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WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark
There's Nothing About urne 2 Issue 77 88 Valentines Day In This Issue , , ifit .., -. 1,, -.. .A- -- ir- .. ebim.grfrvd- t ilt In:» GA NSee Page 9 WINNERS FLASHMAKERS INXS (ATLANTIC) ROGER KEITH SWEAT (ELEK) Reprise Makes JC MELLENCAMP (POLY) RICK SPRINGFIELD (RCA) Its Mark CROSSOVERS TERENCE D'ARBY (COL) JODY WATLEY (MCA) PEBBLES (MCA) O'NEAUCHERRELLE (EPIC) EARPICKS TAYLOR DAYNE (ARISTA) INXS (ATLANTIC) HENRY SUMMER (CBS ASSO) ROBERT PLANT (ATLANTIC) BREAKOUTS JAMES TAYLOR (COL) RICK SPRINGFIELD (RCA) PHANTOM/OPERA (POLY) GM VIETNAM (A&M) WILDCARD TIFFANY (MCA) This one's the lock of the year. See Page 8for details. AC/DC "HEAT SEEKER" Atlantic 7-89136 WHITNEY HOUSTON "BROKEN HEARTS" Arista AS19674 CELLARFUL OF NOISE "SAMANTHA" Epic ZS407731 RAY PARKER JR. "OVER YOU" Geffen 7-28152 MERRY CLAYTON "YES" RCA 6989-7R RAINMAKERS "SMALL CIRCLES" PolyGram 888943-7 ERIA FACHIN "SAVIN' MYSELF" Critique 7-99356 BRUCE SPRINGSTEEN "ONE STEP UP" Columbia 38-07726 BRYAN FERRY "KISS AND TELL" Reprise 7-28117 TIFFANY "SAW" MCA 53285 GEORGIO "BEDROCK" Motown 1927 DAVE WAKELING "SHE'S HAVING A BABY" IRS 53238 BRUCE SPRINGSTEEN 77 "ONE STEP U P38-07726 The new single from "Tunnel Of Love." On Columbia Records, Cassettes and Compact Discs. OC 40999 BRUCE SPRINGSTEEN TUNNB t RafF EXPRESS TOUR Produced by Bruce Sprongsteen, "Cotomb.," :It ore trodernor Jon London, Chuck Plotkin. STARTING LATE FEBRUARY CBS Inc. O 1987 Bruce Sprint, Volume 2 Issue 77 February 15, 1988 $5.00 Headquarters: 15477 Ventura Blvd. 4SINGLES Suite 300 Expose holds off the charge of George Michael, but not for long. Sherman Oaks, CA 91403 Watch out for the heavy hitters as Debbie Gibson, Michael Jackson and Billy Ocean are on fire. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
PRESS RELEASE the Dallas Film Society Announces the Full
PRESS RELEASE The Dallas Film Society announces the full schedule for the 10th edition of the Dallas International Film Festival (April 14-24) Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award, and legendary director Monte Hellman will receive the first L.M. “Kit” Carson Maverick Award USA Network’s Queen of the South debuts first episode on the big screen as Centerpiece presentation Nine world premieres include Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, and the next episode in Randal Kleiser’s VR series, Defrost Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
La Repubblica Napoli
/"10-* CRONACA la Repubblica VENERDÌ 8 LUGLIO 2016 9* PER SAPERNE DI PIÙ www.davidgilmour.com L’evento www.pompeiisites.org Gilmour, a Pompei il rock è storia <DALLA PRIMA DI CRONACA that Rock” (disco a cui si ispira il tour, esaltando la sua shock a cielo aperto. Mentre la regia luci produce una In 2500 per l’ex Pink IL GIANNI VALENTINO tecnica di bending. E quando mette a riposo lo stru- stupefacente creazione scenografica che si intreccia al- Floyd, stasera nuovo CON mento elettrico per raccogliere quello acustico e inter- le stelle. Sull’anello superiore dell’Anfiteatro ogni faro CER ADESSO Gilmour – senza i compagni pretare “…What have we found? The same old fears. viene manovrato da un addetto. Manualmente. E spo- show. Nell’anfiteatro TO dell’epoca: Roger Waters, Nick Mason Wish you were here” (Cosa abbiamo trovato? Le stes- sa i giochi di luce che coprono l’intero sito. Un’unica tra- omaggio a Syd Barrett e Richard Wright – risplende in auto- se vecchie paure. Vorrei che tu fossi qui) il rito è com- ma che fa il paio con il cerchio in palcoscenico e il relati- nomia arpeggiando la languida ed epi- piuto. Lo stupore si impossessa dei fan, storditi dalla vo semicerchio invisibile che ogni volta accoglie proie- lettica chitarra Stratocaster. Ad accompagnarlo, la for- bellezza di un suono che è contemporaneamente rock, zioni audaci e imprevedibili, e sintetizza la ricerca eso- mazione che include Guy Pratt (basso), Steve DiStani- letteratura, viaggio, poesia, cinema. Gilmour imbasti- terica e primitiva della band londinese. La sua eredità slao (batteria), Chuk Leavell (tastiere), Greg Phillin- sce un’altalena tra i titoli delle sue opere soliste e l’anto- ancora attuale. -
The // Skyway \\ the Replacements Mailing List
the // skyway \\ the replacements mailing list issue #100 (november 24, 2016) info: www.theskyway.com www.facebook.com/thematsskyway send your submissions to [email protected] subscription info: you can send an email saying “subscribe skyway” (and hello) to [email protected] COLOR ME IMPRESSED 24 years later, issue #100. I'd say thank you for reading, but really I say thank you for writing. In the end, I have just collected and saved what everybody else has to say about the Replacements. I started because I wanted to hear what everyone else had to say and what memories they had of that band that I loved, from everywhere. So for this 100th issue, I asked 1024 Replacements fans all the questions you´d ask if you met for ten minutes and talked about their favorite band. People who hear the Replacements and just hear the sound of a loose, raucous bar band don't get why this group and its songs are held in such reverence in such a unique way. No matter which album you listen to, there is the spirit, the great songs, the guitar anthems, the colorful personalities, the legend itself of the band that could simultaneously be brilliant and a shambles and whose songs could make you simultaneously laugh and cry. The Replacements are a great story in how they failed at whatever hopes for mainstream success they pursued in a self- sabotaging way, only to reunite two decades later for a little over 30 shows only to become larger than ever and finally achieve the national acclaim they never had. -
Strange Days: the American Media Debates the Doors, 1966-1971
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2015 Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Grascher, Maximillian F., "Strange Days: The American Media Debates The Doors, 1966-1971" (2015). UVM Honors College Senior Theses. 67. https://scholarworks.uvm.edu/hcoltheses/67 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher 2 Introduction Throughout the course of American history, there have been several prominent social and political revolutions carried out by citizens dissatisfied with the existing American institutions run by the government and its civil servants. Of these revolutions, Vietnam War and civil rights protest among youth in the 1960s was of the most influential, shaping American society in the decades to come. With US involvement in Vietnam escalating and the call for African-American civil rights becoming more insistent by the year, thousands of America’s youth took to the streets to protest the country’s foreign and domestic policies and to challenge the US government, much to the anger of America’s older generations. Artists played a critical role in the unrest, including musicians who encouraged a reformation of American society’s established norms through revolution. -
Irreplaceable Though Many Have Tried to Copy Them, There’S No Substitute for the Replacements
plalaylisylist BACKLIGHT Irreplaceable Though Many Have Tried to Copy Them, There’s No Substitute for the Replacements By Missy Roback and John Schacht HOW DID THE REPLACEMENTS ever make it out of their Minneapolis garage? Four lovable losers, not a high-school diploma among them, they drank like there was no tomor- row and sabotaged every chance at success that came their way. Got a gig on Saturday Night Live? Hey, Takin’ a Ride Left to right: Chris Mars, Bob Stinson, Paul Westerberg, and Tommy Stinson. let’s drink—a lot! Sold-out show? Let’s play nothing but cheesy Where to Start covers—uh, at least the parts we How old am I?/Let’s count the rings around my eyes” but also wrench poignancy from There’s a reason why the Replacements heavily remember. More comfortable with almost any subject. And he could open a influenced so many bands, from the Goo Goo failure than with success, the ’Mats vein about teenage suicide, alcoholism, love, Dolls to Nirvana. If you’ve never heard the real excelled at putting on notoriously and suburban life—and sound like he was thing, start with these ten tracks. inconsistent gigs, swerving between talking about you. transcendent and terrible from show Because Bob Stinson could wear a dress—or “SHIFTLESS WHEN IDLE” (Sorry Ma, Forgot to show and sometimes from song nothing at all, if the spirits moved him—as no to Take Out the Trash, 1981): The high point of the to song. The band’s most widely other lumbering goofball guitarist could, ’Mats’ abrasive debut, and proof that the young known live recording? It’s called while laying down the big, sloppy riffs that band (bassist Tommy Stinson was a tender 12) anchored the early ’Mats shows. -
New York City Hardcore Punk and the Struggle for Inclusive Space
De Urbanitate. Tales of Urban Lives and Spaces 133 Don’t Forget the Streets: New York City Hardcore Punk and the Struggle for Inclusive Space Alan Parkes History Instructor, Long Beach Community College & California State University, Long Beach [email protected] KEYWORDS: New York City; punk; hardcore; youth crew; subculture; masculinity; straight edge; neoliberalism Mike Ferrero, a self-described “fucked up kid” from a small working class town in Connecticut, recalls his life changing after the first time he encountered hardcore punk in New York City in the early 1980s; “I walked away from my first CBGB’s matinee blown away. I was never going to miss another one of these. I could be half dead, but I’m going to make it to every matinee forever.”1 Hardcore, as the louder, faster, and more politically infused successor to punk, from then on played no small role in Ferrero’s life. It offered him a reprieve from difficulties at home and high school, which he described as a torture chamber. At matinees, he let out the week’s aggression on hardcore’s dancefloor and began to express himself through the creation of his own music. The formation of his band symbolized the actualization of a dream he conjured up to escape the realities of his life. In New York hardcore, bands, only distinct from fans by the instruments in their hands, shouted cries of “unity” amongst kids who wanted something more than the urban decay that surrounded their revered, egalitarian hardcore space. As Ferrero recalls, “All of a sudden I found this group of other fucked up kids, and then I didn’t feel so alone. -
March 25 April 1
MARCH 25 ISSUE APRIL 1 Orders Due February 26 7 Orders Due March 4 axis.wmg.com 3/25/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Birdy Beautiful Lies ATL CD 825646482061 554263 13.99 2/26/16 Graham, Lukas Lukas Graham WB CD 093624921806 553552 13.99 2/26/16 Hardy, Françoise Et si je m'en vais avant toi (Vinyl) PRH A 190295993511 59935 21.98 2/26/16 Hardy, Françoise La question (Vinyl) PRH A 190295993481 406415 21.98 2/26/16 John Hurt, Kenneth Branagh, Diana Rigg, Joseph Fiennes, Imelda When Love Speaks (Shakespears's Staunton, Alan Rickman, PRX CD 724355732125 557321 12.98 2/26/16 Sonnets) Barbara Bonney, Bryan Ferry, Annie Lennox, Rufus Wainright, etc. Last Update: 04/04/14 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Birdy TITLE: Beautiful Lies Label: TLA/Trill Entertainment, LLC Config & Selection #: CD 554263 Street Date: 03/25/16 Order Due Date: 02/26/16 UPC: 825646482061 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: B TRACKS Compact Disc 1 01 Growing Pains 08 Lifted 02 Shadow 09 Take My Heart 03 Keeping Your Head Up 10 Hear You Calling 04 Deep End 11 Words 05 Wild Horses 12 Save Yourself 06 Lost It All 13 Unbroken 07 Silhouette 14 Beautiful Lies ALBUM FACTS Genre: Pop ARTIST & INFO Hometown: Lymington, Hampshire, UK Since emerging onto the scene just two years ago, 17-year old Birdy (born Jasmine van den Bogaerde) has catapulted herself into a realm of pop stardom across the world and picked up many accolades along the way. -
The Beatles: Eight Days a Week – the Touring Years
1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials. -
Brevard Live December 2018
Brevard Live December 2018 - 1 2 - Brevard Live December 2018 Brevard Live December 2018 - 3 4 - Brevard Live December 2018 Brevard Live December 2018 - 5 6 - Brevard Live December 2018 Contents December 2018 FEATURES LOCAL LOWDOWN - WINTER SURFING SANTAS BL Contributor Steve Keller is mostly Columns interested in original music. On his quest There’s a very good reason folks along Charles Van Riper Florida’s Space Coast flock to Cocoa to spread the word he wrote his winter edition of his Local Lowdown - because 22 Political Satire Beach’s downtown oceanfront early in When I Was Your Age the morning on Christmas Eve. Every- just writing about one band - Kilt The one wants to watch the celebrated arrival Messenger - just wasn’t enoug. Calendars of the “Surfing Santas” Page 32 25 Live Entertainment, Page 11 LOU’S BLUES Concerts, Festivals This is a rumor controll. After the leg- endary Lou’s Blues was sold in October, GUESS WHO Buckingham Palace Guess Who is coming to town? The band BL met the new owner Michael for a sit- by Matt Bretz tours in support of their latest album, The down interview about the future of the 30 Human Satire Future is What it Used To Be, but they popular music venue. We got it from the are always touring. The blues rockers horse’s mouth: It’s still the spot for the from Canada will play a mix of their new best live music around. CD Reviews stuff and some golden oldies. Page 36 34 by Rob Pedrick Page 12 Rock Your Health HAL SCHWARZE 40 by Richard Hendry KILT THE MESSENGER His life is dedicated to his art which Kilt The Messenger can be described as includes songwriting and creating con- The Dope Doctor eclectic, raw, folk rock.