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208, (Issn: 2276-8645) 197 S
International Journal of Social Sciences and Humanities Reviews Vol.8 No.1, April 2018; p.197 – 208, (ISSN: 2276-8645) SUPERNATURALISM IN AFRICAN LITERATURE A STUDY OF LAYE’S THE AFRICAN CHILD AND AMADI’S THE CONCUBINE CHINYERE OJIAKOR (Ph.D) Department of English Madonna University Nigeria [email protected] & NKECHI EZENWAMADU (Ph.D) Department of English Madonna University Nigeria [email protected] Abstract This article x-rays the existence of the supernatural and their influence on mankind which has become a pre-dominant factor that has gained prominence and importance from time immemorial, and how writers have tried to project this concept in their literary engagements. In an attempt to establish this argument, the researcher explored Elechi Amadi's The Concubine and Camara Laye's The African Child. These novels depict and explore the idea of the supernatural in various manifestations and they are rich in supernatural and are rooted in the mythology and traditional African belief of supernaturalism. Supernaturalism is the belief that there are beings, forces, and phenomena such as God, angels or miracles which interact with the physical universe in remarkable and unique ways. The African man had begun to have some conceptions about the spiritual or mysterious essence of some natural phenomena and had begun to interpret his life in tandem with the "unknown". Opponents of these beliefs seem to pose the question: are there forces beyond the natural forces studied by physics and ways of sensing that go beyond our biological senses and instruments? They recognized that there may always be things outside the realm of human understanding as of yet unconfirmed which the African, not been able to research deeply on it, would term "supernatural". -
Igbo Folktales and the Idea of Chukwu As Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Idea of Chukwu as Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: http://works.bepress.com/chukwuma_azuonye/76/ ISSN 0794·6961 NSUKKAJOURNAL OF LINGUISTICS AND AFRICAN LANGUAGES NUMBER 1, APRIL 1987 Published by the Department of Linguistics and Nigerian Languages, University of Nigeria, Nsukka NOTES ON THE CONTRIBUTORS All but one of the contributors to this maiden issue of The Nsukka Journal of Linguistics and African Languages are members of the Department of Linguistics and Nigerian Languages, Univerrsity of Nigeria, Nsukka Mr. B. N. Anasjudu is a Tutor in Applied Linguistics (specialized in Teaching English as a Second Language). Dr. Chukwuma Azyonye is a Senior Lecturer in Oral Literature and Stylistics and Acting Head of Department. Mrs. Clara Ikeke9nwy is a Lecturer in Phonetics and Phonology. Mr. Mataebere IwundV is a Senior Lecturer in Sociolinguistics and Psycholinguistics. Mrs. G. I. Nwaozuzu is a Graduate Assistant in Syntax and Semantics. She also teaches Igbo Literature. Dr. P. Akl,ljYQQbi Nwachukwu is a Senior Lecturer in Syntax and Semantics. Professor Benson Oluikpe is a Professor of Applied and Comparative Linguistics and Dean of the Faculty of Arts. Mr. Chibiko Okebalama is a Tutor in Literature and Stylistics. Dr. Sam VZ9chukwu is a Senior Lecturer in Oral Literature and Stylistics in the Department of African Languages and Literatures, University of Lagos. ISSN 0794-6961 Nsukka Journal of L,i.nguistics and African Languages Number 1, April 1987 IGBD FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma Azyonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion. -
Igbo Man's Belief in Prayer for the Betterment of Life Ikechukwu
Igbo man’s Belief in Prayer for the Betterment of Life Ikechukwu Okodo African & Asian Studies Nnamdi Azikiwe University, Awka Abstract The Igbo man believes in Chukwu strongly. The Igbo man expects all he needs for the betterment of his life from Chukwu. He worships Chukwu traditionally. His religion, the African Traditional Religion, was existing before the white man came to the Igbo land of Nigeria with his Christianity. The Igbo man believes that he achieves a lot by praying to Chukwu. It is by prayer that he asks for the good things of life. He believes that prayer has enough efficacy to elicit mercy from Chukwu. This paper shows that the Igbo man, to a large extent, believes that his prayer contributes in making life better for him. It also makes it clear that he says different kinds of prayer that are spontaneous or planned, private or public. Introduction Since the Igbo man believes in Chukwu (God), he cannot help worshipping him because he has to relate with the great Being that made him. He has to sanctify himself in order to find favour in Chukwu. He has to obey the laws of his land. He keeps off from blood. He must not spill blood otherwise he cannot stand before Chukwu to ask for favour and succeed. In spite of that it can cause him some ill health as the Igbo people say that those whose hands are bloody are under curses which affect their destines. The Igboman purifies himself by avoiding sins that will bring about abominations on the land. -
The Influence of the Supernatural in Elechi Amadi’S the Concubine and the Great Ponds
THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG/MA/09/51229 DEPARTMENT OF ENGLISH AND LITERARY STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. SUPERVISOR: DR. EZUGU M.A A DISSERTATION SUBMITTED IN PARTIAL FULFILMENT FOR THE AWARD OF MASTER OF ARTS (M.A) IN ENGLISH & LITERARY STUDIES TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 i TITLE PAGE THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG /MA/09/51229 DEPARTMENT OF ENGLISH & LITERARY STUDIES UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 ii CERTIFICATION This research work has been read and approved BY ________________________ ________________________ DR. M.A. EZUGU SIGNATURE & DATE SUPERVISOR ________________________ ________________________ PROF. D.U.OPATA SIGNATURE & DATE HEAD OF DEPARTMENT ________________________ ________________________ EXTERNAL EXAMINER SIGNATURE & DATE iii DEDICATION This work is dedicated to my dear son Davids Smile for being with me all through the period of this study. To my beloved husband, Mr Smile Iwejua for his love, support and understanding. To my parents, Elder & Mrs S.C Ekpendu, for always being there for me. And finally to God, for his mercies. iv ACKNOWLEDGEMENTS My greatest thanks go to the Almighty God for his steadfast love and for bringing me thus far in my academics. To him be all the glory. My Supervisor, Dr Mike A. Ezugu who patiently taught, read and supervised this research work, your well of blessings will never run dry. My ever smiling husband, Mr Smile Iwejua, your smile and support took me a long way. -
Saharan Africa: the Igbo Paradigm
Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value. -
Purple Hibiscus
1 A GLOSSARY OF IGBO WORDS, NAMES AND PHRASES Taken from the text: Purple Hibiscus by Chimamanda Ngozi Adichie Appendix A: Catholic Terms Appendix B: Pidgin English Compiled & Translated for the NW School by: Eze Anamelechi March 2009 A Abuja: Capital of Nigeria—Federal capital territory modeled after Washington, D.C. (p. 132) “Abumonye n'uwa, onyekambu n'uwa”: “Am I who in the world, who am I in this life?”‖ (p. 276) Adamu: Arabic/Islamic name for Adam, and thus very popular among Muslim Hausas of northern Nigeria. (p. 103) Ade Coker: Ade (ah-DEH) Yoruba male name meaning "crown" or "royal one." Lagosians are known to adopt foreign names (i.e. Coker) Agbogho: short for Agboghobia meaning young lady, maiden (p. 64) Agwonatumbe: "The snake that strikes the tortoise" (i.e. despite the shell/shield)—the name of a masquerade at Aro festival (p. 86) Aja: "sand" or the ritual of "appeasing an oracle" (p. 143) Akamu: Pap made from corn; like English custard made from corn starch; a common and standard accompaniment to Nigerian breakfasts (p. 41) Akara: Bean cake/Pea fritters made from fried ground black-eyed pea paste. A staple Nigerian veggie burger (p. 148) Aku na efe: Aku is flying (p. 218) Aku: Aku are winged termites most common during the rainy season when they swarm; also means "wealth." Akwam ozu: Funeral/grief ritual or send-off ceremonies for the dead. (p. 203) Amaka (f): Short form of female name Chiamaka meaning "God is beautiful" (p. 78) Amaka ka?: "Amaka say?" or guess? (p. -
How Is Things Fall Apart a 1) Morality Tale 2) Tragedy 3) Historical Novel In
Penny for your thought: How is Things Fall Apart a 1) Morality tale 2) Tragedy 3) historical novel In Umuofia, time is measured by generations, seasons, lunar cycles, planting and harvest seasons. The past co-exists with the present in the form of the tales told by parents to children, egwugwu processions where ancestral spirits preside over domestic disputes. |Okonkwo is an allegorical everyman figure, embodying the existential paradoxes of the Igbo culture in transition.| Ezinma establishes and reinforces the primacy of female principle in the novel which serves a counterpoint to the masculine and patriarchal ethos of the Igbo clan. She also “functions as a symbol for the resilience of the Igbo traditions in the face of staggering changes during British colonialism.” “In cultural terms Ezinma's story allows Achebe to describe the ogbanje as a phenomenon of traditional Igbo life.” Considered a "living dead," the ogbanje cycles back and forth between the worlds of humans and spirits. Alive for only a few years, the troublesome child can continue the cycle indefinitely. This phenomenon mystifies the high infant mortality in Igbo society. Achebe does not present her as merely a cultural "artifact" but as a fleshed out character that evolves with successive interactions with other characters. “Ezinma is privy to the mysteries of both the human and the spirit realms.” “Ekwefi treats her daughter less as a child than as a creature that needs to be appeased. She grants her daughter an intimacy that is uncommon between the other mothers and children in Okonkwo's compound...The extent of Ekwefi's self-sacrificing love is most apparent when she disobeys social and spiritual customs and decides to follow Chielo, the priestess of Agbala, and her daughter during the night journey to the cave” Chielo, who leads a double existence as a widowed mother of two and as a priestess, is in a sense a second, spiritual mother to Ezinma. -
Igbo Folktales and the Evolution of the Idea of Chukwu As the Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Evolution of the Idea of Chukwu as the Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: https://works.bepress.com/chukwuma_azuonye/70/ ISSN 0794-6961 Nsukka Journal of LJnguistics and African Languages Number 1, April 1987 IGBO FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma AZ\lonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion. In the first phase, dating back to primeval times, the Igbo recognized several supreme nature deities in various domains. This was followed by a phase of the undisputed supremacy of )Ud (the Earth Goddess) as supreme deity. Traces of that primeval dominance persist till today in some parts of Igboland. The third phase was one of rivalry over supremacy· between Earth and Sky, possibly owing to influences from religious traditions founded on the belief in a supreme sky-dwelling God. In the fourth and fifth phases, the idea of Chukwu as supreme. deity was formally established by the Nri and Ar? respectively in support of their.hegemonic'enterprise in Igbo- land. The exploitativeness of the ArC? powez- seems to .have resulted in the debasement of the idea of Chukwu as supreme God in the Igbo mind, hence the satiric. and.~ images of the anthropo- morphic supreme God in various folktales from the .sixth phase. The sev~nth phase saw the selection, adoption and adaptation of some of the numerous ideas of supreme God founn bv the Christian missionaries in their efforts to propagate Christianity in the idiom of the people. -
OF CULTURAL FESTIVALS and RELATIONS in WEST AFRICA: PERSPECTIVES on MBANO of SOUTHEAST NIGERIA SINCE the 20TH CENTURY Chinedu N
Mgbakoigba, Journal of African Studies, Vol. 8 No. 2. May, 2021 OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi Department of History and International Studies, Nnamdi Azikiwe University, Awka [email protected] Abstract Africa is prominently known for its rich cultural heritage, festivals and traditional celebrations. The Igbo of southeast Nigeria are known globally for their addiction to their traditional way of life, belief systems and celebration of numerous cultural festivals. These traditional and cultural festivals form the basic foundation of the rich heritage of the Igbo. Most of these celebrations begin from birth. Usually, the birth of a new born baby is greeted with joy and fanfare by his/her parents and their relatives. The celebrations continue till the period of transition (death); from puberty to adulthood, marriage, title taking, old age till one rejoins his/her ancestors, then comes the final celebration. Mbano people of southeast Nigeria have numerous traditional and cultural festivals which form the nucleus of their relations with their neighbours. In fact, the cultural festivals depict the rich cultural heritage of the people and are used to show in most parts, the kinship between the people and their proximate neighbours. This paper essays to demonstrate the import of these traditional and cultural festivals to the nature of relationship prevalent between Mbano people and their neighbours in southeast Nigeria. The work adopts the orthodox historical method of narrative and analysis. -
Igbos: the Hebrews of West Africa
Igbos: The Hebrews of West Africa by Michelle Lopez Wellansky Submitted to the Board of Humanities School of SUY Purchase in partial fulfillment of the requirements for the degree of Bachelor of Arts Purchase College State University of New York May 2017 Sponsor: Leandro Benmergui Second Reader: Rachel Hallote 1 Igbos: The Hebrews of West Africa Michelle Lopez Wellansky Introduction There are many groups of people around the world who claim to be Jews. Some declare they are descendants of the ancient Israelites; others have performed group conversions. One group that stands out is the Igbo people of Southeastern Nigeria. The Igbo are one of many groups that proclaim to make up the Diasporic Jews from Africa. Historians and ethnographers have looked at the story of the Igbo from different perspectives. The Igbo people are an ethnic tribe from Southern Nigeria. Pronounced “Ee- bo” (the “g” is silent), they are the third largest tribe in Nigeria, behind the Hausa and the Yoruba. The country, formally known as the Federal Republic of Nigeria, is in West Africa on the Atlantic Coast and is bordered by Chad, Cameroon, Benin, and Niger. The Igbo make up about 18% of the Nigerian population. They speak the Igbo language, which is part of the Niger-Congo language family. The majority of the Igbo today are practicing Christians. Though they identify as Christian, many consider themselves to be “cultural” or “ethnic” Jews. Additionally, there are more than two million Igbos who practice Judaism while also reading the New Testament. In The Black -
“Things Fall Apart” in “Dead Men's Path”
International Journal of Linguistics and Literature (IJLL) ISSN(P): 2319-3956; ISSN(E): 2319-3964 Vol. 7, Issue 6, Oct - Sep 2018; 57-70 © IASET “THINGS FALL APART” IN “DEAD MEN’S PATH”, A STORY FROM CHINUA ACHEBE’S GIRLS AT WAR AND OTHER STORIES Komenan Casimir Lecturer, Department of English, Félix Houphouët-Boigny University of Coode, Abidjan, Côte d’Ivoire ABSTRACT Introduced in Igbo-land owing to colonialism, Western school proves intolerant of Odinani, the Igbo traditional religion,by closing “Dead Men’s Path”, a symbol of three realms of existence: the dead, the living and the unborn children. To claim the right of being practiced freely, Odinaniwage war with the school. The ins and outs of these conflicts permits of postulating that “things fall apart” in “Dead Men’s Path”, a short story excerpted from Achebe’s Girls at War and Other Stories. KEYWORDS: “Things Fall Apart”, “Dead Men’s Path”, Intolerant School, Odinani, Igbo, Achebe Article History Received: 04 Oct 2018 | Revised: 16 Oct 2018 | Accepted: 03 Nov 2018 INTRODUCTION Introduced in Africa with the advent of colonization and its civilizing mission, school as one feature of the white man’s ways, has clashed with Odinani, the Igbo traditional religion based on the ancestral veneration or what is referred to as the first faith of Africans 1. As a result, the inherited religious practices have become obsolete, as shown in Chinua Achebe’s “Dead Men’s Path”, a short story extracted from Girls at War and Other Stories (1972). This work is a collection of short stories in which the author attests to the culturo-spiritual conflict between the African culture and the European one 2. -
Dictionary of Ò,Nì,Chà Igbo
Dictionary of Ònìchà Igbo 2nd edition of the Igbo dictionary, Kay Williamson, Ethiope Press, 1972. Kay Williamson (†) This version prepared and edited by Roger Blench Roger Blench Mallam Dendo 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/ Fax. 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail [email protected] http://www.rogerblench.info/RBOP.htm To whom all correspondence should be addressed. This printout: November 16, 2006 TABLE OF CONTENTS Abbreviations: ................................................................................................................................................. 2 Editor’s Preface............................................................................................................................................... 1 Editor’s note: The Echeruo (1997) and Igwe (1999) Igbo dictionaries ...................................................... 2 INTRODUCTION........................................................................................................................................... 4 1. Earlier lexicographical work on Igbo........................................................................................................ 4 2. The development of the present work ....................................................................................................... 6 3. Onitsha Igbo ................................................................................................................................................ 9 4. Alphabetization and arrangement..........................................................................................................