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To View the Sankofa African Heritage Book List
A B C D E F COPY- TITLE AUTHORS ED PUBLISHER(S) COVER ANNOTATION 1 RIGHT African Origins of the Majors Yosef Ben jochannan 1970- All Western religions had 2 Western Religions Yosef Ben Jochannan Publishing 360pp Paper their beginnings in Africa The Encyclopedia of the 1999- African and African American 3 AFRICANA Kwame-Gates, editors Basic Civitas Books 2045pp Cloth Experience 2002- 4 Africans Americans David Boyle Barrons 127pp Cloth Coming to America Today, we live in a changed Al on America, The Right Reverend Kingsenton Publishing 2002- America, changed by people 5 Al Sharpton Karen Hunter Group 280pp Cloth who risk their own lives. 2009- What Should Black People Do 6 America I Am Legends Foreword : Tavis Smiley Smiley books 180pp Paper Now? Untold Tales of the First Pilgrims, Fighting Women, 2008- and Forgotten Founders who 7 America's Hidden History Kenneth C. Davis Smithsonian Books 265pp Cloth shaped a Nation Ancient Egypt, The Light of the 1990- A work of reclamation and 8 World,Vol 1-B and vol.2--A Gerald Massey ECA Associates 750pp Paper restitution in twelve volumes The teaching and prophetic wisdom of the Seven 1999- Hermetic laws of Ancient 9 Ancient Future Wayne B. Chandler Black Classic Press 246pp Paper Egypt 2009- The U.S. Commission on Civil 10 And Justice For All Mary Frances Berry Knopf Publishers 425pp Cloth Rights 1995- Everyday liife ritual and court 11 Art and Craft in Africa Laure Meyer Terrial Publishers, Montreal 208pp Paper art B.B. King and Dick 2005- Collection of treasures of 12 B.B.King- Treasures Waterman Bulfinch Press 160pp cloth B.B. -
Too Terrible to Relate: Dynamic Trauma in the Novels of Toni Morrison
ABSTRACT HUMANITIES STAYTON, COREY C. B.A. XAVIER UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1997 TOO TERRIBLE TO RELATE: DYNAMIC TRAUMA IN THE NOVELS OF TONI MORRISON Committee Chair: Daniel Black, Ph.D. Dissertation dated May 2017 This study examines fictional representations of trauma as reflected in Toni Morrison’s novels Sula, Song of Solomon, and Beloved. By utilizing the theoretical modes of new historicism and trauma theory, the veil of double consciousness is explicated. The modes also help to expose the climate of trauma in the novels which produce various forms of dysfunction in the individual and the community. The unspoken atrocities experienced as a result of slavery, Jim Crow, and physical and sexual violence in many of Morrison’s novels suggest the common thread of trauma in the lives of the characters who experience similar events in Morrison’s stories. The particular traumas depicted in Morrison’s novels, Sula, Song of Solomon, and Beloved, damage agency, leading to detachment and paralysis in the individual. The scope of this study is limited to the novels Sula, Song of Solomon, and Beloved as they best illustrate trauma in Morrison’s characters and the damage that the pathology causes to agency, leading to detachment and paralysis in general. TOO TERRIBLE TO RELATE: DYNAMIC TRAUMA IN THE NOVELS OF TONI MORRISON A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY COREY STAYTON DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA MAY 2017 © 2017 COREY C. STAYTON All Rights Reserved ACKNOWLEDGMENTS There are many people who have made the writing of this dissertation a reality. -
After Seminal Anthology, Busby Celebrates New Daughters of Africa
Home Nigeria World Politics Sport Opinion Business Technology Arts Guardian TV Literature After seminal anthology, Busby celebrates New Daughters of Africa By Olatoun Gabi-Williams 21 April 2019 | 4:19 am New Daughters of Africa at the WOW Festival, International Women’s Day 2019 Reports online are increasing about projects in the creative industries aimed not only at countering fear of the ‘other’ and resentment about the growing number of ‘others’ in our midst but at highlighting ways ‘others’ enrich and strengthen us. As nationalism and nativism rise across the globe, my cyber world is under siege. I am not complaining. Powerful images posted online from art biennials have stayed with me: Venice, Berlin, Dak’Art (Dakar, Senegal) and Art X in Lagos, Nigeria. Memorable, startling art, love- infused, aiming to transform the way I, we, see all kinds of difference: gender, race, culture and ability. Rarely can art claim immediate transformative power; what it can do is capture the imagination and plant seeds for a conversation and perhaps – ultimately – a conversion. Latest In this essay, I turn my thoughts away from arresting visual art to focus on a landmark Trump says Congress 'can't union: Margaret Busby OBE with Candida Lacey of Myriad Editions (UK) and 200+ 2 mins ago women from Africa and its diasporas. It is a great literary assembly put together for the purpose of reconstructing perceptions about Africa and her women, celebrating African Why Buhari administratio women in literature and showcasing the dazzling range of their work. Importantly, the delayed - Dogara women have assembled for the purpose of making a difference in black women’s lives 23 mins ago through the inauguration of the Margaret Busby New Daughters of Africa (NDOA) Award. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Philosophy and the Black Experience
APA NEWSLETTER ON Philosophy and the Black Experience John McClendon & George Yancy, Co-Editors Spring 2004 Volume 03, Number 2 elaborations on the sage of African American scholarship is by ROM THE DITORS way of centrally investigating the contributions of Amilcar F E Cabral to Marxist philosophical analysis of the African condition. Duran’s “Cabral, African Marxism, and the Notion of History” is a comparative look at Cabral in light of the contributions of We are most happy to announce that this issue of the APA Marxist thinkers C. L. R. James and W. E. B. Du Bois. Duran Newsletter on Philosophy and the Black Experience has several conceptually places Cabral in the role of an innovative fine articles on philosophy of race, philosophy of science (both philosopher within the Marxist tradition of Africana thought. social science and natural science), and political philosophy. Duran highlights Cabral’s profound understanding of the However, before we introduce the articles, we would like to historical development as a manifestation of revolutionary make an announcement on behalf of the Philosophy practice in the African liberation movement. Department at Morgan State University (MSU). It has come to In this issue of the Newsletter, philosopher Gertrude James our attention that MSU may lose the major in philosophy. We Gonzalez de Allen provides a very insightful review of Robert think that the role of our Historically Black Colleges and Birt’s book, The Quest for Community and Identity: Critical Universities and MSU in particular has been of critical Essays in Africana Social Philosophy. significance in attracting African American students to Our last contributor, Dr. -
Walter Rodney and Black Power: Jamaican Intelligence and Us Diplomacy*
ISSN 1554-3897 AFRICAN JOURNAL OF CRIMINOLOGY & JUSTICE STUDIES: AJCJS; Volume 1, No. 2, November 2005 WALTER RODNEY AND BLACK POWER: JAMAICAN INTELLIGENCE AND US DIPLOMACY* Michael O. West Binghamton University On October 15, 1968 the government of Jamaica barred Walter Rodney from returning to the island. A lecturer at the Jamaica (Mona) campus of the University of the West Indies (UWI), Rodney had been out of the country attending a black power conference in Canada. The Guyanese-born Rodney was no stranger to Jamaica: he had graduated from UWI in 1963, returning there as a member of the faculty at the beginning of 1968, after doing graduate studies in England and working briefly in Tanzania. Rodney’s second stint in Jamaica lasted all of nine months, but it was a tumultuous and amazing nine months. It is a measure of the mark he made, within and without the university, that the decision to ban him sparked major disturbances, culminating in a rising in the capital city of Kingston. Official US documents, until now untapped, shed new light on the “Rodney affair,” as the event was soon dubbed. These novel sources reveal, in detail, the surveillance of Rodney and his activities by the Jamaican intelligence services, not just in the months before he was banned but also while he was a student at UWI. The US evidence also sheds light on the inner workings of the Jamaican government and why it acted against Rodney at the particular time that it did. Lastly, the documents offer a window onto US efforts to track black power in Jamaica (and elsewhere in WALTER RODNEY AND BLACK POWER: JAMAICAN INTELLIGENCE AND US DIPLOMACY Michael O. -
'The Only Position for Women in SNCC Is Prone'
‘The Only Position for Women in SNCC is Prone’ 29 ‘The Only Position for Women in SNCC is Prone’: Stokely Carmichael and the Perceived Patriarchy of Civil Rights Organisations in America 1 Sabina Peck Second Year Undergraduate, 1 University of New South Wales There is the danger in our culture that because a person is called upon to give public statements and is acclaimed by the establishment, such a person gets to the point of believing that he is the movement ... There are those, some of the young people [of SNCC] especially, who have said to me that if I had not been a woman I would have been well known in certain places, and perhaps held certain kinds of positions. – Ella Baker, 19702 Until relatively recently, historiography concerning the Civil Rights movement and its organisations has been fairly devoid of the study of the participation of women, focusing instead on certain charismatic, notably black male individuals such as Martin Luther King Jnr., Stokely Carmichael and Malcolm X.3 Steven Lawson, for example, has traced the evolution of 1 Note the following abbreviations are used throughout the article: CORE- Congress of Racial Equality MFDP – Mississippi Freedom Democratic Party NAACP – National Association for the Advancement of Coloured People SCLC – Southern Christian Leadership Conference SNCC – Student Non-violent Co-ordinating Committee 2 Ella Baker, Developing Community Leadership, Taped interview with Gerda Lerner (December 1970) paragraphs 15 and 14, respectively. 3 Joan C. Browning explores the extent to which women’s activities have been glossed over in Civil Rights Historiography in her article, ‘Invisible Revolutionaries: White Women in Civil Rights Historiography’ Journal of Women’s History, Vol. -
The Long Civil Rights Movement and the Enemy Pictures
Angles New Perspectives on the Anglophone World 10 | 2020 Creating the Enemy The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures Olivier Maheo Electronic version URL: http://journals.openedition.org/angles/471 DOI: 10.4000/angles.471 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Olivier Maheo, « The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures », Angles [Online], 10 | 2020, Online since 01 April 2020, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/471 ; DOI : https://doi.org/10.4000/angles.471 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures 1 The Enemy Within: The Long Civil Rights Movement and the Enemy Pictures Olivier Maheo Introduction: A Liberal Agenda 1 The 20th century could be described as the one that gave birth to a new “civilization of the image.” (Gusdorf 1960: 11). By using images in its nation-building efforts, the United States has been a forerunner through what François Brunet called “Amérique- image”, a huge picture-book in which photographs of the Civil Rights Movement have a dedicated slot at a time when television was becoming a mass media (Brunet & Kempf 2001). The best-known pictures of the Civil Rights Movement have thus become places of memory, iconic images testifying to the ultimate triumph of democracy. 2 If, according to W.E.B. -
Curriculum Vitae SHARON HARLEY
Curriculum Vitae SHARON HARLEY Home Address: Office Address: 3101 New Mexico Avenue African American Studies Department Unit 234 1117 Taliaferro Hall Washington, DC 20016 University of Maryland (202) 607-4077 College Park, MD 20742 (301) 405-1158 phone / (301) 314-9932 fax E-mail: [email protected] EDUCATION May 1981 Ph.D., United States History Minor: Latin American/Caribbean History (honors, comprehensive examination) Department of History, Howard University, Washington, DC Dissertation Title: "Black Women in the District of Columbia, 1890-1920: Their Social, Economic and Institutional Activities" August 1971 M.A.T., Education (Emphasis on the Social Sciences) Antioch College (Washington campus), Yellow Springs, Ohio May 1970 B.A., History St. Mary-of-the-Woods College, St. Mary-of-the-Woods, Indiana Summer 1977 Special Training: Quantitative Methods for Historians Newberry Library/University of Chicago, Chicago, Illinois PROFESSIONAL EXPERIENCE 1988-Present Associate Professor and Chair (1993-2010) of African American Studies/History and Affiliate Faculty Member, Women's Studies and American Studies, University of Maryland, College Park, Maryland (UMD). Undergraduate Courses Taught: Research Methodologies in African American Studies; Constructions of Manhood and Womanhood in Black Communities; Gender, Racial Identity and Nationality in African Diaspora Communities; Women and Work (cross-listed with Sociology); Black Culture in the United States; Directed Readings: Black Racialized Body; Black Women in the United States (part of the Women's Studies Curriculum); Seminar in Methodology and Theory of Afro-American Studies (interdisciplinary and team-taught); Introduction to Afro-American Studies; Directed and Classic Readings in Afro-American Studies; History of Thought in the African American Tradition (seminar); and Diversity in Oneness: The Making of African-American Communities (two semester, team-taught honors course) Graduate Courses Taught: Black Culture in the U.S. -
From Black Power Activist to "Anti-Negro Negro"
Trading Places: From Black Power Activist to "Anti-Negro Negro" Alyson Cole In March of 1988, the faculty of the Afro-American Studies Department at the University of Massachusetts at Amherst unanimously demanded that the University remove one of its most distinguished members, Professor Julius Lester. The official reason given for this unprecedented request was that Lester had become an "anti-Negro-Negro."1 In making this extraordinary demand, Lester's colleagues were reacting to the recent publication of his autobiography. En titled Loves ong: On Becoming a Jew (1988a), the book tells the story of Lester's conversion to Judaism and details his growing alienation from Black politics. The faculty's lengthy report concluded, "Professor Lester would be infinitely more comfortable at a different location in the University" (Lester 1988b, 17- 8).2 Elaborating on the written account, one of the authors pointedly remarked that retaining Lester in Afro-American Studies is "like having Yassir Arafat teach ing in the Jewish Studies Department."3 The University eventually complied with the request and transferred Professor Lester to another department. This bit of academic infighting soon became national news.4 Journalists reminded their readers that back in the late 1960s, when he was a prominent Black Power activist, Lester gained notoriety as an anti-Semite. The Los Ange les Times maintained that now Lester was himself a victim of anti-Semitism.5 Despite the University's intervention, or perhaps because of it, the scandal re fused to die. Lester himself contributed to the prolonged life of this affair by 0026-3079/2003/4403-037S2.50/0 American Studies, 44:3 (Fall 2003): 37-76 37 38 Alyson Cole rehashing events and responding to his detractors in published articles and pub lic lectures.6 More significant still, conservative critics enthusiastically seized upon the story of Lester's excommunication. -
The Feminist Leadership of Ericka Huggins in the Black Panther Party
187 The Feminist Leadership of Ericka Huggins in the Black Panther Party Mary Phillips ABSTRACT Born on January 5, 1948, in Washington, D.C., Ericka Huggins was an important figure in the Black Panther Party (BPP) as well as a key Black Power era activist. A high-ranking member of the BPP, she served on the organization’s Central Committee. As a writer, poet, educator, former editor of the Black Panther and Director of the Oakland Community School, Huggins was vital to the BPP as an organizer and intellectual. This essay provides an in-depth analysis of Huggins’s feminist theory, her work as a revolutionary educator, and the impact of her incarceration on the BPP as a member of the New Haven 14. I argue that Huggins’s experiences serve as an example of progressive gender politics in the BPP. Until recently Black women’s activism has been largely neglected in BPP scholarship and this work contributes to the emerging scholarship on Black women in the most widely known organization of the Black Power Movement. This essay differs from previous interpretations on Ericka Huggins and the BPP by showcasing her voice on the intersections of Black Power and Black feminist politics in the BPP. On the front cover of the Saturday, July 12, 1969 issue of The Black Panther, an enlarged picture depicts a mother and child in a rat-infested apartment, with the mother pointing a loaded Black Diaspora Review 4(1) Winter 2014 188 rifle at a hole in the wall to kill the rats as they enter. -
The Creation of an African-American Counterpublic: the Impact of Race, Class, Gender, and Sexuality on Black Radicalism During the Black Freedom Movement, 1965- 1981
The Creation of an African-American Counterpublic: The Impact of Race, Class, Gender, and Sexuality on Black Radicalism during the Black Freedom Movement, 1965- 1981 A thesis submitted to Kent State University in partial Fulfillment of the requirements for the Degree of Masters of Arts By Austin C. McCoy May, 2009 Thesis written by Austin Charles McCoy B.A., The Ohio State University, 2004 M.A., The Ohio State University, 2007 M.A., Kent State University, 2009 Approved by ___Elizabeth Smith-Pryor__________, Elizabeth Smith-Pryor, Advisor ___Kenneth J. Bindas______________, Kenneth J. Bindas, Chair, Department of History ___John R.D. Stalvey______________, Dean, College of Arts and Sciences ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………..……..v INTRODUCTION…………………………………………………………….….1 CHAPTERS I…………………………………………………….…………………….12 II………………………………………………….………………………41 III…………………………………………………………………………75 CONCULSION………………………………………………………………….118 BIBLIOGRAPHY………………………………………...……………………..132 iv Acknowledgments This achievement is a testament to the strength of my family. I am forever indebted to my parents, Angelith and Melvin McCoy, my siblings, Brandenn, Jeff, and K.C. McCoy as well as my grandmother, Mrs. Gladys Smith. I am also grateful for my partner, Jessica Winck, and her patience and ability to put up with my antics during my stay here at Kent State. I also could not have completed this thesis without the critical support of my advisor, Dr. Elizabeth Smith-Pryor. Dr. Smith-Pryor helped clarify and shape my project with her insight, guidance, and critical eye. I also want to thank my other committee members, Dr. Zachery Williams and Dr. Timothy Scarnecchia. They were instrumental in providing feedback during the preliminary stages of my writing process. I also appreciate the whole committee’s efforts in pushing me to ask larger questions of my study, subjects, and sources.