The Pentagram and the Hammer
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An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
Pentagram As a Symbol of Paganism: Symbols : Here the Differences Are Obvious
Symbolic meaning of the pentagram The Pentagram is a symbol of a star encased in a circle. Always with 5 points (one pointing upward), each has its own meaning. The upward point of the star is representative of the spirit. The other four points all represent an element; earth, air, fire, and water. All these things contribute to life and are a part of each of us. To wear a pentagram necklace or other form of jewelry, is to say you feel the connection with the elements and respect the earth. The number 5 The number 5 has always been regarded as mystical and magical, yet essentially 'human'. We have five fingers/toes on each limb extremity. We commonly note five senses - sight, hearing, smell, touch and taste. We perceive five stages or initiations in our lives - eg. birth, adolescence, coitus, parenthood and death. (There are other numbers / initiations / stages / attributions). Pentagram as a symbol of paganism: http://www.webcom.com/~lstead/wicatru.html Symbols : Here the differences are obvious. The predominant symbol for Wicca (and for many, Paganism in general) is the pentagram. The predominant Ásatrú symbol is, of course, the hammer. While various interpretations for the pentagram abound, a common understanding of the religious meaning of the symbol is that it represents five equidistant elements: Earth, Air, Fire, Water, and Spirit, each bound within the circle of life, death, and rebirth. Here then is a display of a central ideology behind Wicca: to live one's life in harmony with these elements, representative of features of the self, and in union with the cycles of nature. -
Wicca 1739 Have Allowed for His Continued Popularity
Wicca 1739 have allowed for his continued popularity. Whitman’s According to Gardner, witchcraft had survived the per- willingness to break out of hegemonic culture and its secutions of early modern Europe and persisted in secret, mores in order to celebrate the mundane and following the thesis of British folklorist and Egyptologist unconventional has ensured his relevance today. His belief Margaret Murray (1862–1963). Murray argued in her in the organic connection of all things, coupled with his book, The Witch Cult in Western Europe (1921), that an old organic development of a poetic style that breaks with religion involving a horned god who represented the fertil- many formal conventions have caused many scholars and ity of nature had survived the persecutions and existed critics to celebrate him for his innovation. His idea of uni- throughout Western Europe. Murray wrote that the versal connection and belief in the spirituality present in a religion was divided into covens that held regular meet- blade of grass succeeded in transmitting a popularized ings based on the phases of the moon and the changes of version of Eastern theology and Whitman’s own brand of the seasons. Their rituals included feasting, dancing, sac- environmentalism for generations of readers. rifices, ritualized sexual intercourse, and worship of the horned god. In The God of the Witches (1933) Murray Kathryn Miles traced the development of this god and connected the witch cult to fairy tales and Robin Hood legends. She used Further Reading images from art and architecture to support her view that Greenspan, Ezra, ed. The Cambridge Companion to Whit- an ancient vegetation god and a fertility goddess formed man. -
1 Funded by Heathen Art LLC Director, Benjamin Richard Long (Gothi
1 9438 Page Funded by Heathen Art LLC Streetsboro, OH 44241 Director, Benjamin Richard Long (Gothi, Founder) United State of America [email protected] http://odinbrotherhood.webs.com Drafted, Dec/ 21/ 2011 The Odin Brotherhood is a church and fellowship of Wotanists who identify themselves as following the teachings of Wotan predicated from the book A Walk with our Ancestors. Any child of Odin qualifies as a po- tential Wotanist. Being kin is only the first step in declaring faith, the Holy powers mandate that one be whole in mind, body, and spirit to truly be a child of the Holy Powers. Our ancient fathers had an identity, that iden- tity was shared by the kin. Without that identity there would have been no kin. Wotanism is an expression of the spirit, the kin, and the individual. Those that keep the teachings of Wotan are blessed. Those that ignore his teachings fall into the shadow. Those that betray his teachings are ultimately hated and despised. The mo- ment a kin becomes a Wotanist is the discovery of the Holy Powers. A kin declaring themselves a member of of Wotan’s flock is a Wotanist. Any that willfully betray him is an enemy of the kin. Wotan is the expression of the kin, Wotan resides in our memory and soul as the archetype of our people. If there were no Wotan then there would be no Folk. Our existence is predicated on his existence. As well as his existence is predicated on ours. Since the two are mutually inclusive and dependent on each other, should one cease to exist then likewise the other shall fall too. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
A Christian Psychologist Looks at the Da Vinci Code
A Christian Psychologist Looks at The Da Vinci Code April 2006 Stephen Farra, PhD, LP, Columbia International University For information about reprinting this article, please contact Dr. Farra at [email protected] Understanding the Agenda behind The Da Vinci Code A number of scholarly, thoughtful responses to The Da Vinci Code have already been produced by other members of the Christian community. These other responses, though, tend to concentrate on historical and factual errors, and the false conclusions these errors can produce. This response is different. While this response also highlights several historical/factual errors in the text of The Da Vinci Code, this response attempts to go to the conceptual and spiritual essence of the book. Instead of focusing on mistakes, and what is obviously distorted and deliberately left out, this response focuses on what is actually being presented and sold in the book. It is the thesis of this review that what is being presented and sold in The Da Vinci Code is Wicca – Neo-paganism, modern Witchcraft, “the Wiccan Way.” People need to make up their own minds on this important issue, however. A comparative chart, and numerous other quotations / examples are employed to present the evidence, and make the case. The Da Vinci Code is not just a novel. If that is all it was or is, there would be no need for the page boldly labeled "FACT” (all capital letters). The FACT page is page 1 in the book, the last printed page before the Prologue, the true beginning of the story. On the FACT page, the author(s) try to convince you that they have done a good job of researching and fairly representing both the Priory of Sion and Opus Dei, and then go on to boldly proclaim: "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate." This "novel" is really a deconstructionist, post-modern attempt to re-write history, with a hidden agenda deeply embedded within the deconstructionist effort. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Strength Symbols
Ancient Japanese kanji symbol for Spiritual Strength Ancient Japanese symbol for Good Fortune. Ancient Japanese symbol for Black Sheep Ancient Japanese symbol for Supernatural Power. Strength Symbols The Bear-An ancient Heraldic symbol which signifies Strength. The Bull- Symbolized strenght in Egypt and other countries. Japanese Kanji Symbol for Strength Tabono - the 'paddles'. Ancient African Symbol- Symbol represents strength and perseverence. Celtic Boar symbol for Strength Chinese Symbol for Strength Good Luck Symbols Four Leaf Horseshoe-The horseshoe Clover-is a renown is considered very lucky symbol that means good and used to be hung in luck to the person who many homes to protect and finds one. What do the attract good fortune for the leaves symbolize? family residing inside. One leaf is for FAITH...The second for Horseshoes were also considered lucky HOPE... The third for LOVE... And the because they were made by fourth for LUCK! In Irish tradition the blacksmiths, which is also considered a Shamrock or Three-leaf Clover very lucky trade. Because they worked represents the Holy Trinity: one leaf for with elemental fire and magical iron, the Father, one for the Son and one for they were thought to have special the Holy Spirit. When a Shamrock is powers. found with the fourth leaf, it represents God's Grace. Lucky Rabbit's foot- Rabbits and hares were considered very lucky animals as they were associated with spring and the return of flowers and other plants. Spring was also a time of fertility and so rabbits were considered good luck to be seen running through the fields. -
DECEMBER 21 SOLSTICE 2020 a Ritual Practice to Harness This Energy
DECEMBER 21 SOLSTICE 2020 A ritual practice to harness this energy. A R D M O O R E & C O . K A R E N S T E V E N S . C O M . A U D E C E M B E R 2 1 S O L S T I C E 2 0 2 0 There is going to be a great cosmic solar event that will be seen and experienced by every single conscious being in our universe. This is what is commonly being described as the event. Why 21st December 2020? There's natural scientific significance of this date with relation to our solar system. The Azimuthal Equidistant Geocentric Earth model, the sun coils up and around the electromagnetic dome that encapsulates our earth for the summers and coils down towards the end of our solar year to its southern most position of the Tropic of Capricorn. And on December 21 is at its lowest Zenith or Y axis point, the farthest out from our land centre, and the closest to the earth vertically. This is what is known as the winter solstice, from a northern hemisphere perspective, and the summer solstice from the southern hemisphere perspective. K A R E N S T E V E N S . C O M . A U D E C E M B E R 2 1 S O L S T I C E 2 0 2 0 Once the sun has reached its lowest point, it follows the same radiant circuit, and either ascending or descending for three days before then beginning its journey back up to the Tropic of Cancer towards the top in the centre of our electromagnetic dome of this domain. -
A Translation of the Anglo-Saxon Poem of Beowulf
<36609035.8800 18 /\ - <36609035.8800 18 Bayer. Staatsbibliothek A TRANSLATION OF THE ANGLO-SAXON POEM OF B E O W U L F WITH A COPIOUS GLOSSA R Y PREFACE AND PHILOLOGICAL NOTES BY JOHN M. KEMBLE ESQ. M. A. of TRINITY COLLEGE CAMBRIDGE LONDON WILLIAM PICKERING 1837 Bi is LIOTHECA l{FGLA ViONACENSIS. c. whitti Ngh AM, rooks court, CHANCERY i.A.N.E. TO JAMES GRIMM. ABBREVIATIONS, &c. MADE USE OF IN WOLUME II. AElf. Gen. ......... AElfric's Genesis, &c. in Thwaite's Heptateuch. Agricola............. German Proverbs. Alt Platd. Ged. ... Bruns. Alt Platdeutsche Ge— dichte. Anal. ............... Analecta Anglo-Saxonica, by Thorpe. A. S. ............... Anglo-Saxon. B. F. Bat. F. ...... Battle of Finnesburh. Bed. ............... AElfred's Beda, by Smith. Ben. Beyt. ......... Benecke. Beyträge, &c. Bibl. Publ. ......... MS. in the Cambridge University Library. Boet. Boeth. ...... Alfred's Boetius, by Rawlinson. Caed. Caedm. ...... Caedmon, by Thorpe. Cod. Ex............. Codex Exoniensis, from the copy among the Additional MSS. of the Brit. Mus. Cod. Verc. ......... Codex Vercellensis. Poetical frag ments at Vercelli. Cöln. Reimch....... Reimchronik der Stadt Cöln, by van Groot. D. G. ............... Deutsche Grammatik, by Grimm N.B. this work is sometimes re ferred to by the name Grimm. D. H. S. ............ Deutsche Heldensage, by W. Grimm. ABBREVIATIONs, &c. D. M. ............... Deutsche Mythologie, by Grimm. D. R. A............. Deutsche Rechtsalterthümer, by Grimm. Diut. ............... Diutiska, by Graff. Ed. Sam. ......... Edda Saemundar hinns Froda. 3 vols. 4to. Ed. Snor............. Edda Snorrii. the prose Edda. Falck ............ ... Staatsbürgerliche Magazin, by Falck. Fornald. Sög. ...... Fornaldar Sögur. edited by Rafn for the Antiquarian Society of Copenhagen. Fornm. Sög. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
Jordanes and the Invention of Roman-Gothic History Dissertation
Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Swain Graduate Program in History The Ohio State University 2014 Dissertation Committee: Timothy Gregory, Co-advisor Anthony Kaldellis Kristina Sessa, Co-advisor Copyright by Brian Swain 2014 Abstract This dissertation explores the intersection of political and ethnic conflict during the emperor Justinian’s wars of reconquest through the figure and texts of Jordanes, the earliest barbarian voice to survive antiquity. Jordanes was ethnically Gothic - and yet he also claimed a Roman identity. Writing from Constantinople in 551, he penned two Latin histories on the Gothic and Roman pasts respectively. Crucially, Jordanes wrote while Goths and Romans clashed in the imperial war to reclaim the Italian homeland that had been under Gothic rule since 493. That a Roman Goth wrote about Goths while Rome was at war with Goths is significant and has no analogue in the ancient record. I argue that it was precisely this conflict which prompted Jordanes’ historical inquiry. Jordanes, though, has long been considered a mere copyist, and seldom treated as an historian with ideas of his own. And the few scholars who have treated Jordanes as an original author have dampened the significance of his Gothicness by arguing that barbarian ethnicities were evanescent and subsumed by the gravity of a Roman political identity. They hold that Jordanes was simply a Roman who can tell us only about Roman things, and supported the Roman emperor in his war against the Goths.