Glenncote.Com PARADIGM AGENCY (310) 288-8000 • Jason Garber

Total Page:16

File Type:pdf, Size:1020Kb

Glenncote.Com PARADIGM AGENCY (310) 288-8000 • Jason Garber GLENN COTE VFX Supervisor (818) 301-5651 • [email protected] PARADIGM AGENCY (310) 288-8000 • Jason Garber PROFESSIONAL EXPERIENCE Picture Editorial and Visual Effects: “When the Game Stands Tall” – VFX Editor (Mandalay Entertainment) 2013 “Bullet to the Head” – VFX Supervisor (Dark Castle Entertainment) 2011 – 2012 “Green Lantern” – Assistant Editor (Warner Bros.) 2010 – 2011 “The Losers” – VFX Editor (Dark Castle Entertainment) 2010 “The Factory” – VFX Editor (Dark Castle Entertainment) 2010 “Orphan” – VFX Editor (Dark Castle Entertainment) 2009 “Whiteout” – Assistant Editor (Dark Castle Entertainment) 2008 – 2009 Producer / Picture Editor, “The Road To Empire” (Sibay Films) 2004 – 2007 Senior Production Associate, “Star Trek: Nemesis” (Paramount) 2001 – 2002 Consultant to director and liaison between director and writer, producers, and department AFFILIATIONS heads. Production Executive, Saltram Productions 1998 – 2001 Development, creative and production executive for director Stuart Baird. Producer’s Guild of America Associate Producer, “U.S. Marshals” (Warner Bros.) 1996 – 1998 Creative consultant and liaison between director, writers, production company, department heads, studio executives, script department, and post-production team. Visual Effects Society Assistant to the Director, “Executive Decision” (Warner Bros.) 1994 – 1996 Integral member of creative team, and liaison between director and writers, production company, studio script department and post-production team. Local 700 Motion Picture Editor’s Guild Staff Assistant (Warner Bros./Columbia) “Maverick” 1993 – 1994 “Demolition Man” 1992 – 1993 EDUCATION “The Last Boy Scout,” “Robin Hood: Prince of Thieves,” 1991 – 1992 USC School of Cinematic Arts – “Radio Flyer” BA (Cum Laude) 1988 USC School of Cinematic Arts – Assistant to Feature Post-Production Supervisor, Warner Bros. 1991 – 1992 MFA 1990 Instructor (Summer Production Workshop) – USC School of Cinematic Arts 1989 Teaching Assistant (Camera) – USC School of Cinematic Arts 1989 – 1990 US and CANADIAN CITIZENSHIP Manager, IMAX Theater – California Science Center 1989 – 1990 Apprentice – Industrial Light & Magic 1988 .
Recommended publications
  • P Arsons 72-Hour Sale!
    3620 N. Hwy. 47 3620 N.Hwy. POSTAL PATRON Mufflers Brake Work Rotations Tire your needs! for all See us FULL-SERVICE AUTO/TRUCK REPAIR AUTO/TRUCK FULL-SERVICE NORTH WOODS A SPECIAL SECTION OF THE VILAS COUNTY NEWS-REVIEW $ AND THE THREE LAKES NEWS HOME OFTHE 17 PRSRT STD *5-qt. maximum OIL CHANGE OIL www.rhinelanderchrysler.com ECRWSS U.S. Postage 95 PAID * Saturday, Permit No. 13 Eagle River Sept. 13, 2014 (715) 479-4421 AWARD-WINNING NEWSCOVERAGE AWARD-WINNING © Eagle River Publications, Inc. 1972 THE PAUL BUNYAN OF NORTH WOODS ADVERTISING 5353 Hwy. 70 West 715-420-1555 Eagle River, WI 54521 (800) 341-4421 NOW AVAILABLE ONTHE AVAILABLE NOW ParsonsParsonsof Eagle River • Radiator • FuelInjection • Transmission Alignments 10% $ All Flushes 39 OFF 95 2011 Chevy Traverse Stk# 7921 ONLY $22,771* SEPT. 18, 19 & 20 2011 Chevy ONLY! Silverado LTZ vcnewsreview.com vcnewsreview.com PARSONS 72-HOUR SALE! 36,003 miles 2014 Chevy Silverado 2014 Chevy Silverado 2014 Chevy Silverado Stk# 3882 $ Regular Cabs Double Cabs Crew Cabs ONLY 29,876 STARTING AT STARTING AT STARTING AT 2011 Chevy Silverado LTZ 26,581 miles $ $ $ Stk# 7527 26,147 24,999 36,694 $ OR OR OR ONLY 30,476 2013 Chevy Malibu $ $ $ 24,848 miles 307 PER MO.* 358 PER MO.* 453 PER MO.** Stk# 7589 $ 2015 Chevy Silverado 2015 Chevy Silverado 2015 Chevy Equinox 2014 Buick ONLY 18,347 2500 Monroe Utility Body 3500 Monroe Tippers Encore AWD 2014 Chevy Camaro 17,463 miles Stk# 2538 $ ONLY 26,389 2013 Chevy Captiva Stk# 9942 STARTING AT STARTING AT Stk# 5662 34,077 miles Stk# 9381 $ $ $ $ $ 40,984*** 43,773*** 24,550* 25,229* ONLY 19,989 2010 Chevy Traverse Shop Us Last to Save the Most! 67,679 miles Stk# 7807 * To approved credit for 72 months only.
    [Show full text]
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • Rambo: Last Blood Production Notes
    RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar.
    [Show full text]
  • 10700990.Pdf
    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
    [Show full text]
  • Bullet to the Head Dvd Cover
    Bullet to the head dvd cover Free Bullet To The Head DVD Cover () R1 Custom ready to download and print. Free online custom movie dvd covers art archive. After watching their respective partners die, a New Orleans hitman and a Washington D.C. detective form an alliance in order to bring down. The best in the world DVD COVERS. Only high quality custom cover!!! DVD | BLU RAY | LABEL. Order your covers totality for free in CoverCity. Digital Copy Notice: The purchase of this DVD or Blu-ray disc comes with rights to access a complimentary digital version from the production company. Carátula Dvd El Ejecutor - - Custom - V3, Cover gratis subido por GAELOsolcon - Película Una bala en la cabeza, Bullet to the Head, Walter Hill, Sylvester. Japanese dvd cover image for Bullet to the Head. The image measures * pixels and was added on 18 March ' Bullet To The Head Dvd Cover | Info. bullet to the head dvd cover. Popular pictures. Horse Shoe Clip Art · Kate Beckinsale Hair Updo · Santorini Greece Hotels. Bullet To The Head HD wallpapers, desktop and phone wallpapers. In this Movie To The Head #6. | x px KB | Bullet to the Head Movie Poster. When their respective partners are viciously murdered, a New Orleans hitman (Sylvester Stallone) and a young Washington DC cop (Sung Kang) put aside their. Bullet to the Head dvd label, created by artist TomKru R.I.P.. (id: ). Bullet to the Head is a film directed by Walter Hill with Sylvester Stallone, Sung Kang, Jason Momoa, Sarah Shahi, . Year: Original title: Bullet to the Head.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]
  • Am Nexus Des Weltkinos Zu Theorie Und Ästhetik Von Walter Hills Orientalem Genre-Auteurismus
    Am Nexus des Weltkinos Zu Theorie und Ästhetik von Walter Hills orientalem Genre-Auteurismus Ivo Ritzer, Bayreuth Es geht weniger darum, die Texte zu dekonstruieren, als vielmehr darum, mit ihrer Lesbarkeit zu spielen (selbst durch Köder, Finten, Kniffe oder Listen). Roland Barthes (1997: 157) Seeing so many of the […] Japanese films, I was part of this isolated community in east Hollywood … Directors were already my heroes. Kurosawa … One wanted a chance to tell stories in an open, loose, not constricted Hollywood kind of way. At the same time you wanted to work in Hollywood ... I was tremendously interested in genre films. Wanted to work within genre films. Walter Hill (2007) Der US-amerikanische Regisseur, Drehbuchautor und Produzent Walter Hill ist kein Originalgenie. Wie könnte er es auch sein? Stärker aber als bei den ‚klassischen‘ zu Auteurs nobilitierten Hollywood-Protagonisten stellen sich Fragen nach Ort, Kulturzugehörigkeit und transnationaler Ästhetik, die nicht allein über Postulate autorenhafter Subjektivität aufzulösen sind. Um sich ihnen dennoch stellen zu können, bietet sich eine Abstraktion der komplexen Auseinandersetzungen mit der Trias zwischen Kultur, Text und Subjekt an, wie sie die maßgeblichen Arbeiten von Roland Barthes kennzeichnen. Barthes hat bekanntlich in extenso demonstriert, wie ein Text sich stets aus vielfältigen, einander wechselseitig infrage stellenden Fragmenten figuriert und jener „Ort, an dem diese Vielfalt [zusammenträfe], […] nicht der Autor, […] sondern der Leser“ (Barthes 2000: 192) sei.1 Der Autor schreibt 1 Gleichsam differenziert Barthes zwischen Werk und Text: „Der Text ist keine Koexistenz von Bedeutun- gen, sondern Passage, Durchquerung: er kann daher keiner Interpretation anheimfallen, und sei sie noch so großzügig, sondern nur einer Explosion, einer Dissemination“ (Barthes 1998: 1164).
    [Show full text]
  • Superman Ii the Richard Donner Cut Mp4 Download Please Enable Your VPN When Downloading Torrents
    superman ii the richard donner cut mp4 download Please enable your VPN when downloading torrents. If you torrent without a VPN, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action! Loading, please wait. Synopsis. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals. —Keith Howley. Uploaded By: OTTO April 04, 2019 at 04:21 AM. Director. Tech specs. Movie Reviews. Great film. Simply put, Superman II is one of the best action/comic-oriented films of all time. I'd rank it second only to the original Superman: The Movie and only X-Men is right up there.
    [Show full text]
  • F9 Production Information 1
    1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ...................................................................................................
    [Show full text]
  • 'Geri-Action' Film
    Narratives of cultural and professional redundancy: Ageing action stardom and the ‘geri-action’ film Glen Donnar (RMIT University) Abstract Focusing on The Expendables films, I identify the importance of discourses of professional and cultural redundancy in ‘geri-action’, an emergent subgenre of Hollywood action film that has revitalised the careers of ageing action stars such as Sylvester Stallone and Arnold Schwarzenegger. These redundancies, which hold long-standing significance in 1980s action film, are compounded in geri- action by advanced age and diminished physical capacity. In geri-action, the spectacle of once idealised, muscled bodies is concealed and displaced onto oversized guns, fetishised vehicles and younger action bodies. However much geri-action resists 1980s action stars’ use-by dates, it ultimately admits physical and generic exhaustion. Keywords: geri-action, Hollywood action films, ageing stars, Expendables The Rise of ‘Geri-action’ The release of a third Expendables film in 2014 extended the twilight of ageing 1980s action idols in the so-called ‘geri-action’ subgenre, that is, action films predominantly showcasing male stars ranging in age from their mid-50s into their 70s. The Expendables series (Stallone 2010; West 2012; Hughes 2014) features a motley team of elite mercenaries, led by Barney Ross (Stallone), recurrently motivated to take revenge on the all-star action villain after a local woman or beloved colleague is killed, injured or captured. The third film in the series adds such ageing action film luminaries as Mel Gibson, Wesley Snipes and Harrison Ford (replacing Bruce Willis, who left the series after a conflict with Stallone) to the already extensive aged cast led by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris.
    [Show full text]
  • ALBERT R. BROCCOLI's EON PRODUCTIONS LTD. Presents DANIEL CRAIG As IAN FLEMING's JAMES BOND 007 in SKYFALL Starring JAVIER B
    ALBERT R. BROCCOLI’S EON PRODUCTIONS LTD. Presents DANIEL CRAIG as IAN FLEMING’S JAMES BOND 007 in SKYFALL starring JAVIER BARDEM RALPH FIENNES NAOMIE HARRIS BÉRÉNICE LIM MARLOHE BEN WHISHAW RORY KINNEAR OLA RAPACE with ALBERT FINNEY and JUDI DENCH as M Co-Producers ANDREW NOAKES DAVID POPE Script Supervisor JAYNE-ANN TENGGREN Sound Recordist STUART WILSON Electrical Supervisor JOHN HIGGINS Second Unit Assistant Director TERRY MADDEN Makeup Designer NAOMI DONNE Hair Designer ZOE TAHIR Mr. Craig’s Makeup DONALD MOWAT Wardrobe Supervisor GORDON HARMER Publicity and Marketing STEPHANIE WENBORN Promotions KEITH SNELGROVE Supervising Art Director CHRIS LOWE Set Decorator ANNA PINNOCK Property Master JAMIE WILKINSON Construction Manager STEPHEN BOHAN Stills Photographer FRANÇOIS DUHAMEL Visual Effects Producer LESLIE LERMAN Production Supervisor JANINE MODDER Location Production Managers CHRIS BROCK ANGUS MORE GORDON ANTHONY WAYE Second Unit Production Manager TERRY BAMBER Post Production Supervisor MICHAEL SOLINGER Visual Effects and Miniature Supervisor STEVE BEGG Associate Producer GREGG WILSON Unit Production Managers CALLUM McDOUGALL JEREMY JOHNS First Assistant Director MICHAEL LERMAN Casting DEBBIE McWILLIAMS Main Titles Designed by DANIEL KLEINMAN Special Effects and Miniature Effects Supervisor CHRIS CORBOULD Stunt Coordinator GARY POWELL Second Unit Director ALEXANDER WITT Costume Designer JANY TEMIME Editors STUART BAIRD A.C.E. KATE BAIRD Director of Photography ROGER DEAKINS ASC BSC Production Designer DENNIS GASSNER Music by THOMAS
    [Show full text]
  • Bullet to the Head Retour En Force Du Plomb Dans La Tête, États-Unis, 2012, 1 H 31 Pascal Grenier
    Document généré le 1 oct. 2021 09:54 Séquences La revue de cinéma Bullet to the Head Retour en force Du plomb dans la tête, États-Unis, 2012, 1 h 31 Pascal Grenier Numéro 283, mars–avril 2013 URI : https://id.erudit.org/iderudit/68711ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Grenier, P. (2013). Compte rendu de [Bullet to the Head : retour en force / Du plomb dans la tête, États-Unis, 2012, 1 h 31]. Séquences, (283), 46–46. Tous droits réservés © La revue Séquences Inc., 2013 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 46 LES FILMS | Critiques Bullet to the Head Retour en force Après dix ans d’absence sur le grand écran, le réalisateur américain Walter Hill revient à ses premières amours avec Bullet to the Head, un drame policier pur et dur. Aussi curieux que cela puisse paraître, ce film marque aussi la première collaboration entre deux icônes du cinéma d’action moderne : Sylvester Stallone devant la caméra et Walter Hill derrière, pour un résultat plus que satisfaisant.
    [Show full text]