Revival Memories, Identities, Utopias
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Ankommen in Der Deutschen Lebenswelt
Europäisches Journal Europäisches Journal für Minderheitenfragen für Minderheitenfragen Contents Vol 9 No 1-2 2016 Editorial. 5 EJM Geleitwort Rita Süssmuth, Präsidentin a. D. des Deutschen Bundestages . 23 0 Hinführung . 27 Europäisches Journal für Minderheitenfragen 1 Kulturpolitik: das dritte Politikfeld gelingender Integration . 61 2 Zur Theorie der Kulturaneignung . .119 Vol 9 No 1-2 2016 3 Wie sind Menschen eigentlich? Anthropologische Möglichkeiten und Grenzen von Migranten-Enkulturation durch Kunst und Kultur . .157 4 Herausforderungen an das Kulturaneignungssystem . 175 Vol 9 No 1-2 2016 1-2 Vol 9 No Matthias Theodor Vogt, Erik Fritzsche, Christoph Meißelbach 5 Vier Experten-Ansichten. 217 5.1 Johann Heinrich Gottlob Justi 217 Ankommen 5.2 Siegfried Deinege 228 5.3 Werner J. Patzelt 236 in der deutschen Lebenswelt 5.4 Anton Sterbling 267 6 Die Sicht von Verantwortungsträgern in Wirtschaft, Migranten-Enkulturation und regionale Resilienz Politik und Kultur . 277 in der Einen Welt 7 Handlungsempfehlungen für eine erneuerte Migrations- und Integrationspolitik . 325 Nachwort Olaf Zimmermann, Geschäftsführer des Deutschen Kulturrates . 425 ISSN (Print) 1865-1089 ISSN (Online) 1865-1097 ISBN (Print) 978-3-8305-3716-8 ISBN (E-Book) 978-3-8305-2975-0 Europäisches Journal für Minderheitenfragen Vol 9 No 1-2 2016 Matthias Theodor Vogt, Erik Fritzsche, Christoph Meißelbach Ankommen in der deutschen Lebenswelt Migranten-Enkulturation und regionale Resilienz in der Einen Welt unter Mitarbeit von Sebastian Trept, Anselm Vogler, Simon Cremer, Jan Albrecht mit Beiträgen von Johann H. G. Justi, Siegfried Deinege, Werner J. Patzelt, Anton Sterbling und zahlreichen Verantwortungsträgern aus Wirtschaft, Politik und Kultur Geleitwort von Rita Süssmuth Nachwort von Olaf Zimmermann BWV • BERLINER WISSENSCHAFTS-VERLAG © BWV • BERLINER WISSENSCHAFTS-VERLAG GmbH Urheberrechtlich geschütztes Material. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 3, winter 2013 Editorial – Fears and Hopes Patrick O’Sullivan 3 William Morris and Robert Browning Peter Faulkner 13 Two Williams of one medieval mind: reading the Socialist William Morris through the lens of the Radical William Cobbett David A. Kopp 31 Making daily life ‘as useful and beautiful as possible’: Georgiana Burne-Jones and Rottingdean, 1880–1904 Stephen Williams 47 William Morris: An Annotated Bibliography 2010–2011 David and Sheila Latham 66 Reviews. Edited by Peter Faulkner Michael Rosen, ed, William Morris, Poems of Protest (David Goodway) 99 Ingrid Hanson, William Morris and the Uses of Violence, 1856–1890 (Tony Pinkney) 103 The Journal of Stained Glass, vol. XXXV, 2011, Burne-Jones Special Issue. (Peter Faulkner) 106 the journal of william morris studies . winter 2013 Rosie Miles, Victorian Poetry in Context (Peter Faulkner) 110 Talia SchaVer, Novel Craft (Phillippa Bennett) 112 Glen Adamson, The Invention of Craft (Jim Cheshire) 115 Alec Hamilton, Charles Spooner (1862–1938) Arts and Crafts Architect (John Purkis) 119 Clive Aslet, The Arts and Crafts Country House: from the archives of Country Life (John Purkis) 121 Amy Woodhouse-Boulton, Transformative Beauty. Art Museums in Industrial Britain; Katherine Haskins, The Art Journal and Fine Art Publishing in Vic- torian England, 1850–1880 (Peter Faulkner) 124 Jonathan Meades, Museum without walls (Martin Stott) 129 Erratum 133 Notes on Contributors 134 Guidelines for Contributors 136 issn: 1756–1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Morris Society. -
Daniel Cottier's Aesthetic of Beauty in Australia
Daniel Cottier’s Aesthetic of Beauty in Australia Andrew Montana Detail from Fig. 11. Lyon, Cottier & Co. The Seasons staircase window Glenyarrah mansion, Sydney. c.1876. “A range of performance beyond any modern artist”; so Ford Madox Brown’s appreciation of the work of his former pupil, the brilliant colourist, decorator and stained glass artist, Daniel Cottier (1837-91) was reported in the Glaswegian press. “Here tone and colour are suggestive of paradise itself,” he enthused about Cottier’s decorative enrichment of the interior of Queen’s Park United Presbyterian Church (1867-69), which Brown saw in Glasgow in 1883.1 Brown had befriended Cottier in the late 1850s at the Working Men’s College in Red Lion Square, London, where Cottier attended lectures by John Ruskin and was instructed in draw- ing by Brown, who had taken over from Dante Gabriel Rossetti.2 Through Brown, Cottier studied Pre-Raphaelite art and observed the formation of Morris, Marshall, Faulkner & Co. in London in 1861.3 Following on from Morris’s example, Cottier made a successful career from his decorating businesses in London, New York, and Sydney, where he co-established Lyon, Cottier & Co. in 1873. He brought distinctive expressions of the British Aesthetic movement in painted and 1 “Gossip and Grumbles,” Evening Times (Glasgow), 9 Oct. 1893, p. 1. 2 Margaret H. Hobler: In Search of Daniel Cottier, Artistic Entrepreneur, 1838-1891. The City University of New York: M. A. Thesis (unpub.), Hunter College, 1987, pp. 10, 22. 3 Juliet Kinchin: “Cottier’s in Context: the Significance of Dowanhill Church.” Cottier’s in Context: Daniel Cottier, William Leiper and Dowanhill Church, Glasgow. -
Benjamin and Koolhaas: History’S Afterlife Frances Hsu
65 Benjamin and Koolhaas: History’s Afterlife Frances Hsu Paris Benjamin intended his arcades project to be politi- Walter Benjamin called Paris the capital of the cally revolutionary. He worked on his opus while living nineteenth century. In his eponymous exposi- dangerously under Fascism as a refugee in Paris, tory exposé, written between 1935 and 1939, where, unable to secure an academic position, he he outlines a project to uncover the reality of the wrote for newspapers under various German pseu- recent past, the pre-history of modernity, through donyms. He had solicited support from the Institute the excavation of the ideologies, i.e., dreamworlds, for Social Research that was re-established in New embodied in material and cultural artefacts of the York in 1934 in association with Columbia University. nineteenth century. He used images to create a His project was unfinished at the end of the 1930s. history that would illuminate the contemporaneous He had collected numerous artefacts, drawings, workings of capital that had created the dreamlands photographs, texts, letters and papers – images of the city. The loci for the production of dream- reflecting the life of poets, artists, writers, workers, worlds were the arcades – pedestrian passages, engineers and others. He had also produced many situated between two masonry structures, that loose, handwritten pages organised into folders were lined on both sides with cafés, shops and that catalogued not only his early exposés but also other amusements and typically enclosed by an literary and philosophical passages from nineteenth iron and glass roof. Over three hundred arcades century sources and his observations, commen- were once scattered throughout the urban fabric taries and reflections for a theory and method of of Paris. -
Life in Egypt During the Coptic Period
Paper Abstracts of the First International Coptic Studies Conference Life in Egypt during the Coptic Period From Coptic to Arabic in the Christian Literature of Egypt Adel Y. Sidarus Evora, Portugal After having made the point on multilingualism in Egypt under Graeco- Roman domination (2008/2009), I intend to investigate the situation in the early centuries of Arab Islamic rule (7th–10th centuries). I will look for the shift from Coptic to Arabic in the Christian literature: the last period of literary expression in Coptic, with the decline of Sahidic and the rise of Bohairic, and the beginning of the new Arabic stage. I will try in particular to discover the reasons for the tardiness in the emergence of Copto-Arabic literature in comparison with Graeco-Arabic or Syro-Arabic, not without examining the literary output of the Melkite community of Egypt and of the other minority groups represented by the Jews, but also of Islamic literature in general. Was There a Coptic Community in Greece? Reading in the Text of Evliya Çelebi Ahmed M. M. Amin Fayoum University Evliya Çelebi (1611–1682) is a well-known Turkish traveler who was visiting Greece during 1667–71 and described the Greek cities in his interesting work "Seyahatname". Çelebi mentioned that there was an Egyptian community called "Pharaohs" in the city of Komotini; located in northern Greece, and they spoke their own language; the "Coptic dialect". Çelebi wrote around five pages about this subject and mentioned many incredible stories relating the Prophets Moses, Youssef and Mohamed with Egypt, and other stories about Coptic traditions, ethics and language as well. -
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’. -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
Manifiesto De La Alhambra English
Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way. -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN Carolyn Porter Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/113 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Carolyn Elizabeth Porter 2010 All Rights Reserved “DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN” A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by CAROLYN ELIZABETH PORTER Master of Arts, Virginia Commonwealth University, 2007 Bachelor of Arts, Furman University, 2004 Director: ERIC GARBERSON ASSOCIATE PROFESSOR, DEPARTMENT OF ART HISTORY Virginia Commonwealth University Richmond, Virginia August 2010 Acknowledgements I owe a huge debt of gratitude to many individuals and institutions that have helped this project along for many years. Without their generous support in the form of financial assistance, sound professional advice, and unyielding personal encouragement, completing my research would not have been possible. I have been fortunate to receive funding to undertake the years of work necessary for this project. Much of my assistance has come from Virginia Commonwealth University. I am thankful for several assistantships and travel funding from the Department of Art History, a travel grant from the School of the Arts, a Doctoral Assistantship from the School of Graduate Studies, and a Dissertation Writing Assistantship from the university. -
Part 24 Evan Roberts and Jessie Penn-Lewis
IV. Evan Roberts and Jessie Penn-Lewis Evan Roberts and Jessie Penn-Lewis were the central minister and the most influential expositor,1 respectively, of the Welsh holiness revivalism concentrated from “December 1904 to May 1905,”2 co-opting and eclipsing a genuine revival movement in Wales that had already been taking place. Roberts received infant “baptism a few weeks after his birth on June 8, 1878,”3 and grew up in the Calvinistic Methodist denomination. His “name appears in the church roll for the first time in 1893-94” after taking a “preparation class,”4 but evidence of his own personal conversion is very weak at best.5 A minister claimed that he had been the instrument some time after 1898 of Roberts’ “conversion or consecration,”6 but Roberts himself does not appear to have affirmed that he was born again at that time—indeed, Roberts testified that he was not a Christian until a number of months before the onset of the holiness revival.7 The closest one can come 1 Of course, other men were involved, such as “W. S. Jones,” who not long before 1904 “had a vision,” after which it “soon became evident that God had chosen him to be the first receiver and transmitter of Holy Spirit baptism. Around him there gathered a group of young pastors such as Keri Evans, W. W. Lewis and D. Saunders who sought the same experience” (pgs. xvi-xvii, An Instrument of Revival, Jones). Nevertheless, “Evan Roberts . must be placed at the center of events” (Pg. xviii, ibid.). -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate.