DOCSLIB.ORG

The a Journalhub About Creation Initiated Bypaper DC Shoes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The a Journalhub About Creation Initiated Bypaper DC Shoes The A journalHUB about creation initiated byPaper DC Shoes Issue 3 - Spring 2013 Bristol LE Shoe By Visionary stArti ww w.chloetrujillo.com Chloé Trujillo Artist Project More information on available April 2013 dcshoes.com/life TheIssue 3 - Spring HUB2013 - A journal about creation Paper initiated by DC Shoes 78/L#+G40)'-$':2/'5M='p.4 & 5 :2/'5#$'M@4'p.6 FG@0/I'p.8 Rebekah p.10 Kenneth Ploquin - DROP IN p.11 Jason Jägel p.12 N/L#%'K)+%4'p.14 Jeff Decker p.16 Mr and Mrs Sabotage p.18 1-83/'./E$+%'p.22 O0-L-'O0++84'p.26 European Snapshots : Cork p.28 :A2-%/'D3G)-%'p.34 European Snapshots : Istanbul p.36 W1910 p.42 A concept by Emmanuel Labadie DC Shoes Europe, 162 rue Belharra, Art direction and design by Christophe Victoor 64500 St Jean de Luz, France !"#$#%&'()'*+`-'./(#+0+ 1-%)'$2-%34'$+'.#-00'5-44/$'678#9/':#9/;<' The HUB by DC Shoes, 15 rue Montorgueil, 5-3-%'=/8(/80/8'67+>#$#?'*@+8$;<'*A+$$'B' 75001 Paris, France *-%$WB%&/0+'6B83#$#@;<'1-83'DE/%4<'B"-9' dcshoes.com - facebook.com/dceurope FG@G#4'-%"'=/%+#$'H+@#%'64+#I-%$/4/#>/J4+#I- [email protected] -%$/"#I4/@$;<'1-8A#%'K/E-%"+E43#'6A+L/8; Previously at The HUB .!M!'-$':2/'5M= We presented the contemporary artistic duo Neue’s “We never use frames to show our work. For us, the raw exhibition back in October 2012. Nicolas Choyé and Esteban feeling of photographs directly nailed on a wall is much more Gonzalez met 9 years ago and ever since have been organic” explains Esteban Gonzalez. “We want visitors to feel developing ways to express their art through unexpected close the art, not intimidated by it.” Exclusive to The HUB, mediums. For their exhibition at The HUB, Neue exhibited Neue produced unique skateboard decks using an argentic photographs, drawings and paintings through the eyes of photography development process, as well as series of found objects. postcards. 4 11-L'-$':2/'5M= Parisian duo MMav (“Mon Moulin A Vent” / “My Windmill”) illustrations highlighted by a symmetrical pattern; two dyptics presented their exhibition at The HUB in January 2013. Rey on skateboard decks and a 1m by 1m hand drawn and Mutt, the two masterminds behind MMav, created a new transparent plexiglas piece. The exhibition also presented a !"#$%"&%'"()%#*Y,*#%!$%-.*/(%0/1,2-3(*%2*0-.*-/4%*05*4/266$% series of original artworks by each artist, including three for The HUB. The two worked together on a series of three pieces that will be used by DC Shoes for a Curated by The kakemonos applying their intricate technique to the HUB capsule collection in Spring 2014. 5 :2/'5#$'M@4 The Hit Ups is a Bristol (UK) based 5-piece band with a stage many iterations and developments of who we are, individually craft that is meticulous in its chaos! We have been following and as Team THU, it is too personal to announce so easily. If their music for a while, and we will soon have the chance to people work it out, they’ll work us out. We’re going to have welcome them at the DROP IN studio. to think of some kind of initiation for those that get it... How did you all meet ? !"#$%&#'%$"(%Y*'$%$*#+,%-./%*(+.*0(0%#'%1"(%23$%45'6 The Hit Ups is made up of Lewis on thunder drums, Nick on The First track we ever recorded was a track called K.I.D.S. synth wail machines, Charlie on guitar and distortion duties, 2,#%Y--/,16$%'*%'*(*%266%(*266$%$"3,1%2-%-.*%-/7*8%924)%-.*,% Josh on vocals and head whipping and Samuel on bass '*%'*(*%'2$%7"(*%0)2:53,)%/,Z3*,4*#%20%'*%266%1(*'%35% rumble! Our connections together stretch way back into the on that musical diet! All we really wanted to do was play depths of history but we were brought together by ill omens, ."30*%52(-/*0%2,#%!*%"6#%*,"31.%-"%!3$%!**(%<-.*%Y(0-%52(-% inspired friendships, teen angst, and the best of enemies... hasn’t really changed much). It was a really important time for us all as it made us want to really play live music, and that Where does the name ‘The Hit Ups’ come from? desire really fused us together and eventually pushed us in the direction we’re heading today. When we were born as a band the meaning didn’t seem so intimate. But, now the acronym has been held through so 6 What is your best gig memory? =-P0%2%(*266$%#/&Y436-%?3*0-/",%-"%2,0'*(8%@/&&*(*,-%1/10%0-2,#% out for different reasons. We’ve had amazing festival slots where you’re playing to huge crowds and the festival atmosphere is totally electric… But some of our favorite shows have been in sweaty basements with no stage where people can just totally lose their shit and get wild with us! Some shows are great because you connect with people, others are amazing because you convert people to your music… Any funny stories about your recent tour? The photos and videos tell it better than words for sure! You can check them out on our Facebook, Twitter and Instagram <A30-%0*2(4.%B-.*./-350%",%266%"&%-.*7%-"%Y,#%308CD%93-%252(-% from that we’ve met some totally insane people, slept on bus 0-2-/",%Z""(0E%#(2,)%-""%734.E%*2-*,%-""%6/--6*E%4./55*#%-**-.E% -"(,%73046*0%2,#%.2#%FGH%-""%734.%&3,D%I"(%"3(%Y(0- proper tour it’s been absolutely amazing. It’s great to be getting out there and bringing our music to totally new crowds. What can we expect in the future from the band? We’re currently working on a heap of new things but we’re keeping our lips quite sealed about them. We’ll be back in the studio soon and we’ll begin plotting our next tour in the ,*J-%7",-.%"(%0"D%F*P66%260"%!*%-(2K*6/,1%&3(-.*(%2Y*6#%2,#% attempting to recruit as many people to The Hit Ups army as possible. But people can expect big things, sweat, un-deniable- dance-punk, more chipped teeth, more parties! We’ll see you in your town soon! www.thehitups.com FG@0/I The Parisian based artists from Duplex recently came to the We are both attracted by big american production, massive studio DROP IN to record a few exclusive tracks with us. We sounds, that “plus-vrai-que-nature” feeling of listening to a speak with Gaspard Murphy about the development of this song on your iPod and imagining big things. But we wanted it very promising band. Photos by David Manaud to be in French. Tom came up with the name Duplex and it had so much meaning: we write in a two story apartment, it’s !"#$P'%-./*%8#+,9*./:06 two of us, we always feel like the music has two levels to it. Also when I was in New York we were working “en duplex”... Duplex is Gaspard Murphy (guitar and vocals) and Tom F*%Y,#%,*'%7*2,/,10%*K*($#2$D%L630E%'*%-./,)%/-%0"3,#0%(*26- Daveau (drums). The two of us being multi-instrumentalists, ly good! The style of music you make is never obvious to the we play all of the instruments in the studio. I play bass, one who’s making it. But I’d say that the keyboards and do all the programming, while Tom plays energy of our music is completely rock oriented. The songs keyboards and performs any percussive element. are always driven by drums, guitars and vocals. We are also Live, Duplex adds Amaury Belair (guitar, keyboards, vocals) always trying to keep it pop, and have big choruses and create and Florance David (bass, vocals) to the line-up. They are both as many musical orgasms as we can! Which isn’t always easy. incredibly talented and really help us in re-creating the We listen to so much music that we always try and arrangements. /,4"(5"(2-*%*6*7*,-0%"&%-./,10%-.2-%'*%Y,#%*J4/-/,1D%M.*(*P0% Tom and I are both from Paris, we met when we were 16 #*Y,/-*6$%2,%*6*4-("%/,Z3*,4*N%/-P0%.2(#%-"%*0425*%/,%I(2,4*% and quickly became best friends. Hanging out all the time and with bands like Daft Punk, Justice or Phoenix! But we are also listening to 80’s rock and french electro. We played in some fans of more traditional modern rock bands like The Strokes, bands together at the time and we would also rehearse our Kings Of Leon or Arcade Fire. I’m also a fan of some older instruments together, but I don’t think we ever thought of French acts like Alain Bashung, Noir Désir, Télephone and making music together as seriously as we do now with Serge Gainsbourg of course! There is no music that we don’t Duplex. listen to, and we try to learn and incorporate new things all I think by the time we were 18 we knew that we wanted to the time. dedicate our life to music. Nothing else made us happier. Live, it’s going to be all about the show and delivering To this day we are always getting excited by music, whether something great, delivering heat. We wanted to make it a it’s a new song we are writing, a new song by an artist we like, four-piece band because it’s such an emblematic way to play a new piece of gear, a new artist we disocver..
Load more

Recommended publications
  • "Full Blown" Internship Program to Begin Professor for President Intel
    c c Volume 10, Number 8 College at Lincoln Center, Fordham University, New York December 9, 1987 "Full Blown" Internship Program Intel campus Issues: Student To Begin Affairs Co-Op Loses Government Funding By Mary Kay Linge The Curriculum Committee of the College The demise of CLC's Cooperative Education Council meets this week to begin discussions on (Co-Op) Program, a result of budget cuts in the the form that the program will take, Stratford U.S. Department of Education, may give rise to said. Unlike the Co-Op Program, which match- an all-new internship program "that will make ed students with paid part-time positions in the a connection between the world of academics and field of their choice, "We're going to try to set the world of work," according to Career Plan- up a system of formalized internships" by the ning and Placement Director Bernie Stratford. fall of 1988, said Stratford. "The emphasis won't be on pay.'' Instead, students will probably work several hours a week, then meet together to earn classroom credit, he said —a system similar to the one used at the Rose Hill campus. The Co-Op Program, which had been operating for two years on a combination of federal and University funds, was ended this semester for a single reason: "purely Reaganomics," according to Adult Student Ser- vices Director Ully Hirsch, the administrator who had been responsible for obtaining the federal grant. Hirsch explained that, in order for the govern- ment to choose which schools among the 319 ap- NORMAND PARKNTF.AU plicants should receive funding, each one*had to submit a rigidly outlined proposal.
    [Show full text]
  • PRESS RELEASE the Dallas Film Society Announces the Full
    PRESS RELEASE The Dallas Film Society announces the full schedule for the 10th edition of the Dallas International Film Festival (April 14-24) Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award, and legendary director Monte Hellman will receive the first L.M. “Kit” Carson Maverick Award USA Network’s Queen of the South debuts first episode on the big screen as Centerpiece presentation Nine world premieres include Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, and the next episode in Randal Kleiser’s VR series, Defrost Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Strange Days: the American Media Debates the Doors, 1966-1971
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2015 Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Grascher, Maximillian F., "Strange Days: The American Media Debates The Doors, 1966-1971" (2015). UVM Honors College Senior Theses. 67. https://scholarworks.uvm.edu/hcoltheses/67 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher 2 Introduction Throughout the course of American history, there have been several prominent social and political revolutions carried out by citizens dissatisfied with the existing American institutions run by the government and its civil servants. Of these revolutions, Vietnam War and civil rights protest among youth in the 1960s was of the most influential, shaping American society in the decades to come. With US involvement in Vietnam escalating and the call for African-American civil rights becoming more insistent by the year, thousands of America’s youth took to the streets to protest the country’s foreign and domestic policies and to challenge the US government, much to the anger of America’s older generations. Artists played a critical role in the unrest, including musicians who encouraged a reformation of American society’s established norms through revolution.
    [Show full text]
  • New York City Hardcore Punk and the Struggle for Inclusive Space
    De Urbanitate. Tales of Urban Lives and Spaces 133 Don’t Forget the Streets: New York City Hardcore Punk and the Struggle for Inclusive Space Alan Parkes History Instructor, Long Beach Community College & California State University, Long Beach [email protected] KEYWORDS: New York City; punk; hardcore; youth crew; subculture; masculinity; straight edge; neoliberalism Mike Ferrero, a self-described “fucked up kid” from a small working class town in Connecticut, recalls his life changing after the first time he encountered hardcore punk in New York City in the early 1980s; “I walked away from my first CBGB’s matinee blown away. I was never going to miss another one of these. I could be half dead, but I’m going to make it to every matinee forever.”1 Hardcore, as the louder, faster, and more politically infused successor to punk, from then on played no small role in Ferrero’s life. It offered him a reprieve from difficulties at home and high school, which he described as a torture chamber. At matinees, he let out the week’s aggression on hardcore’s dancefloor and began to express himself through the creation of his own music. The formation of his band symbolized the actualization of a dream he conjured up to escape the realities of his life. In New York hardcore, bands, only distinct from fans by the instruments in their hands, shouted cries of “unity” amongst kids who wanted something more than the urban decay that surrounded their revered, egalitarian hardcore space. As Ferrero recalls, “All of a sudden I found this group of other fucked up kids, and then I didn’t feel so alone.
    [Show full text]
  • The Beatles: Eight Days a Week – the Touring Years
    1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials.
    [Show full text]
  • Brevard Live December 2018
    Brevard Live December 2018 - 1 2 - Brevard Live December 2018 Brevard Live December 2018 - 3 4 - Brevard Live December 2018 Brevard Live December 2018 - 5 6 - Brevard Live December 2018 Contents December 2018 FEATURES LOCAL LOWDOWN - WINTER SURFING SANTAS BL Contributor Steve Keller is mostly Columns interested in original music. On his quest There’s a very good reason folks along Charles Van Riper Florida’s Space Coast flock to Cocoa to spread the word he wrote his winter edition of his Local Lowdown - because 22 Political Satire Beach’s downtown oceanfront early in When I Was Your Age the morning on Christmas Eve. Every- just writing about one band - Kilt The one wants to watch the celebrated arrival Messenger - just wasn’t enoug. Calendars of the “Surfing Santas” Page 32 25 Live Entertainment, Page 11 LOU’S BLUES Concerts, Festivals This is a rumor controll. After the leg- endary Lou’s Blues was sold in October, GUESS WHO Buckingham Palace Guess Who is coming to town? The band BL met the new owner Michael for a sit- by Matt Bretz tours in support of their latest album, The down interview about the future of the 30 Human Satire Future is What it Used To Be, but they popular music venue. We got it from the are always touring. The blues rockers horse’s mouth: It’s still the spot for the from Canada will play a mix of their new best live music around. CD Reviews stuff and some golden oldies. Page 36 34 by Rob Pedrick Page 12 Rock Your Health HAL SCHWARZE 40 by Richard Hendry KILT THE MESSENGER His life is dedicated to his art which Kilt The Messenger can be described as includes songwriting and creating con- The Dope Doctor eclectic, raw, folk rock.
    [Show full text]
  • Flaw My Letter Lyrics
    Flaw My Letter Lyrics Nihilism Guy wonder unmercifully and soothingly, she chunters her cession ladders indoors. Adorable Sloane blemishes unorthodoxly. Regular Tito feudalizes e'er. Music library on the ranks for an apple media services to play it blessed my cd and find friends would love of my letter lyrics to provide our services Top hammer Rock Albums chart. Gold records followed two or conditions of flaw my letter that we started simple and any time. Following the completion of his lineup, online or off, their Fear Factory. Plan once again before each renewal date with others will try one else can change this product share your entire music membership has you want. If allow change to mind, part of fever best songs I have again heard. Find them in life flaw recorded their own label, or host a haunting voice in a well of their own intern. Lyrics of 'My niche' by job This ruin my letter to limit We started following of certain description We started simple craft fair once again then there wasn't. March Metal Meltdown festival in New Jersey. Engadget in an email. Artist Flaw thinking We started following outline certain description We started simple and fair once again whether there wasn't any need more an answer Things were. Please report such bugs using your entire music student plan automatically renew automatically renews monthly until automatic renewal has been renewed for bands like. All time and interaction data with only one more year of flaw: we started following a couple of other new features? Inside, force fed corporate trials each digit, or twice on the ones you love.
    [Show full text]
  • Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
    MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M.
    [Show full text]
  • Complete Document
    Joni Mitchell - A Chronology of Appearances v5.5 This work-in-progress lists all known appearances, drawn from a variety of sources. Researched, Compiled, and Maintained by Simon Montgomery, © 2001 Special thanks to Joel Bernstein for his contributions and assistance. Unless otherwise noted, appearances took place in the U.S. Appearances in Canada are denoted by city and province. Date format is YYYY.MM.DD Unconfirmed information is highlighted. Latest Update: May 23, 2021 Please send comments, corrections or additions to: [email protected] © Ed Thrasher - March 1968 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1962 1962 Waskesiu Lake Waskesiu, SK According to Joni, “I started making music…in Saskatchewan mostly up at northern lakes, up around Lake Waskesiu … it was just self-entertainment with the gang then.” 1962.10.31 The Louis Riel Saskatoon, SK Joni’s first paid performance 1962.11.05 The Louis Riel Saskatoon, SK 1962.11.14 The Louis Riel Saskatoon, SK _______________________________________________________________________________ 1963 1963 The Louis Riel Saskatoon, SK Joni participated in weekly “Hoot Nights” playing her ukulele. 1963 Informal Recording - Radio Station CFQC-AM Saskatoon, SK 1963.08 For Men Only–CKBI-TV Prince Albert, SK Nineteen-year-old Joni Anderson was booked as a one-time replacement for a late-night moose-hunting show. During the program Joni was interviewed and performed several songs accompanying herself on baritone ukulele.
    [Show full text]
  • Karaoke Catalog Updated On: 17/12/2016 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 17/12/2016 Sing online on www.karafun.com In English Karaoke Songs (H?D) Planet Earth My One And Only Hawaiian Hula Eyes Blackout I Love My Baby (My Baby Loves Me) On The Beach At Waikiki Other Side I'll Build A Stairway To Paradise Deep In The Heart Of Texas 10 Years My Blue Heaven What Are You Doing New Year's Eve Through The Iris What Can I Say After I Say I'm Sorry Long Ago And Far Away 10,000 Maniacs When You're Smiling (The Whole World Smiles With Bésame mucho (English Vocal) Because The Night 'S Wonderful For Me And My Gal 10CC 1930s Standards 'Til Then Dreadlock Holiday Let's Call The Whole Thing Off Daddy's Little Girl I'm Not In Love Heartaches The Old Lamplighter The Things We Do For Love Cheek To Cheek Someday You'll Want Me To Want You Rubber Bullets Love Is Sweeping The Country That Old Black Magic (Woman Voice) Life Is A Minestrone My Romance That Old Black Magic (Man Voice) 112 It's Time To Say Aloha I Know Why (And So Do You) DUET Cupid We Gather Together Aren't You Glad You're You Peaches And Cream Kumbaya (I've Got A Gal In) Kalamazoo 12 Gauge The Last Time I Saw Paris My One And Only Highland Fling Dunkie Butt All The Things You Are No Love No Nothin' 12 Stones Smoke Gets In Your Eyes Personality Far Away Begin The Beguine Sunday, Monday Or Always Crash I Love A Parade This Heart Of Mine 1800s Standards I Love A Parade (short version) Mister Meadowlark Home Sweet Home I'm Gonna Sit Right Down And Write Myself A Letter 1950s Standards Home On The Range Body And Soul Get Me To The Church On
    [Show full text]