tony Award), Imaginary Friends, The Conservator of American Arts Award Employees Local No. 122. Invention of Love (Tony nomination, from American Conservatory Theater; Drama Desk Award), The Full Monty the San Diego Press Club Headliner

(Tony nomination), More to Love, Award; San Diego Gentleman of The Scenic, Costume, Lighting and Sound Getting Away with Murder, Pride’s Distinction Award; and a combined Designers in LORT Theatres are represented by Crossing, The Little Foxes, Hapgood tribute from the Public Arts Advisory United Scenic Artists Local USA-826, IATSE. (Lucille Lortel Award, Best Director), Council and the San Diego County Damn Yankees, Two Shakespearean Board of Supervisors. Mr. Noel was The musicians are represented by the American Actors (Tony nomination), Porgy and particularly proud of the following Federation of Musicians, Local 325 San Diego. Bess (Tony Award). Metropolitan three honors representing education Opera: II Trittico. London: Love Never and theatre: Honorary Doctorate of

PERFORMANCES MAGAZINE 13 14 PERFORMANCES MAGAZINE CLASSICS UP CLOSE

This marks the sixth year for The Old Globe’s popular Classics Up Close series. For Classics Up Close, the Globe invites directors to re-imagine major classic plays for our intimate, in-the-round Sheryl and Harvey White Theatre. Classics Up Close takes these plays out from behind the proscenium arch, allowing audiences to experience them in a new way and shedding fresh light on some of the great works of American drama.

Dominic Chianese as Gregory Solomon in Arthur Miller’s The Price, directed by Richard Seer. CRAIG SCHWARTZ CRAIG CRAIG SCHWARTZ CRAIG SCHWARTZ CRAIG

Michelle Federer as Laura Wingfield and Nisi Sturgis as Honey and Scott Ferrara SCHWARTZ CRAIG Mare Winningham as Amanda Wingfield as Nick in Edward Albee’sWho’s Afraid of (from left) Judy Kaye as Grandma Kurnitz and Jennifer Regan as Bella in Neil in Tennessee Williams’ The Glass Virginia Woolf?, directed by Richard Seer. Simon’s Lost in Yonkers, directed by Scott Schwartz. Menagerie, directed by Joe Calarco. HENRY DIROCCO HENRY DIROCCO HENRY (above left) Robin Moseley as Linda, Lucas Caleb Rooney as Biff, Tyler Pierce as Happy

CRAIG SCHWARTZ CRAIG and Jeffrey DeMunn as Willy Loman, and (above right) Jonathan Spivey as Howard James Sutorius as George and Globe Associate Artist Monique Fowler as Martha in Wagner and DeMunn as Willy Loman in Arthur Miller’s Death of a Salesman, directed Edward Albee’s Who’s Afraid of Virginia Woolf?, directed by Richard Seer. by Pam MacKinnon.

PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of whom has made a 2011/2012 annual donation of $50,000 or greater. Lead Season Sponsors

Mary Ann Blair Karen and Donald Cohn David C. Copley Conrad Prebys and Debra Turner Darlene Marcos Shiley Sheryl and Harvey White

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper The County of San Diego Audrey S. Geisel Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation June E. Yoder

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINE Education

Student Matinees at the Globe

Old Globe Artistic Director Emeritus Jack O’Brien famously specific details and open discussion, students explore the said that you don’t go to the theatre for the first time on your show before they see it and are better prepared for the own; someone brings you. experience when they arrive at the theatre. Our carefully That philosophy played heavily into the Globe’s decision to researched study guides provide teachers with the tools present student matinee performances of many of our shows. they need to present Standards-based lessons in class The idea was to bring students to the theatre for the first time both before and after students have seen the show. These in the hopes that they would learn to love theatre through lessons are designed to provoke discussion and reflection the experience. Students come away from our matinees with and to bring students to a deeper understanding of the play’s their eyes opened to new ideas and possibilities. They are content and of the role of theatre in society. inspired and awed. They want to talk about what they have Tickets to the theatre are an out-of-reach expense for many experienced and what it means to them. That is the power of of the students we serve. School budgets have been slashed theatre, and The Old Globe has worked tirelessly to ensure to the bone, so paying for a field trip to the theatre is a that thousands of students each year are provided the near-impossibility for most educational institutions. This is opportunity to see just what we’re about. where The Old Globe’s donors step up to the plate. They A strong student matinee program requires more than remember that once they were the ones who were invited just opening the doors. At The Old Globe, our Education to see a play for the very first time. They know how theatre Department works hard to ensure that students are provided has impacted their lives. And they provide the funding for a strong introduction to the shows they will see, through us to give these matinees at absolutely no charge to the study guides and classroom learning schools. experiences. Our professional We are proud to continue this Teaching Artists plan powerful pre- amazing program, and we thank our show workshops that are conducted donors for making it possible. For in school classrooms in the days more information about how you and weeks before students will see can sponsor a free student matinee the show. These sessions center on and become the person responsible the major themes in the plays and for bringing hundreds of students to how these themes may resonate for the theatre for the first time, contact students. Through interactive theatre Marilyn McAvoy Bergman at exercises, sharing of production- (619) 231-1941 x2309.

(top) Obba Babatundé (center), star of the World Premiere musical Sammy, with students of St. Augustine High School. PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Arts Audrey S. Geisel/The San Diego Darlene Marcos Shiley, & Culture Foundation Dr. Seuss Fund in memory of Donald Shiley David C. Copley Globe Guilders The Shubert Foundation The County of San Diego The James Irvine Foundation Sheryl & Harvey White Foundation Microsoft

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Elizabeth & Ryan Williams Peter Cooper & Norman Blachford Elaine Lipinsky Family Foundation The Legler Benbough Foundation Advised Fund at the San Diego Conrad Prebys & Debra Turner John A. Berol Human Dignity Foundation Qualcomm, Inc. Mary Ann Blair Valerie & Harry Cooper United California Bank & Trust Edgerton Foundation Wells Fargo The Family of Mary & Dallas Clark Kathryn & John Hattox June E. Yoder, in memory of David Yoder Karen & Donald Cohn HM Electronics, Inc. Cohn Restaurant Group/ Joan & Irwin Jacobs Fund of the Prado Restaurant Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Jo Ann Kilty Gillian & Tony Thornley Bank of America Barbara G. Kjos Union Bank Alan Benaroya National Corporate Theatre Fund U.S. Bank Richard & Kathy Binford Neiman Marcus Mandell Weiss Charitable Trust Pamela & Jerry Cesak Paula & Brian Powers Karin Winner Elaine & Dave Darwin Random House Children’s Books Pamela A. Farr SDG&E Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina Elaine & Leonard Hirsch Mickey Stern

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Jean-Marie Hamel, PhD Allison & Robert Price Arthur & Sophie Brody Fund of the The Hull Family Price Family Charitable Fund Jewish Community Foundation Deni & Jeff Jacobs Reneé Schatz Nikki & Ben Clay Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway James S. Copley Foundation Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens Mr. & Mrs. Brian Devine Family Foundation Anne Taubman & David Boyle Nina & Robert Doede Sue & John Major Evelyn Mack Truitt Karen Fox & Harvey Ruben National Endowment for the Arts Brent V. Woods & Laurie C. Mitchell Hal & Pam Fuson Rafael & Marina Pastor Carolyn Yorston-Wellcome Lee & Frank Goldberg Tom & Lisa Pierce

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mary & David Fitz Roger & Christine Roberts Kaaren Henderson ($5,000 to $9,999) Susanna & Michael Flaster Nancy Robertson Bill & Nancy Homeyer Lawrence G. Alldredge & Dawn Moore Jean & Sid Fox Mary & Eugene Rumsey, MD Kenneth & Marilyn Jones Joan & Jeremy Berg Chuck Freebern Carole Sachs Louis & Mary Beth Kelly Barbara Bloom Charles & Millicent Froehlich Warren & Beverly Sanborn Gayle & Jerry Klusky The Louis Yager Cantwell Joy & Dr. Fred Frye Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Private Foundation Elaine & Murray Galinson Fund at the Rancho Santa Fe Courtney & Raymond Liddy Clifford & Carolyn Colwell Victor & Jill Gálvez Foundation Don & Mary Jane Lincoln R. Patrick & Sharon Connell Barbara & Albert Garlinghouse Drs. Joseph & Gloria Shurman Edward & Nancy Lyon Bernard J. Eggertsen & Bill & Judy Garrett Dee E. Silver, MD Jasna Markovac & Gary Miller Florence Nemkov Drs. Thomas & Jane Gawronski Paul Scott Silvera & Todd Schultz F. Dale & Lois Marriott Marion Eggertsen Teresa George Elene & Herb Solomon Peggy Matthews Barbara & Dick Enberg Nancy Reed Gibson Nancy & Alan Spector and Family Marcia Mattson Dr. & Mrs. Robert Epsten Wendy Gillespie Nancy Steinhart & Valorie McClelland Carol Spielman-Ewan & Joel Ewan Robert Gleason & Marc Matys Rebecca Goodpasture Dr. & Mrs. M. Joseph McGreevy Martha & George Gafford Tom & Sheila Gorey Eugene & Hannah Step Jack Meek Mary Ann & Arnold Ginnow Dr. & Mrs. William Gott Pat & Jack Thomas Virginia Oliver Diana Glimm Walter & Lola Green Cherie Halladay Tirschwell Dr. Julie Prazich & Dr. Sara Rosenthal Alexa Kirkwood Hirsch Tim Haidinger Carol Vassiliadis Robert & Doris Reed Dr. & Mrs. Harry F. Hixson, Jr. Ms. Cheryl Haimsohn Doris & Lou Vettese Jeffrey & Vivien Ressler William Karatz Norm Hapke & Valerie Jacobs Hapke Mary R. Warkentin Wade & Candi Rich Carol & George Lattimer Pat & Rick Harmetz Zelda J. Waxenberg The Ralph B. Rogers Foundation Peter Manes & Yoko Sakaguchi Gordon & Phyllis Harris Jan Harden Webster & Raul Ortega San Diego Concierge Association Paul & Maggie Meyer Drs. Patrick Harrison & Eleanor Lynch The Patricia and Christopher Weil Alan & Esther Siman Money/Arenz Foundation, Inc. Rhonda Heth & Thomas Mabie Family Foundation Dave & Phyllis Snyder Rebecca Moores Richard & Janet Hunter Dr. Steve & Lynne Wheeler Jack & Louise Strecker Matthew & Judith Pollack Hutcheson Family Fund at Kathy & Jim Whistler Celeste & Gene Trepte John & Marcia Price The San Diego Foundation Stan & Anita Ulrich Family Foundation Drs. Sonia & Andrew Israel ($1,500 to $2,499) David & Irene Weinrieb Rivkin Family Fund I at Jerri-Ann & Gary Jacobs Anita Busquets & William Ladd Christy & Howard Zatkin The San Diego Foundation Pat JaCoby Lisa & David Casey Bob & Julie Sullivan Mary & Russell Johnson Devora & Ron Eisenberg GOLD Deborah Szekely Jackie Johnston of Great News! ($500 to $999) Dixie & Ken Unruh Katleman Family Fund of the Gary & Carrie Huckell Anonymous (4) Jordine Skoff Von Wantoch Jewish Community Foundation William & Edythe Kenton George Amerault Pamela J. Wagner Dr. Gerald & Barbara Kent Sherry & Larry Kline Drs. Michael & Gabriela Antos Bob* & Gladys King Robin J. Lipman & Miro Stano Alicia Atun & Elaine Rendon* CRAIG NOEL CIRCLE Ken & Sheryl King Nancy & James Mullen Andris Baltins ($2,500 to $4,999) Webster & Helen Kinnaird In Memory of Dolly & Jim Poet Richard & Linda Basinger Dr. & Mrs. Wayne Akeson Jane & Ray Klofkorn Marie & Don Prisby Bruce & Patricia Becker Gail Andrade and Curt & Nancy Koch Marisa SorBello & Peter Czipott Amnon & Lee Ben-Yehuda John & Jennifer Andrade Brooke & Dan Koehler James & Ellen Weil Bob & Joyce Blumberg Anonymous (3) Betty & Leonard Kornreich Shirli Fabbri Weiss Barbara Bolt Judith Bachner & Eric Lasley Rosalie Kostanzer & Michael Keefe Dr. & Mrs. J. Brand Brickman Jan & Rich Baldwin Regina Kurtz & Al Isenberg DIAMOND Greg & Loretta Cass Bobbie Ball Bob & Laura Kyle ($1,500 to $2,499) Luc Cayet & Anne Marie Pleska Diana J. Barliant & Nowell Wisch Jean & David Laing Jeff & Donna Applestein Lynne Champagne & Wilfred Kearse Jan Bart Peter Landin & Michelle Cardinal Mrs. Lazare F. Bernhard Jack & Carol Clark Melissa Garfield Bartell & Tadd S. Lazarus, MD Steve G. Bjorg Ken Crouch Michael Bartell Terry & Mary Lehr Mary-Kay Butler Ronald D. Culbertson Deron & Toni Bear Ms. Sherrill Leist Dr. & Mrs. Robert M. Callicott Walter & Cheryl Deegan Linda Birch James & Pamela Lester Jane Cowgill Dr. Donald & Eilene Dose Charlotte & Charles Bird Sandy & Arthur Levinson Enid Gleich Jacqueline & Stanley Drosch Paul Black Barbara & Mathew Loonin Leo S. Guthman Fund Elisabeth K. Ecke Dr. Herman & Irene Boschken Merriel F. Mandell, PhD Jerry Lester, MD/Rosarito, Mexico Bill Eiffert & Leslie Hodge Dr. & Mrs. Edgar D. Canada Charlie & Jackie Mann Paul Levin Esther & Robert Feier Edward & Pamela Carnot Elizabeth & Edward McIntyre Dr. Robert & Marcia Malkus Richard & Beverly Fink George & Ellen Casey Harold O. McNeil, Esq. Akiko Morimoto & Family Foundation Rudy & Carol Ceseña Elizabeth Meyer Hubert Frank Hamilton, Jr. Pauline Forman & Jack Burke Carol & Jeff Chang Barbara & Mike Morton Mark Niblack Susan & Steven Garfin Garet & Wendy Clark Jim & Ruth Mulvaney Foundation at Shearn & Linda Platt Peter & Christine Gault Ms. Heidi Conlan/The Sahan Daywi The San Diego Foundation Margery & John Swanson Theresa A. Georgi Foundation Elspeth & Jim Myer Arthur Getis Richard & Stephanie Coutts Joyce & Martin Nash PLATINUM Norman & Patricia Gillespie Susan Barlow Cowell National Alliance for Musical Theatre ($1,000 to $1,499) Louise & Doug Goodman Gigi & Ed Cramer Lyn Nelson Edward Anderson Edry & Robert Goot Timothy & Marie Cunning Arthur & Marilyn Neumann Anonymous Chris Graham & Michael Albo John* & Ann Davies Lawrence Newmark Sondra & Robert Berk Fund of the Carol & Don Green Darlene G. Davies, in memory Ben & Joan Pollard Jewish Community Foundation George C. Guerra of Lowell Davies Mo & Bill Popp Gary & Barbara Blake Family Fund of Richard & Candace Haden Pat & Dan Derbes Daniel Porte Jr., MD the Jewish Community Foundation Helen M. Hammond Michael & Katy Dessent Joanne Powers Steve & Elizabeth Bluhm Jamie Henson & Robert Houskeeper Mrs. Philip H. Dickinson The Arthur & Jeanette Pratt Nancy Brock Mike Hogan Enterprises Jim & Sally Ditto Memorial Fund Sandra & Harry Carter Stephen Hopkins & Dr. Carey Pratt Dan & Phyllis Epstein Joseph & Jane Rascoff Ms. Dorothy R. Dring Dr. & Mrs. Clyde W. Jones Noddy & Ira Epstein Sarah B. Marsh-Rebelo & Paul & Clare Friedman Kathy & Rob Jones Carol Fink John G. Rebelo Mr. & Mrs. Arthur A. Greenberg Patricia & Alexander Kelley

PERFORMANCES MAGAZINE 19 Annual Fund Donors The Old Globe’s 2012 Annual Meeting of the Members (continued)

Robert Kilian & Kathleen Slayton Ron & Susan Styn On January 30, 2012, The Old Globe held its Annual Bill & Linda Kolb Clifford & Kay Sweet Dr. Marvin Kripps Dr. & Mrs. Charles B. Tesar Meeting, and Annual Fund donors gathered to hear about Sherry & Rick Levin Gertrude Trebon the state of the Globe from Board Chair Harold W. Fuson, Marshall & Judy Lewis Fund of the Jeffrey & Sheila Truesdell Jr., Interim Managing Director Michael G. Murphy and Tony Jewish Community Foundation Ms. C. Anne Turhollow & Carl Maguire & Margaret Sheehan Mr. Michael J. Perkins Award-winning Artistic Director Emeritus Jack O’Brien. Sally & Luis Maizel Natalie C. Venezia & Paul A. Sager Drs. Betty Joan Maly & John Meyers Harold Walba Ron & Mercy Mandelbaum Douglas Wallingford Martin & Joanne Marugg Kathy & Jim Waring Rev. Stephen J. Mather Dave & Kim Washkowiak McAuliffe Family Ms. Sandy Wichelecki Ronald McCaskill & Robyn Rogers Dennis & Carol Wilson Charles & Billie McKnight Ms. Abbe Wolfsheimer Charles & Susan Muha Brendan M. & Kaye I. Wynne Shirley Mulcahy Marsha J. Netzer *In Memoriam Rod & Barbara Orth Barbara B. Oswalt In Memory of Margaret Peninger Dr. Ken Pischel & DOUG GATES. BY PHOTOS Outgoing Board Member Sue Major (second from left) with Board Members Dr. Katherine Ozanich This list current as of February 10, 2012. Tony Thornley, Pamela Farr and Board Chair Hal Fuson. Drs. Paul & Katherine Ponganis Simon & Ruth Sayre For additional information on how you Mr. & Mrs. Russell Schnapp may support The Old Globe’s artistic, Linda J. Seifert education and community programs, Stella Shvil please visit our website at www. Beverly & Howard Silldorf TheOldGlobe.org or contact Rachel Mr. & Mrs. Randall Silvia Plummer, Major Gifts Officer, at Mr. William D. Smith & Dr. Carol Harter (619) 231-1941 x2317 or rplummer@ Susan Steele & Mike Conley TheOldGlobe.org. Public Support

Board Member and Season Sponsor Valerie Cooper with her husband (left) Harry and Artistic Director Emeritus Jack O’Brien.

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

(from left) New Board Members Silvija Devine and Paula Powers with Board Members and Season Sponsors Debra Turner and Mary Beth Adderley. Stay Connected with The Old Globe

Visit us online at www.TheOldGlobe.org (from left) Former Globe Board Chair Paul Meyer with Globe supporters Marilyn Neumann, Lorraine Boyd and David Felix.

20 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE National Corporate Theatre Fund is a not-for-profit ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley FOUNDER CIRCLE ($5,000 - $9,999) Citi UBS Bertrand at Mister A's Nokia Inc. Datacert, Inc. USA Today Break-Away Tours The Westgate Hotel Dorsey & Whitney Foundation Vernalis Systems Hyatt Regency La Jolla Ernst & Young Wells Fargo Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies HoyleCohen, LLC Cubic Corporation Corporate Partners enjoy benefits and recognition, including the opportunity to The Cox Kids Foundation at Goldman, Sachs & Co. entertain clients and employees with exclusive receptions at the Theatre, behind- The San Diego Foundation the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

What is the Craig Noel League? decision, The Old Globe Board of Directors has established Founded in 2000 and named for specific giving areas that you may choose from, including the Globe’s Founding Director, the classical theatre and Shakespeare, education programs and League is a planned giving society for new works. the Globe comprised of individuals who have included The Old Globe How do I make a Planned Gift? in their estate plans. Through their Simply call the Globe and schedule an appointment for a generosity, these supporters of the confidential meeting, or visit with your estate planner or Theatre are helping to ensure a long attorney. and bright future for San Diego’s Join us and become a part of our active community with a

CRAIG NOEL,CRAIG 1957 leading cultural landmark. variety of exciting events including an Annual Member Event, What is a Planned Gift? “Food for Thought” monthly lunches where you may dine Planned giving is simply a way to support The Old Globe with a Globe artist or attend one of the many Opening Night through your estate plans by establishing an irrevocable receptions held throughout the year. bequest of property, stock or cash; a charitable trust; a living To become a member of the Craig Noel League or to tell us estate; or some other deferred giving instrument. In your of a gift you have already made, please contact Bridget Cantu estate plans, you have the ability to designate the specific Wear, Associate Director of Development, Planned Giving, use of the funds given to the Globe, and to help guide your at (619) 231-1941 x2312 or [email protected].

Craig Noel League Members

Anonymous (17) Dr. & Mrs. Robert Epsten Marilyn Kneeland PACEM (Pacific Academy Jeanette Stevens Diana Barliant Frank A. Frye, III Jean & David Laing of Ecclesiastical Music) Eric Leighton Swenson Nancine Belfiore Mr. Alan Gary & Jerry Lester Foundation Sarah B. Marsh-Rebelo & Anne C. Taubman Alan Benaroya Ms. Joanee Udelf Heather Manion John Rebelo Randy Tidmore Barbara Bolt Nancy Reed Gibson Chris & Jill Metcalf Darlene Shiley Cherie Halladay Tirschwell Nancy Brock Robert Gleason & Paul I. & Margaret W. Meyer Patsy & Forrest Shumway Evelyn Mack Truitt Ronald Brown Marc Matys Steve Miller B. Sy & Ruth Ann Silver Ginny Unanue Dr. & Mrs. Edgar D. Canada Marcy Goldstone Dr. Robert W. Miner Dee Silver, M.D. Jordine Von Wantoch Garet & Wendy Clark Carol & Don Green Shirley Mulcahy Stephen M. Silverman Merle Wahl R. Patrick & Sharon Connell Kathryn Hattox Laurie Dale Munday Roberta Simpson Holly J. B. Ward Patricia W. Crigler. Ph. D., David & Debbie Hawkins Stanley Nadel & Dolores & Rod Smith Sarah Woodruff Watkins CAPT/USN/Ret. Jill Denison Holmes Cecilia Carrick Marisa SorBello & Sheryl & Harvey P. White Carlos & Patricia Cuellar Craig & Mary Hunter Alice B. Nesnow Peter Czipott Mrs. Jack Galen Whitney Ronald D. Culbertson Bob Jacobs Arthur & Marilyn Neumann John & Cindy Sorensen Julie Meier Wright Mrs. Philip H. Dickinson Grace Johnston Ronald J. Newell Nancy A. Spector & Carolyn Yorston-Wellcome Doug Druley & Becky Young Gladys H. King Greg & Polly Noel Alan R. Spector Judy L. Zimmerman

Globe Ambassadors

Globe Ambassadors are generous supporters Be rnard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of The Old Globe who contribute a minimum Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ of $3,500 to the Annual Fund, attend special Danah H. Fayman◆ Evelyn Mack Truitt Globe meetings and activities and serve as Mary Ann & Arnold Ginnow Dixie & Ken Unruh advocates in the community for the Globe’s Alexa Kirkwood Hirsch◆ Doris & Lou Vettese◆ mission and goals. As a group, Ambassadors Leonard & Elaine Hirsch◆ Pamela J. Wagner◆ sponsor one Globe production each season. Pat Jacoby Jordine Von Wantoch◆ Mary & Russell Johnson◆ La wrence G. Alldredge & Dawn Moore *In Memoriam Bob* & Gladys King◆ Paul Black◆ Tadd S. Lazarus, M.D. ◆Denotes increased giving in 2010 and 2011 Steven J. Cologne James & Pamela Lester ◆ R. Patrick & Sharon Connell◆ For additional information on how you may Merriel F. Mandell, Ph.D.◆ Gigi & Ed Cramer◆ become a Globe Ambassador, please contact Peter Manes & Yoko Sakaguchi Elaine & Dave Darwin◆ Marilyn McAvoy Bergman, Major Gifts Director, Paul I. & Margaret W. Meyer Darlene G. Davies◆ at (619) 231-1941 x2309 or Joanne C. Powers◆ Nina & Robert Doede [email protected]. Jeannie & Arthur Rivkin Marion Eggertsen◆

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in both the Sheryl and Harvey White Theatre and The Old Globe accepts Visa, Discover, MasterCard, or the Old Globe Theatre. A limited number of the lightweight American Express. Phone orders for non-subscribers headsets, as well as induction neck loops, may be obtained are subject to a $3.50 per ticket service charge. Ticket from the house manager prior to performances. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Saturdays and Sundays at 10:30am. Groups by reservation. [email protected]. $5 adults; $3 seniors and students. Phone (619) 238-0043 x2145 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information and a RESTROOMS description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre, the lobby of the White Theatre and adjacent to the premises. the Festival Theatre. Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — SEATING OF LATECOMERS are available upon request. Please ask an usher. Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Michael G. Murphy...... Interim Managing Director Josh Camp, Trish Rutter...... Craftspersons Donor Services Richard Seer...... Interim Artistic Advisor and David Medina...... Properties Buyer Lee Conavay, Monica Jorgensen, Barbara Lekes, ...... Director of Professional Training Trevor Hay...... Property Master, Globe Pamela Malone, Richard Navarro, Stephanie Reed, Edward Nelson...... Interim General Manager Dan Klebingat...... Stage & Property Master, White Judy Zimmerman...... Suite Concierges Dave Henson...... Director of Marketing and Communications David Buess...... Property Master, Festival Todd Schultz...... Director of Development MARKETING Mark Somers...... Director of Finance Lighting Jeffrey Weiser...... Public Relations Director Robert Drake...... Director of Production Shawna Cadence...... Lighting Director Jessie Brunner...... Audience Development Manager Roberta Wells-Famula...... Director of Education Lace King...... Lighting Assistant Mike Hausberg...... Public Relations Associate Tonnie Ficken...... Master Electrician, Globe Kelly Boyle...... Digital and Print Publications Coordinator ARTISTIC Jim Dodd...... Master Electrician, White Richard Steadham...... Graphics Coordinator Adrian Noble...... Shakespeare Festival Artistic Director Kevin Liddell...... Master Electrician, Festival Marissa Haywood...... Marketing Assistant Eric Louie, Justin Waldman...... Associate Producers Kevin Anthenill, Sam Ibrahim, Areta Mackelvie, Monica Jorgensen, Danielle Mages Amato...... Literary Manager/Dramaturg Leah Nellman, Hunter Smith...... Electricians Susie Virgilio...... Marketing/Events Assistants Bernadette Hanson...... Artistic Associate Matthew Lopez...... Playwright-in-Residence Sound Subscription Sales Paul Peterson...... Sound Director Scott Cooke...... Subscription Sales Manager PRODUCTION Erik Carstensen...... Master Sound Technician, Globe Anna Bowen-Davies, Arthur Faro, Andy Fink, Janet Kavin, Pamela Malone, Yolanda Moore, Debra Pratt Ballard...... Associate Director of Production Jeremy Siebert...... Master Sound Technician, White Jessica Morrow, Keith Perkins, Ken Seper, Ron Cooling...... Company Manager Dana Pickop...... Mic Runner, Globe Cassandra Shepard, Jerome Tullmann, Carol Donahue...... Production Coordinator Grant Walpole...... Subscription Sales Representatives ADMINISTRATION Stage Management Brian Franko...... Assistant General Manager Ticket Services Leila Knox...... Production Stage Manager Bob Coddington...... Ticket Services Manager Information Technology Marsi Fisher...... Ticket Operations Manager Technical Dean Yager...... Information Technology Manager Dani Meister...... Group Sales Manager Benjamin Thoron...... Technical Director Thad Steffen...... Information Technology Assistant Manager Tony Dixon, Wendy Berzansky...... Associate Technical Director John Ralston...... Information Technology Assistant Rob Novak...... Lead Ticket Services Representatives Tramaine Berryhill...... Assistant Technical Director Kari Archer, Sarah Ditges, Kathy Fineman, Sean Fanning...... Resident Design Assistant Human Resources Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Eliza Korshin...... Technical Assistant/Buyer Sandra Parde...... Human Resources Director Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Christian Thorsen...... Stage Carpenter/Flyman, Globe Christopher Smith...... Ticket Services Representatives Carole Payette...... Charge Scenic Artist Maintenance W. Adam Bernard, Victoria Erbe...... Scenic Artists Randy McWilliams...... Facilities Manager PATRON SERVICES Gillian Kelleher...... Master Carpenter Violanda Corona, Ismael Delgado, Miguel Gaspar, Mike Callaway...... Theatre Manager Andrew Young...... Charge Carpenter, White Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Brian Davis, Jessica Talmadge...... House Managers Laura McEntyre...... Automation Coordinator Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Kristen Cairns...... Front of House Assistant Fernando Avitia, Curtis Carlsteen, Chris Chauvet, Nicolas Torres, Leonardo Rodriguez ...... Building Staff Elaine Gingery...... Food and Beverage Manager Jason Chohon, Gabriel Easterling, Jack Hernandez, Timothy Acosta, Nellie R. del Rosario, Victor Hernandez, Eszter Julian, Josh Letton, PROFESSIONAL TRAINING Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, Jeremy Luce, Seamus O’Bryan, Andy Recker...... Carpenters Llance Bower...... Program Coordinator Michelle Thorsen, Michelle R. Witmer...... Pub Staff Brian Redfern...... Graphics Assistant Maria Carrera, Cynthia Caywood, Ray Chambers, Jasmine Morgan, Stephanie Rakowski, James Hern...... Technical Center Intern Gerhard Gessner, Jan Gist, Fred Robinson, Lisa Reid...... Gift Shop Supervisors Liz Shipman, Abraham Stoll, George Yé...... M.F.A. Faculty Costumes Security/Parking Services Stacy Sutton...... Director EDUCATION Rachel “Beahr” Garcia...... Security Supervisor Charlotte Devaux Shields...... Resident Design Associate Kim Montelibano Heil...... Education Associate Dallas Chang, Sherisa Eselin, Maureen Mac Niallais...... Assistant to the Director Carol Green...... Speakers Bureau Coordinator Janet Larson, Jeffrey Neitzel...... Security Officers Shelly Williams...... Design Assistant/Shopper Rebekah Bonney, David Carson, Amanda Cooley Alberto Holloway, Jeff Howell...... Parking Lot Attendants Michelle Souza...... Design Assistant Davis, James Cota, Jo Anne Glover, Lisel Gorell-Getz, Danny Ray Ferguson, Brian Hammond, Sarah Price-Keating, Jennifer Barclay Norman Ramos...... VIP Valet Attendants Erin Cass, Wendy Miller...... Drapers Newsham, Radhika Rao, Cynthia Stokes, Babs Behling, Annie Glidden Grace...... Assistant Cutters Mark Wischkaemper...... Teaching Artists Mary Miller...... Costume Assistant Joanna Stypulkowska...... Stitcher FINANCE Erin Carignan...... Craft Supervisor Jack O’Brien...... Artistic Director Emeritus Carly Bennett-Valle...... Senior Accountant Craig Noel...... Founding Director Stephanie Parker...... Craft Artisan Trish Guidi...... Accounts Payable/Accounting Assistant Molly O’Connor...... Wig and Makeup Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Kim Parker...... Assistant to Wig and Makeup Supervisor Tim Cole...... Receptionist Ana Maldonado...... Wig Assistant Beverly Boyd...... Wardrobe Supervisor DEVELOPMENT Beth Merriman...... Crew Chief, Globe Marilyn McAvoy Bergman...... Major Gifts Director Kristin Bongiovanni, Erin Dodd, Anna Noll, Annamarie Maricle...... Associate Director, Institutional Grants Heather Premo, Noelle van Wyk...... Wardrobe Crew, Globe Bridget Cantu Wear...... Associate Director, Planned Giving Anna MacDonald...... Crew Chief, White Eileen Prisby...... Events Manager Suzanne Noll...... Wardrobe Crew, White Rachel Plummer...... Major Gifts Officer Marie Jezbera...... Rental Agent Angelique von Thun...... Major Gifts Associate Diane Addis...... Membership Administrator Properties Kacie Bluhm...... Development Assistant Neil A. Holmes...... Properties Director Rico Zamora...... VIP Donor Ticketing Kristin Steva Campbell...... Assistant to the Director Kristine Hummel...... Prop Assistant M.H. Schrenkeisen...... Shop Foreman Rory Murphy...... Lead Craftsman

24 PERFORMANCES MAGAZINE