FOR THE MAN IN FULL | www.mansworldindia.com SEPTEMBER 2020 | K 150
RANA DAGGUBATI IS ALWAYS LOOKING FOR A GREAT STORY Contents SEPTEMBER 2020 24 28
FOB 11 Radar 16 The Interview: Alankrita Shrivastava 18 The A-list 20 The showstopper: Samsung Galaxy Note 20 Ultra 21 Men’s style podcasts 22 Cycling essentials 24 Far from the madding crowd: Tenzin Dalha 26 Myths about metabolism at 40 36 28 C.L.A.W: For the specially-abled 32 Travel apps
WHEELS 33 Interview with Audi India’s Balbir Singh Dhillon 34 Skoda Superb 2020 36 The new Hyundai Verna 38 T-Roc: Volkswagen’s latest SUV 40 The GMA T.50
TALK 41 The dierence between cancelling and calling out by Shraddha Gurung 42 A “bitch” is a female LONGINES BOUTIQUES THE LONGINES canine by Arnesh Ghose DELHI, TEL: 43592848 • NOIDA, TEL: 6718407 MASTER COLLECTION LONGINES HYDERABAD, TEL: 9398262035 � BANGALORE, TEL: 40982109 EXPRESS AVENUE, CHENNAI: TEL: 044-28464098 VR CHENNAI, TEL: 044-66622335 SEPTEMBER 2020 • MW 3 WWW.LONGINES.COM
CONTENTS.indd 10 09/09/20 10:36 AM ContentsContents SEPTEMBER 2020 Contents SEPTEMBER 2020
48 72 RANA DAGGUBATI IS ALWAYS LOOKING FOR A GREAT STORY A commercial success and a critic’s favourite, Rana Daggubati is not one to put all his egupholds his strengths ourite, Rana Daggubati is STYLE not one to put all his egupholds his strengths ourite, Rana Daggubati 68 Fashion news 70 Sartorial Man: is not one to put all his egupholds his strengths Homegrown face BY MAYUKH MAJUMDAR mask brands 71 Grooming essentials 72 Gucci’s sustainability initiatives 75 Ask the expert 76 The quirky couturier: Tarun Tahiliani 78 A guide to Korean FEATURES skincare in India 44 Current Cinema: 80 How to wear Kadakh, Mee Raqsam, double denim & Shakuntala Devi By 81 Is thrift-shopping the Maithili Rao future of fashion? 62 Boys who ballet By Samreen Tungekar WATCHES 84 Tracking Time 88 Rolex Oyster Perpetual Collection 89 Rolex Perpetual Concerts 76 88
ON THE COVER Rana Daggubati photographed leaning on an Audi A6 Blazer by Herringbone & Sui; jumper by H&M; pocket square by Brooks Brothers; shoes by Ruosh; Blazer by Herringbone & On the wrist: Tissot V8 Sui; Jumper by H&M; pocket square by Brooks Brothers; Photographed by Eshaan Girri shoes by Ruosh; Art Direction by Tanvi Shah On the wrist: Tissot V8 Fashion Editor Neelangana Vasudeva
ESHAAN GIRRI Styled by Geetika Chadha Hair by Alex Vijaykanth Make-up by S. Vamsi Krishna
4 SEPTEMBER 2020 • MW 12 SEPTEMBER 2020 • MW SEPTEMBER 2020 • MW 5 Executive Editor’s Note
SEPTEMBER 2020
Publisher & Editor N RADHAKRISHNAN
Executive Publisher MINAL SURVE MONSOON MEMORIES,
Executive Editor ARNESH GHOSE THE “ NEW NORMAL”, AND Associate Editor RAJU BIST WHY NEWS NEEDS AN Assistant Editor SAMREEN TUNGEKAR INTERVENTION Fashion Editor NEELANGANA VASUDEVA
Art Director TANVI SHAH adapt a new way of functioning all systems. Oces and responsibilities HEMALI LIMBACHIYA Associate Art Director that once seemed unthinkable without human contact and attendance, are Assistant Art Director NANDKISHOR SAWANT being easily carried out via calls and video. I think Indian employers are finally learning to trust their employees. Just because someone is working GAUTAMI DAVE, SANJANA SUVARNA Graphic Designers from home, doesn’t mean that person is not working or procrastinating. Senior Digital Manager JAYESH V. SALVI We are finally learning that attendance is not equal to eciency. Personally, I feel that this paradigm shift in the employer-employee Production Manager MANGESH SALVI relationship was long overdue, and is definitely one of the pros of the “new normal”. One of the cons would be how many times people use mansworldindia.com the phrase “new normal” these days. From mails, to texts, to newspaper Web Editor ARNESH GHOSE headlines, overusing “new normal” is, well, the new normal. It was catchy Sta Writers MAYUKH MAJUMDAR, SANIKA ACHREKAR, RAJEEV MATHEW when the lockdown started, but it is just tedious right now, when the world desperately wants to get back to the old normal. Once we are back in the old normal, we should really have a conversation about what we PABLO CHATERJI Consulting Editor learned from the pandemic, and whether we actually need a new normal. Contributing Editors MAITHILI RAO, SOLEIL NATHWANI, Will wet markets cease to exist? Will the world become more hygienic in MAGANDEEP SINGH its interactions? Will we reduce manual responsibilities and shift to digital aid at a faster pace? What will happen to human interaction? How will socialising, partying, dating, hooking up change? Will it? If we just casually General Manager, Sales & Marketing MANOJ SHARMA roll back to the old normal eventually, what did the pandemic actually ([email protected]), NEW DELHI teach us? Well, if there is one takeaway from this period, it’s the abject General Manager, Sales & Marketing TULSI BAVISHI heartlessness of the Indian news media. With views, clicks, reach, and ([email protected]), MUMBAI don’t remember the last time I spent so much time indoors impressions being the world's talking points, we have arrived at a place during the monsoons. I have always said that us privileged ones don’t get where news is nothing more than a source of entertainment. Most Deputy General Manager-Sales & Marketing NOHA QADRI Ito complain about the rains. We barely have to struggle, or get drenched, news websites in the country could pass o as pulp fiction. Only that is ([email protected]), MUMBAI navigating our lives in cars, oces, and air conditioning. The rains are discussed which is popular, or is scandalous enough to become popular. entertaining for us. We attend poetry sessions where woke organisers serve The news is not about reporting facts and holding institutions accountable Assistant Manager - Sales & Marketing SAGRIKA SANJAY chai and “potato fritters” to add to the vibe. Or drive o to hill stations. anymore. It is not a tool with which a society exercises democracy [email protected]), NEW DELHI Others attend nature walks in national parks. The rains, mostly, don’t aect ( anymore. Rather, it is about clickbait headlines and photographs that will us. Yes, when Mumbai has the Annual Monsoon Two-Day Shutdown, we are lure people in, ensuring page views, and hence, brings in money. And inconvenienced, but that’s about it. I remember the monsoons during my everybody is expected to play that game, because advertisers will only pay Sr. Circulation Exc. (MIS & Opr) SANTOSH P. GAJINKAR childhood. We used to be fascinated by the rain. Kids used to love splashing (+91 99695 71319) over puddles, playing football in muddy school grounds; I used to love big bucks to platforms that enjoy more footfall. And how does one ensure swimming in the rain. The adults would tell us to not get wet in the first rain footfall? Not by discussing climate change or dalit oppression. I have taken Accountant PRADEEP ACHAREKAR of the season — it brought down the dirt, and pollution, and floating germs, a long break from consuming news for over two months now. If anything with it — and so we would wait for the second shower to run out into the earth-shattering happens, it will find its way to me. Otherwise, I am good. Oce Manager RAJEEV POOJARY courtyard, or to the terrace of our houses. The monsoons meant hot fried Oce Assistant VAIBHAV MORE snacks, fatty river fish curries, and hot soup dinners. As one grows older, the monsoons become an inconvenience. We forget its importance in our lives, and often, whine about how the rain is ruining our schedules. After years, I was able to just sit by a window and watch it pour outside. The sky MW.Com (India) Pvt. Ltd is often dramatic, like a Renaissance mural, the dark clouds and the sun and the various hues of the sky creating a new composition every day. Did the EDITORIAL & MARKETING OFFICE: 401, 4th Floor, Todi Building, Mathuradas Mills Compound, pandemic help us slow down, reconnect with ourselves, our loved ones, and Senapati Bapat Marg, Lower Parel, Mumbai 400 013., Tel:67487777 realise the wonders of nature all over again? Maybe. NEW DELHI: 1104, Prakash Deep Building, 7 Tolstoy Marg New Delhi - 110001, Tel:011- 43503672, 23356071, 23356072 What the pandemic has definitely forced the world to do, is build and — Arnesh Ghose BANGALORE: Santhome-33/01, Ist stage, Ist Cross, Indira Nagar, Bangalore-560 038
Contact for editorial: [email protected] Circulation: [email protected]
Printed and Published by N Radhakrishnan on behalf of MW.Com India Private Limited. Printed at Spenta Multimedia, Peninsula Spenta, Mathuradas Mill Compound, N.M. Joshi Marg, Lower Parel, Mumbai 400 013. Published at MW.Com India Private Limited, 401, 4th Floor, Todi Building, Mathuradas Mill Compound, Senapati Bapat Marg, Lower Parel, Mumbai 400 013. Editor: N Radhakrishnan. All rights reserved worldwide. Unsolicited manuscripts will not be returned unless accompanied by a postage pre-paid envelope. SEPTEMBER 2020 • MW 7 NEWS-STAND PRICE ` 150 INTERNATIONAL SUBSCRIPTION RATES US $ 115 (1 year); US $ 220 (2 years); US $ 325 (3 years); US $ 525 (5 years)
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Contributors WHO & WHAT YOU SHOULD BE MAITHILI RAO RADAR In this issue: Current Cinema (Pg 44) CHECKING OUT THIS MONTH Describe yourself in one word Curated by Arnesh Ghose Liberal What’s the first thing that comes to your mind when y o u h e a r ‘ s o c i a l m e d i a ’ ? N e c e s s a r y e v i l Actor What movie ending really frustrated SHREYA CHAUDHRY y o u ? A n d h o w w o u l d y o u c h a n g e i t ? The Dirty Picture. Her suicide — Playing a cool girl pop phenom dressed like a suhagan — after in a Shankar Mahadevan musical Reshma has been a rebel all her life. series is a dream debut, and I would have her dressed in a slinky Shreya Chaudhry made sure gown, a drink in her hand, shooting she stood out in a crowd of herself through the temple heavyweights. As Tamanna in Amazon Prime Video's Bandish Bandits, Chaudhry was a burst of energy and fresh air, a true disruption to the traditional set-up. Chaudhry is vivacious, has stunning screen presence, and has the ability to pump energy into a scene, setting SHRADDHA GURUNG VIKAS MARWAH herself up as a bright new talent In this issue: The dierence between In this issue: Ask the Expert (Pg 75) to sit up and take notice of. cancelling and calling out (Pg 41) Describe yourself in one word Describe yourself in one word Ingenious Passionate The first thing that comes to your The first thing that comes to your mind when you hear ‘social media’ mind when you hear ‘social media’ To sum it up in three words — C o m m u n i t y o f l i k e - m i n d e d p e o p l e c r e a t e , u p d a t e , a n d i n n o v a t e What is the most unusual If you could steal a celebrity’s c o n v e r s a t i o n t h a t y o u ' v e e v e r h a d ? hair, who would it be? Talking about the dierence George Clooney. It's not just about between brown and black grizzly his hair quality and texture, but also bears at 6 in the morning the styling that can steal hearts
M A G A N D E E P S I N G H In this issue: Getting the best out of cycling (Pg 22) Describe yourself in one word H e d o n i s t The first thing that comes to your mind when you hear ‘social media’ T h e a g e o f ‘ i n fl u e n z a s ’ One thing you wish would c o m e b a c k i n f a s h i o n ? Hats
10 SEPTEMBER 2020 • MW
Contributors.indd 10 09/09/20 10:28 AM On the Radar.indd 11 08/09/20 4:40 PM RADAR RADAR THE TALK
‘The Bengali bonti’
Artist ‘The silver paijeb’ KING MARIUM ‘The legacy of Sheesh Mahal’ Who doesn't love neon? King Marium's art (@kingmarium) celebrates feminism, pop culture, gender and societal norms, and queer conversations through bold strokes, a psychedelic palette, and a ‘My father's childhood’ seething sense of bubbling heat. There's protest in her work, a subconscious angst that simmers, while the surface looks History and storytelling hypnotic. Deep dive or enjoy her work as MUSEUM OF MATERIAL conversation pieces, there's something for everybody. MEMORY A submission-based repository of materials, objects, artefacts, and memories from the Indian subcontinent, this digital museum is a treasure trove of history, anecdotes, and journeys. Founded by author Aanchal Malhotra (she has written the exceptionally- ‘The other side of the coin’ researched Remnants Of A Separation) and digital strategist Navdha Malhotra, the museum is present digitally as a site and also on social media, and ‘Glow of the grime’ accepts submissions of objects and personal stories attached to the objects. It covers everything including art, books, maps, jewellery, utensils, heirlooms, collectibles, and so much more. A valuable extension of Malhotra’s book, the museum enjoys regular submissions, leading to engaging conversations on Instagram, and is an interesting way of experiencing the shared history of the subcontinent.
Shop SLOW POTTERY, BENGALURU This pottery studio and school in Bengaluru has been turning up the quirk during the lockdown. Presenting the Boob Mug. Conversation piece? ‘Rajkumari Devi's Independent India’ Yes. Unapologetically feminist? Hell yeah. Maybe, unintentionally, Slow Pottery has contributed to the global conversation around body positivity, self-love, and free the nipple. Whenever an artist deshames ‘Travels of a carpet: From a Persian otagh the human body and celebrates it, we stan. ‘A lock from the jolodasti to a Georgian living room’ ‘The blue passport’ house of the past’
‘A secret history of the Mallik family’ ‘Rajkali Devi, Kamla, and the silver sindoor daani’ ‘A lineage of military service’ 12 SEPTEMBER 2020 • MW SEPTEMBER 2020 • MW 13 RADAR
Photographer GURU CHARAN
A fine blend of slice- of-life and poignant intimacy, Charan's photography is laden with kindness, warmth, and nostalgia. Extremely aww-worthy, he has an astute eye, is sensitive and high on aesthetic, and his colour palette tends to veer around summer warmth and monsoon colds. Charan shows a special knack towards photographing children and cityscapes, capturing innocence and pulse like few can.
VISIT US ON WWW.DANIELWELLINGTON.COM OR AT YOUR NEAREST STORE 33 SEPTEMBER 2020 • MW 14 SEPTEMBER 2020 • MW
On the Radar.indd 33 08/09/20 4:59 PM 419_Iconic_Link_40MM_210x270mm_Ads_MansWorld_India.inddDaniel Wellington.indd 1 1 30/08/202001/09/20 10:02 2:22 PM AM theinterview Tell us a little about Dolly, Kitty aur Woh Chamakte Sitare and Bombay Begums. Q&A I can’t tell you too much, but I’m still in WITH the process of editing Bombay Begums. It’s basically a show about the lives of five ALANKRITA women of dierent ages set in an urban SHRIVASTAVA context, and the conflicts that they undergo in their professional and personal lives. It Writer and director Alankrita has Pooja Bhatt, Shahana Goswami, Amruta Subhash, Plabita Borthakur, and a young Shrivastava’s reel women are girl called Adhyanan. Dolly Kitty is ready, always searching for freedom, and Netflix is just scheduling a date. Dolly and she’s hell bent on ensuring Kitty is kind of an exploration of female they find it friendships and sisterhood, and the love-hate relationship between these two cousins, and By Mayukh Majumdar how they enable each other to find freedom.
Your films have always been about women From taking on the CBFC legally, to using striving for freedom, and leading dual lives. her platform to aid the #MeToo India Where does this come from? process, Alankrita Shrivastava is not Somebody had said that most film-makers somebody who takes it lying down. Is it are making the same film again and again. a wonder then, that her characters on There are some pet themes which they screen are strong women who destroy the continue to explore and now, I think that’s patriarchal structures in their own ways? true because I’m obsessed with women While Turning 30 was ahead of its time, finding themselves, and searching for people saw themselves reflected in the Lipstick Under My Burkha created quite a freedom. I guess it comes from my life. cinema that they watched? furore when it released in India, with women I haven’t led a dual life, but I’m always (and men) sending Shrivastava ‘thank preoccupied by ideas like “who am I really?” Do you think OTT platforms have you’ emails for the work she had done. and “am I living the life that I want?” In democratised cinema? Now, with Dolly, Kitty aur Woh Chamakte regards to duality in Lipstick, the characters I think one has to wait and watch. Cinema Sitare and Bombay Begums, the director is have a lot of restrictions in the social, cultural, is very dicult because of the whole ready to take her work to the next level. In and economic backgrounds that they stem exhibition and distribution — it's just a big an interview where she minces no words, from. Dolly Kitty is in a dierent milieu from fight and here, I guess, the gatekeepers of Shrivastava speaks about her latest venture, that, but the pattern of finding freedom is the network are not fossilised, in that sense. on why #MeTooIndia has been a failure, and there. In a way, you can see the same thing in The programming team of all these theatres her cinematic opinions. Made in Heaven. These are the kind of themes are mostly all men and so are the exhibitors. I’m drawn to. I’m less interested in plot; I’m The thing with the networks is that there How does your education and childhood more interested in characters and the world are a lot of women in the teams and hence, influence the stories you tell? they inhabit. a lot of stu is getting green-lit. In OTT There have been two to three major platforms, there may not be box-oce influences. I’ve always read a lot; from the With the rise in women directors and writers pressure, but you always have to keep time I was very young. I draw much more and film-makers, do we have an alternative people hooked. And I’m all for competing on-screen objectification of women is a "I’m obsessed from literature than I do from cinema, point of view in cinema yet? in the theatrical space. I don’t think that continuing conversation — we are very with women because I’m not much of a film-watcher. I I think it’s definitely building, and is much newer and alternative voices should stop far from not doing that. I think we are a finding went to a school that pretty much grounded more than it ever was. I think alternative competing in the theatrical space. There very long way from getting rid of that themselves real life. Where does one draw the me in feminism from a very early age. These points of view exist very specifically in the should be multiple voices in every medium. patriarchal gaze, and the misogynist jokes. and searching line between showing real life, and ideas got nurtured in college, at Lady Shri time, which is 2011. If the digital space had independent cinema space. With female Why should every kind of film not get that But it is evolving. As far as #MeToo, I think glamourising problematic behaviour? Ram and Jamia Milia Islamia. Education opened up then, it might have worked, but film-makers, there is bound to be a dierent space in the exhibition sector? I don’t think it’s a total failure in the film industry, and in for freedom. I I haven’t seen Kabir Singh, but I saw this film definitely played a huge part. The third thing it’s not a film I would’ve done later because point of view because of dierent life there’s a need to marginalise any kind of India. There’s maybe a little bit of thought, guess it comes called Raanjhanaa, and it made me so angry is that I come from a family where there’s a it wouldn’t have been relevant to me. But experiences. Two to three women film- cinema by saying that its only good for the but has there been any concrete change? from my life. because I had a stalker, and I know the fear lot of debate and discussion, and everyone even though it didn’t work commercially and makers start o every year, and we’ll be streaming space, or vice versa. No. In America, the #MeToo movement I haven’t led you feel. I could feel the anger boiling inside reads a lot. It’s also a family of very strong the critics gave it mixed reviews, I got a lot like “oh wow, amazing, there’s so many”, was backed by investigation, and a lot a dual life but me, but I watched the whole film, because I women, so a lot of stories I tell, come from of love. There were so many young women but they represent actually less than seven You were among 11 women film-makers of women coming out and speaking in I’m always wanted to see where it goes. You can show that backing. across the country who reached out to me, per cent of film-makers in India. The gaze is who took a stand following the #MeToo the open but in India, it’s not been so preoccupied by the life of a stalker and get inside his head, systematic. I don’t think there’s any real and that was enough for me, because I so internalised. Similarly, when it comes to movement in India, and refused to ideas like ‘who but the critique was not there. This is not Do you think Turning 30 would have worked hadn’t seen a character closer to my world caste representation, there are hardly any work with proven oenders. Do you introspection. love, it’s wrong. As a viewer, imagine if if it released now, or in the OTT space? or my world-view represented, and that’s dalit film-makers. I know only two — Neeraj think in the past two years, Bollywood am I really?’ you’re showing me Hitler’s life, and not It’s so strange how many people keep what I wanted to create. Now, when you see Ghaywan and Nagaraj Manjule. There are has introspected their role in the When Kabir Singh released, there were and ‘am I showing me what he did was wrong? asking me if Turning 30 was ahead of its a lot of stu coming out, it seems so close to so many points of view that are missing. objectification of women? people against it, but there was also a living the life Raanjhanaa was a very visceral experience time. It was a film I wanted to make at that the kind of work that Turning 30 was. Wouldn’t it be lovely if more and more The two issues are a bit dierent. The conversation about cinema imitating that I want'" for me, and not in a good way.
16 SEPTEMBER 2020 • MW SEPTEMBER 2020 • MW 17 FOB / TECH
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