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Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Sexes Split Over Textbook Revision
(tottrrttrut iatlij Qkmjma Serving Storrs Since 1896 VOL. LXXVIII NO. 47 STORRS, CONNECTICUT TUESDAY, NOVEMBER 12, 1974 5 CENTS OFF CAMPUS DeHaan cites panel with conflict charges By KEN LUCAS housing since the administration Staff Reporter announced the revised policy in Conflict-of-interest charges were mid-September. brought against a University Senate David Ivry, acting director of subcommittee Monday for its academic planning, said DeHaan recommendations regarding the insinuated the senate was selfish and administration's revised policy for lacking in initiative in its report. University-owned housing. In other business, DeHaan said the Richard J. DeHaan, vice president for University will run out of funds finance and administration, charged a allocated for fuel in January. Bills will conflict of interest among two exceed appropriated funds by $500 subcommittee members who wrote the thousand. report because they live in He aaid $600 thousand is available for University-owned housing. possible transfer from the Personal The subcommittee on housing policy Services Appropriation account. A of the Faculty Standards Committee motion was passed to delay debate of a issued a report Monday recommending possible transfer until the next meeting. that "an appropriate University official A report presented by the senate assure present tenants that they will not Growth and Development Committee be forced to leave in June 1975. showed only 13.6 per cent of student The subcommittee also fees paid at University branches return recommended the appointment of an there. Of $605,175 paid in student fees, advisory committee to make an in-depth $82,556 returned to the branches last study of the housing policy for faculty year in equipment, services, and and graduate students. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
Ankh, Ujda, Seneb (Life, Strength, Health)
ANKH, UJDA, SENEB (LIFE, STRENGTH, HEALTH): “LET FOOD BE THY MEDICINE,” AN EPISTEMIC EXAMINATION ON THE GENEALOGY OF THE AFRICANA HOLISTIC HEALTH TRADITION, WITH PRELIMINARY CONSIDERATIONS IN THE CITY OF PHILADELPHIA, 1967 TO THE PRESENT A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR of PHILOSOPHY by Heru Setepenra Heq-m-Ta Department of African American Studies December 2016 Examining Committee Members: Dr. Nathaniel Norment, Jr., Advisory Chair, African American Studies, Temple University Dr. Greg Kimathi Carr, Afro-American Studies, Howard University Dr. Abu Shardow Abarry, African American Studies, Temple University Dr. Wilbert Jenkins, History, Temple University Dr. Mario Hollis Beatty, External Member, Afro-American Studies, Howard University © Copyright 2016 by Heru Setepenra Heq-m-Ta All Rights Reserved ii ABSTRACT The utilization of natural elements of the earth to remedy corporeal maladies dates back to the medical systems of ancient Nile Valley culture. Given the continuity and intergenerational transmission of knowledge evident in African expressions of culture, these olden naturalistic health techniques, throughout time, have continuously been used as therapeutic modalities by posterior African cultures—both continental and Diasporic. Due to its tripartite approach to healing—of mind, body and spirit— this age-old African healing tradition has gained popularity in contemporary times and is commonly known today as the locution: holistic health. The principal objective of this intellectual project is to reveal an unbroken genealogy of a thriving Africana holistic health tradition upheld by both advocates and practitioners in the field. Notwithstanding the current state of health of Africans residing in the United States, the praxis of these ancient healing customs is extant within communities which the population is predominately African. -
Rock Music Lyrics As Postmodern Poetry: Gentle Giant 'Realization'
Martin Neef (Braunschweig, Germany) Rock music lyrics as postmodern poetry: Gentle Giant 'Realization' 1. Introduction: Rock music and rock music poetry In this paper, I talk about the text Realization of the British rock band Gentle Giant, which has released records in the period from 1970 to 1980. First, I will trace the story of Gentle Giant. Then I will turn to a particular text of this band, Realization. In doing so, I will first try to prove the existence of this text and determine its limits. Then I will go into the basic structure of this text and discuss some of the thematic focuses that I will address in the chapters In a glass house, The game, und Goodbye. In effect, my aim is to argue that Derek Shulman, a member of Gentle Giant, is among the most important postmodern lyricists of the 20th century. Lyrics of rock music are not at the centre of the scientific preoccupation with literary texts. Seriously taken poetry is first and foremost written poetry. This applies at least to contemporary poetry, less to old forms of poetry. I would like to plead for rock music in general and rock music lyrics in particular to be regarded as an art form to be taken seriously in cultural studies. If postmodernism is first and foremost a historical epoch, it can undoubtedly be said that rock music is one of the genres that has experienced the greatest boom in this epoch. If the term postmodernism is to be defined more in content than in history, one should at least be prepared to concede the grade postmodern to some works of rock music. -
Proclamation-6.Pdf
2 Proclamation, the Occasional Gentle Giant Magazine Proclamation, the Occasional Gentle Giant Magazine 3 Quite a few of you have been asking about bootleg PROCLAMATION audience tapes, so I MEMORIES OF Trondheim, Norway, January 1997 Welcome back, my friends, to a new issue of Proclamation. thought it might be best to give you some idea of what you might find out OLD DAYS: Proclamation 6 was meant to feature text, I still felt that the issue needed there in the mill. My good David Armas' impressive work finding more than David's article and also that as many Gentle Giant concerts that had we needed to clean up everything about friend Bolle Gregmar, a been taped as possible. At the time he the facts. In the end the issue was laid transplanted Swede who began the detective work there was aside because of other commitments of THE AUDIOTAPES little known about any tapes and the various sorts. It was never intended to now makes his home here collector network was very small. No be that way, but it was hard to continue by David Armas and Bolle Gregmar the work. Then David suddenly died, in LA, remembers the companies had as yet shown any mislabeled with the wrong dates and variables of the songs contents thereof. without seeing his work finished. interest in releasing tapes from this half- group's transformation venues, had multiple shows put on the Time is indicated by minutes/seconds forgotten band from the 70s. same tape, repeat shows labeled as other and not all run times are accurate. -
The Voice of New Music
TOM Title The Voice of New Music by Tom Johnson New York City 1972-1982 JOHNSON A collection of articles originally published in the Village Voice Author Tom Johnson Drawings HE OICE Tom Johnson (from his book Imaginary Music, published by Editions 75, 75, rue T V de la Roquette, 75011 Paris, France) Publisher Editions 75 Editors OF NEW Tom Johnson, Paul Panhuysen Coordination HélènePanhuysen Word processing MUSIC Marja Stienstra NEW YORK CITY 1972 - 1982 File format translation Matthew Rogalski A COLLECTION OF ARTICLES ORIGINALLY PUBLISHED IN THE VILLAGE VOICE Digital edition Javier Ruiz Reprinted with permission of the author and the Village Voice ©1989 All rigths reserved [NEW DIGITQL EDITION BASED IN THE 1989 EDITION BY HET APOLLOHUIS] [Het Apollohuis edition: ISBN 90-71638-09-X] for all of those whose and for all that I ideas and energies learned from them became the voice of new music, Editions 75, 75 rue de la Roquette, 75011 PARIS http://www.tom.johnson.org/ Preface Index Introduction Index Index 1972 Index 1973 Index 1974 Index Index 1975 Index 1976 Index 1977 Index Index 1978 Index 1979 Index Index 1980 Index 1981 Index 1982 Music Columns in the Voice Editions 75, 75 rue de la Roquette, 75011 PARIS http://www.tom.johnson.org/ the Western musical tradition and to remove the barriers between different cultures and various artistic disciplines. That process is still in full swing. Therefore it is of interest today to read how that process was triggered. Tom Johnson has been the first champion of this new movement in music. -
Autobiography of Lee De Forest
Father of Radio THE autobiography OF Lee de Forest r9fo WilcoxFollett Co. CHICAGO EDITORS: Linton J. Keith Arthur Brogue DESIGNER: Stanford W. Williamson COPYRIGHT, 1950, BY Wilcox & Follett Co. Chicago, Ill. All rights in this book are reserved. No part of the text may be reproduced in any form without permission of the publisher, except brief quotations used in con- nection with reviews in magazines or newspapers. PRINTED IN THE UNITED STATES OF AMERICA Father of Radio I Dedication To my old comrades and associates in the forgotten days of Wireless -to my eager assistants in the early years of the Audion and of Radio- broadcasting-to the multitudes of young men and women who loved, as I have loved, the long night hours of listening to distant signals and far-off voices-to the keen engineers who hastened to grasp the new elec- tronic tools I laid before them, creating therewith a vast new universe- to the United States Navy, which was always prompt to use my new wireless and radio devices, whose operators heard my first radiobroadcast, and whose Admirals never failed to give me welcome encouragement when it was most sorely needed-to the United States Signal Corps, whose Chiefs and Officers have from the beginning continued to be friend and guide-to the Bell Laboratories engineers who first saw the worth of the Audion amplifier-to the radio announcers who must speak what is writ- ten though their hearts be not always therein-to the brilliant pioneers in our latest miracle of Television-to the partner of my earliest wireless ex- periments, E. -
Roget's Thesaurus of English Words and Phrases: Body by Roget
Roget's Thesaurus of English Words and Phrases: Body by Roget Roget's Thesaurus of English Words and Phrases: Body by Roget #22). Poster's note: The dagger symbol has been replaced by the carat "^" for this plain-text file. You may interpret the carat as a dagger in the original _except_ in one place, where the carat itself is defined in the Special Characters List in section 550. ROGET'S THESAURUS OF ENGLISH WORDS AND PHRASES CLASS I WORDS EXPRESSING ABSTRACT RELATIONS SECTION I. EXISTENCE page 1 / 997 1. BEING, IN THE ABSTRACT 1. Existence -- N. existence, being, entity, ens [Lat.], esse [Lat.], subsistence. reality, actuality; positiveness &c adj.; fact, matter of fact, sober reality; truth &c 494; actual existence. presence &c (existence in space) 186; coexistence &c 120. stubborn fact, hard fact; not a dream &c 515; no joke. center of life, essence, inmost nature, inner reality, vital principle. [Science of existence], ontology. V. exist, be; have being &c n.; subsist, live, breathe, stand, obtain, be the case; occur &c (event) 151; have place, prevail; find oneself, pass the time, vegetate. consist in, lie in; be comprised in, be contained in, be constituted by. come into existence &c n.; arise &c (begin) 66; come forth &c (appear) 446. become &c (be converted) 144; bring into existence &c 161. abide, continue, endure, last, remain, stay. Adj. existing &c v.; existent, under the sun; in existence &c n.; extant; afloat, afoot, on foot, current, prevalent; undestroyed. real, actual, positive, absolute; true &c 494; substantial, substantive; self-existing, self-existent; essential. -
Castle Danger
CASTLE DANGER Chris Norbury Copyright © 2016-2017 Christopher Norbury ISBN: 978-1-63491-049-1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida, U.S.A. Printed on acid-free paper. The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. BookLocker.com, Inc. 2017 Second Edition Also by Chris Norbury Straight River (Matt Lanier #1) Dedication To Mom: You are the embodiment of unconditional mother's love. To Dad: Your generous, expert feedback inspired me to believe in my writing ability. To Sandra: You've lovingly allowed me to follow my many and varied muses since the day we were married. Acknowledgements Thank you to my outstanding group of beta readers: Jody Brown (who also consulted on the cover blurb), Paula Matsumoto, Margaret Mazzaferro, Polly Rodriquez, Val Rudy, Betsy Wade, and Daniel Williams. Their collective evaluations and critiques inspired me to bring this novel to reality. Thank you to my editor and proofreader, Lauren O'Neil of Sharp Eye Edits. She took a chance on a rookie and treated me like a veteran. I owe thanks to Kimberli Bindschatel for opening my eyes to the possibilities of independent publishing. Her success with her own writing motivated me to keep chasing my writing goals. Dr. Jim Sheard, an author and avid golfer, provided me with wise counsel, encouragement, and friendship early on in my writing efforts, often while we commiserated about our golfing woes and maladies. -
Fact and Fiction in Helen Garner's Monkey Grip and the Ps Are Room & Deepwater Alexandra Mcleavy University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2015 Let it be what it is: fact and fiction in Helen Garner's Monkey Grip and The pS are Room & Deepwater Alexandra McLeavy University of Wollongong Recommended Citation McLeavy, Alexandra, Let it be what it is: fact and fiction in Helen Garner's Monkey Grip and The pS are Room & Deepwater, Master of Creative Arts (Creative Writing) thesis, School of Law, Humanties and the Arts, University of Wollongong, 2015. http://ro.uow.edu.au/theses/4448 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ! ! Let it be what it is:! fact and fiction in Helen Garner’s Monkey Grip and The Spare Room! &! Deepwater! ! ! ! ! ! Master of Creative Arts! (Creative Writing) ! at the University of Wollongong! ! Alexandra McLeavy (BA Hons.)! School of Law, Humanities and the Arts! 2015 "1 Certification! ! I, Alexandra McLeavy, declare that this thesis, submitted in fulfilment of the requirements for a Master of Creative Arts, in the School of Law, Humanities and the Arts at the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged.! This document has not been submitted for qualifications at any other academic institution.! ! ! Alexandra McLeavy! 15 August, 2015 "2 Contents! ! Abstract!!!!!!!!! 4! Acknowledgments!!!!!!!! 5! Thesis!!!!!!!!!! 6! !Let it be what it is: fact and fiction in Helen Garner’s Monkey Grip ! !and The Spare Room! Bibliography!!!!!!!!! 74! Creative work!!!!!!!! 81! !Deepwater "3 ! Abstract! ! In literature, the line between fiction and real life is often seductively thin. -
The History of Rock Music: 1966-1969
The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Progressive-rock 1968-72 (These are excerpts from my book "A History of Rock and Dance Music") TM, ®, Copyright © 2009 Piero Scaruffi All rights reserved. The "emigration" of rock music from the USA to Britain was not only beneficial but even pivotal for the development and propagation of rock music. First of all, rock music was digested by the British "fashion" industry, which transformed it into a well-publicized, iconic commodity, thus generating cash- cow phenomena such as the Beatles. In Britain rock music became "trendy" when in the USA it was still, mainly, an underground, cult (and occasionally taboo) phenomenon, boycotted by both the major record companies and the (puritan) middle-class audience. The British media made rock music fashionable. If rock music had remained the music of Dylan, Fugs, Zappa and Velvet Underground, it would have remained a cultural phenomenon with a huge impact, capable of producing artistic masterpieces and generating intellectual debates, but, most likely, it would have never captured the imagination of the masses the way it did during the late 1960s. In the USA, rock music had been perceived as a revolutionary event, very much related to a generational gap (between the "great" generation and the "hippy" generation) and an ideological gap (between the Establishment and the underground).