Ikenga Cultic Symbol and Structural Representation of the Igbo Enterprise
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208, (Issn: 2276-8645) 197 S
International Journal of Social Sciences and Humanities Reviews Vol.8 No.1, April 2018; p.197 – 208, (ISSN: 2276-8645) SUPERNATURALISM IN AFRICAN LITERATURE A STUDY OF LAYE’S THE AFRICAN CHILD AND AMADI’S THE CONCUBINE CHINYERE OJIAKOR (Ph.D) Department of English Madonna University Nigeria [email protected] & NKECHI EZENWAMADU (Ph.D) Department of English Madonna University Nigeria [email protected] Abstract This article x-rays the existence of the supernatural and their influence on mankind which has become a pre-dominant factor that has gained prominence and importance from time immemorial, and how writers have tried to project this concept in their literary engagements. In an attempt to establish this argument, the researcher explored Elechi Amadi's The Concubine and Camara Laye's The African Child. These novels depict and explore the idea of the supernatural in various manifestations and they are rich in supernatural and are rooted in the mythology and traditional African belief of supernaturalism. Supernaturalism is the belief that there are beings, forces, and phenomena such as God, angels or miracles which interact with the physical universe in remarkable and unique ways. The African man had begun to have some conceptions about the spiritual or mysterious essence of some natural phenomena and had begun to interpret his life in tandem with the "unknown". Opponents of these beliefs seem to pose the question: are there forces beyond the natural forces studied by physics and ways of sensing that go beyond our biological senses and instruments? They recognized that there may always be things outside the realm of human understanding as of yet unconfirmed which the African, not been able to research deeply on it, would term "supernatural". -
History of Seventh-Day Adventist Church in Igboland (1923 – 2010 )
NJOKU, MOSES CHIDI PG/Ph.D/09/51692 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010 ) FACULTY OF THE SOCIAL SCIENCES DEPARTMENT OF RELIGION Digitally Signed by : Content manager’s Name Fred Attah DN : CN = Webmaster’s name O= University of Nigeri a, Nsukka OU = Innovation Centre 1 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010) A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AND CULTURAL STUDIES, FACULTY OF THE SOCIAL SCIENCES UNIVERSITY OF NIGERIA, NSUKKA IN PARTIAL FULFILMENT FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) DEGREE IN RELIGION BY NJOKU, MOSES CHIDI PG/Ph.D/09/51692 SUPERVISOR: REV. FR. PROF. H. C. ACHUNIKE 2014 Approval Page 2 This thesis has been approved for the Department of Religion and Cultural Studies, University of Nigeria, Nsukka By --------------------------------------------- ------------------------------ Rev. Fr. Prof. H. C. Achunike Date Supervisor -------------------------------------------- ------------------------------ External Examiner Date Prof Musa Gaiya --------------------------------------------- ------------------------------ Internal Examiner Date Prof C.O.T. Ugwu -------------------------------------------- ------------------------------ Internal Examiner Date Prof Agha U. Agha -------------------------------------------- ------------------------------ Head of Department Date Rev. Fr. Prof H.C. Achunike --------------------------------------------- ------------------------------ Dean of Faculty Date Prof I.A. Madu Certification 3 We certify that this thesis -
Saharan Africa: the Igbo Paradigm
Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value. -
L'aula D'idioma Com a Mitjà D'integració I D'enriquiment
L’AULA D’IDIOMA COM A MITJÀ D’INTEGRACIÓ I D’ENRIQUIMENT MULTICULCULTURAL José Luis Bartolomé Sánchez Curs 2004-2005 Centre de treball: IES Montsacopa (Olot, Garrotxa) Especialitat: Llengua anglesa Supervisió: Neus Serra (Servei Inspecció Delegació Territorial d’Educació de Girona) Llicència d’estudis retribuïda concedida pel Departament d’Educació de la Generalitat, Resolució del 16 de juliol de 2004 (DOGC núm. 4182 de 26.7. 2004) “The White Man Drew a Small Circle” The white man drew a small circle in the sand and told the red man, 'This is what the Indian knows,' and drawing a big circle around the small one, 'This is what the white man knows.' The Indian took the stick and swept an immense ring around both circles: 'This is where the white man and the red man know nothing.' Carl Sandburg « L'home blanc va dibuixar un cercle petit » L'home blanc va dibuixar un cerce petit a la sorra i va dir al pell roja: "Això és els que coneixeu els indis" i tot seguit va dibuixar un cercle gran al voltant del petit: "Això és el que coneixem els homes blancs." L'indi va agafar el pal i va escombrar un enorme cercle al voltant dels altres dos: "Això és on ni l'home blanc ni el pell roja no coneixen gens". 2 3 4 5 Índex Pàgina Introducció 7 Greencards for Cultural Integration 11 Readers 113 - Around the world in ten Tintin books 118 - Australia 129 - America 139 - Far and Middle East 155 - Africa 177 - Far East. China & India 217 Pop Songs 249 Movies 357 Conclusions 428 Bibliografia 433 6 INTRODUCCIÓ 7 L'experiència personal dels darrers anys com a docent d'institut en un municipi amb un augment espectacular de l'arribada de famílies i alumnes d'altres països m'ha fet veure que l'entrebanc principal de contacte amb aquestes persones -l'idioma- resulta de vegades paradoxal. -
Z Em a N Ek-Mü N Ster
Zemanek-Münster www.tribal-art-auktion.de Tribal Art Auktion 80 27. Juni 2015 Würzburg Zemanek-Münster Auktion 80 Tribal ArtTribal 27 Juni 2015 Würzburg Zemanek-Münster 80.Tribal Art (190. Auktion) Zemanek-Münster Würzburg Samstag, 27. Juni 2015 – 2 – Ansprechpartner / Contact Vorbesichtigung Preview 24. bis 26. Juni 2015 – 10:00 bis 19:00 Uhr 24th to 26th June 2015 – 10:00 am to 7:00 pm 27. Juni 2015 – 9:00 bis 13:30 Uhr 27th June 2015 – 9:00 am to 1:30 pm Karin Zemanek-Münster Ernst Zemanek David Zemanek Auktion Auction Geschäftsführung Geschäftsführung Master Ethnologie Auktionatorin Auktionator Afrika / Ozeanien Würzburg, Auktionshaus Würzburg, auction house Auktionator Samstag, 27. Juni 2015 – 14:00 Uhr Saturday, 27th June 2015 – 2:00 pm Hinweis nächste Auktion Be advised next auction Unsere 81. Tribal Art Auktion findet statt Our 81st Tribal Art Auction will take place am 31. Oktober 2015. on the 31st of October 2015 Howard Nowes Bren Heymans Petra Felder Master History of Art Repräsentant Belgien/ M.A. Kunstgeschichte Kunstauktionshaus Zemanek-Münster Präkolumbien / Antiken Niederlande Redaktion / Marketing 97070 Würzburg Berater für Ethnographie Hörleingasse 3 - 5 / Schildhof 2 Tel. +49 9 31 1 77 21 Fax. +49 9 31 1 77 36 [email protected] www.tribal-art-auktion.de Inhaber / Owner Karin Zemanek-Münster e.K. Öffentlich bestellte und vereidigte Kunstauktionatorin Sabine Reis Eva Rübig Nadine Waldmann Repräsentanten / Representatives M.A.Kunstgeschichte Marketing M.A. Kunstgeschichte Katalogbearbeitung Katalogbearbeitung Katalogbearbeitung Belgien & Niederlande Tel. 0032 (0)475 965 220 USA Zemanek-Münster c/o Ancient Art – Art of Eternity 303 East 81st Street, New York City, NY 10028 Impressum Bankverbindung Redaktion / Editor: Petra Felder M.A. -
The Land Has Changed: History, Society and Gender in Colonial Eastern Nigeria
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2010 The land has changed: history, society and gender in colonial Eastern Nigeria Korieh, Chima J. University of Calgary Press Chima J. Korieh. "The land has changed: history, society and gender in colonial Eastern Nigeria". Series: Africa, missing voices series 6, University of Calgary Press, Calgary, Alberta, 2010. http://hdl.handle.net/1880/48254 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com THE LAND HAS CHANGED History, Society and Gender in Colonial Eastern Nigeria Chima J. Korieh ISBN 978-1-55238-545-6 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Conflicts Between African Traditional Religion and Christianity in Eastern Nigeria: the Igbo Example
SGOXXX10.1177/2158244017709322SAGE OpenOkeke et al. 709322research-article2017 Article SAGE Open April-June 2017: 1 –10 Conflicts Between African Traditional © The Author(s) 2017 https://doi.org/10.1177/2158244017709322DOI: 10.1177/2158244017709322 Religion and Christianity in Eastern journals.sagepub.com/home/sgo Nigeria: The Igbo Example Chukwuma O. Okeke1, Christopher N. Ibenwa1, and Gloria Tochukwu Okeke1 Abstract Conflict is a universal phenomenon that is inevitable in human interaction. Hence, it cannot be avoided in the interaction between Christianity and African Traditional Religion. Since Christianity came in contact with the traditional religion, there has always been a sharp conflict between traditionalists and Christians. This bitter conflict has led to wanton destruction of lives and property, and this has become a source of great worry to the writers. This work investigates the conflicts existing between the two religions since the introduction of Christianity in Igbo land. It examines the nature, pattern, rationale for the conflicts. The method adopted by this study is qualitative and comparative. Both oral interviews and library materials were used. The study validates the following: There is occasional destruction of lives and property and demolition of the people’s artifacts and groves by Christians, and this has led to reduction in the sources of income of the people, and in the tourist sites available in most Igbo towns. It also led to syncretism in the people’s culture. Finally, it helped in refining some obnoxious beliefs and practices of the Igbo race. Keywords Igbo, conflict, criminology, social sciences, ATR, Christianity, culture Introduction the first human inhabitants of Igbo land must have come from areas further north, possibly from the Niger confluence. -
The Typology of Spirits in Igbo-African Ontology: a Discourse in Existential Metaphysics
IDEA – Studia nad strukturą i rozwojem pojęć filozoficznych XXIX/2 Białystok 2017 Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri (Abuja, Okada, Nigeria) THE TYPOLOGY OF SPIRITS IN IGBO-AFRICAN ONTOLOGY: A DISCOURSE IN EXISTENTIAL METAPHYSICS Introduction Gleaning from tradition, history, experience and research, it is bare-faced that the African ontology is incomplete without the transcendental and meta- physical domain. As a matter of fact what differentiates the African ontology from others is the seeming inevitable alliance between the physical and the su- per-physical realm. A typical explanation and illustration of this submission is blatant in Edeh’s work Towards an Igbo Metaphysics (1985) where he outlined the three broad categories of beings with sub-categories. The first category is: Spirit and Forces. The subs in descending order are (i) the Supreme Deity (Chukwu/Chineke (ii) Powerful Spirit (Agbara) (ii) Ancestral Spirit (Ndichie) (iv) Spirit of the dead, (v) human Spirit, (vi) Spirit associated with the persona- lity of all things, (vii) forces which may be phenomena, or related to certain human endeavours, (viii) forces which are immanent in natural objects, (ix) Evil spirit- devil (akalaogoli, ogbanje). In the second category: Human being (Madu) in descending order (i) Priests (Ndiezemmuo) (ii) Diviners (DibiaAfa), (iii) Medicine men (NdidibiaOgwu), (iv) Elders (NdiOkenye) (v) Wealthy/titled men (NdiOgaranya/NdiNzenaozo), (vi) Ordinary men (Ndiefu) (vii) Women and children, (viii) the unborn. In the last category are: (i) Animals (including birds and insects), (ii) Plants, (iii) inanimate objects and elements. Interestingly Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri 318 and most importantly for this research, each of these beings is permeated by spi- rits and forces. -
The Sacred Festival of Iri Ji Ohuru in Igboland, Nigeria UKACHUKWU CHRIS MANUS Obafemi Awolowo University, Nigeria
Nordic Journal of African Studies 16(2): 244–260 (2007) The Sacred Festival of Iri Ji Ohuru in Igboland, Nigeria UKACHUKWU CHRIS MANUS Obafemi Awolowo University, Nigeria ABSTRACT This article examines the religious significance of the New Yams Festival (Iri Ji Ohuru) among the Igbo of south-eastern Nigeria. Secondary data for the study was collected from ethnographical information on the origin of the custom by some well-known Igbologists. An analysis of a major extant etiological myth about the revelation of yams in Igboland is provided. A phenomenological description of the Emume (festival), the primary datum as it directly presented itself to my consciousness when I observed one such festival in my village of birth, Umueze, Uzoagba in the Ikedururu Local Government Area of Imo State, Nigeria, in 2004 is presented. Interview schedules with some elders and a ritual master of this kind of traditional custom was conducted in the village on 12 April 2004 and 1–7 February 2006. To anchor the findings on the place of yams on solid ethno-history, a brief sketch of the migrations of the Igbo people, their religion and the legend about their progenitor, Eri , is discussed. The aim is to provide the socio-religious background for understanding the divine origin and the sacred nature of yams in the traditional belief of the Igbo people. Popular views on the value of yams as principal staple in Igbo gastronomic life as attested in contemporary literary works are related. Matters of great interest to phenomenologists such as the descriptive account of the festival, its ritual acts, the oral nature of the incantations, and the age of the participants are discussed. -
Sneak Peak! Chapters
THE RETURN OF THE EARTH MOTHER SERIES: BOOK 1 DAUGHTERS OF NRI RENI K AMAYO PRAISE FOR DAUGHTERS OF NRI ‘Oh . my . goddesses! This book is something special. There is so much myth, fantasy and genuinely great storytelling packed into the pages of this novel. Excellent writing, brilliant book.’ Dorothy Koomson, Best-selling author ‘From a rich and deep culture, Amayo weaves a world of literary magic. Daughter’s of Nri is a beautifully written novel paving the way for a powerful collection to follow.’ Buzzfeed ‘A phenomenal debut from a brilliant writer which kept me on the edge of my seat from the first page. This is a beautiful story full of heritage, passion and bravery that every young black girl should read.’ Black Girl Book Club ‘With Daughters of Nri, Reni K Amayo conjures a magical world that truly centres black sisterhood. Combining lush prose with a fast-paced plot, this is one read that everyone – but especially black teens – will struggle to put down.’ Alex Sheppard, Author of ‘Oh My Gods’ ‘This book is a love letter to black women. It is beautifully written and its message is so powerful and incredibly important. Every black woman needs to read. We deserve this story.’ WCAN First published in Great Britain in 2019 by Onwe Press Ltd This paperback edition was first published in 2019 All rights reserved; no part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except for the use of brief quotations in a book review. -
Interface Between Igbo Theology and Christianity
Interface Between Igbo Theology and Christianity Interface Between Igbo Theology and Christianity Edited by Akuma-Kalu Njoku and Elochukwu Uzukwu Interface Between Igbo Theology and Christianity, Edited by Akuma-Kalu Njoku and Elochukwu Uzukwu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Akuma-Kalu Njoku, Elochukwu Uzukwu and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6390-4, ISBN (13): 978-1-4438-6390-2 TABLE OF CONTENTS Introduction ................................................................................................. 1 Akuma-Kalu Njoku and Elochukwu Uzukwu Part One: Challenging the Project – Interface between the Theology of Igbo Indigenous Religions and Christian Theology Christianity Meets Igbo Traditional Religion ............................................ 10 Francis Cardinal Arinze The Interface of Igbo Theology and Christianity ...................................... 20 Msgr Theophilus Okere Ofo na-Ogu and Mmanwu: Ritual Symbolism in the Interface of Igbo Indigenous Religion and Christianity ........................................................ 31 Christopher -
Osimiri and Other Stories October 06 2020 (Pdf) Download
O s i m i r i & Other Stories Osimiri & Other Stories © Kenneth Igiri ISBN: 9798616700872 2 O s i m i r i & Other Stories To Jesus, the mediator of a New Covenant 3 O s i m i r i & Other Stories Table of Contents Osimiri, Dawn and the Girls ............................... 5 The Elder from the War .................................... 39 Lagos Street ........................................................ 72 Nd’Ukwu ............................................................... 94 4 O s i m i r i & Other Stories Osimiri, Dawn and the Girls 5 O s i m i r i & Other Stories Sunrise. It was the most beautiful experience in Amaiyi. The orange glow lined the horizon like the marks on a ripening pawpaw fruit. Its soft warmth in the early hours of the morning was just beginning to set in. Thatch roofed huts littered the landscape, silhouettes of the huts, trees and everything else with significant height stood between one and the horizon. Music from the trees greeted the rising sun – from the Olive Pigeon to the Wood Dove all the way down to the lowly Crow, the loud deep-throated singer who woke everyone up three or four times each morning. Mgborie Agu woke up at the second crow but her daughters Mmecha and Anuli would not rise from their mats till the third or fourth crow. Their little twelve-foot-square hut would then be filled with yawns, moans and a little bit of stretching. None of these came from 6 O s i m i r i & Other Stories Mgborie herself. She was a tough woman, a widow of twelve years playing father and mother to her teenage daughters, hidden away on the outskirts of a remote Igbo village.