Amar Chitra Katha and the Construction of Indian Identities
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Afsnet.Org 2014 American Folklore Society Officers
American Folklore Society Keeping Folklorists Connected Folklore at the Crossroads 2014 Annual Meeting Program and Abstracts 2014 Annual Meeting Committee Executive Board Brent Björkman (Kentucky Folklife Program, Western The annual meeting would be impossible without these Kentucky University) volunteers: they put together sessions, arrange lectures, Maria Carmen Gambliel (Idaho Commission on the special events, and tours, and carefully weigh all proposals Arts, retired) to build a strong program. Maggie Holtzberg (Massachusetts Cultural Council) Margaret Kruesi (American Folklife Center) Local Planning Committee Coordinator David Todd Lawrence (University of St. Thomas) Laura Marcus Green (independent) Solimar Otero (Louisiana State University) Pravina Shukla (Indiana University) Local Planning Committee Diane Tye (Memorial University of Newfoundland) Marsha Bol (Museum of International Folk Art) Carolyn E. Ware (Louisiana State University) Antonio Chavarria (Museum of Indian Arts and Culture) Juwen Zhang (Willamette University) Nicolasa Chavez (Museum of International Folk Art) Felicia Katz-Harris (Museum of International Folk Art) Melanie LaBorwit (New Mexico Department of American Folklore Society Staff Cultural Affairs) Kathleen Manley (University of Northern Colorado, emerita) Executive Director Claude Stephenson (New Mexico State Folklorist, emeritus) Timothy Lloyd Suzanne Seriff (Museum of International Folk Art) [email protected] Steve Green (Western Folklife Center) 614/292-3375 Review Committee Coordinators Associate Director David A. Allred (Snow College) Lorraine Walsh Cashman Aunya P. R. Byrd (Lone Star College System) [email protected] Nancy C. McEntire (Indiana State University) 614/292-2199 Elaine Thatcher (Heritage Arts Services) Administrative and Editorial Associate Review Committee Readers Rob Vanscoyoc Carolyn Sue Allemand (University of Mary Hardin-Baylor) [email protected] Nelda R. -
The Role of Poetry Readings in Dispelling the Notion That Urdu Is a Muslim Language
International Journal of Humanities and Social Science Vol. 4, No. 10; August 2014 The Role of Poetry Readings in Dispelling the Notion that Urdu is a Muslim Language Hiba Mirza G-1, Maharani Bagh New Delhi – 110 065 India Abstract Looking at the grim scenario of the future of Urdu in India, and its overwhelming identification with a particular community (i.e., Muslims) have indeed contributed in creating a narrow image of sectarian interests. However, the concern of the intellectuals about its declining trend, seems to be melting, if we take the case of Mushaira (poetic symposium). Through interviews with both the organisers and the attendees of Delhi Mushairas I collected a serious of impressions that speak to the role of a Mushaira in advancing a cosmopolitan, rather than a communal image of Urdu. Uniting people through poetry, mushairas temporarily dissolve differences of caste, creed and religion. Keywords: Urdu, Narrow image, declining, communal, cosmopolitan Urdu hai mera naam, main Khusro ki paheli Main Meer ki humraaz hun, Ghalib ki saheli My name is Urdu and I am Khusro’s riddle I am Meer’s confidante and Ghalib’s friend Kyun mujhko banate ho ta’assub ka nishana, Maine to kabhi khudko musalma’an nahin maana Why have you made me a target of bigotry? I have never thought myself a Muslim Dekha tha kabhi maine bhi khushiyon ka zamaana Apne hi watan mein hun magar aaj akeli I too have seen an era of happiness But today I am an orphan in my own country - Iqbal Ashar - (Translation by Rana Safvi) 1.0 Introduction India is a pluralistic society. -
Negotiating Identities: a Representation of Contemporary India in the Novels of Sarnath Banerjee
============================================================== Language in India www.languageinindia.com ISSN 1930-2940 18:3 March 2018 Dr. T. Deivasigamani, Editor: Indian Writing in English: A Subaltern Perspective Annamalai University, Tamilnadu, India ============================================================== Negotiating Identities: A Representation of Contemporary India in the Novels of Sarnath Banerjee G. Jerusha Angelene Christabel, Research Scholar ==================================================================== Sarnath Banerjee Courtesy: http://project88.in/press/tag/sarnath-banerjee/page/5/#sthash.lU2O5IxI.dpbs Abstract This paper focus on fragmented narration in Sarnath Banerjee’s prominent work Corridor, a graphic novel. The novel sketches fragmentation with characterization. Sarnath's novel focused mainly on history, regional, alienation, search of individualism – identity, quest of knowledge. The paper pictures vivid images through graphics and reflects identity negotiation in Sarnath Banerjee’s Corridor. Keywords: Sarnath Banerjee, identity, search for knowledge, individual’s multifaceted identity, graphic Novel, fragmentation, narration. ================================================================================= Language in India www.languageinindia.com ISSN 1930-2940 18:3 March 2018 Dr. T. Deivasigamani, Editor: Indian Writing in English: A Subaltern Perspective G. Jerusha Angelene Christabel, Research Schola Negotiating Identities: A Representation of Contemporary India in the Novels of Sarnath Banerjee -
Zakir Naik: What Did I Do to Earn the Tags of ‘Dr Terror’, ‘Hate Monger’? Islamic Scholar Dr
www.Asia Times.US NRI Global Edition Email: [email protected] September 2016 Vol 7, Issue 9 Zakir Naik: What did I do to earn the tags of ‘Dr Terror’, ‘Hate Monger’? Islamic scholar Dr. Zakir Naik wrote an open letter to Indians called ‘Five Questions and an Appeal’ where he lamented about being targeted and labeled a ‘terror preacher’ in India. In the letter, Naik said, “Of 150 countries where I’m respected and my talks are welcomed, I’m being called a terrorist influencer in my own country. What an irony. Why now, when I’ve been doing the same thing for over 25 years?”. Naik, 51, is an Islamic preacher, who founded the Islamic Research Foundation in 1991 when he started Dawah or religious preaching. His lectures mostly revolve around how Islam is superior to all other faiths. While he claims to be an advocate of interfaith dialogue, his preaching’s’ reinforce all the stereotypes which exist against Muslims. Following reports that one of the militants of Dhaka terror attack was inspired by Naik’s misinterpretations of Islam, there are growing demand for strict action against him. In the letter, Naik asks why he has become the enemy number one for the State and Central government. “It has been over two months since the ghastly terror attack in Dhaka, and over one month since I’ve been asking myself what exactly have I done to become the enemy number one of the media as well as the State and Central Gov- ernment,” wrote Naik. × and justice. He also questioned the repeated investigations on him by government agencies. -
The Story of Sa Ṃ J Ñ Ā , Mother of Manu
1 2 Th e Story of Saṃ j ñ ā , Mother of Manu: Shadow and Light in the M ā rkaṇ ḍ eya Pur ā ṇ a Raj Balkaran Th e Sanskrit narrative text Dev ī M ā h ā tmya , “Th e Greatness of Th e Goddess” (henceforth DM), extols the triumphs of an all-powerful Goddess, Durg ā , over universe-imperiling demons. Th e exploits of this formidable fi gure constitute the fi rst known Sanskrit articulation of a Great Goddess within the Indian subcontinent, indeed the fi rst occasion where the ultimate divine principle is accorded femininity. Believed to have emerged somewhere along the Narmada River c fi ft h century ce (Kinsley, 1982: 153), the DM is preserved in thousands of manuscripts across India, in remarkably stable fashion. It is recited as liturgy to Durg ā in temples, during individual daily spiritual practice, and at temples and homes during the autumnal Navar ā tri (nine nights) Hindu festival. While the DM equates supreme reality with the feminine Hindu concepts of m ā y ā , ś akti , and prakṛ ti , it posits no systematic theory; instead, it masterfully interweaves these philosophical strands—as only narrative can—into the visage of a Feminine Divine whose power surpasses that of the Vedic pantheon, and even that of the cosmic trim ū rti comprised of the great gods Brahm ā , Viṣ ṇ u, and Ś iva. Hindu narrative literature is enormously didactic in nature, functioning to preserve philosophical principles and religious ideology across the centuries. Th erefore, the overwhelming scholarly emphasis on philosophical texts over narrative literature has proven problematic. -
Daśāvatāra in Indian Culture - It’S Continuity in the Daśāvatārῑ Nāṭaka of Maharashtra
DAŚĀVATĀRA IN INDIAN CULTURE - IT’S CONTINUITY IN THE DAŚĀVATĀRῙ NĀṬAKA OF MAHARASHTRA A thesis submitted by Gauri Subhash Kale For the Degree of Vidyāvācaspati (Ph.D.) In Classical Dance (Bharatanāṭyam) Guide Dr. Jayashree Rajagopalan Shri Balmukund Lohia Centre of Sanskrit and Indological Studies, Tilak Maharashtra Vidyapeeth, Pune June 2014 TILAK MAHARASHTRA VIDYAPEETH, PUNE SHRI BALMUKUND LOHIA CENTRE OF SANSKRIT AND INDOLOGICAL STUDIES CERTIFICATE This is to certify that the thesis entitled “DAŚĀVATĀRA IN INDIAN CULTURE - ITS CONTINUITY IN THE DAŚĀVATĀRῙ NĀṬAKA OF MAHARASHTRA” which is being submitted herewith for the award of the Degree of Vidyāvācaspati (Ph.D.) in Dance (Bharatanāṭyam), at Shri. Balmukund Lohiya Centre of Sanskrit and Indological Studies of Tilak Maharashtra Vidyapeeth, Pune is the result of original research work completed by Smt. Gauri Subhash Kale under my supervision and guidance. To the best of my knowledge and belief the work incorporated in this thesis has not formed the basis for the award of any Degree or similar title of this or any other University or examining body upon her. Research Guide Dr. Jayashree Rajagopalan Place: Date: DECLARATION I hear by declare that thesis entitled “DAŚĀVATĀRA IN INDIAN CULTURE – IT’S CONTINUITY IN THE DAŚĀVATĀRῙ NĀṬAKA OF MAHARASHTRA” completed and written by me has not previously formed the basis for the award of any Degree or other similar title upon me of this or any other University or examining body. Research Student Gauri Kale Place: Date: ACKNOWLEDGEMENTS Being an active dancer, I had always enjoyed experiencing different thematic productions. My thrill and joy were indeed superlative when I realised that one could experience the flavour of the age old concept of Daśāvatāra through the Daśāvatārī Nāṭaka of Maharashtra. -
University of Illinois A0028
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180028 Gramts.gov Tracking#: GRANT12658386 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180028 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1237-GEPA 2018_2022_FINAL) e12 6. Grants.gov Lobbying Form e15 7. Dept of Education Supplemental Information for SF-424 e16 8. ED Abstract Narrative Form e17 Attachment - 1 (1236-CGS ABSTRACT 2018-2022) e18 9. Project Narrative Form e19 Attachment - 1 (1234-Coverpage_Acronyms_TOC_Narrative_Final) e20 10. Other Narrative Form e76 Attachment - 1 (1238-CGSAppendicesFinal-sw) e77 11. Budget Narrative Form e385 Attachment - 1 (1235-CGS NRC Budget 6_18_2018Final) e386 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 12/31/2019 Application for Federal Assistance SF-424 * 1. Type of Submission: * 2. Type of Application: * If Revision, select appropriate letter(s): Preapplication New Application Continuation * Other (Specify): Changed/Corrected Application Revision * 3. -
GRAPHIC NOVELS AROUND the WORLD the Accidental Graphic
ISSN 0006 7377 manager (see inside front cover for contact details) For rates and information, contact our advertising Bookbird BE HERE! YOUR AD COULD ... Publishers, booksellers, Board on Books for Young People Young for Books on Board International the IBBY, of Journal The is distributed in 70 countries VOL. 49, NO.4 OCTOBER 2011 GRAPHIC NOVELS AROUND THE WORLD The accidental graphic novelist The artist as narrator: Shaun Tan’s wondrous worlds Not all that’s modern is post: •Shaun Tan’s grand narrative Striving to survive: Comic• strips in Iran The graphic novel in India: East transforms• west Educational graphic novels: Korean• children’s favorite now Raymond Briggs: Controversially• blurring boundaries Dave McKean’s art: Transcending• limitations of the graphic novel genre Picture books• as graphic novels and vice versa: The Australian experience Robot• Dreams and the language of sound effects • The Journal of IBBY, the International Board on Books for Young People Copyright © 2011 by Bookbird, Inc. Reproduction of articles in Bookbird requires permission in writing from the editor. Subscriptions consist of four issues and Editors: Catherine Kurkjian and Sylvia Vardell may begin with any issue. Rates include air Address for correspondence: [email protected] and [email protected] freight for all subscriptions outside the USA and GST for Canadian subscribers. Bookbird’s editorial office is supported by Central Connecticut State University, New Britain, CT Check or money order must be in US dollars Editorial Review Board: Anastasia Arkhipova (Russia), Sandra Beckett (Canada), Ernest Bond (USA), Penni Cotton (UK), Hannelore Daubert (Germany), Reina Duarte (Spain), Toin Duijx (Netherlands), Nadia El Kholy (Egypt), and drawn on a US bank. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
"THE ROUTE TO YOUR ROOTS": HISTORY, HINDU NATIONALISM, AND COMICS IN INDIA AND SOUTH ASIAN DIASPORAS SAILAJA VATSALA KRISHNAMURTI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAMME IN SOCIAL & POLITICAL THOUGHT YORK UNIVERSITY TORONTO, ONTARIO MAY 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-39020-7 Our file Notre reference ISBN: 978-0-494-39020-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Signature Redacted Signature of Author: Program in Comparative Media Studies 12 May 2009
Indian Comics as Public Culture MASSACHUSETS INSTITUTE By OF TECHNOLOGY Abhimnanyu Das JL0821 B.A. English, Franklin and Marshall College 2005 SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2009 0 2009 Abhimanyu Das. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature redacted Signature of Author: Program in Comparative Media Studies 12 May 2009 Certified by: Signature redacted_ _ _ Henry Jenkins III 67 et d'Florez Professor of Humanities Professor of C dufiarative Media Studies and Literature Co-Director, Comparative Media Studies Thesis Supervisor Signature redacted Accepted by:_________________ William Charles Uricchio Professor of Comparative Media Studies Co-director, Comparative Media Studies I 2 Indian Comics as Public Culture by Abhimanyu Das Submitted to the Program in Comparative Media Studies on May 12 2009, in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT: The Amar Chitra Katha (ACK) series of comic books have, since 1967, dominated the market for domestic comic books in India. In this thesis, I examine how these comics function as public culture, creating a platform around which groups and individuals negotiate and re-negotiate their identities (religious, class, gender, regional, national) through their experience of the mass-media phenomenon of ACK. I also argue that the comics, for the most part, toe a conservative line - drawing heavily from Hindu nationalist schools of thought. -
Reading Hindu Religion in South Asian Comics and Graphic Novels
Number 16, 2015 Asia Research Brief The Author Reading Hindu Religion in South Asian Comics and Graphic Novels Sailaja Krishnamurti is a Faculty Associate of the York Centre for Asian Research and an Assistant Professor in the Department of Humanities, York University. Contact Comics and graphic novels are increasingly regarded as a compelling part of For further information on this global literature and popular culture. In India, comics in English have been research, please contact: Sailaja Krish- popular since the 1950s. American and Japanese comics styles have an impor- namurti ([email protected]) tant influence on Indian comics, though some South Asian artistic traditions such as chitrakatha could be described as early local precursors of the subse- quent art form, and continue to be an important influence on artists. The bur- geoning comics industry in India has recently given rise to a strong fan culture that connects young people with their counterparts around the world. My research project examines the use of Hindu myth and religious imagery as source material in comics and graphic narratives. The comics and graphic novels in the study range widely in theme and style, from superhero comics and fantasy to histories and abstract graphic narratives. Myth and religion are often a significant theme across characters and contexts. Artists and illustra- tors often find their source material in Hindu mythology; in some texts, deities are presented as characters, while in others, religious imagery becomes part of the visual landscape. Comics’ texts drawing on religious themes may serve a variety of desires for readers. Religiously inflected narratives sometimes work didactically to teach readers about religion. -
Annual Report 2011-2012
National Book Trust, India 1 2012 (Saka 1934) Published by the Director, National Book Trust, India Nehru Bhawan, 5 Institutional Area, Phase-II, Vasant Kunj, New Delhi- 110 070 2 Introduction 5 Publishing 11 20th New Delhi World Book Fair 18 Book Fairs Organized by the Trust during 2011-12 29 Promotion of Indian Books Abroad 33 Literary Activities During 2011-12 37 Activities in North-East 46 Activities in Jammu & Kashmir 50 Activities by National Centre for Children’s Literature (NCCL) 52 Regionwise List of Participation of the Trust in various Book Fairs/Exhibitions 58 Sales & Marketing 61 Promotion and Sale of Books through Mobile Vans 62 Training Course in Book Publishing 65 Assistance for the Publication of Books 68 List of Grantees under GRANT-IN-AID Scheme for Book Related Activities 69 Officers of the Trust 76 Executive Committee 78 Board of Trustees 79 Titles Published during 2011-2012 80 AUDITED ANNUAL ACCOUNTS 129 Audited Annual Accounts 130 Audit Report on the Accounts of Trust and replies thereon 152 3 4 Introduction The National Book Trust, India is an apex body established by the Government of India in the year 1957 for the promotion of books and developing reading habit in the country. Publishing forms a major activity of the Trust. It publishes a wide variety of reasonably priced quality books ranging from works of fiction to books on Medical Sciences and cutting edge technology for all segments of the society and for all age groups, including a wide variety of illustrated books for children. Over the years, the Trust’s determined efforts in developing a strong and inclusive policy towards publishing is also apparent in the variety of books published for visually handicapped and the neo-literates.