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IIW°Fsy.44Ts I
STAR, 10 THE EVENING WASHINGTON, T>. C. t WEDNESDAY, JANUARY 31, 1923. Maquita Dwight, Margaret Denys and Myra Florlan. SHUBERT-GAEJLICK—“Anna AMUSEMENTS Christie.” thority on applied psychology and has Arthur Hopkins is to present at the f Josef Hofmann Concert. spoken in virtually all the large cities Shubert-Oarrlck next week Pauline | Absolute Satisfaction Guaranteed or Money Cheerfully Refunded of the country. I Josef Hofmann, the master tech- Lord as the star in Eugene O’Neill’s I of the piano and the one musi- play, “Anna Christie.” nician NEW story an can musical NATIONAL—“The Come- "Anna Christie” is the of cian who belittle the erring daughter of an old Swedish term “prestissimo” by playing faster dian.” sailor who has developed a great and quicker than apparent limit Lionel will appear at the hatred and fear of the sea. Her the Atwlll belongs endurance, presented a char- New father's hatred of all that to of human National Theater next week In the sea makes him oppose her union program at Poll's “The Comedian," a comedy tem- YOUR PAY CHECKS | acteristic Hofmann of to man she loves, and the two men I the I yesterday I Theater afternoon. peraments by Sacha Guitry, adapted have a terrible fight in which Anna Bring them here, we’ll gladly them Mr. Hofman’s program yesterday did by David Intervenes. Disgusted with both of Jp cash not measure up to the standard of the Belasco. the men she bursts forth into a hectic High by Unusual attaches JJf one given at Central School interest to Mr. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Austin Theatre Alliance Archive Promotional Materials
Austin Theatre Alliance Archive promotional materials Includes Single-Sheet Promotional Materials, Newsletters, Fundraising Materials (most in the form of letters with envelopes), and glossy head shots and other Photographs: Head Shots Paramount Collection: Photo Box 1. Single-Sheet Promotional Materials 1) Tuna Does Vegas. Oct 23-Nov 11 (no year). Paramount Theater. Two signatures on front, Joe Sears and Jaston Williams. 2) Lu Ann Hampton; Laverty Oberlander. The Belle of Bradleyville, Texas. By Preston Jones. A Paramount Theatre Production, available for booking February, 1987. 3) Carmen. Texas Opera Theater. Paramount Theatre. November 3, 1985. 4) Blade Runner: The Final Cut. November 18-23, 2007. Paramount Theatre. 5) Late Nite Catechism. By Vicki Quade & Maripat Donovan. Directed by Patrick Trettenero. No date, no location. Includes New York Times review from October 1996. 6) A Tuna Christmas. Joe Sears and Jaston Williams. Jan 2-7 (no year). Paramount Theatre. 7) Big. Feb 12-14 (no year). Paramount Theatre. 8) Hot Mouth. Tues Jan 26 (no year). Paramount Theatre. ―Masters of vocalogy‖ 9) Madame Butterfly. Texas Opera Theater. Sun Mar 4 (no year). Paramount Theatre. 10) Biloxi Blues. By Neil Simon. Directed by Gene Saks. Paramount Theatre. Feb 20-22, 1987. 1985 Winner, Tony Award, Best Play. 11) George Carlin: Live in Concert. Fri June 8 (no year). Paramount Theatre. With Dennis Blair. 12) The Glass Menagerie. By Tennessee Williams. Directed by Michelle Polgar. State Theater Company. March 13-April 7 (no year). 13) Anton in Show Business. By Jane Martin. State Theater Company. March 16-April 8 (no year). 14) The Little Prince: the musical. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Luke Cresswell and Steve Mcnicholas
STOMP Sunday, November 24, 2019; 3 & 7 pm Monday, November 25, 2019; 7 pm Tuesday, November 26, 2019; 2 pm Wednesday, November 27, 2019; 2 & 7 pm Friday, November 29, 2019; 2 & 7 pm Harris Center for the Arts Columbia Artists Management Inc. Harriet Newman Leve James D. Stern Morton Wolkowitz Schuster/Maxwell Gallin/Sandler Markley/Manocherian present Created and Directed by Luke Cresswell and Steve McNicholas Jordan Brooks, Joshua Cruz, Jonathon Elkins, Jasmine Joyner, Alexis Juliano, Riley Korrell, Cary Lamb Jr., Serena Morgan, Artis Olds, Sean Perham, Ivan Salazar, Cade Slattery Lighting by Steve McNicholas and Neil Tiplady US Rehearsal Director Production Manager Fiona Wilkes Brian Claggett Casting Director Associate Producer Vince Liebhart Fred Bracken General Manager Joe R. Watson Executive Producers Richard Frankel Productions / Marc Routh / Alan Schuster / Aldo Scrofani STOMP IS PERFORMED WITHOUT INTERMISSION. THE USE OF ANY CAMERA, RECORDING DEVICES OR LASER POINTERS IS STRICTLY PROHIBITED. STOMP WEBSITE: http://www.stomponline.com www.harriscenter.net 2019-2020 PROGRAM GUIDE 27 STOMP continued STOMP, a unique combination of percussion, movement and to Germany, Holland and France. Another STOMP production visual comedy, was created in Brighton, UK, in the summer of opened in San Francisco in May 2000, running for two and a 1991. It was the result of a ten-year collaboration between its half years. creators, Luke Cresswell and Steve McNicholas. The original cast of STOMP has recorded music for the Tank They first worked together in 1981, as members of the street Girl movie soundtrack and appeared on the Quincy Jones band Pookiesnackenburger and the theatre group Cliff Hanger. -
The Philosophy of Eugene O'neill
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion. -
Teacher and Student Resource Pack Lord of the Flies Teacher and Student Resource Pack 1 1
A NEW ADVENTURES AND RE:BOURNE PRODUCTION TEACHER AND STUDENT RESOURCE PACK LORD OF THE FLIES TEACHER AND STUDENT RESOURCE PACK 1 1. USING THIS RESOURCE PACK p3 2. WILLIAM GOLDING’S NOVEL p4 William Golding and Lord of the Flies Novel’s Plot Characters Themes and Symbols 3. NEW ADVENTURES AND RE:BOURNE’S LORD OF THE FLIES p11 An Introduction By Matthew Bourne Production Research Some Initial Ideas Plot Sections Similarities and Differences 4. PRODUCTION ELEMENTS p21 Set and Costume Costume Supervisor Music Lighting 5. PRACTICAL WORKSHEETS p26 General Notes Character Devising and Developing Movement 6. REFLECTING AND REVIEWING p32 Reviewing live performance Reviews and Editorials for New Adventures and Re:Bourne’s Production of Lord of the Flies 7. FURTHER WORK p32 Did You Know? It’s An Adventure Further Reading Essay Questions References Contributors LORD OF THE FLIES TEACHER AND STUDENT RESOURCE PACK 2 1. USING THIS RESOURCE PACK This pack aims to give teachers and students further understanding of New Adventures and Re:Bourne’s production of Lord of the Flies. It contains information and materials about the production that can be used as a stimulus for written work, discussion and practical activities. There are worksheets containing information and resources that can be used to help build your own lesson plans and schemes of work based on Lord of the Flies. This pack contains subject material for Dance, Drama, English, Design and Music. Discussion and/or Evaluation Ideas Research and/or Further Reading Activities Practical Tasks Written Work The symbols above are to guide you throughout this pack easily and will enable you to use this guide as a quick reference when required. -
American Stage Presents the 2015 Pulitzer Prize Winner, BETWEEN RIVERSIDE & CRAZY
For Immediate Release September 19, 2018 Contact: The American Stage Marketing Team (727) 823-1600 x 209 [email protected] American Stage presents the 2015 Pulitzer Prize winner, BETWEEN RIVERSIDE & CRAZY. A dark urban comedy about a retired police officer fighting to keep his rent-controlled apartment. October 3 thru November 4. GET IN-THE-KNOW ABOUT THE PRODUCTION 1. One of the most celebrated new American plays. Stephen Adly Guirgis' play won the 2015 Pulitzer Prize for Drama, the 2015 New York Drama Critics Circle Award for Best Play, the 2015 Lucille Lortel Award for Outstanding Play, the 2015 Outer Critics Circle Award for Outstanding New Off-Broadway Play and the 2015 Off Broadway Alliance Award for Best New Play. 2. L. Peter Callender makes his American Stage debut as an actor. As an actor, he has performed coast to coast over the years in over 15 regional theaters and has appeared on Broadway in PRELUDE TO A KISS (Helen Hayes Theater). Mr. Callender has also directed three critically acclaimed and award-winning American Stage productions (JITNEY, JOE TURNER'S COME & GONE and A RAISIN IN THE SUN) and will be returning in January to direct Dominique Morisseau's PIPELINE. 3. Powerfully relevant Tampa Bay premiere by one of America's top playwrights. BETWEEN RIVERSIDE & CRAZY at its core asks us to examine what makes us who we are. Is it our jobs, our families, or our actions? Stephen Adly Guirgis, winner of the Steinberg Distinguished Playwright Award, tackles these complex questions in this play with nuance humor and heart. -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
THE VISITOR March 24–May 10
PRESS CONTACT: [email protected] // 212-539-8624 THE PUBLIC THEATER ANNOUNCES COMPLETE CASTING FOR WORLD PREMIERE MUSICAL THE VISITOR March 24–May 10 Music by Tom Kitt Lyrics by Brian Yorkey Book by Kwame Kwei-Armah & Brian Yorkey Choreography by Lorin Latarro Directed by Daniel Sullivan Joseph Papp Free Preview Performance Tuesday, March 24 February 13, 2020 – The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the world premiere musical THE VISITOR, with music by Pulitzer Prize winner Tom Kitt, lyrics by Pulitzer Prize winner Brian Yorkey, book by Kwame Kwei- Armah and Brian Yorkey, and choreography by Lorin Latarro. Directed by Tony Award winner Daniel Sullivan, this new musical will begin performances in the Newman Theater with a Joseph Papp Free Preview performance on Tuesday, March 24. THE VISITOR will run through Sunday, May 10, with an official press opening on Wednesday, April 15. The complete cast of THE VISITOR features Jacqueline Antaramian (Mouna), Robert Ariza (Ensemble), Anthony Chan (Ensemble), Delius Doherty (Ensemble), C.K. Edwards (Ensemble), Will Erat (Ensemble), Sean Ewing (Swing), Marla Louissaint (Ensemble), Ahmad Maksoud (Ensemble), Dimitri Joseph Moïse (Ensemble), Takafumi Nikaido (Ensemble/Drummer), Bex Odorisio (Ensemble), David Hyde Pierce (Walter), Paul Pontrelli (Ensemble), Lance Roberts (Ensemble), Ari’el Stachel (Tarek), and Stephanie Torns (Swing), with Alysha Deslorieux joining the company as Zainab, replacing the previously announced Joaquina Kalukango, who withdrew due to scheduling conflicts. With heart, humor, and lush new songs, Pulitzer Prize and Tony-winning team Tom Kitt and Brian Yorkey with Kwame Kwei-Armah bring their soul-stirring new musical based on the acclaimed independent film, THE VISITOR by Thomas McCarthy, to The Public for its world premiere. -
About the Cast
ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company. -
Hunger and Thirst & Other Plays
Hunger and Thirst and Other Plays Other Works by Eugene Ionesco Amedee, The New Tenant, Victims of Duty The Bald Soprano Exit the King Fragments of a journal Four Plays The Killer and Other Plays Notes and Counter Notes Rhinoceros and Other Plays A Stroll in the Air, Frenzy for Two, or More Eugene Ionesco HUNGER AND THIRST and other plays Translated from the French by Donald Watson GI�OVE PI�ESS, II\:C. :'\E\\' YOI�K Theu trar1slatio11S CO/J)' Tighted © 1968 In• Calder all(/ Royars, Ltd. Hrm{!.n a11d Thirst was originally published as La Soif et la Faim ropnigiH ® •!)fiG hl· Editions Galliman!. Paris. The Pic· ttne, Auger, and Salutations were originally publishf'd as Le Tableau, /.a Co/he, Les .\alutatiom copyright © 1!)63 by Edi· tions l.allimarcl, Paris All R ights Resewed l.ibrary of Co11g1·e.u Catalog Card Number: 73-79095 First Printing, 1969 CAl;rJO)';:h T rse plays are full)' protected, in whole, in part or iu any form uuder the copyright laws of thl' United States of America, the Rritis/1 Empire including the Dominion of Can ada, a11d all other countries of the Cop)'right Union, and are sul>ject to royalty. All rights, incl11ding professional, amateur, motion picture, radio, teler>ision, recitation, public rradillfi, and all\' m eth od of photographic reproduction, are strictly resenwl. For /JTOfessiorral rightl all inquiries should l>e addre.Hed to !.rope Prrss, Inc., Ro Unir>ersity Place, New York, X.l'. 1ooo;. For amateur and stock rights all inquiries should be adrlre.«ed to Samuel French, Inc., 25 West 45th Street, Xew York, .V.Y.