Summer 1998 National Sound Archive
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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
— 1 — 1. Class Title 1 (Simon Keenlyside) 2. Waterhouse: Miranda (1916, Private Collection) the Tempest (1611) Is the Last P
1. Class Title 1 (Simon Keenlyside) 2. Waterhouse: Miranda (1916, private collection) The Tempest (1611) is the last play which Shakespeare wrote alone. It has been described as the most musical of his works, on account of the number of songs in the text, the interpolated masque in the last act, and because it works less through cause and effect than through enchantment, an intrinsically musical quality. It is the only play for which we have any of the original stage music. And according to Wikipedia, it has inspired over four dozen operatic or musical settings. As early as the mid-seventeenth century, managements were adapting the play as a kind of masque, rather than performing the original. 3. Ariel’s Tempest in Columbia I’m also somewhat familiar with it myself. I directed the first performance of The Tempest by American composer Lee Hoiby in the late 1980s, and wrote my own adaptation in 2011 for composer Douglas Allan Buchanan, a 60-minute condensation that we toured to young audiences all over Maryland. 4. Round table discussion at the Met But the version we are watching today is the work of the two people in the middle of this picture: composer/conductor Thomas Adès (b.1971) and the Australian playwright Meredith Oakes (b.1946), seen here with Met General Manager Peter Gelb and stage director Robert Lepage. The picture comes from an intermission feature in the Met’s 2012 Live-in-HD transmission of the opera; I thought of playing it, but it is hard to hear and rather light on information. -
BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head. -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
A Study of the Royal Court Young Peoples’ Theatre and Its Development Into the Young Writers’ Programme
Building the Engine Room: A Study of the Royal Court Young Peoples’ Theatre and its Development into the Young Writers’ Programme N O Holden Doctor of Philosophy 2018 Building the Engine Room: A Study of the Royal Court’s Young Peoples’ Theatre and its Development into the Young Writers’ Programme Nicholas Oliver Holden, MA, AKC A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy School of Fine and Performing Arts College of Arts March 2018 2 DECLARATION I declare that this thesis is my own work and has not been submitted in substantially the same form for a higher degree elsewhere. 3 Acknowledgements First and foremost, I would like to thank my supervisors: Dr Jacqueline Bolton and Dr James Hudson, who have been there with advice even before this PhD began. I am forever grateful for your support, feedback, knowledge and guidance not just as my PhD supervisors, but as colleagues and, now, friends. Heartfelt thanks to my Director of Studies, Professor Mark O’Thomas, who has been a constant source of support and encouragement from my years as an undergraduate student to now as an early career academic. To Professor Dominic Symonds, who took on the role of my Director of Studies in the final year; thank you for being so generous with your thoughts and extensive knowledge, and for helping to bring new perspectives to my work. My gratitude also to the University of Lincoln and the School of Fine and Performing Arts for their generous studentship, without which this PhD would not have been possible. -
1962 Monterey Jazz Festival Program Pages Concerning the Real
• • • • • I e, . SUNDAY EVENING, ·SEPT. 23 Early Starling Time al 7:15P.M. Sharp 1. DIZZY GILLESPIE and the Trummy Young MONTEREY BRA.SS Joe Darensbourg Billy Cronk ENSEMBLE Danny Barcelona Joe Morello 2. JEA.NNE LEE and Eugene Wright RA.N BLAKE Entr'acte In keeping with the Monterey Jazz Festival's policy of 4. JEA.NNE LEE and introducing new talent, this unusual duo is making its West coast debut at the Festival. RA.N BLA.KE Entr'acte 3. "THE REA.L A.MBA.SSA.DORS" (excerpts) An original musical production with music and lyrics 5. LOUIS ARMSTRONG by Dave and lola Brubeck, featuring .. • A.ND HIS A.LL-STA.RS Louis Armstron9 With ... Jewel Brown, vocal Carmen McRa, Trum.my Young, trombone and vocal Dave Brubeck Joe Darensbourg, clarinet Lambert, Hendricks and Billy Kyle, piano Bill Cronk, bass Yolande Danny Barcelona, drums with ... And ... Billy Kyle LOUIS ARMSTRONG WORLD PREMIERE OF DAVE AND lOLA BRUBECK'S original musical production ••THE REAL AMBASSADORS~~ starring LOUIS ARMSTRONG CARMEN McRAE DAVE BRUBECK LAMBERT, HENDRICKS & YOLANDE The theme of "The Real Ambassadors" is contained On dosing night of the Monterey Jazz Festival, Sun in the title. Louis Armstrong, Brubeck, Dizzy Gillespie day, September 23 (at 7: 15 p.m. sharp) , one of the - all of whom have made extensive and highly ac most ambitious and unusual programs ever presented claimed overseas tours under the auspices of the U. S. on any festival stage will be given its first public per- Department of State - are the "real ambassadors" formance. · representing America to foreign peoples. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
2006 No 1 March.Pdf
WEST MIDDLESEX FAMILY HISTORY SOCIETY Executive Committee Chairman Mrs Yvonne Masson [email protected] Vice Chairman Jim Devine Secretary Tony Simpson 32 The Avenue, Bedford Park, Chiswick W4 1HT [email protected] Treasurer Paul Kershaw 241 Waldegrave Road, Twickenham TW1 4SY [email protected] Membership Secretary Mrs June Watkins 22 Chalmers Road, Ashford, Middlesex TW15 1DT [email protected] Editor Mrs Pam Smith 23 Worple Road, Ashford, Middlesex TW15 1DT [email protected] Committee Members Mavis Burton Kay Dudman Richard Chapman Patrick Harnden Mike Cordery Maggie Mold Programme Secretary Mrs. Maggie Mold 48 Darby Crescent, Sunbury-on-Thames Middlesex TW16 5LA Society Web site http://www.west-middlesex-fhs.org.uk/ Subscriptions All Categories: £10.00 per annum Subscription year l January to 31 December Examiners Chris Hern and Muriel Sprott In all correspondence please mark your envelope WMFHS in the upper left-hand corner; if a reply is needed, a SAE/IRCs must be enclosed. Members are asked to note that receipts are only sent by request, if return postage is included. Published by West Middlesex Family History Society Registered Charity No. 291906 WEST MIDDLESEX FAMILY HISTORY SOCIETY JOURNAL Volume 24 Number 1 March 2006 Contents Future meetings …………………………………………….. 2 News Roundup ……………………………………………... 3 The Story of Greenwich ……………………………………. 6 Surnames on the Internet …………………………………… 7 Christmas Past and Present ………………………………… 8 The Rural Past ……………………………………………… 10 Tales from the Harlington Parish Registers ………………... 11 Certificate Courier Service …………………………………. 13 A Very Unconventional Great Aunt ……………………….. 14 Hayes Middlesex …………………………………………… 19 Enclosure in the 19th Century (Part 2) …………………….. -
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 Board
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 board The Royal National Theatre Chairman Sir Hayden Phillips GCB DL Upper Ground, South Bank, London SE1 9PX Susan Chinn + 44 (0)20 7452 3333 Lloyd Dorfman CBE www.nationaltheatre.org.uk Ros Haigh Kwame Kwei-Armah Company registration number 749504 Rachel Lomax Registered charity number 224223 Neil MacGregor Registered in England John Makinson Caragh Merrick Caro Newling André Ptaszynski Philip Pullman Farah Ramzan Goland The Royal National Theatre is a company limited by guarantee and a registered charity. It was established Rt Hon Lord Smith of Finsbury in 1963 for the advancement of education and, in particular, to procure and increase the appreciation and Edward Walker-Arnott understanding of the dramatic art in all its forms as a memorial to William Shakespeare. These objects are Nicholas Wright set out in the governing document, which is its Memorandum and Articles of Association, and have been Company Secretary Kay Hunter Johnston developed into a set of aims and objectives as described on page 4. Executive Artistic Director Nicholas Hytner Executive Director Nick Starr Finance Director Lisa Burger Associate Directors Sebastian Born Howard Davies Marianne Elliott Tom Morris Bankers Coutts & Co 440 Strand, London WC2R 0QS Auditors PricewaterhouseCoopers LLP 1 Embankment Place, London WC2N 6RH This Annual Report and Financial Statements is available to download at www.nationaltheatre.org.uk If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Company Secretary at the National Theatre. -
RENE CHAR Lou CASTEL KARI HUKKILA MAURA DEL SERRA ERIKA BURKART RAINALD GOETZ TH
! ! ! ! ! ! ! ! ! ! ! ! RENE CHAR Lou CASTEL KARI HUKKILA MAURA DEL SERRA ERIKA BURKART RAINALD GOETZ TH. BERNHARD SCHILLER BARTOK-KODALY ELIO PETRI & MORE !!"#$%&'!"(()!(**%'!+)!,-+.! ! ! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ! ! ! vvv MAST HEAD Publisher: Contra Mundum Press Editor-in-Chief: Rainer J. Hanshe Senior Editors: Andrea Scrima & Carole Viers-Andronico PDF Design: Martin Rehtul Sucimsagro Logo Design: Liliana Orbach Advertising & Donations: Giovanni Piacenza (Donations can be made at: [email protected]) CMP Website: Bela Fenyvesi & Atrio LTD. Design: Alessandro Segalini Letters to the editors are welcome and should be e-mailed to: [email protected] Hyperion is published three times a year by Contra Mundum Press, Ltd. P.O. Box 1326, New York, NY 10276, U.S.A. W: http://contramundum.net For advertising inquiries, e-mail Giovanni Piacenza: [email protected] Contents © 2013 by Contra Mundum Press, Ltd. and each respective author. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission in writing from Contra Mundum Press, Ltd. After two years, all rights revert to the respective authors. If any work originally published by Contra Mundum Press is republished in any format, acknowledgement must be noted as following and a direct link to our site must be included in legible font at the bottom of the new publication: “Author/Editor, title, year