Description & Finding Aid: Suzy Lake Fonds CA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Toronto Pearson International Airport – YYZ Once You’Ve Arrived, There Are Lots of Options to Get Downtown
Transportation Toronto Pearson International Airport – YYZ Once you’ve arrived, there are lots of options to get downtown. Hop in a taxi, or arrange for a limo or take the light rail - they’re all conveniently waiting to take you where you want to go. http://www.torontopearson.com/en/toandfrom/ground/# Union Pearson Express speeds you from the airport to downtown Toronto in just 25 minutes, with trains departing every 15 minutes, 19 ½ hours a day. UP Express is North America’s first dedicated air-rail link, offering travelers a comfortable and reliable way to get in and out of the city without risking the uncertainties of city traffic. But, it also offers amenities that make the journey easier, like airline check-in kiosks, power outlets, luggage racks, onboard Wi- Fi, and up-to-the-minute flight information. Get a discount on your travel with UP Express! Just visit https://www.upexpress.com/ before July 21, 2019 and use promo code ACERS2019 to get your 25% discount on adult return tickets (round-trip) from Pearson Station to Union Station (regular price $24.70* CAD). Tickets are valid for 1 year. • select “From Pearson To Union,” • select an adult return ticket for your round-trip • Add to order then click the ‘Buy Now’ button and then Checkout to pay for ticket At checkout... • apply the promo code ACERS2019 during purchase Area Information Toronto has plenty to offer the international visitor. Visit Tourism Toronto, Toronto’s convention and visitor’s bureau for an up‐to‐date calendar of events, sample itineraries and more , http://www.seetorontonow.com/ ACerS Concierge: Have questions about the meeting location? Contact Greg Phelps for assistance. -
ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, on M6J 2L7
ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, ON M6J 2L7 www.andreabolley.com 1949 Born Guelph Ontario EDUCATION 1975 Bachelor of Fine Arts, University of Windsor TEACHING EXPERIENCE 2004-17 Masterworks Museum of Art, Bermuda 1982 Arts Sake, Toronto 1980 Activity Centre, Art Gallery of Ontario, Toronto 1979 Activity Centre, Art Gallery of Ontario, Toronto SOLO EXHIBITIONS 2016 Gallery 261, Toronto 2002 Gallery 132, Toronto 2014 Gallery 261, Toronto 2000 Gallery 132, Toronto 2014 Gallery 26, Bermuda 1999 Gallery 132, Toronto 2013 Gallery 26, Bermuda 1998 Gallery 132, Toronto 2013 Windjammer Gallery, Bermuda 1997 Gallery 132, Toronto 2011 BSOA Gallery, Bermuda 1996 Gallery 132, Toronto 2010 ACE Gallery, Bermuda 1995 Gallery 132, Toronto 2010 ITAL Interiors, Toronto 1994 Gallery 132, Toronto 2009 Masterworks Museum of Art, Bermuda 1993 Upper Canada Brewing Co. Toronto 2008 533 Gallery, Toronto 1991 Klonaridis Gallery, Toronto 2008 X Collection, Asolo, Italy 1990 Klonaridis Gallery, Toronto 2007 Archive Gallery, Toronto 1989 Klonaridis Gallery, Toronto 2007 Gallery 132, Toronto 1986 Gallery One, Toronto 2007 ACE Gallery, Bermuda 1985 Gallery One, Toronto 2007 Masterworks Museum of Art, Bermuda 1984 Gallery One, Toronto 2006 Gallery 132, Toronto 1981 Agnes Etherington Art Centre, Toronto 2005 Gallery 132, Toronto 1980 Pollock Gallery, Toronto 2005 The Spoke Club, Toronto 1978 Pollock Gallery, Toronto 2004 30 Year Retrospective, Thames Art 1977 The Art Gallery of Brant, Brantford Gallery, Chatham-Kent (catalogue) -
Christiane and Michael Pflug Fonds CA OTAG SC060
Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Christiane and Michael Pflug fonds CA OTAG SC060 Prepared by Meredith Ferguson, 2007 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library Christiane and Michael Pflug fonds Christiane and Michael Pflug fonds Dates of creation: 1930 - 2006 Extent: 455 cm of textual records and graphic material 2 audio cassettes 1 video cassette 3 artefacts Biographical sketch: Sybille Christiane Pflug (née Schütt) (1936-1972), German-Canadian realist painter, was born in Berlin, Germany and died of an intentional overdose at Hanlan’s Point, Toronto Islands. Upon the outbreak of the Second World War, Pflug was sent alone to live with family friends in the Austrian Tyrol town of Kitzbühl where she remained until her early teens. In 1953, Pflug left Germany for Paris to study fashion design. On a train to Paris in 1954, she met Michael Pflug (1929-,) a German medical student and aspiring artist. At his urging, and with the encouragement of artist friends Vieira da Silva and Arpad Szenès, Christiane, who had no formal art training, began to paint. The Pflugs married in 1956 and moved shortly afterwards to Tunis, Africa where Michael had accepted a medical internship. In early 1958, Christiane and Michael held the first joint exhibition of their work at l’Alliance Française in Tunis. Christiane and the couple’s two young daughters, Esther and Ursula, joined her mother in Toronto in 1959 while Michael remained in Africa. In 1960, after completing his medical studies in France, Michael joined his family in Canada and soon began medical practice. -
EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4
CURRICULUM VITAE • Complete EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4 www.EdwardBurtynsky.com Born St. Catharines, Ontario, 1955 Education 1982 - Bachelor of Applied Arts - Photographic Arts (Media Studies Program), Ryerson University, Toronto, Ontario 1974 - 1976 - Graphic Arts, Niagara College, Welland, Ontario 1985 to present - Photographic artist, entrepreneur, educator, lecturer. Established Toronto Image Works, a darkroom rental facility, custom lab, digital imaging centre and new media computer training centre. SELECTED SOLO EXHIBITIONS 2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA, October 5, 2013 - January 19, 2014 Burtynsky: Water, Rena Bransten Gallery, San Francisco, USA, October 24 - December 14 (reception November 6) Burtynsky: Water, Flowers, Cork Street, London, UK, October 16 - November 23 (reception October 15) Burtynsky: Water, Arthur Roger Gallery, New Orleans, USA, October 5 - October 26 (reception October 5) Burtynsky: Water, Bryce Wolkowitz Gallery, New York, NY, USA, September 19 - November 2 (reception September 19) Burtynsky: Water, Howard Greenberg Gallery, New York, NY, USA, September 18 - November 2 (reception September 18) Burtynsky: Water, Nicholas Metivier Gallery, Toronto, Canada, September 5 - October 12 (reception September 12) Edward Burtynsky: The Landscape that we Change, McMichael Canadian Art Collection, Kleinberg, Ontario, Canada, June 29 - September 29 Nature Transformed: Edward Burtynsky’s Vermont -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Scott Mcfarland Biography
SCOTT MCFARLAND BIOGRAPHY Born in Canada, 1975. Lives and works in Toronto, Canada. Education: B.F.A., University of British Columbia, 1997 Selected Solo & Two Person Exhibitions: 2017 “Scott McFarland: Sky Leaks,” Fort Gansevoort, New York, NY, February 11 – March 11, 2017 2016 “Scott McFarland: Duration Photographs,” Monte Clark Gallery, Vancouver, Canada, April 16 – May 14, 2016 2015 “Scott McFarland,” Galerie Division, Montreal, Canada, September 10 – October 10, 2015; travels to Galerie Division, Toronto, Canada, October 23 – December 23, 2015 2014 “Scott McFarland: Seasons Change,” Choi and Lager Gallery, Cologne, Germany, November 9, 2014 – February 27, 2015 “Scott McFarland: Simultaneous Contrasts,” Regen Projects, Los Angeles, CA, July 11 – August 16, 2014 “Scott McFarland: !Snow, Shacks, Streets, Shrubs,” Art Gallery of Ontario, Toronto, Canada, May 14 – August 10, 2014; catalogue 2013 “Scott McFarland: Transitions,” No.9: Contemporary Art and the Environment, Toronto, Canada, December 16, 2013 – June 15, 2014 “Scott McFarland, Street View,” Monte Clark Gallery, Vancouver, Canada, July 18 – August 17, 2013 2012 “Scott McFarland: Winter Retreating Spring Offence,” Monte Clark Gallery, Vancouver, Canada, March 29- May 5, 2012 2011 “Scott McFarland: Sans Souci,” Monte Clark Gallery, Vancouver, Canada, August 11 – September 10, 2011 2010 “Scott McFarland: Sans Souci,” Clark and Faria, Toronto, Canada, September 22 – November 7, 2010 2009 “Scott McFarland: Sugar Shack,” Union Gallery, London, UK, October 10 – November 28, 2009 “Scott -
Download Conference Program
Canadian Association of Science Centres 15th Annual Conference • Toronto, ON • May 4–6 Table of contents Message from the President, CASC 1 Message from the CEO, Ontario Science Centre 2 Helpful Information 3 Schedule at a Glance 4 Speakers 6 Program Session Information 8 Tradeshow Exhibitors 16 CASC 2017 Conference Host Thank you to our Sponsors Imagine Exhibitions, Inc. Loblaw Inc. Molson Coors Canada SK Films IMAX® Stratus Vineyards Compass Canada Message from the President CASC Board of Directors PRESIDENT Steve Baker TELUS World of Science Edmonton Edmonton, AB VICE PRESIDENT Tracy Calogheros The Exploration Place Prince George, BC TREASURER Dolf DeJong Vancouver Aquarium Marine Science Centre Vancouver, BC STEVE BAKER, President CASC STEPHANIE DESCHENES SECRETARY TELUS World of Science Edmonton Executive Director, CASC Jeff McCarron The Discovery Centre On behalf of the Board of Directors of the Canadian Halifax, NS Association of Science Centres, welcome to Toronto and the 15th Annual CASC Conference. This is the first time PAST PRESIDENT Guy Labine the conference has been hosted by the Ontario Science Science North Centre and we are excited to be able to share this time Sudbury, ON together to engage in open dialogue, high level learning and networking opportunities as well as celebrate the DIRECTOR outstanding contributions and work of those who will be Jennifer Martin recognized during the CASCADE Awards. TELUS Spark Since we gathered together for the 2016 conference Calgary, AB in Vancouver, CASC and its 80+ members and affiliates have welcomed over 8 million visitors to our facilities, DIRECTOR Julie Fisowich providing positive, science-based experiences and Saskatchewan elevating science literacy in our communities. -
SUZY LAKE Born in 1947 in Detroit, Michigan, United States Lives and Works in Toronto, Ontario, Canada
SUZY LAKE Born in 1947 in Detroit, Michigan, United States Lives and works in Toronto, Ontario, Canada EDUCATION 1978 MFA, Concordia University, Montreal, Quebec, Canada 1968 Wayne State University, Detroit, Michigan, United States Western Michigan University, Kalamazoo, Michigan, United States SELECTED SOLO EXHIBITIONS 2019 Game Theory, Georgia Scherman Projects, Toronto, Ontario, Canada 2018 Suzy Lake: Performing an Archive, curated by Srimoyee Mitra, Stamps Gallery, University of Michigan, Ann Arbor, Michigan, United States 2017 Suzy Lake: Scotiabank Photography Award, Ryerson Image Centre, Toronto, Ontario, Canada (catalogue) Performing an Archive, Art Gallery of Windsor, Windsor, Ontario, Canada Beauty and the Aging Body, curated by Yan Zhou, Lianzhou Foto Festival, Lianzhou, China 2016 Performing an Archive, McMaster Museum of Art, Hamilton, Ontario, Canada 2014 Introducing Suzy Lake, Art Gallery of Ontario, Toronto, Ontario, Canada (retrospective, publication) 2013 Suzy Lake, Mois de la Photo featured exhibition, Drone: The Automated Image, Darling Foundation, Montreal, Quebec, Canada (catalogue) 2012 So Whose Gaze Is It Now, Georgia Scherman Projects, Toronto, Ontario, Canada; Grande Prairie Museum, Grande Prairie, Alberta, Canada (2013) 2011 Political Poetics, University of Toronto Art Centre, Toronto, Ontario, Canada (touring exhibition): Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada; McIntosh Gallery, Western University, London, Ontario, Canada; Peterborough Art Gallery, Peterborough, Ontario, Canada; -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Rui(N)Ation: Narratives of Art and Urban Revitalization in Detroit
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2019 10:45 AM Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit Jessica KS Cappuccitti The University of Western Ontario Supervisor Bassnett, Sarah The University of Western Ontario Graduate Program in Art and Visual Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jessica KS Cappuccitti 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Art and Architecture Commons, Art Practice Commons, Contemporary Art Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Modern Art and Architecture Commons, Museum Studies Commons, Other American Studies Commons, and the Photography Commons Recommended Citation Cappuccitti, Jessica KS, "Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit" (2019). Electronic Thesis and Dissertation Repository. 6511. https://ir.lib.uwo.ca/etd/6511 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. -
Suzy Lake Rank: Professor Office: 409 Zavitz Hall E-Mail: [email protected] [email protected] Website: Education: 1980 M.F.A
SUZY LAKE Name: Suzy Lake Rank: Professor Office: 409 Zavitz Hall E-mail: [email protected] [email protected] Website: www.suzylake.ca Education: 1980 M.F.A. Fine Art Concordia University 1966-68 Fine Art Wayne State University 1965-1966 Fine Art Western Michigan University SOLO EXHIBITIONS 2007 Beauty at the End of the Season, Paul Petro Contemporary Art, Toronto, Ont. 2006 Concealed, Revealed; Hallwalls Gallery; Buffalo New, York On Stage 1972-75, Paul Petro Contemporary Art, Toronto, Ont. 2005 Visages de Suzy Lake, “L’Ete Photographic de Lectoure”, Le Centre de Photographie de Lectoure; Lectoure, France 2004 Whatcha Really Really Want.... (Canadian Idol), Paul Petro Contemporary Art, Toronto, Ont. Chrysalis; A 10 -Year Survey, Hart House, University of Toronto; Toronto, Ontario 2003 Who Pulls the Strings; Paul Petro Contemporary Art, Toronto, Ont. 2002 Attitudes et Comportements, Musee Regionale du Rimouski, Rimouski, Quebec Beauty at a Proper Distance, Gallery 44 (vitrines), Toronto, Ontario Beauty, Paul Petro Contemporary Art, Toronto 2000 Fascia, Galerie Trois Points; Montreal, Quebec 1999 Macdonald Stewart Art Centre; Guelph. Ontario Fascia; Paul Petro Contemporary Art; Toronto 1997 Re-Reading Recovery, (Mois de la Photo), Paul Petro Contemporary Art; Montreal, Quebec Too Many Stones, Mount St. Vincent Univ. Gallery; Halifax, Nova Scotia Chrysalis, (Contact '97) Paul Petro Contemporary Art; Toronto, Ontario 1996 Too Many Stones, Woodstock Regional Art Gallery; Woodstock, Ontario 1995 Authority is an Attribute... part 2, Art Gallery of Peterborough; Peterborough, Ontario 1994 Desire and the Landscape, Emma Ciotti Gallery; Iroquois Falls, Ontario 1993 A Point of Reference (retrospective tour), Canadian Museum of Contemporary Photography; Ottawa, Ontario: Surrey Art Gallery; North Vancouver, British Columbia; Surrey Art Gallery; North Vancouver, British Columbia; Glenbow Art Gallery; Calgary, Alberta; London Regional Art Gallery; London, Ontario 1991 Authority is an Attribute.. -
The Notre-Dame Street Overpass Sidewalk: from Bill Vazan's
Palimpsest III: The Dialectics of Montreal’s Public Spaces Department of Art History, Concordia University The Notre-Dame Street Overpass Sidewalk: From Bill Vazan’s Highway #37 to Today Philippe Guillaume September 2010 Cynthia I. Hammond, and Anja Bock, eds. Palimpsest III: The Dialectics of Montreal’s Public Spaces An already-made geography sets the stage, while the willful making of history dictates the action …1 The sidewalk plays a fundamental role as a place of transit in the modern city, as well as being a space of sensorial experience. A specific walkway can represent aesthetic change across generations while, nonetheless, eliciting sensory experiences where the pedestrian’s feeling of safety is axiomatic. Such a space is seen in a photograph that is part of Montreal artist Bill Vazan’s conceptual project Highway #37, created in 1970. Detail 151 (Fig. 1), a black and white photograph, illustrates an eastward view of Notre-Dame Street taken from the southern sidewalk along the Notre-Dame Street overpass, a viaduct that spans over the old Dalhousie and Viger stations rail-yards. This is a historic locus linked to travel: this epic street exits Old Montreal towards the eastern part of the island. On today’s maps it spans between Berry and St-Christophe streets. When viewed through Vazan’s framing, this cityscape still serves as a striking palimpsest of the city’s modernist past, where, formally, the sidewalk encompasses all the elements associated with a safe space for pedestrian travel. A comparative view of the landscape seen in Vazan’s photograph between the time it was made and the present further enriches the narrative of this place, which nowadays sits on the cusp of the city’s salient tourist space, Old Montreal.