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Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Walter Rodney and Black Power: Jamaican Intelligence and Us Diplomacy*
ISSN 1554-3897 AFRICAN JOURNAL OF CRIMINOLOGY & JUSTICE STUDIES: AJCJS; Volume 1, No. 2, November 2005 WALTER RODNEY AND BLACK POWER: JAMAICAN INTELLIGENCE AND US DIPLOMACY* Michael O. West Binghamton University On October 15, 1968 the government of Jamaica barred Walter Rodney from returning to the island. A lecturer at the Jamaica (Mona) campus of the University of the West Indies (UWI), Rodney had been out of the country attending a black power conference in Canada. The Guyanese-born Rodney was no stranger to Jamaica: he had graduated from UWI in 1963, returning there as a member of the faculty at the beginning of 1968, after doing graduate studies in England and working briefly in Tanzania. Rodney’s second stint in Jamaica lasted all of nine months, but it was a tumultuous and amazing nine months. It is a measure of the mark he made, within and without the university, that the decision to ban him sparked major disturbances, culminating in a rising in the capital city of Kingston. Official US documents, until now untapped, shed new light on the “Rodney affair,” as the event was soon dubbed. These novel sources reveal, in detail, the surveillance of Rodney and his activities by the Jamaican intelligence services, not just in the months before he was banned but also while he was a student at UWI. The US evidence also sheds light on the inner workings of the Jamaican government and why it acted against Rodney at the particular time that it did. Lastly, the documents offer a window onto US efforts to track black power in Jamaica (and elsewhere in WALTER RODNEY AND BLACK POWER: JAMAICAN INTELLIGENCE AND US DIPLOMACY Michael O. -
'The Only Position for Women in SNCC Is Prone'
‘The Only Position for Women in SNCC is Prone’ 29 ‘The Only Position for Women in SNCC is Prone’: Stokely Carmichael and the Perceived Patriarchy of Civil Rights Organisations in America 1 Sabina Peck Second Year Undergraduate, 1 University of New South Wales There is the danger in our culture that because a person is called upon to give public statements and is acclaimed by the establishment, such a person gets to the point of believing that he is the movement ... There are those, some of the young people [of SNCC] especially, who have said to me that if I had not been a woman I would have been well known in certain places, and perhaps held certain kinds of positions. – Ella Baker, 19702 Until relatively recently, historiography concerning the Civil Rights movement and its organisations has been fairly devoid of the study of the participation of women, focusing instead on certain charismatic, notably black male individuals such as Martin Luther King Jnr., Stokely Carmichael and Malcolm X.3 Steven Lawson, for example, has traced the evolution of 1 Note the following abbreviations are used throughout the article: CORE- Congress of Racial Equality MFDP – Mississippi Freedom Democratic Party NAACP – National Association for the Advancement of Coloured People SCLC – Southern Christian Leadership Conference SNCC – Student Non-violent Co-ordinating Committee 2 Ella Baker, Developing Community Leadership, Taped interview with Gerda Lerner (December 1970) paragraphs 15 and 14, respectively. 3 Joan C. Browning explores the extent to which women’s activities have been glossed over in Civil Rights Historiography in her article, ‘Invisible Revolutionaries: White Women in Civil Rights Historiography’ Journal of Women’s History, Vol. -
The Long Civil Rights Movement and the Enemy Pictures
Angles New Perspectives on the Anglophone World 10 | 2020 Creating the Enemy The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures Olivier Maheo Electronic version URL: http://journals.openedition.org/angles/471 DOI: 10.4000/angles.471 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Olivier Maheo, « The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures », Angles [Online], 10 | 2020, Online since 01 April 2020, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/471 ; DOI : https://doi.org/10.4000/angles.471 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures 1 The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures Olivier Maheo Introduction: A Liberal Agenda 1 The 20th century could be described as the one that gave birth to a new “civilization of the image.” (Gusdorf 1960: 11). By using images in its nation-building efforts, the United States has been a forerunner through what François Brunet called “Amérique- image”, a huge picture-book in which photographs of the Civil Rights Movement have a dedicated slot at a time when television was becoming a mass media (Brunet & Kempf 2001). The best-known pictures of the Civil Rights Movement have thus become places of memory, iconic images testifying to the ultimate triumph of democracy. 2 If, according to W.E.B. -
Curriculum Vitae SHARON HARLEY
Curriculum Vitae SHARON HARLEY Home Address: Office Address: 3101 New Mexico Avenue African American Studies Department Unit 234 1117 Taliaferro Hall Washington, DC 20016 University of Maryland (202) 607-4077 College Park, MD 20742 (301) 405-1158 phone / (301) 314-9932 fax E-mail: [email protected] EDUCATION May 1981 Ph.D., United States History Minor: Latin American/Caribbean History (honors, comprehensive examination) Department of History, Howard University, Washington, DC Dissertation Title: "Black Women in the District of Columbia, 1890-1920: Their Social, Economic and Institutional Activities" August 1971 M.A.T., Education (Emphasis on the Social Sciences) Antioch College (Washington campus), Yellow Springs, Ohio May 1970 B.A., History St. Mary-of-the-Woods College, St. Mary-of-the-Woods, Indiana Summer 1977 Special Training: Quantitative Methods for Historians Newberry Library/University of Chicago, Chicago, Illinois PROFESSIONAL EXPERIENCE 1988-Present Associate Professor and Chair (1993-2010) of African American Studies/History and Affiliate Faculty Member, Women's Studies and American Studies, University of Maryland, College Park, Maryland (UMD). Undergraduate Courses Taught: Research Methodologies in African American Studies; Constructions of Manhood and Womanhood in Black Communities; Gender, Racial Identity and Nationality in African Diaspora Communities; Women and Work (cross-listed with Sociology); Black Culture in the United States; Directed Readings: Black Racialized Body; Black Women in the United States (part of the Women's Studies Curriculum); Seminar in Methodology and Theory of Afro-American Studies (interdisciplinary and team-taught); Introduction to Afro-American Studies; Directed and Classic Readings in Afro-American Studies; History of Thought in the African American Tradition (seminar); and Diversity in Oneness: The Making of African-American Communities (two semester, team-taught honors course) Graduate Courses Taught: Black Culture in the U.S. -
From Black Power Activist to "Anti-Negro Negro"
Trading Places: From Black Power Activist to "Anti-Negro Negro" Alyson Cole In March of 1988, the faculty of the Afro-American Studies Department at the University of Massachusetts at Amherst unanimously demanded that the University remove one of its most distinguished members, Professor Julius Lester. The official reason given for this unprecedented request was that Lester had become an "anti-Negro-Negro."1 In making this extraordinary demand, Lester's colleagues were reacting to the recent publication of his autobiography. En titled Loves ong: On Becoming a Jew (1988a), the book tells the story of Lester's conversion to Judaism and details his growing alienation from Black politics. The faculty's lengthy report concluded, "Professor Lester would be infinitely more comfortable at a different location in the University" (Lester 1988b, 17- 8).2 Elaborating on the written account, one of the authors pointedly remarked that retaining Lester in Afro-American Studies is "like having Yassir Arafat teach ing in the Jewish Studies Department."3 The University eventually complied with the request and transferred Professor Lester to another department. This bit of academic infighting soon became national news.4 Journalists reminded their readers that back in the late 1960s, when he was a prominent Black Power activist, Lester gained notoriety as an anti-Semite. The Los Ange les Times maintained that now Lester was himself a victim of anti-Semitism.5 Despite the University's intervention, or perhaps because of it, the scandal re fused to die. Lester himself contributed to the prolonged life of this affair by 0026-3079/2003/4403-037S2.50/0 American Studies, 44:3 (Fall 2003): 37-76 37 38 Alyson Cole rehashing events and responding to his detractors in published articles and pub lic lectures.6 More significant still, conservative critics enthusiastically seized upon the story of Lester's excommunication. -
The Feminist Leadership of Ericka Huggins in the Black Panther Party
187 The Feminist Leadership of Ericka Huggins in the Black Panther Party Mary Phillips ABSTRACT Born on January 5, 1948, in Washington, D.C., Ericka Huggins was an important figure in the Black Panther Party (BPP) as well as a key Black Power era activist. A high-ranking member of the BPP, she served on the organization’s Central Committee. As a writer, poet, educator, former editor of the Black Panther and Director of the Oakland Community School, Huggins was vital to the BPP as an organizer and intellectual. This essay provides an in-depth analysis of Huggins’s feminist theory, her work as a revolutionary educator, and the impact of her incarceration on the BPP as a member of the New Haven 14. I argue that Huggins’s experiences serve as an example of progressive gender politics in the BPP. Until recently Black women’s activism has been largely neglected in BPP scholarship and this work contributes to the emerging scholarship on Black women in the most widely known organization of the Black Power Movement. This essay differs from previous interpretations on Ericka Huggins and the BPP by showcasing her voice on the intersections of Black Power and Black feminist politics in the BPP. On the front cover of the Saturday, July 12, 1969 issue of The Black Panther, an enlarged picture depicts a mother and child in a rat-infested apartment, with the mother pointing a loaded Black Diaspora Review 4(1) Winter 2014 188 rifle at a hole in the wall to kill the rats as they enter. -
The Creation of an African-American Counterpublic: the Impact of Race, Class, Gender, and Sexuality on Black Radicalism During the Black Freedom Movement, 1965- 1981
The Creation of an African-American Counterpublic: The Impact of Race, Class, Gender, and Sexuality on Black Radicalism during the Black Freedom Movement, 1965- 1981 A thesis submitted to Kent State University in partial Fulfillment of the requirements for the Degree of Masters of Arts By Austin C. McCoy May, 2009 Thesis written by Austin Charles McCoy B.A., The Ohio State University, 2004 M.A., The Ohio State University, 2007 M.A., Kent State University, 2009 Approved by ___Elizabeth Smith-Pryor__________, Elizabeth Smith-Pryor, Advisor ___Kenneth J. Bindas______________, Kenneth J. Bindas, Chair, Department of History ___John R.D. Stalvey______________, Dean, College of Arts and Sciences ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………..……..v INTRODUCTION…………………………………………………………….….1 CHAPTERS I…………………………………………………….…………………….12 II………………………………………………….………………………41 III…………………………………………………………………………75 CONCULSION………………………………………………………………….118 BIBLIOGRAPHY………………………………………...……………………..132 iv Acknowledgments This achievement is a testament to the strength of my family. I am forever indebted to my parents, Angelith and Melvin McCoy, my siblings, Brandenn, Jeff, and K.C. McCoy as well as my grandmother, Mrs. Gladys Smith. I am also grateful for my partner, Jessica Winck, and her patience and ability to put up with my antics during my stay here at Kent State. I also could not have completed this thesis without the critical support of my advisor, Dr. Elizabeth Smith-Pryor. Dr. Smith-Pryor helped clarify and shape my project with her insight, guidance, and critical eye. I also want to thank my other committee members, Dr. Zachery Williams and Dr. Timothy Scarnecchia. They were instrumental in providing feedback during the preliminary stages of my writing process. I also appreciate the whole committee’s efforts in pushing me to ask larger questions of my study, subjects, and sources. -
Black Panther Party: 1966-1982
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 1-1-2000 Black Panther Party: 1966-1982 Michael X. Delli Carpini University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Social Influence and oliticalP Communication Commons Recommended Citation (OVERRIDE) Delli Carpini, M. X. (2000). Black panther party: 1966-1982. In I. Ness & J. Ciment (Eds.), The encyclopedia of third parties in America (pp. 190-197). Armonke, NY: Sharpe Reference. Retrieved from http://repository.upenn.edu/asc_papers/1 NOTE: At the time of publication, the author Michael X. Delli Carpini was affiliated with Columbia University. Currently January 2008, he is a faculty member of the Annenberg School for Communication at the University of Pennsylvania. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/1 For more information, please contact [email protected]. Black Panther Party: 1966-1982 Abstract The Black Panther party was founded in Oakland, California, in 1966. From its beginnings as a local, community organization with a handful of members, it expanded into a national and international party. By 1980, however, the Black Panther party was once again mainly an Oakland-based organization, with no more than fifty active members. In 1982, the party came to an official end. Despite itselativ r ely short history, its modest membership, and its general eschewing of electoral politics, the Black Panther party was arguably the best known and most controversial of the black militant political organizations of the 1960s, with a legacy that continues to this day. -
The Relationship of Black Power and Black Arts/Consciusness Movements to the Black Studies Movement
THE RELATIONSHIP OF BLACK POWER AND BLACK ARTS/CONSCIUSNESS MOVEMENTS TO THE BLACK STUDIES MOVEMENT A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Benjamin Jermaine Woods January 2009 © 2009 Benjamin Jermaine Woods ABSTRACT This thesis is an examination of three social movements that occurred during the 1960s and 1970s: the Black Power Movement, Black Arts/Consciousness Movement, and Black Studies Movement. This study acknowledges that each movement had its own distinct character and ideas, but had overlapping actors, ideas, and objectives. The thesis argues that the political nationalism of the Black Power Movement, and the cultural nationalism of the Black Arts/Consciousness Movement influenced African students in the Black Studies Movement. Therefore, the study centers on the Black Studies Movement. Each Movement was a response to the cultural hegemony of the dominant Euro-American society. The study traces the development of each social movement including influences originating from previous eras. The Black Power Movement helped students to understand the political purpose of education in the United States and that it must help to liberate African people from white oppression. The Black Arts/Consciousness Movement contributed to the student’s recognition of the importance of identity, history, and culture. The thesis demonstrates the dialectical and reciprocal nature of all three movements in the 1960s and 1970s. BIOGRAPHICAL SKETCH Benjamin Woods was born and raised in Oklahoma City, Oklahoma. His lineage extends to the All-Black Town Movement in Oklahoma. His Father was a student activist in the Civil Rights Movement. -
All Power to the People: the Black Panther Party As the Vanguard of the Oppressed
ALL POWER TO THE PEOPLE: THE BLACK PANTHER PARTY AS THE VANGUARD OF THE OPPRESSED by Matthew Berman A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in American Studies Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2008 ALL POWER TO THE PEOPLE: THE BLACK PANTHER PARTY AS THE VANGUARD OF THE OPPRESSED by Matthew Berman This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Christopher Strain, and has been approved by the members of her/his supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Christopher Strain ____________________________ Dr. Laura Barrett ______________________________ Dean, Wilkes Honors College ____________ Date ii ACKNOWLEDGMENTS The Author would like to thank (in no particular order) Andrew, Linda, Kathy, Barbara, and Ronald Berman, Mick and Julie Grossman, the 213rd, Graham and Megan Whitaker, Zach Burks, Shawn Beard, Jared Reilly, Ian “Easy” Depagnier, Dr. Strain, and Dr. Barrett for all of their support. I would also like to thank Bobby Seale, Fred Hampton, Huey Newton, and others for their inspiration. Thanks are also due to all those who gave of themselves in the struggle for showing us the way. “Never doubt that a small group of people can change the world. Indeed, it is the only thing that ever has.” – Margaret Mead iii ABSTRACT Author: Matthew Berman Title: All Power to the People: The Black Panther Party as the Vanguard of the Oppressed Institution: Wilkes Honors College at Florida Atlantic University Thesis Advisor: Dr. -
Manhood Development Program Reading List
AAMA Literacy Manhood Development Program Reading List: Go Tell It To the Mountain Philosophy and Opinions of Marcus Garvey James Baldwin Amy Jacque Garvey New York: Dial Press, 1963. New York: Atheneum, 1969. Before the Mayower: A History of Black America e Spook Who Sat By the Door Lerone Bennett Jr. Sam Greenlee Chicago: Johnson Pub., 1969. Detroit: Wayne State University Press, 1990. Nile Valley Contributions to Civilization Roots Anthony T. Browder Alex Haley Washing, DC: Institute of Karmic Guidance, 1992. New York: Dell, 1977. Manchild In e Promised Land Introduction to African Civilizations Claude Brown John G. Jackson New York; Macmillan, 1965. New Jersey: Citadel Press, 1970. Can’t Stop, Won’t Stop e World’s Great Men of Color Je Chang J.A. Rogers New York: St. Martin Press, 2005. New York: Macmillan, 1972. African People In World History e Golden Age of e Moor John Henrik Clarke Ivan Van Sertima Maryland: Black Classic Press, 1993. New Brunswick: Transaction Publishers, 1992. e Pact ey Came Before Columbus Sampson Davis, George Jenkins, and Rameck Hunt Ivan Van Sertima New York: Rive Head Books, 2002. New York: Random House, 1976. Black History for Beginners e Peculiar Institution Denise Dennis Kenneth Stampp London; New York: Writers and Readers; Distributed in New York: Knopf, 1956. U.S. by W.W. Norton, 1984. e Mis-education of the Negro e African Origin of Civilization Carter G. Woodson Cheik Anta Diop New Jersey: Africa World Press, 1990. New York: L. Hill, 1974. Black Boy Narrative of the Life of Frederick Douglass Richard Wright Frederick Douglass New York: Harper and Brothers, 1945.