Random Sampling - Show Me the Money!
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P Arsons 72-Hour Sale!
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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
'Spider-Man' Universe: Kurtzman to Direct
lifestyle SUNDAY, DECEMBER 15, 2013 ‘Spider-Man’ Universe: Kurtzman to direct ‘Venom,’ Goddard to write ‘Sinister Six’ ony Pictures Entertainment, in association with fourth “Amazing Spider-Man” movie will hit theaters on that Marc, Avi and Matt have begun to explore in ‘The Marvel Entertainment, is expanding its blockbuster May 4, 2018. Amazing Spider-Man’ and ‘The Amazing Spider-Man 2.’ S“Spider-Man” franchise with new projects including Avi Arad and Matt Tolmach will produce the films, We believe that Marc, Alex, and Drew have the uniquely “Venom” and “The Sinister Six,” the studio announced which will continue to build on the cinematic foundation exciting visions for how to expand the Spider-Man uni- Thursday night via ElectroArrives.com. Alex Kurtzman, established in the first two “Amazing Spider-Man” verse in each of these upcoming films,” said Columbia Roberto Orci and Ed Solomon will write “Venom,” which movies. Hannah Minghella and Rachel O’Connor will Pictures president Doug Belgrad. Goddard recently Kurtzman will direct, while Drew Goddard will write “The oversee the development and production of the films for signed on to write and direct the pilot for Marvel’s Netflix Sinister Six” with an eye to direct the film, which focuses the studio. Kurtzman, Orci, Pinkner, Solomon and series “Daredevil,” while Solomon co-wrote the surprise on the villains in Peter Parker’s universe. Goddard join Arad, Tolmach and Webb as members of hit “Now You See Me.” The character Venom debuted in Sam Raimi’s “Spider- the franchise’s brain trust, which will maintain the brand Universe building is all the rage amongst studios Man 3,” where he was played by Topher Grace. -
The Rise and Fall of Spring Break in Fort Lauderdale James Joseph Schiltz Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Time to grow up: The rise and fall of spring break in Fort Lauderdale James Joseph Schiltz Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Studies Commons, History Commons, and the Urban Studies and Planning Commons Recommended Citation Schiltz, James Joseph, "Time to grow up: The rise and fall of spring break in Fort Lauderdale" (2013). Graduate Theses and Dissertations. 13328. https://lib.dr.iastate.edu/etd/13328 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Time to grow up: The rise and fall of spring break in Fort Lauderdale by James J. Schiltz A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: History Program of Study Committee: Charles M. Dobbs, Major Professor James Andrews Edward Goedeken Iowa State University Ames, Iowa 2013 Copyright © James J. Schiltz, 2013. All rights reserved. ii TABLE OF CONTENTS LIST OF TABLES iv LIST OF FIGURES v INTRODUCTION: TROUBLE IN PARADISE 1 CHAPTER 1: “AT THE START THEY CAME TO FORT LAUDERDALE IN DRIBLETS, THEN BY SCORES, AND SOON BY HUNDREDS” 8 -
Healing Herb Fitness High Stress Less
CENTENNIAL SPOTLIGHT CENTENNIAL SPOTLIGHT ® ® WOMEN WEED™ STRESS& LESS HEALING HERB Discover the Marijuana's Calm of CBD Medical Miracles COVID-19 FITNESS HIGH Why the Plant How THC WOMEN & WEED & WOMEN Can Help Boosts Workouts ™ PLUS Is Cannabis CENTENNIAL SPECIALS the Female Viagra? Display Until 4/26/21 $12.99 CENTENNIAL SPOTLIGHT CENTENNIAL SPOTLIGHT ® ® WOMEN WEED™ STRESS& LESS HEALING HERB Discover the Marijuana's Calm of CBD Medical Miracles COVID-19 FITNESS HIGH Why the Plant How THC WOMEN & WEED & WOMEN Can Help Boosts Workouts ™ PLUS Is Cannabis CENTENNIAL SPECIALS the Female Viagra? Display Until 4/26/21 $15.99 CENTENNIAL SPOTLIGHT® WOMEN &WEED™ 2 WOMEN & WEED 3 SECTION 1 34 CANNABIS PRIMER 8 News of the Weed World 14 Words of Weed 54 EDITOR’S LETTER 16 Terpenes & Cannabinoids 20 Seven Studies to Know Now So 2020 was … well, it was 24 State of Disunion something. Between the 28 What’s Legal Where COVID-19 pandemic, murder You Live hornets, civil unrest and an election like no other, it’s no wonder so many of us are SECTION 2 excited to dive headfirst into 2021. And things are looking HEALTH AND WELLNESS good…at least on the cannabis 34 The Wonder Weed front. In this issue, we’ll talk 40 CBD and Stress about how weed won big in the 44 Could CBD Be the November elections, with five Female Viagra? states passing measures to 46 Weed With Your Workout legalize medical or adult-use marijuana and more soon to 50 When Pot Isn’t 28 follow, plus what the Biden Working for You administration means for federal legalization. -
European Journal of American Studies, 8-1 | 2013 Menace II Society? Urban Poverty and Underclass Narratives in American Movies 2
European journal of American studies 8-1 | 2013 Spring 2013 Menace II Society? Urban Poverty and Underclass Narratives in American Movies Thomas Halper and Douglas Muzzio Electronic version URL: https://journals.openedition.org/ejas/10062 DOI: 10.4000/ejas.10062 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Thomas Halper and Douglas Muzzio, “Menace II Society? Urban Poverty and Underclass Narratives in American Movies”, European journal of American studies [Online], 8-1 | 2013, document 5, Online since 22 August 2013, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/10062 ; DOI: https://doi.org/10.4000/ejas.10062 This text was automatically generated on 8 July 2021. Creative Commons License Menace II Society? Urban Poverty and Underclass Narratives in American Movies 1 Menace II Society? Urban Poverty and Underclass Narratives in American Movies Thomas Halper and Douglas Muzzio “Living in the richest country in the world, wouldn’t you think you’d have a better life?” Randy Newman, “ Piece of the Pie” 1 There they are. Thirty at the corner. Black, raw, ready. Sores in the city that do not want to heal. -Gwendolyn Brooks, “The Blackstone Rangers” Prologue 2 “For the poor always ye have with you” (John 12:8), cautioned Jesus, and early moviemakers took this maxim to heart, using the plight of the poor as the core of numerous films. The movies’ poor, however, were not just any poor. In an era when the nation was transformed by industrialization and immigration, movies conceived poverty very largely as an urban phenomenon. Indeed, the preoccupations of the urban poor drove the young movie industry, which in film after film depicted the poor’s deprivations and fears, hopes and joys. -
Bullet to the Head Dvd Cover
Bullet to the head dvd cover Free Bullet To The Head DVD Cover () R1 Custom ready to download and print. Free online custom movie dvd covers art archive. After watching their respective partners die, a New Orleans hitman and a Washington D.C. detective form an alliance in order to bring down. The best in the world DVD COVERS. Only high quality custom cover!!! DVD | BLU RAY | LABEL. Order your covers totality for free in CoverCity. Digital Copy Notice: The purchase of this DVD or Blu-ray disc comes with rights to access a complimentary digital version from the production company. Carátula Dvd El Ejecutor - - Custom - V3, Cover gratis subido por GAELOsolcon - Película Una bala en la cabeza, Bullet to the Head, Walter Hill, Sylvester. Japanese dvd cover image for Bullet to the Head. The image measures * pixels and was added on 18 March ' Bullet To The Head Dvd Cover | Info. bullet to the head dvd cover. Popular pictures. Horse Shoe Clip Art · Kate Beckinsale Hair Updo · Santorini Greece Hotels. Bullet To The Head HD wallpapers, desktop and phone wallpapers. In this Movie To The Head #6. | x px KB | Bullet to the Head Movie Poster. When their respective partners are viciously murdered, a New Orleans hitman (Sylvester Stallone) and a young Washington DC cop (Sung Kang) put aside their. Bullet to the Head dvd label, created by artist TomKru R.I.P.. (id: ). Bullet to the Head is a film directed by Walter Hill with Sylvester Stallone, Sung Kang, Jason Momoa, Sarah Shahi, . Year: Original title: Bullet to the Head. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Am Nexus Des Weltkinos Zu Theorie Und Ästhetik Von Walter Hills Orientalem Genre-Auteurismus
Am Nexus des Weltkinos Zu Theorie und Ästhetik von Walter Hills orientalem Genre-Auteurismus Ivo Ritzer, Bayreuth Es geht weniger darum, die Texte zu dekonstruieren, als vielmehr darum, mit ihrer Lesbarkeit zu spielen (selbst durch Köder, Finten, Kniffe oder Listen). Roland Barthes (1997: 157) Seeing so many of the […] Japanese films, I was part of this isolated community in east Hollywood … Directors were already my heroes. Kurosawa … One wanted a chance to tell stories in an open, loose, not constricted Hollywood kind of way. At the same time you wanted to work in Hollywood ... I was tremendously interested in genre films. Wanted to work within genre films. Walter Hill (2007) Der US-amerikanische Regisseur, Drehbuchautor und Produzent Walter Hill ist kein Originalgenie. Wie könnte er es auch sein? Stärker aber als bei den ‚klassischen‘ zu Auteurs nobilitierten Hollywood-Protagonisten stellen sich Fragen nach Ort, Kulturzugehörigkeit und transnationaler Ästhetik, die nicht allein über Postulate autorenhafter Subjektivität aufzulösen sind. Um sich ihnen dennoch stellen zu können, bietet sich eine Abstraktion der komplexen Auseinandersetzungen mit der Trias zwischen Kultur, Text und Subjekt an, wie sie die maßgeblichen Arbeiten von Roland Barthes kennzeichnen. Barthes hat bekanntlich in extenso demonstriert, wie ein Text sich stets aus vielfältigen, einander wechselseitig infrage stellenden Fragmenten figuriert und jener „Ort, an dem diese Vielfalt [zusammenträfe], […] nicht der Autor, […] sondern der Leser“ (Barthes 2000: 192) sei.1 Der Autor schreibt 1 Gleichsam differenziert Barthes zwischen Werk und Text: „Der Text ist keine Koexistenz von Bedeutun- gen, sondern Passage, Durchquerung: er kann daher keiner Interpretation anheimfallen, und sei sie noch so großzügig, sondern nur einer Explosion, einer Dissemination“ (Barthes 1998: 1164). -
Skrillex Bio 2021
SKRILLEX BIO 2021 Sonny Moore aka Skrillex is a 33 year old record producer, DJ, musician, singer and songwriter hailing from Los Angeles who has won 8 Grammy Awards, been named MTV’s Electronic Dance Music Artist of the Year, and holds the record for most Grammys won by an electronic artist. He’s headlined arenas and festivals globally and graced the covers of magazine heavyweights like Rolling Stone and Wired. His collaborations include Justin Bieber, Bruno Mars, FKA Twigs, Kid Cudi, Boys Noize, A$AP Rocky, and Diplo among countless others. Jack Ü, his project with Diplo, had their eponymous album reach #1 on the US Dance charts, with their track “Where Are Ü Now” feat. Justin Bieber going 4x platinum. Skrillex linked with Bieber again for the 8x platinum “Sorry”, which debuted at #1 on the Billboard Hot 100. His label, OWSLA, has launched the careers of some of the most powerful names in electronic music, including Marshmello, Zedd, Porter Robinson, and Mija. He later worked with friend/cult filmmaker Harmony Korine by scoring his critically acclaimed Spring Breakers movie and composed an original track for Pixar’s Wreck It Ralph. He simultaneously penned one of the biggest club hits of the year with A$AP Rocky (Wild For The Night) and dropped his first fashion collaboration with G-Star (it sold out globally in a matter of days). Skrillex took some much needed time off from a never ceasing touring schedule to enjoy some time split between Tokyo and Los Angeles for a creative sabbatical, where he is currently finishing up a trove of new music. -
F9 Production Information 1
1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ................................................................................................... -
EPK for Riff RAFF
RiFF RAFF A K A J O D Y H I G H R O L L E R Platinum Recording Artist Katy Perry and Justin Bieber RiFF named my next album RAFF Sapphire Stallion A B O U T R I F F R A F F Platinum Artist, RiFF RAFF aka Jody Highroller, initially got his first big break by signing to Diplo’s label Mad Decent in 2012 releasing Neon Icon his debut album which was Star Studded with features, Mac Miller, Mike Posner, Childish Gambino aka Danny Glover, and becoming the most viral rapper of his era before going viral existed. Later a brief dating period with Katy Perry whole jumping out of a Lamborghini at the MTV VMAs in custom Versace Denim outfits designed by Donatella Versace herself was a certified stamp in the fashion world that his years of high-end fashion attire in videos had not gone unnoticed. Guest Appearances on MTV shows like ridiculousness landed him 3 tv shows that pilots and trailers were filmed, Neon Nightmare a reality/ sketch comedy that the show’s producer had ended up taking a job at another company and the owners of 51 minds decided to scrap the $400,000 production due to bot wanted to pay the annual fees to the producer that had moved to another competitor. Another show “Candy Ranch” was directed by Eric Wareheim and went to full production with Riff RAFF, KimBO slice, Andy Milonakis, and Simon Rex on a ranch that grew candy and that show was for Comedy Central but later that show was declined.