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Ars Electronica 2004 Festival Für Kunst, Technologie Und Gesellschaft Festival for Art, Technology and Society

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Ars Electronica 2004 Festival Für Kunst, Technologie Und Gesellschaft Festival for Art, Technology and Society Ars Electronica 2004 Festival für Kunst, Technologie und Gesellschaft Festival for Art, Technology and Society ||||||||||||||||||||||||| Organization Ars Electronica Center Info- and Visitor Service AEC Ars Electronica Center Linz Herbert Gattringer, Renata Aigner, Michaela Lang Museumsgesellschaft mbH Ars Electronica Administrative Team Elisabeth Kapeller, Rita Thaller, Michaela Managing Directors Wimplinger, Birgit Wasmeyer, René Aichinger, Gerfried Stocker, Rainer Stadler Thomas Mauhart Hauptstraße 2, A–4040 Linz, Austria [email protected] ||||||||||||||||||||||||| www.aec.at/timeshift Co-organizers Catalog Ars Electronica 2004 Timeshift—The World in Twenty-Five Years ORF Oberösterreich General Director: Helmut Obermayr Editors LIVA – Veranstaltungsgesellschaft mbH Gerfried Stocker, Christine Schöpf CEO: Wolfgang Winkler, Wolfgang Lehner Editing O.K Centrum für Gegenwartskunst Ingrid Fischer-Schreiber Managing Director: Martin Sturm English Proofreading Aileen Derieg, Henry Mason, Jean Mason, Directors Ars Electronica Giles Tilling, David Wilson Gerfried Stocker / Ars Electronica Center Graphic Design Christine Schöpf / ORF Oberösterreich Gerhard Kirchschläger Coordination & Production Printed by Katrin Emler – Festival Gutenberg-Werbering Gesellschaft m.b.H., Linz Iris Mayr – Prix The Timeshift Logo is based on a design by Production Team Stefan Eibelwimmer. Nicoletta Blacher, Ellen Fethke, Ingrid Fischer- Schreiber, Magnus Hofmüller, Verena Kain, © 2004 Ars Electronica Carmen Lauss, Barbara Leopoldseder, Dieter © 2004 für die abgebildeten Werke bei Mackinger, Sonja Panholzer, Manuela Pfaffen- den Künstlern oder ihren Rechtsnachfolgern berger, Clara Picot, Gerlinde Pöschko, Susanne for the reproduced works by the artists, or Posegga, Klemens Schuster, André Zogholy their legal successors Curatorial Advisors Published by Sonja Bettel, Dennis Russell Davies, Karel Hatje Cantz Verlag Dudesek, Fadi Dorninger, Heidi Grundmann, Senefelderstraße 12, 73760 Ostfildern-Ruit Andreas Hirsch, Naut Humon, Monika Leisch- Deutschland / Germany Kiesl, Michael Naimark, Christa Sommerer, Tel. +49 / 7 11 / 4 40 50 Tadashi Yokoyama, Benjamin Weil, Elisabeth Fax +49 / 7 11 / 4 40 52 20 Zimmermann, Ina Zwerger www.hatjecantz.com Press / Public Relations Hatje Cantz books are available internationally Wolfgang A. Bednarzek / Ulrike Ritter at selected bookstores and from the following distribution partners: Marketing & Sponsoring Ursula Kürmayr, Doris Peinbauer, Barbara Egger USA/North America – D.A.P., Distributed Art Publishers, New York, www.artbook.com Web Editor and Design UK – Art Books International, London, Stefan Eibelwimmer, Volker Haider, Günter Kolar, [email protected] Ulrike Ritter, Cornelia Sulzbacher Australia – Towerbooks, French Forest (Sydney), Ars Electronica Center System [email protected] Administration & Technical Maintenance France – Interart, Paris, Gerold Hofstadler, Karl Schmidinger, Rudolf [email protected] Handl, Thomas Steindl, Alexander Kneidinger, Belgium – Exhibitions International, Leuven, Gerhard Grafinger www.exhibitionsinternational.be Ars Electronica Futurelab For Asia, Japan, South America, and Africa, as Florian Berger, Reinhold Bidner, Peter Brandl, well as for general questions, please contact Helmut Höllerl, Horst Hörtner, Martin Honzig, Hatje Cantz directly at [email protected], or Andreas Jalsovec, Christopher Lindinger, Stefan visit our homepage www.hatjecantz.com for Mittlböck, Dietmar Offenhuber, Nina Wenhart further information. Exhibition Architecture ISBN 3-7757-1492-8 Scott Ritter Printed in Austria The Ars Electronica Center Linz Ars Electronica Center Linz & is an institution of the Festival Ars Electronica are supported by: municipality of Linz. Das Ars Electronica Center Linz Stadt Linz ist eine Einrichtung der Land Oberösterreich Stadt Linz. Bundeskanzleramt/Kunstsektion Organization / Veranstalter Cooperation Partners / Kooperationspartner Kunstuniversität Linz Lentos Kunstmuseum Linz Posthof Linz Ars Electronica and Prix Ars Electronica receive support from: Ars Electronica und Prix Ars Electronica werden unterstützt von: Stadt Linz Land Oberösterreich Bundeskanzleramt / Kunstsektion SAP AG Telekom Austria voestalpine Gericom AG Mitsubishi Electric Siemens Österreich FESTO Ö1 Microsoft Österreich Mercedes Benz Sony DADC Casinos Austria Innovatives-Österreich BMWA BMBWK Additional Support: 3com, Lenz Moser, Brau AG, Frank & Partner, Lexmark, Pöstlingbergschlößl, VS Fickenscher, Bundesministerium für Verkehr, Innovation und Technologie, M-AUDIO, Jindrak, KulturKontakt Austria, Spring, KLM, FAS.research ||||||||||| Contents Gerfried Stocker / Christine Schöpf Itsuo Sakane TIMESHIFT On the History of Interaction The World in Twenty-Five Years . .10/11 between Art and Technology . .142/144 TIMESHIFT RE-INVENTING RADIO Michael Naimark Dieter Daniels Addressing Time . .13/15 Interaction versus Consumption—Mass José-Carlos Mariátegui Media and Art from 1920 to today . .146/153 Progress Revisited Heidi Grundmann Biology meets Humanity (Again) . 18/20 Radiospace . .160/166 Roger F. Malina Bob Adrian Leonardo Timeshift . 22/30 The World in 24 Hours . .172/175 Peter Weibel Karel Dudesek New Protagonists and Alliances Hotel Pompino . .178/181 st in 21 Century Art . 38/41 Heidi Grundmann Jonah Brucker-Cohen Re-Inventing Radio Disruption Revisited—The Re-Appropriation Kunstradio-Radiokunst . .184/186 of Experience . .44/46 Aleksandar Vasiljevic (Mostly by) Joichi Ito The Time Machine . .188/189 Weblogs and Emergent Democracy . .48/56 Krzysztof Wodiczko DIGITAL COMMONS Monumental Interruption . 65/70 Armin Medosch P. Virilio / D. de Kerckhove The Construction of the Conflicts . .74/82 Network Commons . .190/195 Alena Williams Radio FRO Spirit Revisited—Production, Desire, Collaborative Broadcasting . 201/203 and the Technics of Exchange . .90/92 Creative Commons Sherry Turkle About Creative Commons . 206/208 Computers and the Human Spirit . 94/99 LANGUAGE OF NETWORKS Nadja Maurer Topia Revisited—Developing and Living Josh On our Analogous Topoi in 2029 . .105/107 Social Networks, Class, Visualization and Change . .210/214 Gerhard Dirmoser 25 Years of Ars Electronica . .110/112 Martin Wattenberg A Nest of Nodes and Lives . .218/220 G. Dirmoser / H. Ranzenbacher Memory Theater . .117/122 Harald Katzmair Social Network Analysis . .222/227 Ars Electronica Futurelab Landscape of Memory . .127/128 Lothar Krempel The Language of Networks . 232/237 Stewart Brand Creating Creating . .129/131 Vladimir Batagelj / Andrej Mrvar Pajek . 242/246 Derrick de Kerckhove Possible Futures of the Next W. B. Paley / J. Y. Han Twenty-Five Years . .134/138 TraceEncounters . 252/254 ||||||||||| Ars Electronica 2004 CAMPUS Myron W. Krueger IAMAS—Progressive Media Towards Interactive Aesthetics . 358/361 Art Education from Japan . 256/258 Joe Paradiso EVENTS & EXHIBITIONS Modular Syntheziser . 364/367 L’Espace Temporel—Passage Gert Pfurtscheller Moving Thoughts . 371/372 Between Analog and Digital . 278/278 O+A (B. Odland / S. Auinger) Seppo Gründler Minimundus . 374/375 Alphabet of Sounds . .294/297 S. Gründler / E. Schimana Ars Electronica Futurelab . 377 /385 The Great Score . 300/301 Future Elevation MikoMikona Ravensbourne College of Design Sound and Sign . 303/304 and Communication Interactive Digital Media . 392/392 Tmema (G. Levin / Z. Lieberman) The Manual Input Sessions . .306/307 K. Ryokai / S. Marti / H. Ishii I/O Brush: The World as a Palette . 401/402 Beats & Bytes pt. III let the sound become flesh . 308/308 Christian Möller Cheese . 404/405 Klaus Obermaier Apparition . 314/317 Lia + Miguel Carvalhais Seek . 406/408 Johannes Deutsch / Ars Electronica Futurelab John Gerrard Watchful Portrait . 410/411 Rheingold . .319/321 Monika Leisch-Kiesl Osman Khan sur la table . 412/413 Johannes Deutsch . .322/323 Stadtwerkstatt Karin Bruns Digital Games as High Art . 414/417 Fore—Interactive Golf . .325/326 E. van der Heide / M. de Nijs Kurt Hentschlager Karma . 420/422 Push / Pull . 328/330 L. Beloff / E. Berger / M. Pichlmair M. Fujihata / T. Kawashima Mersea Circles . 424/425 Seven Mile Boots . 332/333 Gebhard Sengmüller LeCielEstBleu La Pâte à Son . 426/427 VSSTV—Very Slow Scan Television . 335/336 Time’s Up Ars Electronica Futurelab Gulliver‘s World . 428/430 Sensory Circus . 338/340 Gloria Sutton / Michael Naimark France Cadet Chronological Age: Ars Electronica’s Dog[LAB]01 . 432/432 Timeline Project 1979 – 2003 . 342/344 Noriyuki Fujimura Benjamin Weil Remote Furniture . 435/436 Digital Avantgarde . 346/350 ////////// fur /// A. Armand / Prix Ars Electronica 2004 . 352 B. Dauw Commotion . 438/439 Stella Rollig The Museum and Media Art . 354/356 Biographies . 440 Gerfried Stocker / Christine Schöpf |||||||||||| ||||||||||| TIMESHIFT The World in Twenty-Five Years For 25 years now, Ars Electronica has been tracking and nurturing the digital revolution, analyzing the social and cultural effects of digital media and communications technolo- gies from critical as well as utopian, artistic and scientific perspectives, thinking them through and inferring potential developments. During this span of 25 years, Ars Electronica has also served as a logbook recording the development of new art forms and new artistic practices as well as the accompanying transcendence of boundaries to science and technology. The enormous archive that has taken shape as a result constitutes powerful testimony to the manifold currents and trends to which the interplay and friction between art and technology have given rise, and also documents
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