Commencement Speaker History List
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Remarks and an Exchange with Reporters on North Korea June 22, 1994
Administration of William J. Clinton, 1994 / June 22 best way to prove ourselves worthy of the legacy NOTE: The President spoke at 1:25 p.m. at the handed down by those who sacrificed in the Department of Veterans Affairs. In his remarks, Second World War, those who have worn our he referred to Garnett G. Shropshire, World War uniform since, and those who have been given II veteran, who introduced the President, and their just chance at the brass ring through the Hugo Mendoza, Persian Gulf war veteran. The bill of rights for the GI's. proclamation of June 21 on the 50th anniversary Thank you very much. of the GI bill of rights is listed in Appendix D at the end of this volume. Remarks and an Exchange With Reporters on North Korea June 22, 1994 The President. Good afternoon. Today I want will lead to the resolution of all the issues that to announce an important step forward in the divide Korea from the international community. situation in North Korea. This afternoon we In close consultation with our allies, we will have received formal confirmation from North continue as we have over the past year and Korea that it will freeze the major elements more to pursue our interests and our goals with of its nuclear program while a new round of steadiness, realism, and resolve. This approach talks between our nations proceeds. is paying off, and we will continue it. This is In response, we are informing the North Ko- good news. Our task now is to transform this reans that we are ready to go forward with a news into a lasting agreement. -
View of the Law Relating to the Confisca- Tion of the Estates of Loyalists, and Furnishes Through Copies of the Papers in the Proceedings an Object Lesson for Lawyers
1905.] R&port of the Council. 11 REPORT OF THE COUNCIL. THE Council are glad to report that with one exception our ranks are unbroken by death. By vote of the Council the Treasurer, in consultation with the President, has been authorized to procure book- plates (with engraved portraits) of Isaiah Thomas, our founder and first president, and of our fifth president, the late Stephen Salisbury, and this is being done. Mr. Nathaniel Paine has completed the Contents of the Society's Proceedings 1880-1903, which was recently an- nounced, and it is in print ready for distribution. This has involved much labor and will be highly appreciated by all interested in that period. Our associate Mr. Andrew McFarland Davis has presented to the Society about three hundred and fifty copies of his book, "The Confiscation of John Chandler's Estate," and about the same number of his work, "Tracts Relating to the Currency, 1681-1720." The former of these publi- cations contains a review of the law relating to the confisca- tion of the estates of loyalists, and furnishes through copies of the papers in the Proceedings an object lesson for lawyers. The latter contains reprints of the pamphlet literature of the period on the Currency question. There is room enough on the shelves of the libraries of the country for all of these books, although it may take several years for them to find their ultimate destination. Dr. G. Stanley Hall has prepared a memoir of the late Prof. H. B. Adams, and Dr. Jameson has prepared memoirs of the late Sir John G. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning” the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
World Economic Survey 1985-1986
SUPPLEMENT TO WORLD ECONOMIC SURVEY 1985-1986 • International monetary reform and the socialist countries • The changing institutional character of international financial markets in the 1980s • Countertrade in developing countries • Problems and policies of countries affected by desertification and drought ST/ESA/188 Department of International Economic and Social Affairs SUPPLEMENT TO WORLD ECONOMIC SURVEY 1985..1986 • International monetary reform and the socialist countries • The changing institutional character of international financial markets in the 1980s • Countertrade in developing countries • Problems and policies of countries affected by desertification and drought NOTE Symbols of United Nations documents are composed of capital letters combined with figures. Mention of such a symbol indicates a reference to a United Nations document. l ST/ESA/188 UNITED NATIONS PUBLICATION Sales No. E.86.II.C.2 01700 ISBN 92-1-109112-3 PREFACE The 1985-1986 Supplement to the World Economic Survey comprises four studies. The first, "International monetary reform and the socialist countries", consists of a systematic review of official and indirect sources of information concerning the views of the socialist countries on some key issues of monetary reform, based on material available up to 1985. "The changing institutional character of international financial markets in the 1980s" explores changes in financial markets and their implications for credit access, stability of capital flows, and the functioning of domestic macro-economic policies. The rise in the "securitization" of financial markets, together with the increasing recourse to low-risk borrowers, is an important trend which might lead to the exclusion from the market of those developing countries that have difficulties in debt payments even after current debt problems are resolved. -
Marvin Leath
B A Y L O R U N I V E R S I T Y C o l l e c t i o n s o f P o l i t i c a l M a t e r i a l s P a p e r s o f M A R V I N L E A T H P R E L I M I N A R Y I N V E N T O R Y Boxes sent from Washington: 1-67; 116-160. Boxes 68-115 presumed lost in transit in early 1991. B O X D e s c r i p t i o n Y e a r 1 Corr. Numbered files 8300 - 9199 Dec. 1981 - Feb. 1982 2 Corr. Numbered files 9200 - 9999 Feb. 1982 – Mar. 1982 3 Corr. Numbered files 10000 – 10799 Mar. 1982 4 Corr. Numbered files 10800 – 11699 Mar. 1982 – Apr. 1982 5 Corr. Numbered files 11700 – 12299 Apr. 1982 - May 1982 6 Corr. Numbered files 12300 – 12999 May 1982 7 Corr. Numbered files 13000 – 13699 May 1982 – June 1982 8 Corr. Numbered files 13700 – 14399 June 1982 – July 1982 9 Corr. Numbered files 14400 – 15099 July 1982 – Aug. 1982 1 0 Corr. Numbered files 15100 – 15799 Aug. 1982 – Sept. 1982 1 1 Corr. Numbered files 15800 – 16399 Sept. 1982 – Nov. 1982 1 2 Corr. Numbered files 16400 – 17199 Nov. 1982 – Dec. 1982 1 3 Corr. Numbered files 17200 – 17462 Jan. 1983 1 4 Corr. Numbered files 14475 – 17690 + forms Jan. 1983 1 5 Corr. -
Opinion | Sylvia Chase and the Boys' Club of TV News
SUNDAY REVIEW Sylvia Chase and the Boys’ Club of TV News When we started at the networks in the early ’70s, most of us tried to hide our gender. Sylvia spoke out. By Lesley Stahl Ms. Stahl is a correspondent for “60 Minutes.” Jan. 12, 2019 Back in the early 1970s, the TV network news organizations wanted to show the world that they were “equal opportunity employers.” And so, CBS, ABC and NBC scoured the country for women and minorities. In 1971, Sylvia Chase was a reporter and radio producer in Los Angeles, and I was a local TV reporter in Boston. CBS hired her for the New York bureau; I was sent to Washington. Sylvia, who died last week at age 80, and I were CBS’s affirmative action babies, along with Connie Chung and Michele Clark. To ensure we had no illusions about our lower status, we were given the title of “reporter.” We would have to earn the position of “correspondent” that our male colleagues enjoyed. We were more like apprentices, often sent out on stories with the seniors, like Roger Mudd and Daniel Schorr. While we did reports for radio, the “grown-ups” — all men — did TV, but we were allowed to watch how they developed sources, paced their days and wrote and edited their stories. Up until then, most women in broadcast journalism were researchers. At first, the four of us in our little group were grateful just to be in the door as reporters. Things began to stir when the women at Newsweek sued over gender discrimination. -
ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. -
Jeff Greenfield
Jeff Greenfield Political Analyst One of America’s most respected political analysts, Jeff Greenfield has spent more than 30 years on network television, including CNN, ABC News, CBS, and as an anchor on PBS’ Need to Know. A five-time Emmy Award-winner, he is known for his quick wit and savvy insight into politics, history, the media and current events. Twice he was named to TV Guide‘s All-Star News “Dream Team” as best political commentator and was cited by the Washington Journalism Review as “the best in the business” for his media analysis. Greenfield has served as anchor booth analyst or floor reporter for every national political convention since 1988 and reported on virtually every important domestic political story in recent decades. He looks at American political history "through a fictional looking glass" in his national bestseller, Then Everything Changed: Stunning Alternate Histories of American Politics -- JFK, RFK, Carter, Ford, Reagan, released to great acclaim in March 2011. The New York Times called it "shrewdly written, often riveting." A follow-up e-book, 43*: When Gore Beat Bush—A Political Fable, was published in September 2012, and his latest, If Kennedy Lived: The First and Second Terms of President John F. Kennedy: An Alternate History, was released in October 2013. A former speechwriter for Robert F. Kennedy, Greenfield has authored or co-authored 12 books including national bestselling novel The People’s Choice, The Real Campaign, and Oh, Waiter! One Order of Crow!, an insider account of the contested 2000 presidential election. From 1998-2007 Greenfield was a senior analyst for CNN, serving as lead analyst for its coverage of the primaries, conventions, presidential debates and election nights. -
Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. -
The Wisconsin Idea: the Vision That Made Wisconsin Famous
1 “Trying to plan for the future without a sense of the past is like trying to plant cut flowers” --Daniel Boorstin, historian and Librarian of Congress The Wisconsin Idea: The Vision that Made Wisconsin Famous Introduction To the practitioners who comprise UW-Madison’s Community Partnerships and Outreach (CPO) Staff Network, the Wisconsin Idea is at the heart of their day-to-day work with communities in Wisconsin and beyond. But the original meaning of the Wisconsin Idea has faded over time, replaced by a generic public service mandate. (1) “The Boundaries of the University are the Boundaries of the State” The “Year of the Wisconsin Idea” offers us an opportunity to reflect on how the Wisconsin Idea guides our practice. We chose to explore the history of the emergence of the Wisconsin Idea in an attempt to renew and clarify our vision for why and how we engage with the public to address pressing issues. It turns out that the history of the University’s engagement with the State offers much more relevant guidance than we would have imagined. The values that drove the founders of the WI Idea—truth, self- governance, egalitarianism, integrity, trust and social capital—are the same values that represent effective, democratic partnerships today. It’s evident in our practice, and now it’s evident in our history as well, thanks to the work of Gwen Drury, Ph.D. student in Educational Policy and Leadership Analysis at UW-Madison. The rich history she details here brings us closer to our best practices—equitable, reciprocal engagement in which knowledge is co-created by the University and communities working together on issues that matter to all of us. -
UCLA University Archives. Subject Files (Reference Collection)
http://oac.cdlib.org/findaid/ark:/13030/c8v1266j No online items University Archives. Subject Files (Reference Collection). 1881- Finding aid prepared by University Archives staff, 2012 September; finding aid revised by cbbrown, 2013 March; machine-readable finding aid created by Katharine Lawrie, 2013 June; additional EAD encoding revision by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online findinga aid last updated 30 March 2017. University Archives. Subject Files 746 1 (Reference Collection). 1881- Title: UCLA University Archives. Subject files (Reference Collection). Collection number: 746 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 40.0 linear ft. Date: 1881- Abstract: Record Series 746 contains information on academic programs, buildings, events, and organizations affiliated with: the Los Angeles State Normal School (LASNS), 1881-1919; the University of California, Southern Branch, 1919-1926; and the University of California, Los Angeles, 1927- . The contents of the Subject Files (Reference Collection) include: reports, statistical data, histories of academic departments, organization charts, pamphlets, and other miscellaneous items. Creator: UCLA University Archives. Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. All requests to access special collections materials must be made in advance through our electronic paging system using the "Request items" button. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright.