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Don Tieri [email protected] AEA SAG/AFTRA dontieri.com THEATER CARLYLE Ensemble Goodman/Ben Kamine GLENGARRY GLEN ROSS Dave Moss Pointe/Anna D. Shapiro ARE YOU NOW… Abe Burrows Big Game/Anna D. Shapiro A VIEW FROM THE BRIDGE Mike Steppenwolf/B.J. Jones BLEACHER BUMS Richie Organic/Joe Mantegna ** JULIUS CAESAR Cauis Cassius Next/Dexter Bullard BLOOD AND GIFTS Jerry Sweet Timeline/Nick Bowling CHOIR BOY Mr. Pendleton Raven/Michael Menendian MARVIN’S ROOM Dr. Wally Shattered Globe/Sandy Shinner ANNA CHRISTIE Larry Illinois Theatre Centre/Etel Billig THE PRICE Walter Illinois Theatre Centre/Etel Billig BONHOEFFER’S COST Klaus Bonhoeffer Provision/Tim Gregory THE HIDING PLACE Willem ten Boom Provision/Tim Gregory CREOLE Judge Lucius Infusion/ Mitch Golob * IN TIMES OF WAR Colonel Warren Stage Left/Ann Filmer AMERICAN BUFFALO Donny Dubrow Pointe Theatre/Louis Contey LEANDER STILLWELL Perry Hatcher Lee Strasberg/Drew Martin * LEANDER STILLWELL *Perry Hatcher Stage Left Theater/Drew Martin + DAPPLES AND GREYS Brian McIntyre Stage Left Theater/Drew Martin THE WHITE ROSE Christoph Probst Northlight/ Russell Vandenbroucke * A VIEW FROM THE BRIDGE Marco Shattered Globe/Louis Contey * CHAGRIN FALLS Riley Stage Left Theatre/Kevin Heckman A VIEW FROM THE BRIDGE Mike L. A. Theater Works/Peter Levin GOD’S COUNTRY Denver Parmenter Open Fist L.A./Martha Demson WIDOWS Lieutenant Open Fist L.A./Martha Demson * Joseph Jefferson Award - Winner ** Joseph Jefferson Award – Nominee + After Dark Award - Winner TELEVISION, WEB, FILM EMBEDS Recurring/Gov. Dobson Webisode/Dan Jelinick DEAD LAST Co-Star/Lawyer WB/Bob Balaban PROFILER Co-Star/Cult Member NBC/Bill Norton SEVEN DAYS Co-Star/Minister UPN/Charlie Picerni OVEREXPOSED Co-Star/Cop ABC/Robert Markowitz THE UNTOUCHABLES Co-Star/Gangster UPN/Ernest Dickerson THE UNTOUCHABLES Co-Star/Gangster UPN/Ernest Dickerson FRIENDS IN THE BUSINESS Lead/Novelist NADJA/D.P. Mauro Fiore TRAINING M.F.A. (Acting) Theatre School, DePaul University, Chicago, Illinois SPECIAL SKILLS Stage Fighting- Hand to Hand, Quarterstaff, Rapier and Dagger, Firearms. Dialects: Russian, Australian, Regional British, Scottish, Irish, Italian, French, Regional U.S. South African, Canadian, German. .

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STAR, 10 THE EVENING WASHINGTON, T>. C. t WEDNESDAY, JANUARY 31, 1923. Maquita Dwight, Margaret Denys and Myra Florlan. SHUBERT-GAEJLICK—“Anna AMUSEMENTS Christie.” thority on applied psychology and has Arthur Hopkins is to present at the f Josef Hofmann Concert. spoken in virtually all the large cities Shubert-Oarrlck next week Pauline | Absolute Satisfaction Guaranteed or Money Cheerfully Refunded of the country. I Josef Hofmann, the master tech- Lord as the star in Eugene O’Neill’s I of the piano and the one musi- play, “Anna Christie.” nician NEW story an can musical NATIONAL—“The Come- "Anna Christie” is the of cian who belittle the erring daughter of an old Swedish term “prestissimo” by playing faster dian.” sailor who has developed a great and quicker than apparent limit Lionel will appear at the hatred and fear of the sea. Her the Atwlll belongs endurance, presented a char- New father's hatred of all that to of human National Theater next week In the sea makes him oppose her union program at Poll's “The Comedian," a comedy tem- YOUR PAY CHECKS | acteristic Hofmann of to man she loves, and the two men I the I yesterday I Theater afternoon. peraments by Sacha Guitry, adapted have a terrible fight in which Anna Bring them here, we’ll gladly them Mr. Hofman’s program yesterday did by David Intervenes. Disgusted with both of Jp cash not measure up to the standard of the Belasco. the men she bursts forth into a hectic High by Unusual attaches JJf one given at Central School interest to Mr.
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Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
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Ebook Download the Plays, Screenplays and Films of David
THE PLAYS, SCREENPLAYS AND FILMS OF DAVID MAMET PDF, EPUB, EBOOK Steven Price | 192 pages | 01 Oct 2008 | MacMillan Education UK | 9780230555358 | English | London, United Kingdom The Plays, Screenplays and Films of David Mamet PDF Book It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film. You get savvy industry tips and strategies for getting your screenplay noticed! Mamet is reluctant to be specific about Postman and the problems he had writing it, explaining. He shrugs off the whispers floating up and down the Great White Way about him selling out and going Hollywood. Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog , Glengarry Glen Ross for which he won the Pulitzer Prize , and Oleanna have enjoyed popular and critical success in the past two decades. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Paul Newman plays Frank Calvin, an alcoholic and disgraced Boston lawyer who finds a shot at redemption with a malpractice case. I Just Kept Writing. The impressive number of essays , novels , screenplays , and films that Mamet has produced They might be composed and awesome on the battlefield, but there is a price, and that is their humanity.
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The Philosophy of Eugene O'neill
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion.
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Advertising Sales
"It is a thrill to see David Mamet’s “Glengarry Glen Ross” on this season’s theater roster..." -- Lansing City Pulse August 12, 2015 "...even the silent moments grab the audience and keep them intently focused." --Bridgette Redman, Encore Michigan review of Ixion's Topdog/Underdog "...a thrill to watch." --Tom Helma, Lansing City Pulse review of Ixion's The Effect of Gamma Rays on Man-in-the-Moon Marigolds Be a part of the excitement! Advertise with Ixion After a critically acclaimed inaugural season, Ixion theatre ensemble is diving into its second. Featuring world and regional premieres, and a dynamic revival; this season promises to entertain, challenge and excite audiences. Equally exciting is our new home, the Robin Theater. Seating nearly a hundred people per performance, this space offers an intimate opportunity to enjoy the arts. You can be a part of our second season by advertising in our show programs. Imagine connecting with a dynamic arts organization; their patrons committed to Sineh Wurie the community; and celebrating the revitalization of Lansing's REO Town! Nominated for Best Lead Actor by Lansing City Pulse & Encore Michigan in Attached is an advertising order sheet, which details ad specs and pricing. Please Topdog/Underdog contact us if you have any questions. If you are interested in underwriting a particular show or discussing other advertising opportunities, please contact our Artistic Director, jeff croff, via phone, 715.775.4246, or email [email protected]. www.ixiontheatre.com Find us on Facebook and Google+
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Theatre of Power: Conflicts, Resistance and Foucauldian Power
國立中山大學外國語文研究所碩士論文 A THESIS SUBMITTED TO THE GRAGUATE INSTITUTE OF FOREIGN LANGUAGES AND LITERATURE NATIONAL SUN YAT -SEN UNIVERSITY 指導教授: 王儀君 Advisor: Professor Wang I-Chun 題目：權力劇場：大衛‧馬梅特之《房地產大亨》及《美國水牛》中的衝突、反抗與傅柯式權力觀 Title: Theatre of Power: Conflicts, Resistance and Foucauldian Power in David Mamet's Glengarry Glen Ross and American Buffalo 研究生: 陳宛伶撰 By: Chen Wan-Ling 中華民國八十九年六月 June 2000 ACKNOWLEDGEMENTS I’ve learned that the most precious gift I’ve received is the warm concern and constant encouragement from the following people on my way of bringing this thesis to fulfillment. First and foremost, my gratitude goes to Professor Wang I-chun, my advisor. Without her patient guidance and perceptive advice, I could never be out of the impasse in the process of my thesis-writing. I would like to express my sincere appreciation to my oral examiners, Professor Wu Hsin-fa and Professor Liao Pen-shui, whose inspiring questions and invaluable suggestions help better this thesis. I am grateful to my sworn confidants for their lasting friendship and immense support: to Emily Wu, for her steady care and understanding; to Sharon Tseng and Joan Lin, for their collecting important resources; to Gavin Wong and Vincent Tsai, for their careful proofreading at the final stage of the draft; to Leo Chen, Jackie Chen and Irene Wang, for their continual assistance. I wish to thank my musketeers, as well as forever friends, Pao-i Hwang and Grace Lai, for their cherished companionship. I also owe my good friends Ashlee Tai, Gloria Tsai and Jay Lee a great deal.
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Sidney Flack Height: 5’ 9” SAG-AFTRA Eligible 155 Lbs
Sidney Flack Height: 5’ 9” SAG-AFTRA Eligible 155 lbs. Hair: Gray has current passport Eyes: Blue and drivers license FILM Impropriety Supporting Nadeem Soumah, Dir. Dotty And Soul (Starring Leslie Uggams) Supporting Adam Saunders, Dir. Thirteen Minutes (Starring Paz Vega) Supporting Lindsay Gossling, Dir. In Sickness & In Health (Short) Supporting Chris Oz McIntosh, Dir. Dandelion (Short) Lead Jörg Viktor Steins-Lauss, Dir. Jade Black Major Supporting Terry Spears, Dir. The Last Exorcist Supporting Robin Bain, Dir. Hells Belle Supporting Terry Spears, Dir. MONO: An Anthology: Danger Boy Supporting Jacob Leighton Burns, Dir. Empyrean Supporting Amiel Courtin-Wilson, Dir. Tempo (Short) Supporting Lead Brian Lawes, Dir. The Harvesters Supporting Nick Sanford, Dir. Children of The Corn: Runaway Supporting John Gulager, Dir. Gosnell (Starring Dean Cain) Supporting Nick Searcy, Dir. The Foreverlands (short) Supporting Kyle Kauwika Harris, Dir. Effie (short) Supporting Lead Michael Cunningham, Dir. T. V. The Battle Of Honey Springs Star Pantheon Digital, Bryan Beasley, Dir. In The Gap: Deborah, The Cost of Freedom Star TBN, Jonathan Coussens, Dir. Murder Made Me Famous: 2 episodes Co-Star AMS Pictures, ReelzChannel - The Dating Game Killer Drew Feldman, Dir. - Robert Durst Katie Dunn, Dir. Price of Fame: Johnny Depp Co-Star AMS Pictures, ReelzChannel Brad Osborne, Dir. Annihilator (pilot trailer) Supporting Bat Bridge Entertainment Scandal Made Me Famous: 2 eps. Co-Star AMS Pictures, ReelzChannel - Jessica Hahn Adam Dietrich, Dir. - Anna Nicole
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The Tenth Annual William Kemp Symposium for Majors in English, Linguistics, & Communication
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Eugene O'neill
ANALYSIS Anna Christie (1921) Eugene O’Neill (1888-1953) “Anna Christie…by no means reveals the greatest depth and furthest range of O’Neill’s powers and ambitions. But if it lacks the scope of several of its author’s later works, it has the merit of comparative compactness; and if it does not probe as deeply into human nature, it is also free from their more troublesome obscurities, their schematization of psychological forces, and their tragic straining. A fairly simple human drama, it provides emotions more or less readily accessible to the reader. Its pungently colloquial speech and its seedy heroine represent the early portion of O’Neill’s career, when he rooted the American theatre in naturalism. The play also suggests some of the characteristics of his later writing— namely, his poetic vein, present here in his feeling for the sea, his concern with obsessed characters, and his saturnine sense of fatality in human experience. Anna Christie grew out of an earlier written play, Chris or Christopherson, produced unsuccessfully and withdrawn during its tryout tour. As Barrett H. Clark, O’Neill’s biographer, explains, ‘In its final version Anna Christie is a play about a woman. It was in the beginning a play about the woman’s father.’ One objection that has been raised is that the play suffers from this shift in emphasis. Another is that Anna’s story bears too much resemblance to the fallen-woman drama we associate with oldfashioned sentimental plays. Critics have also questioned the ‘happy ending’ and suspected O’Neill of compromising the integrity of his play in the manner of Henry Arthur Jones and other pseudo modernists.
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The Hairy Ape, Anna Christie, the First Man
https://onemorelibrary.com The Hairy Ape, Anna Christie, The First Man Eugene O'Neill Boni and Liveright, New York, 1922 "THE HAIRY APE" A Comedy of Ancient and Modern Life In Eight Scenes By EUGENE O'NEILL CHARACTERS ROBERT SMITH, "YANK" PADDY LONG MILDRED DOUGLAS HER AUNT SECOND ENGINEER A GUARD A SECRETARY OF AN ORGANIZATION STOKERS, LADIES, GENTLEMEN, ETC. SCENE I SCENE II SCENE III SCENE IV SCENE V SCENE VI SCENE VII SCENE VIII SCENE I SCENE—The firemen's forecastle of a transatlantic liner an hour after sailing from New York for the voyage across. Tiers of narrow, steel bunks, three deep, on all sides. An entrance in rear. Benches on the floor before the bunks. The room is crowded with men, shouting, cursing, laughing, singing—a confused, inchoate uproar swelling into a sort of unity, a meaning—the bewildered, furious, baffled defiance of a beast in a cage. Nearly all the men are drunk. Many bottles are passed from hand to hand. All are dressed in dungaree pants, heavy ugly shoes. Some wear singlets, but the majority are stripped to the waist. The treatment of this scene, or of any other scene in the play, should by no means be naturalistic. The effect sought after is a cramped space in the bowels of a ship, imprisoned by white steel. The lines of bunks, the uprights supporting them, cross each other like the steel framework of a cage. The ceiling crushes down upon the men's heads. They cannot stand upright. This accentuates the natural stooping posture which shovelling coal and the resultant over-development of back and shoulder muscles have given them.
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English 5327 Twentieth Century American Drama: Family, History, and the American Dream Mon – Thurs, 10:30 – 12:30, Summer I 2008
English 5327 Twentieth Century American Drama: Family, History, and the American Dream Mon – Thurs, 10:30 – 12:30, Summer I 2008 Dr. Laurin R. Porter Office: 409 Carlisle Hall Phone: 817-272-2693 (during office hours and voice mail), 817-274-3075 (home) FAX: 817-272-2718 Email: [email protected] (home email: [email protected]) Office hours: Mon – Thurs, 10 – 10:30, after class, and by appointment Plays (in order): O’Neill, Eugene: The Iceman Cometh Long Day’s Journey Into Night A Moon for the Misbegotten A Touch of the Poet Miller, Arthur: Death of a Salesman Hansberry, Lorraine: A Raisin in the Sun Smith, Anna Devere: Twilight: The Rodney King Episode (in class video) Albee, Edward: Who’s Afraid of Virginia Woolf? Shepard, Sam, Buried Child Mamet, David: Glengarry Glen Ross Kushner, Tony: Angels in America, Part One: Millennium Approaches Hwang, David Henry: M. Butterfly Hellman, Lillian: The Little Foxes Williams, Tennessee: A Streetcar Named Desire Horton Foote: Orphans’ Home Cycle, Vols. I, II, and III Young Man from Atlanta The Last of the Thorntons Wilson, August: The Piano Lesson Schedule: May 27 Introduction to the class; theory, terminology, and critical methodology Readings (electronic reserve): Aristotle, Poetics; Martin Esslin, An Anatomy of Drama, chapters 2 & 3; Walter Kerr, Tragedy and Comedy, chapter 2; Thomas E. Porter, Myth and Modern American Drama, chapter 1. 2 May 28 The Iceman Cometh May 29 Long Day’s Journey June 2 A Moon for the Misbegotten June 3 A Touch of the Poet June 4 Death of a Salesman June 5 Raisin in the Sun and Twilight (in class video) June 9 Virginia Woolfe June 10 Buried Child June 11 Glengarry Glen Ross (Dr.
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