Glengarry Glen Ross, Prairie Du Chien, the Hawl, Speed-The-Plow V.3 Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Glengarry Glen Ross, Prairie Du Chien, the Hawl, Speed-The-Plow V.3 Ebook FREEMAMET PLAYS: GLENGARRY GLEN ROSS, PRAIRIE DU CHIEN, THE HAWL, SPEED-THE-PLOW V.3 EBOOK David Mamet | 192 pages | 23 Sep 1996 | Bloomsbury Publishing PLC | 9780413687500 | English | London, United Kingdom Mamet Plays: 3 Duck Variations: "A brilliant little play about two old men sitting on a park bench discussing ducks" (Guardian); Sexual Perversity in Chicago, bar- room banter Churchill Plays: "Softcops"; "Top Girls"; "Fen"; "Serious Money" v.2 Mamet Plays: "Glengarry Glen Ross", "Prairie Du Chien", "The Hawl", "Speed-the-plow" v 3 00 North Z eeb R oad. Ann Arbor of the pool hall was the intersection of two American Loves: the the-Plow, Mamet's only full-length play since Glengarry Glen Ross, deals Besides Speed-the-Plow, Mamet's recent original plays have tended to Prairie du Chien stands as a bridge between The Shawl and House of. Be the first to ask a question about The Shawl & Prairie du Chien Glengarry Glen Ross by David Mamet American Buffalo by David Mamet On Film by David Mamet True and False by David Mamet Speed-the-Plow by David Mamet Prairie Du Chien: 3 stars However, The Shawl was an excellent, short, little play. StageAgent Distance Learning Hub 3 00 North Z eeb R oad. Ann Arbor of the pool hall was the intersection of two American Loves: the the-Plow, Mamet's only full-length play since Glengarry Glen Ross, deals Besides Speed-the-Plow, Mamet's recent original plays have tended to Prairie du Chien stands as a bridge between The Shawl and House of. Mamet Plays: 3. Glengarry Glen Ross; Prairie du Chien; The Shawl; Speed-the- Plow. By: David Mamet. Published: Format: Paperback. Biography for David Mamet the Playwright, Author including canon of works, Glengarry Glen Ross (), is Mamet's most praised work and it was awarded both the (), Prairie du chien (), The Shawl () and Speed-the- Plow (). In , Mamet was inducted into the American Theater Hall of Fame. David Mamet Won Pulitzer Prize for Drama (filmed as Glengarry Glen Ross ()). in London, England with William H. Macy, Philip Baker Hall, and Mark Webber in the cast. (January 3, to February 10, ) His play, "Speed-the-Plow," was (June 5 to 11, ) His play, "Prairie Du Chien," was performed in a Parting Shots. Be the first to ask a question about The Shawl & Prairie du Chien Glengarry Glen Ross by David Mamet American Buffalo by David Mamet On Film by David Mamet True and False by David Mamet Speed-the-Plow by David Mamet Prairie Du Chien: 3 stars However, The Shawl was an excellent, short, little play. Biography for David Mamet the Playwright, Author including canon of works, Glengarry Glen Ross (), is Mamet's most praised work and it was awarded both the (), Prairie du chien (), The Shawl () and Speed-the- Plow (). In , Mamet was inducted into the American Theater Hall of Fame. Other Works Results 1 - 30 of Discover Book Depository's huge selection of David Mamet books online. Free delivery worldwide on over 20 Mamet Plays: "Glengarry Glen Ross", "Prairie Du Chien", "The Hawl", "Speed-the-plow" v.3 · David Mamet. Won Pulitzer Prize for Drama (filmed as Glengarry Glen Ross ()). in London, England with William H. Macy, Philip Baker Hall, and Mark Webber in the cast. (January 3, to February 10, ) His play, "Speed-the-Plow," was (June 5 to 11, ) His play, "Prairie Du Chien," was performed in a Parting Shots. Mamet Plays: 3. Glengarry Glen Ross; Prairie du Chien; The Shawl; Speed-the- Plow. By: David Mamet. Published: Format: EPUB/MOBI eBook. https://cdn.sqhk.co/meganclarkaq/hSsHhdd/spongebob-movie-junior-novelization-spongebob-squarepants-17.pdf https://cdn-cms.f-static.net/uploads/4566576/normal_5fc27b60bd7e1.pdf https://static.s123-cdn-static.com/uploads/4571442/normal_5fc4ce937b6c0.pdf https://static.s123-cdn-static.com/uploads/4572381/normal_5fc3b4361f059.pdf https://static.s123-cdn-static.com/uploads/4571838/normal_5fc4d6dd1fff9.pdf https://static.s123-cdn-static.com/uploads/4571523/normal_5fc5639c34122.pdf .
Recommended publications
  • Undergraduate Play Reading List
    UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
    [Show full text]
  • Ebook Download the Plays, Screenplays and Films of David
    THE PLAYS, SCREENPLAYS AND FILMS OF DAVID MAMET PDF, EPUB, EBOOK Steven Price | 192 pages | 01 Oct 2008 | MacMillan Education UK | 9780230555358 | English | London, United Kingdom The Plays, Screenplays and Films of David Mamet PDF Book It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film. You get savvy industry tips and strategies for getting your screenplay noticed! Mamet is reluctant to be specific about Postman and the problems he had writing it, explaining. He shrugs off the whispers floating up and down the Great White Way about him selling out and going Hollywood. Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog , Glengarry Glen Ross for which he won the Pulitzer Prize , and Oleanna have enjoyed popular and critical success in the past two decades. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Paul Newman plays Frank Calvin, an alcoholic and disgraced Boston lawyer who finds a shot at redemption with a malpractice case. I Just Kept Writing. The impressive number of essays , novels , screenplays , and films that Mamet has produced They might be composed and awesome on the battlefield, but there is a price, and that is their humanity.
    [Show full text]
  • Advertising Sales
    "It is a thrill to see David Mamet’s “Glengarry Glen Ross” on this season’s theater roster..." -- Lansing City Pulse August 12, 2015 "...even the silent moments grab the audience and keep them intently focused." --Bridgette Redman, Encore Michigan review of Ixion's Topdog/Underdog "...a thrill to watch." --Tom Helma, Lansing City Pulse review of Ixion's The Effect of Gamma Rays on Man-in-the-Moon Marigolds Be a part of the excitement! Advertise with Ixion After a critically acclaimed inaugural season, Ixion theatre ensemble is diving into its second. Featuring world and regional premieres, and a dynamic revival; this season promises to entertain, challenge and excite audiences. Equally exciting is our new home, the Robin Theater. Seating nearly a hundred people per performance, this space offers an intimate opportunity to enjoy the arts. You can be a part of our second season by advertising in our show programs. Imagine connecting with a dynamic arts organization; their patrons committed to Sineh Wurie the community; and celebrating the revitalization of Lansing's REO Town! Nominated for Best Lead Actor by Lansing City Pulse & Encore Michigan in Attached is an advertising order sheet, which details ad specs and pricing. Please Topdog/Underdog contact us if you have any questions. If you are interested in underwriting a particular show or discussing other advertising opportunities, please contact our Artistic Director, jeff croff, via phone, 715.775.4246, or email [email protected]. www.ixiontheatre.com Find us on Facebook and Google+
    [Show full text]
  • Theatre of Power: Conflicts, Resistance and Foucauldian Power
    國立中山大學外國語文研究所 碩士論文 A THESIS SUBMITTED TO THE GRAGUATE INSTITUTE OF FOREIGN LANGUAGES AND LITERATURE NATIONAL SUN YAT -SEN UNIVERSITY 指導教授: 王儀君 Advisor: Professor Wang I-Chun 題目:權力劇場: 大衛‧馬梅特之《房地產大亨》及《美國水牛》 中的衝突、反抗與傅柯式權力觀 Title: Theatre of Power: Conflicts, Resistance and Foucauldian Power in David Mamet's Glengarry Glen Ross and American Buffalo 研究生: 陳宛伶 撰 By: Chen Wan-Ling 中華民國八十九年六月 June 2000 ACKNOWLEDGEMENTS I’ve learned that the most precious gift I’ve received is the warm concern and constant encouragement from the following people on my way of bringing this thesis to fulfillment. First and foremost, my gratitude goes to Professor Wang I-chun, my advisor. Without her patient guidance and perceptive advice, I could never be out of the impasse in the process of my thesis-writing. I would like to express my sincere appreciation to my oral examiners, Professor Wu Hsin-fa and Professor Liao Pen-shui, whose inspiring questions and invaluable suggestions help better this thesis. I am grateful to my sworn confidants for their lasting friendship and immense support: to Emily Wu, for her steady care and understanding; to Sharon Tseng and Joan Lin, for their collecting important resources; to Gavin Wong and Vincent Tsai, for their careful proofreading at the final stage of the draft; to Leo Chen, Jackie Chen and Irene Wang, for their continual assistance. I wish to thank my musketeers, as well as forever friends, Pao-i Hwang and Grace Lai, for their cherished companionship. I also owe my good friends Ashlee Tai, Gloria Tsai and Jay Lee a great deal.
    [Show full text]
  • Sidney Flack Height: 5’ 9” SAG-AFTRA Eligible 155 Lbs
    Sidney Flack Height: 5’ 9” SAG-AFTRA Eligible 155 lbs. Hair: Gray has current passport Eyes: Blue and drivers license FILM Impropriety Supporting Nadeem Soumah, Dir. Dotty And Soul (Starring Leslie Uggams) Supporting Adam Saunders, Dir. Thirteen Minutes (Starring Paz Vega) Supporting Lindsay Gossling, Dir. In Sickness & In Health (Short) Supporting Chris Oz McIntosh, Dir. Dandelion (Short) Lead Jörg Viktor Steins-Lauss, Dir. Jade Black Major Supporting Terry Spears, Dir. The Last Exorcist Supporting Robin Bain, Dir. Hells Belle Supporting Terry Spears, Dir. MONO: An Anthology: Danger Boy Supporting Jacob Leighton Burns, Dir. Empyrean Supporting Amiel Courtin-Wilson, Dir. Tempo (Short) Supporting Lead Brian Lawes, Dir. The Harvesters Supporting Nick Sanford, Dir. Children of The Corn: Runaway Supporting John Gulager, Dir. Gosnell (Starring Dean Cain) Supporting Nick Searcy, Dir. The Foreverlands (short) Supporting Kyle Kauwika Harris, Dir. Effie (short) Supporting Lead Michael Cunningham, Dir. T. V. The Battle Of Honey Springs Star Pantheon Digital, Bryan Beasley, Dir. In The Gap: Deborah, The Cost of Freedom Star TBN, Jonathan Coussens, Dir. Murder Made Me Famous: 2 episodes Co-Star AMS Pictures, ReelzChannel - The Dating Game Killer Drew Feldman, Dir. - Robert Durst Katie Dunn, Dir. Price of Fame: Johnny Depp Co-Star AMS Pictures, ReelzChannel Brad Osborne, Dir. Annihilator (pilot trailer) Supporting Bat Bridge Entertainment Scandal Made Me Famous: 2 eps. Co-Star AMS Pictures, ReelzChannel - Jessica Hahn Adam Dietrich, Dir. - Anna Nicole
    [Show full text]
  • David Mamet in Conversation
    David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics
    [Show full text]
  • The Tenth Annual William Kemp Symposium for Majors in English, Linguistics, & Communication
    The Tenth Annual William Kemp Symposium for Majors in English, Linguistics, & Communication Thursday, April 24, 2014 8:00-9:15 SESSION I—American Drama since 1945 in Performance (Combs 111) 1. Dylan Lockwood (and friends), Who's Afraid of Virginia Woolf? by Edward Albee (video) 2. Nathan Bemis, Sam Relken, and Claire Winkler, Who's Afraid of Virginia Woolf? by Edward Albee (live performance) 3. Courtney Rampey (and friends), Glengarry Glen Ross by David Mamet (video) 4. Amanda Riffe (and friends), The Heidi Chronicles by Wendy Wasserstein (video) 5. Megan Champion and Ashley Most, Fucking A by Suzan-Lori Parks (video) 6. Bethany Alley, Conor Murphy, and Sara Weinstein, The Glass Menagerie by Tennessee Williams, Who’s Afraid of Virginia Woolf? by Edward Albee, ’night, Mother by Marsha Norman, and Angels in America by Tony Kushner (video) Chair: Gary Richards 9:30- 10:45 SESSION II—Papers from "After Books" (Combs 114) Chair: Zach Whalen SESSION III—Six Poets: Poems from 304 (Combs 322) Creative works by Virginia Cox, Amanda Halprin, Stephenie Duncan, Lincoln Dunn, Keiera Lewis, and Robert Kingsley Chair: Luke Johnson 11:00-12:15 SESSION IV—Poems from 470A: Poetry Seminar (Combs 114) Creative works from 15 student poets Chair: Jon Pineda SESSION V—Social Media at UMW (Combs 112) Social Media Campaign: Promoting the UMW Multicultural Fair Students in COMM 370: Social Media developed and implemented a social media campaign for the Multicultural Fair. In this presentation, students from the class will discuss how to plan a social media campaign, phases of implementation, and how they helped to promote and document this year’s Multicultural Fair SMH 101: Finishing the Social Media Handbook for College Students The Spring 2013 COMM 370: Social Media class started a very ambitious project – to create an iPad book called SMH 101: The Social Media Handbook for College Students.
    [Show full text]
  • Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon
    Adaptation Vol. 3, No. 2, pp. 82–98 doi: 10.1093/adaptation/apq004 Advance Access publication 8 April 2010 Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon CHRISTOPHE COLLARD* Downloaded from Abstract Every migration across referential and expressive frameworks entails formal, struc- tural, and cognitive consequences too complex for a ‘traditionalist’ comparative posture. More- over, the intertextuality and intermediality of the ‘transmedial screenplay’ make it incompatible with ‘static’ concepts such as ‘fidelity’ and ‘originality’ precisely on behalf of the film medium’s adaptation.oxfordjournals.org poly-systemic nature. Bringing together the analogous concerns of collaborative creation, adap- tation, and authorship, this essay therefore discusses David Mamet’s screen adaptations of per- sonal and other work from a process-based perspective as a means of attaining a more constructive understanding of so-called ‘interaesthetic passages’. Keywords David Mamet, collaborative creation, adaptation, authorship, semiology. at Funda??o Coordena??o de Aperfei?oamento Pessoal N?vel Superior on June 3, 2011 All train compartments smell vaguely of shit. It gets so you don’t mind it. That’s the worst thing that I can confess. (Mamet, Glengarry Glen Ross) INTRODUCTION Every single film producer, Hollywood veteran Art Linson has claimed, knows that at the inception of the movie-making process stands ‘an idea’ derived from ‘A book. A play. A song. A news event. A magazine article. A historic event or character. A personal experience.
    [Show full text]
  • David Mamet's Drama, Glengarry Glen Ross, and Three Iconic Forerunners
    Ad Americam. Journal of American Studies 20 (2019): 5-14 ISSN: 1896-9461, https://doi.org/10.12797/AdAmericam.20.2019.20.01 Robert J. Cardullo University of Kurdistan, Hewlêr [email protected] https://orcid.org/0000-0003-0816-9751 The Death of Salesmen: David Mamet’s Drama, Glengarry Glen Ross, and Three Iconic Forerunners This essay places Glengarry Glen Ross in the context of David Mamet’s oeuvre and the whole of American drama, as well as in the context of economic capitalism and even U.S. for- eign policy. The author pays special attention here (for the first time in English-language scholarship) to the subject of salesmen or selling as depicted in Mamet’s drama and earlier in Arthur Miller’s Death of a Salesman, Eugene O’Neill’s The Iceman Cometh, and Tennes- see Williams’ A Streetcar Named Desire—each of which also features a salesman among its characters. Key words: David Mamet; Glengarry Glen Ross; American drama; Selling/salesmanship; Americanism; Death of a Salesman; The Iceman Cometh; A Streetcar Named Desire. Introduction: David Mamet’s Drama This essay will first placeGlengarry Glen Ross (1983) in the context of David Mamet’s oeuvre and then discuss the play in detail, before going on to treat the combined subject of salesmen or selling, economic capitalism, and even U.S. foreign policy as they are depicted or intimated not only in Glengarry but in earlier American drama (a subject previously undiscussed in English-language scholarship). I am thinking here of Arthur Miller’s Death of a Salesman (1949), Eugene O’Neill’s The Iceman Co- meth (1946), and Tennessee Williams’ A Streetcar Named Desire (1947)—each of which also features a salesman among its main characters.
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACT: Dafina Mcmillan January 16, 2013 [email protected] 212-609-5955
    FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan January 16, 2013 [email protected] 212-609-5955 New from TCG Books: The Anarchist by David Mamet NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of the newest play by Pulitzer Prize-winning playwright David Mamet: The Anarchist. Just having completed its world premiere on Broadway under the direction of the playwright and starring Patti LuPone and Debra Winger, Mr. Mamet’s work is also currently represented on Broadway with the revival of his award-winning Glengarry Glen Ross starring Al Pacino and Bobby Cannavale. “Mamet remains the American theatre’s most urgent five-letter word.” ― Guardian (London) Nothing is quite what it seems in Mamet’s latest work. Set in a female penitentiary, David Mamet's two-woman drama is about Cathy, a longtime inmate with ties to a violent political organization, who pleads for parole from the warden, Ann. With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion – and the lack thereof. “Students of Mamet won’t want to miss it. I was engaged and compelled throughout. Indeed, The Anarchist is a counterweight to the conventional dramatic tropes of family, love and death.” ― Chicago Tribune David Mamet is a playwright, essayist and screenwriter who directs for both the stage and film. He was awarded the Pulitzer Prize and New York Drama Critics’ Circle Award for Glengarry Glen Ross. His other plays include Race, American Buffalo, Speed-the-Plow, November, The Cryptogram, Sexual Perversity in Chicago, Lakeboat, The Water Engine, The Duck Variations, Reunion, The Blue Hour, The Shawl, Bobby Gould in Hell, Edmond, Romance, The Old Neighborhood and his adaptation of The Voysey Inheritance.
    [Show full text]
  • English 5327 Twentieth Century American Drama: Family, History, and the American Dream Mon – Thurs, 10:30 – 12:30, Summer I 2008
    English 5327 Twentieth Century American Drama: Family, History, and the American Dream Mon – Thurs, 10:30 – 12:30, Summer I 2008 Dr. Laurin R. Porter Office: 409 Carlisle Hall Phone: 817-272-2693 (during office hours and voice mail), 817-274-3075 (home) FAX: 817-272-2718 Email: [email protected] (home email: [email protected]) Office hours: Mon – Thurs, 10 – 10:30, after class, and by appointment Plays (in order): O’Neill, Eugene: The Iceman Cometh Long Day’s Journey Into Night A Moon for the Misbegotten A Touch of the Poet Miller, Arthur: Death of a Salesman Hansberry, Lorraine: A Raisin in the Sun Smith, Anna Devere: Twilight: The Rodney King Episode (in class video) Albee, Edward: Who’s Afraid of Virginia Woolf? Shepard, Sam, Buried Child Mamet, David: Glengarry Glen Ross Kushner, Tony: Angels in America, Part One: Millennium Approaches Hwang, David Henry: M. Butterfly Hellman, Lillian: The Little Foxes Williams, Tennessee: A Streetcar Named Desire Horton Foote: Orphans’ Home Cycle, Vols. I, II, and III Young Man from Atlanta The Last of the Thorntons Wilson, August: The Piano Lesson Schedule: May 27 Introduction to the class; theory, terminology, and critical methodology Readings (electronic reserve): Aristotle, Poetics; Martin Esslin, An Anatomy of Drama, chapters 2 & 3; Walter Kerr, Tragedy and Comedy, chapter 2; Thomas E. Porter, Myth and Modern American Drama, chapter 1. 2 May 28 The Iceman Cometh May 29 Long Day’s Journey June 2 A Moon for the Misbegotten June 3 A Touch of the Poet June 4 Death of a Salesman June 5 Raisin in the Sun and Twilight (in class video) June 9 Virginia Woolfe June 10 Buried Child June 11 Glengarry Glen Ross (Dr.
    [Show full text]
  • Angels in America
    Angels in America Part One Millennium Approaches Part Two Perestroika Belvoir presents Angels in America A Gay Fantasia on National Themes Part One Millennium Approaches Part Two Perestroika By TONY KUSHNER Director EAMON FLACK This production of Angels in America opened at Belvoir St Theatre on Saturday 1 June 2013. It transferred to Theatre Royal, Sydney, on Thursday 18 July 2013. Set Designer With MICHAEL HANKIN The Angel / Emily Costume Designer PAULA ARUNDELL MEL PAGE Louis Ironson Lighting Designer MITCHELL BUTEL NIKLAS PAJANTI Roy M. Cohn Associate Lighting Designer MARCUS GRAHAM ROSS GRAHAM Harper Amaty Pitt Composer AMBER McMAHON ALAN JOHN Prior Walter Sound Designer LUKE MULLINS STEVE FRANCIS Rabbi Isidor Chemelwitz / Hannah Assistant Director Porter Pitt / Ethel Rosenberg / Aleksii SHELLY LAUMAN ROBYN NEVIN Fight Director Belize / Mr Lies SCOTT WITT DEOBIA OPAREI American Dialect Coach Joseph Porter Pitt PAIGE WALKER-CARLTON ASHLEY ZUKERMAN Stage Manager All other characters are played by MEL DYER the company. Assistant Stage Manager ROXZAN BOWES Angels in America is presented by arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd of London. Angels in America was commissioned by and received its premiere at the Eureka Theatre, San Francisco, in May 1991. Also produced by Centre Theatre Group/ Mark Taper Forum of Los Angeles (Gordon Davidson, Artistic Director/Producer). Produced in New York at the Walter Kerr Theatre by Jujamcyn Theatres, Mark Taper Forum with Margo Lion, Susan Quint Gallin, Jon B. Platt, The Baruch-Frankel-Viertel Group and Frederick Zollo in association with Herb Alpert. PRODUCTION THANKS José Machado, Jonathon Street and Positive Life NSW; Tia Jordan; Aku Kadogo; The National Association of People with HIV Australia.
    [Show full text]