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"Full Blown" Internship Program to Begin Professor for President Intel
c c Volume 10, Number 8 College at Lincoln Center, Fordham University, New York December 9, 1987 "Full Blown" Internship Program Intel campus Issues: Student To Begin Affairs Co-Op Loses Government Funding By Mary Kay Linge The Curriculum Committee of the College The demise of CLC's Cooperative Education Council meets this week to begin discussions on (Co-Op) Program, a result of budget cuts in the the form that the program will take, Stratford U.S. Department of Education, may give rise to said. Unlike the Co-Op Program, which match- an all-new internship program "that will make ed students with paid part-time positions in the a connection between the world of academics and field of their choice, "We're going to try to set the world of work," according to Career Plan- up a system of formalized internships" by the ning and Placement Director Bernie Stratford. fall of 1988, said Stratford. "The emphasis won't be on pay.'' Instead, students will probably work several hours a week, then meet together to earn classroom credit, he said —a system similar to the one used at the Rose Hill campus. The Co-Op Program, which had been operating for two years on a combination of federal and University funds, was ended this semester for a single reason: "purely Reaganomics," according to Adult Student Ser- vices Director Ully Hirsch, the administrator who had been responsible for obtaining the federal grant. Hirsch explained that, in order for the govern- ment to choose which schools among the 319 ap- NORMAND PARKNTF.AU plicants should receive funding, each one*had to submit a rigidly outlined proposal. -
PRESS RELEASE the Dallas Film Society Announces the Full
PRESS RELEASE The Dallas Film Society announces the full schedule for the 10th edition of the Dallas International Film Festival (April 14-24) Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award, and legendary director Monte Hellman will receive the first L.M. “Kit” Carson Maverick Award USA Network’s Queen of the South debuts first episode on the big screen as Centerpiece presentation Nine world premieres include Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, and the next episode in Randal Kleiser’s VR series, Defrost Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Strange Days: the American Media Debates the Doors, 1966-1971
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2015 Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Grascher, Maximillian F., "Strange Days: The American Media Debates The Doors, 1966-1971" (2015). UVM Honors College Senior Theses. 67. https://scholarworks.uvm.edu/hcoltheses/67 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher 2 Introduction Throughout the course of American history, there have been several prominent social and political revolutions carried out by citizens dissatisfied with the existing American institutions run by the government and its civil servants. Of these revolutions, Vietnam War and civil rights protest among youth in the 1960s was of the most influential, shaping American society in the decades to come. With US involvement in Vietnam escalating and the call for African-American civil rights becoming more insistent by the year, thousands of America’s youth took to the streets to protest the country’s foreign and domestic policies and to challenge the US government, much to the anger of America’s older generations. Artists played a critical role in the unrest, including musicians who encouraged a reformation of American society’s established norms through revolution. -
New York City Hardcore Punk and the Struggle for Inclusive Space
De Urbanitate. Tales of Urban Lives and Spaces 133 Don’t Forget the Streets: New York City Hardcore Punk and the Struggle for Inclusive Space Alan Parkes History Instructor, Long Beach Community College & California State University, Long Beach [email protected] KEYWORDS: New York City; punk; hardcore; youth crew; subculture; masculinity; straight edge; neoliberalism Mike Ferrero, a self-described “fucked up kid” from a small working class town in Connecticut, recalls his life changing after the first time he encountered hardcore punk in New York City in the early 1980s; “I walked away from my first CBGB’s matinee blown away. I was never going to miss another one of these. I could be half dead, but I’m going to make it to every matinee forever.”1 Hardcore, as the louder, faster, and more politically infused successor to punk, from then on played no small role in Ferrero’s life. It offered him a reprieve from difficulties at home and high school, which he described as a torture chamber. At matinees, he let out the week’s aggression on hardcore’s dancefloor and began to express himself through the creation of his own music. The formation of his band symbolized the actualization of a dream he conjured up to escape the realities of his life. In New York hardcore, bands, only distinct from fans by the instruments in their hands, shouted cries of “unity” amongst kids who wanted something more than the urban decay that surrounded their revered, egalitarian hardcore space. As Ferrero recalls, “All of a sudden I found this group of other fucked up kids, and then I didn’t feel so alone. -
The Beatles: Eight Days a Week – the Touring Years
1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials. -
Brevard Live December 2018
Brevard Live December 2018 - 1 2 - Brevard Live December 2018 Brevard Live December 2018 - 3 4 - Brevard Live December 2018 Brevard Live December 2018 - 5 6 - Brevard Live December 2018 Contents December 2018 FEATURES LOCAL LOWDOWN - WINTER SURFING SANTAS BL Contributor Steve Keller is mostly Columns interested in original music. On his quest There’s a very good reason folks along Charles Van Riper Florida’s Space Coast flock to Cocoa to spread the word he wrote his winter edition of his Local Lowdown - because 22 Political Satire Beach’s downtown oceanfront early in When I Was Your Age the morning on Christmas Eve. Every- just writing about one band - Kilt The one wants to watch the celebrated arrival Messenger - just wasn’t enoug. Calendars of the “Surfing Santas” Page 32 25 Live Entertainment, Page 11 LOU’S BLUES Concerts, Festivals This is a rumor controll. After the leg- endary Lou’s Blues was sold in October, GUESS WHO Buckingham Palace Guess Who is coming to town? The band BL met the new owner Michael for a sit- by Matt Bretz tours in support of their latest album, The down interview about the future of the 30 Human Satire Future is What it Used To Be, but they popular music venue. We got it from the are always touring. The blues rockers horse’s mouth: It’s still the spot for the from Canada will play a mix of their new best live music around. CD Reviews stuff and some golden oldies. Page 36 34 by Rob Pedrick Page 12 Rock Your Health HAL SCHWARZE 40 by Richard Hendry KILT THE MESSENGER His life is dedicated to his art which Kilt The Messenger can be described as includes songwriting and creating con- The Dope Doctor eclectic, raw, folk rock. -
Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers. -
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M. -
Complete Document
Joni Mitchell - A Chronology of Appearances v5.5 This work-in-progress lists all known appearances, drawn from a variety of sources. Researched, Compiled, and Maintained by Simon Montgomery, © 2001 Special thanks to Joel Bernstein for his contributions and assistance. Unless otherwise noted, appearances took place in the U.S. Appearances in Canada are denoted by city and province. Date format is YYYY.MM.DD Unconfirmed information is highlighted. Latest Update: May 23, 2021 Please send comments, corrections or additions to: [email protected] © Ed Thrasher - March 1968 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1962 1962 Waskesiu Lake Waskesiu, SK According to Joni, “I started making music…in Saskatchewan mostly up at northern lakes, up around Lake Waskesiu … it was just self-entertainment with the gang then.” 1962.10.31 The Louis Riel Saskatoon, SK Joni’s first paid performance 1962.11.05 The Louis Riel Saskatoon, SK 1962.11.14 The Louis Riel Saskatoon, SK _______________________________________________________________________________ 1963 1963 The Louis Riel Saskatoon, SK Joni participated in weekly “Hoot Nights” playing her ukulele. 1963 Informal Recording - Radio Station CFQC-AM Saskatoon, SK 1963.08 For Men Only–CKBI-TV Prince Albert, SK Nineteen-year-old Joni Anderson was booked as a one-time replacement for a late-night moose-hunting show. During the program Joni was interviewed and performed several songs accompanying herself on baritone ukulele. -
Karaoke Catalog Updated On: 17/12/2016 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 17/12/2016 Sing online on www.karafun.com In English Karaoke Songs (H?D) Planet Earth My One And Only Hawaiian Hula Eyes Blackout I Love My Baby (My Baby Loves Me) On The Beach At Waikiki Other Side I'll Build A Stairway To Paradise Deep In The Heart Of Texas 10 Years My Blue Heaven What Are You Doing New Year's Eve Through The Iris What Can I Say After I Say I'm Sorry Long Ago And Far Away 10,000 Maniacs When You're Smiling (The Whole World Smiles With Bésame mucho (English Vocal) Because The Night 'S Wonderful For Me And My Gal 10CC 1930s Standards 'Til Then Dreadlock Holiday Let's Call The Whole Thing Off Daddy's Little Girl I'm Not In Love Heartaches The Old Lamplighter The Things We Do For Love Cheek To Cheek Someday You'll Want Me To Want You Rubber Bullets Love Is Sweeping The Country That Old Black Magic (Woman Voice) Life Is A Minestrone My Romance That Old Black Magic (Man Voice) 112 It's Time To Say Aloha I Know Why (And So Do You) DUET Cupid We Gather Together Aren't You Glad You're You Peaches And Cream Kumbaya (I've Got A Gal In) Kalamazoo 12 Gauge The Last Time I Saw Paris My One And Only Highland Fling Dunkie Butt All The Things You Are No Love No Nothin' 12 Stones Smoke Gets In Your Eyes Personality Far Away Begin The Beguine Sunday, Monday Or Always Crash I Love A Parade This Heart Of Mine 1800s Standards I Love A Parade (short version) Mister Meadowlark Home Sweet Home I'm Gonna Sit Right Down And Write Myself A Letter 1950s Standards Home On The Range Body And Soul Get Me To The Church On -
THIS IS YOUR SCHOOL on Researchers Explore an App To
We aren’t publishing Friday, so don’t forget to check the Kvetching Board today! Serving UNC students and the University community since 1893 Volume 120, Issue 26 dailytarheel.com Thursday, April 5, 2012 Drug use at UNC In 2011, a random sample of 6,000 UNC students showed which controlled substances individuals have reported using THIS IS YOUR SCHOOL ON within a year of the survey. Marijuana was the most common, with amphetamines at a distant second. 6.2% 1.0% Amphetamines 37.1% Steroids Drug use in the UNC system DRUGSCampus population size does not always correlate with the proportion of drug-related arrests. Drug examples Appalachian State University, which ranks 6th in population size, had the most arrests. Amphetamines 5.8% Fayetteville State University Speed, Meth UNC-Pembroke Elizabeth City State University Designer drugs UNC-Wilmington Spice, Ecstasy UNC-Asheville Hallucinogens UNC-Charlotte Sedatives 3.0% N.C. A&T State University Downers, Ludes Marijuana Winston Salem State University 6.0% N.C. Central University Hallucinogens 1.9% Western Carolina University Cocaine LSD, PSP 3.7% UNC-Chapel Hill 2.1% N.C. State University Inhalants Designer drugs Opiates East Carolina University Glue, Gas 1.9% UNC-Greensboro Sedatives Other drugs Appalachian State University Opiates 35,000 28,000 21,000 14,000 7,000 0 0 200 400 600 Heroin, Smack Inhalants Population Reported drug charges since 2007 * The survey is voluntary. Of the 6,000 students asked to participate, roughly 30% responded, according to the Dean of Students oce. SOURCE: THE UNC CORE DRUG AND ALCOHOL SURVEY, HTTP://OPE.ED.GOV, ASSISTANT DEAN OF STUDENTS DEAN BLACKBURN DTH/ MEG WRATHER bongs, pipes and grinders that go survey found that drug use among include the marijuana substitute In treatment The use of certain drugs with it — he has batches of psy- UNC-CH students is increasing.