View Playbill
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
IIW°Fsy.44Ts I
STAR, 10 THE EVENING WASHINGTON, T>. C. t WEDNESDAY, JANUARY 31, 1923. Maquita Dwight, Margaret Denys and Myra Florlan. SHUBERT-GAEJLICK—“Anna AMUSEMENTS Christie.” thority on applied psychology and has Arthur Hopkins is to present at the f Josef Hofmann Concert. spoken in virtually all the large cities Shubert-Oarrlck next week Pauline | Absolute Satisfaction Guaranteed or Money Cheerfully Refunded of the country. I Josef Hofmann, the master tech- Lord as the star in Eugene O’Neill’s I of the piano and the one musi- play, “Anna Christie.” nician NEW story an can musical NATIONAL—“The Come- "Anna Christie” is the of cian who belittle the erring daughter of an old Swedish term “prestissimo” by playing faster dian.” sailor who has developed a great and quicker than apparent limit Lionel will appear at the hatred and fear of the sea. Her the Atwlll belongs endurance, presented a char- New father's hatred of all that to of human National Theater next week In the sea makes him oppose her union program at Poll's “The Comedian," a comedy tem- YOUR PAY CHECKS | acteristic Hofmann of to man she loves, and the two men I the I yesterday I Theater afternoon. peraments by Sacha Guitry, adapted have a terrible fight in which Anna Bring them here, we’ll gladly them Mr. Hofman’s program yesterday did by David Intervenes. Disgusted with both of Jp cash not measure up to the standard of the Belasco. the men she bursts forth into a hectic High by Unusual attaches JJf one given at Central School interest to Mr. -
The Dinner Theatre of Columbia P R E S E N T S
The Dinner Theatre of Columbia P r e s e n t s August 1 - September 8 Next at TOBY’S September 13 - November 3 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM THE DINNER THEATRE OF COLUMBIA Production of MAMMA MIA! Music and Lyrics by BENNY ANDERSSON and BJÖRN ULVAEUS And some songs with STIG ANDERSON Book by CATHERINE JOHNSON Originally Conceived by JUDY CRAYMER MAMMA MIA! Was originally produced in London by Judy Craymer, Richard East and Björn Ulvaeus for Littlestar in association with Universal. Additional Material & Arrangements MARTIN KOCH Music Published by Universal Music Publishing Group and EMI Grove Park Music Inc. And EMI Waterford Music Inc. Director & Choreographer Mark Minnick Music Director/Orchestrations Ross Scott Rawlings Scenic/Lighting Designer Sound Designer David A. Hopkins Mark Smedley Costume Designer AT Jones & Sons INC MAMMA MIA! Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com Video and/or audio recording of this performance is strictly prohibited. Fog, haze and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com The CAST (In Order of Speaking) Sophie Sheridan ………………………..........................………............ Maggie Dransfield Ali ……................................................................................................................ Patricia Targete Lisa ……………………...….....................…….....……......................................Cassie Saunders Tanya …...……….......…....................................................…....................... Coby Kay Callahan Rosie ........................................................................................................... -
Daisun Cohn-Williams- Acting Resume
Daisun Cohn-Williams SAG - AFTRA Hair: Black Eyes: Brown FILM The Sanctuary Lead Dir: Marc Rosenzweig Saviors Lead Dir: Daniel Russell Anatomy of the Moment Lead Dir: Berman Fenelus For the Love of Gauguin Lead Dir: Yana Bille Psycho Brother-In-law Supporting Dir: Jose Montesinos/Lifetime Tell Me How I Die Supporting Dir: DJ Viola LAPS Supporting Dir. Chad Diez All About the Money Supporting Dir: Kelby Joseph Pharmacopoeia Supporting Dir: Shannon Green Band-Aid Supporting Dir: Justin Chandra TV Ex Pats Series Lead Dir: Abe Heisler The New Adult Reoccurring Dir: Katherine Murray-Satchell This Indie Thing Reoccurring Dir: Steve Royal Cat Lady Chronicles Guest Star Dir: Angela Dugan In The Mix Co-host PBS THEATRE (partial list) Rock Bottom Rising Ensemble Second City Hollywood MainStage She Said What? Lead T.S.T. Co./NAACP Play Fest., 2013 Twisted Dance Lead Towne St. Theatre Co., LA I'll Take a Side of Stories Lead Soho Repertory Theatre, NY Remote Control Lead Tribeca Performing Arts Theatre, NY B.Y.O.B. Lead McKenzie Theatre, LA Love, Lust, or Infatuation Lead Hollywood Fight Club Theatre, LA My Children My Africa Lead Wheaton College, MA Afros &Ass Whoopins Understudy Second City Hollywood, MainStage, LA COMMERCIAL/PRINT Available upon request TRAINING Comedy Intensive/On Going Technique Lesly Kahn LA On Camera/Scene Study Paul Currie LA Cold Reading/Acting Technique Brian Reise LA Cold Reading/Audition Technique Amy Lyndon LA Acting for the Camera Karen Ludwig NY Scene Study Jacqueline Cohen NY Improv/Sketch (Conservatory Graduate) The Second City LA Improv Colton Dunn/Will McLaughlin LA SPECIAL SKILLS Dance: Intermediate-Caribbean, Hip-Hop, House, Latin, Swing; Beginner- Waltz, Tango Athletic: Falling Off Surf Boards, College level- Basketball, H.S. -
Franken I MORE THAN JUST STEPS
Franken i MORE THAN JUST STEPS: A BEHIND THE SCENES ACCOUNT OF CHOREOGRAPHING THEATRE TCU'S MAINSTAGE MUSICAL “SISTER ACT!” By Alli Franken Submitted in Partial Fulfillment of the Requirements for Departmental Honors in the Department of Theatre at Texas Christian University Fort Worth, TX May 4, 2020 Franken ii MORE THAN JUST STEPS: A BEHIND THE SCENES ACCOUNT OF CHOREOGRAPHING THEATRE TCU'S MAINSTAGE MUSICAL SISTER ACT! Project Approved: Supervising Professor: Jennifer Engler, MFA Department of Theatre Penny Maas, MFA Department of Theatre Sarah Newton, MFA Department of Dance Franken iii ABSTRACT This project analyzes the creative process of choreographing a musical; specifically, my journey within my debut as the sole choreographer of Sister Act! with Theatre TCU. I will describe my journey to becoming a choreographer, challenges and surprises I faced, problem solving tactics I used, and an analysis of the final outcome. I’ll share details from the casting process, rehearsals, production meetings, choreography sessions, and actual performances. Through this journey, I have learned more about myself and how to create and communicate artistic vision, as well as methods to use choreography as a tool to enhance storytelling. The account being shared must always be the priority for storytellers. Collaboration is key, and having the opportunity to work with the professional artists widened my perspective to the possibilities for creative expression and strategies to generating meaningful works of high quality entertainment. Franken iv Table -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
The Philosophy of Eugene O'neill
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Cher the Greatest Hits Cd
Cher the greatest hits cd Buy Cher: The Greatest Hits at the Music Store. Everyday low prices on a huge selection of CDs, Vinyl, Box Sets and Compilations. Digitally remastered 19 track collection of all Cher's great rock hits from her years with the Geffen/Reprise labels, like 'If I Could Turn Back Time', 'I Found. Product Description. The first-ever career-spanning Cher compilation, sampling 21 of her biggest hits. Covers almost four decades, from the Sonny & Cher era. The Greatest Hits is the second European compilation album by American singer-actress Cher, released on November 30, by Warner Music U.K.'s WEA Track listing · Charts · Weekly charts · Year-end charts. Find a Cher - The Greatest Hits first pressing or reissue. Complete your Cher collection. Shop Vinyl and CDs. Cher's Greatest Hits | The Very Best of Cher Tracklist: 1. I love playing her CDs wen i"m alone in my van. Cher: Greatest Hits If I Could Turn CD. Free Shipping - Quality Guaranteed - Great Price. $ Buy It Now. Free Shipping. 19 watching; |; sold. Untitled. Buy new Releases, Pre-orders, hmv Exclusives & the Greatest Albums on CD from hmv Store - FREE UK delivery on orders over £ Available in: CD. One of a slew of Cher hit collections, this set focuses mostly on material from her three late-'80s/early-'90s faux. Believe; The Shoop Shoop Song (It's In His Kiss); If I Could Turn Back Time; Heart Of Stone; Love And Understanding; Love Hurts; Just Like Jesse James. Find album reviews, stream songs, credits and award information for The Greatest Hits - Cher on AllMusic - - Released in Australia in , after the. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Brand-New Theaters Planned for Off-B'way
20100503-NEWS--0001-NAT-CCI-CN_-- 4/30/2010 7:40 PM Page 1 INSIDE THE BEST SMALL TOP STORIES BUSINESS A little less luxury NEWS YOU goes a long way NEVER HEARD on Madison Ave. ® Greg David Page 11 PAGE 2 Properties deemed ‘distressed’ up 19% VOL. XXVI, NO. 18 WWW.CRAINSNEWYORK.COM MAY 3-9, 2010 PRICE: $3.00 PAGE 2 ABC Brand-new News gets cut theaters to the bone planned for PAGE 3 Bankrupt St. V’s off-B’way yields rich pickings PAGE 3 Hit shows and lower prices spur revival as Surprise beneficiary one owner expands of D.C. bank attacks IN THE MARKETS, PAGE 4 BY MIRIAM KREININ SOUCCAR Soup Nazi making in the past few months, Catherine 8th Ave. comeback Russell has been receiving calls constant- ly from producers trying to rent a stage at NEW YORK, NEW YORK, P. 6 her off-Broadway theater complex. In fact, the demand is so great that Ms. Russell—whose two stages are filled with the long-running shows The BUSINESS LIVES Fantasticks and Perfect Crime—plans to build more theaters. The general man- ager of the Snapple Theater Center at West 50th Street and Broadway is in negotiations with landlords at two midtown locations to build one com- plex with two 249-seat theaters and an- other with two 249-seat theaters and a 99-seat stage. She hopes to sign the leases within the next two months and finish the theaters by October. “There are not enough theaters cen- GOTHAM GIGS by gettycontour images / SPRING AWAKENING: See NEW THEATERS on Page 22 Healing hands at the “Going to Broadway has Bronx Zoo P. -
List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter . -
Aarhus Musikhuset Aarhus
SÆSON 2011-12 aarhus Ny forestilling fra Quorum Balletten Correr o FADO MAMMA MIA! - nu på dansk Beatles-forestillingen Come Together Nyt show med Martin Brygmann Herlig ballet med Bamse og Kylling Emerson String Quartet Mordets Melodi Melissa Horn Dianne Reeves Snehvides Spejl Ny dansk opera Rejs i hele din landsdel for kun 119 kr. t/r Med DSB Orange Sviptur kan du rejse i hele din landsdel for kun 119 kr. t/r. Lørdag kan du rejse på billetten hele dagen, og resten af ugens dage kan du rejse efter kl 16. Køb din billet i automaten eller på sms. Sms [sviptur info] til 1412 og se hvordan Musikhuset Aarhus. side 2 Foto: Steen Larsen-Ledet FØLG OS PÅ NETTET, MØD OS I VIRKELIGHEDEN Denne tid af året er helt speciel for os i Musikhuset Aarhus. Ikke alene den verdensberømte Emerson strygerkvartet samt jazzsangerinden Dianne glæder vi os til forårets komme, men vi glæder os også meget til at præsen- Reeves, der giver julekoncert. tere publikum for en farverig palet af spændende forestillinger til en ny sæson, der strækker sig langt ind i 2012. Hvis bare tre af disse forestillinger frister, kan du med fordel købe et abonnement og opnå rabat. Udbuddet er stort, og det kan måske være svært I år fylder succesmusicalen MAMMA MIA! meget i programfladen, og vi at vælge. Så kig forbi vores hjemmeside, hvor du kan læse mere, se flere bil- kan heldigvis allerede nu konstatere, at interessen for at købe billet til den leder og måske se eller høre et lille klip. Derefter kan du i fred og ro hjemme danske udgave er meget stor.