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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson
Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson PACKET ONE 1. This character’s coach says that although it “takes all kinds to build a freeway” he is not equipped for this character’s kind of weirdness close the playoffs. This character lost his virginity to the homecoming queen and the prom queen at the same time and says he’ll be(*) “scoring more than baskets” at an away game and ends up in a teacher’s room wearing a thong which inspires the entire basketball team to start wearing them at practice. When Carrie brags about dating this character, Heather, played by Ashanti, hits her in the back of the head with a volleyball before Brittany Snow’s character breaks up the fight. Four girls team up to get back at this high school basketball star for dating all of them at once. For 10 points, name this character who “must die.” ANSWER: John Tucker [accept either] 2. The hosts of this series that premiered in 2003 once crafted a combat robot named Blendo, and one of those men served as a guest judge on the 2016 season of BattleBots. After accidentally shooting a penny into a fluorescent light on one episode of this show, its cast had to be evacuated due to mercury vapor. On a “Viewers’ Special” episode of this show, its hosts(*) attempted to sneeze with their eyes open, before firing cigarette butts from a rifle. This show’s hosts produced the short-lived series Unchained Reaction, which also aired on the Discovery Channel. -
It's Child's Play: Advergaming and the Online Marketing of Food to Children
The author would like to thank James Wilkie, Kyle Chamberlin, Victoria Blainey, Barbara McDonald, and Nicole Horne for their time, dedication and many contributions to this project. At the Foundation, the project was directed by Victoria Rideout, vice president and director of the Foundation’s Program for the Study of Entertainment Media and Health. A KAISER FAMILY FOUNDATION REPORT ELIZABETH S. MOORE ASSOCIATE PROFESSOR OF MaRKETING UNIVERSITY OF NOTRE DaME JULY 2006 TABLE OF CONTENTS INTRODUCTION 1 Research Purpose 2 METHOD 2 Research Approach 2 Sample 2 Research Instrument 3 Data Analysis 4 OVERVIEW OF FINDINGS 4 ADVERGAMES 5 Distribution of Games across Websites 5 Categories of Games 5 Brand Exposures 6 Choices in Game Play 6 Features to Extend Game Play 7 BRAND EXPOSURES BEYOND THE GAMES 8 Number of Brand Variants 8 Prevalence of Brand Identifiers 8 Television Commercials 9 Two Key Categories of Advertising Claims 10 1. Brand Benefit Claims 10 2. Nutritional Claims and Information 11 CUSTOMIZING THE VISITOR’S EXPERIENCE 12 Website Membership 13 Website Communities 14 Viral Marketing 15 Other Attempts to Personalize 16 MARKETING PARTNERShipS 17 Media Tie-Ins 17 Promotions and Sponsorships 19 EduCATIONAL CONTENT 20 EXTENDING THE ONLINE EXPERIENCE 21 Provision of “Extra” Brand-Related Items 22 Forging Links to Product Consumption 23 Expanding Usage Occasions with New Recipes 25 Links to Other Websites 27 WEBSITE PROTECTIONS FOR CHILDREN 26 Privacy Protections and Age Blocks 26 Information for Parents 26 “Ad Break” Reminders 27 SUMMARY AND CONCLUSIONS 27 REFERENCES 30 ENDNOTES 32 TABLES 35 FIGURES 41 APPENDICES 49 INTRODUCTION Advertising is a pervasive presence in the lives of most Articles appearing in the business press generally suggest American children. -
2005 Canada's Wonderland
KidZville Hanna-Barbera Land Splash Works A busy town just for kids, with attractions Home to Scooby-Doo and features attractions including Taxi Jam, Chopper Chase and Zoom such as Ghoster Coaster, Scooby-Doo's Haunted There are over 2 million gallons of heated White Water Canyon water fun in our 20-acre water park. There Zone: the ultimate transportation station, Mansion and Hanna Barberry Go Round. Don’t White Water Canyon is full of powerful rapids that weave featuring Silver Streak, the world’s largest and miss daily meet and greets with Scooby! is something for everyone. giant rafts through cavernous caves and sharp rocks. See numbers 33 to 49 on Park map. only children’s inverted coaster with a helix. Physical considerations. See Guest Services for details. See numbers 73 to 81 on the Park map. Physical considerations. See Guest Services for details. Hidden geysers wait to soak the unsuspecting rafter. Physical considerations. See Guest Services for details. Height requirement 112 cm / 44 inches (accompanied by a chaperone). Attraction rating 3. Physical considerations. See Guest Services for details. Playhouse Theatre An outdoor covered theatre for kids, featuring live character Nickelodeon Central shows all season long. This season's schedule includes A themed area designed for kids. Nickelodeon characters such as Blue, Dora Mighty Canadian Caillou, Clifford, Mona the Vampire, Franklin, Noo Noo and The Doodlebops. Show line up subject to change. the Explorer, Diego, Hey Arnold and Jimmy Mine Buster Action F/X Theatre Physical considerations. See Guest Services for details. Neutron are always close by for a hug and The Mighty Canadian Mine Buster SpongeBob SquarePants stars in a deep-sea a photo. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
1^ Date Rape Survivor Speaks at Colby
1^ Date ra pe survivor speaks at Colby get up to throw away his trash, she BY BROOKE subtly maneuvered over to the FITZSIMMONS same garbage barrel. They struck Staff Writer up a conversation, and things went from there. They studied together, On November 17, Colby stu- they spent time getting to know dents, faculty and administration one another, and after two weeks had the opportunity to attend "He they were not exactly dating, but Said, She Said," a lecture and dis- they were both very interested. cussion on date rape presented by One night Peter planned to take national speakers Katie Koestner her on a "real date" to a restaurant and Brett Sokolow. Koestner, who in Williamsburg. He wore a three- spoke on campus last year, was piece suit, she wore her tenth grade excited by the large student turn- homecoming dress. At the restau- out, especially from male students rant he ordered champagne, and although Koestner did not drink at at Colby. She commented that last Echo photo hy Melame Guryansky year she thought she "was at a the time, he persuaded her to have women's college and some of the Katie Koestner visits Colby. just one glass. He off ered to take women had brought their boy- something that happened in dark her to his house in Greece for the friends along." In the case of sexual alleys, the attacker was a stranger, summer under the condition that assault, both men and womenalike and the notion that a rapist could she would have sex when he should be aware of the risks, re- be a friend was not even consid- wanted to. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
The Lemonheads Kommer Til Pumpehuset Med Nyt Album I Bagagen
2018-12-04 15:30 CET The Lemonheads kommer til Pumpehuset med nyt album i bagagen. THE LEMONHEADS 4. MARTS 2019 PUMPEHUSET The Lemonheads’ frontmand, Evan Dando, har en besynderlig evne til at gøre et nummer til sit eget. Han vil kunne få en takeaway-ordre over telefonen til at lyde som en hjerteskærende sang der ville passe ind på enhver bar. Hans følsomme, modne, vokal har gjort ham til en af de store udtryksfulde sangere. The Lemonheads hylder helte som Nick Cave, The Bevis Frond, Yo La Tengo, Lucinda Williams og Paul Westerberg, når de fremfører deres unikke covernumre. Det er næsten 10 år siden The Lemonheads pludselig satte tingene på hold, efter udgivelsen af deres niende album ’Varshons’, der var livlig samling covernumre som fik en meget flot modtagelse. Evan Dandos, evne til at ”twang” med sin vokal fik covernumrene på ’Varshons’ til at lyde som en gammel jukebox og denne formel bliver ført videre på bandets kommende album, ’Varshons II’. Med en udgivelsesdato sat til 8. februar, kommer grunge- pop-heltene til Pumpehuset med en ny samling covernumre og viser hvordan man gør et nummer til sit eget, når de giver deres take på sange som The Eagles’ ’Take It Easy’, Lucinda Wiliams’ ’Abandoned’ m. fl. Billetpriser: 225 kr. + gebyr Billetsalget er starter fredag 7. december via livenation.dk og ticketmaster.dk. Live Nation er verdens førende producent og formidler af live entertainment oplevelser. På verdensplan bliver det til + 25.000 årlige koncerter og mere end 68 millioner solgte billetter. Live Nation Denmark er Danmarks førende koncertbureau med 40 engagerede medarbejdere der holder til på Frederiksberg Allé i København. -
Festival Di Majano 2020 Sum 41
COMUNICATO STAMPA Zenit srl in collaborazione con Pro Majano, Regione Friuli Venezia Giulia, PromoTurismo FVG, nell’ambito della 60° edizione del Festival di Majano presenta FESTIVAL DI MAJANO 2020 LE STAR DEL PUNK SUM 41 IN CONCERTO AL 60° FESTIVAL DI MAJANO FRA LE BAND CHE HANNO SEGNATO LA STORIA DEL PUNK ROCK INTERNAZIONALE VENDENDO OLTRE 15 MILIONI DI DISCHI NEL MONDO HANNO FIRMATO ALBUM MEMORABILI COME “ALL KILLER NO FILLER” (2001) E SUPER HIT COME “IN TOO DEEP” E “STILL WAITING” SARANNO SUL PALCO DI MAJANO IL PROSSIMO 14 AGOSTO PER L’UNICA DATA NEL NORD ITALIA DEL LORO NUOVO TOUR MONDIALE #FestivalMajano60 SUM 41 “No Personal Space Tour” Venerdì 14 agosto 2020, inizio ore 21.30 MAJANO (UDINE), AREA CONCERTI FESTIVAL Biglietti in vendita online su Ticketone.it e in tutti i punti vendita autorizzati dalle 10.00 di martedì 11 febbraio. Info e punti vendita autorizzati su www.azalea.it Secondo annuncio internazionale per il Festival di Majano, storica rassegna musicale, culturale e enogastronomica del Friuli Venezia Giulia che festeggia nel 2020 i suoi 60° anni attestandosi come una delle manifestazioni più longeve e di successo dell’estate. Dopo il concerto con protagonisti i Bad Religion, i cui biglietti sono andati in vendita nelle scorse settimane, ecco ufficializzato oggi l’arrivo delle star del punk rock mondiale Sum 41, che saranno straordinariamente in concerto sul palco dell’Aera Concerti il prossimo venerdì 14 agosto 2020. I biglietti per questo nuovo grande appuntamento musicale dell’estate, organizzato da Zenit srl, in collaborazione con Pro Majano, Regione Friuli Venezia Giulia, PromoTurismoFVG e Hub Music Factory, saranno in vendita online su Tiketone.it e in tutti i punti vendita del circuito dalle 10.00 di martedì 11 febbraio. -
Programming and Engagement Coordinator Kathleen Lacey, SWPACA Awards Coordinator and Michael K
#SWPACA17 Southwest Popular/American Culture Association 38th Annual Conference February 15–18, 2017 — Albuquerque, New Mexico Welcome 2017 Southwest Popular/American Culture Association Conference Bienvenidos a Albuquerque! Welcome to the 38th Annual Southwest Popular/American Culture Association Conference—we are so pleased that you have joined us. We look forward to sharing the week with the diverse group of scholars who join us here in Albuquerque this year. We have a full complement of panels this year, drawn from our 71 subject areas and ranging in topic from adaptation studies to zombie culture. We hope you will have opportunity to sample a variety of these offerings. In particular, we would like to highlight the Grateful Dead Scholars Caucus, which is celebrating its 20th anniversary at this year’s conference. You can locate the Grateful Dead in Grand Pavilion IV all week, where they will be holding 14 sessions over the course of four days. Join them as they consider the intersections between the band and cinema, philosophy, and literature, among other topics. To further commemorate this anniversary, David Gans will perform on Friday night with Albuquerque's own Dead cover band Let It Grow, at Low Spirits (2823 2nd Street NW). Doors open at 8:00pm, and the show starts at 9:00. Thank you, Nick Meriwether and all of the Caucus faithful, for your continued contributions to our organization. We are excited to announce our inaugural SWPACA film series, taking place on Thursday and Friday in Grand Pavilion I-II. Invited filmmakers will be screening their original work, with question-and-answer opportunities to follow.