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Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation
Intellectual Property Brief Volume 8 Issue 2 Article 1 2016 Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation Mynda Rae Krato George Washington University Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Krato, Mynda Rae (2016) "Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 FICTITIOUS FLATTERY: FAIR USE, FANFICTION, AND THE BUSINESS OF IMITATION Mynda Rae Krato INTRODUCTION ............. 92 L Background............................................................. 94 A. Foundational Statutory and Case Law..................................94 B. Fanfiction Case Law..............................................96 C. Popular Culture and the Power of Fandoms ............................. -
Sustainable Consumption and Production: Opportunities and Challenges
Proceedings : Refereed Sessions III Sustainable Consumption and Production: Opportunities and Challenges Launch Conference of the Sustainable Consumption Research Exchange (SCORE!) Network Thursday 23 November to Saturday 25 November 2006 Wuppertal, Germany Edited by: Martin Charter (The Centre for Sustainable Design) and Arnold Tukker (TNO) www.score-network.org Organised by The Centre for Sustainable Design, Farnham, UK, and TNO, Delft, Netherlands, with support of the UNEP-Wuppertal Institute Collaborative Centre on Sustainable Consumption and Production (CSCP) and endorsed by IHDP-IT The conference is organized in support of the UN’s Ten Year Framework of Programs on Sustainable Consumption and Production, back to back with an invite-only policy meeting on SCP organized by UNEP and the CSCP. Sustainable Consumption Research Exchanges (SCORE) is funded by the European Commission under the 6th Framework Program This file is prepared for double-sided printing. Authors were provided a format and clear instructions for lay-out. Most authors followed these instructions very good, leading to a consistent presentation of most of the individual papers. Due to the large number of papers, the editors were unable to embark on the time consuming process of adjusting any lay-out errors in papers submitted. Papers had to be reproduced here in the lay-out in which they were submitted, and where authors did - or could - not follow our instructions this may have lead to slight inconsistencies in presentation. Not all presentations made at the Conference -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
STAR TREK Fan Film Guidelines CBS and Paramount
STAR TREK Fan Film Guidelines Focus Group Report Prepared for CBS and Paramount Submitted by Organized Fans August 2016 Table of Contents Executive Summary 1 Brief Overview of the Results 1 Summarized Results for Each Guideline 2 Background of the Focus Group and Participant Profile 5 Methodology 6 Guideline #1 7 Guideline #2 13 Guideline #3 14 Guideline #4 15 Guideline #5 17 Guideline #6 19 Guideline #6a 20 Guideline #6c 23 Guideline #6e 24 Guideline #7 26 Guideline #8 28 Guideline #9 29 Guideline #10 30 Conclusion 31 Headwinds and Tailwinds 31 And the Doldrums 32 Why Not Monetize Fan Productions for the Studios? 34 Appendix - Hyperlinks to All Cited Fan Participant Online Polls 35 STAR TREK Fan Film Guidelines - Focus Group Report Executive Summary Shortly after the announcement of the new Guidelines for Star Trek fan films released by CBS and Paramount, concerned fans gathered together to sign petitions, threaten boycotts, and express their disapproval of a move by the studios that appeared so restrictive as to threaten to eliminate all but a tiny handful of non-commercial fan productions intended simply to celebrate and support the franchise. However, one group, directed our energies in a more constructive direction, not simply demanding that the studios eliminate all the new guidelines or completely start over with all new ones. Instead, this group formed with the intention of seeking compromises, accepting these guidelines as a solid foundation and a positive move by the studios that may have simply reached a little too far. Led by Jonathan Lane, a former freelance Star Trek fan consultant employed by Viacom Consumer Products for several years (and therefore familiar with the legal and financial concerns of the studios), this group of more than 1,200 Star Trek fans began going through the new guidelines one at a time, taking surveys and discussing not only our concerns but also possible compromise solutions. -
Películas Realizadas Por Fans:¿ Una Categoría Incómoda?
Películas realizadas por fans: ¿una categoría incómoda? Antoni Roig1 Recibido: 2017-01-16 Aprobado por pares: 2017-03-06 Enviado a pares: 2017-03-01 Aceptado: 2017-05-05 DOI: 10.5294/pacla.2017.20.4.6 Para citar este artículo / to reference this article / para citar este artigo Roig, A. 2017. Películas realizadas por fans: ¿una categoría incómoda?. Palabra Clave 20(4), 979-1007. DOI: 10.5294/pacla.2017.20.4.6 Resumen A pesar de su notable popularidad, las películas realizadas por fans, o fanfilms, han recibido poca atención académica en comparación con los fanworks es- critos, gráficos, performativos o incluso audiovisuales, hasta poderse afir- mar que resultan en cierta forma una categoría incómoda. Mientras que prácticas fan audiovisuales como el vidding, el remix, el recut o el machini- ma se ajustan bien a la teorización sobre el fandom, los fanfilms tienden a recrear un canon narrativo y también unos valores de producción, jugan- do con idénticos códigos formales que los textos fuente. Las complejidades técnicas de sus exponentes más ambiciosos suponen, además, una mayor barrera de entrada, que conlleva una especialización y una organización je- rárquica de equipos que se sitúa en los límites de la actividad industrial. El objetivo principal de este artículo es profundizar en el conocimiento sobre los films realizados por fans en su diversidad, atendiendo a continuidades y también diferencias en relación con algunos atributos —también “canóni- cos”— de las creaciones de fans, así como a la autoproducción audiovisual, para efectuar una contribución a una todavía escasa literatura científica so- bre el tema. -
Will 'Star Trek' Fan Film Live Long and Prosper?
LOS ANGELES www.dailyjournal.com THURSDAY, MAY 19, 2016 PERSPECTIVE Will ‘Star Trek’ fan film live long and prosper? By Todd Bonder Gene Roddenberry. For those works, a viable defense, Paramount and including “Axanar,” the right granted CBS’s case against the producers of ith the salacious Sumner exclusively to copyright owners to “Star Trek: Axanar” might turn on Redstone soap opera hav- control the making and distribution how much material entitled to copy- Wing now played itself out of works derivative of the original right protection the producers borrow in Los Angeles probate court, anoth- makes things more problematic. from the original. Were the charac- er Viacom-related courtroom drama The 1976 Copyright Act identifies ters that “Star Trek: Axanar” plucked is airing up the street in federal court. six illustrative purposes — “crit- from the authorized works sufficient- Having been stunned, first by Viacom’s icism, comment, news reporting, ly developed to enjoy copyright pro- Paramount and CBS Studios firing off teaching (including multiple copies tection? Is the expression of the pro- a lawsuit for copyright infringement, for classroom use), scholarship or re- tectable traits of such characters as search” — that are typically fair uses, well as of other elements such as the followed by the district court’s denial, Shutterstock with phaser-like precision, of their mo- and lists four non-exclusive factors to depictions of Vulcans and Klingons, tion to dismiss, the creators of the $1 be considered when making the case- purpose or character than the origi- at least substantially similar? And million Kickstarter-funded “Star Trek: by-case determination of whether a nal, thereby altering the underlying what about the visual depiction of the Axanar” face an uncertain future. -
Xero 5 Lupoff 61-07
AMY A New Rendering of the Old Atom.. .................................Larry Ivie Covei' Old-Fashioned Editorial.................... ............... .............................. Dick 2 Three Poems.............................................. ................................. .Rog Ebert 5 Hocus Focus.............................................. Harry Warner and Hal Lynch 8 One Poem.................................................... ...............................Peter Schug 15 From the SF Shelf................................. ......................Larry M. Harris 16 The Hard Way............................................ .............................. James Blish 22 The Silver Dagger................................. ........................ Robert Coulson 26 Fourpence Each and All In ’Writing ............... ...Eric Bentcliffe 52 The Incredulous Eye............................. ................................... Ed Gorman 56 He Swooped on his Victims and Bit them on the Nose..Avram Davidson 40 Epistolary Intercourse........................................................... Conducted by Pat 44 Absolute Xero................................................................................. Guest Editorial 55 Slaughter of the Pluturian Gill-Men.................................Juanita Coulson Bacover ART Cathy Bell.., ....................................................12, 17, 58, 42 Bhob............... , 2, 7, 8, 9, 16, 20, 25, 25, 26, 51, 4o Dave English .......................................... 15, 18 Andy Reiss.. ’.777.77.7.7.7....6, -
Fan Remake Films: Active Engagement with Popular Texts
FAN REMAKE FILMS: ACTIVE ENGAGEMENT WITH POPULAR TEXTS Emma Lynn A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Jeffery Brown, Advisor Becca Cragin Radhika Gajjala © 2021 Emma Lynn All Rights Reserved iii ABSTRACT Jeffery Brown, Advisor In a small town in Mississippi in 1982, eleven-year-old Chris Strompolos commissioned his friends Eric Zala and Jayson Lamb to remake his favorite film, Raiders of the Lost Ark (1981). This remake would dominate their summer vacations for the next seven years. Over thirty years later in January 2020, brothers Mason and Morgan McGrew completed their shot- for-shot live action remake of Toy Story 3 (2010). This project took them eight years. Fan remake films such as Raiders of the Lost Ark: The Adaptation (1989) and Toy Story 3 in Real Life (2020) represent something unique in fan studies. Fan studies scholars, such as Henry Jenkins, have considered the many ways fans are an example of an active audience, appropriating texts for their own creative use. While these considerations have proven useful at identifying the participatory culture fans engage in, they neglect to consider fans that do not alter and change the original text in any purposeful way. Sitting at the intersection of fan and adaptation studies, I argue that these fan remake films provide useful insights into the original films, the fans’ personal lives, and fan culture at large. Through the consideration of fan remake films as a textual object, a process of creation, and a consumable media product, I look at how Raiders of the Lost Ark: The Adaptation and Toy Story 3 in Real Life reinforce the fans’ interpretations of the original films in a concrete way in their own lives and in the lives of those who watch. -
Convergence Culture
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University A l l rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 9 8 7 6 5 4 3 2 1 Skenovano pro studijni ucely Contents Acknowledgments v i i Introduction: "Worship at the A l t a r of Convergence": A N e w Paradigm for Understanding M e d i a Change 1 1 Spoiling Survivor: The A n a t o m y of a Kn o w l e d g e C o m m u n i t y 25 2 Bu y i n g into American Idol: H o w We are Being So l d on Reality T V 59 3 Searching for the O r i g a m i U n i c o r n : The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the M e d i a Industry 131 5 W h y Heather C a n Write: M e d i a Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The N e w Relationship between Politics and Popular Cu l tur e 206 C onclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely 4 QuentinTarantino's StarWarsl Grassroots Creativity Meets the Media industry Shooting i n garages and basement rec rooms, rendering F / X o n home computers, and r i p p i n g music from C D s and M P 3 files, fans have cre- ated new versions of the Star Wars (1977) mythology. -
Petition for Cancelation
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date. -
Many Cultures One Earth Marion’S Biggest Festival Brings Community Together 3
marionCityLimits30 Autumn 09 > Free page Many cultures 16 one earth Marion’s biggest festival brings community together 3 Community People Safe house Senior constable and home assist coordinator Leanne Taylor conducts a home and safety assessment with Ronald Greave. Eligible aged residents can call 8375 6649 for a free inspection. Contents Mayor and CEO Opinion 5 Major Projects 9 Councillors Views 12 Development Matters 23 Marion Cultural Centre 24 Marion Business 27 Surging ahead Not just a Caring for mum Tall Poppies 28 State Government case of books 11 year old Marion in Pictures 29 drives State 50 years of Shannon lends Community Diary 31 Aquatic Centre Marion libraries a hand Lasting Impressions 32 forwards Editorial Policy. City Limits is a community-building publication and is not intended to discredit other individuals or organisations. As 8 11 28 such the Council reserves the right of editorial discretion. EDITOR RICHARD WATSON CONTRIBUTORS DAVID MELHUISH, PAULINE O’BRIEN, GEORGIA GOWING WRITERS RICHARD WATSON, GEORGIA GOWING PHOTOGRAPHER SIMON STANBURY Front Cover Dancers from the Australian Indonesian Association DESIGN SOMERSAULT DESIGN AND MARKETING REPRODUCTION WELL.COM PRINTING FINSBURY GREEN DISTRIBUTION PMP ADVERTISING SALES WALSH MEDIA SERVICES 08 8221 5600 by Simon Stanbury EDITORIAL CITY LIMITS C/O CITY OF MARION PO BOX 21 OAKLANDS PARK, SOUTH AUSTRALIA 5046 T 08 8375 6600 F08 8375 6699 E [email protected] W www.marion.sa.gov.au 4 Lions help dads stay close Library users Expectant fathers can now rest easy at Flinders Medical Centre show their love thanks to Marion Lions Club Marion’s library users voted on which presented five beds to its what items they loved to borrow maternity unit on March 24. -
20Th Century Index
Final art Index 8/12/00 2:03 PM Page 1 TR O L L E Y WI R E Australia’s Tramway Museum Magazine Compiled by Dale Budd and Randall Wi l s o n Final art Index 8/12/00 2:03 PM Page 2 Published by the Sydney Tramway Museum PO Box 103 Sutherland NSW 1499 Phone (02) 9542 3646 Fax (02) 9545 3390 August 2000 © Sydney Tramway Museum Cover photo: Bill Parkinson’s photograph of 383 at Milton Workshops was the centre spread of Trolley Wire in August 1965. Final art Index 8/12/00 2:03 PM Page 3 TR O L L E Y A u s t r a l i a ’s Tr a m w a y WI R E Museum Magazine Twentieth Century INDEX 1952–1999 Compiled by Dale Budd and Randall Wilson Final art Index 8/12/00 2:03 PM Page 4 P re f a c e This index to Trolley Wire has been compiled to provide a reference to major articles and significant news items in the magazine over the past half-century of its publication. In the interests of size and readability, not every item of information has been indexed: details are given in the section headed ‘Content’. While all possible care has been taken to ensure completeness and accuracy, the authors would be grateful to hear of any errors or omissions, together with relevant references. Dale Budd Randall Wilson August 2000 How to use the hot links in the Table of Contents Each entry in the Table of Contents is hot-linked to the appropriate page.